->''"I hate you, you hate me\\
Let's hang Barney from a tree\\
With a knife in his back and a loaded .44\\
No more purple dinosaur."''
-->-- One of [[PlaygroundSong many similar parodies]] of the ''Series/BarneyAndFriends'' ending song

Periphery Hatedom is when a character or show receives scorn and hatred from groups it was never meant to appeal to in the first place. It inspires an anti-PeripheryDemographic, who respond to them in such a way that [[FelonyMisdemeanor you'd think they had committed some unspeakable atrocity]].

This is not to say that the dislike is always undeserved. We live in a mass-media world now, and any major pop-culture phenomenon is going to make at least some in-roads into the mainstream and show up on our radar whether it's aimed at us or not. In the worse case scenario, it may become inescapable, or prove so popular in its demographic that those attempting to FollowTheLeader choke out any innovation in other programming for a period. Of course, a Periphery Hatedom can help make things even more inescapable, even well after the pop-culture phenomenon's popularity has died down.

Even an otherwise benign Periphery Hatedom can look fanatical to disinterested third parties, who are as likely to direct their pleas of "Will you just ''shut up'' about it already?!" to the haters as to the fans.

Keep in mind that some of the stuff that was marketed towards you when ''you'' were a kid had a Periphery Hatedom at the time, and the kids who love a kid-oriented work with a Periphery Hatedom may grow up to become the adults who hate some new kid-oriented work, [[NostalgiaFilter while still viewing the stuff they themselves enjoyed as kids as pure quality.]]

Also, keep in mind that just because something is intended for a specific audience that sometimes is not very concerned with the quality of the work, [[ItsNotSupposedToWinOscars that doesn't mean the creators have an excuse to be lazy]], so, if the Periphery Hatedom proves that even for its intended target audience the work isn't good, then they can have a point ("Just because something is made for kids, that doesn't mean they are free to [[ViewersAreMorons treat them like idiots]]").

Compare LoveItOrHateIt, where the demographics are not nearly so sharply defined (and the hatedom rarely overshadows the work), and BileFascination, a primary reason for people outside the target demographic to investigate. Contrast HypeBacklash, where a backlash occurs against something people have been told they'd like.

Many {{music}} examples overlap with DeadHorseGenre. Can lead to DeaderThanDisco when a work's target demographic stops liking it and joins in on the bashing. See also AmericansHateTingle for regional examples. Can be caused by WhatDoYouMeanItsForKids MoralGuardians are a specific type of Periphery Hatedom, who sometimes subvert the trope by directing their complaints at how they think the work will affect its ''intended'' audience. However, they often play it straight by [[WhatDoYouMeanItsNotForKids getting the target audience wrong]], typically by assuming that everything of [[AnimationAgeGhetto a particular genre]] must be kid-appropriate.

Remember, this trope is specifically for examples where the hate comes from not pleasing a group that it never planned to reach in the first place. ComplainingAboutShowsYouDontWatch when you're ''within'' its intended audience is not this trope. And cases of former fans rejecting newer versions of their preferred work/genre almost ''never'' fall here unless the work has a FleetingDemographic (such as a lot of kids' shows, teen pop music, etc.) and the fan has grown out of it. Otherwise, move it to TheyChangedItNowItSucks.



[[folder:In-Universe Examples]]
* Much of the content of ''Magazine/{{MAD}}'' harshly satirizes franchises, shows, and films that the target readership (mostly young teenage boys) could not be expected to have any real interest in, including soap operas, Hollywood dramas, and children's cartoons. The magazine's iconic comic strip parodies are always written with a tone of exasperated annoyance — even when mocking things that aren't really that omnipresent in the culture.
* The [[HollywoodNerd Hollywood Nerds]] that make up the main male cast of ''Series/TheBigBangTheory'' are sometimes looked down on by Penny the non-nerd in playing tabletop [=RPGs=], [=MMORPGs=], card games, video games, and liking comic books, Franchise/StarTrek, and Franchise/StarWars. As Penny gets to know them better, she develops more respect for their hobbies, even participating in some of them.
* Gru in ''WesternAnimation/DespicableMe'' parodies this trope when one of the orphans he adopts asks him to read a cute children's story called "Three Sleepy Kittens". He calls the book insipid - when it is ''aimed at 5-year olds'', and he's being asked to read it ''by'' a 5-year old.
* ''Mary Moo Cow'', the Barney CaptainErsatz of the ''WesternAnimation/{{Arthur}}'' universe, is this to the titular character of the show -- the theme song itself (which is sung ToTheTuneOf Frere Jacques- a common trait of shows with Periphery Hatedom) is known to aggravate Arthur. The ''Tina the Talking Tabby'' commercial in ''Arthur's Perfect Christmas'' and ''Vidiboobies'' (one of the many {{Captain Ersatz}}s of Teletubbies in the show's universe) has the same net effect on Arthur. As does Quacker's song.
** Subverted with the "Love Ducks" (a ''Series/{{Teletubbies}}'' parody). Arthur becomes a fan of the show despite his friends mocking him and saying that it's "a baby show". That is, until they start watching it as well and [[PeripheryDemographic begin enjoying it for its surreal content]].
** The ''WesternAnimation/{{Hopla}}''/''Series/BananasInPyjamas'' CaptainErsatz "Pumpkins In Pants" has this effect on the Tibble twins, who are avid fans of "Mary Moo Cow".
* Baloney from ''WesternAnimation/{{Animaniacs}},'' a parody of ''Series/BarneyAndFriends'' who is known for [[AndCallHimGeorge inadvertently terrorizing]] the Warners.
* ''WebVideo/TheCinemaSnob'' is this towards [[ExploitationFilm exploitation films]], [[ParallelPornTitles porn parodies]], and anything else that isn't TrueArt.
* Bonky the Dragon from ''WesternAnimation/{{Recess}}'' (though Mikey briefly went back into a Bonky phase when he was afraid of turning ten).
* An early ''ComicStrip/ForBetterOrForWorse'' story consists of Elly being disappointed with finding out Michael has been playing video games at the arcade, and forbids him from doing so at the end of it, tying into the real-life stigma video games faced, as listed below. A person reading reruns of the story or reading it in a book collection might [[ValuesDissonance wonder what the fuss is about]] if they were born after the 1980s or early 1990s, as also listed below.
* One ''ComicStrip/FoxTrot'' mini-arc has Jason freaking out because his mom bought him a Barney lunchbox instead of the ''Franchise/JurassicPark'' one he wanted. Her logic: They're both dinosaurs. What's the difference? His response: Barney's not a dinosaur! He's a big sappy doofus who sings to little kids!
* Blarney and Georgie, two Barney parodies from ''Series/{{Dinosaurs}}'', have this effect on Earl, Fran, Robbie, and Charlene. Baby seems to be on the verge of having a LoveItOrHateIt relationship with these two shows.
* ''Film/AlvinAndTheChipmunks: Chipwrecked'' had a scene where Theodore turns on the TV to a movie aimed at toddlers called "Hello Lolly". Alvin and Simon react in disgust and think Dave is treating them like babies. They then change it to a movie about a jungle monster.
* ''WesternAnimation/{{Rugrats}}'': The movie ''The Dummi Bears in the Land Without Smiles'' from the episode "At the Movies", as throughout the episode, Grandpa Lou spends all his time complaining about the movie's saccharine tone and how he'd rather go bowling.
* The ShowWithinAShow ''Pootan'' to Yamaguchi from ''Anime/CromartieHighSchool''. He finds the show stupid and trash, but everyone else likes it. Yamaguchi even attempts to watch the show until he finds what makes it so popular.
* [[ShowWithinAShow "Asses of Fire"]] from ''WesternAnimation/SouthParkBiggerLongerAndUncut'' is hated by parents, causing them to murder Terrance and Phillip. The movie isn't even aimed for the main four's targeted audience, which is the main reason Shelia hates the movie.
* In the Josh Radnor movie ''Liberal Arts'', the 35-year old protagonist, who has degree in literature, berates a 19-year old college student for liking the ''Literature/{{Twilight}}'' books. He considers them to be one of the worst exampes of English literature, despite not having actually read any of the books. This gets subverted, though: he actually reads the first book, and even though he still hates it, by the end of the movie he ends up recommending it to another student, as he figures out not everything college kids read should be serious literature.
* ''WesternAnimation/TheSimpsons''
** In the episode, "[[Recap/TheSimpsonsS1E13SomeEnchantedEvening Some Enchanted Evening]]" from the series' first season, while Lisa and Maggie are big fans of WesternAnimation/{{The Smurfs}} parody "The Happy Little Elves", Bart cannot stand it and refers to it as "The Crappy Little Elves". Grampa Abe isn't a big fan of them either. In the ChristmasEpisode pilot, "[[Recap/TheSimpsonsS1E1SimpsonsRoastingOnAnOpenFire Simpsons Roasting on an Open Fire]]," he refers to them as "[[TastesLikeDiabetes unadulterated pap.]]"
** At the beginning of the season 7 episode, "[[Recap/TheSimpsonsS7E5LisaTheVegetarian Lisa the Vegetarian]]", the Simpson family goes to Storytown Village, a nursery rhyme theme park intended specifically for one to seven-and-a-half year olds, to go somewhere that one-year-old Maggie would like. Naturally, Bart and Lisa are just above the theme park's target demographic, and while Bart doesn't have a lot of fun at the park, Lisa befriends the cutest lamb at the petting zoo, who inspires her to become a vegetarian.
** In the season 15 episode, "Marge vs. Singles, Seniors, Childless Couples, Teens, and Gays", Bart and Lisa fight over what show they want to watch on TV and accidentally change it to a children's show hosted by the Raffi {{Expy}}, Roofi. This starts Maggie's Roofi addiction. Things go FromBadToWorse for Bart, Lisa, and Homer when Marge buys Maggie a Roofi CD and plays it non-stop for her. It gets to the point where Bart actually begs for Mrs. Krabappel to make him stay after school and [[WritingLines write something on the chalkboard a thousand times]]. Meanwhile, Lisa tries to turn off the CD player by unplugging it (only to find out it's backed up by batteries and a solar panel), and Homer tries to smash the CD player in the middle of the night with a hammer.
* In the ''WesternAnimation/KingOfTheHill'' episode "Get Your Freak Off", Hank highly disapproves the contents in the musics Bobby listens to (let alone many other things he dislikes what Bobby likes). He took Bobby to a boy band concert when he assumed the band was acceptable due to the subtle lyrics and conservative outfits...until he's disgusted when the band strips out of their suits and grab their crotches in front of the preteen crowd. He drags Bobby out of the concert when he is freak dancing with his friends.
* In the short, "Ruffled Ruffee" from the ''WesternAnimation/TinyToonAdventures'' episode, "Music Day", the Raffi {{Expy}} Ruffee fits this trope to a T, particulary towards Buster Bunny, who is part of the teenage rock n' roll crowd. Ruffee refuses to let Buster play his electric guitar, [[IncessantMusicMadness which inadvertently interrupts his concert for impressionable children]]. As a result, Buster gets back at him by attending the concert, dressed in a diaper and a green bonnet, and having to listen to his overly sappy songs simply for the purpose of sabotaging said songs, and the concert as a whole. [[note]]The episode was written to satarize Raffi's earliest performances, when he found it difficult to perform for his target audience (children under the age of 3) because their tiny attention spans were distracting to him and the rest of the audience.[[/note]]
* In ''Film/NineMonths'', there is a Barney clone named Arnie that a mom attacks. The weirdest part? Her child is the age that most people begin hating the show!

[[folder:Anime and Manga]]
* ''Manga/DragonBall Z'' and ''Franchise/SailorMoon'' qualify, as a truly amazing number of hate-sites appeared in the early days of the Internet, most of which were run by the demographic that the other appealed to. That sure explains all the "[[FoeYay DragonMoonX]]" RuleThirtyFour out there.
* The {{moe}} style and concept, to fans of mecha anime and fans who got into anime because of ''Anime/CowboyBebop''. While many mech fans had their misgivings about a strong focus on moe even when it was shows like ''Manga/KOn'' and ''Manga/LuckyStar'', most of them took an instant dislike to shows like ''Anime/StrikeWitches'', ''Anime/SkyGirls'', and ''InfiniteStratos'', which merged mecha elements with the moe style. Many fans feel robbed by the ubiquity of moe: where once there was a lot of "traditional" anime on the air, now it is forced onto [=OVAs=]; the airtime is filled with SliceOfLife and adaptations of [[VisualNovel Visual]]/{{Light Novel}}s which have pushed more "traditional" anime aside. Add in known mecha directors like Creator/YoshiyukiTomino and Creator/HideakiAnno. Somewhat ironic, as Rei Ayanami in his ''Anime/NeonGenesisEvangelion'' is considered the TropeCodifier of {{moe}}, if only because of a MisaimedFandom. Throw in calling out moe as strangling the anime industry's creativity, and you've got all the ingredients for a Periphery Hatedom.
* The ''Anime/{{Pokemon}}'' anime is hated a lot, mostly because [[LongRunner it's been going on for years and years]] [[StrictlyFormula without being very imaginative]] while [[AnimationAgeGhetto catering almost exclusively to children]]. For instance, the cover of ''Magazine/{{MAD}}'' #386 asked readers to vote on ways of killing Pikachu. Not to mention that even fans of [[Franchise/{{Pokemon}} the games and other aspects of the franchise]] also aren't too happy that Ash and Pikachu's repetitive adventures[[note]]especially the first season[[/note]] [[AdaptationDisplacement define "Pokémon" in the public consciousness more than the games themselves]], ''the very reason why the franchise was created''.
* ''Anime/YuGiOh'' has a Periphery Hatedom for the [[{{Bowdlerization}} bowdlerized]] English dub, mostly due to the dub turning the show into a simplistic MerchandiseDriven kids' cartoon similar to ''Pokémon'' itself. This turned it into ample SnarkBait, allowing for the creation of the popular ''WebAnimation/YuGiOhTheAbridgedSeries'', which plays all of the show's and dub's bizarre tropes for laughs.
* ''Anime/{{Hamtaro}}'':
** The most vocal haters of it were people who apparently could never tell that it was a kid's show and carries all the characteristics of kids' shows that adults absolutely hate. ''Hamtaro'' was a popular target for the PeripheryDemographic of a lot of {{Shonen}} anime, and fans of more "sophisticated" anime (Such as {{Seinen}} and {{Josei}}) love to hate ''Hamtaro''. One bit of irony is when people hated it for catering to the AnimationAgeGhetto and being made for younger kids, even though it was intended for the little kid demographic in Japan. In the United States, ''Hamtaro'' aired on Creator/{{Toonami}}. In the commercials, not even Tom could tell why he was watching it. His exact words were "... Well, at least they're cute."
** An interview with [[http://www.animenewsnetwork.com/anncast/2015-02-27/.85411 Jason DeMarco]], one of Toonami's original founders and in charge of the recent revival, showed that [=DeMarco=] hated the show too. He said that the Cartoon Network executives forced ''Hamtaro'' onto the block, and he had no say in it.
* ''Franchise/{{Anpanman}}'' has this in Japan, due to HypeBacklash, to the point where the videos on Website/YouTube for the show have ''more dislikes'' than likes.
* ''Anime/{{Free}}'' gets flak from people (mostly [[SelectiveSquick males]]) who feel that beefcake FanService and {{Moe}} boys bleed {{Squick}}.
* ''Franchise/PrettyCure'' gets this for [[TastesLikeDiabetes how sweet and innocent it is]]. It even got to the point where [[http://www.animenewsnetwork.com/news/2015-08-05/man-arrested-for-bomb-threat-to-precure-film-screening-on-twitter/.91307 a hater threatened to bomb a theater showing one of the films]].

[[folder:Comic Strips]]
* ''ComicStrip/TheFamilyCircus'' has received a disproportionate amount of mockery over the years from people not in its kids-say-the-darndest-things-isn't-it-cute? demographic.
* Jack Chick's ''ComicBook/ChickTracts'' do a zig-zagging of this trope. The tracts are supposed to be aimed at non-Evangelicals, to bring them into the fold, but only an Evangelical could possibly take them seriously (and even most of them think they're absurd), while his target audience despises the contents. It is for this reason that his fanbase consists primarily of people who [[SoBadItsGood read his comics to make fun of them]].
* ''ComicStrip/{{Marvin}}'' is written exclusively for [[FleetingDemographic new mothers.]] Everybody else seems to hate it.
* ''ComicStrip/{{Garfield}}'' suffers from heavy NostalgiaFilter syndrome, and is often hated by people who believe it's "gotten worse" when in reality it's a strip best enjoyed by kids. It's also something of an [[TheArtifact Artifact]] of the late 1970s, so it's basically a baby-boomer strip. So most of the complaints seem to come from Generation X'ers who enjoyed it as kids and have become too "sophisticated" for it, while many Baby Boomers (now in their fifties or older) don't read the comics much anymore and are too busy complaining about other things.

* All Disney films are this, to a degree at least. While there are some that are well liked due to their serious nature, such as ''Disney/TheLionKing'', even those still have musical numbers that a lot of older fans would probably find painful to sit through. Such a Periphery Hatedom was probably most prominent during the days of the DisneyRenaissance itself, then started to fade as [[NostalgiaFilter people who were fans of the Renaissance movies as kids started to grow up]]...and then returned in full force when ''Disney/{{Frozen}}'' (and to a lesser extent, ''Disney/{{Tangled}}'') generated a ton of attention, hype and praise that some people found baffling.
* ''Cars''. Kids ''love'' ''WesternAnimation/{{Cars}}''... but it's one of the few Pixar movies that doesn't have a lot of adult appeal. Of course, some people hate ''Cars'' because Disney absolutely adores it, despite that it was received the ''worst'' by critics and Pixar's usual adult fanbase. This is mostly because the only reason they made a sequel was for TheMerch. It's because of this that despite ''WesternAnimation/{{Up}}'' being one of Pixar's highest rated movies, their stock actually ''dropped''. Why? Because stockholders knew it wasn't made for merchandizing.
* Franchise/DisneyPrincess movies, especially Franchise/DisneyAnimatedCanon ones, tend to attract a male Periphery Hatedom despite being well-regarded by critics of both genders in most cases. Many of these haters are very young boys who simply hate the movies for being "[[GirlShowGhetto stupid and girly]]", but older males can also develop some spite towards them for various reasons, mostly related to ItsPopularNowItSucks:
* Quite a few teenage boys and young men resent ''Disney/{{Frozen}}'' due to ItsPopularNowItSucks, especially since it outgrossed most other movies for their demographic--including its male-oriented predecessor ''Disney/WreckItRalph'' and successor ''Disney/BigHero6'', as well as every single superhero movie ever except ''Film/TheAvengers''. The fact that this record is a result of GermansLoveDavidHasselhoff can either make this better or worse, depending on one's bias. Not helping matters is the movie's male characters and villains failing to draw a significant fanbase, with many thinking of Kristoff as insignificant and clueless compared to Anna or Elsa, Hans lacking the EvilIsCool factor of many past Disney villains, and [[PluckyComicRelief Olaf]] being very entertaining but still being a Disney sidekick (not the type of character to attract fanboys).
* ''WesternAnimation/{{Brave}}'', Creator/{{Pixar}}'s own Franchise/DisneyPrincess film, also got this reaction for AwardSnub reasons. It got positive reviews that were nonetheless very mixed by Pixar standards, which caused it to attract a lot of bile from males when it won the Oscar for Best Animated Picture over better-reviewed (and coincidentially male-oriented) competition (''Disney/WreckItRalph'', ''WesternAnimation/ThePiratesInAnAdventureWithScientists'', ''WesternAnimation/{{Frankenweenie}}'', and ''WesternAnimation/ParaNorman''). Because the common consensus was that ''Ralph'' would win the Oscar, some believed that ''Brave'''s win was simply a move to promote feminism rather than an actual measure of the movie's quality, with it being the first Pixar movie directed by a woman and starring a female protagonist.
* People hate a lot on Music/MileyCyrus, the Music/JonasBrothers, and most of these teenage, {{Disney}}-sponsored musical artists who are really only supposed to appeal to younger girls. These fans express appreciation through high-pitched {{Squee}}, and these artists didn't seem to appeal to anyone else (they were too young to invoke ParentService and {{Disney}} has nearly abandoned their flagship [=IPs=] like Mickey and Goofy to focus on marketing these singers), so tolerance for {{Squee}} in everyone else is at a minimum. In the case of Miley Cyrus, when she broke out from her ContractualPurity and went into a more daring approach, like her performance in the 2013 MTV [=VMAs=], she got more flack, particularly from MoralGuardians.
* ''WesternAnimation/The7D'' got a lot of backlash from fans of the 1937 Disney animated film ''Disney/SnowWhiteAndTheSevenDwarfs'' for not only radically changing the character designs of the dwarfs themselves (courtesy of ''WesternAnimation/FishHooks'' creator Noah Z. Jones), but for also not even mentioning Snow White's existence, adding new characters called the Glooms, and more. The fact that Creator/WhoopiGoldberg (of all people) voices the Magic Mirror doesn't help matters.
* ''WesternAnimation/LittleEinsteins'' is hated by exactly five schools of people: those who can't stand the inanity or shallowness of the story, those who don't like being treated like they have the memory of a goldfish, those who can't stand them shoehorning silly lyrics onto classical melodies, those who don't believe the claims made by the producers of the series that your child will end up smarter than Stephen Hawking just for watching the series, and longtime Disney Junior fans who miss the shows of the block's early days as Playhouse Disney. There are also people who hate it due to it bouncing back and forth between treating its target audience (children) like they [[ViewersAreGeniuses are smarter than they look]] and treating them like [[ViewersAreMorons they have the IQ of a rotten potato]]. One moment the characters could give an (albeit ''extremely'' simplified) explanation on escape velocity, and the next they could ask the kids at home if they can count to three.
* ''WesternAnimation/MickeyMouseClubhouse'', popular among the toddler set it's aimed at, has earned mixed reviews from critics and Disney fans alike for putting their mascot and company into a toddler show, but it's many people on social networks who have a deep hate for it that tend to be more vocal about it. The fact that Disney still goes along making new episodes for this show does NOT help matters, nor does the fact that they market Mickey's ''Clubhouse'' incarnation more aggressively than his earlier, more PeripheryDemographic-friendly appearances.
* ''My Friends Tigger and Pooh'', in addition to removing Owl, dropped Christopher Robin entirely and he got replaced by a new girl named Darby, which leads to understandable flak by fans of the movie and books. Which actually led to Disney restoring Christopher Robin back into the show in later seasons, although it still wasn't enough (Christopher Robin was still demoted to a minor character and didn't appear in as many episodes as fans would like).
* [[http://www.frommeredithtomommy.com/2014/01/nina-needs-to-go-away.html A lot of parents]] hate the [[Creator/DisneyChannel Disney Junior]] short series ''Nina Needs to Go!'' due to its AesopAmnesia, how unrealistic the show is [[note]] In each episode, Nina's secret agent-esque Nana takes Nina to the bathroom in the most exciting way possible, and in the CampingEpisode, the animals build Nina a bathroom because [[ShyBladder she doesn't want anyone to see her while she goes]]. [[/note]], because their kids [[BrokenAesop misunderstood the show's message as a result]], and the fact that [[PottyEmergency the main character always has to use the bathroom no matter where she is]]. The fact that Pull-Ups Training Pants (or Pampers, depending on your region) is the show's primary sponsor only adds to the irk (Disney Junior is a premium network which costs extra on top of the basic kids package on some Pay TV providers. Understandably, parents were irked when they have to put up with advertising on a channel that they're already paying extra for). Some people believe that the show is worse than the TropeCodifier Barney!
* ''WesternAnimation/PBAndJOtter'', to those who don't [[NostalgiaFilter have fond memories of watching the show]]. Its overall brightness and cheeriness, combined with the overload of songs, [[TastesLikeDiabetes creates cavities to the nth degree]].
* Whilst a majority of people (especially [[PeripheryDemographic adults and teenagers, alongside its target audience]]) like ''WesternAnimation/SofiaTheFirst'', there are quite a few people who judge it without even watching a single episode just because it airs on a '''preschool network'''.
* ''WesternAnimation/SpecialAgentOso'', mostly from the [[ViewersAreGoldfish "Every episode is the same!"]] school of thought, the [[UncannyValley ugly saccharine CGI animation]], and the main character being TooDumbToLive.
* Before ''Nina Needs To Go!'', Disney Junior had ''This is Daniel Cook''. People hated it because the titular character always acted excited no matter what the situation was. The hate has died down, however, now that the show hasn't been seen for plenty of years.
* Both Disney series created by Noah Z. Jones (who also created ''Almost Naked Animals'', covered below) fall into this. ''WesternAnimation/FishHooks'' had this for essentially being [[ClicheStorm every high school cliche in the book]] [[RecycledInSpace put underwater]]. His next Disney creation, ''WesternAnimation/PickleAndPeanut'', is even more despised, being considered as Disney's answer to ''WesternAnimation/{{Breadwinners}}'' thanks to its overusage of stock photos (the title characters themselves are stock photos!), grossout humour, and [[TheyCopiedItSoItSucks similarities to]] the aforementioned ''Breadwinners'' and ''WesternAnimation/RegularShow''.

* [[HoYay Same-sex shipping]] gets this a lot from fans outside of the slash/yaoi/yuri demographics. While this is admittedly due to homophobia in a few cases, more reasonable fans assert that arbitrarily making two characters gay/lesbian makes them harder to relate to, that making two characters act the way one doesn't want/expect them to can be annoying, and that it occasionally comes across as pushing a social/political agenda. Most people in the world are straight and don't readily consort with the same gender in a heartbeat, and some same-sex pairings are criticized for violating canon if the characters in question are canonically straight. Not helping matters is that some of the more fervent yaoi/yuri fans can come across as crazy and annoying; [[https://kiwifar.ms/threads/yaoi-fangirls-the-lulziest-breed-of-fandom.2577/ this thread]] has more on such fans from the Periphery Hatedom's point of view, with some insight into their views on the pairings themselves.

* In the specific case of ''Film/SpeedRacer'', a large portion of the original fanbase grew older and were likely expecting something A BIT DarkerAndEdgier for them (like the ''Film/{{Transformers}}'' movie).
* The ''Film/AlvinAndTheChipmunks'' movies are hugely popular with kids. As a bonus, the "squeakquel" handily outpacing the Franchise/DisneyAnimatedCanon effort ''Disney/ThePrincessAndTheFrog'' (intended to WinBackTheCrowd for hand-drawn animation) at the box office has earned it a great deal of wrath from Disney fans who mourn for the tastes of children.
* Adult [[Franchise/TheMuppets Muppet]] fans have a history of forming Periphery Hatedoms towards movies that directly compete with, and outdraw, the newer Muppet movies. These movies usually aren't for their demographic and get much worse reviews than the well-reviewed Muppet movies. 2011's ''Film/TheMuppets'', despite getting rave reviews, was outdrawn by a ''Literature/{{Twilight}}'' sequel (described in "Literature", below) and an ''Alvin and the Chipmunks'' threequel (described just above), both of which got pretty bad reviews. ''Film/MuppetsMostWanted'' got this even worse; not only was it beaten by ''Film/{{Divergent}}'' (a YA adaptation) at the box office, but it was even turned into an AcclaimedFlop due to the competition. Needless to say, Muppet fans now don't take very kindly to young-adult female novel adaptations or half live-action half-CGI kiddie movies based on archaic cartoon characters.
* Creator/TylerPerry's movies have created a series of minor racism controversies based on the fact that they tend to be critically-drubbed by the vast majority of critics (most of whom are white), yet are extraordinarily popular in the black community, which has turned these movies into #1 hits. Creator/RogerEbert seemed to be a particular target. On top of that, Perry also experiences this among black viewers. Perry got his start staging plays on what's sometimes called the "Chitlin' Circuit", a {{vaudeville}}-esque black theater circuit which primarily caters to older, more conservative, and more religious audiences. African American subcultures experience as much ValuesDissonance with each other as they do with anyone else; someone who identifies with Reggie Watts or [[ComicStrip/TheBoondocks Aaron McGruder]] could find Perry quite tasteless, and vise-versa. Perry even threatened to pull some of his content from TBS after one episode of ''The Boondocks'' made harsh fun of the UnfortunateImplications and StrictlyFormula tendencies of Perry's movies. Either way, Perry [[PanderingToTheBase caters to a very specific demographic]] with which many African Americans do not identify.
* ''Minya'' (the "Film/SonOfGodzilla") was created specifically in 1967 in order to appeal to younger audiences (at the time, there were more kids that were going to see Godzilla movies than adults). Of course, Minya started [[DeaderThanDisco being considered to be]] [[TheScrappy the single most-hated character]] in the ''Franchise/{{Godzilla}}'' franchise, with the possible exception of [[Film/GodzillaVsMegalon Jet Jaguar]].
* ''Film/TheOogielovesInTheBigBalloonAdventure'' suffers hard from this trope according to several reviews. It doesn't help that it's essentially a combination of ''Barney and Friends'' and ''Series/{{Teletubbies}}'' (two of the most notorious examples) as a feature film.
* ''Film/TheSmurfs'' LiveActionAdaptation gets this under similar conditions to the ''Film/AlvinAndTheChipmunks'' movies. Many are hoping that the planned sequel does not outdraw TheMovie of ''WesternAnimation/PhineasAndFerb''. That and the fact that the [=CGI=] Smurfs look [[UncannyValley downright creepy]].
* ''Franchise/{{Transformers}}'': The movies are a big target for this kind of thing.
** The ''Film/{{Transformers}}'' movies in general, unlike the original cartoon, are aimed at teenage/young adult fanboys rather than children. They get a lot of hate from people outside that demographic (and even some people ''within'' that demographic) due to their shallow plotting, vulgar humor, [[HumanFocusedAdaptation focus on the human characters]], [[ArsonMurderAndJaywalking and the overly complex designs for the robots]].
** ''Film/TransformersRevengeOfTheFallen'' is by far the most widely hated movie in the series, even by fans of the other movies. Not only are the usual complaints about its quality (it has a 16% rating on Website/RottenTomatoes), but fans also heavily resent how it [[NeverLiveItDown permanently ruined the series' reputation]] and is responsible for the Periphery Hatedom for the series in general.
* The ''Franchise/IceAge'' sequels (the first film is generally well-regarded) tend to get criticized for being a little too cartoony and historically inaccurate by adults, and also for tending to have rather unoriginal stories. It doesn't help that there have been four Ice Age movies, with a fifth one on the way.
* Propaganda films (the ones by MichaelMoore in particular) seem to be reflexively hated by people who would have to be dragged kicking and screaming into a theater to watch them. When pressed for an explanation, such a loather of "schlockumentaries" (to give one popular [[FanNickname Anti-Fan Nickname]]) will often say that they're "biased" [[GoldenMeanFallacy (um, isn't that the whole point?)]] or that they're [[ThinkOfTheChildren "filling kids' heads with junk"]] (even though such films are often rated PG-13 or R, making it difficult for most "kids" to see them).
* ''Film/PunchDrunkLove'', meant to be a semi-serious arthouse film, gathered a lot of ire when fans of Adam Sandler's previous work (silly, mostly low-brow comedies) didn't get what they expected out of it.

* ''Literature/LeftBehind'' has a ''huge'' Periphery Hatedom; anybody who doesn't subscribe to the authors' precise apocalyptic vision is a potential member. Ironically [[http://exharpazo.blogspot.com/2007/01/index-to-slactivists-left-behind.html the most in-depth (by far) critique]] of the series is being produced by a (progressive) evangelical Christian. The hatred comes from several directions: those who aren't Christians and disagree with its message from the outset, those who ''are'' Christians but think the authors are on the fringe and [[StopBeingStereotypical making the rest look bad]], and even those who are Christian and who believe the Rapture is imminent, but think ''Left Behind'' has got it all wrong. Some may feel it's an easy work of fiction to avoid due to limited mainstream marketing, though this depends on where you live, such as if you're in an area where typical ''Left Behind'' readers are the majority (though even then, it's hardly on the level of ''Twilight''). However, much like some of the ''Twilight'' hatred, the criticism is sometimes about what the stories are indicative of, and what influence they have on the readers in the intended demographic.
* The ''Literature/{{Twilight}}'' series attracts both legions of fans even in this very wiki, and even larger legions of the {{Hatedom}}, some of whom have never read the books or seen the movies, and some who have. The hatred tends to be split between the direct hatred for the [[YourVampiresSuck sparkly vampires]] / [[MarySue Canon Sue allegations]]/ PurpleProse sex scenes/UnfortunateImplications allegations/ what have you, the HypeAversion from all the Edward-or-Jacob ShipToShipCombat that saturated the world, and the (sometimes fanatically) held belief that [[ArsonMurderAndJaywalking it's just not written very well]]. The hate for Twilight among Goths seems to be particularly vitriolic. Anyone expressing love for Twilight is generally met with an icy or hostile reception. Events specifically to bash Twilight are common. The Hatedom got so big that it created a whole new fandom. The riffs of the [[TheFilmoftheBook film adaptations]] of this series on {{Rifftrax}} became the most popular and anticipated riffs.
* ''Literature/FiftyShadesOfGrey'' was aimed at (roughly) the same audience as ''Twilight'', and got hate from people it was never supposed to appeal to, namely feminist women, people who actually ''do'' BDSM, and men.
* ''Literature/TheChroniclesOfNarnia'' gets this from two groups: non-Christians who dislike its overtly Christian themes and symbolism and see them as propaganda, and adult fantasy fans who dislike it for being LighterAndFluffier than contemporary fantasy like the works of Tolkien. It was never made for either of these groups: Lewis wrote it for children who were ''already'' Christian (not to convert those who weren't) to explore their faith through a more accessible framework than TheBible.

[[folder:Live-Action TV]]
* ''Series/BarneyAndFriends'', to the point where this trope used to be called "The Barney":
** Barney the Purple Dinosaur gets this treatment for the amount of sheer vitriol levelled against him for his crime of being big, cloying, purple, doofy, [[ArsonMurderAndJaywalking and]] [[ComicStrip/FoxTrot not a carnivore]], among many other reasons. A surprisingly large number of the most extreme Barney-haters are not parents and don't have toddler-age siblings, and therefore could avoid him simply by not watching the show. They probably would not have heard of the show if it were not for the already existing Periphery Hatedom and their watching of the channel it's on. One big reason for the hate from people outside the demographic is because it would often air at times when college students were watching TV, so, at the series' peak in popularity, it was pretty hard to escape. Barney hatred is so deeply ingrained into the elementary-school-age community that some kids will automatically hate ''anything'' named Barney, from real people to fictional characters. However, the hate against Barney has practically become DeaderThanDisco (there's still haters, but are mostly confined to places where reruns of the series still air and some websites), due to the TV series being all but cancelled ([[WordOfGod Cast members of the show]] have merely said that it's ''[[SeriesHiatus on hiatus]]'') in 2010. In addition, the show's original viewers, who generally view the series in a more positive light, have grown up.
** Barney hate is referenced in ''Film/JurassicParkIII'': one character manages to get a phone call in to an old friend's house to call for help, but unfortunately her infant son picks up the phone and forgets all about it as a Barney video plays on TV.
** The music video for "[[Music/WeirdAlYankovic Jurassic Park]]" featured a scene with Barney getting his head bitten off by an even larger dinosaur. It later gets coughed back up. When this video is played during his concerts, that particular scene is met with roaring applause and cheer by the audience. Weird Al has taken jabs at the purple dinosaur in several other of his music videos, too. For example, the animated music video "I'll Sue Ya!" featured a familiarly colored toy dinosaur chewing on someone's mutilated arm in one scene.
** The song "Barney's on Fire" by Tony Mason is all about this, to the point that even the audience delight in the gristly spectacle and actively refuse to help, even though they're aware there's a perfectly normal actor in that suit ''who is dying horribly''. ComedicSociopathy taken to a horrifying level.
** In ''ComicStrip/{{Dilbert}}'', the PointyHairedBoss is a ''Barney'' fan, the joke being that he's a grown man who enjoys a show which 6-year olds consider babyish because [[WhoWouldBeStupidEnough he's just that stupid]].
** ''WesternAnimation/TheSimpsons'' [[http://www.youtube.com/watch?v=hhdhH3cVhUE once made the joke]] at Homer Simpson's expense.
** The special ''Hey, Hey, Hey, It's The Monkees'', also referenced Barney hate. During one part of the special, one of the band members pulls out a Barney puppet for some kids. When another member asks him about it, he puts the Barney puppet away and pulls out a Monkees puppet instead.
** ''VideoGame/LunarEternalBlue'' has a book in the library about killing Barney, to which Ruby says "Hallelujah it's about time somebody wrote this book".
** TheOtherWiki even has its own page dedicated to all of the [[http://en.wikipedia.org/wiki/Anti-Barney_humor Barney hate]], which is roughly as long as the same site's page on [[http://en.wikipedia.org/wiki/Barney_%26_Friends just the show itself.]]
** Averted in ''Film/HeavenIsForReal'', where a firefighter says that a flight attendant he used to work with says she once thought she was talking to Barney.
** The old FightingGame ''VideoGame/XenophageAlienBloodsport'' had DummiedOut files for a familiar-looking dinosaur character named [[BlandNameProduct "Blarney"]]. Using hacks, you could play as (or against) him, but his only attack is shooting hearts and he tends to glitch a lot.
** ''Jane Austen's Mafia'' ends with a Barney look-alike getting speared by the eskimo, followed by the eskimo in question doing a celebration dance to Sister Sledge's "We Are Family".
** ''Series/TheCritic'''s show-within-a-show Humphrey the Hippo is a blatant Barney {{expy}} who is hated by everyone, even the children in the audience.
* ''Series/HeresHumphrey'': Humphrey B. Bear can be viewed as the [[LandDownUnder Australian]] Barney, due to the way he is hated by many pre-teens in his homeland for his goofy antics. And oh, for having [[ViewersAreMorons a human co-host that talks down to the viewers]]. Like pre-teens from other developed countries, Australian pre-teens don't like being talked down to either, and like pre-teens from other developed countries, the pre-teen boys naturally dislike being around girls. However, Humphrey invokes the NostalgiaFilter sooner -- Most Australians tend to remember him more favorably by the time they reach their late teens. Barney {{Hatedom}} usually doesn't fade and get replaced by NostalgiaFilter until the former viewer-cum-hater has started a family, which by time he/she will be in the late 20s or early-30s (and sometimes, it doesn't even leave). The fact that Humphrey's co-host is usually a hot chick (albeit one that talks down to kids) probably helps.
* ''Series/{{Teletubbies}}'': Barney is the king of this trope, but this is worthy company for him. The ''Teletubbies'' is even hated due to the "Bear and Lion" vignette. They were not meant for you. Especially not if you're denouncing one of them for being gay. While it has the usual Periphery Hatedom, some concerned parents made waves when it was thought that the nonsense speech of the main characters might be hurting the verbal development of its target audience at a time when their babbling starts to cohere into words and basic sentences. There's also the argument that ''any'' television program is bad for a target audience at a developmental period where they're mainly learning how to move. It's possible to believe that the people actually making the show did their best with the content and still think the primary intent and effect of the show's existence was to increase the exposure of infants to TV commercials and brand logos. Oh, and the show's main theme was written by Creator/SimonCowell.
* ''The Lawrence Welk Show'', in the 1970s and since. It was enormously popular when it was new, in the '50s, but by the time it had lasted 20 years, the number of people in the {{periphery demographic}}s far outnumbered the people for whom it was originally intended. Even in TheFifties, comedians like Sid Caesar and Creator/AllanSherman mocked it as a TastesLikeDiabetes ReactionaryFantasy. The show [[CantGetAwayWithNuthin fervently denied anything remotely dark or risqué]][[note]]making even more HilariousInHindsight [[http://www.youtube.com/watch?v=Ye3ecDYxOkg this!]] [[/note]], even if it fit with the standards of the time. The over-done art direction and [[StepfordSmiler eerily persistent grins]] even seemed [[UncannyValley eerily inhuman]] to some people. It also featured many regional acts tailored to please Vaudeville and State Fair audiences. Broad, diverse TV audiences probably felt some stylistic ValuesDissonance. If you want an idea of how behind-the-times ''The Lawrence Welk Show'' was even in its day, consider the episode that had a tribute to America's ethnic diversity. The most exotic ethnic group featured were...[[ButNotTooForeign the Italians]]. Even by the 1970s, Welk was still shown to be out of touch with the times, an infamous example being introducing Brewer and Shipley's 1971 hit "One Toke Over the Line" as a "modern spiritual" (when in fact it was a mock spiritual, and then vice-president Spiro Agnew claimed it was subversive). Although some contemporary songs slowly found their way onto the show – for instance, one 1975 episode had cast members singing covers of Captain & Tennille's "Love Will Keep Us Together" and Morris Albert's "Feelings," while another featured Three Dog Night's "An Old-Fashioned Love Song" – the show still relied heavily on pre-1955 (namely, big band, patriotic, sacred and pop standards) for its songs. Even as late as the mid-1970s, there were many households that had one television set, meaning if the parents liked it, the children – especially teenagers, who winced at the mere mention of music they considered "square," "unlistenable" and outdated – had little choice but to either watch, go to a friend's house or do something else.
* ''Series/SesameStreet'':
** Elmo became less than popular to a large number of the show's longtime fans, mainly because the show's focus somehow shifted onto him and less on the other Muppets and characters. Made worse by Sesame Workshop deciding to assign a fifteen-minute segment of ''Sesame Street'' to the segment, ''Elmo's World'', and giving the segment an ending song set to a traditional song (Jingle Bells), like fellow children's show ''Barney & Friends''[[note]]half an hour in certain markets, made possible by airing two episodes back to back. Said network also tend to butcher Sesame Street so that it runs for only half hour to allow the two episodes of Elmo's World to run back to back, leading the less-informed to think that Sesame Workshop did shorten the show to allow more time for Elmo's World.[[/note]]. Much of the intended demographic loved it, however.
** Averted with ''Elmo: The Musical'' due to it actually being entertaining and having cameos by Muppet puppets that haven't appeared on the show in years. ''Elmopalooza'' is also an aversion due to having plenty of [[ParentalBonus Parental Bonuses]] and special guests from well-known musical artists.
** Children who have just outgrown ''Sesame Street'' have been known to hate the show and equate it to ''Barney'', due to their being too young to understand the show's honest efforts to educate children and [[ParentalBonus keep their parents amused]] -- not to mention that ''Sesame Street'' predates ''Barney and Friends'' by about a quarter of a century.
** A few adults also feel this way towards ''Sesame Street'' - not because of any lack of quality, but because it has an active, loving adult/teen fanbase that rarely has anything bad to say about the show, and viral segments from the show tend to be universally praised. This can baffle people who don't really see the appeal in a show that is (and always will be) an educational program for very young children.
** Showing that history can indeed repeat itself, Abby is currently getting the same treatment as Elmo, mainly from the generation of young adults and teens that grew up watching and fell in love with Elmo. Abby's popularity with the older fanbase is a BrokenBase- some find her a refreshing change from the two decades of Elmo (although how long this will last before they start getting annoyed by her remains a question), while others still don't care and still want the focus to be back on Big Bird and the muppets (and even human characters) of their time. Basically, the root cause of the hatedom here is the generation gap combined with a NostalgiaFilter, combined with a heaping dose of TheyChangedItNowItSucks.
* ''Series/SexAndTheCity'': Many men, and women outside the target demographic, see the characters as shallow and overly consumerist and far too prone to inane chatter, or as horrifyingly whiny, self obsessed, and irresponsible. When the series left the scene, most of its old hatedom started being focused on ''Series/{{Girls}}''. Creator Lena Dunham gets most of the flack.
* The [[DistaffCounterpart Spear Counterpart]] to ''Sex and the City'', ''Series/{{Entourage}}'', gets many similar complaints, still mostly from those outside the target demographic.
* ''Series/DinoDan'', mostly from the school of thought of "that kid needs help" (a hearty serving of HamAndCheese sandwiches doesn't help, either).
* ''Series/CurbYourEnthusiasm'' was billed from the start as being very Jewish, and as a consequence, did not get nearly as many fans as ''Seinfeld''. It's probably more a backlash to the YouHaveToHaveJews trope, which can get pretty annoying if you're not Jewish.
* In UsefulNotes/{{Mexico}}, [[{{Telenovela}} telenovelas]] or soap operas are still hugely popular among their [[{{Housewife}} target audiences]] (although certainly they are ''not'' the only ones who watch them), but other demographics such as intellectuals and working women tend not only to hate the shows, but also to be condescending with the fans, mainly because they find the telenovelas as dull, lowbrow and unoriginal entertainment (most novelas these days are either adaptations of works from other countries such as Argentina, Venezuela or Brazil, or remakes - known in Mexico as ''refritos'' - of novelas from past decades, some that are not even 10 years old). It also doesn't help that watching telenovelas has become a stereotype of Mexicans. Interestingly, only Mexican telenovelas seem to elicit this reaction, works produced in other countries such as Brazil, Colombia, the United States (those produced by Telemundo) or Belgium are either ignored or actually enjoyed and praised by some people in the aforementioned demographics.
* ''Kid President: Declaration of Awesome''; if you go on Creator/TheHub's Website/{{Facebook}} page you'll see that half of the comments on posts about it are viewers who genuinely like the main character. The other half are [[TheyCopiedItSoItSucks people decrying it as a]] [[SerialNumbersFiledOff rip-off of]] ''Series/CoryInTheHouse'' (though that show simply had the main character living with the president rather than ''being'' the president) and people betting that it will be a {{Short Runner|s}}...which, after The Hub was changed to Discovery Family, [[HilariousInHindsight became true]].
* 2 of the biggest, longest running sitcoms ever on Belgian television, which are called ''Thuis'' and ''Familie'', suffer heavily from this. There is a die-hard and big fan base for both series, but plenty of people have heard of both series because of how long they have aired on their respective channels and absolutely loath both shows, decrying that the series ruin Belgian television. The fact that [[http://www.imdb.com/title/tt0162076/ ''Thuis'']] and [[http://www.imdb.com/title/tt0162076/ ''Familie'']] both have very low ratings on imdb (the latter having an even lower score than some shows in the Horrible/LiveActionTV entry in DarthWiki/SoBadItsHorrible ) despite having very active forums full of fans speaking about the new things that are happening in the show is a testament to this.
* Pretty much anything from syndicator Litton Entertainment will inevitably get this, regardless of what they put out (Jack Hanna being an occasional exception due to [[NostalgiaGoggles nostalgia]]), mainly for holding what's seen as a monopoly on Saturday morning kids' fare, replacing the once-popular SaturdayMorningCartoon with unscripted nature documentaries, cooking shows, and lifestyle shows, all genres by and large considered boring and uninteresting buy most younger people, including the intended target audience of teenagers. It was especially painful for fans of the late Creator/{{Vortexx}}[[note]]The last traditional Saturday morning cartoon block[[/note]], whose time space was among those taken over by Litton, alongside ABC's Creator/DisneyChannel reruns and CBS's Creator/CookieJarTV. Occasionally Steve Rotfeld Productions' Xploration Station block mostly seen of Fox stations gets lumped in, but isn't hated as much due to its STEM focus being seen as more interesting.

* {{Boy band}}s in general. It is well-known that many of these bands are manufactured more for looks than for sound. It doesn't help that they traditionally don't write their own music and often have only vocalists in their official line-up, which costs them respect even with fans of the pop genre.
** Hanson in particular, from the amount of bile it raised in the non-fan throat. Hanson wasn't even a boy band in the traditional sense, since they at least wrote their own songs and played the instruments themselves (as well as being actually, y'know, ''related'' to each other instead of being manufactured according to some kind of "next, we need a dark-haired Bad Boy" list). Yet because they consisted of photogenic young men who made poppy music, they were lumped in with the rest.
** Music/BackstreetBoys and Music/{{NSYNC}} were notable because they tried to reach for a PeripheryDemographic and were smacked down. Some people were even surprised to learn that these were different bands. To make things even more interesting, Music/JustinTimberlake (from [=*NSYNC=]) ''did'' gain success outside the usual boy-band demographic.
** Music/OneDirection has one, but it's not nearly as large as the other ones. This is mostly because of Justin Bieber's hatedom being so big that instead of moving on to 1D they continued to hate Bieber. This was largely out of fear that he might continue to prosper without them trying to pull him down and/or they gave 1D a free pass solely so they can wipe Bieber Fever off the face of the planet. The ploy worked big time.
** Music/TheWanted and Series/BigTimeRush, on the other hand, do not really have such hatedoms, as their fandoms aren't large enough to spawn one in the first place. Most of their haters are One Direction fans.
* This was also true of the Motown girls' groups (e.g. The Supremes), doo-wop, and a dozen other genres. In the old days, even classical musicians were hired as much for their looks as for their talent. The problem is really that these boys are being picked ''for girls to ogle'', which is a Bad Thing because if girls are ogling them, they're not ogling the young men who make up this particular Periphery Hatedom.
* Pop princesses, such as Music/BritneySpears and Music/ChristinaAguilera, ''may'' have moved out of this category if they managed to grow up with any grace or artistry. Christina Aguilera successfully transferred to other genres, but this resulted in her falling well out of the limelight, so her hatedom has died down a bit. Britney Spears started to die down, but then it flared back up again when Kevin Federline entered her life and the media debacle that surrounded that. She's calmed down since then, and is starting to gain a bit of respect again for moving on with her career.
* Music/JustinBieber, another TeenIdol, has arguably the biggest music periphery hatedom in a long time. The huge media coverage (including being the focal point of one of Funnyordie.com's AprilFoolsDay pranks) didn't help. The hatred of Bieber became so widespread that about half of all Website/YouTube videos, even those unrelated to Bieber, have someone complaining about him in the comments. While there are valid reasons to dislike him based on his actions--from [[NauseaFuel pissing in a restaurant kitchen]] to drunk driving and [[KarmaHoudini getting away with it with nothing but a slap on the wrist]]--he has yet to do anything that really seems heinous enough to justify being voted among the [[http://www.thetoptens.com/worst-people-history/ top three worst people in history]] alongside UsefulNotes/AdolfHitler and JosefStalin. The problem is so bad that Justin Bieber's Wikipedia entry is one of the most vandalized pages on the site, so much that it's listed twice in the [[http://en.wikipedia.org/wiki/Wikipedia:Most_vandalized_pages Most Vandalized Pages]] list (though whether that was intentional or not is unclear).
* Music/TaylorSwift has haters that think she is a soulless sellout. Then there are the people who think she's anti-feminist for singing stereotypical love songs and spending most of her time mooning over boys. She also gets bashed for being a PuritySue (which is especially ridiculous when you consider songs like "[[BreakUpBonfire Picture To Burn]]", "[[BestServedCold Better Than Revenge]]", and "[[IntercourseWithYou Sparks Fly]]"). Though, this has lessened a little bit after she recorded a song for ''Film/TheHungerGames'' movie, singing about something different.
* J-pop, and for that matter Japanese music in general, gets this pretty bad. It is often called "weeaboo music". J-pop is rabidly hated by both J-rock fans and people who aren't fond of Japanese music in general. This is invoked by the anime series ''Anime/PuellaMagiMadokaMagica''. It uses an obnoxiously cutesy J-pop song as its opening theme, to enhance its image as a cute MagicalGirl show that older males would hate, and then shocks the viewer with its incredibly dark themes and intense violence. Needless to say, the ending theme is a much more intense J-rock song.
* J-Idol manages to have even more haters than J-pop, thanks to the ContractualPurity enforced by the agencies that not even its rivals dare to implement, the insane BlackShirt fandom who defend the practices, and the criminal element of how it is run by sleazy criminal organizations. Not to mention how out of touch it is with modern music trends makes it very easily hated by outsiders.
* A lot of non-rock performers, especially in the 1970s, became vilified by rock critics and fans when their songs became hits on pop radio. John Denver and Barry Manilow are two examples of this.
* Backlash against Disco during its heyday in the 70s was so great that there is [[DeaderThanDisco a trope]] named after this backlash. [[http://en.wikipedia.org/wiki/Disco_Demolition_Night Disco Demolition Night]] is a famous example of contemporary hatred toward the genre.
** Specifically targeted are Music/TheBeeGees, who were the face of disco in the late 1970s. Many were celebrating in the early 1980s when their amazing hit streak of the late 1970s came to a sudden halt (after 1979's "Love You Inside Out"), but even though they no longer dominated the charts, the Bee Gees -- always well-respected for their harmonies -- continued to sell out concerts, its members (specifically, Barry Gibb) continued to write hit songs for other artists, and in time, their songs that hit during the peak of their popularity began to receive heavy airplay on oldies stations.
* NuMetal has gotten a similar treatment. At the time of its debut, it was popular among rock fans sick of the genre being monopolized by PopPunk. The exaggerated aggression of NuMetal, however, eventually burnt everyone out on it.
* Pat Boone as a 1950s-'60s pop idol, since his career was built largely on making the more incendiary forms of popular music such as R&B [[TheMoralSubstitute "safe"]] for white listeners; and borrowing (stealing?) from black musicians white audiences wouldn't listen to. His later position as a Christian conservative commentator did nothing to help this. In fact, Little Richard's "Long Tall Sally" was written to be a song that Pat Boone would never cover. It backfired.
* For a period, Music/MichaelBolton received so much bashing that "''Kill Michael Bolton!''" jokes practically became a DeadHorseTrope of their own. And Ryan Stiles from ''WhoseLineIsItAnyway'' continued to relentlessly make Bolton jokes even after his popularity had waned. ''Film/OfficeSpace'' can't have helped (Die, motherfucker, die, motherfucker, die!). Granted, that was the printer, but Michael has similar feelings about the musician. Thankfully, however, he turned into a MemeticBadass after his appearance in Music/TheLonelyIsland's "Jack Sparrow".
* TheWiggles has a hatedom consisting of older children and adults, mostly because many of their songs are for younger children. [[UnfortunateImplications Some also find the idea of men spending time with children creepy]]. (before the new, young members, including one woman, replaced the old ones)
* Music/LadyGaga gets this, for many reasons by many different demographics, but, specifically, by non-camp males because of her [[{{Camp}} over-the-top]] refusal to be "conventional". Despite frequent PanderingToTheBase, people wonder why she's not so widely celebrated outside her obvious target demographic. Of course, given the calculated way she behaves and dresses "non-conventionally", it's almost like she's trying for this sort of reaction.
* Rap music in general tends to inspire a generational divide between the Creator/{{MTV}}[=/=]Creator/{{BET}}-watching youth of its fans and their out-of-touch adult parents who take offense to its violent, misogynist themes, can't understand a word of the Ebonics-laden lyrics, and at worst [[HateDumb are unsure if Rap is even music]]. Rap is even the preferred punching bag of older Black leaders who accuse/scapegoat it for [[StopBeingStereotypical promoting stereotypes]] and instilling in its listeners distorted messages about Black culture. It also has a MASSIVE hatedom amongst fans of classic rock, mainly because it's effectively replaced most genres of rock aside from alt-rock among the masses these days.
* Time killed this when the original "{{MTV}} Generation" (who were teens during the '80s and early '90s) turned into parents, though it's still an issue for the older teens and young adults who are the children of the Baby Boomers (who were teens during the '60s and '70s, before rap became mainstream).
* Reggaeton, being a derivative from rap and dancehall, also has got in Latin America a hatedom similar to the one towards rap, on the same demographics and for similar reasons. Although they also get fire from the elevate sexual content of several songs, which adds a lot of MoralGuardians of the ThinkOfTheChildren type to the hatedom.
* ''All'' Black music has been prone to this. Jazz, R&B, and soul also had large Periphery Hatedoms in their time, but their hatedoms at least admitted that the main reason behind their loathing was the race of the musicians. Rap's detractors live in an era where that's not safe to say in public.
* There's a substantial rivalry between metal and rap, though it's mostly one sided, since [[UnknownRival most rap fans are oblivious to it]]. This comes mostly from metal fans believing metal should be the biggest genre in the charts, and blame the popularity of rap for stopping this. They will lament the glory days of Nu Metal, but forget it was just as much a fad as anything else. (Ironically, when metal was at the peak of its popularity in TheEighties, it was in the incarnation of HairMetal, which most of these critics also despise.) In actual fact, many metal fans like rap music and vice versa.
* CrunkCore has the most storied Periphery Hatedom of any genre.
* Music/KidzBop, a series of covers of popular songs sung by little kids with more kid-appropriate lyrics. It is aimed at little kids, and universally despised and panned by everyone older than 10.
** The hatedom can also be spanned from the fact that ads for Kidz Bop play literally ''all the time'' on networks like Cartoon Network and Nickelodeon.
** Musicspace gives the series surprisingly good reviews, but these are mostly parents who bought the [=CDs=] for their kids, not to mention the site is directly connected to its record label, Razor & Tie. All other sites trash the series mercilessly.
* Music/RebeccaBlack and Music/{{Friday}} are, in some ways, the Music/JustinBieber of 2011. {{Subverted|Trope}}, as she still receives a more [[MemeticMutation memetic]] kind of respect, while the hate for her music is channeled [[LetsSeeYouDoBetter into positive ways]], such as remixes and covers, and self-deprecating videos, such as one where she is visibly embarrassed while watching her "Friday" video. And [[http://www.youtube.com/watch?v=zzfQwXEqYaI this]] "Brock's Dub" parody.
* As white-hot as Music/TheBeatles were in the sixties, they weren't without their share of hatred. Some of it came from their target demographic, such as fans of other British Invasion groups such as Herman's Hermits and the Dave Clark Five or American groups like Frankie Valli And The Four Seasons. But much of it was from older adults who found their music to be more flash-in-the-pan disposable pop, and particularly, MoralGuardians (lampshaded in Allan Sherman's novelty tune "Pop Hates The Beatles"). Hatred from the latter would reach a fever pitch after John Lennon was quoted saying the Beatles were "more popular than Christ", prompting fundamentalist Christians to burn all Beatle memorabilia (Lennon would heavy-heartedly clarify, "I'm not saying we're ''better'' than Christ or ''greater'' than Christ. I'm just saying we're more popular.") But by the time the band had reached ''Revolver'' and ''Sgt. Pepper'', though, showing that they were more than just "yeah yeah"s, even adults had to sit up and took notice, and they began to be seen as the musical pioneers they're known as today. The hatedom even wanted to define the at the time recent term ''beatlemania'' as a form of female hysteria in an attempt to show off that fangirls of Music/TheBeatles had a psychiatric illness that must be treated. Psychiatrics noted this and gave some of those a psychiatric test. The result was, predictably, that they did not suffer from any mental problems whatsoever and the term was redefined to maintain that being a fangirl is normal.
* Music/ElvisPresley is a pretty polarizing figure in Rock & Roll among blacks. Some are appreciative of the attention Elvis brought to the genre among the white community, creating openings for black artists. Others felt he had appropriated the genre to the detriment of black artists who had been doing it long before he did. Elvis gave credit many times to earlier black artists whose songs he covered (to a much greater degree than, say, Music/TheRollingStones or Music/LedZeppelin), but it didn't help that some of his fans believed he actually invented Rock & Roll. Elvis was also hated by some whites for being "too black", making him a TragicMulatto of sorts. And then, there were Moral Guardians who also hated his sound in general … and the fact that he swiveled his hips during his performances.
* HarryBelafonte is a polarizing figure amongst fans of calypso music. Although he brought the music to the attention of an American audience, he's criticised for doing so by watering the music down and generally playing traditional songs, not competing in calypso tents, and crediting other people's songs to himself. However, Belafonte was in fact very respectful towards the musicians and the record company was mostly to blame for the credits issue. He did end up crediting them for his songs. He signed so many calypso artists to RCA that they started a Trinidad division, and he paid them well.
* Music/CelineDion got a fair bit of this, principally due to the overexposure of her hit "My Heart Will Go On" from ''Film/{{Titanic|1997}}'', but as her profile has diminished in the ensuing years, so has the hate, and she is now widely regarded as one of the best female singers, even by those who were once part of the hatedom.
* CountryMusic:
** In general. Most people who claim to "hate" country seem to hold it entirely to many Southern stereotypes which are far from universal, and have probably never listened to actual mainstream country.
** Music made after the early 1990s, in the eyes of classic country fans and more specifically, purists. Major complaints include the sound and the artistry being little more than bad pop/adult contemporary/arena rock music that has little to no resemblance to country music made prior to the 1980s, and the newer artists getting favor while classic artists who continued to write, record and release new material -- including but not limited to Merle Haggard, GeorgeJones, Loretta Lynn and dozens of others -- began to be ignored by radio and ultimately, the mainstream media. Since rural America has gone from poor to rich, the shift is understandable but still disturbing to some. Meanwhile, younger fans frequently find the classic sounds and music recorded by such pioneers as Kitty Wells, Music/HankWilliams, Webb Pierce and others outdated, unrefined, unrelatable and unlistenable.
** Bro-country music has earned a ''huge'' hatedom from people who absolutely hate its generic lyrics about sex, tailgating and drinking (Cole Swindell, Florida Georgia Line, Luke Bryan, Blake Shelton [=post-"Boys=] 'Round Here"), as well as certain bro-country artists who eschew actual country production in favor of electronic beats and pure pop production (Chase Rice, Sam Hunt, Jason Aldean's "Burnin' It Down"). Female artists who have made songs that actually support bro-country stereotypes ([=RaeLynn=], Maggie Rose) have also gotten trashing from bro-country haters as well.
* In several countries, folkloric music, either from the own or from their neighboring countries, by people who are more into "mainstream" music (read: rock and pop). For example, at one time in Venezuela there is the trifecta hate from people of the capital and neighboring cities towards joropo (because of being perceived as backwards music from country simpletons, and for having been used as a filler during a period of obligatory 1:1 ratio of imported/local music), Zulian gaita (because of saturation of the airwaves on Christmas time and extreme regional thematic) and vallenato (because of its association with Colombian immigration, often stereotyped as criminals and violent bus drivers who like to play music in their vehicles on an ear-damaging volume).
* Music/SouljaBoy managed to get this from ''three'' demographics -- Veteran rappers (most notably Music/IceT) and their fans who felt his simple "how to do a dance" raps were ruining the genre, anime fans who were horrified by his [[IAmNotShazam terribly]] [[CowboyBebopAtHisComputer ill-informed]] attempt to make a song about how [[ComicsRuleEverythingAroundMe he was]] [[OneOfUs an anime fan himself]], and ironically, actual veterans. Why the last? A song called "Let's Be Real," wherein he brags about how he got rich with his DIY approach to music and says "Fuck all the army troops."
* Dubstep, a genre known by many people for its overusage of crazy electronic beats and bass, has been summed up by AbandonKansas frontman Jeremy Springs as "the disco of now." Think about that for a second.
* The late Music/MichaelJackson used to gather quite some flak in his time, mainly due to the scandals he got into, for being a man-child in general, and for just being around kids. Notably, the haters often overlap with those who hate Barney as well (as noted on the documents at Jihad.net). This has mostly died down since his passing, but some people still have hate on him.

* Almost any new show on Nickelodeon will be despised by older fans of the channel for their common use of ToiletHumor and pandering too much to the "tween" demographic that they are not a part of.
* ''WesternAnimation/{{Breadwinners}}'' received attacks from older Nickelodeon and Nicktoons fans for its very premise, use of {{dubstep}}, and animation, ''all before the show even aired.'' Once it did air it got a lot worse, though there are some adult fans who will defend it.
* ''WesternAnimation/TheBrothersFlub'' falls into this due to its horrendous theme song, trippy and random humor, and ugly-looking characters. Those reasons might have something to do with the show being [[KeepCirculatingTheTapes so dang obscure]].
* ''WesternAnimation/DoraTheExplorer'': Particularly to those who hate being treated like they have [[ViewersAreGoldfish the memory of a goldfish]]. [[note]] There's some {{truth|in television}} to it though; Research carried out by Scholastic in the '80s concluded that viewers learn better through participation than through rote repetition, and some schools of thought do feel that repeating something so often is akin to underestimating and thus looking down on a toddler's intelligence level. Also, sports players will probably tell you that repetition is the mother of all skill, but that's different.[[/note]]
** Dora hate is played with in ''ShermansLagoon''; the titular shark, a middle-aged male, loves the show because [[WhoWouldBeStupidEnough he's just that stupid]].
** ''Series/SaturdayNightLive''[='s=] [[http://www.youtube.com/watch?v=bAKR-OXq6hU parody]].
** The Stringini Bros. have a song entitled "Dora No More" which describes Dora being mauled in various ways.
** ''WesternAnimation/BluesClues'', another pioneer of participation-based {{Edutainment}}, gets some of this, although WAY less than Dora because of teens and adults' liking of human narrator Steve's {{Adorkable}} charm and for the show having a lot of great NostalgiaFilter.
** Dora is a ''frequent'' parody target amongst [=GoAnimate=], along with ''WesternAnimation/{{Caillou}}''.
* ''WesternAnimation/FanboyAndChumChum''. If you check out a thread asking for opinions on the Nickelodeon message boards for this show, they'll range from good to mediocre. Website/IMDb and the tv.com website provides us with much more insightful, though, to say the least, critical reviews. Also, anything that's not an actual episode of the show, but, for example, the intro or some fan videos on [=YouTube=] will be literally flooded with hate comments. It has its fans, though.
* ''WesternAnimation/GlennMartinDDS'' for being a [[ClicheStorm hurricane of cliches]] and an adult show airing on a kids' network (technically, it was on Nick's late night block Nick at Nite, but still came on at an early enough point where kids could watch it).
* ''WesternAnimation/HarveyBeaks'' is surprisingly [[WinBackTheCrowd well-regarded]], but for some reason has a small hatedom. What is the hatedom almost entirely composed of? [[Website/GoAnimate GoAnimators]] [[HateDumb and 13-year-olds in the "Character Elimination" and/or "(GOOD USER)/(BAD USER)" video-making communities]], including two users tackled by WebVideo/SuperEpicClay.
* ''Series/MarvinMarvin'', partly due to its UpToEleven ToiletHumor, for being very unoriginal, and for being another [[WebVideo/{{Fred}} Lucas Cruikshank]] vehicle. The huge backlash eventually led to it being canceled after one season as part of the network's continual executive foot-shooting to keep up with Disney. You could've practically heard the massive sigh of relief from the Hatedom when it was announced that this was Lucas Cruikshank's last project for Nickelodeon.
* ''Literature/MaxAndRuby'', partly due to a FamilyUnfriendlyAesop. It even [[http://www.youtube.com/watch?v=Ry6xejgRlF4 appeared on]] ''WebVideo/TheAngryGrandpa''.
** Equally abundant are complaints about the cheap animation, Max being a KarmaHoudini and Ruby being ridiculously bossy.
* The ''WesternAnimation/MonstersVsAliens'' TV series for being another useless tie-in for Dreamworks Animation and having significantly less well-done CGI than its film proper.
** To a somewhat lesser extent, the ''WesternAnimation/ThePenguinsOfMadagascar'' and ''WesternAnimation/KungFuPandaLegendsOfAwesomeness'' TV series are hated by some fans of the [[WesternAnimation/{{Madagascar}} series of movies]] [[WesternAnimation/KungFuPanda they originated from]].
* ''WesternAnimation/MrMeaty'' gets a TON of this, mainly because of the fact that it's a GrossOutShow with FoodPorn and ugly puppets.
* Of Nickelodeon shows, 2013's ''Nick Studio 10'' received an irrational hatedom because of its un-traditional interruptions of programming (right in the middle of episodes with random videos that had no rhyme or reason, although the block was mainly made up of the usual ''WesternAnimation/SpongebobSquarepants'' marathons the network has [[AdoredByTheNetwork become addicted to]], so unless you're completely new to the show, you knew what was happening anyways), stunts and skits which wasted food, ToiletHumor, and some rather overheated accusations of animal abuse, though the actual audience either enjoyed it or rolled their eyes and waited them out because they were there to watch a show, not the continuity between. It may have developed into a sane block eventually, but a hacking of the show's Twitter account with racist content, social media harassment of the cast, YouTube videos criticizing it made by viewers well out of their demographic (The Archfiend was the most infamous hater of the block and was in his '''thirties'''), and the show's Facebook moderator just giving up made it too onerous for Nickelodeon to continue it. After a Labor Day 'best-of' episode promising the return of the block, the block never returned and the cast moved onto projects outside the network, and who could blame them?
* [=NickMom=] started out as a new block on the Nick Jr. channel in 2012 centered on mom-focused humor and such to give them a respite after having to tolerate their toddler's continuous ''WesternAnimation/PeppaPig'' obsession. To social media critics who don't understand that a new network's first schedule will never become permanent, it was like ''Franklin'', ''Dora'', and ''Blue's Clues'' were taken out back and shot, replaced by inappropriate mom-focused humor despite multiple content warnings. Adding to the hatedom were several minor controversies, such as having an insenstive blog post about those affected by Hurricane Sandy, using photos of children without permission on their blog, and airing a skit titled "Bake Sale" which caused outrage among parents who felt the skit was [[DudeNotFunny mocking children with food allergies]], successfully managing to get it pulled from both the block and its website (you can watch it [[http://vimeo.com/37078192 here]] and judge for yourself.) The ratings, however, eventually sorted things out; the funny stuff, sitcom and movie reruns worked, the vulgar stuff didn't, and by 2014 [=NickMom=] became more benign (with only the very occasional sex joke or [[Film/AboutLastNight edited R-rated movie]] here and there), with Disney Junior, Sprout, and Netflix easily happy to take the homes that don't want to watch [=NickMom=]. The block was discontinued to the relief of its (by then mostly faded) hatedom on September 28, 2015, with regular Nick Jr. programs taking its place.
* ''WesternAnimation/PlanetSheen'' gets attacks from fans of the ''[[WesternAnimation/TheAdventuresOfJimmyNeutronBoyGenius Jimmy Neutron]]'' franchise for {{Flanderiz|ation}}ing Sheen from a relatively normal [[TheDitz Ditz]] to a TooDumbToLive one, removing his obsession with Ultra Lord (after "Cutting the Ultra Cord"), and having none of the other Jimmy Neutron characters appear (aside from Carl in the episode that introduces [[IdenticalStranger Doppy']]s character), having {{exp|y}}ies of them instead.
* ''WesternAnimation/RabbidsInvasion'', for basically being NOTHING but the Rabbids doing something and saying "BWAAA!" all the time. (Actually, [[HateDumb it's more than that]]. The Rabbids go into random places discovering new things, and they do say "BWAAA!", but barely.) It's even compared to ''Teletubbies''. It's also hated by haters of the ''Raving Rabbids'' games since [[SpotlightStealingSquad the Rabbids managed to get a TV series over]] Franchise/{{Rayman}} himself (though ''Rayman'' [[WesternAnimation/RaymanTheAnimatedSeries actually did have a cartoon that was only four episodes long]]).
* ''WesternAnimation/TheRenAndStimpyShow'' for taking gross-out to the extreme. However, while the original series has a devoted cult following, ''Adult Party Cartoon'' gets far more hate due to being more gross than the original, having insanely poor writing, Ren being [[TookALevelInJerkass even more cruel than his original counterpart]] and being John K.'s saddest attempt for get revenge on Nickelodeon for firing him.
* ''WesternAnimation/RocketMonkeys'' for its excessive [[GrossoutShow grossout humour]], unappealing visuals and animation, and having one of the worst cases of DesignatedHero in WesternAnimation.
* ''WesternAnimation/SanjayAndCraig'' has been accused by many people for being a rip-off of ''WesternAnimation/AdventureTime'' and ''WesternAnimation/RegularShow'' and has also been berated for having too much toilet humor (the first episode was notably about a ''butt transplant'') and, before it premiered, for ''actually interrupting shows'' ala the aforementioned ''Nick Studio 10'' to show promos for it; however like ''WesternAnimation/TuffPuppy'', it also has a small (but progressing) PeripheryDemographic as well as many people saying it might become Nickelodeon's next CashCowFranchise.
* As popular as it is, it seems that ''WesternAnimation/SpongeBobSquarePants'' (despite Seasons 1-3 being ActuallyPrettyFunny) is here among older fans of Creator/{{Nickelodeon}}, and those who only liked the first three seasons, who are just sick of the show and wish it would be ''cancelled'' to make room for many other better Nicktoons, and/or the first three seasons. Then there's the hatedom coming from FandomRivalry. Fans of ''WesternAnimation/{{Rugrats}}'' are well-aware that the ExecutiveMeddling that brought the sponge to popularity is also the crushing blow to their beloved show, and thus react accordingly with HypeBacklash.
* ''WesternAnimation/TUFFPuppy'', largely due to it being a ClicheStorm. Doesn't help that during its time, [[HypeBacklash people said it was a rare 2010s Nicktoon that was actually good]].
* ''WesternAnimation/YakkityYak'' for being a WidgetSeries and having everyone in the show (except Keo the Pineapple) be a complete moron, or unlikable, or [[BreadEggsBreadedeggs a completely unlikable moron]].

[[folder: Performance Art]]
* Psychics and mediums have a huge {{Hatedom}} within the community of stunt performers and illusionists, who hate that they have to work hard to get the success that these people almost immediately and undeservedly have. One notable hater is the famous magician ''Harry Houdini'', who spent a lot of his time debunking and rationalizing all of the supposed ''supernatural'' and ''spiritual'' stuff that these psychics and mediums threw at them. Even now there are still actual people (such as James Randi) that hand out prizes to people who can prove to actually have supernatural powers.

[[folder:Professional Wrestling]]
* ProfessionalWrestling itself. See the DeaderThanDisco [[DeaderThanDisco/ProfessionalWrestling page]] for more.
* A number of old school fans in general also have expressed dislike for current day wrestling in general, due to adult-themed storylines, use of foul language, scantily clad female performers, [[WouldHitAGirl male-on-female violence]], the prevalence of steroids and other performance-enhancing drugs, and wrestlers who have little to no actual wrestling skill and/or respect for the sport in general. A few intensely hate wrestlers and other performers who are primarily used to attract children but have no or less appeal to traditional fans (also due to said performers usually having limited skills and/or given cartoonish, over-the-top gimmicks). Others, especially some veteran performers, have been distressed at the breaking of kayfabe and revelation of the sport's inner workings, while others have criticized the demise of the territorial wrestling setup. VinceMcMahon's World Wrestling Entertainment has gotten a large share of the blame for all of this.
* Old school WWE fans (and many Wrestling/AttitudeEra fans) seem to particularly loathe the character of Hornswoggle, whose matches border on slapstick comedy and seem to exist for the sole reason of attracting the attention of small children. The Great Khali is a similar example.
* Characters regarded as overbooked supermen, primary and most controversial example being Wrestling/JohnCena. Wrestling/RandyOrton and Wrestling/{{Sheamus}} are examples as well.
* Many male fans find the Divas' matches boring. Well, unless you're at the event, you don't have to watch them - and even if you are, you could just go to the bathroom or get a hot dog. The arguments tend to stem from: the matches are too badly fought to entertain "purists", and the girls aren't slutty enough to drag in the "letches", so they usually end up in the "meh" zone.
* Purists resent the fact the WWE has no real interests in making a legitimate female division, and find the current iteration of the Diva division to be reeking of UnfortunateImplications. That and the fact they insist on hiring models instead of athletes. Wrestling/{{TNA}} has started to get the same complaints as well. There are also disenfranchised Diva fans who remember its short Golden Age in the early 2000s, when the Divas started to get serious about wrestling, starting with Wrestling/{{Lita}} and, unfortunately, Wrestling/TrishStratus.
* A different set of purists who will hold a former model's past career against her even if she becomes a good wrestler. Others will get this even when they've never done modelling before. Wrestling/TrishStratus herself experienced this early on and had to start taking chair shots to shake off the haters. Wrestling/KellyKelly is an example as many people will read her name in a match and automatically label it as bad without even bothering to watch it. A lot of this might be due to the perception that the female championship has been cheapened since 2007 by putting it on a revolving door of Divas instead of having mainstays like it once did. There's also the argument that certain Divas get much more attention than they deserve, at the expense of Divas who are at least as good. Take Wrestling/TorrieWilson, Wrestling/StacyKeibler, and Jackie Gayda, for instance. They weren't the best in the ring, but they at least entered WWE with ''some'' wrestling experience. Yet they barely got near the Women's Championship, much less won it, and all too quickly saw their careers slide into irrelevance. Considering that, how fair is it that Kelly Kelly comes to WWE with ''no'' wrestling experience and gradually takes over the entire division, much like Trish had a few years before?
** More recently comes Eva Marie, who is not unpopular with fans of Series/TotalDivas but reviled by actual wrestling fans.
%%* Let's just say there's a reason the trope XPacHeat exists.

* Golf. From those who aren't fans, it's regarded as monotonous, luck-based, aristocratic, unathletic (since some people just drive carts to wherever the ball is instead of walking), and associated with square old rich people in clown pants. Even if you don't use a cart, it's widely not considered to be particularly "athletic". Dave Barry once discussed it by breaking down the calories burned into various categories like "sauntering," "squinting," and "saying things like 'You certainly did double bogey that mashie niblick, Ted! Ha ha!'" For ironic points, in order to combat the idea that golf isn't athletic, there are rules regarding the use of carts on the pro-circuit, mainly that unless you can prove beyond reasonable doubt (seriously, you jump though a ridiculous amount of hoops) you can't walk the distance involved, you walk the course. This leads to many people, who happen to catch a few minutes of golf on TV, to question why the players don't just ride in the carts to help speed the slow game up. Its image as the pastime of the classist, privileged elite (despite the highly [[TokenMinority contrarian]] [[TigerWoods face of the sport]]) certainly does not help matters.
* Sailing. It's viewed as a very upper-class activity, due to the cost of owning and maintaining a boat, as well as associating "sailing" with cruise ship vacations, even though the two are nothing alike.
* Equestrian sports. Like sailing, they're generally perceived as elitist and upper class.
* Cricket, especially as it takes day to complete what is called a "test match". In the reverse though, the faster [=20Twenty=] variant that intends to make the game relevant for the Internet generation is cited by traditional cricket fans as the sullying of the sport.
* Motor sports in general. They are perceived as boorish, lower class, anti-intellectual sports which are dangerous, waste fuel, and pollute the environment.
* NASCAR, for detracting the athletic element from sports for part of it; and its common association with rednecks for the other.
* Cardio kickboxing is one of the biggest crazes among fitness aficionados and shows no sign of dying down, but it continues to get a lot of hate from formal practitioners of martial arts for diluting the practice. While many pioneers of the craze, such as Billy Blanks and Chalene Johnson, ''are'' in fact, legitimate martial artists, the fact that people started becoming instructors with no formal background means they risk teaching bad form to students that not only distracts them from effective fighting techniques should they ever need to defend themselves, but actually runs the risk of students ''hurting'' themselves doing the moves as exercise.
* ''Competitive'' kickboxing has gotten hatred from some MoralGuardians. The most common accusations is that it has stripped martial arts of their [[MartialPacifist once-typical hallmark of restraint and peaceful ideals]], and turned the whole ordeal into a spectator sport dedicated to feeding the audience's love for violence. [=John McCain=] called it "human cockfighting." However, again, the opposition has done little to dampen the enthusiasm of its fans.
* Sumo wrestling; usually because it epitomizes HardGay to some people, and to others because it inspires a lot of "fat-men-in-diapers" jokes. If you see any depiction of this sport outside Japan, it is likely to be parodic in nature.
* Cheerleading, due to the amount of [[TheCheerleader negative stereotypes associated with cheerleaders]] and because it is a stereotypically female sport (a criticism often raised by [[StrawFeminist feminists]], ironically enough). Many will even deny that it ''is'' a sport, when in fact it requires mastery of a great many physical challenges and is actually more dangerous than most of the "jockier" sports.
* The NBA attracts its fair share of hatedom from "purists" or old school fans who feel the league has been over-commercialized or because of the lower scoring of this era, over-empathetic on defense, hockey fans who feel the media focuses too heavily on basketball at the expense of their favorite sport, and racists who find the NBA to be a convenient way to side-vent their prejudices (if the person uses the word "thug" or any variation in describing why they don't like the NBA, they're usually fall under the last category).
* Ice hockey, which is perceived as violent, dangerous and lionizing negative masculine stereotypes.
** Double for American football, which often goes hand-in-hand with [[{{Hatedom}} negative perceptions]] of [[{{Eagleland}} American culture]].
* Football (soccer for Americans), because of a reputation for violent, riot-happy fans and whiny, injuring-faking players.

[[folder:Tabletop Games]]
* Players of tabletop role playing games, sometimes referred to as games "with dice that have more than six sides", such as ''TabletopGame/TheWorldOfDarkness'', or ''TabletopGame/DungeonsAndDragons'', or ''TabletopGame/{{Warhammer 40000}}'' (also including some card-based ones, the most famous of which is probably ''TabletopGame/MagicTheGathering''), will be assumed to be [[HollywoodNerd antisocial losers]]. The reverse is also true just as often, with detractors generally seen as antisocial soap opera watchers. Unsurprisingly, one of the most common and well-known perpetrators of this attitude are [[EvenNerdsHaveStandards hardcore video game players]].
* ''TabletopGame/{{Monopoly}}'' itself gets a lot of hate from the Euro-gamer and "serious" board-gamer crowd. There are also some, both left-wing and right-wing, who know the original game was intended as a scathing satire on capitalism (though it was really only accurate to the late-19th century, pre-antitrust Robber Baron era). Right-wingers don't like it for having been a leftist caricature of a market economy and leftists don't like that it's now one of the biggest mass-marketed corporate products ''ever''. The political hatedoms are especially odd because Monopoly was not intended to be a critique of the free market at all (which arguably didn't even exist in its present form when the game was created), but of the old protectionist and consolidationist economic model that is despised by left-wingers and (most) right-wingers alike. Meanwhile, board-gamers don't like it because hardly anyone actually plays it by the real rules, and "house rules" generally tend to drag out the game past the point where it stops being fun. That's bad enough, but it's also so ubiquitous that board-gamers (with some justification) fear anyone hearing "board game" is likely to first think "Monopoly" and then "I'd rather have root canal without anesthetics."

* Musicals receive hatedom in spades, in addition to an array of [[FanHater fan haters]]. The stereotype of thespians being CampGay is a good indication of how strong it is. However, there are ways to work around this (''Theatre/AvenueQ'' is an example, for its ''WesternAnimation/SouthPark''-like humor and its being a parody where [[Series/SesameStreet the use of songs actually makes sense]]).
* Theatre/LittleShopOfHorrors and RockyHorrorPictureShow also aren't as despised by non-theatre fans.

* Whatever the designate "hot toy" of Christmas is. There seemed to be an exceptional amount of hate towards the Furby in particular because ''it just wouldn't shut up''.
* The ''Cabbage Patch Kids'' dolls were also pitched as a Christmas must-have and particularly reviled by people who were sick of seeing them everywhere. Film director Don Mancini was one of these people. His response? [[Film/ChildsPlay Chucky.]]
* Toys/BeanieBabies, although most of the hate was directed at the PeripheryDemographic of housewives who stored them in glass boxes as collectibles, not the little kids who just wanted to play with them as toys. Then again, there were also a lot of parents sick of shelling out so much money for the things. Even the people who ''delivered'' Beanie Babies to retailers (often UPS employees) hated them due to being constantly harassed by collectors asking if they had any of the new releases. A semi-famous {{urban legend|s}} even stated that said delivery people had to wear tags that said "Please Don't Ask If We Have Beanie Babies" just so they wouldn't get harassed.
* ''Polly Pocket'', from the little boys for whom they were never intended.
* Remember ''Tickle-Me-Elmo''? People donated to be the driver of a bulldozer that ran one over, and sold thousands of tickets to a front row seats of said event. There's a [[http://www.youtube.com/watch?v=cjGhy-pKuaA video]] of one of the more advanced models being burned to a crisp. While still turned on. It's rather disturbing.
** Series/MADtv did a parody with "[[http://www.youtube.com/watch?v=W7IxliAPjAk Tickle Me Emo]]".
** Cory Doctorow's novel ''Makers'' features "Boogie Woogie Elmo", millions of which were destined for landfills. The titular makers use the sophisticated hardware and robotic capabilities in novel ways.
** Parodied in Season Two of the episodic ''VideoGame/SamAndMaxFreelancePolice'' games with "Torture Me Elmer", a toy which children were encouraged to mistreat. There's a minigame where a vast spill of them has littered the roadways, and you need to clear them off by running them over. There's a certain sadistic hilarity in hearing them beg for mercy.
** JhonenVasquez has a Meanwhile comic about "Tickle Me Hellmo", which has 20 levels of response. They include shooting fire ants, calling Satan to stare at the child at night, and [[ArsonMurderAndJaywalking reciting goth poetry]].
* Name any kind of [[PinkGirlBlueBoy gender-specified toy]]. [[ARealManIsAKiller Boys were supposed to play with stuff like Tinker Toys, soldiers, sports toys, and toy weapons]]. [[StayInTheKitchen Girls were supposed to play with dolls, playhouses, kitchen utensils, and pretend-telephones]]. Watch as the girls think the boys' stuff is stupid while the boys think the girls' stuff is stupid without any reason. Watch any child who averts this get labeled as gay without any reason.
* [[PinkProductPloy Pinkification (colouring all girls' toys in bright pink)]] has a broad hatedom outside its core demographic.
* ''HeroFactory'' for many ''Franchise/{{Bionicle}}'' fans, mostly since the sets and story don't cater to a PeripheryDemographic in the same way its predecessor did. Bionicle itself has this in the form of thousands of adult fans of LEGO.
* {{Franchise/Barbie}}.
** Everyone loves to write all sorts of long essays about how she's "a freak of nature" and a "walking stereotype of what a woman is supposed to be" ([[FairForItsDay somehow ignoring Barbie appearing in countless white collar or even blue-collar jobs]]), and people often refuse to buy their daughters or relatives Barbie dolls for fear that a doll will somehow instill a negative body image in them. (Like the doll itself is the sole cause in the first place, as lampshaded in ''ComicStrip/BabyBlues''.) Ask around the internet and you'll probably find a lot of people, even girls (especially girls), who decapitated and mutilated Barbie dolls when they were little. Barbie ''is'' a stereotype of what a woman is supposed to be. Just a different stereotype: specifically, some kind of blonde, tanned, superwoman.
** If you were a boy and played with a Barbie doll, then you immediately had to transfer schools. Unless, that is, you did stuff like strap her to a model rocket and attempted to launch her into outer space or did all sorts of violent acts to her such as dropping a bowling ball on her or trying to melt her with a magnifying glass. (It's amazing how, with all those supposed studies that linked Barbie dolls to girls with poor body image, nobody has seen if there's a link in boys between destroying Barbie dolls and domestic violence toward women.)
** Poor Mattel. It seems that no matter what they do with the Barbie franchise, they'll end up getting flak for it. Their latest scheme in giving Barbie a positive light is ''Hello Barbie'', a doll that could do advanced speech recognition and speech synthesis to answer questions posed to her by the owner and connect to Mattel's server (for MoralGuardians filtering) over the Internet via Wi-Fi to get information. The intention here is to show that girls can be smart, allowing a child to look to Barbie to help with homework if no one else can help. It immediately gathered flak for being a ''privacy invader'' (despite Mattel assuring that no personally identifiable information on the owner will be stored on their server, and only certain non-critical information like the owner's name is stored in the doll itself) and white hats immediately started pointing out how the doll can be hacked to say things of their choice, not by hacking the doll itself, ''but by hijacking the ISP's domain name server'' (which will pretty much allow them to take over ''any'' internet connected program, including the humble web browser). Nevermind that Microsoft, Blackberry, Apple and Google have done this with Cortana, Assistant, Siri and OK Google respectively with no backlash whatsoever, and that toys like that are pretty common in Japan and had not have any issues in that country. And oh, hobbyists all over the world, including in the US itself, have been hacking up dolls that do just that, ''and those has no filtering whatsoever''. And when they put that same technology into a different toy (a Fisher-Price stuffed bear), ''the first batch of said toy sold out within days of launch''. It seems that the real problem here isn't about privacy or protecting little girls, but ''Barbie can't be smart''.
* The ''Toys/{{Bratz}}'' doll line received lots of complaints. Like Barbie, a lot of them were from people concerned about its target demographic of little girls, and even more so given the Bratz dolls' revealing clothes and thick make-upped expressions. However, there were, once again, a lot of boys (and older or tomboyish girls) who just liked making fun of things little girls liked.
* Not specific toys in particular, but there is a hatred people have towards those who collect toys or even still play with them well into their adulthood.
* Toys made for adults (No, '''not''' ''[[IThoughtItMeant those]]'' kind of "toys") fall under this as well. MisaimedMarketing doesn't help either.
* Any "As Seen On TV" type toy falls under this. Partially because they never work as advertised. And, partially because kids tend to constantly beg their parents for it, driving said parents crazy. It doesn't help that said toy advertisements tend to play an obnoxious amount of times. Many reviews of "As Seen On TV" toys on Amazon.com reflect this. Said reviews tell of how the parent's child (or children) begged them for the toy in question, the parent buying them said toy, and then either the toy not working or the child/children becoming bored quickly of the toy.
* Any toy that makes sound that's aimed for young kids. Kids love the noises and will repeatedly press the button that makes them, which will drive any adults or older children in the room mad. A common rule parents set when anyone goes to buy a gift for their kid is to not get anything that makes noise. This often prompts the ''grandparents'' or the ''in-laws'' to get it instead because they don't have to live with them. This is mocked in a strip of ''ComicStrip/BabyBlues'' where Wanda looks over a toy that makes noise that's called "Grandma's revenge", as well as in a DenisLeary routine.
** There is supposedly a Chinese proverb: "If thy enemy wrong thee, buy each of his children a drum."

[[folder:Video Games]]
* Some fans of ''VideoGame/StreetFighterII'' will complain about every other fighting game that exists. If it is a 2D one, they'll blame it for being a clone. If it is a 3D one, they will blame it for being a 'button masher'. It's gotten to the point where games that are much more complex than ''Franchise/StreetFighter'' are looked down on by fans. The truth is that the NostalgiaFilter comes into play. In later years, ''VideoGame/StreetFighterIV'' has become this, with every new incarnation of Tekken or SoulCalibur being compared unfavorably to it despite being largely different in gameplay.
* ''Franchise/MortalKombat''. Most of the vitriol directed at that game when it debuted in late 1992 came from panicky MoralGuardians and people who would have never played the game in a million years.
* It's very difficult to find anything but a savage, snarky, sarcastic review of any game geared towards young girls, particularly if said title is unfortunate enough to involve Barbie, the Olsen Twins, or some other stereotypically girly franchise.
* E-rated games that are not ''VideoGame/{{Kirby}}'', ''[[Franchise/SuperMarioBros Mario]]'', ''Franchise/{{Pokemon}}'', or something else that is well known, get this from older players. However, the franchises themselves can suffer from this, as seen below.
* ''Franchise/{{Pokemon}}'':
** The franchise as a whole got plenty of this during the initial craze's heyday, and you'd still be hard-pressed to find an enthusiastic fan who wasn't a preteen or younger when it first came out. Also, some fans of the [[VideoGame/PokemonRedAndBlue earliest]] [[VideoGame/PokemonGoldAndSilver games]], known as GENWUNNERS[[note]]after the GEEWUNNERS in the ''Franchise/{{Transformers}}'' fandom, below[[/note]], can have this towards some incarnations of the game. Chalk it up to a combination of TheyChangedItNowItSucks, NostalgiaFilter[[note]]considering how glitch-ridden the original games were - even the GoodBadBugs had the side effect of making the game mind-numbingly easy for adult players[[/note]] and this trope, from aging out of the intended demographic. While the games have more universal appeal than, say, [[FleetingDemographic the anime]], they're still made primarily with kids in mind, although from 2013 onwards the franchise has been reinventing itself as an "all-ages" franchise similar to ''SuperMarioBros'' itself rather than a franchise mostly for young children.
** Within the franchise, "cute" Pokémon that are heavily marketed can suffer from this, due to their archetypical KidAppealCharacter traits in a series full of "badass" and "edgy" creatures that have more inherent appeal to older fans. SeriesMascot Pikachu is probably the most infamous example, due to its SpotlightStealingSquad tendencies and its strong association with the anime (which has its own entry on this page); in fact, it was one of the most frequent targets of mockery in early ''Pokémon'' parodies.
* ''Franchise/{{Kirby}}'' gets this reaction from a small number of game reviewers and fans of other Nintendo series, due to the series' TastesLikeDiabetes aesthetic (the frequent NightmareFuel notwithstanding) and [[ItsEasySoItSucks the easiness of the games]] in order to make them accessible to small children.
* ''Franchise/SuperMarioBros'' and ''Kirby'' themselves, as well as ''Pokémon'' and other similar series, get this treatment from fans of "dark, gritty" series such as ''Franchise/{{Halo}}'' and ''VideoGame/CallOfDuty'', who dismiss Nintendo's series as being too cheery and kiddy. [[SubvertedTrope But these fans are often kids themselves]], in the mature series' own PeripheryDemographic, who complain about things that they perceive as "babyish" because they think it's cool.
* The FandomRivalry between the various ''VideoGame/SuperSmashBros'' entries qualifies for this trope. While the games are primarily for casual, friendly play, they also have a sizable fanbase of competitive players, especially for ''Melee''. A sector of the ''Melee'' fanbase vocally derides other ''Smash'' entries for being too casual-friendly and not as exciting to watch competitively as their favored game.
* ''Microsoft [=3D=] Movie Maker'' has [=McZee=], a weird blue guy who really wants to be Barney-but-wackier. He's pretty horrible, and the exclusion of him as a posable character is about the only reason the first four thousand fan-made movies weren't all "[=McZee=] dies in horrible ways".
* The Nintendo {{Wii}} is an [[InvertedTrope inversion]]. Once Nintendo finally did what they had promised to do and expanded console video games outside the 18-24 Affluent Male market, said market declared them the anti-Christ. Even Nintendo's continued development of "traditional" games[[note]] which continue to far outnumber their "expanded market" titles[[/note]] hasn't silenced the hatedom one bit. Of course, the rest of the market seems not to have noticed (much to the chagrin of the 18-24 Affluent one). Among the platform's games, the worst sufferers of this were of course the "expanded market" games themselves: Nintendo's "Wii Series" games directed towards non-gamers such as ''VideoGame/WiiSports'', ''VideoGame/WiiFit'', and others. During the late 2000s, they were a gigantic fad that outsold and were played more than most other games by a huge margin, causing the 18-24 Affluent Male market to declare gaming ruined and fear for its senior-citizen-and-soccer-mom-ruled future. However, as the fad has died, so has the hate.
* Axl from the ''VideoGame/MegaManX'' series is a bit of an odd case. While he's despised by the series' main fanbase, the small but dedicated PeripheryDemographic of young women just can't seem to resist his boyish charm.
* Hardcore gamers seem determined to hate casual and/or social games. ''Game Informer'' has called titles like ''VideoGame/{{Farmville}}'' unexciting compared to big budget games and accused them of being marketing tools. Given that the creator of ''Farmville'' has openly said the game is nothing more than a [[BrainwashedAndCrazy Skinner box]], the accusation that it's a marketing tool is dead-on.
* PC gaming magazines have been [[TakeThat knocking]] consoles for years. Consoles are generally designed for gamers who want less complexity. However, there's tons of overlap, so it's really a case of a VocalMinority of purists.
* Any RPG, except ''VideoGame/DragonQuest''. The "only nerds play them" consensus has led them to be an example of NotAllowedToLikeIt. One of the prime victims is ''VideoGame/WorldOfWarcraft''.
* Western {{RPG}}s tend to get a lot of hatred as well, especially ActionRPG games, which critics tend to complain that "the action ruins the RPG elements". Not to mention, in an ironic inversion to the above, this genre also has a hatedom for having real-time combat and being too gritty.
* ''VideoGame/FinalFantasyMysticQuest'' tends to attract hatred from people who believe the urban legend that it was why the USA didn't get ''VideoGame/FinalFantasyV'' (or why Europe didn't get ''any'' ''Franchise/FinalFantasy'' game) until the PlayStation years, as well as the fact that it was actually made specifically to [[GatewaySeries introduce people to]] {{RPG}}s. However, being a SuperNintendo game, it ''does'' have a fanbase thanks to the NostalgiaFilter, as well as how some people actually ''did'' play that game as an introduction to the RPG-genre. This tends to overlap with LoveItOrHateIt.
* If the marketing is anything to go by, Toys/{{amiibo}} are intended for kids that want toys of Nintendo characters. However there is a hatedom for amiibo by two groups. Those who think that they are overly-expensive dolled-up physical [[DownloadableContent DLC]], most notably with ''VideoGame/{{Splatoon}}'' and ''VideoGame/AnimalCrossing'' amiibo, and those who think that amiibo has way too much focus on stocking the kid-friendly characters like ''Franchise/SuperMarioBros'' and ''Franchise/{{Pokemon}}'', and forgetting the franchises that skew more towards Nintendo's PeripheryDemographic or are outright intended for older audiences (such as ''Franchise/FireEmblem'').
* Any of the big console shooter franchises draw plenty of flak from players who dislike [[FirstPersonShooter FPSes]], PC gamers, and fans of older styles of shooters. The ''VideoGame/CallOfDuty'' and ''Franchise/{{Halo}}'' series may be the most common victims, but they are not alone. First-person shooters are also frequent scapegoats of people who hold the assumption that their fandom of "cerebral" games such as ''Franchise/SilentHill'' somehow makes them more intelligent than the primates who play ''Call of Duty'', et. al.
** Which makes for a ''very'' strange inverted hatedom in retrospect, as until the past decade or so you basically ''had'' to have a PC if you wanted to play an FPS due to the limitations of the consoles of the day. Still, even modern consoles' limitations—such as the ever-present gamepad vs. mouse—are picked apart by PC gamers, sometimes deemed as reasons why FPS game design has been dumbed down since the mid-'00s.
** The major pet peeve was that on the side of the FPS crowd, they hated it for how it monopolized shooters into a single uniform genre with very little deviation (Iron Sights/Regnerating Health and CutsceneIncompetence). For the others, they see the shooters as completely strangulating what creativity is left in the industry as game developers are crushed by publishers for not living up to their flagship franchise standards.
* Sonic the Werehog from ''VideoGame/SonicUnleashed''. Kids love him, most fans who left ''[[Franchise/SonicTheHedgehog Sonic]]'''s intended demographic hate him.
** Cream the Rabbit, too. Beloved by {{moe}} fans for her deliberate cuteness, despised by the older ''Sonic'' fans for having a submissive attitude contrary to the defiant one around which the series was built. This is a case of AmericansHateTingle, however -- Cream was designed around Japanese fans, who enjoy her Manga/YamatoNadeshiko traits, and was never meant to be embraced in the west, whereas characters like [[BadassPrincess Blaze the Cat]] fall more in line of likable female characters outside of Asia.
** The entire ''Franchise/SonicTheHedgehog'' franchise got a Periphery Hatedom, including from some of its older fans, though it has less to do with them growing out of it and more with it deviating from what they knew. Those who were ''never'' fans tend to regard it as the realm of [[LoadsAndLoadsOfCharacters unnecessary characters]] that inspire lame fancharacters and Rule 34 artists.
** Lots of people in the {{hentai}} community hate the ''Sonic'' franchise as well. Though this stems more from the fact that a lot of Rule 34 artists that draw Rule 34 images of Sonic and co. [[SturgeonsLaw really can't draw]] Rule 34 all that well. This becomes especially obvious if you know that most artists in the community avert SturgeonsLaw.
* EA tried to exploit this with their "Your Mom hates ''VideoGame/DeadSpace2''" marketing campaign. It didn't exactly work; the ''intended'' market responded with "[[SarcasmMode Thanks a lot for casting us all as immature jerks]]. It's not like games don't have trouble with that perception already." It seemed to completely miss gaming's shift in demographics, as explained below.
* Video games in general fell into this category when they became popular during the '80s and '90s. In many cases, there was a notable divide between the children who enjoyed playing them and parents who felt they distracted them from doing more constructive things. Since many of today's parents grew up with them, however, [[ForgottenTrope this is a dying trope]].
* The Rochelle character in ''VideoGame/Left4Dead2'' gathered a ton of hate for simply not being like Zoey (personality, looks, etc), even though Rochelle was ''not'' meant to be a copy of Zoey.
** This hate died down once she got some actual CharacterDevelopment, however.
* The [[Nintendo3DS Nintendo 2DS]], which removes the clamshell and 3D features and sells at a lower price than the original 3DS, has received a fair number of complaints from adult and teenage gamers, despite being designed as an 'entry-level' system for children.[[note]]The 3D feature is not recommended for children, due to lack of safety testing. The clamshell is the weakest part of the physical design and, therefore, most likely to be broken by small children who haven't yet grasped the concept of "excessive force results in broken toys". The lower price isn't specifically a child-friendly feature, but savvy gamers have noticed that the difference is exactly the cost of ''VideoGame/PokemonXAndY'', a franchise well known for its younger-demographic appeal and with which the 2DS shares its release date.[[/note]]
* The UsefulNotes/ConsoleWars are a recurring example: Those who pick one side have no desire to try anything from the other sides.
* Singleplayer vs. multiplayer focus is another general example: People who play multiplayer will often ignore the campaign/story element of the game (if such thing even exists in the game) while people who want to experience the story will hardly want to deal with tiers, griefers, and rage-quitting in multiplayer (if that even exists in the game).
* People who play EA sports games get a lot of hatred of gamers who do not play them. The main reason behind it seems to be [[ItsTheSameSoItSucks that they are the same game in a brand new package]] and the fact that it is blamed for making games more unoriginal.
* Teemo from ''VideoGame/LeagueOfLegends'' is hated by most players due to him having a blind, poison, high mobility, and the shrooms he places all over the place to annoy players. Many gamers kill him as a response. In response to much of the hate to the character, Riot Games has counted how many times Teemo has been killed by players per second.

* ''Webcomic/UserFriendly'' especially seems to provoke unnecessary anger outside of its narrow IT professional demographic.
* Any long running, successful. niche-audience webcomic, such as ''Webcomic/PvP'', ''Webcomic/PennyArcade'', or ''Webcomic/{{Megatokyo}}''.
* [[FurryComic Furry webcomics]] get a ton of flak from non-furries. Note that this does not apply to the hatedom of comics such as VGCats which are intended to read by non-furries as well.
* ''Webcomic/{{Homestuck}}'' has a pretty substantial one, largely due to the fandom just one day suddenly showing up and invading anime cons in cosplay like an infestation of cockroaches, despite ''Homestuck'' not being an anime. ''Homestuck'' cosplay is outright banned from several smaller anime cons for substantially justifiable reasons[[note]]The grey body paint (not sealed) they wear all over their bodies has caused considerable damage, ruining other cosplayer's costumes just by brushing up against them, and ruining hotel services and materials by sleeping in beds with the makeup on, or using jacuzis or not taking showers to wash it off. Then there are those who intentionally roleplay as the Troll they're cosplaying as, intentionally being rude and malicious to ''EVERYONE'' regardless of being a congoer, staff member, hotel staff, or even the police. Finally, hygienic issues involving carrying around a "Spit bucket"[[/note]] and is considered the primary reason cosplay was banned at TCAF, a dedicated webcomic con. Otherwise, it's sometimes seen as a LoveToHate series often used as a punchline for a crazy fandom, similar to ''WesternAnimation/MyLittlePonyFriendshipIsMagic''. It doesn't help anyone's case that the creator of the series himself won't allow for a dedicated Homestuck convention to exist.
* It is as yet unclear what demographic Christian Weston Chandler was aiming for when he created ''Webcomic/{{Sonichu}}'', but he probably didn't intend it for the folks at Encyclopedia Dramatica and 4chan who trashed it, brought him into the internet limelight, and descended his life even further. And [[http://www.sonichu.com that's just the gist of it]].

[[folder:Web Originals]]
* Creator/PewDiePie, a name that froths more bile among YouTube viewers than any other. His {{manchild}}ish image, his focus on visceral reactions over humorous dialogue, his [[LullDestruction constant]] barrage of [[ScreamsLikeALittleGirl over-the-top]] screams, extreme excess focus on quantity-over-quality when it comes to content, and all manner of his personality come together into something that puts off almost ''everyone'' outside of his tremendously large fanbase to incorrigible degrees.
* Let's Players in general tend to get a lot of hate. Especially from YouTube ranters who believe that their videos are an abominable waste of time and that all they do is recording gameplay footage while saying something. Of course, it's often popular Let's Players like [=PewDiePie=] who get bashed by them; in his case, it's because apparently he's a manipulative money whore. [[note]]Despite popular belief, [=PewDiePie=] has also started several charities and is apparently a humble person. Demographic research unfortunately corrupted his online persona.[[/note]]

[[folder:Western Animation]]
* Those jokes about ''WesternAnimation/{{Caillou}}'' having cancer or being bald from chemotherapy speak volumes. Aside from moms who have had experiences with their children copying the titular character's tantrums, parents make up only a small percentage of haters here--much, much more of the hatedom comes from high school students who simply hate the show for being slow, and 9-year-old GoAnimate users who dislike the show because of the titular character being a whiny brat.
* ''WesternAnimation/TheSmurfs'', which had all of the hatred of people who never watched it a good decade before Barney did. One defunct site even pointed out various chilling similarities while comparing The Smurfs to the KKK, though most haters usually compare them to [[DirtyCommunists communists]] instead (''WesternAnimation/RobotChicken'' did the latter comparison in a season 4 skit, where the village's sewage line is ruptured and Papa Smurf states they're a communist society and tells Handy to fix it for free).
* ''WesternAnimation/DragonTales'', due to Ord's incessant whining and the somewhat SugarBowl environment that is Dragon Land. And some religions cite dragons as evil, which is why there is [[TheDragon a (negative) trope named after them.]] However, it's starting to get a following, mostly from the NostalgiaFilter type. Another reason for so many people hating it is because many people feel that, for a show about magical fire-breathing ''dragons'', the series is surprisingly lacking in fantasy-based adventure. It doesn't help that many of the things the dragons do in the show (IE: go to school, learn to ride bikes, etc.) would be things you'd expect to see in a show about regular people, not dragons.
* ''WesternAnimation/VeggieTales'': Part of it is because of the vandalism caused by fans of the show to random pages on TheOtherWiki. But there's a fair amount of hate from non-Christians, too, for being a religious show for young kids (though there is a PeripheryDemographic among the same segment too). ''[=VeggieTales=]'' tends to have enough ParentalBonus (in the form of pop cultural references — e.g., [[Film/MontyPythonAndTheHolyGrail the French peas guarding the wall of Jericho]]) to avoid the "babyish" criticism from adults, though. ''[=VeggieTales=] in the House'', on the other hand, has received plenty of criticism for the change of character designs, even before it aired; most of this came from not only the older fans of the show, but from parents of autistic children who cannot adjust to change.
* ''WesternAnimation/{{Hopla}}'' is bashed for its LimitedAnimation and boring set-up despite being for ''infants''. (Another case of "Just because it's for kids, it doesn't mean you can half-ass it.")
* Despite ''WesternAnimation/SquirrelBoy'' doing decently with critics and young viewers, the Internet has an extremely vocal hatedom for the show. Frequent reasons for hating the show include "blandness" and simply not being as good as Everett Peck's previous cartoon ''WesternAnimation/{{Duckman}}'' (though the two have very different audiences). In fact, some believe that the show's early cancellation was caused by the huge outcry from the internet.
* ''WesternAnimation/SuperWhy'' has a very strong hatedom. Many parents don't like the ViewersAreMorons plotlines, and fairy tale fans hate the Disneyfication of the fairy tales presented to the point of [[PoliticalCorrectnessGoneMad being politically correct]].
* ''WesternAnimation/ToopyAndBinoo'', a Canadian preschool show, has seen complaints from moms and parent groups due to the title characters' frequent [[WholesomeCrossdresser crossdressing]] and use of the word "fabulous", leading said moms/parent groups to believe that the characters are CampGay and are presenting an underhanded homosexual agenda.
* ''WesternAnimation/JayJayTheJetPlane'': The planes, helicopters, and staff of Terrytown Airport offer entertainment, life lessons, moral instruction for ages 2-6...and CGI characters straight from the UncannyValley. Even worse, some VHS and [=DVDs=] of the show have been released by Tommy Nelson--a Christian distributor, even though the series wasn't originally conceived as a Christian show.
* ''WesternAnimation/BabyLooneyTunes'', though probably not meant for anyone over the age of six, has received particular loathing not just the original ''WesternAnimation/LooneyTunes'', but of ''WesternAnimation/TinyToonAdventures''.
** To a somewhat lesser extent, ''WesternAnimation/TheLooneyTunesShow'' gained one due to its focus on sitcom scenarios over the zany antics of the classic shorts.
* ''WesternAnimation/TheProblemSolverz'', partly because of its SensoryAbuse. Because of this, its second season was never broadcast on Cartoon Network, and was instead made as a Netflix exclusive.
* The ''Franchise/MyLittlePony'' franchise, ''[[WesternAnimation/MyLittlePonyFriendshipIsMagic Friendship is Magic]]'' aside, being aimed exclusively at young girls, has a Periphery Hatedom; even ''Friendship Is Magic'''s PeripheryDemographic rejects it, as seen in the comments of [[http://www.youtube.com/watch?v=9ZpurerF2HM this video]].
** Before [=FiM=] and the bronies, ''WesternAnimation/MyLittlePonyTales'' and ''WesternAnimation/MyLittlePonyG3'' had hatedom from fans of ''WesternAnimation/MyLittlePonyAndFriends'' due to the genre switch to SliceOfLife.
** Generation 3.5 is widely-hated. Particularly, the ''Newborn Cuties'' line is almost universally despised outside of the target audience, mainly because of its childish writing and how the creatures that are supposed to be baby ponies look nothing like their namesake[[note]]The Newborn Cuties range are part of G3.5[[/note]]. Bad enough that G3.5 gathered flak among pony collectors for not looking like ponies, the Newborn Cuties somehow [[UpToEleven managed to take it several notches higher]] into CartoonCreature and UncannyValley range.
** The Periphery Hatedom isn't just an age thing for ''My Little Pony''. Even in the right age range, boys tend to hate and deride it without actually watching it.
** Due to a bunch of FanDumb going around causing {{Internet Backdraft}}s at various sites on the Internet[[note]]These FanDumb usually attack forums with fans of toy horses in general, who are fond of G3 and G1 because they look more like real horses than G3.5 or G4[[/note]], sizable groups of ''Friendship is Magic'' haters have formed due to HypeAversion from overzealous Internet fans [[AttentionWhore insisting on bringing up ponies in everything]]. Just take a squint at [[http://derpicdn.net/img/view/2012/8/14/74422.jpg these reactions]] to Pinkie Pie in a ''Franchise/MassEffect'' suit, and try not to cringe at the hatred shown. One can say that ''Friendship is Magic'' has a vitiriolic FandomRivalry with ''every single other fandom there is'', and the series is frequently brought up by other fandoms as cringe and SnarkBait.
** ''WesternAnimation/MyLittlePonyEquestriaGirls'' got an awful lot of flack from bronies before it even came out, simply because it's a HighSchoolAU When it came out, it created the BrokenBase of the millennium over if it was good or not.
* Any cartoon that is targeted towards adults and teens, and specializes in GettingCrapPastTheRadar tends to have a Periphery Hatedom among deeply religious individuals, as well as those who just find the cartoons distasteful or offensive. Examples include ''WesternAnimation/SouthPark'', ''WesternAnimation/DrawnTogether'', and ''WesternAnimation/FamilyGuy''.
* Any cartoon in general that is released in a new decade (especially true with '90s kids) will get some amount of hate from [[NostalgiaFilter older generations]], regardless of the show in question's actual merits. Even popular shows such as ''WesternAnimation/AvatarTheLastAirbender'', ''WesternAnimation/BobsBurgers'', ''WesternAnimation/RegularShow'', and ''WesternAnimation/AdventureTime'' will get this reaction from some groups.
* ''WesternAnimation/UltimateSpiderMan'' has become loathed by adult Marvel fans who find the show too comedic and immature compared to other Marvel cartoons from the same period, or the comic with the same name.
** Fans of ''WesternAnimation/TheSpectacularSpiderMan'' in particular have a special loathing for it as many feel the show is not a worthy predecessor to ''Spectacular'', which was aimed at a slightly older audience and was known for its plotting and characterization which ''Ultimate'' isn't. Others simply take their frustration on ''Spectacular'' being cancelled ([[ScrewedByTheLawyers for an unforeseen rights issue caused by the Disney/Marvel deal]]) on it.
** ''WesternAnimation/AvengersAssemble'', which replaced the much-loved ''WesternAnimation/AvengersEarthsMightiestHeroes'', receives similar sentiments for the same reasons.
* ''Franchise/{{Transformers}}'' can sometimes suffer from this. On the one hand, you have the GEEWUNNERS, who, through a combination of NostalgiaFilter and TheyChangedItNowItSucks, vent their spite towards most incarnations of the franchise (especially newer ones) except the original shows (''WesternAnimation/TheTransformers'' and its sequel series ''WesternAnimation/BeastWars'') -- this trope is blatant when their hate is directed towards the cartoon shows such as the Unicron Trilogy or ''WesternAnimation/TransformersAnimated''. On the other hand, you have fans of the newer franchises who hate ''Franchise/TransformersGeneration1'' (which is very, ''very'' unambiguously a kids' SaturdayMorningCartoon) due to its {{Camp}} value and HypeBacklash caused by nostalgic fans' love for the original series (GEEWUNNER or otherwise). Just like ''Franchise/{{Pokemon}}'' above, the franchise[[note]]except perhaps [[Film/{{Transformers}} the live-action movies]][[/note]] is primarily targeted towards children no matter what the older fans say, especially concerning ''WesternAnimation/TransformersTheMovie'' (the cartoon one).
* It'd be easier to say "I liked the Music/ScissorSisters' "Comfortably Numb" cover" [[InternetBackdraft on the internet]] than list all of the tropes involving ''WesternAnimation/JohnnyTest'''s Periphery Hatedom.
* ''WesternAnimation/MyLifeMe'' has an astonishing Periphery Hatedom from both {{Anime}} fans and WesternAnimation fans. Episodes on Website/YouTube are glutted with scathing comments about the [[OffModel poor animation]] and [[ShallowParody horrendous attempts to parody manga]]. Many also point out that better {{Animesque}} series like ''WesternAnimation/AvatarTheLastAirbender'' exist that don't resort to the usual pratfalls that come from Western parodies of anime, and look beautiful. 4chan even called out the series for its [[CriticalResearchFailure glaring ignorance of the medium]].
* ''[[WesternAnimation/LittlestPetShop2012 Littlest Pet Shop]]''. But it's [[{{Irony}} ironic]] how most of the haters are [[FandomRivalry bronies]]. The weird thing is that most of the fans are also [[FriendlyFandoms bronies]].
** Being created by the same people that brought us ''WesternAnimation/MyGymPartnersAMonkey'', which isn't as well-liked either (it's considered SoOkayItsAverage ''at best''), doesn't help matters as well. See its entry on this page for some more details.
* Many people who liked ''WesternAnimation/GarfieldAndFriends'' hated the U.S. Acres segments, because they were agreed by popular sources such as ''Website/PlatypusComix'' to be annoying and forgettable compared to the well-written and [[ParentalBonus adult-friendly]] Garfield segments. They eventually got a small following thanks to being liked by the strange PeripheryDemographic of ''teenage girls''. Not helping matters was that in the first three seasons, the segments always contained an almost always forced song pertaining to the moral each episode, a la ''WesternAnimation/FatAlbertAndTheCosbyKids''. While most of these were surprisingly catchy (we're looking at you, [[http://www.youtube.com/watch?v=0slGfz_roQU Double Oh Orson theme!]]), even the aforementioned teenage girls believe Wade Duck's are the worst (except I Am A Hero) because he doesn't even sing -- he sounds like his voice actor's just energetically reading the script!
* ''WesternAnimation/RandyCunninghamNinthGradeNinja'' has been hit by this; largely from fans of ''WesternAnimation/TronUprising'' blaming the former for getting the latter ScrewedByTheNetwork.
* ''WesternAnimation/RickySprocketShowbizBoy'' got this when it hit Creator/NicktoonsNetwork in the US, due to the character designs and the Flash animation.
* ''WesternAnimation/WildGrinders'' (from the same American network) also got this reaction for, among other things, its Flash animation and painful attempts at being hip.
* ''WesternAnimation/CoconutFredsFruitSaladIsland'', mostly because many claim it to be a rip-off of ''WesternAnimation/SpongeBobSquarePants''. And [[Creator/RobPaulsen one of the main voice actors on the show]] [[OldShame is part of the hatedom]].
* ''WesternAnimation/AlmostNakedAnimals'' is often called the worst of Creator/CartoonNetwork's 2010s crop of Canadian cartoons, possibly even below ''WesternAnimation/JohnnyTest''. Main points of contention are cheap animation, ugly character designs, a grating theme song, idiot characters, and generic grossout humor. However, ''ANA'' got nominated for one Gemini Award and ''three'' Canadian Screen Awards, has mostly positive reviews from critics, and got renewed for a third season. [[CriticalDissonance That's not often something that happens to a show that gets so much hate.]]
* ''WesternAnimation/{{Robotboy}}'' is hated by many for [[TheyCopiedItSoItSucks being like]] ''WesternAnimation/MyLifeAsATeenageRobot'' and ''Anime/AstroBoy''. However, there is a large PeripheryDemographic despite that fact.
* Any show on the British preschooler-oriented channel Creator/CBeebies gets this. Programs shown on the network that have received the ire of many a frustrated parent and/or sibling include The Fimbles and the infamous Teletubbies.
* ''WesternAnimation/SkunkFu'', for recycling the same old plot in most episodes. It's also considered a rip-off of ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/YinYangYo'', even though ''Skunk Fu!'' was made in 2007 and ''Kung Fu Panda'' 2008.
* ''WesternAnimation/ChopSockyChooks'', for having useless villains and for having the main characters [[InformedSpecies look NOTHING like chickens]]. The name sounding like a possible Asian racial slur to those without an easy reference to the Chinese derivation of 'chook' really doesn't help either.
* A number of modern shows on Creator/CartoonNetwork, both in-house (such as ''WesternAnimation/{{Chowder}}'') and Canadian imports (such as the aforementioned ''WesternAnimation/AlmostNakedAnimals'') are also reviled by older fans for their heavy use of ToiletHumor. Seeing this trope in action at all on both channels nowadays is a huge source of HumorDissonance for said fans that may have grown out of it by now.
* ''WesternAnimation/PacManAndTheGhostlyAdventures'', despite being filled with nothing but appreciation for the original game and classic gaming in general both stylistically and in the form of {{Mythology Gag}}s and homages, gets flack from adults because of its [[WakeUpGoToSchoolSaveTheWorld reinterpretation of the plot]] (despite the original game having had no plot to speak of), in particular the loads of new characters, as well as what some claim is an over-reliance on ToiletHumor (though it doesn't have more than most other animated kids' shows). It still does well with its "target audience," despite the fact they're probably too young to understand a lot of its influence.
* ''WebAnimation/TheAnnoyingOrange'' series on Cartoon Network for living up to the title, and causing older viewers to like the original web series even less.
* ''WesternAnimation/TheGarfieldShow'' for being too wild and zany as well as making Garfield talk with his mouth moving, giving Jon a RelationshipUpgrade with Liz, and turning Nermal into a {{Jerkass}}.
* ''WesternAnimation/SitDownShutUp'' for having stupid humor, ugly character designs, and being sickeningly boring.
* ''WesternAnimation/DanielTigersNeighborhood'' gets this from fans of ''Series/MisterRogersNeighborhood'', from people who think it's too hyper and cartoonish, and from typical [=GoAnimators=] who dislike the show simply for its art style[[note]]Clearly, these people didn't really understand what Mister Rogers preached[[/note]].
* Most people who grew up with the Katharine Tozer Mumfie books and/or ''Here Comes Mumfie'' will hate ''WesternAnimation/MagicAdventuresOfMumfie'' for overtaking the version they grew up with in popularity, and because it's saccharine. The opposite sometimes occurs with fans who grew up with Magic Adventures of Mumfie-they will prefer that series to the older versions. People who hate the show who did not grow up with the books or the earlier series despise the fact that only one voice does the characters (when Britt Allcroft does the two queens on the show), say that the stories and animation are bad, and find the music saccharine. One {{Google}} Groups member said that all these problems made him want to [[ShootTheTelevision throw a brick at the TV whenever he heard the theme song]].
* Fans of ''Film/{{Spaceballs}}'' hated the animated series because [[TheyChangedItNowItSucks it changed so much from the movie]] that [[FranchiseKiller it destroyed the entire franchise]].
* ''WesternAnimation/TeenageFairytaleDropouts'' got a ton of flak just for its premise and artstyle (the former also getting attacks because of the title creating a few UnfortunateImplications, even though the characters are actually still in high school). Before release, [[WesternAnimation/MyLittlePonyFriendshipIsMagic bronies]] in particular hated it [[FanDumb merely because]] one of the supporting characters is a non-sentient unicorn who appeared to be there for comic relief. Being released on the heels of Creator/{{Mattel}}'s Franchise/EverAfterHigh series doesn't help.
* Any show that uses a "bromance premise" inevitably gets derided for ripping off ''WesternAnimation/RegularShow'' (and less frequently, ''WesternAnimation/AdventureTime'') even if the show in question proves that it's pretty far removed from it; ''WesternAnimation/SanjayAndCraig'', ''WesternAnimation/{{Breadwinners}}'', and ''Welcome to the Wayne'' being the most frequent targets. Notably, they are all Nicktoons, and most of the folks who slam them are part of ''Regular Show'''s older demographic.
* ''WesterenAnimation/ScaredySquirrel'' for the same reasons as ''Yakkity Yak''. Also hated by Nintendo fans because one of the recurring antagonist resembles Petey Piranha (but with blonde hair).
* ''WesternAnimation/TeenTitansGo'' has a massive hatedom from fans of both [[ComicBook/TeenTitans the original comics]] and [[WesternAnimation/TeenTitans cartoon]], due to it being a DenserAndWackier BlackComedy series that portrays the team as a barely-held-together group of loons that abuse each other as much as they do the villains, with the most common complaints from them being that the show is too immature and the Titans behave like complete jerks. It's also attracted a strong hatedom from fans of other Cartoon Network cartoons since it's AdoredByTheNetwork, with it often getting promotion and airtime over several other programs that also air on the network, such as ''WesternAnimation/CourageTheCowardlyDog'' and ''WesternAnimation/ShaunTheSheep''.
* ''WesternAnimation/{{Grojband}}'' gets attacks from the States mainly for having scentless writing and the artstyle being similar to ''Johnny Test'' and ''Adventure Time''. Knowing its PeripheryDemographic, this is a rather minor example.
** The same thing goes for ''WesternAnimation/{{Sidekick}}''.
* ''WesternAnimation/OggyAndTheCockroaches'' for being a carbon copy of ''Tom and Jerry''. There's a secondary reason for hatedom for Oggy in Asia, however, which formed due to HypeBacklash of extreme magnitude: The networks didn't consider the consequence of having a show that's already airing on a different network on its own network. Oggy airs on '''all of the big three''' networks in Asia: Disney Channel, Nickelodeon ''and'' Cartoon Network, in addition to several country-specific networks. Understandably, people who do not like the show (or slapstick humor like those presented by TomAndJerry and MrBean as a whole) are having a hard time avoiding it.
* ''Kate & Mim-Mim'' has irked many parents for its main characters being annoying.
* ''WesternAnimation/MrPicklesGoodBoy'' is claimed by many people to be the worst cartoon they have ever seen for its [[GrotesqueGallery ugly characters]] and heavy reliance on {{Gorn}} as humour.
* Although ''WesternAnimation/MyGymPartnersAMonkey'' was a massive success amongst viewers and critics during its time, it carries an immense hatedom on the Internet. Reasons have included [[SadistShow mean-spirited and]] [[ToiletHumor immature humour]] and [[JustEatGilligan the nature of the premise]].
* In general, pretty much any Creator/PBSKids show produced after somewhere around 2008 gets this. Shows like ''WesternAnimation/SidTheScienceKid'', ''WesternAnimation/PegPlusCat'', and ''WesternAnimation/TheCatInTheHatKnowsALotAboutThat'' get plenty of vitriol, mostly from your typical audience of [=GoAnimate=] users and people in the [="(GOOD USER)/(BAD USER)"=] community. There ''are'' some exceptions, like ''WesternAnimation/MarthaSpeaks'' and ''WesternAnimation/WildKratts'' (mostly from nostalgia from the Kratt brothers' previous work).