->"''Sure as day follows night, sure as eggs is eggs, sure as every odd-numbered ''Franchise/StarTrek'' movie is shit.''"
-->-- '''[[Series/{{Spaced}} Tim Bisley]]''', played by '''Creator/SimonPegg''', [[HilariousInHindsight who starred in]] [[Film/StarTrek the eleventh Star Trek movie]], wrote [[Film/StarTrekBeyond the thirteenth]], and noted the irony.

As a series or franchise goes on and the number of sequels and side works/{{Spinoff}}s/etc. increases, it's all but certain that the audience will not find them to all be of uniform quality. However, there are a number of works that show this in one particular way: audiences will generally find that the quality bounces back and forth in a numerically ordered fashion. Typically, this will show up as either the even- or odd-numbered sequels being better than the opposite, although other variants exist.

The TropeCodifier is the ''Film/StarTrek'' movies, which have had a long-standing reputation of "the even-numbered movies are a lot better than the odd-numbered ones".

See also: SophomoreSlump, for when the first in a series is good, the second is trash, but the third is good again.

Not to be confused with TheProductionCurse, where the problems go ''much, much'', deeper.



[[folder: Anime and Manga ]]

* For ''Franchise/{{Gundam}}'', it's the "sequel series curse", where sequels to a series other than the original ''Anime/MobileSuitGundam'' tend to be poorly received in comparison: ''Anime/MobileSuitZetaGundam'' and ''Anime/MobileSuitGundamZZ'', ''Anime/MobileSuitGundamSEED'' and ''Anime/MobileSuitGundamSEEDDestiny'', and to an extent the second seasons of ''Anime/MobileSuitGundam00'' and ''Anime/MobileSuitGundamIronBloodedOrphans''. Averted with ''Anime/MobileSuitGundamWing'' and ''[[Anime/MobileSuitGundamWingEndlessWaltz Endless Waltz]]''. For the moment appears to be downplayed with ''Anime/GundamBuildFighters'' and ''Anime/GundamBuildFightersTry'', with BF being a ToughActToFollow but reactions to ''Try'' still being generally positive, if not to the degree of its predecessor.
* Fan consensus on the ''Manga/OnePiece'' movies tends to favor the even-numbered movies over the odd-numbered ones, with the exception of the eighth movie "[[Anime/TheDesertPrincessAndThePiratesAdventuresInAlabasta Episode of Alabasta]]" and the ninth movie "[[Anime/EpisodeOfChopperPlusBloomInTheWinterMiracleSakura Episode of Chopper]]" which are reversed.
* When it comes to ''Franchise/{{Digimon}}'', fans often tend to like the odd-numbered seasons over the even-numbered seasons. ''Anime/DigimonAdventure'' and ''Anime/DigimonTamers'' are near universally liked among fans, and ''Anime/DigimonSavers'' has gained some praise but not as much as Adventure and Tamers, while ''Anime/DigimonAdventure02'' is divisive with fans of the first Adventure series (especially with some of the final episodes), and ''Anime/DigimonFrontier'' tends to gain a lot of flack for changing the formula of the previous series. ''Anime/DigimonXrosWars'' has a number of fans even for an even-numbered season, with the exception of its final arc, the near universally hated "Young Hunters" arc. ''Anime/DigimonAdventureTri'' received positive reviews at first but reception became more negative as the movies went on.


[[folder: Film ]]

* ''Franchise/StarTrek'' is the TropeNamer, although ironically it's more CommonKnowledge than an actual example:
** Of the original cast films, pretty much everybody agrees that the even-numbered films (''The Wrath of Khan'', ''The Voyage Home'', ''The Undiscovered Country'') are excellent as both science fiction films and ''Star Trek'' films. However, the odd-numbered ones are a mixed bag: the first one (''The Motion Picture'') is generally considered leadenly paced and excessively padded with special effects but not outright bad (a much ''shorter'' director's cut from 2001 was very warmly received), while the third film (''The Search for Spock'') is a cheap-looking, continuity-dense affair that is ''at worst'' SoOkayItsAverage and at best an underrated gem. Only the fifth film (''The Final Frontier'') is universally derided as awful on almost every conceivable level. Some say the "Star Trek curse" only started when Series/SiskelAndEbert listed ''Final Frontier'' among the ten worst movies of 1989, as ''The Motion Picture'' and ''The Search For Spock'' obviously made enough money to keep the franchise going.
** By the 1990s, the curse had taken root in the public's mind, and the three ''Next Generation'' films released in that decade certainly didn't shake the perception. The seventh (''Generations'') and ninth (''Insurrection''--which the crew dubbed "Nine of Ten" in a futile effort to shake off the curse) films are both considered forgettable and lackluster, and ''Generations'' has a fairly sizeable hatedom for [[spoiler: killing off iconic franchise lead James T. Kirk in a manner so unfitting they named a trope, DroppedABridgeOnHim, after it]]. Only the eighth (''First Contact'') is well-loved by fans, since it's an ActionizedSequel that pits Captain Picard against an established enemy he has a personal grudge with.
** In the 21st century, however, the curse was completely inverted. The tenth film overall and last ''Next Generation'' film, ''Nemesis'', flopped so hard that ''Star Trek'' as a feature film franchise was effectively dead after twenty-three years. With the quiet death of TV series ''Enterprise'' shortly afterwards, the ''Star Trek'' franchise began to fade into obscurity.... And then, enter Creator/JJAbrams. Probably accompanied by a lot of lens flare. Contrary to its position in the franchise, his eleventh film (simply called ''Star Trek'') was a YoungerAndHipper and HotterAndSexier blockbuster that caused ''Star Trek'' to become a household name again, and a box office juggernaut to boot. Aside from the obvious reason for its success--it's a slick, fun film from an expert filmmaker--many tongue-in-cheek theories have been put forth as to how it's "broken the curse":
*** Using the sum of the film's digits as an indicator (10; '''1'''+'''0'''=1, an odd number and 11; '''1'''+'''1'''=2, an even number).
*** Including the AffectionateParody ''Film/GalaxyQuest'' as a "''Star Trek'' movie", inserting it between 9 (''[[Film/StarTrekInsurrection Insurrection]]'') and 10 (''Nemesis'') as [[http://qntm.org/odd put by]] [[Website/ThingsOfInterest Sam Hughes]], thus shifting the J. J. Abrams film into the twelfth slot.
*** Referring the [[ContinuityReboot reboot]] film as "''Star Trek 0''," thus placing it in an even spot.
** The following two films continue the curse's inversion, with the twelfth (''Into Darkness'') having a sizeable BrokenBase over its plot and copious rehashing of ''Wrath of Khan'', while the thirteeth (''Beyond'') is largely loved for being a lighthearted, spirited adventure in the vein of the original series written by loveable geek Creator/SimonPegg (who, for context, also wrote the page quote decrying every odd-numbered ''Star Trek'' film as "shit").
** Some other tongue-in-cheek attempts to harmonize "the curse" include:
*** ''Nemesis'' wasn't good because it was a multiple of five, and thus, like ''Film/{{Star Trek V|The Final Frontier}}'', was bad; in other words, the curse has a previously-undiscovered [[http://en.wikipedia.org/wiki/Fizzbuzz FizzBuzz property]]. This is followed by the explanation that ''Film/StarTrek'' doesn't follow the pattern because of the interference of time-traveling Romulans -- besides, it wasn't made by the same crew as the rest.
*** Michael Demtschyna, along with Chuck Sonnenburg of Website/SFDebris, have suggested the alternate theory that the movie is bad when any of the main characters sing. These are ''The Final Frontier'', ''Generations'', ''Insurrection'', and ''Nemesis'' (with Chuck snarking that ''Film/StarTrekTheMotionPicture'' doesn't contain singing only because [[LeaveTheCameraRunning it would distract from the boredom]]).
*** In a sub-example that's also a positive case for the franchise, and an inversion of the ''Franchise/PowerRangers'' example below, the films released during anniversaries have ended up getting good reception. These have included ''Film/StarTrekIVTheVoyageHome'' (20th), ''Film/StarTrekViTheUndiscoveredCountry'' (25th), ''Film/StarTrekFirstContact'' (30th), and now ''Film/StarTrekBeyond'' (50th).
** References to the ''Star Trek'' curse in other works include:
*** [[http://www.egscomics.com/index.php?id=357 Referenced]] in ''Webcomic/ElGoonishShive'', where Susan has shelved the odd and even numbered films separately in the rental store she works in.
* The ''Franchise/IndianaJones'' franchise seems to be the opposite; odd-numbered movies (''Film/RaidersOfTheLostArk'', ''Film/IndianaJonesAndTheLastCrusade'') do well, while even-numbered movies (''Film/IndianaJonesAndTheTempleOfDoom'', ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull'') are nowhere near as good.
* Many fans consider the ''Franchise/ANightmareOnElmStreet'' series to follow the reverse of this, with the even number movies being inferior to the odds. Hilariously, it is still inverted to ''Star Trek'' with regard to reboot status, as the ''Nightmare'' reboot is considered poor by most fans, unlike the mostly acclaimed ''Star Trek'' 2009 reboot.
* The ''Film/MadMax'' series, despite being one of the more consistent film franchises, has this kind of pattern: While ''[[Film/MadMax2TheRoadWarrior The Road Warrior]]'' and ''[[Film/MadMaxFuryRoad Fury Road]]'' are widely considered to be classics and essential viewing for action movie fans, the odd-numbered entries tend to be [[BrokenBase more divisive]], for different reasons: ''Film/MadMax1'' because [[EarlyInstallmentWeirdness it is an entirely different genre altogether]], and ''[[Film/MadMaxBeyondThunderdome Beyond Thunderdome]]'' for its LighterAndSofter tone and its relative lack of car chases.
* This has wound up being the case for the Creator/DanielCraig-era Franchise/JamesBond films. The [[Film/CasinoRoyale2006 odd]]-[[Film/{{Skyfall}} numbered]] films have wound up receiving critical praise, while the [[Film/QuantumOfSolace even]]-[[Film/{{Spectre}} numbered]] films have received mixed reception.
* Among the three ''WesternAnimation/{{Rugrats}}'' movies, ''WesternAnimation/TheRugratsMovie'' is considered unremarkable while ''WesternAnimation/RugratsInParis'' is seen as a modest improvement and ''WesternAnimation/RugratsGoWild'' is on par with the original.
* ''Film/{{Highlander}}'' is a CultClassic action-adventure tale of an immortal Scotsman killing his centuries-old rival and attaining the unlimited power of The Prize. ''Film/HighlanderIITheQuickening'' is a mess involving a dystopian future and Immortals being aliens from the planet Zeist. ''Film/HighlanderIIITheSorcerer'' is a SoOkayItsAverage affair that has a plausible reason for keeping Immortals around after the events of the first film, if not for giving the villain magical illusion powers. ''Film/HighlanderEndgame'' is a continuation from the TV series including numerous plot holes and having Ducan [=MacLeod=] kill Connor [=MacLeod=]. ''Anime/HighlanderTheSearchForVengeance'' is a surprisingly good film that makes Highlander work in an AfterTheEnd anime world complete with MechaMooks and mutant Immortals. ''HighlanderTheSource'' is. . . well. . . yeah.


[[folder: Literature ]]

* While fans of the ''Literature/{{Temeraire}}'' series of books don't necessarily find the even-numbered books to be bad, there is definitely a pattern of odd being "war and lots of cool dragon battles" and even being "travel and lots of talking". However, both the sixth and seventh books are travel and diplomacy, and the eighth is Napoleon's Russian campaign.


[[folder: Live Action TV ]]

* So far this seems to be the case with ''Series/AmericanHorrorStory''. ''Asylum'' and ''Freak Show'' (even-numbered) have been better-received than ''Murder House'' and ''Coven'' (odd-numbered). Something to note is that ''Asylum'' and ''Freak Show'' take place in the past (1964 and 1952 respectively, although ''Asylum'' did flash to the present occasionally), while the others are set in the present-day. ''Hotel'', before it even premiered, became "the season without Jessica Lange." Notably it was the first season with lower premiere ratings than its predecessor.
* Although ''Series/{{Supernatural}}'' has had its bases regularly broken as early as the ''third'' season, the even-numbered seasons tend to fare better than the odd ones. Season 1 is regarded as a good start but suffers from a large amount of MonsterOfTheWeek episodes as the show was still finding its footing, while Season 2 is noted as the show's real moment of GrowingTheBeard. Season 3 wound up being hit by production troubles thanks to the '07 Writers Strike and also introduced two new characters [[SpotlightStealingSquad that took time away from Sam and Dean]] and were Base Breakers ''at best''. Season 4 wound up introducing [[BreakoutCharacter fan favorite Castiel]], and heavily increasing the mythology marked a notable increase in the show's ratings. Averted by Season 5, which further develops the story arc from S4 and is also well-liked. Also averted by Season 6; although it introduces some fresh new ideas and has several fan-favorite episodes, it's also seen to suffer from the [[PostScriptSeason main story having already been wrapped up at that point]], with the show spinning its wheels in some places trying to find a new direction. The trope comes back into play with Season 7, which only accentuated the problems of S6 rather than fix them, and [[TheyWastedAPerfectlyGoodPlot abruptly dropped the exciting storyline teased by the S6 finale]]. Season 8 attempted to undo the damage, and after a rough start managed to introduce a well-received plotline of the brothers trying to close the gates of Hell. But then Season 9 came and fell back into the same issues as before of the show struggling to find a cohesive tale to tell, which wound up turning as many people back off, with Sam and Dean's constant fighting doing little to help as it began to come off more as {{Wangst}} to many longtime viewers. Although 10 at least cut down on their bickering and let them get along again, it's also an aversion as it still suffers from the aimlessness that plagued 9. Time will tell how Season 11 fares.
* Fans of ''Series/TwentyFour'' have noted that odd-numbered seasons are generally the show's better ones, featuring a variety of different terrorist scenarios, while the even-numbered ones always revolve around nuclear Islamic terrorism and are generally greatly inferior (except for possibly season 2, which is considered to have a solid core storyline, but let down by the subplot involving [[TrappedByMountainLions Kim constantly being taken prisoner]]).
* ''Franchise/PowerRangers'' fans have an unique version with anniversary seasons ''[[Series/PowerRangersTurbo Turbo]]'' (Season 5), ''[[Series/PowerRangersWildForce Wild Force]]'' (Season 10), ''[[Series/PowerRangersOperationOverdrive Operation Overdrive]]'' (Season 15) and ''[[Series/PowerRangersMegaforce Super Megaforce]]'' (the 20th anniversary celebration but [[SequelNumberSnarl don't ask the exact season number]]) considered among the worst or most divisive.
** Another curse ''Power Rangers'' has relates to how well the source material is received - in general, ''Power Rangers'' adaptations of Sentai series that were well-liked (i.e., ''Series/JukenSentaiGekiranger'', ''Series/MahouSentaiMagiranger'', ''Series/SamuraiSentaiShinkenger'', ''Series/GoGoSentaiBoukenger'') are either considered OK (''Series/PowerRangersJungleFury''[[note]]although this one has been VindicatedByHistory as of late[[/note]], ''Series/PowerRangersMysticForce'') or are despised by the fandom (''Series/PowerRangersSamurai'', ''Series/PowerRangersOperationOverdrive''); on the other hand, sentai series that were seen as OK or disliked by the fandom (''Series/ChourikiSentaiOhRanger'', ''Series/SeijuuSentaiGingaman'', ''Series/EngineSentaiGoOnger'', and ''Series/ZyudenSentaiKyoryuger'') tend to produce well-liked adaptations (''Series/PowerRangersZeo'', ''Series/PowerRangersLostGalaxy'', ''Series/PowerRangersRPM'', and ''Series/PowerRangersDinoCharge''). There are a few exceptions to this rule - ''Series/DenjiSentaiMegaranger'' and ''Series/MiraiSentaiTimeranger'' are both well liked, yet their ''Power Ranger'' counterparts (''Series/PowerRangersInSpace'' and ''Series/PowerRangersTimeForce'') are fan favorites[[note]]although people recommend watching ''Time Force'' over ''Timeranger'', it's more because of [[NoExportForYou the lack of complete fansubs]] for the latter as opposed to the quality of the show, meaning that unless you can speak Japanese, you have to stop watching after episode 30 as of January 6, 2017, since that is as far as the fansub group Overtime has subbed up to[[/note]]; inversely, ''Series/TensouSentaiGoseiger'' is considered a '''very''' dull Sentai by western fans, and fan opinion of ''Megaforce'' is already mentioned above.
** Also worth noting is that every series which uses a 5th set of suits is generally well-received, whereas the one that comes before it isn't[[note]]this counts the ''Alien Rangers'' series as it's own series[[/note]], due to the fact that the core 5 suits from ''Series/GoseiSentaiDairanger'' were not used - the aforementioned anniversary series used the 4th, 9th, 14th, and [[SequelNumberSnarl 18th/19th]], whereas the series that came after them, ''In Space'', ''Ninja Storm'', ''Jungle Fury'', and ''Dino Charge'', which used the 5th, 10th, 15th, and 20th sets of costumes respectively, were received better than their predecessors (and in the case of ''In Space'', is widely considered the best)[[note]]this does not count the suits used in ''Film/PowerRangers2017'' towards the number of suits, on the grounds that it does not adapt a set of ''Sentai'' suits, and the suits are re-imaginings of existing suits as opposed to new suits entirely[[/note]].
* ''Series/{{Justified}}'', while still being a very well received show, suffers this to some extent: Seasons 2, 4 and 6 are considered all time great seasons of television. Season 1 has all the signs of a series [[GrowingTheBeard in the process of finding its voice]], season 3, although widely beloved, was seen as a step down from the superlative second, and season 5 is almost universally considered the worst the show ever had.
* With ''Franchise/KamenRider'', the "curse" seems to be attached to shows with a mystic/supernatural theme. ''Series/KamenRiderAmazon'', whose hero got his powers from a {{Mayincatec}} armband rather than AppliedPhlebotinum, was so [[BloodierAndGorier gory]] (albeit by [=1970s=] standards) that the backlash from angry parents almost [[FranchiseKiller killed the franchise]]. Decades later, ''Series/KamenRiderHibiki'' was popular with fans, but suffered a {{Retool}} that messed it up so badly that it's become one of {{Tokusatsu}}'s most infamous cases of ExecutiveMeddling. The next three supernatural shows, ''Series/KamenRiderKiva'', ''Series/KamenRiderWizard'', and ''Series/KamenRiderGhost'' are generally held in low regard by the fandom, with ''Ghost'' in particular being viewed as one of the weakest seasons ever made and ''Wizard'' not too far behind[[note]]''Kiva'' doesn't get it quite as bad, mainly because fans tend to hate half the show (the primary plotline set in 2008 and focusing on Kiva) but enjoy the other half (the 1986 plotline focusing on his father)[[/note]].
* ''Series/{{Fargo}}'' is a weird example, given how all three of its seasons were well-acclaimed. However, the odd-numbered seasons had significant criticisms: ''[[Series/FargoSeasonOne Season 1]]'' sometimes had too many [[CallBack Call Backs]] to [[Film/{{Fargo}} the original movie]], and [[ItsTheSameSoItSucks even felt like a retread]] to some viewers. ''[[FargoSeasonOne Season 3]]'' had a SlowPacedBeginning that made the season drag, and an AmbiguousEnding that upset some for a lack of closure. Both are in contrast to Season 2, which had [[HundredPercentAdorationRating near universal acclaim]] for its more original plot and [[GreyAndGrayMorality complex character arcs]].

[[folder: Music ]]

* Though not applicable to his entire output, the operas of Music/GioachinoRossini between ''L'italiana in Algeri'' (his eleventh) and ''Otello'' (nineteenth) fall into this territory, with the odd numbered operas (''L'italiana'', ''Il turco in Italia'' [13], ''Elisabetta, regina d'Inghilterra'' [15], ''Theatre/TheBarberOfSeville'' [17] and ''Otello'') being better respected than the evens (''Aureliano in Palmira'' [12], ''Sigismondo'' [14], ''Torvaldo e Dorliska'' [16] and ''La gazzetta'' [18]).


[[folder: Professional Wrestling ]]

* The best remembered seasons of the original version of Wrestling/{{WWENXT}} are the odd-numbered seasons. The first was universally considered the best, back when the NXT concept was being taken seriously. It directly led to Wrestling/TheNexus, one of the most iconic angles in WWE history, and also launched the short-lived but hugely memorable WWE career of [[Wrestling/BryanDanielson Daniel Bryan]]. The third season is remembered for being the only all-female season and for its SoBadItsGood nature, to the point that [[Wrestling/NXT3 the season got a TV Tropes page all to itself]]. The fifth was the year-long season with a noticeable retool that, for better or worse, gave the product a different image. The second and fourth seasons, however? They were forgotten almost instantly.


[[folder: Video Games ]]

* Most Franchise/SpiderMan games have the distinction where direct sequels to a game are thought of as weaker than their predecessors. This includes ''[[VideoGame/SpiderMan2EnterElectro Enter Electro]]'' to [[VideoGame/SpiderMan the first Playstation title]], ''Separation Anxiety'' to ''VideoGame/MaximumCarnage'', ''[[VideoGame/SpiderManEdgeOfTime Edge of Time]]'' to ''[[VideoGame/SpiderManShatteredDimensions Shattered Dimensions]]'', and ''VideoGame/TheAmazingSpiderMan2'' to the [[VideoGame/TheAmazingSpiderMan first]]. The games based off the [[VideoGame/SpiderManTrilogy Sam Raimi trilogy]] zig-zag this: ''VideoGame/SpiderMan2'' is considered an EvenBetterSequel to the first due to its GenreShift, but ''Spider-Man 3'' more directly follows up on the second by also adopting the Sandbox gameplay style, and is similarly thought of as a disappointment.
* Early ''Franchise/FinalFantasy'' titles followed a pattern where odd numbered games were more gameplay focused than the even ones, which were more story driven. ''VideoGame/FinalFantasyVII'' broke this pattern, and all games afterwards tended to be very story heavy.
* ''{{Franchise/Assassins Creed}}'' has seemingly fallen into this with the even numbered games being better received than the odd numbered ones. Even after they StoppedNumberingSequels with ''Unity'' and ''Syndicate'' it's held the pattern.
* In the ''Franchise/DevilMayCry'' series, the odd numbered games are better received than the even numbered ones. The original is a well liked Hack and slash. The second game is widely seen as [[SophomoreSlump the worst]] to the point that even Capcom rarely acknowledges the existence of the game. The third game is a SurprisinglyImprovedSequel and possibly the best in the series. The fourth game is good but it's considered as a step down from the predecessor because of [[ReplacementScrappy Nero replacing Dante]] and its annoying backtracking. [[VideoGame/DmCDevilMayCry The reboot]] broke the trend being by far the most contentious installment.
* The canonical ''Franchise/StreetFighter'' games: The [[VideoGame/StreetFighterII second]] and [[VideoGame/StreetFighterIV fourth]] games in the series are remembered as the games that respectively launched and reinvigorated the fighting game genres. The [[VideoGame/StreetFighter first game]], which played very differently, [[SequelDisplacement has been largely forgotten in the shadow of its successors]], the [[VideoGame/StreetFighterIII third is seen as great]] but not ''quite'' on the level of the second, and the [[VideoGame/StreetFighterV fifth]] is highly divisive due to the limited features and it being seen as too unfriendly for casual gamers.
* ''VideoGame/SuperSmashBros'': The even ones win out here: the first installment was seen as an upstart fighting game that had yet to find its voice. ''Melee'' is considered a substantial improvement and widely considered to be the best four-player party fighter of all time. ''Brawl'' was still tons of fun for most gamers, but many people thought the gameplay wasn't nearly as competitive-friendly as ''Melee'' was. The fourth game was widely seen as a return to ''Melee''s form, keeping some of ''Brawl'''s more liked changes while reverting the less popular ones back to how they were in ''Melee''.
* ''VideoGame/{{Tekken}}'': Also seems to have this curse with (Not counting the spin-offs or upgrades) 1, 3 and 5 being considered great while 2, 4 and 6 was decent at best. 7 seems to be getting very favorable reviews so far. For the Tag Tournament games, the first was seen as great and the second was OK.
* ''VideoGame/{{Uncharted}}'': While downplayed as all of the games in the series are considered good, the even-numbered games have gotten much more praise than the odd-numbered ones. The first game, ''[[VideoGame/UnchartedDrakesFortune Drake's Fortune]]'', is seen as a good start but did still have some shaky moments. The second, ''[[VideoGame/Uncharted2AmongThieves Among Thieves]]'', is considered where the series really [[GrowingTheBeard came into its own]]. The third game ''[[VideoGame/Uncharted3DrakesDeception Drake's Deception]]'' received much praise, but did have some problems with being [[ItsTheSameNowItSucks a little too similar]] to the second. The fourth game, ''[[VideoGame/Uncharted4AThiefsEnd A Thief's End]]'' once again received near universal acclaim for featuring more open areas, new gameplay elements, and a much more emotional story to serve as the series' [[GrandFinale big sendoff]].
* The mainline ''Franchise/{{Metroid}}'' games (not the Prime subseries) has the curse with the even installments. While considered to be good both ''VideoGame/MetroidIIReturnOfSamus'' and ''VideoGame/MetroidFusion'' are generally seen as step down from their respective predecessors (''VideoGame/Metroid1'' and ''VideoGame/SuperMetroid'') mainly because of the linear progression. ''Fusion'''s follow up was ''VideoGame/MetroidZeroMission'' a remake of the first game that significanly improves its predecessor. Unfortunately the next game ''VideoGame/MetroidOtherM'' is by far the most malignated installment because of -once again- the linear progression ([[NoSidepathsNoExplorationNoFreedom taken to the next level]]) and the controversial story. ''VideoGame/MetroidSamusReturns'' remake of the second game [[WinBackTheCrowd restored faith in the franchise]].


[[folder: Visual Novels ]]

* The ''Franchise/AceAttorney'' series has two different variants of this trope:
** Firstly, the odd-numbered entries (''Phoenix Wright: Ace Attorney'', ''Trials & Tribulations'' and ''[[VisualNovel/PhoenixWrightAceAttorneyDualDestinies Dual Destinies]]'') are generally considered to be the stronger ones, while the even-numbered ones (''Justice for All'' and ''VisualNovel/ApolloJusticeAceAttorney'') are considered to be weaker. The curse was "broken" with ''[[VisualNovel/PhoenixWrightAceAttorneySpiritOfJustice Spirit of Justice]]'', which most fans agree is better than ''Dual Destinies''. The two ''VisualNovel/AceAttorneyInvestigations'' games generally aren't counted towards this, as the second one has yet to be released outside Japan (and, in all likelihood, [[NoExportForYou never will be]]). Though for those who do the first is usually considered to be on the "weaker" side and the second on the "stronger" side, which makes the order problematic.
** Secondly, fans have noted that the third case in any given game usually tends to be the worst, mostly due to the overwhelmingly hated third case in (ironically enough) the second game. ''Dual Destinies'' is the major exception, as most seem to regard the second case as the weakest; some fans also feel that the first game's first case is weaker than the third, for essentially being a [[NoobCave glorified tutorial]] which doesn't even fully explain the game mechanics.


[[folder: Webcomics ]]

* ''Webcomic/SurvivorFanCharacters'', especially later on, follows a trend opposite that of Star Trek: The odd-numbered seasons are quite popular while the even-numbered seasons get lukewarm receptions at best. The author himself has noticed, and hopes season 14 will break the pattern.


[[folder: Western Animation ]]

* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' is an interesting case. While season 1 is by no means considered ''bad'', it suffered from EarlyInstallmentWeirdness and a much more restrictive [[AnAesop Aesop]] format. Season 2 is generally considered to be where the show [[GrowingTheBeard grew the beard]] (although it had far more controversial episodes than season 1 did), but was followed by season 3, which is the most controversial and poorly received so far (especially the finale). Then season 4 was mostly well-received ([[HolyShitQuotient especially the finale]]). Season 5 (seemingly) broke this trend by being generally well-received. However, Season 6 led to a bit of a BrokenBase, meaning it could be that the curse has either been fully lifted, or that it simply operates on multiples of three, depending on who you ask.
** The spinoff [[WesternAnimation/MyLittlePonyEquestriaGirls Equestria Girls]] follows the standard evens-over-odds curse with its movies/longer specials. The second, fourth, and sixth are much better-received than the first, third, and fifth.


[[folder: Real Life ]]

* UsefulNotes/MicrosoftWindows has had the curse since Windows 3.1, at least when it comes to their major public releases. Windows 98, Windows XP, and Windows 7 were all popular and well-received, while Windows 95, Windows ME, Windows Vista, and Windows 8 made rather controversial changes, were unstable, or had other problems which made it difficult to recommend upgrading. (Even TheUnfavourite releases have their fans, of course.) Windows releases tend to follow a pattern of "revolutionary" - in which many changes are made at once - followed by "evolutionary", or mostly polishing what was in the last one. Thus, every other version has a lot of new bugs ''and'' new features, and takes some getting used to; by the time the next version comes out, these issues have mostly been resolved (by patches and service packs for the software, and by users getting used to how it looks and works). Another way of looking at it is that Microsoft puts out a "public beta", followed a couple of years later by the final, mostly-working-as-advertised version, charging their customers for both (and for the privilege of testing their software for them). Microsoft followed Windows 8 with Windows 10 (skipping Windows 9), which was better received than its predecessor by major reviewers and generally continuing the pattern, though with [[BigBrotherIsWatching concerns over privacy]] with the new telemetry system, Microsoft's [[UnwantedAssistance rather pushy efforts]] to get Windows 7 and 8 users to upgrade, and the even pushier automatic update systems within Windows 10 itself (basically barring hacking, you can't set Windows 10 updates to manual control). It's not unheard of to hear people joke that Microsoft skipped "Windows 9" because that one would have been a ''good'' OS.
* The [[UsefulNotes/MLBTeams San Francisco Giants]] and "Even Year Magic" (or "Even Year Bullshit" to the rest of the league). They won a World Series in 2010, finished 4 games back of a playoff spot in 2011, won a World Series in 2012, finished fourth in their division in 2013, and won a World Series in 2014. After a 3-1 loss to the Cubs in the 2016 National League Division Series, the Giants no longer benefit from this effect.
* For nearly thirty years, no two consecutive American presidents have belonged to the same party. Whether the Democrats were good and the Republicans bad, or the Republicans good and the Democrats bad, [[RuleOfCautiousEditingJudgment strongly depends on your POV and won't be covered here.]]