%%Per Image Pickin' thread, this page is to be left without a pic. Thread: http://tvtropes.org/pmwiki/posts.php?discussion=1318893172084220100

->''"If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then [[RuleOfThree hit it a third time]] - a tremendous whack."''
-->-- '''UsefulNotes/WinstonChurchill'''
%%
%% One quote is sufficient. Please place additional entries on the quotes tab.
%%

An {{Anvilicious}} work is one that has [[AnAesop a moral message]] and makes it as subtle as an anvil dropped on the viewer's head. But sometimes, a work can be Anvilicious [[TropesAreNotBad without suffering in the process]]. Some works not only pull it off gracefully, but are effective ''because'' of the Anvil -- and not in a SoBadItsGood way, either. Often seen in {{Reconstruction}}s.

Other times, the anvil comes across very blatant, which might turn off some viewers, but in the era which the story is told, the message itself is more important than the story or allegory it is presented in.

A reminder that AnAesop is [[TropesAreNotBad Not Bad]]. And don't let the fact that [[FridgeLogic the anvils of one work are often incompatible or in direct opposition to another's]] get in the way either.

When an anvil needed to be dropped, but it wasn't, you have LostAesop. If they just dropped the wrong one, it's a BrokenAesop.

Remember, this is not whether or not you agree with the moral, it's about how a story is improved because the message is so blatant. A genuinely anvilicious aesop is not automatically excused by being an agreeable one.

[[IThoughtItMeant Has nothing to do with]] AnvilOnHead. Unless of course you were trying to illustrate that it's wrong to drop anvils on people's heads. Disclaimer: We at TV Tropes do not condone Anvils On Heads.

----
!!Example subpages:
[[index]]
* SomeAnvilsNeedToBeDropped/AnimeAndManga
* SomeAnvilsNeedToBeDropped/{{Film}}
* SomeAnvilsNeedToBeDropped/{{Literature}}
* SomeAnvilsNeedToBeDropped/LiveActionTV
* SomeAnvilsNeedToBeDropped/{{Music}}
* SomeAnvilsNeedToBeDropped/VideoGames
* SomeAnvilsNeedToBeDropped/WesternAnimation
[[/index]]

----
!!Examples:
%%
%%
%% Anvils are NEVER to be discussed. Refrain to do Justifying Edits. If there's a wronged entry, CORRECT IT!!!
%%
%% If you're going to add an example, add THE REASON of why it's an example, as in, the anvil it drops,
%% or the lesson it tries to teach.
%%
%%

[[foldercontrol]]

[[folder:Comic Books]]
* A number of Creator/ECComics in [[TheFifties the 1950s]]. In that era, ''doctors'' would appear in cigarette ''TV commercials'' telling people how healthy they were. EC in general (and ''Mad'' magazine more specifically) worked anti-smoking elements into their features quite frequently. Other notable aesops include:
** ''[[http://asylums.insanejournal.com/scans_daily/54803.html Judgment Day]]'' features an astronaut from Earth refusing to allow a planet of robots whose society is [[DoesThisRemindYouOfAnything segregated along color lines]] to join a coalition of civilized species. The anvil is then hammered into the ground when the astronaut takes his helmet off and the reader discovers that [[spoiler:he is black]]. Its necessity was later proven by UsefulNotes/TheComicsCode Authority when the story was being anthologized, as they tried to tell EC editor Bill Gaines that the hero [[spoiler:''could not be black'']].\\
\\
It also dropped a second and equally important anvil - that segregation ''can'' be overcome. While the robots are refused membership to the coalition, the astronaut assures the robots that if they work at it, they can fix their social problems.
** ''[[https://cacb.wordpress.com/2008/12/03/ec-comics-master-race/ Master Race]]'' is about a German immigrant to America after World War II who is driven to near-madness because he believes he is being stalked by someone from the war. As the story unfolds, it is slowly revealed that [[spoiler:the man was a commander at Bergen-Belsen, and the man following him is a Jew he had tortured who had vowed revenge]]. The story is shot through with accurate descriptions and depictions of what occurred in the Nazi concentration camps, and was one of the first pieces in American popular culture to address the Holocaust at all.
* ''ComicBook/VForVendetta'', specifically the "Valerie" chapter, about a woman who had been a successful actress before the fascist regime slowly and cruelly destroyed her life, which ended in a concentration camp medical experiment, all because she was a lesbian. The narrative would not be half as effective if Moore had been subtle with it.
* WarrenEllis is big on these.
** The entire run of ''{{Transmetropolitan}}'' was a big, long, anvil about the importance of standing up for The Truth and speaking out for what you believe in, regardless of the personal consequences; and the evils of complacency and blindly accepting authority. Making the character who most embodied these principles a self-proclaimed bastard further emphasizes the already subtle-as-a-sledgehammer point.
---> '''Spider Jerusalem''': ''I'm sorry, is that too harsh for you? Does that sound too much like the Truth? Fuck you. If anyone in this shithole city gave two tugs of a dead dog's cock about the Truth, this wouldn't be happening.''
*** #40, "Business", is a stark look at child prostitution and the failings of underfunded social services. Despite the comic's post-cyberpunk setting, the story rings far too true. But the conclusion/anvil that the story comes to:
---> ''Why are your kids selling themselves on the streets? Because you completely fucked up the job of raising them.''
*** "Monstering" also has a good one about journalism and the duty of news media:
---> ''It's the Journalism of Attachment. It's caring about the world you report on. Some people say that's bad journalism, that there should be a detached, cold, unbiased view of the world in our news media. And if that's what you want, there are security cameras everywhere you could watch footage of.''
*** Another one was dropped by the Reservations:
---> "Remember the past, and learn from it, or you are doomed to repeat it."
** His run on {{Thunderbolts}} is basically him railing against the aftermath of ''Comicbook/CivilWar'' - "No, the police should ''not'' be living tactical weapons roaming the streets looking for someone to wail on."
--> '''Joseph Swetnam:''' ''Justice, like Lightning, should ever appear. To few men's ruin, but to all men's fear...''
--> ''We applaud masked police beating the politically inconvenient in the street and then disappearing them.''
** ''ComicBook/BlackSummer'': A lot of people don't like the president, but only a giant prick would actually kill him.
* ComicBook/CaptainAmerica once was used quite often to address social issues. This tends to involve numerous misinformed people being led on by a few evil people against a few unfairly persecuted people, and Cap trying to resolve things.
** Cap tends to get [[BerserkButton really pissed off]] by [[MyCountryRightOrWrong blind patriotism]]. He doesn't just talk the talk, he [[WhatYouAreInTheDark walks the walk]]. Many storylines state that his {{Unobtainium}} shield is reinforced by American [[RightMakesMight righteousness]] as opposed to [[ClapYourHandsIfYouBelieve ''self''-righteousness]].
--> ''"Doesn't matter what the press says. Doesn't matter what the politicians or the mobs say. Doesn't matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences. When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree beside the river of truth, and tell the whole world - "No, ''you'' move.""''
** Another version was done in ''ComicBook/WhatIf'' #44, which involved CaptainAmerica being revived 'today' -- or, at least, well after a [[RedScare virulently anti-Communist]] version had laid claim to the shield and turned America into a rather unpleasant place to live. The resulting fight between the real CaptainAmerica and the John Birch Society knockoff was immediately followed by Cap delivering a WhatTheHellHero to the '''entire country'''.
--> '''CaptainAmerica:''' ''Without its [[SlidingScaleOfIdealismVersusCynicism ideals]] -- its commitment to the freedom of all men, [[EagleLand America]] is a piece of trash!''
* In the 70's, a number of books like ''CaptainAmerica and TheFalcon'' and ''Comicbook/GreenLantern / GreenArrow'' tried to address racism. The stories were usually very heavy-handed, but it must be remembered that at that point there was very little diversity in comics to begin with, and children were still the primary audience. When trying to teach young kids about the horrors of bigotry, subtly wasn't necessarily the best route to take.
* ''Truth: Red, White & Black'' is very heavy-handed with its depiction of racism in the 1940's, but of course, the racism in that era was quite ferocious and appalling by today's standards. The actual plot, wherein we learn that the US government tested CaptainAmerica's [[SuperSerum Super Soldier Serum]] on a group of black soldiers, was directly inspired by the horrific [[http://www.npr.org/programs/morning/features/2002/jul/tuskegee/ Tuskegee syphilis experiment]].
* Most of GrantMorrison's comics (most notably ''FinalCrisis'' and ''Comicbook/FlexMentallo'') are tracts speaking against the Dark Age of comics, specifically the idea that comics should mirror RealLife in their violence and morally ambiguous attitudes. Morrison's takes on Franchise/{{Superman}} and Franchise/{{Batman}} are extraordinarily optimistic and straight-forward; Franchise/{{Superman}} is often shown as a borderline God (especially in ''ComicBook/AllStarSuperman'') who tirelessly works toward the betterment of mankind, while Franchise/{{Batman}} represents the peak of human ingenuity and intelligence, who can break free from any trap and defeat any villain. The whole thing is a stark and welcome contrast to the Frank Miller ideal of the tortured outcast Franchise/{{Batman}}, and the ultimately ineffectual government puppet Franchise/{{Superman}}.
* The GreenArrow storyline where he discovers that his sidekick is addicted to heroin. During a time when the title had turned into a rather {{anvilicious}} series, this particular arc was exceptionally well done and considered a turning point in the character, the series, and even to some extent comics in general being a transport for serious issues. Several anvils are dropped -- not just drug-related ones, but GreenArrow's sense of betrayal of responsibility for his friend and his relationships with other superheroes. It's a remarkably deep arc during a time when most superheroes were just going "POW" at the villains.
* In the "Forever" story arc of ''ComicBook/{{Powers}}'', [[spoiler:Christian Walker]] goes to show his abilities to AlbertEinstein, to ask what they are and where they came from. In their conversation afterwards, Einstein delivers an astoundingly good speech about the nature of the scientific attitude, and afterwards...
--> [[spoiler:'''Walker''']]''':''' I thought -- I thought maybe my story would ''upset'' you. I thought that I might be upsetting some of your theories of the--
--> '''Einstein:''' Listen to me, my new friend. The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. Someone who can no longer pause to wonder, and stand rapt in awe, is as good as ''dead.''
* A meta example is the ''ComicBook/SpiderMan'' comic book arc, [[http://en.wikipedia.org/wiki/Green_Goblin_Reborn! "Green Goblin Reborn!",]] where Spidey encounters the negative effects of drug abuse, with his friend Harry [=ODing=] on pills. Despite this, UsefulNotes/TheComicsCode Authority refused to approve the story for having ''any'' depiction of drug use -- even when it was peppered with {{Anvilicious}} anti-drug messages. Creator/StanLee decided to publish the stories without the [=CCA=] seal of approval, and the ensuing public support prompted the [=CCA=] to relax its overly-constrictive guidelines.
** On the subject of ''Spider-Man'', it dropped one of the biggest anvils of all: "With great power comes great responsibility."
* Speaking of Creator/StanLee, he's made it clear that Marvel's staff runs the gamut of political beliefs, and that Marvel itself has no political stance... except for one ideal. Stan Lee always tried to push a message of tolerance in his work, and encouraged all of Marvel's staff to do the same, even if it makes some of their readers uncomfortable. While not everyone has followed this example, just the fact that he's encouraged such a message, and how he's fought for it so hard, lends weight to the anvil.
* The arkest story arc of ''Comicbook/ThePunisherMAX'', "The Slavers", includes a lot of information -- including a lecture, with slides -- about the sex slave trade.
* The two issues of ''{{Zot}}!'' in which [[spoiler:Terry comes out to herself and Woody pens an editorial about the attack on a young man presumed gay.]]
* The first story arc of ''WonderWoman'' Vol. 2 drops the same anvil as ''Film/TheDayAfter'', with Diana showing Ares that his plans to start World War III would leave him with nobody to worship him. Later, the "Who Killed Mindi Mayer" issue delves into drug use by revealing that [[spoiler:Mindi technically wasn't murdered; she died from a cocaine overdose before her attempted killer pulled the trigger.]]
* The moral of ''Comicbook/{{Watchmen}}'' is that morality ''is itself ambiguous''. Hammered home extra hard by [[spoiler:the death of Rorschach, perhaps the only remaining [[BlackAndWhiteInsanity morally absolutist]] vigilante.]]
--> [[spoiler:"I leave it entirely in your hands."]]
** Also, life is a precious, fragile thing, and we should be grateful for every day we get.
** [[KnightTemplar Moral absolutism]] is bad. So are rape and child abuse.
** Dr. Manhattan's story arc has a very touching moral that stands in defiance of most cynical viewpoints: sure, the universe can get along without us, but we are still unique, both as individuals and as the only sapient life-forms on the only planet known to harbor life, and we deserve to protect and care for it and each other.
* The whole reason X-Men exists: you shouldn't be afraid of someone because they're different. Different people are people too - some are bad, some are good, and some are neither. Don't pigeonhole huge groups of people.
** ''ComicBook/{{X-Men}}'' is also largely about the world's "good" mutants managing to band together and prove to the world that their powers ''can'' be used for good, no matter how many psychopathic mutants decide to abuse their gifts. Even when mutants have every reason to hate humanity, and could conquer the world if they chose to do so, they are always capable of choosing a higher path and working for the good of society for no other reason than that ''it's the right thing to do.'' Example? Just check Magneto's track record.
** Another anvil dropped is that just because someone hates you does not mean you shouldn't do the right thing and help them.
* While the ''ComicBook/ChickTracts'' have been infamous for being {{Anvilicious}} in a negative way, one particular tract, "Why No Revival?", provided a positive one. Instead of criticizing unbelievers (or Catholics), in a tract that was explicitly directed at Christians (and states that it is NOT for the unsaved), he instead criticized Christians who were afraid to admit their faith and beliefs to their peers. In contrast, he shows the ancient martyrs who were under the threat of death and yet were not afraid to say that they were Christians. In the tract, he criticized the hypocrisies of some Christians and shows why many churches faced various spiritual problems and [[TitleDrop no revival]]. Even if Jack Chick is woefully out to lunch on a lot of things, he knows this topic very well.
* The main Aesop of ''ScottPilgrim'' is that if you've made mistakes in the past, you shouldn't run away from them, but rather to accept those flaws to become a better person and avoid making the same mistakes all over again.
* ''Comicbook/KingdomCome'' is a brutal, heavy-handed {{Deconstruction}} of the TheDarkAgeOfComicBooks with a decidedly apocalyptic tone that can come across as needlessly {{Anvilicious}} to modern comic fans. But considering [[UsefulNotes/TheGreatComicsCrashOf1996 the state of the comic book industry]] at the time of its publication, a subtler TakeThat might not have had the same effect. For this reason, many fans actually cite ''ComicBook/KingdomCome'' as the definitive end of the Dark Age.
* Early ''[[ComicBook/TwoThousandAD 2000AD]]'' strips could be very heavy-handed on the issue of FantasticRacism, but given the popularity of far-right groups in [[TheSeventies 1970s]] Britain and the views they held, it was an anvil that ''needed'' to be dropped.
** This still continues to recent strips: ComicBook/JudgeDredd, in one of his few truly heroic moments, ''forced'' Mega-City One to change its policies on {{Mutants}} at the risk of his own reputation and that of the Chief Judge.
* After controversial "M-Word" speech scene in ''Uncanny Avengers '' #5, that was full of UnfortunateImplications about minority politics, BrianBendis, himself a Jewish writer, respond in ''All-New X-Men'' #13 by having Kitty Pryde, a Jewish superhero, give a page-long speech that highlighted everything that was wrong with said scene.
* Mark Waid dropped a lovely anvil in ''Comicbook/{{Daredevil}}'' #11, in which Daredevil delivered an epic TheReasonYouSuckSpeech to Comicbook/ThePunisher's female partner, shooting down her contention that heroes can only be driven by tragedy. Given the popular trend toward heroes being defined by tragedy, Daredevil's comments seem downright ''meta'';
-->"Don't you ever say that to me, ever again! That is a repellent statement. It's a vomitous insult to every cop, every fireman, every soldier who steps up to fight for those who can't! I am sorry for your loss, but if you genuinely believe that only the death of a loved one can motivate a human being to take up a cause...[[ShutUpHannibal then get your pathetic, cynical ass out of my way so I can do my job!]]"
* X-Men #141 and #142, the "Days of Future Past" arc, drops one hard, though not in words: Whatever resources you put into keeping another group down are unavailable for lifting yourself up. Hatred and prejudice are ''terrible'' bases for policy and society.
[[/folder]]

[[folder:Fan Fiction]]
* Star Trek Voyager - ''[[http://trekfanfiction.net/voyager/macedon/the-rose-and-the-yew-tree/ Rose and the Yew Tree]]'' is a bomb raid of anvils dropped ''well'': Civilized does not mean moral. Tolerance repaid with prejudice breeds resentment. The enemy is no different than you. Principles guide us when we lack data. Live in the now. Stories are important... That and much more. Oh so much more. Anvilicious because it's told. Effective because it's shown. Possibly best fan fiction ever written. Required reading for anyone who can tolerate SF.
* In the {{Daria}}[=/=]ComicBook/{{Legion of Super-Heroes}} crossover ''[[http://thepaperpusher.net/forum/viewtopic.php?f=6&t=23667&p=329264#p329264 Bird With Black Wings]]'' (set in the CrapsackWorld that is the shared-world series ''Daylight'', set after a [[ApocalypseHow civilization-extinction level event caused by massive solar flares)]], the members of the Legion get into an debate on [[UtopiaJustifiesTheMeans whether they should revoke their rule on killing]]. The discussion is turned by [[DefrostingIceQueen Julia Carlyle]], who gives a PatrickStewartSpeech on how she, as a military officer, [[HumansAreWarriors has it in her job description to kill]], but [[WhatYouAreInTheDark how others expect the Legionnaires to hold fast to their standards, even in the toughest of times]]. She even paraphrases Creator/TomClancy in a CrowningMomentOfAwesome at the end of her speech:

--->'''Julia Carlyle:''' ďThereís a passage I read in a book long ago. Iím paraphrasing just a bit Ė but the meaning is something Iíve always remembered. ''`So we donít have a choice. You can name any reason you want, but it all comes down to the same thing; we have a [[TitleDrop debt of honor]] to the man who brought all of us together, and the people who believe that we stand for something more. If we donít defend that principle, we donít defend anything. And nobody will trust us, and nobody will respect us, not even ourselves. If we turn our backs on them by deciding to kill, then we are not the people we say we are, and everything weíve ever done is a lie.í''Ē
* Two back-to-back MalcolmInTheMiddle one-shot fics each drop an anvil that needed to be dropped, both of which blatantly deconstruct the shows general aesop. The first, [[http://www.fanfiction.net/s/8251257/1/Gravestone Gravestone]], drops one on Lois to take a look at her life and her character, and ask herself if that's the kind of person she wants people to think of her as at her funeral. The second, [[http://www.fanfiction.net/s/8260960/1/Life_Is_Short Life Is Short!]], drops one on Malcolm, asking him if it's really worth trying to please the very people who abused him his whole life, and to financially support such a family that already squanders the money they themselves make. Even though potential is a good thing to strive for, and getting into an Ivy League school is not something everyone has the privilege of, he ought to reconsider his prior decision to go along with his parents' wishes.
* [[http://www.fanfiction.net/s/7653860/1/StarCrossed StarCrossed]], a LuckyStar fanfic about the main girls' future lives going to hell, teaches how a lack of morals and self-respect can have [[DisasterDominoes one disastrous consequence after another]] and [[DespairEventHorizon destroy one's future beyond repair]]. Don't get mad and burn bridges! Don't cheat your way through life! If you suspect a relationship will eventually turn toxic, put your foot down and say "NO!" to it! Don't leave little kids home unattended! Don't sell your body! Your actions will affect yourself and other people, not least of all your loved ones.
** And most of all, don't break promises of friendship. If you've got problems, share it with those you can trust, for you don't know what you really have until it's gone.
* The comedic ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fic [[http://www.fimfiction.net/story/54536/1/twilight-discovers-wikipedia "Twilight Sparkle Discovers Wikipedia"]] devotes its final lines to a filibuster about the education system. For context, Wikipedia in-story manifests as a GreatBigBookOfEverything that tempts Twilight with its ease of use. After she writes to Celestia about it, the latter is displeased and [[DisproportionateRetribution sends her back to Magic Kindergarten]] so she can re-learn the basics of studying. After Luna questions why the book is so dreaded, Celestia remarks:
--> ďLuna, how many times must I remind you! The Wikipedia is scorned because it's too easy! And we as teachers and mentors dislike more than anything our students researching an assignment the easy way! Everything ''must'' be ''long and tedious''. Otherwise, they'll begin to notice how pointless most of the work we give them really is! Is this what you desire, Luna? ''Young ponies questioning our brilliant education system''?"
* The fanfiction ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fic [[http://www.fanfiction.net/s/9437231/1/ Burned Bridges]] drops an anvil several times about how Sugar Blossom has to own up to the fact she left behind her friends with no contact over the past few years, as well as the consequences of doing so. However, at the same time, it shows that even though Sugar Blossom burned her bridges with her friends, true friends won't just abandon her when she tries to make amends, especially if you're genuinely sorry for having hurt them so. It's not very subtle about it either.
* The LuckyStar fanfic [[http://www.fanfiction.net/s/9346160/1/Bonds Bonds]] describes how school massacres take place, and how ''everyone'' is at fault for it. Even though they cannot truly be justified, you really can't blame Izumi for losing all hope in life and wanting to just end it on a literal bang. Blame her parents, for demanding perfection from her and imposing their will on her to inherit their company instead of letting her make her own decisions and accepting her for how much she was capable of achieving; the Hunt Club, for the way everyone in it treated her; anyone else who knew what was going on, for not speaking up; the school, for most likely refusing to do anything about it; and the police, for doing jack shit to save anyone from her rampage. Honor is a big deal in Japan, and in no situation does it rear its ugly head higher than here, with ''everybody'' paying the price for what certain students did to her and her fellow otaku and the lack of action taken by the school faculty.
* The writing.com campfire fanfic [[http://www.writing.com/main/campfires/item_id/1955280-Turtles-in-Distress/ Turtles in Distress]] Features the {{Teenage Mutant Ninja Turtles}} is about visiting an alternate universe similar to {{Cordwainer Smith}}'s Instrumentality of Mankind stories, with the genetically engineered 'Humanimals' who are created to serve the Humans. It's something of a deconstruction of Smith's stories mostly the {{Happiness is Mandatory}} part with the Human Citizens being 'conditioned' to not feel sympathy for the slaves. The conditioning is not effective, so in order to compensate, the Lord and Ladies keep on conditioning their citizens until they are unable to feel anything other than hatred. The Universe the Turtles are visiting is currently going through a civil war with {{The Federation}} who wants to liberate Humanimals, and {{The Empire}} who stubbornly cling to the old ways. The big anvil, however, is showing just how ugly and brutally dehumanizing slavery is. The Turtles are put in a situation where they ''can't'' fight back, no 'Bust out some ninja moves and save the day.' Here if they try to fight their captors, they are dead, and the fact that they are regarded as an inferior lower caste simply because they are {{Petting Zoo People}} is a pretty big blow for Leo and Raph's pride in this story. They don't save themselves; the Federation Humanimals rescue them and all the other Humanimals in the 'Slave Academy.' The only real fighting any of the Turtles do is when Mikey beats to death an overseer trying to have his way with an Okapi Girl, and at that point they're all but rescued.
* ''Fanfic/MarieDSuesseAndTheMysteryNewPirateAge'' has the author reference this trope in response to a reviewer.
-->'''Phalanx''': "this story is in some ways a modern-day version of a dark fairy tale and it is in keeping with the tone of those kind of stories. They weren't particularly subtle about their aesops. If you're familiar with TV Tropes, there's one that goes 'Some Anvils Need to be Dropped'. I think this fic drops whole hailstorm of them.
* ''Fanfic/PartingWords'' drops a lot of anvils on the handling of the issue of bullying. The Cutie Mark Crusaders point out the ''many'' times they had been bullied by Diamon Tiara and Silver Spoon and how [[AdultsAreUseless Applejack never stepped in to help even when it was happening in front of her]]. Princess Celestia (in disguise) also points out how the "fighting back or standing up for yourself in any way makes you just as bad as the bullies" mentality is a very toxic and [[MoralDissonance downright morally confusing]] thing to pass on to genuine victims of bullying, and even wonders just where that line of thinking came from.
--> '''Celestia:''' "When I was a fil... ahem, when I was younger, a bully was somepony who picked on those who hadn't done anything to them. [[LaserGuidedKarma And any negative consequence they suffered was because they invited it on themselves by being bullies]]. [[ArmorPiercingQuestion Have things really changed so that just standing up to somepony who's hurting you gets you called a bully]]?"
** The sequel, ''Fanfic/TheGreatAlicornHunt'', also viciously deconstructs the notion that SchoolBullyingIsHarmless. For one thing, Twilight admits to her own experiences with bullying, and that it still does affect her to the present day. Babs even points out that just simply telling an adult about the bullying is not going to stop bullies from continuing their behavior, especially when said bullies [[ScrewTheRulesIHaveConnections have the means to get away with it]]. Also, as a CallBack, when [[BadassAdorable Breezy]] [[BewareTheNiceOnes Shy]] stands up for the CMC and Babs against Babs' Manehatten bullies by beating them up, he gets called out on it by Fluttershy, who says that it reminds her of [[Recap/MyLittlePonyFriendshipIsMagicS2E19PuttingYourHoofDown how nasty she got when she took her assertiveness training too far]], Breezy argues that there is a big difference between standing up for yourself and just being a jerkass.
* ''FanFic/WereGonnaGetThereSoon'' drops a LOT of well needed anvils: Don't judge people simply by one thing. There's more to a person than just their flaws. Get the whole picture. Different and stupid don't mean the same thing. If your "friends" are being mean to someone you love to the point of ''laughing at them when they have a near death experience'', then they're NOT friends at all, and behavior like that is '''NOT''' acceptable.
* ''FanFic/PonyPovSeries'' drops the message YouAreNotAlone like a sledgehammer to the balls (especially during the Nightmare Whisper and Shining Armor Arcs), yet considering the goal of the cast is to rebulid the world after the horrors that Discord has caused, (and in the aforementioned arcs, Fluttershy had gone full WoobieDestroyerOfWorlds and Shining had been hit with one HeroicBSOD after another), it's just what the doctor ordered.
** Relating to the above WoobieDestroyerOfWorlds moment, a recurring theme is that repressing mental trauma instead of dealing with it in a healthy manner is a ''really'' bad idea.
** Yet another anvil often glossed over in these kinds of stories is that nature can be a cruel thing. In fact, repressing that truth caused Fluttershy's "[[WoobieDestroyerOfWorlds moment]]".
** Especially in the ShiningArmor Arc and the Dark World Arc, there's a big emphasis on how you should avoid falling into HeWhoFightsMonsters.
** A major theme of the Wedding Arc is the deconstruction of AlwaysChaoticEvil with the Changelings, and the dangers of painting an entire race as inherently evil like that.
* ''FanFic/SonicXDarkChaos'' is quite {{Anvilicious}} about its "religion is bad" message. However, it does this to show that if people can put aside their differences and work together against a common problem, everyone can benefit.
[[/folder]]

[[folder: Newspaper Comics]]
* In ''ForBetterOrForWorse'':
** Grandpa was [[AndIMustScream still conscious and aware, but was being treated as an infant after a stroke]]. It's treated with all the subtelty of an anvil... but this anvil really needed to be dropped, since this actually ''does'' happen in real life.
** Shannon's AuthorFilibuster about the mentally handicapped - it's dropped with all the subtelty of an anvil, but it really needed to be said. Mentally handicapped people are still people, people with feelings, and people who need love.
[[/folder]]

[[folder:Radio]]
* AdventuresInOdyssey does this every episode rather well. In fact, they've perfected it.
* In the ''{{Superman}}'' radio show of the 40s, there is a fairly famous serial in which Superman takes on an expy for the TheKlan, complete with their real-life ranks and secret phrases.\\
\\
This radio show was used to expose the UsefulNotes/KuKluxKlan what it really was; a terrorist organization that had to be disbanded ASAP. It even went and revealed the identities of individual Klansmen, hoping to induce good-hearted people to go after the Klansmen themselves and harass them until they were too broken to so much as ''spit upon'' a black man. [[CrazyEnoughToWork It Worked]]. Suddenly, the Ku Klux Klan was forced to disband in the face of overwhelming shame, public ridicule, and vicious assaults on its members. They've never managed to regain their former power since then. In fact, the NSA lists them as a "subversive organisation", the same designation given to the [[AnimalWrongsGroup Animal Liberation Front]] and other "homegrown" terror organizations; and one can lose or be denied security clearance by becoming affiliated with the "nightie knights".
* On the radio show ''Literature/TheSaint'', during the episode "Author of Murder", VincentPrice (the voice of Simon Templar) delivered [[http://www.youtube.com/watch?v=mrMCqOmsMB4 an unsubtle yet eloquent message on the evils of prejudice and racism.]]
[[/folder]]

[[folder:Tabletop Games]]
* ''{{Exalted}}'' has, as setting rules : that some actions can never truly taken back, and that while violence can be an attractive or even necessary tool, it can not make things better on its own. Rather important gameplay mechanics to drop in when many competing products have teams of murderhobos roaming the field.
[[/folder]]

[[folder:Theater]]
* Theatre/ADollsHouse: the anvil, over and over, is that the modern (1870s) state of affairs between men and women robs women of all personhood.
-> '''Torvald'''. There's no one who gives up honor for love.
-> '''Nora'''. Millions of women have done just that.
* Theatre/{{Brand}}, and also Theatre/PeerGynt. Creator/HenrikIbsen wrote the two plays and published them successively in 1866 and 1867, to underline the point of being either too uncompromising, or being the total opposite (no backbone at all). In ''Brand'', Ibsen is far from subtle, and hammers his message down: ThePowerOfLove is essential when helping out your fellow men in a time of need. ''Peer Gynt'' discusses the meaning of "self", also connected to the power of love and the relation to your fellow men. The fourth act in both plays sets up the message of isolation and communication, with the danger of isolated madness as a possible result (in ''Peer Gynt'').
* Both the play and musical versions of ''SpringAwakening'' drop the anvil of "if you don't teach kids about sex, they'll do it anyway" several times. They also address the issue of suicide and how much it hurts the people you leave behind, and all the things you'll never get to do - in fact, the musical features a GriefSong called "Left Behind" about exactly this.
** This is clearly working, as there are many stories from adult viewers about how they saw SpringAwakening with their kids and were moved to talk to their children so the events of the play ''don't'' happen to them. On the other hand, there are also a lot of stories from fans about how [[spoiler: Moritz's suicide and funeral]] [[TruthInTelevision reminded them of their own friends.]]
* DogSeesGod drops anvils against homophobia, bullying and suicide; while the script sounds like {{Narm}} on paper, its performance is a TearJerker.
* ''SouthPacific'' had a great moment in the song "You've Got to be Carefully Taught." Hate doesn't come naturally, it gets drummed into people in their youth. When some Southerners asked to cut that song, RodgersAndHammerstein said "If you cut that song, you might as well cut the whole musical."
* From ''Theatre/AvenueQ'':
** Everyone's a little bit racist, so chill out and we'll all get along better. Charity feels good.
** Also, it's ok if you don't live up to your dreams right now. You've got your whole life ahead of you, so enjoy it.
--> "If you were gay\\
that'd be okay\\
I mean cause hey\\
I'd like you anyway"
* ''We Will Rock You'' pretty much lives off the 'Don't be like everyone else' Aesop.
* ''Theatre/{{Wicked}}'''s 'skin colour shouldn't matter' aesop couldn't actually be hammered home any more heavily than it is, and yet it works remarkably well.
** Also, "Don't accept moral compromises, especially not from your leaders," "go out there and fight for what you believe in", and "throw popular opinion out the window".
** Sometimes fate and matters are irreversible. But a moment with a person (the power of friendship) can prove useful for the future. After all, [[spoiler:near the ending, Elphaba and Glinda come to terms with the fact that Elphaba's wicked reputation in Oz was irreversible. And a now matured Glinda, changed for good, is left to (positively) reform Oz]].
** Don't immediately judge another person. The ditzy, popular, girly girl might turn out to be a good, loyal friend, not a complete bitch, and the SoapboxSadie might not be a pretentious hipster, but instead a brave woman who is actually willing to go out and fight for what she believes in.
* The message of ''IntoTheWoods'', as illustrated by the songs 'No More' and 'Children Will Listen', boils down to "Don't screw up your kids, or it WILL come back and bite you in the ass."
** This musical is also one of the best examples of GoodIsNotNice around. Both Little Red Riding Hood and the Witch outright state this in "I Know Things Now" ("And though scary is exciting, nice is different than good") and "Last Midnight" ("You're so nice...you're not good, you're not bad, you're just NICE"), respectively. It's part of what makes the {{Deconstruction}} of fairy tales so effective: in classic stories, it's the nice characters who are viewed universally as good. But the heroes of ''Into the Woods'' do morally questionable things throughout the whole musical, proving that just because someone acts kind doesn't make them a good person. It also proves the opposite point: everyone assumes the Witch is wicked because of her nasty attitude, but in reality, she's probably the ''most'' justified in her actions throughout the whole work--she was saddled with a curse of ugliness and age that she knew next to nothing about (all she was told was not to let anything happen to her mother's special beans), [[spoiler:loses her magical powers in exchange for recovering her original youth and beauty, has her home and garden destroyed by the Giantess, and ends up watching her adopted daughter Rapunzel die a horrible death]]. The Witch is also the one to force the heroes to admit that their self-centered wishes and lack of thought regarding those wishes' consequences are to blame for the horrible mess they made of things.
* ''AngelsInAmerica'' already has a pretty heavy message about the treatment of homosexuals/people infected with AIDS, but there's one part that's a little different. It's when Hannah Pitt and Prior Walter meet, and Prior realizes that she's Mormon. He comments "I can just imagine what you think of me" (that he's homosexual), and Hannah indignantly tells him off for being so presumptuous about her opinions. She finishes with "You don't make assumptions about me, and I won't make any about you". Incredibly obvious moral about ''everyone'' needing to be open-minded? Yep. Quite necessary? Oh yeah.
* Theatre/LittleShopOfHorrors drops its anvil of "Don't give into temptation" very well, especially through its finale song, "Don't Feed The Plants".
* It wasn't the original main purpose of the play, but ''InheritTheWind'' has a powerful message about the value of human reason over unthinking faith:
-->'''Drummond''': "In a child's power to master the multiplication table, there is more sanctity than in all your shouted "amens" and "holy holies" and "hosannas." An idea is a greater monument than a cathedral. And the advance of man's knowledge is a greater miracle than all the sticks turned to snakes or the parting of the waters."
* The 2013 adaptation of ''Theatre/CharlieAndTheChocolateFactory'' has plenty of the source novel's vital anvils on selfishness, gluttony, greed, etc. intact or given a clever SettingUpdate. But the biggest ones it drops both build on the original and give the story a much stronger CentralTheme: The transformative power of imagination.
** The naughty kids can be seen to represent anyone who spends their life mindlessly consuming and chasing fleeting, empty pleasures -- food (Augustus), possessions (Veruca), fame (Violet), shallow, instant-gratification media (Mike), what have you -- often with dreadful consequences. By comparison, Charlie makes the best of his meager lot in life with the help of his imagination and his loving family, and wants to ''create'' things. This makes him an excellent candidate to inherit the amazing world within the titular factory...a world that we learn sprang up not from a desire for fame and fortune, but an ache to make the world a more colorful, beautiful place in their own way (even if others don't understand it). Put simply: Cultivating one's creativity and sharing it with others is a path to true happiness, a path even the humblest soul can take.
** There's also a secondary, related aesop: Be appreciative of those who cultivate their creativity and share it. Charlie is as puzzled by Mr. Wonka's eccentricity as anyone, but he's the only one of the kids who treats him with kindness and respect, in part because he understands just how wonderful his creations and world really are. This turns out to mean a ''great deal'' to Mr. Wonka.
* In "Naughty," a song from the musical ''Theatre/{{Matilda}}'', the main character comments that while toughing out the hard times is occasionally necessary, ''always'' doing that leads to nothing ever getting better: "If I always take on the chin and wear it/nothing will change." It's not subtle, but it's powerful, as it encourages people to make things happen, rather than waiting for their situations to improve.
* A very short one in ''Theatre/RomeoAndJuliet'', but Romeo drops an important point when he's at the apothecary and is paying the poor shopkeeper-money makes more people die than poison, and is just as bad, if not even worse, than poison.
-->There is thy gold, worse poison to men's souls,
-->Doing more murder in this loathsome world,
-->Than these poor compounds that thou mayst not sell.
-->I sell thee poison. Thou hast sold be none.
* ''Theatre/RichardIII'' has the anvil that absolute monarchy is a terrible form of government because there is no way for the system to prevent a tyrant from coming to power, and that even if the king is benevolent the country isn't safe, because an aspiring tyrant would have no reason not to kill everyone closer in line to the throne than he. Considering the time in which the play was written, it's definitely a case of GettingCrapPastTheRadar.
* Cabaret drops a big anvil near the end about how politics can and will affect you. Also if you just blindly accept what one group does, you may as well be with them.
[[/folder]]

[[folder:Visual Novels]]
* The ''Franchise/AceAttorney'' series has a running theme of ToBeLawfulOrGood, as might well be expected of games centered around the legal system. The anvil comes at the very end of the fourth game in the main series, where both the Judge and the prosecutor of that game explain outright that Good is always the right choice over Lawful, because the law is always changing... and that we have a ''responsibility'' to stand up and work to change the law if the law is wrong, for the sake of anyone else who might have to face that law. Given how many protagonists are idealized for breaking laws they don't like, it's nice to hear from the other perspective on this, and leaving it as a subtle theme rather than stating it firmly would have been far less effective.
[[/folder]]

[[folder:Web Animation]]
* ''WebAnimation/BrokenSaints'' is loaded with these, most notably about the treatment of third world countries by first world industry.
* ''ThereSheIs'' - There's no need to stand in the way of love.
** Some say its anvil is more specifically about the animosity between Koreans and Japanese that remains to this day. Certainly needs to be dropped either way, since this issue isn't addressed very often.
** Step 4 specifically: Backing down under societal pressure will ''not'' make things better.
* [[http://m.youtube.com/#/watch?v=IJNR2EpS0jw&desktop_uri=%2Fwatch%3Fv%3DIJNR2EpS0jw "Dumb Ways to Die"]] is one. "Be safe around trains...."
* The sequel video to [[Creator/ThisIsIt This is It's]] ''Don't Hug Me, I'm Scared'' leaves us a doozy of an aesop. This time around, instead of the Sketchbook from the first video, we instead are introduced to an anthropomorphic clock named Tony. He takes the puppets from the first video on a journey through time as a means to teach them that they had all the time in the world to watch their show. However, as the video progressed, Tony began to emphasize more and more the importance of time. While emphasizing, he has a tight grip on the other puppets, and he wanted them to follow his rules and not think for themselves. In the climax of the video, Tony [[spoiler:uses time to rapidly age the puppets]]. When one of the puppets begged him to make it stop, Tony states that he couldn't. He then gives this line towards the end:
-->'''Tony:''' It's out of my hands, I'm only a clock, but don't worry, I'm sure you'll be fine. But eventually, everyone runs out of time.
** Essentially, the moral of the video is that life is too short and too precious to waste. If you desire to do anything meaningful in life, you should do it right now, before your time runs out.
[[/folder]]

[[folder:Web Comics]]
* ''FanFic/ChessPiece'' seems to be trying to get across the message that being purely idealistic or purely a cynic is a bad thing.
* ''Webcomic/{{Rain}}'':
** Sexual identity can form at an early age, with the main character making her feeling clear when she was a young child.
** [[http://jocelynsamara.deviantart.com/art/RAIN-p330-331-Complex-Orientation-363574661 Sex and gender identity]] [[http://jocelynsamara.deviantart.com/art/RAIN-p472-473-And-Emily-Reveals-439739814 has more shades than many people think]]. This is made especially clear when not even the author, a mtf {{Transsexual}} herself, [[http://jocelynsamara.deviantart.com/art/RAIN-p474-Vast-440169334 realized how many variations there were before she started doing research for the comic]], making her plan to include a character of ''every'' variation a bit more difficult.
** [[http://jocelynsamara.deviantart.com/art/RAIN-p487-Bullies-448232697 It shouldn't matter if a friend or family member is gay, bi, trans, etc., you should love and support them all the same]].
* ''Webcomic/{{Sunstone}}'' is all about averting BondageIsBad and showing [[SafeSaneAndConsensual healthy]] and accurate BDSM relationships. [[http://shiniez.deviantart.com/art/dominating-aint-easy-281122293 This]] strip in particular is about the differences between common perceptions and reality, and that BDSM sessions should be planned out in advance in order to prevent any mishaps.
* Every once in a while, ''Webcomic/{{xkcd}}'' takes a moment to get serious, or even to get funny on a serious topic, and lay down an important truth or two.
** In "[[http://www.xkcd.com/383/ Helping]]", a reminder of the limitations of what we can do for each other.
** In "[[http://www.xkcd.com/1102/ Fastest-Growing]]", a warning about misleading statistics.
** In "[[http://xkcd.com/385/ How it Works]]" and "[[http://xkcd.com/1202/ Girls and Boys]]", illumination and rejection of the ancient male-female DoubleStandard.
* ''Webcomic/SuicideForHire'' of all strips has a really good one, both about [[http://suicideforhire.comicgenesis.com/d/20060702.html where you have to draw the line and stand up to bigots,]] and [[http://suicideforhire.comicgenesis.com/d/20061001.html where you have to draw the line and stand up against sexual harassment.]] All in one day; with liberal (and hilarious) application of [[ArmorPiercingQuestion Full Metal Jacketed Questions]] and the Ultraviolence both times.
* ''Webcomic/SomethingPositive'' has a [[http://somethingpositive.net/sp04032006.shtml comic]] that really drives home the point of how absurd racism is.
** ''Many'' anvils are dropped in the arc involving Davan's dad and a "Hell House" - a [[http://www.somethingpositive.net/sp10042006.shtml Haunted House aimed at scaring people into accepting Christianity.]] And yes - they are real. The quote on the last page is especially Anvilicious
---> R.K. Milholland's Dad: Never confuse the faith with the supposedly faithful.
* Winston Rowntree, author of ''Webcomic/{{Subnormality}}'', often deals with Aesops and Anvils with the subtlety of a falling stack of bricks. While he can get awfully heavy-handed with his messages in his webcomic, he occasionally pulls off an incredibly effective, powerful Anvil. This is exemplified in [[http://www.viruscomix.com/page474.html The Line]], a fan favorite which illustrates a chilling, much-needed moral about conformity.
** Also, [[http://www.viruscomix.com/page458.html A Coward's Tale]]. What initially seems like a trivial, grade-school-level Anvil about courage and overcoming doubt suddenly hits painfully close to home, with its TearJerker story.
* [[http://pamikoo.deviantart.com/art/I-am-a-good-person-104579954 "I Am A Good Person"]] by DeviantArt artist PaMikoo features [[HarmfulToMinors adorable, sobbing cartoon schoolchildren]] in the last panel, but it features a message that some people are remarkably thick-skulled about.
* ''Webcomic/{{Misfile}}'' uses a GenderBender story to deliver AnAesop about how Transsexuals deserve toleration.
* ''Webcomic/ManlyGuysDoingManlyThings'': [[http://thepunchlineismachismo.com/archives/862 "Every Rose Has It's Thorn"]], regarding [[VideoGame/FinalFight Poison]] and the fact that she's Transsexual, and how what's in anybody's pants doesn't matter unless you want to get in them. CrowningMomentOfHeartwarming for Commander Badass.
* ''Webcomic/ElGoonishShive'' drops one with Justin - as a gay person with gender bending technology available, he could easily turn into a woman and continue to love men without intolerance. He continues to reject this idea because he is a man, homosexual or not, rejecting the TransEqualsGay stereotype. There's also Susan's revelation that men aren't constantly horny pigs. In her notebook, she writes how she can no longer blame her father's adultery on his gender.
** It does something similar with the revelation that [[http://www.egscomics.com/index.php?id=1896 Tedd is genderfluid]], with Grace ''specifically'' saying that there's noting wrong with it.
* ''Webcomic/SequentialArt'' [[http://www.collectedcurios.com/sequentialart.php?s=176 in strip #176]] has this particularly sweet anvil:
--> '''Kate:''' So. Uh...d'you think Hilary looks... ''good''? As...as a pin-up, I mean.
--> '''Art:''' Yep. She's got the curves, the saucy smile, the seductive eyes. She's the ''perfect'' pin-up. That said; I think she's a troll, with looks but neither the charm nor personality to back 'em up...Probably why she hates you so much. Terrible thing; envy.
* Though it mostly pokes fun at the comic industry, ''TheGutters'' really hits a home run in this one about [[http://www.the-gutters.com/comic/262-amy-mebberson same-sex relationships]].
* CyanideAndHappiness ran [[http://explosm.net/comics/3004/ this strip]] in December of 2012. It's a rather scathing--but ultimately accurate--critique of the current state of some educational programs, particularly the "everyone gets a prize" mentality. It's also noteworthy for distinguishing the care and love of parents from that of society--your family ''does'' consider you special and unique, but that doesn't mean that the rest of the world will automatically do the same. It has all the subtlety of a sledgehammer, but it resonates loud and clear.
* ''Webcomic/{{Sinfest}}'' of all series teaches that a serious romantic relationship requires mutual understanding, respect and love. Take a look at Criminy, shy bookworm, the nicest person in the strip, who is in a happy relationship with Fuschia, vs. the ongoing UnresolvedSexualTension of Slick and Monique.
[[/folder]]

[[folder:Web Original]]
* The WhateleyUniverse is chock full of these, since the stories revolve around ideas like tolerance for people who are different. They're mutants. But most of the protagonists are also {{Transgender}} or otherwise [=LGBTQI=], so there's less of a SpaceWhaleAesop than usual. Several of the main characters, like Phase and Diamondback, have been treated horrifically ''by their own families'' since they 'came out' - as mutants.
* In the review of ''Athena #1'', [[WebVideo/AtopTheFourthWall Linkara]] went on a rant about how a guy can dislike the exploitation of women in comic books (and any other form of media) and not be [[NotThatTheresAnythingWrongWithThat gay]], hate women's bodies, a prude, or an overzealous moral guardian. Moreover, the rant itself is a very well articulated speech decrying how female characters ''are'' [[MaleGaze being]] [[{{Fanservice}} objectified]] for the shallowest of reasons.
--> '''Linkara:''' "When Wizard Magazine puts out a drawing guide that says "women should look sultry; men should look heroic and strong," there's something wrong here. When Creator/FrankMiller puts in his script that the ''only'' reason Vicki Vale is in her underwear is because he wants to get the guys reading the comic turned on, then ''maybe'' there's a problem. Or maybe when Stephanie Brown a few years ago was tortured with a power drill and the artist showed off her ass, then it's just freaking sick. Which is why, today, we're digging into "Athena #1," a comic released last year (2009) that seems to think T&A are more important than good storytelling. That's why I'm criticizing it, people! It's ''still'' going on!"
** Even more awesomely, he did it while still being respectful of LGBT people.
** Another moment was in his triumphant speech to the Entity, who wishes to absorb all of existence into itself. Linkara points out that by destroying everything, the Entity will be left with nothing ("No Heaven to aspire to, no Hell to avoid") and thus render itself completely meaningless and utterly ''bored.'' In other words: endless destruction and subjugation is a flawed and overrated goal, especially if you [[AndThenWhat don't know what you'll do after that.]]
** Although it's meant for laughs, being one of the many parodies of Linkara's famous CatchPhrase, the following line from his review Uncanncy X-Men #423 still makes a good point:
--> '''Linkara:''' "I AM CONFUSED ABOUT MY GENDER IDENTITY, SO I SHOULD PROBABLY GO TO A LOCAL LIBRARY TO LOOK UP SOME MORE INFORMATION, ESPECIALLY IN LIGHT OF THE FACT THAT TRANSGENDER RIGHTS AREN'T GIVEN AS MUCH ATTENTION IN THE MEDIA AS OTHER RIGHTS!"
** In his review of ''Cry For Justice'', Linkara explains that even though he finds the InfantImmortality trope to be "ludicrous," that still doesn't mean that a child character's death should just be a pointless "shock value moment" used for the sake of giving the villain a MoralEventHorizon to cross over.
* Ma-Ti in {{Kickassia}}
--> '''Ma-Ti:''' Stop [[ZeroPercentApprovalRating being a douchebag,]] it will totally backfire!
* WebVideo/TheNostalgiaChick's video on TheSmurfettePrinciple. While suffering from the same flaws as the Critic's Nick Month did (as in, she probably didn't have time to look over the newer stuff properly), it was intelligent along with being funny and she never came off as a StrawFeminist.
** Ditto for her brief commenting on whether a character is feminist or not. She makes several good points as to why you could or couldn't consider some characters feminist, and then says that the bottom line is how you look at it.
** In the same vein is ''[[http://vimeo.com/13807695 The A-Word]]'', or "[[JustForPun No Womb at the Inn]]", a short documentary she did regarding the abortion debate following her own abortion. She never takes a side, and the documentary as a whole can be summed up by what she says at the end.
--> '''Lindsay Ellis:''' A thought among many regarding abortion is "Out of sight, out of mind." It's not a proper thing you talk about in civilized society - but how do you get past the experience if you're afraid to talk about it?
* [[FamiliarFaces CR's]] character look at [[JohnnyTheHomicidalManiac Anne Gwish]] and how subcultures like goth [[DarkIsNotEvil aren't bad]], it's just conceited jerks like her who ruin it for everyone else.
** In his Green M&M vid, its ok to be attracted to fictional characters. They make them that way for a reason.
** For his [[{{Duckman}} "Top 11 Fluffy and Uranus Eviscirations"]], you can't pussify society. It's alright to hear "Respect others" and "Take care of yourselves and the environment" but its wrong to hear it 24/7. How someone crass can raise above a baser instinct and want to change something or say something straight from the heart, that is far greater than something [[TastesLikeDiabetes sugar-coated.]] When they say something, it may be snarly and innappropriate, but it can be [[BrutalHonesty honest]]. When they sweeten it, its dishonest and insulting.
* In the [[TheRandomverse I'm a Marvel... And I'm A DC's]] first After Hours series drops the anvil that powerful heroes like Superman aren't outdated, because they still need to be there for others to aspire to be.
** While the second season dropped one on how making all heroes DarkerAndEdgier is bad, since first, some heroes, it just will never work for, and second, that without the LighterAndSofter heroes to contrast to, darker and edgier losses its meaning.
* In the ''GlobalGuardiansPBEMUniverse'', the primary Aesops were "Don't fight the battles that you can win, fight the battles that deserve to be fought", and "All that is necessary for the triumph of evil is that good men do nothing. Do not allow evil to triumph. Do not do sit by and do nothing." Which are sentiments that need to be said quite a bit more than they are usually said.
* [[WebVideo/BadMovieBeatdown Film Brain]] pointed out in his ''BrideWars'' review that far from being fat, Kate Hudson's character in it would look ''healthy'' if she gained five pounds. There was also the commentary for ''Film/SevenPounds'', in which Film Brain continues to go on about how horrible it is that suicide is glorified as the ultimate sacrifice, when Will Smith's character had a fantastic education and could have done so much more to help others if he didn't martyr himself.
** In the same film, he snarks about one of the characters doesn't allow her dog to eat meat. ("Ya! Animals don't eat meat in the wild ''beat'' wait) Not to mention that most vets will very specifically advise you ''against'' doing this, so it's also a case of ArtisticLicenseAnimalCare.
** Another example is in his review of ''The Condemned'', where he ''eviscerates'' the movie for its hypocritical moralizing about media violence. He drops the anvils that "media violence is not the same as real violence", and "if children are exposed to stuff that's not suitable for them, it's usually the fault of their parents/guardians".
** He drops another one in the ''Project X'' review in clear defiance of the film's own FamilyUnfriendlyAesop; nobody should ''ever'' care too much about being popular in high school because it only lasts four years and once it's over it means diddly squat, and that the stunts the [[DesignatedHero protagonists]] pulled will probably doom them to a life of dead-end minimum wage jobs ''at best.''
* If an innocent child is getting mistreated in a movie, WebVideo/TheNostalgiaCritic will more often than stop the review for a long rant about it. [[PapaWolf Nice enough]], but then you remember that the character is supposed to have been badly abused as a kid. It's almost poignant in a sense.
** In his ''WesternAnimation/TheLegendOfTheTitanic'' review, he makes it clear, several times, that what the film did (''outright deny'' the deaths of hundreds of people in favor of a "SAVE THE WHALES" aesop) is completely disrespectful to those who were related to those who died on the ''Titanic''.
** He says over and over again that just because something is a kid's movie, [[AnimationAgeGhetto doesn't mean it has to be worthless or have no effort put into it]]. Depending on how much he suffers in an episode, this can vary in desperation.
** Relating to that, non-stop loud music, sound or talking is annoying and takes away from building kid's appreciation for building up atmosphere.
** The Moulin Rogue review has "Even if I don't like the film, maybe you do, and neither of us are definitely wrong" as well as "GuiltyPleasures are nothing to be ashamed of."
** The Critic's favorite episode of ''WesternAnimation/TheSimpsons'' is "Bart Gets an F", which involves Bart needing to pass a test to avoid having to repeat the fourth grade. Bart buckles down, studies harder... and still fails. The Critic praises the episode for teaching a FamilyUnfriendlyAesop that many shows are afraid to touch: that you can try your hardest and still fail.
** In his review of ''Film/HowTheGrinchStoleChristmas'', the Critic is puzzled by the positive comments from people who loved the film despite all the stuff he said about it and the narrator explains that that the Critic shouldn't force his opinions on others and that "everyone is different like every flake of snow".
*** Which is [[IgnoredEpiphany quickly dismissed as idiocy]] by the Critic.
* WebVideo/ToddInTheShadows has a few of these
** In the review of [[Music/TaylorSwift ''Fifteen'']]: A woman has more worth than her body!
** In the "review" of Music/ChrisBrown's ''Turn Up the Music'', Todd explains that while one can still like the work a celebrity puts out, they should still hold the person accountable for their mistakes. Todd also takes a lot of issue with [[FanDumb Team Breezy's]] constant excusing of Brown for not only beating his girlfriend up and his constant refusal to really own up to his mistake, but for [[VictimBlaming also making Rihanna seem like the bad guy]] of the whole incident.
* ''ArbyAndChief'' is a delicious and very relevant anvil on FanDumb and HateDumb, even if delivered with crude humor, which is directed against the ''Franchise/{{Halo}}'' fanbase but can be applied to everything. The episodes "Glitch" and "Panic" are a good point, because The Arbiter delivers a well-placed ReasonYouSuckSpeech against an user named [=assassininja4827=], who is 39 years old and freaking out because of the title glitch in the game. The moral is that there's nothing wrong with being an adult and playing computer game, but you also must act like one!
* Website/{{Cracked}} gives us a good few:
** From David Wong:\\
\\
''[[http://www.cracked.com/article_17061_reminder-5-things-you-think-will-make-you-happy-but-wont.html 5 Things You Think Will Make You Happy (But Won't)]]'': The pursuit of things like fame and wealth aren't helpful. Friendship, love, and altruism are where it's at.\\
\\
''[[http://www.cracked.com/article_15663_10-things-christians-atheists-can-and-must-agree-on.html The God Fuse]]'': Just because you're in the right (or you think you're in the right) about something, doesn't mean you need to be a dick about it.\\
\\
''[[http://www.cracked.com/article_14990_what-monkeysphere.html What Is The Monkeysphere?]]'' basically sums it up by talking about Osama bin Laden: "Now, the truth is that bin Laden is as deserving of a bullet in the head as the four-color image on some redneck's T-shirt. But what you've got to realize is this: ''we're the caricature on his T-shirt.''"\\
\\
''[[http://www.cracked.com/blog/6-things-rich-people-need-to-stop-saying/ 6 Things Rich People Need to Stop Saying]]'' explains why people are so angry at the rich, it's not because the poor are envious, its because the rich are hypocrites and distant from the masses.\\
\\
''[[http://www.cracked.com/blog/6-harsh-truths-that-will-make-you-better-person/ 6 Harsh Truths That Will Make You a Better Person]]'' shows that what the world really cares about are ''results''. At the same time, it also tells the reader to stop making excuses for why their life sucks, and [[DareToBeBadass go DO something]].\\
\\
''[[http://www.cracked.com/article_18544_how-the-karate-kid-ruined-modern-world.html/ How The Karate Kid Ruined the Modern World]]'': Success doesn't happen at the rate that movies lead people to believe. [[{{DMX}} The game is a lot bigger than you think you know, and if you think you know, then I don't think you know.]]\\
\\
''[[http://www.cracked.com/article_18611_the-10-most-important-things-they-didnt-teach-you-in-school.html/ The 10 Most Important Things They Didn't Teach You in School]]'' drops no less than ''ten'' anvils:
--> 10. Ladies, learn how to spot a pickup artist before they can succeed.
--> 9. Porn is a terrible way to learn about sex.
--> 8. The only practical/safe self-defense is learning how to run away if someone threatens you.
--> 7. There are certain things a person living on their own needs to know how to do.
--> 6. The oft-forgotten key to success is randomly meeting the right people and not pissing them off.
--> 5. Those "all-natural" cures in the grocery aisle are BS.
--> 4. Losing weight takes work. A [=LOT=] of work. Seriously.
--> 3. Learn how to cook - it's important.
--> 2. Talk radio is a terrible source of news information.
--> 1. Life is hard and you will die one day\\
\\

** John Cheese in general writes a lot about being a recovering alcoholic and how much of a struggle it's been. He repeatedly - and to great effect - points out that ''it's not alcohol that makes you an alcoholic, it's that addiction in your brain'', and he also points out that you're never truly "cured" from it. A powerful message. But not the only one from him:\\
\\
''[[http://www.cracked.com/blog/5-reasons-life-actually-does-get-better/ 5 Reasons Life Really Does Get Better]]'': The world isn't as bad as you think. When you get older, you actually have the power to do something about it.\\
\\
''[[http://www.cracked.com/blog/5-common-anti-internet-arguments-that-are-statistically-bs/?utm_source=facebook&utm_medium=fanpage&utm_campaign=new+article&wa_ibsrc=fanpage 5 Common Anti-Internet Arguements that are statistically bullshit]]'': In the face of internet censorship, its good to remember these points.
** Christina H's "[[http://www.cracked.com/blog/8-tiny-things-that-stopped-suicides/ 8 Tiny Things That Stopped Suicides]]": Yes, depressed people often build up a wall around them. Yes, breaking down that wall can be ''extremely'' difficult. But sometimes, all it takes to get started is a small crack in the wall, courtesy of a friendly phone call, a hug, or something else.
** Gladstone's article, [[http://www.cracked.com/blog/ndaa-biggest-election-issue-no-ones-talking-about/ NDAA: The Biggest Election Issue No One's Talking About]], explains one of the most important but least discussed issues: the President having the ability to indefinitely detain Americans without a trial.\\
\\
Another one of Gladstone's articles, ''[[http://www.cracked.com/blog/4-things-both-atheists-believers-need-to-stop-saying/ 4 Things Both Atheists and Believers Need to Stop Saying]]'', points out several arguments that only make religious people and atheists seem bad. It also manages to do so without offending either the religious or the atheistic.
* [[http://valentine-beach.livejournal.com/23201.html "Have you ever tried *not* being a rapist?"]] makes a number of points about rape, starting with the title, and proceeding to cut directly to the argument that instead of teaching people how not to get raped, society ought to teach people how not to be rapists. The article is blunt, minces no words, and is beautifully direct. It was followed up with another article, [[http://valentine-beach.livejournal.com/23485.html "Playing the Devil's Advocate"]], this one on the all-too-often ignored topic of how men suffer rape just as much as women. Finally, there is [[http://valentine-beach.livejournal.com/24236.html "A Message to Rape Survivors"]], which is powerful, comforting, and hopeful.
* WebVideo/TheAngryVideoGameNerd goes to show that, [[NostalgiaGoggles despite our nostalgic memories]] of the old 8-bit era, ''most'' games were nothing like Mario, Zelda, Mega Man, or Contra. A lot of them flat-out sucked, even for their time.
* Krissy Vaine's ''Vainety Fair'' entry "Who Believes In You" gives us a moral that mediocrity is absolutely not okay and how important it is to have good self esteem in life. Seems like CaptainObvious but Krissy reminds us all of incidents where we're taught that mediocrity is alright
--> ''If we hear good news we fear bad news is right around the corner, we're afraid to accept a gift for fear we don't deserve it''.
** As well as that, everyone needs someone to believe in them. Krissy says when people compliment children, they're not feeding they're ego. They're preparing them for success.
* TheOnion: ''[[http://www.theonion.com/articles/god-angrily-clarifies-dont-kill-rule,222/ God Angrily Clarifies "Don't Kill" Rule]]''. Not only what's on the tin, but a respectful and well-needed reminder not to judge groups by their VocalMinority. Especially [[TearJerker poignant]] when that minority had just perpetrated the September 11th attacks.
* A recurring theme from ''Machinima/RedVsBlue'' is that revenge will not make things better. It's best shown with three characters.
** Washington wants revenge on Project Freelancer for causing an AI to kill itself inside its head, and also for its amoral experiments. [[spoiler:He successfully manages to EMP their command centre,]] but for this he inadvertently lets the Director get away and ends up in prison. When he is released [[spoiler:as part of the BigBadDuumvirate for Season 8]], he ends up being betrayed by his partner and almost killed again.
** This happens in Season 8 (again) with Tex, who ends up caught in a capture unit and then [[spoiler:wiped from existence by Church.]] Things would likely have turned out differently had she not tried going on a Roaring Rampage of Revenge.
** There's another great example in Season 10 with Church and [[spoiler:Carolina]], who almost end up dead and eventually declare it isn't worth it after seeing [[spoiler:a broken down Director]].
* WebVideo/DemoReel's HorribleHollywood StoryArc wasn't subtle, but heavily based off RealitySubtext. Elissa Hoffman, Donnie's mom [[spoiler: who killed herself because the roles dried up]], is based on Elizabeth Hartman, who really did commit suicide because she was an aging actress. Donnie's backstory, his being a [[spoiler: child actor who learned about this while he was filming a movie and got abuse for his bad performance]], is a far more depressing version of what happened to Creator/MaraWilson, as she found about her mother's death while filming Matilda and ''also'' gets abuse for her bad performances. Rebecca's sexism-in-the-industry speech could be a case of the trope all on its own, but Rachel improvised half of it based on her own real-life experiences, and last but not least, Doug has very pointedly made clear that he once wanted to make movies over there, but later figured out he wouldn't have survived.
* The (only available online) ''[[http://www.plaidder.com/wof/ Women on Fire]]'' novels had a ''lot'' of problems with AuthorTract and general [[{{Anvilicious}} Anviliciousness]], especially in the later books, but there is one anvil in ''Taken Child'' that can't possibly be dropped hard enough: Sexual orientation is not something that can be changed, and attempts by parents to "fix" a gay child can and will tear the family apart.
* ''[[http://www.youtube.com/watch?v=Khp8H7KJeLc F*** Kayfabe: Wrestling With Labels]]'' delivers three:
** If you want to succeed at something then you have to be prepared for hardship but it's all worth it if you really want to do it. "Take a little of the pain now so you can do what you love".
** Real friends will accept you for who you are. Bobby thought he would have to hide his [[UsefulNotes/AspergerSyndrome condition]] from them and asked if it bothered them. The friends talk about his quirks and eccentricities as reasons why they love him.
** Suicide is not an option. Bobby admits that his attempt was motivated by selfishness and he could have done serious damage to the people around him. Matt says "I hope he never thinks like that again because there's no need for it".
* ''Webvideo/TheUncannyValley'''s last short, ''WebVideo/DarkSideOfTheInternet'' could be best summarized with a ''very'' [[Main/CaptainObviousAesop obvious aesop against cyber-bullying]], yet considering the ''[[HateDumb astonishing number of negative responses]]'' from people who either [[JerkAss never realize it or outright don't care]], you can clearly see why it ''was made in the first place''.
[[/folder]]

[[folder:Real Life]]
* The "It Gets Better" series of Website/YouTube videos to prevent gay teen suicide.
* Iris Chang's book ''The Rape of Nanking'', exposing horrific atrocities committed by the Japanese Army in WWII. To say it's anvilicious is putting it lightly--it may be one of the most horribly biased and flawed books on history ever written. But it ''did'' happen, and her book has opened the floodgate.
* [[TvTropesWillEnhanceYourLife Some person]] was [[CrowningMomentOfHeartwarming kind enough]] to post a great PatrickStewartSpeech in the RealLife section [[YouAreNotAlone here]].
* Anything dealing with proper UsefulNotes/GunSafety.
* The growing campaign against drinking and driving can be rather over-the-top (especially the commercials), but if it gets more drunk people to stay off the road, more power to them.
** [[http://www.youtube.com/watch?v=Q-3HOYGGtE4 This]] [[TearJerker tear-jerking]] and heartbreaking ad is as {{Anvilicious}} as it gets, and one of the most powerful of all of them.
* [[http://www.wegiveadamn.org/ The "Give A Damn" campaign]], similar to the "It Gets Better" series mentioned above.
* [[CleopatraNose Cleopatra's Nose.]] An anvil that can't be dropped hard enough: You don't need to look like everyone else to be beautiful. You have to look like you to be beautiful.
* Sex Education.
** And its inverse anvil: it is the PARENTS' job to teach their children, not abandoning the responsibility to television, schools, various other people, and painful life experience to do it. And not just giving "the talk," but several "talks" over time, being a source of wisdom and advice for the growing young person along the way, even into adulthood and marriage advice when needed.
* The Sword of Damocles. It's about as subtle as a freight train, but it's an excellent demonstration of the perils of absolute power.
* ''Half the Sky'' is very blunt on it's [[UnreliableNarrator possibly biased]] [[AuthorTract worldview that]] atrocities against women continue today (ex. sexual slavery, human trafficking, and female illiteracy), especially in third-world countries. And it also states that the weak economic power that these countries have because of their oppressive misogyny.
* Britain ran a series of anti-speeding adverts involving a film of a car travelling down a busy street at a mere five miles over the standard speed limit for a public area, before coming to an emergency stop. The advert shows where the car ''would'' have stopped had it been travelling at thirty. Since the car was actually travelling at thirty five, it goes on for another five or six feet: and [[https://www.youtube.com/watch?v=WxOEHMWCg-M smashes right into a child crossing the road]].
* [[http://9gag.com/gag/aeN29Yq This 9Gag Post]] talks about how being religious doesn't make you a good person-your actions determine it.
* [[https://www.youtube.com/playlist?list=PLHLREeMe4S0OmV_BYAfWNWi0qQzu2FWzK The First International Conference on Men's Issues]] is chock-full of this, with talks from many professionals who deal with [[StrawFeminist "gend]][[DefiedTrope er]][[SubvertedTrope ed"]] issues, including the founder of the concept of a domestic violence refuge, ''Erin Pizzey'' - along with other (relative) giants in the Men's Human Rights Movement.
[[/folder]]

----