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->''"The internet may appear new and fun, but it's really '''a porn highway to hell'''. If your children want to get on the internet, ''don't let them''. It's only a matter of time before they get sucked into a vortex of shame, drugs, and pornography from which they'll never return. The internet: It's just not worth it."''
-->-- '''[[FunWithAcronyms Citizens United Negating Technology For Life And Peoples' Safety]]''', ''VideoGame/GrandTheftAutoLibertyCityStories''

There's always going to be TheNewRockAndRoll, that new fad or thing that causes whippersnappers to act all crazy and wild like they've all gone bonkers. Typically, this is a fringe phenomenon, and political and religious radicals will be bewailing the development while the media just reports on it.

At other times, though, the negative press goes far beyond basic opinions and phenomena that we can document on camera. Speculation goes on that devious things are afoot. When this goes too far, a reporter is at risk of spouting "New media are evil!" Otherwise-rational people faced with uncertainty about what the NewMedia is actually like decide that, just to be safe, or to grab some attention, they should go with the most inflammatory, headline-grabbing description they can come up with.

The motivation to [[{{Demonization}} demonize]] a medium can go much deeper than the desire of the media itself to make headlines. In our giant, pan-corporate world, there's a good chance that some news outlets are owned by a guy who owns a major recording label. All of a sudden HQ's interest in stories about [[DigitalPiracyIsEvil devious pirating activities]] becomes quite noticeable. To an audience generally uninformed about what the NewMedia is like to begin with, whether or not the story is true is irrelevant: the ring of truth is what becomes important.

Bear in mind that the impression given can largely be due to ignorance, the CowboyBebopAtHisComputer misstep taken by someone who is already predisposed to distrust this "Anime/CowboyBebop" character in the first place.

Take the Internet as an example; though it has come to dominate our lives today, it had a much greater mystique in TheNineties when it first became mainstream. People taking up professions in the media industry as a career and most of the people involved today ''still'' don't have a full grasp on what the Internet is, so when the assumption is that ItsASmallNetAfterAll, all of a sudden every little instance of graphic pornography or 4chan vandalism ends up speaking for the Internet as a whole. New Media Are Evil decreases a great deal once the industry and society have adjusted to major technological advances and sees them as the norm. In other words, when the Medium stops being New, it stops being Evil.

This is by no means limited to the Internet, although the sheer ''density'' of information we receive today can make it seem that way. Almost every new medium of communication or expression that has appeared since the dawn of history has been accompanied by doomsayers and critics who have confidently predicted that it would bring about TheEndOfTheWorldAsWeKnowIt by weakening the brain or [[Film/DrStrangelove polluting our precious bodily fluids]].

The same thing has happened to basically every type of media in history, making this trope as old as mankind itself. Writing itself was hugely suspicious for example, as people feared, that it would cripple the ability to memorise things, as this was now no longer needed as everything could be written down.

Sometimes the doomsaying has a kernel of truth. New media do change old media, sometimes for a net loss of quality in art or information. Most often, though, the new medium allows a new freedom from the old medium that makes for more opportunity. This is OlderThanTheyThink, as you can see from the very first examples.

See also: MurderDotCom, EverythingIsOnline, ClickbaitGag, ThereShouldBeALaw, TVNeverLies, YouCanPanicNow, and AppealToTradition. The opposite usually ends with OldMediaPlayingCatchUp.

The inversion of this trope, when new media develop a similar attitude toward the old boys' club, is OldMediaAreEvil.

[[NotSoDifferent Don't forget that]] [[FullCircleRevolution Old Media was NEW back then.]]



!!Non-fictional examples:

[[folder: Ancient Times]]
* According to accounts recorded by his student Creator/{{Plato}}, Creator/{{Socrates}} was hostile toward ''writing'' (which, while not exactly ''new'' in his time, was still the latest medium to come down the pike). Essentially, Socrates claimed that putting an idea down in written form "killed" it by depriving it of a mind in which to "live", making it worthless. His argument can be found in [[http://www.units.muohio.edu/technologyandhumanities/plato.htm a dialogue]] as... written in ''The Phaedrus'' (written by Plato, we should note; Socrates left no texts). This, of course, makes this trope OlderThanFeudalism.
** Besides that Plato himself, in his specifications for the perfect state, included censorship of ''poetry'' in case it introduced subversive ideas.
* Something similar, though not ''quite'' as old: The Jewish Torah, according to tradition, had two parts to it, the Written and Oral Torah. The Written Torah makes up the first five books of what we know as the Tanach, Hebrew Scriptures, or Old Testament, whereas the Oral Torah eventually became the Mishnah and Talmud. For many centuries there was a strong desire to keep the oral Torah... well, oral. The point was that people were meant to memorize it and so keep it on the tips of their fingers. Writing was well and good for the general tenets, but not the specific details. However, it was recognized that the whole memorization thing wasn't going very well, so the Mishnah (and later, its expansion the Talmud) was formalized in writing in around 200 AD.
** The Roman Empire of the time period systematically hunting down all of the ordained rabbis--the guys who, as their final exam, had to know the entire oral Torah letter-perfect--probably had a lot to do with that.
* An Egyptian Pharaoh protested that the ability to write things down would inevitably result in his subjects' memories atrophying from disuse.
* Early Christians also tried to resist the introduction of punctuation and ''spaces between words'' into the Bible, because they thought that not having to parse words and sentences in your head made reading [[ItsEasySoItSucks too easy]]. [[note]]FORTHOSEUNAWAREANCIENTGREEKWASWRITTENLIKETHISHAVINGNOSPACESORPUNCTUATIONUSINGTHEWORDKAIMEANINGANDTOINDICATEBREAKSINTHOUGHTWHICHYOUWILLFINDINOLDERENGLISHTRANSLATIONSANDTHISANDTHATANDTHISETC[[/note]]
* Solon was very displeased upon seeing the formerly all chorus Athenian Theater get actors added to it. He even asked the first actor if he's not ashamed of lying in front of so many people. Some time later, he made a theater reference upon seeing [[MagnificentBastard Peisistratos]] pulling off a WoundedGazelleGambit.
* In ''The Gallic Wars'' Caesar wrote about one germanic tribe that despised writing, on the belief that writing makes people (and specifically their memory) lazy.

[[folder:Medieval Europe]]
* Some medieval Catholic theologians railed against the printing press, declaring it a creation of [[{{Satan}} the devil]], mostly because, as it grew widespread, its most popular uses both undercut the Church's authority: the mass production of Literature/TheBible in the local language instead of Latin (which broke the Church's monopoly on interpretation of Scripture), and the distribution of the works of Luther and other Protestant reformers (which threatened the Church, period).
** It is interesting to note that the reasons they gave for their opposition to the printing press was its efficiency -- it could produce almost perfect copies of any given work... And everyone knows that since perfection isn't human, it must be the devil who's making it possible. (Which of course is theologically silly even if you accept the InsaneTrollLogic because the devil isn't perfect either. If the InsaneTrollLogic is sound, it must be God who made the printing press.)
* It may come as a surprise, but European musical polyphony is a relatively recent invention, dating back only to the middle ages. It was, of course, immediately viewed by some as fundamentally immoral (because it made it impossible to understand the lyrics), and on those grounds Pope John XXII banned polyphonic music in 1322 -- by some accounts simply from liturgical use, by other accounts entirely. Later, after it stopped being new, another pope overturned the ban.
** Of course, it helped having music introduced by de Palestrina and others which was both polyphonic and comprehensible.
* Around the 13th century, Chess was considered a game of the devil, and forks were a devil's instrument. The fork argument makes some sort of sense; it looks like a pitchfork, and the devil loves those. But chess? Some also believed that it encouraged gambling and were offended that it allowed commoners to kill kings.
** [[IncrediblyLamePun It contains forks]].[[note]]Those not familiar with chess terminology, moving a piece so it threatens two of the opponent's pieces in such a way they are forced to save only one and likely sacrifice the other is called "forking".[[/note]]
** The idea that chess encouraged gambling became such a prevalent thought because people used dice to make sure the game went faster, the church found gambling to be a devil's thing.
** In 1254, King Louis IX (the holy one) forbade his siblings to play the game of chess.
** The promotion was also seen as controversial, because it allowed every pawn to be promoted into a queen. Since the queen was the king's wife it would mean that a king could have more than one wife and the idea of even someone being able to have more than one wife was considered to be a perverted thought at the time as people were firmly rooted into Christian faith.[[note]]In its Persian root the queen is a minister. Thus, the pawn gets a promotion. Similarly, bishops originally were war elephants, but that's another story.[[/note]]
** It also came to Europe from Persia--a Muslim country. (Check Mate is from Sha-Mat, Persian for "the king is dead.")

* The word "novel" meaning a story comes from the older meaning of "something new and unfamiliar". Before the 1600 people publishing fiction tried to dress up embellished legends as true history (e.g. the legends of King Arthur and Robin Hood) or obvious and deliberate allegory (e.g. Utopia), but improvements in literacy, trade and communications created a market for entertaining fictional stories set in the present day. In England during the 18th century novel-reading became widespread, with many novels being specifically targeted at women, and this triggered a [[http://hrcak.srce.hr/file/49661 slow-motion moral panic]] that lasted for much of the century.

[[folder:1800s-1900s Turn—of-the-last-Century]]
* As the telegraph began to allow rapid communication across the globe, some newspaper editors complained that it was destroying the art of journalistic writing. Instead of spending days or weeks on a story, reporters had to write quickly while the news was still new.
* The invention of the telephone not only prompted screeds bemoaning the impending death of literacy (because no one would need to write letters anymore), it also prompted widespread panic among law enforcement agencies, who realized that it allowed criminal gangs to conspire and plan crimes ''without having to meet in person, from the privacy of their own homes''. According to some accounts, there were actually a few abortive attempts to outlaw the telephone for this reason (sound familiar?); instead, cooler minds prevailed, and wiretapping was developed instead.
** "The Hacker Crackdown", by Creator/BruceSterling, goes into great detail about turn-of-the-century anxieties about what the telephone meant for society, and draws a parallel with the early online networks.
** In the film ''Kinsey'', Alfred Kinsey, Sr preaches that it promotes lust, allowing a girl to hear the voice of her suitor on the pillow next to her. Or, of course, phone sex.
* Piano rolls -- long scroll-like rolls of paper coded with holes in them for use in player pianos -- were the first medium for cheaply making mass-produced "recordings" of music. At the time they were invented, the music industry was composed solely of publishers of sheet music. Predictably, these publishers saw the sales of pre-recorded performances as a major threat to their income, and lobbied the Congress (Parliament/Senate) of the American Union to not only ban piano rolls and player pianos, but to pass a law requiring any new system for music reproduction be subject to a veto from a collective association made up of all the music publishers. Congress didn't give in to their demands and instead created the "mechanical license" system. But not before the 19th-century equivalent of the RIAA trotted ''John Phillip Sousa'' before Congress to declare apocalyptically:
-->These talking machines are going to ruin the artistic development of music in this country. When I was a boy...in front of every house in the summer evenings, you would find young people together singing the songs of the day or old songs. Today you hear these infernal machines going night and day. We will not have a vocal chord left. The vocal chord will be eliminated by a process of evolution, as was the tail of man when he came from the ape.
* Not long after Piano rolls came the phonograph, which could record any sound, not just piano music. The musical establishment predictably threw an even bigger fit, fearing that recorded music would drive live musicians to extinction and deny them proper compensation for their work. No one, apparently, realized that musicians would still be needed to record the music, and would become even more in demand as records allowed them to sell their music to more people than ever before.
* Supposedly, there was an initiative in Congress during the early 1900s to ban jazz music because it was "a bad influence".
** In Belgium there was oddly enough no moral panic against it. Though the fact that Belgium barely had anything at that point (most popular Belgian music that was not jazz was foreign) and that a few of the very important revolutions occurred on Belgian soil (such as the invention of the saxophone). The government would be eager to fund anything that was even the slightest bit nationalistic.
* Radio: It didn't matter that some European governments strictly regulated their own radio stations (the Irish government banned jazz, with a ludicrously broad definition of what "jazz" was) when Radio Luxembourg could broadcast sinful music all across Europe. In hindsight you only have to bear in mind that the RTL group nowadays calls itself as the biggest mass media outlet in entire Europe to know that all that sinful music made them have lots of fame and money long before they expanded their business to television.
** Also, early BBC announcers couldn't read out the result of sport events until about 7 AM in order not to hurt sales of evening newspapers.
** The idea that the Creator/OrsonWelles' version of Radio/TheWarOfTheWorlds genuinely caused panic appears to be a rumour made up by newspapers to discredit radio.
* Certain genres of novels were blamed for corrupting the youth -- e.g., suggesting to young women that eloping with mysterious strangers was a good idea.
* This era also produced the most spectacular aversion of this trope, formulated by Wolfgang Riepl in his 1913 work ''Das Nachrichtenwesen des Altertums mit besonderer Rücksicht auf die Römer''. Known as Riepl's Law, it states that:
--> '''''New, further developed types of media never replace the existing modes of media and their usage patterns. Instead, a convergence takes place in their field, leading to a different way and field of use for these older forms.'''''
* The notion that {{Pinball}} games were [[LuckBasedMission entirely based on luck]] led to many cities banning them around the middle of the 20th century, on the grounds that they led to delinquency and gambling. A ban in New York City stood for over thirty years, and was only lifted when writer Creator/RogerSharpe appeared in court and gave a demonstration of [[ImprobableAimingSkills precise aiming skills.]]
* The introduction of modern postal services in the 1850s, as [[http://www.cracked.com/blog/4-everyday-things-that-caused-absurd-panics/ explained]] by ''Website/{{Cracked}}'', led to paranoia in Victorian Britain and America. It was feared that the private, secure communication it offered would lead to the collapse of morality in women, as they could get into "clandestine correspondence with unprincipled men" and turn into whores. The last name of the British postal system's creator, Anthony Trollope (who himself [[CreatorBacklash got caught up in this moral panic]]), is still recognized as an old-timey synonym for "prostitute".
** * A series of quotes in [[https://xkcd.com/1227/ this]] {{WebComic/XKCD}} comic highlights this by a series of quotations that wouldn't be entirely out of place when talking about modern-day texting, but are all about people writing letters to each other.
* UsefulNotes/ThomasEdison claimed that the UsefulNotes/RiseOfTheTalkies ruined cinema, arguing that, because screen actors had started concentrating on their voices, they'd forgotten how to act. By his logic, apparently the stage (which far predated film) had never produced any actors worth a damn.
* Averted for radio in Saudi Arabia; the king assembled a group of religious leaders, then had someone read the Quran over the radio. The assembled leaders agreed that any form of technology which allowed accurate transmission of the Holy Book was permissible.

* The (re)introduction of television after the end of UsefulNotes/WorldWarII prompted numerous pronouncements (both sober and wild-eyed) of its expected deleterious effects on society. One (probably tongue-in-cheek) example can be found in Creator/StanFreberg's 1957 song [[http://www.youtube.com/watch?v=tvBiufbKdfE "Tele-Vee-Shun"]].
** Hollywood's reaction to television was a panic attack, all but blaming TV for the UsefulNotes/FallOfTheStudioSystem -- something that had been in progress for years due to mismanagement. After the US government won a huge antitrust suit against the studios in 1948, the major studios dumped huge amounts of their libraries to TV syndication companies, deciding they were of little value otherwise (the VCR was still thirty years away). Worse yet, one of the now-liberated theater chains, United Paramount Theaters, merged with Creator/{{ABC}} in 1953. Its parent company Creator/{{Paramount}} smarted over all of this for years, and even had a hand in (trying to) kill the Creator/DuMont network -- which just ended up creating Metromedia, the precursor to Creator/{{FOX}}. Anyway, by the 1960s, all of the majors, even once-mighty Creator/{{MGM}}, had TV production facilities, except Paramount. They were finally forced into it by new owners Gulf + Western in 1968, after G + W bought Creator/DesiluStudios from Creator/LucilleBall (the minors never had a problem with TV, since they didn't own theaters, and Columbia Pictures in particular jumped in head-first way back in 1951).
** In a 1950s ''Franchise/{{Superman}}'' film serial ComicBook/LexLuthor has a television station.
** FCC chairman Newton Minow's 1961 [[http://en.wikipedia.org/wiki/Wasteland_Speech "Vast Wasteland" speech]] really wasn't all that important in the long run, was probably a decade too late to have the maximum impact, and unfair: you can take any medium and make it look bad by emphasizing the more vulgar output, not to mention that he illustrated the idea with the idea of staying through one station's daily broadcast schedule without using any discretion of choosing what to watch or even changing channels for alternatives. Plus, Minow's point was to remind TV broadcasters of their duty to the public, not a blanket condemnation of all television. Earlier in the speech he even said "When television is good, nothing -- not the theater, not the magazines or newspapers -- nothing is better," and even admitted to being a fan of ''Franchise/TheTwilightZone.'' So why was it considered such a landmark speech? Because the print media was terrified of TV taking their audience away, so naturally they considered a government official delivering a TakeThat to television to be a SugarWiki/CrowningMomentOfAwesome, and gave the speech maximum exposure.
** The famous anti-comic-book screed ''The Seduction of the Innocent'' featured as its last chapter an out-of-left-field denouncement of the evils of television.
** A moment in the history of Flemish television notes that in the early days there was no airing on monday. That lasted from the launch of Flemish television until 1958. In hindsight the NIR also had barely any programming output during that time. This just worked in their favor.
* One example of something good coming from this trope, [[Series/MisterRogersNeighborhood Fred Rogers]] hated TV because the first time he watched it, he saw people throwing pies at each other and wanted to make something better out of it. [[{{Understatement}} He succeeded.]]
* In the UK, the problem wasn't with Television (Creator/TheBBC commanded too much respect for that), but with ''Commercial Television'' (read:[[UsefulNotes/MisplacedNationalism American television]]). In the 50s, when the idea of Creator/{{ITV}} was put forward, people started to predict terrible things, as the companies would aim at the lowest common denominator. This led many of the stations of ITV in the 60s being as strait laced as the BBC, for a while anyway. The guardians did have a point when ITV did eventually aim at the lowest common denominator.
** In Belgium commercial television also had problems. When [[UsefulNotes/FlemishTVStations VTM]] was introduced the BRT tried to demonize it. The only reason why it still passed is because the minister of culture at the time stood firmly behind it. Oddly enough this time it was not because they allowed American programming, but because Belgian television critics feared that it would lead to television without quality, which was a realistic fear in the very first years that they made programming. Nowadays most critics would not fear it anymore though, because the fact they can win awards has stimulated them to make more quality programming.
* The TabletopRPG, especially ''TabletopGame/DungeonsAndDragons'' was such an entirely new concept of entertainment in the 1970s and 1980s that the MoralGuardians, who of course refused to understand it, found it easy to conflate it as some kind of sinister menace. There was a huge [[YouCanPanicNow moral panic]] suggesting that [=RPGs=] were turning kids into devil-worshippers. When you remember that the major content inspiration, Creator/JRRTolkien, was a respected British linguistics professor and a close friend of ardent Christian scholar/Fantasy novelist, Creator/CSLewis, the sheer ignorance of the [[HollywoodSatanism Satanic Panic]] around the game is even more idiotic. Not that this has stopped [[ComicBook/ChickTracts some Christian fundamentalists]] from making this argument even today. To add insult to injury, Gary Gygax, the creator of ''[=D&D=]'', ''[[{{Irony}} was a Christian himself]]'', and his sole reason of being reluctant to discuss the belief was out of the fear of [[MoralGuardians hurting the reputation of Christianity due to moral panic]].
* As early as 1980 or so, ''Series/SaturdayNightLive'' parodied the paranoia that the recording industry demonstrates any time something new appears that consumers might spend money on besides records with a short film (allegedly funded by the industry) that demonized video games to a ridiculous degree. "Why spend eight dollars playing ''PacMan'' when you can buy this Juice Newton album instead?"
* Just as Hollywood was afraid of television driving them bankrupt, the television industry was afraid of a new technology that allowed people to not only record and share TV shows, but also skip all of those annoying commercials and get straight to the good stuff. The technology? The [[http://www.cracked.com/article_18513_5-insane-file-sharing-panics-from-before-internet.html video cassette recorder.]] The time? The late '70s/early '80s. [[note]]MPAA head and fervent copyright-lobbyist Jack Valenti most succinctly communicated the industry's fears in '82, at the height of Betamax's popularity, when he stated in his testimony before Congress, "I say to you that the VCR is to the American film producer and the American public as the Boston Strangler is to the woman home alone". An evocative, if decidedly vulgar, turn of phrase.[[/note]]
* In 1976, Bill Gates wrote [[http://www.blinkenlights.com/classiccmp/gateswhine.html "An Open Letter to Hobbyists"]] attacking computer hobbyists for pirating his BASIC software, claiming that it would lead to the death of software programming. Gates has since gone back on this view, claiming that software piracy has allowed Microsoft to expand into China and other developing nations. His words are [[http://news.cnet.com/2100-1023-212942.html "As long as they are going to steal it, we want them to steal ours."]]
* [[http://en.wikipedia.org/wiki/Home_Taping_is_Killing_Music "Home taping is killing music!"]] In TheEighties, the RIAA was scared to death of the pirate threat to their profits created by... the Sony Walkman. By recording music off of the radio and sharing it with your friends, you weren't listening to it through pre-approved outlets like radio or records. The RIAA gave the (completely unverified) claim that they were losing a billion dollars in profits each year to this insidious form of piracy. The irony, as pointed out by ''[[http://www.cracked.com/article_18513_5-insane-file-sharing-panics-from-before-internet_p2.html Cracked]]'', is that home taping led to the creation of mixtapes, which were a revolution in the development of [[HipHop rap and hip-hop]]. Now which genre of music does the record industry get most of its profits from these days?
* In the UK, Citizen's Band Radio was a fad that only lasted a few years. But that was long enough for tabloid scares about teenage girls being groomed for sex over the CB, exactly paralelling scares about current social media.
* TheFifties gave us UsefulNotes/TheComicsCode ushering in UsefulNotes/TheSilverAgeOfComicBooks and censoring the then-relatively-new (and thus scary) medium of comics and their influence on children, particularly of the horror and crime genres. A lot of the fears at the time stemmed from the idea of comics being exclusively for children. What the censors accomplished was purging everything that ''wasn't'', a state of affairs that would last for the next twenty or thirty years.
* [[https://youtu.be/QIgZHZpiq1U A '70s percursor to]] CableSatelliteMudslinging with the added bonus of being run in movie theaters[[note]]At the time, theaters got all the recently-released movies, while "free TV", which broadcast all TV movies, had to wait a couple of years before broadcasting them. "Pay TV" (supposedly) undercut the theaters because movie channels such as Creator/{{HBO}}, Creator/{{Showtime}} and others, which were the mainstays which lured costumers in the early years, shortened the period between their premiere and their first broadcast - which could become ''zero''![[/note]]: "pay TV"[[note]]what cable - as we know it today - was then called, plus satellite (the scrambled ones) channels, for the most part, and those over-the-airwave pay channels such as e.g. [[https://en.m.wikipedia.org/wiki/Wometco_Home_Theater Wometco Home Theater]][[/note]] vs "free TV"[[note]]i.e., those channels over the airwaves, which were originally, then mostly, free, and some by satellite (unscrambled), as well as "community antena television" which was a big communal antena to which [[=TVs=]] were connected to get better reception, in areas where it was poor like mountains and the countryside, the underlying technology later being repurposed for modern cable TV[[/note]]. It was a ScareCampaign which urged people to sign a petition to ban "pay TV", as people shouldn't pay for what they already had for free and [[ScareEmStraight it would be another place where monsters appeared]]. According to some commentaries, this bilge was successful in some communities up until the day [[MoneyDearBoy local governments discovered "pay TV" could be taxed]].

* In 1989, when radio and television stations would get able to air from very far away, the idea was put forward by corporations that wanted to air television but had problems airing them in their own country to set up headquarters in London and air television for the country they wanted to air for through U-Turn construction. Cue the fact that public radio and television stations in the affected countries would say that this practice ruined television. In The Netherlands, where commercial radio and television remained banned until 1992, the Public Television network there even called the cops to investigate who was behind this criminal activity. In the end the people who aired radio and television there were found, send to court and charged. Their channels, which were Cable One and [=TV10=] respectively, were then taken off the air.
* On the same note there is commercial radio. Which ran for a long time, but had a late reintroduction in quite a few countries. In Belgium, for instance, the VRT was so panicked by the permission of commercial networks to broadcast commercial radio that they made ''Radio Donna'' in 1992 in an attempt to prevent commercial radio stations from being made. This is probably a positive instance of this trope, as Radio Donna grew and became the biggest radio stations of the late 1990's.
* Before going into the more obvious example of the internet, the growing prevalence of text editors in the early 1990s (technically starting with the introduction of editable-line electronic typewriters in the '80s, but not accessible to non-millionaires until the 1990s) received a furor of complaints similar to Socrates' objections to writing: being able to delete and replace letters or words before printing text was the death of proper language skills, and thus coherent thought, would degrade memory, etc, etc.
** People are ''still'' complaining that word processors have killed cursive, assumably because they want in on the more modern version of the "kids these days can't write properly like when I was a kid" complaint. [[note]] Curiously, long since the typewriter was invented script fonts and cursive have taken on very specific applications and is now considered a poor choice for body text. Compare the U.S. Declaration of Independence to a modern governmental document for a great example of this trend. There is even an ongoing debate about the whether or not sans serif is more readable then say, old-style fonts which are another form born from handwriting. [[/note]]
* [[DigitalPiracyIsEvil Digital. Piracy. Is.]] '''[[DigitalPiracyIsEvil EVIL.]]''' This one is so prevalent that it has [[DigitalPiracyIsEvil its own page]].
** The SOPA bill was an almost textbook example of this trope. While many of the supporters say that they are only trying to cut down on internet piracy, the true intentions are essentially trying to censor the internet in the same way as ''[[BannedInChina China]]''[[note]]note that this is a comparison the ''supporters'' of the bill made first[[/note]]. The many, '''[[InternetBackdraft many]]''' opponents of the bill are left out of hearings, and the last hearing basically boiled down to [[CriticalResearchFailure poorly researched]] railings against the sole witness not for it (but really the only one allowed in), a representative of Google. To give you an idea, many of the supporters don't even use the internet, or even ''want'' to know how it even works. And yet, [[WhatAnIdiot they completely ignore internet security experts and numerous tech companies who say the bill is bad news]] because they '''don't believe what they're saying.''' Read: people who have barely crossed paths with the internet saying that they're ''[[KnowNothingKnowItAll experts on the subject]]'' are wrong.
*** Granted this is ''far'' from the first time that sort of thing has happened. It's probably best to expect people supporting these kinds of bills don't know what they're talking about.
* Video games: Not only are MoralGuardians like Jack Thompson ''very'' quick to say that [[MurderSimulators violent children are trying to re-enact video games]], they're claiming that video games are a legitimate addiction (as shown by the video game addiction clinic that opened).
** A Harvard Psych explains [[http://www.escapistmagazine.com/forums/read/7.242326-Grand-Theft-Childhood-Author-Pokes-Holes-in-SCOTUS-Research why Moral Guardians are overblowing the issue]].
** "He loved Video Games" is something that any gamer is absolutely loath to hear after someone goes on a shooting spree, which started when media linked {{VideoGame/Doom}} to the Columbine massacre. Expect to hear at least some news station say this after someone snaps and kills people, even though in many (if ''any at all'') cases, the person never touched a game in their life, or touched a game so non-offensive there's no way it would have warped their minds to the degree that's claimed.
** [[http://www.gamesetwatch.com/2011/07/today_show_gamers_over_30_are_.php "When you're in your 30s, there should be something more on your mind or attention than video games."]] Like shopping, and obsessing over ''Series/AmericanIdol'' results! (Never mind the fact that being a game developer is a life long career for some people.)
** ''VideoGame/NightTrap'' is one of the reasons why the ESRB exists today. The game caused controversy and was pulled from store shelves due to its "violent content" and its gameplay being centered around "capturing and torturing young women." [[SarcasmMode It's a good thing that none of the senators involved in the hearing]] [[ComplainingAboutShowsYouDontWatch actually played the game.]] Otherwise, they would have found out that none of these things happen and they would have had to rely more on the content in ''Franchise/MortalKombat'' to get the ruling that they wanted.
** Never mind the games, the systems themselves were briefly demonized in the late 90s. As consoles progressively became more sophisticated and powerful, there were numerous unsubstantiated claims that their [=CPUs=] could be removed by terrorists and then used as components in bombs, missiles or other remote-control terror-devices. It made even less sense in that some of the parts in said consoles were not proprietary, and anyone who wanted them could just buy them straight from the manufacturer themselves. Nevertheless, some people got as far as demanding anyone who wanted to buy a video game system should have to pass a background check first.
** Adding xenophobia to the mix, during the U.S. recession in the early '90s, some people resented the fact that the video game industry was [[JapanTakesOverTheWorld dominated by two Japanese firms]]: Sega and Nintendo.
** Both games and gamers are ''still'' regularly smeared in the media even a decade later, with the "Video games cause violence" arguments being joined by "Video games cause racism, sexism and transphobia," despite running on the same debunked logic as the violent video games argument, and even a scare piece by NBC about how Discord (a gaming-focused social media program allowing people to create their own chatrooms) promotes white supremacy due to a couple chatrooms being used to help organize the 2017 Charlottesville protest (that were promptly deleted by the Discord staff right afterwards.)
* According to [[http://www.variety.com/article/VR1118001582.html?categoryid=14&cs=1&nid=2562 this story]] published in ''Variety'' magazine in March 2009, London-based media research company Screen Digest has calmly announced that free online TV (both pirated and ad-supported legal) is the single greatest threat to broadcast media. The thrust of the article seems to be that since it is so much easier to watch television online on your own schedule, there's little reason to view broadcast media with all of its ads and often arbitrary scheduling. In other words, the internet is offering a better product in the same way television offered a better product than radio.
* In her [[http://light.wordpress.com/2008/02/04/reading-100-from-the-nobel-lecture-of-doris-lessing/ Nobel lecture]], Nobel Laureate Doris Lessing calmly implied that the almost instant arrival of the Internet (in historical terms) has fatally wounded writing and literature.
* This also extends to the New Media itself, when attempts to commercialize it are effectively resisted by its users, such as commercial pop-ups being countered by pop-up blockers (which are currently built into every major browser) and other software that cleans ads from web pages (such as the [=Adblock=] Plus extension to Mozilla Firefox). Various industry groups are constantly hand-wringing about how this is "theft of service" and how it will bring about the death of the Internet. Because, as we all know, the Internet was built on the rock-solid foundation of advertisement before those pie-in-the-sky scientists and academics got their hands on it.
** If you have an adblocker and attempt to use Hulu, you'll get a notice demanding you turn your adblocker off or else the video won't play correctly (generally it will still play, but instead of ads you get black screens for the amount of time the ad would have run for)
** Though small websites and internet personalities urge people to disable [=AdBlock=] for their websites because the ad revenue helps to support the site. This eventually culminated in [[ScandalGate Adgate]], when [[WebVideo/AtopTheFourthWall Linkara]] made a video trying to explain this and received a massive InternetBackdraft for it (although as he himself noted in a later video, far more people complied with his request than complained).
** It doesn't help that much of the internet is now so [[LoadsAndLoadsOfLoading choked with auto-playing ads and scripts]] that it's ''unusable'' without the blockers. So much stuff tries to run at once that the pages lock up.
* [[http://www.fstdt.com/fundies/comments.aspx?q=52575 "The internet is Satan's domain!"]] -- [[{{Hypocrite}} posted, of course, by someone on the internet.]]
** [[{{Hypocrite}} The iPhone-wielding Westboro Baptist Church members seemed unable to find any]] {{Irony}} [[{{Hypocrite}} in their embrace of the technology of Steve Jobs, who they condemned.]]
* Due to problems associated with abuse of certain applications of cell phones, some school districts have banned them entirely.
** This isn't the first time, either; back in the late 1980s and early 1990s (when they were bulky and expensive) having a cell phone at school could get you ''arrested'', thanks to the War on Drugs. [[InsaneTrollLogic The thinking went that "rich people have cell phones, drug dealers are rich people, so people with cell phones are drug dealers..."]] You can practically use that argument to call for the arrest of rich people. Nowadays, the bans are more because students were using them to cheat on tests (text each other answers, store info, etc) and have proven themselves unable to ''shut them off'' and not text during class.
* Wiley Miller, artist of the newspaper comic ''Non Sequitur,'' has gone on record about his belief that the Internet is ruining society, and he's taken several potshots at it in the comic. He has particular vitriol for webcomics. You have to wonder if he's even aware that you can [[http://www.gocomics.com/nonsequitur/ read his comic online]].
** Wiley was already criticizing computers [[http://www.gocomics.com/nonsequitur/1992/03/15/ back in 1992]], but by the early '00s he started in with [[http://www.gocomics.com/nonsequitur/2000/06/18/ tongue-in-cheek]] [[http://www.gocomics.com/nonsequitur/2000/06/25/ conspiracy theories]]. Arguably Wiley also has [[http://www.gocomics.com/nonsequitur/2000/06/30/ a grudge against cellphones]], too, but we must admit he managed to be [[RuleOfFunny funny]] despite being {{Anvilicious}} and to some degree he [[http://www.gocomics.com/nonsequitur/2000/07/02/ does makes sense]] -- people can be media zombies, but that's mostly due to media aiming at the LowestCommonDenominator. But Wiley appears to [[http://www.gocomics.com/nonsequitur/2000/07/05/ hate the internet]] to the point that he'll [[http://www.gocomics.com/nonsequitur/2000/07/09/ sacrifice humor in favor of rant]] -- it's SeriousBusiness for him.
* Two local FOX News affiliates aired reports separately attacking both the Nintendo DS and the Sony PSP on their effects on children.
** The Milwaukee station claimed that Nintendo DS made children easy targets for child predators, in the very unlikely chance that the predator would use his own DS to communicate with the child over Wi-Fi using Pictochat. Aside from the fact that it's far more likely to be in a game playing session than Pictochat, the Wi-Fi reception does not have a long range.
** A station in Philadelphia called the Playstation Portable a source for online porn from kids (for context, smartphones weren't yet mainstream). Of course, they were mostly showing people with the concern that a kid would own a device with no parental controls, and showing screens of websites showing how to make a bomb. If your kid is searching for such articles, perhaps his troubled nature is the problem, not the game system.
* In early November 2009, author John Grisham not only [[http://www.msnbc.msn.com/id/33603693/ns/today-today_books/ predicted the end of bookstores and the complete disappearance of printed books due to the Kindle and other ebook technologies,]] but confidently declared that they would also make it harder for new authors to get published because of the changes they will also make to the economics of publishing.
** [[http://www.huffingtonpost.com/alan-kaufman/google-books-and-kindles_b_380536.html This article]] argues that the Kindle -- and perhaps all "high-tech" electronic technology -- [[GodwinsLaw is just what Hitler would have loved]].
-->'''Alan Kaufman:''' ''"The hi-tech campaign to relocate books to Google and replace books with Kindles is, in its essence, a deportation of the literary culture to a kind of easily monitored concentration camp of ideas, where every examination of a text leaves behind a trail, a record, so that curiosity is also tinged with a sense of disquieting fear that some day someone in authority will know that one had read a particular book or essay. [[HitlerAteSugar This death of intellectual privacy was also a dream of the Nazis.]] And when I hear the term Kindle, I think not of imaginations fired but of crematoria lit."''
** Although the [[GodwinsLaw Hitler comparison]] is hyperbolic, [[StrawmanHasAPoint there's a grain of truth to it]] in that [[https://www.defectivebydesign.org/amazon-kindle-swindle Amazon has an obnoxious amount of control over ebooks that you have bought]] and can delete them from your device at any time for copyright issues or other reasons. Ironically, this happened to some people with e-copies of ''Literature/NineteenEightyFour''. Of course, the problem here isn't the technology itself, but the pro-corporate design of the system.
* In a town hall meeting in Merrimack, NH on 29 December 2007, then-Presidential candidate John [=McCain=] flat out [[http://www.youtube.com/watch?v=wset9i4b0b4 declared his hatred of bloggers]], as well as other alternative sources of news and information available to citizens, and did so in a way that makes it clear that he's not entirely up to speed on recent high-tech developments like ''cable TV''.
** [=McCain=] [[{{Hypocrite}} is currently an avid Tweeter]].
* In 2008, the Pentagon sent up a red flag about the possibilities for [[http://blog.wired.com/defense/2008/09/world-of-warcra.html terrorists to conspire in plain sight on MMORPGs]]. Given that the entire scenario they presented was manufactured out of wholecloth and no such collaboration has ever been detected (or even suspected before now), it seems pretty obvious that this is another "oh my god! bad people can talk together!" panic similar to the one raised over the telephone a century and a half ago.
** Similarly, a [[http://www.pcworld.com/article/152927/reality_check_terrorists_using_twitter.html?rubberglove U.S. Army report]] released in late October 2008 suggested Twitter could be used by terrorists to coordinate attacks. Again, there was no evidence that such a thing was happening, simply that the Army had discovered a new medium of communication and determined that it did not magically prevent terrorists from using it.
** [[MoralMyopia Brought full circle]] now that we know [[http://techland.time.com/2013/12/09/spy-games-the-nsa-and-cia-allegedly-tried-to-recruit-world-of-warcraft-and-second-life-players/ the NSA has been spying]] on people through ''VideoGame/WorldOfWarcraft'' and ''VideoGame/SecondLife''.
* In 2008, Pieter De Crem, then the Belgian Defense Minister, told the Belgian Parliament that [[http://www.techcrunch.com/2008/11/28/when-everyone-is-a-blogger-nothing-you-say-is-off-the-record/ blogging is a "dangerous phenomenon" that "exceeds mud-slinging,"]] [[FelonyMisdemeanor which is why he got a New York-based blogger fired from her job as a bartender.]] Her crime? Blogging about De Crem and his aides getting plastered in her bar. [[SkewedPriorities On taxpayer's money.]]
* [[http://www.dailymail.co.uk/news/article-1153583/Social-websites-harm-childrens-brains-Chilling-warning-parents-neuroscientist.html Social networking sites]][[http://www.guardian.co.uk/uk/2009/feb/24/social-networking-site-changing-childrens-brains will destroy kids' brains]].
** Another set of articles came out about how Twitter makes people [[http://www.cnn.com/2009/TECH/ptech/04/14/twitter.study/ "immune to human suffering."]] Read the research that they're talking about -- it has literally ''nothing'' to do with Twitter and Facebook. Read a [[http://languagelog.ldc.upenn.edu/nll/?p=1358 more elaborate explanation]] of what it actually says.
** There has also been a lot of criticism of social networking sites because it's easy for young people to meet up with strangers. A few cases of girls getting raped or murdered by people they initially met on social networking sites like Myspace have given many members of the public the idea that everyone on the internet is really a middle-aged creeper trying to hook up with teenage girls.
** The case of a mother who posted to Twitter asking for prayers after her toddler drowned in the swimming pool resulted in backlash about what an awful mother she must be for thinking about Twitter at a time like that, and, of course, claims that her son would be alive if not for her Twitter account. There wasn't even any evidence that she'd been online at the time of his death -- the initial outrage stemmed purely from the fact that she'd used a social media site to communicate her grief. The blog that started the ball rolling with the assumption that she'd tweeted through her son's drowning is now entirely devoted to digging up dirt on her.
** You'll also hear a lot of stories about people murdering people because of things that happened online. In fact, more often than not, the people involved in these stories already knew each other for years in real life and the argument that sparked the violence just happened to take place on a social networking site.
** There's also the argument that Facebook causes depression, which isn't really true and is misleading because it's not really FB's fault. It's more that it simply creates a social atmosphere where sometimes, people who already were depressed can become a lot more depressed (like when a person posts to their wall in hopes someone will notice them, their friends don't respond, and the person starts to believe their friends don't care about them). Really any form of communication that involves unintentional ignoring can do this, but FB gets a lot of flak for it these days.
* To quote an AFP article:
-->[[UsefulNotes/VladimirPutin Putin]] harshly rejected a call for officials to examine complaints on the Internet about vote rigging in the recent regional elections. "[[TheInternetIsForPorn On the Internet 50 percent is porn material. Why should we refer to the Internet?]]" he said.
** Considering how much of that porn is produced in Russia, you'd think he'd be nicer about it.
* According to some newspapers, new media is making them go out of business, which is why they are making their content online pay-to-view. They also aren't fond of political sites like Huffington Post or Free Republic which link to their articles and give a little blurb about the contents of the article.
* New Zealand media ran an article calling Chatroulette "the new pornography".
-->"Like its namesake it's dangerous, but instead of a bullet there's adult material!"
* ...and then there's [[http://philbradley.typepad.com/phil_bradleys_weblog/2010/05/the-most-stupid-school-principal-in-the-world.html this]] principal, who apparently isn't aware of his own blackboard project for students and wants all internet access to be restricted by parents.
* Another fun thing: ''Regelrecht'', a TV show by the Dutch TROS, is now starting a public campaign to get libraries to ban access to sex and violence. Of course they aren't talking about books on violent killers or the erotic literature section, they mean access to the internet.
* [[http://www.foxnews.com/us/2010/05/28/michigan-considers-law-license-journalists/ There have been some attempts to make a blogger]] [[http://bigjournalism.com/jlakely/2010/04/29/troubling-precedent-nj-court-says-bloggers-are-not-journalists/ not have the same rights as a journalist]].
* Then there's a ''Maclean's'' magazine article called [[http://www.macleans.ca/article.jsp?content=20061030_135406_135406 the Internet sucks]] (the author calls that "[[AcceptableTargets terms crude enough for all cyber-dwellers to grasp]]") which is blatantly one-sided in its [[AccentuateTheNegative focus on mainstream Internet culture's flaws]] and [[YouFailLogicForever guilt-by-association approach towards an entire medium]].
** And yet that was on their website...
* ''Series/DoctorPhil'' has this trope every few episodes, usually focusing on 1) Children who are kidnapped by some stranger they met on the internet and 2) Children who spend too much time on the internet or texting.
* Some years ago, a Danish nerd created a website called Lej en Lejemorder. Which translates to "Book an Assassin". [[PoesLaw The Danish media thought he was serious, much controversy about the internet ensued, and apparently, the guy also got some serious emails from people who actually did want someone to be assassinated.]]
** On a much more serious note, there ''are'' sites only accessible via TOR proxy that allow you to hire hitmen.[[note]]Or so they claim. They'll probably just ask for payment up front and laugh at the gullible person who wanted an internet hitman.[[/note]]
* ''Essence'' magazine had an article about teens and their sex lives. It had this trope in spades, claiming that television and porn are the cause of the rampant teenage sex going on. It also had a little bit of OldMediaCatchingUp and YouCanPanicNow, since anybody that ''doesn't'' know that there is porn on the internet probably lives under a rock, or at the very least doesn't have any teenage kids.
* Some people in the free and open source software community, while often extremely technically literate, are often ambivalent or even outright hostile to social networking sites, mainly due to privacy issues.
* In a combination of CluelessAesop, ScareEmStraight and VerySpecialEpisode, ITV's ''Tonight'' series seems to head this way; sometimes it just ''can't'' deal with the issues surrounding new media correctly, showing some elements of FridgeLogic. It's sometimes [[CriticalResearchFailure lacking in the research department, too]] (apart, maybe, from spyware issues.)
* Website/{{Facebook}} is ''constantly'' being accused of stockpiling users' personal information for nefarious purposes. The paranoia increased tenfold after the company became publicly-traded due to people not knowing what that means, thinking the company is ''literally'' public, causing some uninformed users to post meaningless disclaimers that their info is private. Legality aside, the boring truth of the matter is that the only thing Facebook does with your info is use it to send you relevant advertisement, and even that is done by algorithm; Mark Zuckerberg is not leering at your spring break photos or stalking your every move.
** Unfortunately, it turns out that the NSA [[http://en.wikipedia.org/wiki/PRISM_%28surveillance_program%29 is monitoring pretty much every social media and email network]] in the world and stockpiling users' personal information for purposes which [[PlausibleDeniability may or may not be nefarious]].
* A debate similar to the VCR incident cited under DigitalPiracyIsEvil is now going on over ebooks -- most notably Amazon's Kindle, which is selling like there's no tomorrow. Is this the end of printed books? Ask anyone who was around in the '50s and worried that television would be the death of movies what they think.
* With the rise in popularity of 3D printers, it was only a matter of time before someone made a 3D-printed gun. The online group "Defense Distributed" hosts CAD files for a fully functional plastic gun as well as lower receivers and mags for AR-15 rifles (the lower receiver being the part of the rifle that is legally regulated and serial numbered, and in some American states mags are regulated). There was a firestorm of media coverage and panic, up until it was pointed out that the printed parts ''and'' gun broke. However, eventually a design was made that was able to handle more than a few shots. A quick search on Wikipedia or Google can show a list of different fire arms made with 3D printers. With the exception of the ones made with metal 3D printers, which at the time of writing (Nov 2014) are too expensive to be owned by common people, most 3D printed firearms are glorified zipguns, capable of only firing low-caliber rounds.
* Creator/LouisCK [[http://gawker.com/louis-c-k-s-explanation-of-why-he-hates-smartphones-is-1354954625@richjuz believes that smartphones]] make [[KidsAreCruel kids empathize less with their peers, making them meaner,]] and feeds a culture of being needy for attention or distraction.
* A number of musicians, including Music/DavidByrne and [[{{Music/XTC}} Andy Partridge]], have expressed disdain for Spotify, with the former [[http://www.theguardian.com/music/2013/oct/11/david-byrne-internet-content-world penning an op-ed in the Guardian]] saying that streaming would kill creativity. While that has some bluster the main complaint is the [[UsefulNotes/HollywoodAccounting low royalties]] with these streaming services. Since this affects the livelihood of musicians, it could impact how they work when they get creative.
* Amusingly enough, [[UsefulNotes/ThePope Pope Francis]] recently averted this by stating that [[http://www.independent.co.uk/news/world/politics/pope-francis-calls-the-internet-a-gift-from-god-9080117.html the internet is a 'gift from God']]. Cue sarcastic responses of WretchedHive communities.
** Similarly, inversions have been posted in local editorials or on tumblr blogs, wherein people thanked the internet for being able to find like-minded people from across the world. (Especially people who live in rural areas) One editorial in particular was of a woman being glad that her kids discovered the internet, as she was the only one at the office with no horror stories of [[AdultFear receiving the "Do you know where your children are?" phone call]], their teenagers being escorted home drunk or finding broken condoms and positive home pregnancy tests.
* When iTunes became popular, there was much hand-wringing from musicians (such as Music/{{ACDC}}, who kept their songs off of the service for years before finally relenting in 2012) and music enthusiasts that it would kill off the album by allowing people to cherry-pick the songs that they wanted. [[http://www.outsidethebeltway.com/is-itunes-killing-the-album/ This article]], for instance, hysterically bemoans that young music fans today will never be able to listen to ''[[Music/TheBeatles Sgt. Pepper's Lonely Hearts Club Band]]'' [[SeriousBusiness "properly"]] because everyone will just buy their favorite songs instead of the whole album. On the other hand, some [=iTunes=] songs can't be purchased on their own in a deliberate attempt to get people to buy the whole album even if all they want is that one song.
** Interestingly, the advent of digital music purchasing has led to the resurgence of an even ''older'' phenomenon -- singles and [=EPs=], released in closer proximity, are becoming more popular than the longer full-length albums that were made possible by CD technology, and allows artists to dominate the charts.
* [[https://en.wikipedia.org/wiki/Computer_vision_syndrome Computer vision syndrome]], with blurry vision and eye pain involved? Cell phone radiation allegedly causing cancer? Electronic overuse maybe causing health problems? The conclusion is obvious.
* Many ''Franchise/StarWars'' fans have criticized the prequel trilogy for using CGI instead of physical models and sets like the original trilogy. [[http://makingstarwars.net/2013/08/star-wars-episode-vii-cgi-versus-practical-effects/ This article]] examines the special effects used throughout the franchise, [[NotSoDifferent finding that the techniques used in the PT weren't that different from the OT]].
** On that note, there was backlash against the original ''Film/{{Tron}}'' film by people [[ItWillNeverCatchOn who felt that using CGI for special effects]] was [[HilariousInHindsight "cheating"]]. Most notably, [[AwardSnub the film was disqualified from being nominated for the Academy Award for Best Special Effects because of this]].
* This was not the only backlash in which Creator/GeorgeLucas was involved. He was in fact also the very first film director to use digital cinema and he popularized the use of it with his company known as THX. There are still a number of famous film directors (such as Creator/QuentinTarantino) out there who believe that digital filmmaking will lead to less traditional celluloid filmmaking and thus effectively ruin cinema. Internet journalists soon joined in with the backlash [[http://www.newrepublic.com/article/119431/how-digital-cinema-took-over-35mm-film by writing articles arguing the same thing]].
* By the late 00s the Venezuelan government attacked violent videogames, among other things accusing them of being tools of imperialism and capitalism and part of psychological warfare. Eventually they were banned (although it's not a very well enforced ban).
* [[http://www.npr.org/sections/13.7/2016/07/11/485490818/is-it-time-to-ban-computers-from-classrooms There has been debate over]] [[http://www.newyorker.com/tech/elements/the-case-for-banning-laptops-in-the-classroom using computers in the classroom]] [[http://www.theaustralian.com.au/national-affairs/education/computers-in-class-a-scandalous-waste-sydney-grammar-head/news-story/b6de07e63157c98db9974cedd6daa503 and have been even banned already in some schools,]] mainly due to electronics serving as a possible distraction from learning. [[https://www.theguardian.com/education/2015/sep/29/the-no-tech-school-where-screens-are-off-limits-even-at-home There's even a private school in London that bans students from using electronics]] '''[[UpToEleven even outside of school.]]'''
* Creator/HayaoMiyazaki mentioned in [[http://www.kirainet.com/english/ponyo-and-hayao-miyazaki/ an interview in 2008]] that he does not have a computer, fax machine, or DVD player, and has since forgotten how to use the VCR. He also does not use e-mails or text messaging, preferring to send and receive messages strictly through snail mail.
** Creator/StudioGhibli seemed to be similarly rooted in traditional media like him (though not to Miyazaki's extent), with the Ghibli Shorts deliberately made unavailable for viewing online with harsh penalties for anyone who pirates them.
* Gary Turk's [[https://www.youtube.com/watch?v=Z7dLU6fk9QY "Look Up"]] video is him complaining (in spoken word rhyme) about how smartphones and tablets are making us more disconnected, and that we should live life "the right way". Anvilicious is very much an understatement.
* With the rise of portable music devices, from the transistor radio to the Walkman to the [=iPod=] to smartphones, there have always been complaints that blocking out the outside world with headphones is antisocial.
* Within days of the introduction of ''VideoGame/PokemonGo'', news outlets passed along a number of stories relating to it, including people being robbed while playing the game, a woman stumbling on a dead body, and people playing in inappropriate areas such as the United States Holocaust Memorial Museum. In most cases the problems encountered stemmed either from a lack of common sense while playing or were risks one would take by simply going outside.
** [[http://knowyourmeme.com/photos/1153097-pokemon-go Political]] [[http://knowyourmeme.com/photos/1153448-pokemon-go cartoons]] depict ''GO'' players as dull and colorless people blindly enslaved to virtual monsters ([[SmallReferencePools specifically Pikachu]]) on their phones. As you can tell from the links provided, ''GO'' players respond by pointing out the irony of this trope applying to a game intended to get people outside and socializing.
* The first model of the iPad actually represented a somewhat bizarre inversion of the usual generation lines: Many young people compared it, unfavorably, to their laptops. However, the interface was so easy-to-use many older people found themselves becoming computer literate for the first time.
* It's common to see some form of website have a user-made cartoon about people using social media to better their own status rather than help out whoever they're recording. One particularly memorable cartoon ([[{{Irony}} On]] ''[[{{Irony}} Twitter,]]'' [[{{Irony}} no less]]) showed a before-and-after situation concerning a street performer. The first showed him receiving money from passersby and smiling as he plays his guitar. The second shows him playing with a crowd of people surrounding him and no money in his hat at all, instead recording the performance with their phones and explicitly talking about how many Likes they're going to get on Facebook for showing it. Never mind cases where MemeticMutation has helped people get out of their then-poor situations, such as Antoine Dodgson or the Man with the Golden Voice.

!!Fictional examples:

[[folder:Anime and Manga]]
* ''Anime/SerialExperimentsLain'' focuses on a strange, distorted and malevolent version of the internet called The Wired.
** Though notably it also explores the positive side; Lain remains connected to her loved ones because the Wired continues to exist, in the end. The evils of the Wired are largely related to the issue of how an expert information manipulator can use misinformation and people's desires to elevate himself into an object of religious worship.
* ''Manga/XxxHOLiC'' has a more sympathetic/realistic example of this trope: one of Yuuko's customers is a housewife who is spending all of her time on the internet, to the exclusion of everything else, including her family, and Yuuko ends up smashing her computer... though she notes that it was all up to the housewife; that she should do what ''she'' wants to do, not what her family want her to do.
** She even notes that if the housewife really wants to go back online, there's nothing preventing her from just buying another computer.
* When [[Manga/SayonaraZetsubouSensei Itoshiki Nozomu]] realizes that the CuteMute of his class, who is only able to communicate through text messages, is actually a {{Troll}}, the kind of person who badmouths him on the internet but then behaves politely in every-day life so he cannot get angry at them, he summarizes this trope as the conclusion:
--> '''Nozomu''': [[CatchPhrase I'm in despair!]] [[NewMediaAreEvil The internet]] [[CatchPhrase has left me in despair!]]
* ''Manga/{{Bakuman}}'' doesn't explicitly say that the internet is bad, but every time it comes into play, it's portrayed in a negative light; First when SmugSnake Nanamine attempts to create a popular manga via online committee, and then again when internet-goers catch wind of Mashiro and Azuki's marriage plans, leading to [[{{Hatedom}} a massive backlash and wave of hate]] that jeopardizes Azuki's chance of getting the female lead VA role on Reversi.
* A more balanced, less obvious example: the antagonist of the second season of ''Anime/{{K}}'' is a [[SuperEmpowering King]] who builds an app that allows users to get powers from him without actually meeting him (as the other Kings require, since they recruit their Clansmen personally) or even being aware of Kings and the Slates from which they get their powers. As such, he has a much larger base of fighters, who operate mostly anonymously. Jungle "missions" (taken on for points that can be collected to gain greater powers) include basically trolling the other Clans, as well as planting small things like fake fruit and plushies in public locations - that have bombs inside. Or distracting all of the employees in a mall so that a robbery can be committed. Or helping a higher-ranking member get past security into a school so that they can try to kill someone inside. So really, he's weaponized the [[GreaterInternetFuckwadTheory the dark side of internet society]]. However, the core members aren't shown as bad people, and it's not the technology that made them do bad things - one of the main characters is an expert hacker who [[spoiler: infiltrates Jungle and is instrumental in stopping them from destroying the world]].

[[folder:Comic Books]]
* A ''Franchise/ScoobyDoo'' comic once used as villains a gang of counterfeiters who were staging the haunted house masquerade to cover for their true operation... making counterfeit cassette recordings of popular music bands, which they would then supply to unscrupulous music stores.
* ''ComicBook/TheLeagueOfExtraordinaryGentlemen:Century'' turned out to be one long diatribe against today's literature and fiction as an unprecedented nadir of human culture - the most prominent target being Franchise/HarryPotter, who is literally the anti-Christ in the comic, and whose franchise is assaulted as having been stolen from older, better literature and being full of PlotHoles. Creator/AlanMoore considers the youth of today as whiny and conservative.
** One major complaint issues over this is while this comic in it's earliest volumes contained hundreds of references to literature made in the Victorian Era, Century seemed to have majorly switched mostly to British tv and movies more so than worldwide literature as it once had. As a result some find it hard to agree with Moore that our literature culture is now so much worse than back then when so much of modern literature isn't to be found in the comic.
* ''ComicBook/{{Supergirl}}'' story arc "[[ComicBook/Supergirl2005 Good-Looking Corpse]]" has a guy launch an attack on the entire DCU metahuman community by creating a Foursquare-esque smartphone app for people to post metahuman sightings so villains can then track them down and attack them.
* This was brought back as a gag in ''ComicBook/{{Batgirl}}'' story "[[ComicBook/Batgirl2011 The Darkest Reflection]]", where common criminals mapped out the various Gotham vigilantes so they knew when to lay low (TruthInTelevision as people have attempted to do this against pedophiles).
* In ''ComicBook/{{Runaways}}'', to prevent the Runaways from going to the police to reveal their evil plans, evil organization "Pride" frames one of them for murder, using the MMO he was playing as justification for ''why'' he may have done it.

* The 1995 Sandra Bullock movie ''Film/TheNet'' was largely composed of hysterical hand-wringing over how easy computers and the Internet supposedly make it for one's identity to be "deleted" by "hackers". Apparently, it took place in a world where no one carries a driver's license, and everyone's brain is online with the security of Wikipedia.
* On a similar vein, the movie ''Film/{{Hackers}}'' has made the subject of at least one geek drinking game for many reasons, the demonization of the culture mentioned in the movie title included.
* Thanks to ''Film/LiveFreeOrDieHard'', we learn that using the internet, you can shut down the world! (Except, apparently, the BMW SOS call center.) [[RealityIsUnrealistic In fact]], there are viruses designed to damage power plants, waterworks and [[http://www.bbc.co.uk/news/world-middle-east-11414483 nuclear reactors]]. This may be a serious problem in the future.
* Creator/DavidCronenberg has explored this concept in several of his films:
** ''Film/{{Videodrome}}'' {{deconstruct|ion}}s this trope by revealing the ''literally'' evil new media of the title to be [[spoiler:an EvilPlan orchestrated by the MoralGuardians. Videodrome torture porn induces [[BrownNote nightmarish visions, lethal brain tumors, and occasional mutations]] in viewers: the shadowy figures behind the transmissions plan to use this as a means of culling "immoral" members of society]].
** ''Film/{{eXistenZ}}'': There's a whole cult which regards ''[=eXistenZ=]'', a new virtual reality gaming platform made from OrganicTechnology, as evil incarnate and its inventor Allegra Gellar as a demoness who must be killed to prevent the game's dissemination. [[spoiler:After it's revealed that most of the movie was itself a virtual game called ''[=tranCendenZ=]'', it turns out that the two protagonists were members of such a group, with their emotions seeping into the plotline of the game.]]
* ''Film/WalkHardTheDeweyCoxStory'' parodies the panic over rock and roll in the 1950s; at his high school talent show, Dewey and his band perform a sweet, gentle pop ballad called "Take My Hand" about two people holding hands. It immediately turns all the teenage girls present into sex-crazed nymphos, the teenage boys into violent thugs, and causes the older generation to picket Dewey's house with TorchesAndPitchforks screaming about how he's going straight to hell:
-->'''Preacher''': You think we don't know what you mean when you say 'Take My Hand'?
-->'''Dewey''': ''[Bewildered]'' Whaddaya mean? [[ExactlyWhatItSaysOnTheTin It's about holding hands]].
-->'''Preacher''': You know [[HitlerAteSugar who else had hands? The Devil!]] And he uses 'em for holdin'!
* The 2001 Japanese horror film ''Film/{{Kairo}}'' (AKA ''Pulse'') is built around the supposed nature of computers as alienating devices.
* The film adaptation of ''The Twonky'' predicts a future when televisions become able to walk, talk, and use MindControl. Apparently, a {{Dystopia}} uses them to keep the population in line. (The movie was based on a story of the same name by Creator/HenryKuttner and Creator/CLMoore, which was written before televisions became common; in the story, the twonky is disguised as a record player and there's no implication that there's anything wrong with record players as such.)
* In Japanese film ''Film/GoodMorning'', the bratty kid is pestering his parents for a TV, but the adults in the neighborhood have a contemptuous attitude towards television. By 1959, TV was really catching on in Japan, and there as in the USA it was seen as a threat to motion pictures.
--> '''Mr. Hayashi''': Someone said television would produce a hundred million idiots.
* The Bruce Willis film ''Film/{{Surrogates}}'' has a generous offering of this, to say the least. Basically, the robot surrogates stand in for just about ''everything'' wrong about New Media and how's it preventing social interaction and true "humanity." The [[Comicbook/TheSurrogates original comic book]] has this as well, particularly when the protagonist asks his wife to have dinner with him... and she immediately heads to her room to connect with her surrogate. When he tries to stop her and ask her to have dinner with him ''physically'', she angrily tells him that he may be happy with his RealLife appearance, but she isn't. At the end of the story, [[spoiler:after he lets all the surrogates be shut down, he comes home to find that she committed suicide]].
* ''Film/TheSocialNetwork'' subverts this and plays it straight. It's somewhat admiring of the technology we use today, and acknowledges the influence it has on society and why people would use it, but also notes how the people behind it usually don't have the best ideals....
* ''Film/{{Contagion}}'' deliciously follows this trope. As a new global pandemic spreads, Jude Law's character is an intrepid freelance internet journalist with his own popular self-published news blog. He plays on the Real Life trope of the "lone, intrepid reporter breaking the story!" and that Old Media Are evil. In his posts he vilifies the government agencies trying to deal with the outbreak, making it more difficult for them to enforce a quarantine. Stirring so much paranoia about government conspiracies and evil big pharmaceutical companies makes him into an internet celebrity, and soon this...self-employed outsider journalist with no credentials is a guest on every national TV news channel, is being put live debates with CNN's Dr. Sanjay Gupta. However, instead of posting a report that the government already has a vaccine and is withholding it or something...he tells his thousands of readers that the virus can be cured by taking an over-the-counter herbal remedy, ''Forsythia''. As it turns out, he's bought up massive amounts of stock in national Forsythia manufacturers and is just trying to profit off the disaster. Adeptly manipulating the Old Media Are Evil trope, the more that national officials on TV state he's a crackpot, the more people think they're just trying to cover him up. When the CDC eventually manages to produce a vaccine, he starts saying its unsafe, trying to keep people buying Forsythia.
* The ABC Family film ''Film/Cyberbully2011'' seems to behave this way toward social networking sites. While the main moral of the film is supposed to be about all the damage cyberbullying and internet harassment can cause, it really seems to be more like "social networking sites are evil".
* The horror film ''Film/{{Antisocial}}'' takes this to fairly absurd levels as a Facebookalike called "Red Room" -- complete with a Mark Zuckerberg expy -- is ultimately found to be responsible for a contagion spreading across the world that makes you violent, makes you bleed black blood from your ears and nose, and ultimately makes your brain explode out the back of your head. This is because the creators of Red Room encoded subliminal messages in the site that make you want to check it and post things there more often, resulting in your brain growing a tentacled mass that gives your brain a biological wi-fi signal that connects to all other Red Room users. If all that isn't ''quite'' {{anvilicious}} enough for you, it turns out at the end that the virus also [[spoiler:brings its victims back from the dead as mindless shambling zombies.]]

* An OlderThanPrint example from ''Literature/TheDivineComedy''; Francesca puts the blame for her damnation on a romantic poem about [[Myth/KingArthur Sir Lancelot's affair]] that manipulated her and her brother-in-law to commit adultery. In context, Francesca is clearly just refusing to take responsibility for her own sins, but it remains unclear whether the author agrees that those new-fangled romance poems are sinful.
* In the second ''Franchise/JurassicPark'' novel ''Literature/TheLostWorld1995'', one of the characters comment on how the Internet is the doom of all civilization, because it will "make everyone have the way of thinking about everything and force conformity." (!!) Than again, this statement was said by a character well-known for being an opinionated jerk who's right less often than he thinks he is. Then again again, his point was more about evolution and extinction through behavioral change (of which the book discusses and meditates on at length), and how small groups in isolation evolve faster, and the internet essentially removes isolation from the vast majority of humanity.
* An older example: in Creator/RoaldDahl's ''Literature/CharlieAndTheChocolateFactory'', the song sung by the Oompa-Loompas after Mike Teevee is shrunk denounces television in favor of reading. This is dated and absurd enough the 2005 movie version changes his obsession to video games (particularly first-person shooters), even though it makes his name and [[TakeOurWordForIt supposed]] smartaleckiness a little out of place. Alternatively, his ''real'' fault is being an obnoxious, cynical know-it-all rather than a media obsessive. Either way, they use a fairly close adaptation of Dahl's original song, meaning there is a "TV is evil" message in a 2005 film...
--->''The most important thing that we've ever learned''
--->''The most important thing we've learned as far as children are concerned''
--->''Is never, never let them near the television set''
--->''Or better still just don't install the idiotic thing at all''
** Creator/RoaldDahl had a real love-hate relationship with TV. The villainous parents in ''Literature/{{Matilda}}'' spend all their time watching TV and hate books. And yet, it should be noted that Dahl hosted two TV shows -- ''Way Out'' in 1961 and ''Tales of the Unexpected'' in the 1980s -- and wrote for some anthology TV shows.
** The [[Theatre/CharlieAndTheChocolateFactory 2013 stage musical]]'s equivalent song, "Vidiots", is a cheekier take on the trope. It's about the perils of using electronic media to babysit unruly kids (this Mike Teavee is an outright EnfantTerrible; his mom's tried everything else to keep him under control and has since given up). While it makes a valid point that a diet of only instant gratification media won't do much for a kid's mind and life in the long run, it also invokes more hysterical fears for laughs -- "And then like some barbaric Huns/Our toddlers all are packing guns/Now children curse and smoke cigars/Our nurseries now have prison bars..." -- and even pops in some HypocriticalHumor with the lines "But OMG will this destroy/The art of conversation?"
* Much of ''Literature/{{Fahrenheit 451}}'' was just Creator/RayBradbury ranting about how television (and radios with headphones?) would dumb Americans down, destroy literature, ruin marriages, cause violence, and ultimately kill everyone because nobody took war seriously. Nevermind that Bradbury (much like Roald Dahl) wrote many adaptations of his own stories for TV shows like ''Series/AlfredHitchcockPresents'' and ''Franchise/TheTwilightZone''...Not to mention a ''video game'' based on said book.
** Not to mention his own [[http://www.imdb.com/title/tt0088591/ freaking 6 season series]].
* ''Literature/AmericanGods'': The God of the Internet and the Television Goddess Media, while no more evil than the old gods, were callow and vapid in comparison.
* One of Asimov's stories mentions "dreamies" -- direct neural interface movies. A government official says pornographic dreamies are the one type of pornography which is the worst for the "moral fiber of the nation". (It should be mentioned the rest of the story averts this trope). In "The End of Eternity", dreamies are considered a technology which cannot be allowed to exist -- just like nuclear wars (or replicators).
** Another Creator/IsaacAsimov short story, "The Feeling of Power," parodies this trope. It takes place InAWorld where calculators are so wide-spread, and have been used for so long, that people have actually forgotten ''how math works'', including how to add single-digit integers. A technician manages to reverse-engineer the science by studying how computers do simple operations and the society gradually extrapolates how to do more complex equations. The people exposed to this "new" science (which they name [[CallARabbitASmeerp Graphitics]]) worry that it could be dangerous.
** Similarly, he wrote a young adult short story about a world in which voice recognition was so accurate and omnipresent that nobody bothered to learn how to read or write. The protagonist creates a "secret code" for his clubhouse which is nothing more than written English.
* The ''Franchise/DoctorWhoExpandedUniverse'' novel ''The Gallifrey Chronicles'' features a vignette set in TheEighties, in which an alien intelligence introduces a device that's ''like'' a mobile phone, but much smaller, strangely streamlined, and with a screen, to a school playground. The children become fascinated, and then antisocial and withdrawn, as the alien radiation brainwashes them. They also start, somehow, ''talking'' in a way that skips vowels and uses numbers instead of homonymous words. Yes, the texting generation is an evil alien plot! (Author Lance Parkin may have had his tongue firmly in cheek.)
* ''Bad Dream'' by Creator/JohnChristopher has this for a technology that doesn't even exist yet -- virtual reality! Some time is spent [[AuthorFilibuster filibustering]] about how this panic is different from all the other ones, because virtual reality is so much more "real" than television or video games.
* Ditto for ''Death Dream'' by Ben Bova, though it also acknowledges how much better {{Edutainment}} will get when virtual reality exists. Of note is that all virtual reality in-setting is interactive, like video games rather than movies, but you always win the games no matter how badly you play.
* ''The Unincorporated Man'', which primarily challenges uncontrolled capitalism, takes a chapter to explain how the future world portrayed was nearly destroyed by virtual reality. It's a bit clever about the mechanism, though -- the system portrayed perfectly conforms to the user's wishes, and perfectly simulates any desired experience, so it acts as a LotusEaterMachine.
* Referenced in P.N. Elrod's ''Literature/TheVampireFiles'', which are set in the 1930s. One editorial Jack reads during his nightly newspaper-binge addresses the then-hot controversy about whether having ''radios'' in the home is contributing to the downfall of civilized society.
* Literature/DonQuixote: Spain at The Cavalier Years had just discovered the printing press, and books were considered this trope. The BookBurning the MoralGuardians enact at first part chapter VI to cure Don Quixote’s madness has not the darker connotations associated to the trope (and it’s full of {{TakeThat}}s against bad written books).
** At chapter IV of the Second Part, Literature/DonQuixote and Samsom Carrasco discuss DarthWiki/FallenCreator (InUniverse). Don Quixote notices reputed writers that lost prestige when they publish their works on the new printing presses. Carrasco explains that a printed book makes [[AccentuateTheNegative easier to explore for any kind of error]], and FanDumb is always envy of great creators, [[LetsSeeYouDoBetter because they have never produced a book.]] (Incidentally, Cervantes get a lot of critiques because the first part of Literature/DonQuixote was plagued with {{SeriesContinuityError}}s).
--> "No doubt of that," replied Don Quixote; "[[DarthWiki/FallenCreator but it often happens that those who have acquired and attained a well-deserved reputation by their writings, lose it entirely, or damage it in some degree]], [[NewMediaAreEvil when they give them to the press.]]"
--> "The reason of that," said Samson, "is, [[AccentuateTheNegative that as printed works are examined leisurely, their faults are easily seen;]] and the greater the fame of the writer, the more closely are they scrutinised. Men famous for their genius, great poets, illustrious historians, are always, or most commonly, envied by [[FanDumb those who take a particular delight and pleasure in criticising the writings of others]], [[LetsSeeYouDoBetter without having produced any of their own."]]
* ''Literature/{{Discworld}}'': ''Discworld/ReaperMan'', ''Discworld/SoulMusic'' and ''Discworld/MovingPictures'' featured Shopping Malls, Rock Music and Film as their respective [[BigBad Big Bads]]. The author later acknowledged that this came off as a little reactionary, let alone formulaic, leading to books where inventions like space travel, the newspaper, the clacks network, and Hex, the Unseen University's computer, while not entirely without their problems, push Discworld from pseudo-medievalism into pseudo-steampunk.
** Lampshaded in Discworld/TheTruth, which concerns the invention of the printing press and rise of the newspaper. The Patrician is wisely concerned that this is going to be yet another SealedEvilInACan, and is surprisingly pleased when its not.
*** Further discussed in later books, where it's noted that the same people who were hysterical about the Clacks (telegraph system) now use it to complain about the latest 'threat' to society.
* The whole arc with [=ForceFlow=], Tash Arranda's Holonet-friend in ''Literature/GalaxyOfFear'', appears to be teaching the {{Aesop}} that one should not put too much trust in Internet-friends you know nothing about. (He's [[spoiler: the BigBad.]])
* ''Literature/OryxAndCrake'' basically has the Internet cause the complete destruction of human society.
* Vasili Golovachev's ''Catharsis'' series has a StoryArc where the Russian Orthodox Church concludes that the Internet has allowed the Devil to enter this world in a different way (i.e. he's not physically here, so he's not technically breaking the rules). To fight him, they have assembled the best special forces operatives and computer specialists, setting up their own operations to fight the Devil's cronies. Every morning, priests and monks perform exorcism rituals on their computers in order to clear them of the Devil's influence, making sure that the key prayers are spoken by a clergyman no lower than an archdeacon. Strangely, during the ritual, the machines seemingly restart for no apparent reason.
* The character ''Batavus Droogstoppel'' of Literature/MaxHavelaar considers theatre to be evil due to the fact that everything played on it is a lie. Ernst Stern, the character that writes the book for him because even he considers his own style to be dry, he decides to add more romantic snippets about the heroes that saved poor people and tragedies in his book that should go about the coffee trade and how to help the future coffee men for the days to come. When Batavus Droogstoppel realizes this he is mad and goes as far as to show him that romanticism is futile by analysing a theater piece. It should be noted that the author considers Batavus Droogstoppel to be morally wrong.
* ''Literature/AllTheWorldsAStage'': Literature/ErastFandorin thinks the "cinematograph" will render theatrical productions obsolete (the novel is set in 1911),

[[folder:Live-Action TV]]
* The ''Series/StarTrekTheNextGeneration'' episode "The Game" features an alien who tries to control the crew of the ''Enterprise'' by giving them video games that stimulate the pleasure center in the player's brain. Coupled with some subliminal conditioning, the crew become so addicted to the games that they obey their "master"'s every command.
* Non-Fiction TV example: Buzz Bissinger's rant against Will Leitch (creator of the extremely popular sports blog ''Deadspin'') during a live telecast of ''Costas Now''. Totally unscripted, Bissinger reinforced basically everything in this (and many other) tropes.
* Thanks to RippedFromTheHeadlines, a number of ''Franchise/LawAndOrder'' stories share this flavor.
* [[http://www.youtube.com/watch?v=DNO6G4ApJQY This KTTV "Fox 11 News" "special report"]] purports to reveal the activities of a gang of "''[[ThisIsYourPremiseOnDrugs hackers on steroids]]''" called Anonymous who destroy the lives of [=MySpace=] users, make death threats, and [[http://www.encyclopediadramatica.com/Jake_Brahm threaten to blow up stadiums]]. In fact, the "anonymous" in question is simply the default login to most {{Imageboards}} (the so-called "secret websites" and "underground hacker sites"). The "report" includes a random clip of a truck blowing up, apparently as a "demonstration" and a signal that YouCanPanicNow. The "anonymous insider" is clearly in on the gag; note use of Website/FourChan {{Catch Phrase}}s like "Anonymous does not forgive". The mention of "[[UltraSuperDeathGoreFestChainsawer3000 like a real-life video game]]" earns extra NewMediaAreEvil points -- such are the things that happen when a local news station doesn't know what they're getting into.
** It's worth noting, though, that the "insider" was ''not'' in on the gag -- 4chan found out who he was and made his life a living hell. Read all about it on Encyclopedia Dramatica. The individual was a former /b/ member who, after his raid request on a girl who rejected him was turned down by Anonymous, continued complaining until a fellow Anon at his school revealed his identity. Hilarity did or did not ensue, depending on who you ask.
* And it's probably enough just to say this: Oh dear lord, the "Special Reports" on the night of ''VideoGame/GrandTheftAutoIV'''s release...
** The [[UsefulNotes/BritishNewspapers British Sun Newspaper]] (evidently worried that it was failing to meet its PaedoHunt quota) ran a report on the satirical "Child Beauty Pageants" site that you can find on the in-game internet, which automatically redirect you to the FBI homepage and give you a four-star wanted rating. Apparently, including this was sick (and possibly wrong), and it would inevitably lead to people looking at these sites in real life.
* ''Series/CSIMiami'' had an episode ("Cyber-lebrity") where a girl's entire life seems ruined because of a photo (not even showing nudity) of her posted on the Internet. To the point where people are ''trying to kill her''. Then they go after Horatio, uncovering confidential information within ''minutes'', because ItsASmallNetAfterAll. And Flashmobs show up with a speed and fanatical interest over said girl that, in real life, wouldn't happen if [[UpToEleven Britney Spears was french kissing Lindsay Lohan buck naked on top of a circus trapeze in the middle of Times Square with dancing leprechauns doing the macarena in time to music supplied to the Rolling Stones. At noon on a weekday.]]
** There's also the episode where a video game company secretly provided assault rifles to college students so they could recreate not-GTA in real life to drum up publicity for the game. The harshest of the players is the GamerChick who's participating because it's literally the only way to get boys to pay attention to her in this age of video games.
* ''Series/CSINewYork'':
** An episode where Reed, a blogger, tried to get Mac to give information on the ''Taxicab Killer''. Mac refuses, so Reed proceeds to [[AssPull make something up]]. This whips up hysteria enough that three cabbies murder some random cabbie that they suspect to be the killer, except he was a cop. Considering that bloggers like [[Blog/LittleGreenFootballs Charles Johnson]] made their bones exposing malfeasance in old media, this is {{Anvilicious}} with a corrupt anvil. And just to drive it home even further, [[spoiler:he's the next victim, or is he?]] It should be noted that Reed's original role in the series was as Mac's long-lost stepson, so there's definitely [[ItsPersonal other]] [[RuleOfDrama tropes]] at play here. Still, there's probably a bit of new media hatin' in the mix.
** It also features a subversion: In "Down the Rabbit Hole", the team discovers that a PsychoForHire is using ''VideoGame/SecondLife'' to find info on her targets. She doesn't conform to the "Internet Stalker" archetype at all, and it's made quite clear she doesn't care for the game as anything more then a weapon (as revealed in a sequence where she uses a virus to ''crash her own server''). Plus, it's revealed that Ross is an avid player.
** Another subversion in a more recent episode -- a Chatroulette-like program alerts the [=CSIs=] to a murder before it's discovered (allowing them to be assured that they'll get the best possible evidence); Mac and Jo both experiment with the program and find it to be interesting, rather than harmful. Jo even uses it to show New York to a serviceman in Afghanistan.
** Later still, being signed up to a Website/{{Facebook}} BlandNameProduct as part of a joke is what puts Mac back in touch with an old friend, who ends up being his LoveInterest (and occasional DamselInDistress) for the remainder of the series. Since the episode's plot involved a fake profile being used by woman to trick the victim (her soon-to-be-ex husband) into having an "affair" (to use against him in the divorce), which indirectly lead to the murder (the victim saw through it, but jokingly said he'd have her killed so [[PoorCommunicationKills she took opportunity to murder him]] during the robbery at the start of the episode, [[spoiler: thinking she could frame the robbers - unfortunately it was staged by their daughter, who was sick of both of their crap]]) this was probably an attempt to avoid this trope.
** Elsewhere in the Series/CSIVerse, ''Series/CSICyber'' lives and breathes this trope. The premise is that crooks and psychos are constantly misusing the internet and online technology to endanger innocent people, either for profit or ForTheEvulz; the series plays this for ParanoiaFuel, as [[http://www.tv.com/shows/csi-cyber/community/post/csi-cyber-review-season-1-kidnapping-20-cmnd-crash-killer-en-route-142542924607/ this article]] discusses. (''It can happen to you.'')
* ''Series/CSICyber'' is basically New Media Is Evil: The Series. It's not content to say because EverythingIsOnline baby monitors can be hacked, it goes to the extreme of saying "The Internet is full of child rapists and baby killers, those who cause untold death to get off on it and impress those they don't even know, their efforts to annihilate the world is imminent and inevitable, be alarmed, be afraid, code black, code black." Or short version, making the Anonymous Troll an all powerful hacker terrorist.
* ''Series/LawAndOrderSpecialVictimsUnit''
** One episode has a killer who stalked and become obsessed with his victim on an obvious ''VideoGame/SecondLife'' rip-off. The crucial clue to finding his kidnapping victim was to find the cabin he built for her in-game, in a location identical to the real-world cabin he built to keep his targets in. That's right, the guy modeled a lake and the attending geography so carefully, and placed his model cabin (also scrupulously accurate to the real world version) ''exactly'' where it was in real life, and on top of that, the ''Second Life'' rip-off had such a perfect lighting engine that the detectives found the cabin by dawning the virtual sun and then ''seeing how the shadows fell'' and oh my ''God''.
** In another episode, a kid claimed to have run over and then murdered a woman in a red dress because she looked like a prostitute out of a suspiciously GTA-esque video game, to the point where he was loudly describing the murder on the witness stand while his thumbs were furiously moving around in his lap and supposed mimicking the buttons one would push in the game. Inverted, because the A.D.A. saw right through his bullshit.
** There's also an episode where a teenager has been murdered. As they investigate her life, they discover that she had sex with men for clothes (and later for money.) They then discover her profile on a website people go on to find casual sex partners (not for pay) and one of the detectives states that it's a "small step" between having casual sex with people you met through the internet and becoming a $500 a night underaged call girl.
** "Chat Room" also demonizes the internet, with parts of the episode dedicated to Stabler's unease about the world wide web, equating the family's computer with a window for perverts to potentially sneak in through to take advantage of his children.
** In the episode "Web," a teenager is making child pornography starring himself and putting it up on the internet, and making huge quantities of money from it. The teenager was a victim of sexual abuse as a child, but several lines in the episode imply that this kind of thing happens all the time and your children may start doing it at any moment (Stabler: "Used to be kids were safe when they were at home.") You got to admit that they do think that teenagers are intelligent people. [[FridgeLogic So intelligent that they would know how to make their own website and learn the 4 main web-scripting languages in very short time.]]
** ''Subverted'' to an extent, however, in an episode where a mentally-challenged teenager is suspected of killing one of his foster sisters as a result of his fascination with a fantasy role-play computer game, with some elements of the crime scene reflecting his interest in the game. The detectives rule him out, however, because he identified with the ''hero'' character, not any of the villains; he was acting out his interest in the game to try and protect her, not to harm her.
** Played painfully straight in the episode ''Intimidation Game'' another "video games are evil" episode that equates all gamers with delusional terrorists and rapists.
* Parodied in ''Series/TheITCrowd'', where an [[http://www.youtube.com/watch?v=ALZZx1xmAzg incredibly over-the-top spoof]] of the "you wouldn't steal a blank" anti-piracy {{P|ublicServiceAnnouncement}}SA is shown when the characters are sitting down to watch a film.
** Even better, it was [[spoiler: a ''pirated'' film.]]
* The Italian crime series ''Turbo'' (a ripoff of ''Commissar Rex'', basically) had an infamous episode where a psychically disturbed man was accused of a murder, while the real culprits were some boys addicted to a "forbidden game" which had ''VideoGame/{{Doom}}'' 's cover, ''VideoGame/QuakeII'' footage with a red filter, and was named DUUM II (spelled exactly this way). Complete with: a psychotherapist speaking about the connection between video games and violence from adolescents, the boys yelling "Blood, blood..." "I must kill them at any cost!" while playing, and one of them attacking the main character with an axe, screaming "Final Fiiight!".
* The infamous "Bloggers" sketch on ''Series/TheDailyShow'', in which Creator/StephenColbert reveals increasingly sordid details about his own life in order to keep attack bloggers from getting the scoop. For a start, [[ThoseWackyNazis his real name is Ted Hitler]], (Direct Grandson, but presumably no relation to [[Series/{{Bottom}} Edward Hitler]]), he smuggled drugs in college and he drunkenly killed and ate a panda....
--> "In my own defense, Jon, it was dark, I was drunk, and it was delicious."
* ''Series/{{NCIS}}'' occasionally subverts this with Timothy "Elf Lord" [=McGee=], who's up on video game culture and plays an {{MMORPG}}. Although he is mocked for this, it has come in useful more than once. At one point (when his "Elf Lord" status is first revealed), the murder mystery revolved around an MMO (thus adding a straight example to the subversion), and in another case, he was able to identify the model of the suspect's car, based off of a kid telling him it was a Kuruma (the ''[[VideoGame/GrandTheftAuto GTA]]'' equivalent). A recent episode involves a narcissistic killer with a theatrical bent communicating through a thinly veiled [=YouTube=] FictionalCounterpart -- but when the fake [=YouTube=] is mentioned, all the characters (except, naturally, Gibbs) are familiar with it and consider it more or less harmless. "WebVideo/Lonelygirl15?" "Evolution of Dance?" "[[MemeticMutation Numa Numa kid?]]" Before we even get to see the cryptic killer video, there's a good bit where it's just Abby dancing along with Dragostea Din Tei...
* ''Series/TouchedByAnAngel'' tackled the Internet in "Pandora's Box", but to its credit subverted the trope. After the family-of-the-week's daughter was rescued from an online predator, Monica explained that the Internet isn't inherently bad and can (and should) be used for good instead of evil.
** Played straight in the episode "Virtual Reality" where video games are apparently tools of Satan that makes children do horrible things.
* ''Series/{{Engrenages}}'' had a murder-of-the-week in its second season in which a stereotypical alienated teen boy murdered his slightly older online girlfriend after they met face to face and she rejected him for being too young, then killed himself. However, the general tone of the ep didn't condemn the internet so much as his parents for not noticing how screwed-up he was.
* ''Triple subverted'' on an episode of the Canadian sitcom ''Series/LifeWithDerek.'' In one episode, the main character sees her brothers playing a [[LawyerFriendlyCameo suspiciously]] ''Franchise/TombRaider''-esque video game, and is offended by the sexy and degrading female protagonist... until she actually [[ComplainingAboutShowsYouDontWatch sits down and plays the game,]] and realizes that the main character is actually strong and competent and empowering. ...Then her brothers beat it, and she realizes that the "prize" for doing well is seeing the main character ''topless.'' A standard DoubleSubversion? Well, ''then'' she goes and writes an essay for her class about how female video game characters are cool, so long as designers can dial back the gratuitious FanService. (Phew!)
** Given that controversy surrounding FanService among real-life gamers, and the genuine conflict some {{Gamer Chick}}s feel between "this character is objectified and I should not like her" versus "I find playing as her to be empowering," it makes one suspect that there's an actual gamer or two on the writing staff.
* Obligatory ''Series/BuffyTheVampireSlayer'' example from the first season with "I Robot, You Jane", where the boy Willow meets over the internet turns out to be the demon [[NamesToRunAwayFromReallyFast Moloch the Corruptor.]] Although to give it its due, the web becomes evil because a demon imprisoned in a book during the medieval ages was inadvertently released onto it, and several techno-savvy magic users were used to reseal it.
** Internet dating was a major part of the story. It was 1997! Could almost file this one under SomeAnvilsNeedToBeDropped.
* Played for laughs on an episode of ''Series/TheGeorgeLopezShow''. Max befriends a girl his age online. George is convinced that she must really be a sexual predator and takes over communicating with her in an attempt to lure her out. Cut to the girl's house, where ''her'' father and uncle are also convinced that her new friend is a predator and are trying to lure ''him'' out. (Both sides even comment that "there's no way a real kid would type like that" to their children). Once the adults meet up and realize that there's no actual pervert involved, they agree to let the kids resume their friendship, and even help arrange a supervised real-life meeting between them.
* Played with in ''Series/{{Being Human|UK}}''. Ivan mentions offhand that he can pass along messages to the other vampires in Bristol easily, because [[CrowningMomentOfFunny most of them follow his Twitter feed]]. A later episode has a vampire use YouTube to distribute a video of Tom and George transforming into werewolves. [[spoiler:This backfires when the people who see the video chalk the whole thing up to special effects, and it completely fails to throw the human world into the panic he anticipated]]. On the other hand, that same vampire seems to consider new media as a potential tool humans have to stay connected and win against any vampire attacks ("If you try to attack them, they'll have an army together within minutes. Over ''Twitter''.") and his desire to take advantage of it is just his view that it's a powerful tool for anyone.
* In ''Series/OnceUponATime,'' ten-year-old Henry is the only one in the cursed town of Storybrooke who put together who was who under the LaserGuidedAmnesia and used a book of fairy tales to help unravel the mess. His adopted mother (the Evil Queen) wanted him to put down the fairy tales so she could go back to bullying the townsfolk without distraction. So, she burns down the playground and "compensates" the boy with a video game system (because, of course, playing those games will make sure he never thinks about storybooks or fairy tales...) Would have probably worked better if the kid's game of choice didn't turn out to be ''[[Film/{{Tron}} Space Paranoids]]''.
* ''Series/BlackMirror'' is pretty much ''New Media Are Evil: The MiniSeries''.
* Not necessarily evil, but Mick and Josef in ''Series/{{Moonlight}}'' bemoan the modern Internet-based catalogs for {{High Class Call Girl}}s. They preferred the "good old days" of driving by girls standing on street corners or old-school brothels. For some reason, they assume that these things don't exist. They do, they're just not "high class". Then again, we're never shown them (even in flashbacks) visiting prostitutes, so this is likely more of a NostalgiaFilter.
* ''Series/CriminalMinds'' devoted an entire episode to a killer who targeted victims based on their Twitter feeds, and portrayed the Twitter users as drug addicts. (The episode also took time out of its schedule to blast the concept of "selfies".)
* In the BBC reality show, ''Series/ISurvivedAZombieApocalypse'', the virus that created the zombies came from an 'untested new Wi-Fi grid' that mutated some of the British public and was transmitted through their smartphones.
* ''Series/{{Castle}}'' has an episode where a killer believes and acts out on this. [[spoiler: He was cyberbullied in high school before any precedents were set, meaning the kids who he believes ruined his life weren't charged]]. Therefore, he targets "Snapomatic" (basically Instagram, with a bit of Snapchat thrown in for flavor) celebrities, even using apartment-sharing programs and 3D printers. His ultimate plan involves [[spoiler: capturing the creators of Snapomatic and subjecting them to torture in the high school where he was bullied, all under a live feed on Snapomatic where users can vote for which one survives]] to prove how corrupt New Media are making America. He is called out on this by the main characters, who maintain a more balanced view. The very minor subplot of the episode is Castle filming a "web-mercial" for his latest book because of the positive power he believes the internet has.

* The song "Tu es nicht" by the German band "Die Ärzte" parodies this.
* "Tele-Vee-Shun" by Creator/StanFreberg, a calypso complaint about the power of the small screen.
* Music/MirandaLambert's "Automatic" has traces of this:
-->Hey, whatever happened to\\
Waiting your turn, doing it all by hand\\
'Cause when everything is handed to you\\
It's only worth as much as the time put in\\
It all just seemed so good the way we had it\\
Back before everything became automatic
* Music/AlanJackson's "I Still Like Bologna" averts this. Throughout the song, he points out that he has no problem with technological advancement (specifically citing the joys of the Internet, cell phones, plasma TV, and so on), but says that there are still certain things that no amount of technology will replace:
-->Well, I guess what I've been trying to say\\
This digital world is okay\\
It makes life better in a lot of ways\\
But it can't make the smell of spring\\
Or sunshine or lots of little things\\
We take for granted every day\\
Oh, and I still like bologna on white bread now and then\\
And the sound of a whippoorwill down a country road\\
The grass between my toes, that old sunset sinking low\\
And a good woman's love to hold me close
* Music/ArcadeFire does touch on this trope a few times, especially thoughout their album "Reflektor" and in the song "Deep Blue", with the ending making this plea to the audience:
-->Hey, put the cell phone down for a while,\\
Hey, put the laptop down for a while
* Music/{{Moby}} and the Void Pacific Choir made a song that may as well be the theme song of this entire trope, "[[https://www.youtube.com/watch?v=VASywEuqFd8&ab_channel=Moby Are You Lost in the World Like Me?]]", which ironically was liked on Buzzfeed and [=YouTube=] quite a lot.

[[folder:New Media (are evil)]]
* In this GagDub of an animated adaptation of ''Literature/TheLordOfTheRings'', Galadriel reveals to Frodo the horrifying future when [[http://www.youtube.com/watch?v=CQC_iqVGvUM&NR=1 Facebook will become like MySpace]].
* {{Creator/Hulu}}'s hilarious ad campaign features celebrities from Creator/{{NBC}} and {{Creator/FOX}} shows ([[Series/ThirtyRock Alec Baldwin]], Creator/SethMacFarlane, Creator/ElizaDushku, and now [[Series/RescueMe Denis Leary]]) admitting that television does in fact rot your brain, and that Hulu will rot it even more due to its convenience. They then admit that they are aliens who want to drink your liquefied brain mass.
* Having to be fully aware of the irony, Creator/DougWalker had a rant in one of his WesternAnimation/TheLegendOfKorra vlogs about how the internet and iPhones make us scared to be alone.
* ''Website/ClickHole'' parodies VideoGame related moral panics with the steadily more and more absurd [[http://www.clickhole.com/blogpost/ability-play-bowser-has-made-our-society-more-evil-1644 The Ability To Play As Bowser Has Made Our Society More Evil]].
* [[http://www.mezzacotta.net/garfield/?comic=2395 This]] ''Webcomic/SquareRootOfMinusGarfield'' comic has Garfield angst over the demise of old technology like VHS tapes and [=CRTs=] and their subsequent replacement by [=DVDs=] and [=HDTVs=]. (The author's note [[AuthorTract goes even further]].)

[[folder:Newspaper Comics]]
* The ''ComicStrip/DickTracy'' newspaper comic did a story arc where they essentially shilled for the [[CorruptCorporateExecutive RIAA]], portraying people who pirate movies and music as not only being literal thieves (they beat up guards and steal stuff out of warehouses so they can... make bootleg copies of it), but equivalent to drug dealers, including making ridiculous, over-the-top new villain characters in the style of characters like Babyface to represent internet piracy. It even included panic-mongering in the form of notes to parents that "If your kids download music, you can pay the price!" with an image of a cop car zooming up to a house with its siren running, presumably so the cops can kick in the door and slam the parents to the floor, handcuffing them and hauling them right to jail because their daughter downloaded "Slave 4 U". (Of course, all indications are that the guy writing these comics is completely and totally ''insane'' at this point, but being the RIAA's henchgoon is just a new twist.)
* In ''ComicStrip/CalvinAndHobbes'', Calvin's dad refuses to buy a VCR because "It's bad enough we have a TV."
** Of course, that probably has more to do with Calvin's taste in programming and tendency to watch at all hours than any inherent hate of the medium itself.
** In one of his notes, Watterson himself called TV "the favorite drug of the 20th Century".
** To further drive the point home, Calvin has notably never had a single video game console, and his father stated the same thing about [=VCRs=] about computers ''and'' the internet. He also believes transportation should have stopped with the bicycle and rants about too many choices at the supermarket. Watterson has made none-too-subtle attacks on comic books-- or at least UsefulNotes/TheDarkAgeOfComicBooks, which was in full swing at the time-- where they are portrayed as absurdly violent and bloody.
** This attitude was mocked in a Sunday strip, where Calvin reads [[UsefulNotes/TheDarkAgeOfComicBooks Dark Age]] send-up comic book that ends with the NinetiesAntiHero getting his spine violently shattered by a villainess's ray gun. Visibly rattled from the intensity, he leaves to watch something on television, only for his mom to turn it off and tell him to read something because "there's too much violence on TV".
* ComicStrip/MaryWorth would like you all to know that if you use the internet, you will fall in love with a criminal, be deceived by someone pretending to bray your long lost child, and have your identity stolen. Facebook is not to be trusted!
* ''ComicStrip/{{Candorville}}'' has it both ways -- the anthropomorphized "[[OldMediaAreEvil Mainstream Media]]" is a loudmouth and a fearmonger, but "The Internet" is paranoid and dubiously sane.
* One ''ComicStrip/{{Luann}}'' involves [[NoodleIncident entirely unspecified]] fears.
--> '''Luann's father:''' "I read an article on what kids do these days on the Internet. It's scary."
--> '''Luann's mother:''' "Do you think our daughter's doing something like that?"

* Played with in a promotional comic for Bally's ''Pinball/SpaceInvaders'' pinball machine. In the story, people who play the ''VideoGame/SpaceInvaders'' video game become enraptured by it to the point of ignoring everything else around them. On the other hand, the long lines of people who want to play the mesmerizing new ''Space Invaders'' pinball is treated as a curiosity.
* In ''VideoGame/CrueBall'', this is the initial excuse given by Craig for his crusade against Heavy Metal music.

[[folder:Professional Wrestling]]
* Not exactly "[[WorkedShoot fictional]]" examples but Wrestling/ChrisJericho and Wrestling/{{Edge}} have both rallied against chat rooms. Jericho's was over a match with Wrestling/RobVanDam that got surprisingly negative reviews(even though most of the commentators actually said it was good, making it more like CheapHeat), while Edge lashed out in a promo about vilification him and Wrestling/{{Lita}} got sleeping behind his wife and Wrestling/MattHardy.
* During the 2016 ''[[Wrestling/RingOfHonor Road To Best In The World]]'', Silas Young campaigned against video games, which he claimed were killing wrestling.[[/folder]]

[[folder:Video Games]]
* ''VideoGame/CityOfVillains'' parodies this with the Television contact, where the player (as a supervillain) is influenced into destroying books and fighting another contact who happens to be a sentient Radio, entirely so that everyone will have to Watch More Television.
** Of course, rather earlier, you can get missions from the Radio contact where you go around blasting TV stations, so really it's got the whole spectrum covered.
* This seems to be a pretty big plot point in ''VideoGame/{{Mother 3}}'', as it concerns an evil dictatorship slowly transforming a quiet rural culture into a full-fledged technological cityscape. Most blatant are the "Happy Boxes", which look like television sets or computer monitors, and anyone that ''doesn't'' own one has their house struck by lightning multiple times. Naturally Lucas, being the OnlySaneMan in this situation, is one of the few that doesn't have one. [[WordOfGod Itoi himself in]] [[http://mother3.fobby.net/interview/m3int_03.html this interview]] [[WordOfGod states]] that the Happy Boxes don't represent [=TVs=] or computers or anything. They're just abstract things. This happened before in the form of Midnight Radio, so that whenever it happens it's whatever the New Media at the time is.
* One of the radio stations in ''VideoGame/GrandTheftAutoIII'' has a person call in to say how evil telephones are, and is promptly asked about it by the host of the radio show. "[[FunWithAcronyms Citizens Raging Against Phones]]" -- she's calling from a pay phone, and concedes that it's been hard to organize meetings.
* In ''VideoGame/KnightsOfTheOldRepublic'', the Sand People of Tatooine do not keep written records for the same reasons Socrates mentioned - to write it down cheapens it and makes it something one can remove from the tribe. [[spoiler:Of course, another reason for it could be that their ancient ancestors revolted against the Rakata, and slaves are often prevented from literacy. Having no written language prevents having any knowledge turned against them.]] They also have a BerserkButton for any outsider attempting to interpret the words differently than them, as they feel it can potentially twist the story for future generations. This is carried further elsewhere in the expanded universe: Sand People maintain all of their stories through a master-and-apprentice system of storytellers. If the apprentice ever mispronounces a word or makes a mistake while retelling a story, the master kills him or her on the spot. Once an apprentice can recite all of the tribe's stories word-perfect from memory, they become the new storyteller and the old one walks off to die. So theoretically they don't ''need'' new media, but in ''KOTOR'' HK-47 remarks that errors are likely to have crept in over time despite this, and that in any case the original legends are based on primitive peoples attempting to explain real-world events they could barely comprehend by mythologizing them, so even if they've been ''remembered'' completely accurately from the original source, they're still not fully accurate history. ([[SchmuckBait Don't suggest this to the storyteller or he'll try to kill you.]])
* In ''VideoGame/AgentUSA'', an evil television set known as the Fuzz Bomb is traveling around the country turning the citizens into static zombies.
* In VideoGame/ShinMegamiTenseiIV, the angels consider any book that tells a story this. [[spoiler:This is not really new media. The angels cast a portion of humanity they considered "worthy" out of modern day Tokyo and made them think they were living in a medieval type of society.]]
* ''VideoGame/PhantasyStarOnline2'' has [[spoiler:ESC-A, a shiny new operating system that runs on the Ethernet, a futuristic version of the Internet]] and is mysteriously connected to the Phantoms, a destructive threat plaguing planet Earth.

[[folder:Web Comics]]
* ''Webcomic/HeadTrip'' [[http://headtripcomics.comicgenesis.com/d/20070420.html warns]] about the dangers of games. Like eating only cherries and fearing the ghosts after PacMan. [[foldercontrol]]

[[folder: Error: [[Moral Guardians Jack Thompson ]]
not found]].
-->'''Mal''': Maybe I'll roll him over with a giant ''[[VideoGame/KatamariDamacy ball]]'' so he can blame cracked-out Japanese games for his death. I'm sure it's the way he wants to go.
* ''Webcomic/{{Chainsawsuit}}'' [[http://chainsawsuit.com/2008/06/18/strip-15/ headlines]]: ''"''VideoGame/GuitarHero''" implicated in child death last week''. Later sums up the whole dream [[http://chainsawsuit.com/2009/04/21/strip-200/ in 3 panels]]. Also, "[[http://chainsawsuit.com/2011/06/16/laws-and-order-cybertime/ laws and order: cybertime]]".
* Parodied in [[http://www.penny-arcade.com/comic/2006/06/02/ this]] ''Webcomic/PennyArcade'' strip, reporting on the "Naughty Nobs" of the Etch-a-Sketch.
* Called out by ''Webcomic/{{xkcd}}'' in [[http://xkcd.com/1601/ "Isolation"]], pointing out that people have been saying that media isolates people from the world since the 1840s if not earlier.
-->'''Megan:''' ''Dude.'' it's been ''two centuries''. ''Take a hint.''
* Parodied at one point in ''Webcomic/PS238'', when a SuperVillain laments that his grandson would rather stay home and play ''VideoGame/GrandTheftAuto'' instead of going outside and committing real crimes.

[[folder:Web Original]]
* ''WebVideo/ToBoldlyFlee'' viciously parodies this trope for all it's worth. A huge subplot is the impending government bill SUCKA, which is a satirizing of the SOPA bill. The government official trying to push it through and deliberately shut down internet reviews is named Lame R. Prick (the person who sponsored SOPA was named Lamar Smith), and he is ridiculously clueless as to how the internet and computers actually work (he tries to turn one on by smacking the monitor, and tells his assistant at one point "I only write Internet policy, I don't understand how it works!"). In the commentaries, the reviewers had a good bit to say about their time fighting against SOPA, and their opinions on whatever is coming next.
* ''WebAnimation/NapsterBad'': A lot of shorts feature the characters complaining about the threat that this new "interweb" invention poses to life at large - specifically, the series was made to mock Music/{{Metallica}} over their anti-piracy stance, back when pirate sites like Napster and Kazaa were all the rage.
* The Venezuelan NewsParody ''[[Blog/ElChiguireBipolar Chigüire Bipolar]]'' mocked the government's above-mentioned stance against war videogames (and toys) with some articles: [[http://www.elchiguirebipolar.net/26-08-2009/videojuegos-y-juguetes-belicos-trancan-calles-de-caracas/ War videogames and toys block Caracas' streets]], [[http://www.elchiguirebipolar.net/04-06-2010/fuerza-armada-despliega-operativo-belico-para-destruir-juguetes-belicos/ Armed Forces deploy war operation to destroy war toys]] and [[http://www.elchiguirebipolar.net/04-08-2009/chavez-%E2%80%9Cninos-deben-abandonar-videojuegos-violentos-y-salir-a-jugar-en-las-calles%E2%80%9D/ Chávez: "Children should abandon violent videogames and go out to the streets"]].
* There is a well known Russian text called ''[[https://lleo.me/arhive/humor/serafim.htm The letter of Father Seraphimius]]'', where the titular priest tries to understand modern technology used by his men (written in an exaggeratedly archaic language analogous to FloweryElizabethanEnglish). It ends with him locking away the main computer user, and throwing the electronics into the river.

[[folder:Western Animation]]
* A memorable episode of ''WesternAnimation/TheProudFamily'' portrayed downloading songs from the Internet as being like drug addiction. Napster (or, as they called it, "E-Z-Jackster") is ''eeeeeeeevil''. It also shows how downloading stuff for free severely effects the economy causing people to lose jobs.
* Another Disney series, ''WesternAnimation/AmericanDragonJakeLong'' did an episode which rips into blogging: when Jake goes online and vents about his annoying teacher, every magical creature in the city immediately assumes he's putting out a public contract on the man's life, and the assassination attempts commence. This may be an example of BeCarefulWhatYouWishFor.
* In an episode of ''WesternAnimation/JackieChanAdventures'', Uncle, who is a real wizard and not technology-savvy, embraces the internet for the the first time. After everything on the screen disappears, he concludes that the internet is evil and a creation of demons, and proceeds to literally "crash" Jade's laptop.
** He later ''cast an entire exorcism spell'' after his fax machine began printing for the first time. In his defense, the first thing it printed was a symbol for an medieval cult that used evil magic.
* ''WesternAnimation/KingOfTheHill'' episode "Lost in [=MySpace=]" double-subverts this. One of Hank's co-workers gets so into [=MySpace=] that her performance at Strickland Propane suffers, which brings her into conflict with the hard-working Hank. She sets a FlashMob after Hank and they decide to beat him up, except that they attacked Buck Strickland instead, which gets her fired. At the end of the episode Hank tracks the woman down (using [=MySpace=]) to talk things out and she explains that she was just looking for a way to make work more fun; Hank convinces Buck to re-hire her as Strickland's social media manager and everyone's happy. Thus the episode's "villain" isn't social media itself but the unhealthy obsession with it, leading to a standard "All things in moderation" {{Aesop}}.
* Averted in an episode of ''WesternAnimation/MuppetBabies.'' The babies all play video games, but Piggy and Gonzo keep hogging the system in a fierce rivalry over ''[[BlandNameProduct The Tale]] [[VideoGame/TheLegendOfZelda of Imelda]]''. In addition to featuring some [[ShownTheirWork surprisingly obscure gaming references]], the {{Aesop}} of the episode is about sharing and good sportsmanship, as opposed to there being anything wrong with the games themselves.
* Done a bit straighter in ''WesternAnimation/{{Doug}}'', where the title character's obsession with a videogame console quickly begins wrecking his grades and personal life. Instead of turning this into a reasonable lesson on setting priorities and self-regulating one's behavior, Doug is more or less ''only'' able to function normally after he ditches the console.
* Played very straight by ''WesternAnimation/TinyToonAdventures'', which had several TakeThat jabs at videogames as being a mindless, corrupting waste of time[[note]]That cartoons themselves have faced the exact same accusation from MoralGuardians for ''decades'' was apparently lost on the writers.[[/note]], taking its criticism of them into outright vitriol on occasion.
** [[{{Irony}} Of course the show had plenty of games based on it.]]
** Even more ironic, Steven Spielberg is a gamer himself. He was reported to have visited Sega on occasions and played their games before anyone else, and eventually went on to develop the game series ''VideoGame/BoomBlox''.
* On ''WesternAnimation/FamilyGuy'', Peter's ignorance was initially attributed to watching too much television in the first season episode "I Never Met the Dead Man," though DependingOnTheWriter, it has also been attributed to alcohol abuse and mild mental retardation.
* Played with on the ''WesternAnimation/RickAndMorty'' holiday episode "Anatomy Park", where Jerry takes away the family's phones for a day of socializing with their family. At the end of the episode, everyone enjoyed themselves even without their devices, deciding to take a break and check on them once more. This happens to be when Rick steps in (who, mind you, had been absent for most of the episode) and chastises the family for being on their phones.