A shot that shows the perspective of a character, as if the viewer is looking through their eyes. This is most commonly accomplished with a SteadiCam or handheld camera operator standing in for the character, in appropriate clothes. Alternatively, it could be the actor or a stand-in with a small camera mounted to (or held very near) his head to keep both hands free for action.
Used sparingly, usually when there is an in-story reason for this perspective, such as:
* MurdererPOV
* ImpendingDoomPOV
* HuddleShot
* MouthCam
* EyeCam
* ImpairmentShot
* The character is being channeled by a psychic or medium, and the viewer looks only at what he saw.
* The character's identity is to be concealed from the audience, as in the MurdererPOV shot.
* The character is a horrible monster, and its ''appearance'' is to be [[MonsterDelay concealed from the audience]]. This can be accompanied by the ShakyCam (as it was for Series/{{Buffy|the Vampire Slayer}}'s First Evil).
* The character's vision or perspective is unique in some way, such as a special form of vision (thermograph, low-light, colorblindness, sonar, etc.); special effects are used to reveal this; see also RoboCam, BinocularShot.
* Some versions of TheRashomon and IntroOnlyPointOfView do this.

The tricks and variations used for this shot can also, as one might surmise, be used in FirstPersonShooter [[VideogameTropes video games]].

Interestingly, the FPS genre sometimes does this for cutscenes and trailers (though many games just keep the player in the FP POV during cinematic events, instead of using pre-rendered cutscenes). Either way, it is a fantastic tool for making the events of the story more intense and immersive (see UnbrokenFirstPersonPerspective for more information). And without the limitations of having a high-quality image from a first person perspective in real life, First Person Shooters LOVE this trope.

Compare InUniverseCamera (formerly named FirstPersonCamera, which now redirects here). Contrast FaceCam. For a literary trope that can be used to similar effect, see TheAllConcealingI.



* Jim Varney's Film/ErnestPWorrell commercials in the '80s always had him addressing the camera as his unseen "buddy" Vern.

[[folder:Anime & Manga]]
* ''Anime/MobileSuitGundamSEED'' uses it for comedy in an early WillTheyOrWontThey scene between Murrue and Mwu, when Murrue, trying to have a serious conversation, asks Mwu for his thoughts; from [[http://www.minorvariation.net/GundamSEED/screencaps/myfaceisupHERE.jpg Mwu's perspective]] we see his gaze stray down from Murrue's face to her chest.
* ''Anime/{{Texhnolyze}}'' occasionally shows things from Ichise's perspective, down to the HUD he sees because of his recently upgraded eyes.
* An interesting use of this trope was in Creator/OsamuTezuka's ''Jumping'', a 6-minute cartoon consisting of a one long POV shot through the eyes of an incredibly-high-jumping creature (whose face and identity are not shown to the viewers). [[http://www.youtube.com/watch?v=f-9Cj_9CQMg See for yourself...]]
* ''Anime/NeonGenesisEvangelion'' features POV shots occasionally, usually from Shinji's perspective. A scene in ''End of Evangelion'' gives us his POV of Asuka with a [[http://chanarchive.org/content/57_tg/2510125/1220637339735.png horrific rage-face]] leaning over Shinji while having some sort of mental hate-sex with him.
* ''Manga/InsideMari'':
** When a scene features the life of Fumiko, we see nearly everything from Fumiko's point of view. In fact, the times we see Fumiko's face in these scenes are typically when she's looking at a reflective surface such as a mirror, window, or her mother's eye.
** Later we see a flashback from Mari's point of view of how she saw her life just before Isao became involved in it. In the course of this, we see [[spoiler:Mari's classmates as filthy creatures with either the top half or the bottom half of their faces obscured, her father turned away and transparent, her mother looking positively grotesque, Mari's reflection looking like childish scribbling, and Isao surrounded by {{Bishie Sparkle}}s even as Mari's watching him masturbate. The only one who looks normal at all is her younger brother]].

[[folder:Films -- Animation]]
* ''WesternAnimation/MyLittlePonyEquestriaGirls'':
** Upon emerging from the portal, the point of view is through Twilight's eyes. The first thing she sees is a ladybug, then Spike turned into a dog, and then... her brand-new hands. Cue SkywardScream.
** We get another shot from Twilight's viewpoint during the HuddleShot, as she's sprawled on the ground.

[[folder:Films -- Live-Action]]
* ''Film/RussianArk'' features a single 96 minute take from the perspective of an unnamed narrator walking through Winter Palace in Saint Petersburg, witnessing operas and a grand ball across different time periods.
* ''Film/{{Jaws}}''. Namely, the POV of Bruce the shark.
* Lampshaded as the central feature of ''Film/TheBlairWitchProject''.
* Used for a few minutes in ''Film/{{Doom}}'' as a homage to the original video game.
* A slight variation of this--the "perspective" of a dead or incapacitated character--is one of director Quentin Tarantino's trademarks and such a scene is present in most of his movies, perhaps most notably ''Film/JackieBrown'' and ''Film/PulpFiction''.
* ''Film/InBruges'' ends with the camera from Ray's POV [[spoiler: as he is wheeled into an ambulance on a gurney. He may or may not be dying, the ending is ambiguous.]]
* In ''Film/{{Lonesome}}'', Jim tries to impress Mary by doing a headstand--and the camera shot shows her upside-down.
* An early example is the 1947 film noir ''Film/LadyInTheLake'', directed by and starring Creator/RobertMontgomery, which was filmed almost entirely in POV Cam to imitate [[Literature/TheLadyInTheLake the original novel]]'s first-person narration (this is hence a rare non-video game example of UnbrokenFirstPersonPerspective). Just so the film's Big Name Star was not totally unseen, he appears in bridging sequences and is seen whenever Marlowe looks into a mirror.
* The first half of another 1947 noir, ''Film/DarkPassage'', is shown from the viewpoint of the main character; after he has plastic surgery so he [[MarqueeAlterEgo looks like Humphrey Bogart]], we see him onscreen.
* In ''Film/TowerOfGod'', Anak's flashback of the last time she saw her mother is shot entirely in point of view.
* Appears very frequently in ''Film/TheSilenceOfTheLambs''.
* Much of ''Film/CannibalHolocaust'' used this technique.
* The echolocation of the alien creatures from ''Film/PitchBlack'' is represented by POV shots of "images" made up of tiny pixel-dots that convey textures and surfaces.
* The original ''Film/TheFly1958'' may be the TropeCodifier for how this trope can depict a monster's unusual sensory mode, thanks to its famous shot of the leading lady screaming as seen through multifaceted insect eyes.
* Used in ''Film/KickAss'' when Hit-Girl has to clear out a darkened room full of thugs with night vision goggles. It was used to add a bit of humor as it was done First-Person-Shooter style, and also an excuse to not overuse several epileptic white flashes.
* The '50s corporate-intrigue drama ''Executive Suite'' opens with a scene from the perspective of the company CEO whose subsequent death by heart attack sets the film's plot in motion.
* The science fiction film ''Film/ItCameFromOuterSpace'' uses the alien's POV for its first few encounters with humans (including a semi-transparent "eye" over the whole screen) to keep from revealing the alien's appearance too early.
* ''Film/DrJekyllAndMrHyde1931'' uses this twice, once in the beginning (from Jekyll's viewpoint as he dresses and travels to a lecture) and then again after the first transformation to Hyde (as he spins around in confusion and finally catches himself in the mirror). The mirror shots were done by having actor Creator/FredricMarch pose on the opposite side of a fake mirror which was actually just a hole in the wall.
* The film version of ''Film/TheDivingBellAndTheButterfly'' is partially shown in this manner, using a tilt-shift focus (which picks out sharp objects in an otherwise blurry image) to depict the viewpoint of its protagonist, who suffers a stroke that among other debilitations leaves him with the use of only one eye.
* All the SQUID scenes in ''Film/StrangeDays'' are filmed in this way.
* ''Film/EnterTheVoid'' uses this a lot, particularly in the intro [[spoiler: when the main character is still alive]]. Even the eye blinks are represented by screenflicker.
* The remake of ''Film/{{Maniac}}'' constantly.
* Done several times from Ryan Stone's viewpoint in ''Film/{{Gravity}}''.
* ''Film/XMenApocalypse'':
** We get a glimpse of what the world looks like through the ruby quartz lenses of Scott Summers' sunglasses when he puts them on for the first time.
** After Apocalypse notices Xavier's presence through the latter's telepathic link with Erik, Apocalypse stares straight at the camera (so we're seeing him through the Professor's perspective) with his glowing white eyes as he ominously states, [[spoiler:"Thank you for letting me in."]]
* ''Film/TheGreyZone'': At the end, the camera briefly switches to the point of view of the Jewish girl after the Auschwitz-Birkenau uprising has been quelled by the Nazis. The little girl sees quiet, tall men in uniform all around her. The camera continues to follow her as she runs through the gates to freedom [[spoiler:until she's shot to death.]]
* Used in ''Film/TheFrenchConnection II'' when Popeye is chasing, and later searching the bus for Charnier.
* In the ''Film/TalesFromTheDarksideTheMovie'' segment "Cat From Hell", there are a few shots from the cat's perspective, including when the cat [[OrificeInvasion jumps into a hitman's mouth]], and we first see the camera lunging into it.
* ''Film/HardcoreHenry'' is an entire movie shot from the perspective of the main character.

* In the ''Literature/{{Time Machine|Series}}'' gamebook series, all illustrations are from the protagonist's point of view.
* It is common in gamebooks, in fact, along with SecondPersonNarration, to have the illustrations being from the protagonist's viewpoint, since after all, '''you''' are the hero. Notably in ''Literature/LoneWolf'', where many pictures are of the enemies to fight, and thus show some monster seemingly about to jump at the reader.

[[folder:Live-Action TV]]
* ''Series/GameOfThrones'': We get these when Stark kids are seeing through the eyes of a direwolf.
* ''Likely Suspects'', a playful detective show that had a short run on Fox starting in 1992, is based on this trope. The viewer plays the role of a rookie partner to the main character. The perspective frequently shifts from POV to standard cinematography for flashbacks or other scenes where the viewer character isn't present.
* ''Series/{{House}}'' does this for a good half of the episode "Locked In". It starts from the patient's viewpoint, who suffer from locked-in syndrome, and thus can only watch helplessly as the doctors try to diagnose him, only able to communicate through [[EyeCam blinking]].
* ''Series/PeepShow'' sticks to this almost exclusively, hopping between characters' perspectives (including those of random passers by). This becomes very weird in kisses and sex scenes.
* The ''{{Series/MASH}}'' episode "Point of View" used this to great effect, with the camera taking the place of a patient in the hospital, allowing the viewer to experience the characters from a different perspective.
* In the ''Series/SmallWonder'' series finale "The Rip-Off", this was done when Vicki, connected to the hotel TV, showed how the robbery really happened.
* ''Series/SaturdayNightLive'' had a couple of sketches that were shown from a first-person point of view:
** Probably the most popular sketch that uses the POVCam is Creator/ChristopherWalken's recurring sketch, "The Continental." Justified in that the original version of "The Continental" from the early 1950s was done through POVCam too.
** A sketch from a [[SeasonalRot Jean Doumanian era]] (1980-1981 season) episode hosted by Karen Black showed a stroke victim laid up in a hospital bed. The viewer sees how his nurse (Yvonne Hudson) treats him like a baby and how no one -- not even his daughter (Karen Black) and her boyfriend (Charles Rocket) seems to care that he had a stroke (except for his friend, Rachel, who loved him).
** A short film (also from the [[SeasonalRot Jean Doumanian era]] -- this time on the episode hosted by Sally Kellerman) centered on a man who turns out to be one of the freed Iranian hostages from the early 1980s and everywhere he goes, people bombard him with questions and exploit him. For maximum NightmareFuel, it ends with a man dressed as Uncle Sam eerily announcing, "Welcome home, son!" and strangling the unseen man with a yellow ribbon as "Tie a Yellow Ribbon 'Round the Old Oak Tree" plays.
** From season 20 (another seasonally rotten season), there was a one-off sketch on the episode hosted by Bob Newhart in which a post office supervisor (Newhart) tries to fire a worker (who appears in POV Cam).
* A recurring sketch on ''The Jackie Gleason Show'' featured Gleason as Joe the Bartender, who would address the camera as unseen customer "Mr. Dennahy".
* The ''Series/{{Sanctuary}}'' episode "Metamorphosis" takes place mostly from the first-person POV of Will, and only switches to a normal third-person POV for a few scenes.
* ''The Plainclothesman'', an detective show which ran from 1949-54 on Creator/{{DuMont}}, was shown entirely from the POV of its main character, with the exception of a flashback episode which showed his face.
* ''Gulf Playhouse'', an anthology series which ran from 1952-53 on Creator/{{NBC}}, initially did standard dramatic stories before being retooled as ''First Person Playhouse'', where every story was shown from the POV of the main character (which was probably inspired by the above-mentioned ''The Plainclothesman'').
* The ''Series/TalesFromTheCrypt'' episode "You, Murderer" is done from this perspective, with the main character speaking in an impersonated Creator/HumphreyBogart voice and old footage of Bogart himself digitally inserted into scenes where his reflection is shown in mirrors.
** Another ''Crypt'' episode, "Abra Cadaver", is partially shown from the POV of one of the characters after he dies.
* The ''Series/StarTrekVoyager'' episode "Dark Frontier" starts off with a [[http://www.youtube.com/watch?v=4bkw69E_C4g Borg-eye view]] of an assimilation job. Also serves as a [[VillainEpisode Villain Prologue]].
** "Prototype" starts with a DeliberatelyMonochrome opening of this sort, which leads to TheReveal that whose eyes we're seeing through is an android.
* The ''Series/StarTrekDeepSpaceNine'' episode "The Magnificent Ferengi" has one of these, combined with a HuddleShot from Keevan's eyes, though after [[spoiler: he is killed]].
* ''Series/{{Bones}}'' did this with the episode "The Ghost in the Machine", which is told entirely from the murder victim's skull's point of view.
* ''Series/LateNight with Creator/DavidLetterman''
** On the third episode Dave came out to do his opening monologue with a cameraman holding a camera over Dave's right shoulder, showing his view of the audience. The camera stayed on Dave's shoulder until the first commercial break.
** Other gimmicks used over the years include "Monkey Cam" where a camera is strapped to the head of a chimp who is let loose in the audience, showing its perspective.
* The 2014 ''Series/{{Cosmos}}'' shows the evolution of the eye, with the real view presenting next to what each iteration of the increasingly-complex creature eyes see.
* Played for comedy in the ''Series/ThirtyRock'' episode "Apollo, Apollo". Apparently Kenneth [[MuppetCameo sees everyone as Muppets]]; Tracy sees everyone as copies of himself; and Jack sees everything captioned with its price (and believes Kenneth to be worth $7).
* One episode of ''[[Series/TheHollywoodSquares The New Hollywood Squares]]'' had Jim J. Bullock [[https://www.youtube.com/watch?v=shaLu7zrvaw using a helmet-cam in his square]].
* The ''Series/KamenRiderKiva'' Adventure Battle DVD, ''Kimi mo Kiva ni Narō'' (You Can Also Be Kiva), is an interactive DVD mostly shot from the perspective of an unseen character (implied to be the viewer themselves), whom the characters train to become the next Kiva. We never see what they look like, since the only time we ever see them on screen is when they've already transformed into Kiva, though judging by their voice and height (seen as a silhouette just before they transform), they're a young boy.

* Infamous example: the video for Music/TheProdigy's "Smack My Bitch Up" is a first-person view of a night's debauchery and sexual harassment [[spoiler: being done by a woman, thanks to a mirror-reveal]].
* ''Cinnamon Chasers''' "Luv Deluxe", a young man's wild romantic road trip that also has {{Multiple Endings}}, [[http://www.youtube.com/watch?v=Z8Y1MalRrDc available here]].

* In Creator/SternPinball's ''[[Pinball/XMenStern X-Men]],'' "Weapon X Multiball" shows Logan's view as he runs down the corridors of the Weapon X facility and fights the guards in his way.

[[folder:Video Games]]
* Technically, every single first-person shooter, by definition. Many also do cut scenes in first person, such as ''VideoGame/HalfLife'' and ''VideoGame/CallOfDuty'', often making the hero TheFaceless.
* Interesting variant in the original ''VideoGame/UnrealTournament''. Typically upon death, the camera goes into third-person to allow the player to watch their character's death animation. If the death was via [[BoomHeadshot sniper bullet to the head]] or resulted in LudicrousGibs, however, the camera instead continued viewing from the head's point of view as it bounced away from the rest of the body.
* ''VideoGame/TheLegendOfZeldaTheWindWaker'' has one cutscene where Link is shown waving to his sister from her point of view [[spoiler:as she is carried to her rescue by Tetra and her pirate crew]].
* Most of the 3D ''VideoGame/GrandTheftAuto'' titles has a dynamic camera option while driving, giving the player several dynamic angles to view themselves through as they drive like a high speed chase scene. If this camera option is in use while the player is being chased by the cops, sometimes the camera switches to the cop's point of view as they chase the player.
* The opening cutscene of ''VideoGame/OverlordI'' shows the minions cracking open your entombment from your perspective, presumably to keep you as TheFaceless.
* ''VideoGame/FireEmblemAwakening'' opens with a cutscene that crosses this and EyeCam, where you witness one of the game's battles from a first-person perspective. You can even see the [[PlayerCharacter Player Character's]] hood blocking portions of the screen, as it would the character's view.

[[folder:Web Comics]]
* [[http://sabrina-online.com/strips/SabOnline606.GIF This]] ''WebComic/SabrinaOnline'' comic starts with a POV shot.
* In ''Webcomic/{{Godslave}}'', we briefly see the world from Edith's perspective when she wakes up after Turner knocks her out.

[[folder:Web Original]]
* The "Spudgy Cam" gives a great view of the world from a Pekingnese perspective on ''WebVideo/EatYourKimchi''.
* Used in ''WebVideo/ShockTroopers'': as one soldier gets [[BlownAcrossTheRoom boosted]] over a small hill by his friend, the camera briefly cuts to his view as the defibrillators make contact and he's launched into the air.
* Sometimes done in [[TheRuleOfFirstAdopters pornography]] with the camera filmed from the viewpoint of one of the actors (normally the male).

[[folder:Western Animation]]
* ''WesternAnimation/PinkyAndTheBrain'' episode 55 segment 1 "The Pinky P.O.V." was shown entirely from Pinky's perspective, featuring a visible nose, hands and full body reflections. [[http://www.youtube.com/watch?v=HxWhguEfNTg Can be seen here]].
* The ''WesternAnimation/{{Arthur}}'' episode "You Are Arthur" features this technique through the entire episode, where viewers get to watch Arthur run a 3k race through his point of view.
* A few shots from the ''WesternAnimation/OggyAndTheCockroaches'' episode "Now You See Me, Now You Don't!" are set from Oggy's POV.
* The third segment of ''WesternAnimation/FamilyGuy [[FourthWallMailSlot Viewer Mail #2]]'', "Point Of Stew", lets see the world through Stewie's eyes.
* The beginning of ''WesternAnimation/TheVentureBrothers'' episode, "¡Viva los Muertos!" shows the POV of one of The Monarch's henchman as [[RedShirtArmy he dies]] and is [[BackFromTheDead revived as]] [[FrankensteinsMonster Venturestein.]]