An attempt to profit from any new (particularly socially radical) trend or subculture while at the same time [[SupposedlyRebelliousSeries subverting or preaching against it]]. A classic example would be British publishing house, the ''Creator/NewEnglishLibrary'', who made an entire genre out of Reactionary Fantasy.

This was common in TheSixties. For instance, as feminism was breaking out all over, television produced shows that featured [[NoGuyWantsAnAmazon powerful women]] cheerfully (but imperfectly) suppressing their magical natures in order to be a loving, compliant, submissive helpmeet to an average guy. Jeannie of ''IDreamOfJeannie'' must hide that she was a genie, and Samantha of ''Series/{{Bewitched}}'' must deny her supernatural heritage to be a "good wife" to Darrin. The message was clear: even women with superpowers should be content to StayInTheKitchen, voluntarily.

Best of all is if these shows can [[ViewersAreMorons fool their audiences]] into thinking that they're [[TheManIsStickingItToTheMan making an edgy political point]] and really cash in on the trend. An awful lot of teenagers thought ''Series/TheModSquad'', a show featuring three hip kids hired by the police to narc on their friends was really ''cool''. There are even those who argue that ''Series/IDreamOfJeannie'' had a proto-feminist sort of sexual liberation to it. But seriously: would ''[[Series/BuffyTheVampireSlayer Buffy]]'' or ''[[Series/XenaWarriorPrincess Xena]]'' have put up with calling a man "master"? [[note]]Well, ''Series/{{Buffy|the Vampire Slayer}}'' did, because it was his name and all. Then she killed him.[[/note]]

{{Detournement}} is not only inevitable but counted on. A Reactionary Fantasy, done properly, is very like a KansasCityShuffle: the writers get fans of the social movement when they're actually skewering it.

If it's just for an episode, rather than a series concept, see SubcultureOfTheWeek. If the creators play their cards right (or if no one reads too closely), they may even come to be considered a SupposedlyRebelliousSeries, praised for being at the vanguard of a social change when they are in fact doing nothing of the kind.

Contrast FeministFantasy. Only tangentially related to MichaelMoorcock's famous essay [[ Epic Pooh]], which deals with much more overt reactionary attitudes in the fantasy genre. If a Reactionary ideology is portrayed negatively (intentionally or [[DesignatedHero not)]] then the story has a EvilReactionary.



* ''Film/SuckerPunch''. Full of violence and degradation from scantily-clad women, and some exploitation of the woman, from a BigBad Caligula. The director claims he's actually critiquing exploitation, others disagree with this and see half naked woman being abused.
* It's not hard to see many {{Slasher Movie}}s of the '80s this way either. The victims of the killer are nearly always teenagers who rebelled against society through drinking, doing drugs, having sex, partying, listening to rock, and other things. The FinalGirl of nearly all of these movies was invariably a TokenWholesome virgin. Starting in the late '90s, however, slasher films tended more towards subverting, parodying and/or [[GenreDeconstruction deconstructing]] these aspects more than they played them straight.
* ''Film/ForrestGump'' is the story of how a GoodOlBoy who sincerely believes he lives in {{Eagleland}} the Beautiful finds happiness and wealth by JustFollowingOrders [[note]]"Run Forrest, Run", ", "[Because] you told me to, Drill Sergeant?" "The secret of ping pong is never taking your eye off the ball", "I got it -The Medal of Honor - just by doing what you told me to do"[[/note]] because DumbIsGood. It is mirrored by the story of an [[AntiIntellectualism intelligent]] girl who ReallyGetsAround due to AbusiveParents who sincerely believes she lives in {{Eagleland}} the Boorish, becomes a SoapBoxSadie trying to change things for the better, and lives a life that goes FromBadToWorse (and it's implied to end with DeathBySex).

* The book (not movie) ''Literature/LogansRun'' told Middle America to worry their heads off: those scary hippies would create a world where an eleven-year-old girl announces that she's sexually "skilled beyond all others", where fourteen is adulthood and everyone dies at twenty-one.
* Creator/StephenKing, in his study of the horror genre ''Danse Macabre'', suggests that horror literature is ''inherently'' conservative, simply because horror is always a disruption of the world as it is -- and it's shown to be scary and bad.
* A common feminist criticism of the Literature/{{Twilight}} series is that it's one of these due to how Edward's relationship with Bella is portrayed among other things. [[RuleOfCautiousEditingJudgment Let's leave it]] [[Administrivia/PleaseNoNatter at that]].
* ''FiftyShadesOfGray'' meets similar criticism to ''Twilight'':
** Some call it 'progressive' for basically being porn for women, but it depicts and romanticizes a blatantly abusive relationship.
** This also comes up in the series's portrayal of kinky sex and the BDSM lifestyle. It's supposed to be 'edgy' because it deals with the subject at all, but it's really pretty puritanical about it: Christian's sexual proclivities are the product of abuse and emotional damage, lead him to behave abusively toward Anastasia, and ultimately have to be exorcised so they can have a healthy relationship.
** Another criticism by some is that the book is marketed as kinky and edgy, when the sex is actually pretty vanilla, especially when compared to what many people in BDSM do. It's somewhat similar to Twilight in that it presents itself a certain way to people who want to think about those things but are too afraid or nervous to. Twilight was written as a big romance with a girl lusting over the most gorgeous guy in the world, but the reader never got to read the sex scene it was building up to. In that vein, 50 Shades presented itself as a book about kinky, crazy sex, but wasn't actually that kinky.
* Commonly inverted by American porn novels of the Sixties and Seventies, which would often feature introductions explaining how all this sexiness was the result of mental illness, but never mention it in the actual text.
* ''Literature/YouthInSexualEcstasy'' is a novel that promotes sexual abstinence and preaches against premarital sex, all while having a [[TheCasanova casanova]] protagonist immersed in an EveryoneHasLotsOfSex environment.
* ''[[Literature/TheIronDream Lord of the Swastika]]'' is a pulpy post-Apocalyptic fantasy novel about a brave and thoroughly Nordic warrior fighting the ruthless Dominators to save the human gene pool in the ashes of America, written by popular sci-fi novelist and Austrian emigre AdolfHitler in reaction to the [[DirtyCommunists communist]] takeover of Europe.

[[folder: Live Action Television]]
* ''Series/TheModSquad'' told Middle America not to worry: those scary Hippies would sell out just like everyone else and you really didn't have to be afraid of your kids anymore because they'd eventually wind up punching a clock for the Establishment just like you. They guessed right, of course, but nobody knew that at the time.
* Similarly, the ''Series/StarTrekTheOriginalSeries'' episode "The Way to Eden", which teaches that idealistic dreams of a perfectly enlightened and peaceful Elysian society are deadly self-delusion unless framed within socially acceptable norms. Chalk it up to GeneRoddenberry bowing to ExecutiveMeddling. A few other ''TOS'' episodes, most infamously "The Omega Glory", were reportedly the result of this behind-the-scenes pressure.
* This is also an aspect of ''Series/{{CSI}},'' which, as [[ Television Without Pity]] shows us, proves that any unwed man or woman who consents to and enjoys having sex (especially if the sex is in any way [[GoodPeopleHaveGoodSex not "normal"]]: obese people, furries, swingers, etc.) will [[DeathBySex almost certainly die]], while rapists and rape victims often live to tell the tale.
* The subversion/reversal to end all subversions: ''Series/TheAddamsFamily.'' Not only were they eccentric (read: crazy), but Gomez and Morticia kissed ''all the time''. And all the "[[{{Muggles}} normal people]]" on the show were shocked -- but the audience wasn't, and wasn't supposed to be, despite [[NoHuggingNoKissing the usual behavior of married couples on early 1960s TV]].
* ''Series/{{Bewitched}}'': Samantha could literally have anything she wanted by simply twitching her nose yet she willingly suppressed this power on the demand of a man with whom she tried to live a normal human life of domestic bliss. This despite the fact that the magical world she comes from is a far more interesting and liberated place (although portrayed as overly hedonistic, so that Samantha should prefer life as a mortal).
* Five words: LifetimeMovieOfTheWeek. To sum them up, even under their feminist undertones and alleged "empowerment" of "distressed women", half of the plots go on condemning whatever thing frightens middle aged suburban housewives. At least half the time, the good men are right. Doesn't matter what about, they're just right. Sometimes to the point of saving the "heroine" and/or doing her thinking for her. Also, the movies, constantly showing women getting victimized, [[UnfortunateImplications helps perpetuate the idea]] that women are natural victims.
* ''Series/IDreamOfJeannie'', despite Tony arguably freeing Jeannie upon being rescued in the first episode, she still follows him home and calls him master. While she'll work around his wishes, she still obeys them and is ''happy'' to be his servant (because she's in love with him).
* ''Series/SexAndTheCity'' attracted quite a bit of flak during its run for how, for all its talk of being a progressive, empowering (even feminist) sitcom, the series nevertheless ended with all four female characters having found happiness by [[AcceptableFeminineGoalsAndTraits entering into committed monogamous relationships with white heterosexual men]], and in two cases also by [[NeverASelfMadeWoman having babies]].
* Though it ended up in DevelopmentHell and has still yet to be seen, Conservative pundit Glenn Beck at one point announced his intention to create an Anti-''Series/{{Glee}}'' aimed at teens and children. His stated goal was to try and make conservative attitudes seem cool again after ''Glee'' became credited with helping popularize acceptance of LGBT individuals and other progressive causes among young people.

[[folder: Professional Wrestling]]
* Women's wrestling in general, particularly in Wrestling/{{WWE}}. Even though all the WWE Divas of at least the past decade have been rigorously trained, and at roughly the same level as the male wrestlers (heck, their coach for many years, Dave Finlay, was male!), after all is said and done they still are viewed - at least by the audience if not necessarily by the bookers - as mere sexual objects, with [[ExcusePlot lazy storylines]] and often inconsistent characterization. Male wrestlers may be sexually objectified, too, but this has happened much less frequently (Wrestling/LexLuger and early Wrestling/ShawnMichaels come to mind, as does Wrestling/CodyRhodes in our own era), and when it does happen they are often considered heels for that fact alone - and it's not at all uncommon for a HollywoodHomely male wrestler like Wrestling/ChrisBenoit to be portrayed as a straight-up AllAmericanFace, whereas an equally plain Diva will have to contend with an "ugly" gimmick and [[RedRightHand will most likely be a heel]]. The "Knockouts" of Wrestling/{{TNA}} fare a little better, but there are still instances when a match will end with them being soundly spanked.
* Much the same fate befell the cruiserweight division, which WWE only got into by virtue of absorbing Wrestling/{{WCW}}. Wrestling/ReyMysterioJr did become [[ WWE RAW World Heavyweight Champion]] in 2006, but he was, as they say, the exception proving the rule. A little more than a year after Mysterio's victory, the cruiserweight division lost all credibility when the title was put on a midget, and disappeared entirely shortly after. For a few years after that, WWE went back to pushing the same power-based muscleheads that had always been its bread and butter.