[[quoteright:350:[[Music/QueenBand https://static.tvtropes.org/pmwiki/pub/images/queen_live_killers.jpg]]]]

For many music fans, a live show is one of the best ways to listen to music. Playing a record is great, but it just can't compare to the roar of the crowd, the fantastic improvisations, the AudienceParticipation, the band saying things between songs, or [[SexDrugsAndRockAndRoll the smell of certain illicit substances]]. But what do you do if the band you want to see live has broken up, or you can't afford to see them, or you live at the other side of the world, or the concert you want to see was a once-in-a-lifetime event that will never be repeated again? Well, you buy the live album, of course!

Live albums are pretty self-explanatory - they are recorded at a show, normally coming from the soundboard. Some live albums are recorded at just one concert, while others are recorded at several different concerts (sometimes spliced together to make them seem like they came from the same show). Sometimes the songs sound pretty close to how they are on the record, but with some artists, live versions can take on a completely different feel. (For example: the studio version of "Whipping Post" by Music/TheAllmanBrothersBand is about five minutes long, a pretty standard length for a song from that era. The live version on ''At Fillmore East''? [[EpicRocking 22 minutes!]]) Some artists like to spice up their live albums by [[RearrangeTheSong rearranging the songs]], such as playing them [[UnpluggedVersion unplugged]] or adding a [[Music/{{Metallica}} symphony orchestra]].

The quality and importance of live albums varies greatly depending on the artist and genre of music. Many live albums are seen as inessential or just [[MoneyDearBoy quick cash-ins for the record label]]. It may even be a ContractualObligationProject, or in some cases a way for a band to quickly terminate a contract and move elsewhere. Even more if the artist just died and everybody is mourning him, the studios always have some spare unreleased live recordings to take advantage of the moment. But in other cases, especially in rock and jazz, they are seen as just important as their studio albums. Some huge touring bands, like Music/TheGratefulDead and Music/PearlJam have many more live albums than studio recordings! Often, classic artists like Music/BobDylan and Music/TheWho will unearth live albums long after they were actually recorded and release them for fans. Another factor are the edits done after the recording: some artists may edit the songs so much that it basically turns into a standard studio album with crowd roars at the begining and end, while others may prefer to release it mostly untouched, so that it feels as close to the real experience as possible.

Many fans like to make bootlegs, unofficial live albums recorded at a show without the record company's permission. Artists have had varying opinions on this, with some hating bootlegs to the extent that they try to sue bootleggers and [[DigitalPiracyIsOkay some encouraging bootleggers]] so much that they will have their own "official bootlegs" on their website for download. Some bands will occasionally take bootlegs and release them officially. Be warned before you give bootlegs a try - because they are not officially released, the sound quality usually varies.
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!!Examples of famous live albums:
* Music/TheAllmanBrothersBand: ''At Fillmore East''. ''Eat a Peach'' partially counts, as half of it was done in the studio while the other half (mostly the 33-minute epic "Mountain Jam") is live.
* Music/AnimalCollective: ''Hollinndagain'', a unusual example in that the album consists entirely of original material that cannot be found on any studio albums -- with the exception of "Lablakely Dress" which appears on ''Danse Manatee''. Because of this, some consider it to be the band's third album.
* Music/TheBand: ''Rock of Ages'', recorded at a 1971 [[NewYearHasCome New Year's Eve]] show in New York City. The soundtrack to ''The Last Waltz'' is another example.
* Music/TheBeatles: Their album ''Music/LetItBe'', the soundtrack to the concert film ''Film/LetItBe'', was supposed to be this, with the band rehearsing and recording their new songs live. The sniping and tension within the band (as well as the creative funk John Lennon was mired in at this time) led to several songs being dubbed or altered in the studio, most infamously Paul's "The Long and Winding Road". However, despite all the band's problems seven tracks were still laid down live: "I've Got a Feeling", "One After 909" and "I Dig a Pony" from the Apple rooftop performance, and "Get Back", "Two of Us", "Dig It" and "Maggie Mae" from studio performances. The entirety of the Apple rooftop concert, meanwhile, has gone on to become one of the most bootlegged of all the Beatles' material.
** Most of ''Music/PleasePleaseMe'' was this. After the band's second single, "Please Please Me", shot to the top of the UK charts, EMI wanted an album in a hurry. The Beatles and George Martin convened in the studio on February 11, 1963 and over a little less than ten hours recorded ten more songs, which were added to the A and B sides of the first two singles and put out as an album. The original plan was to record the band actually performing at a local club, but sound issues hampered this.
** Music/TheBeatles' only official live concert album released was of their [[http://en.wikipedia.org/wiki/The_Beatles_at_the_Hollywood_Bowl two performances at the Hollywood Bowl]] (each recorded a year apart). Unfortunately, despite producer George Martin's best efforts, much of the master tapes were deemed unlistenable, and the sound quality was just absymal in general. It wasn't re-released until 2016, when a remastered, remixed, and expanded version from newly discovered tapes came out in concert with the documentary ''Eight Days A Week''.
** The only other official live Beatles album is ''Live at the BBC'', a compilation of [[ExactlyWhatItSaysOnTheTin The Beatles' live performances (with some chatter) on BBC radio programs.]] Amusingly enough, since many of the master tapes from these performances had been erased or taped over, Apple had to rely heavily on bootleggers[[note]]and even had to splice in the solo in "A Hard Day's Night" from the studio version, since it was missing from their source[[/note]] for much of the material on the album, leading to widely varying sound quality from song to song.
** An unofficial release of The Beatles' performances [[http://en.wikipedia.org/wiki/Live!_at_the_Star-Club_in_Hamburg,_Germany;_1962 from their last sojourn to Hamburg]] was made in 1977, with The Beatles themselves trying and failing to block its release.
** There's a low-quality bootleg of their final official concert floating around. Unfortunately, it cuts out [[NoEnding in the middle of a song.]]
* The Music/BlueOysterCult have released five live sets. The increasing proficiency of the band [[note]]Unofficial motto: ''On Tour Forever''[[/note]] can be charted across the first three. The original double set ''On your Feet! Or On your Knees'' showcases a powerful, energetic, group doing quality hard rock, but who were still a bit unpracticed, loose and uncertain, and needed to tighten things up a little. It suffers from over-long solos, the curse of heavy rock. By the third, ''ExtraTerrestrial Live'', they have matured as a live act with a really tight, professional, performance. The one in between, ''Some Enchanted Evening'', is so-so by comparison, and only makes sense in the CD release where it is accompanied by a DVD concert footage video. The band wanted to make a live concert film, but in the event could only release the audio track as a live LP. It was only with the advent of DVD that the original concept could be released.
* Music/DavidBowie's live discography is roughly as sizable as his already extensive studio discography, with live releases especially picking up in frequency after his death; some of them are official versions of releases previously put out by his old managers without permission, others were formerly popular bootlegs. His first two live albums, ''David Live'' and ''Stage'', also received expanded releases in the 21st century to address criticisms audiences had with the original releases.
* Music/JamesBrown: ''Music/LiveAtTheApollo''.
* Music/DavidByrne put out four live albums so far during his solo career.
** Two of them, ''Live from Austin, Texas'' and ''Live at Carnegie Hall'', are archival releases respectively taken from the supporting tour for ''Music/LookIntoTheEyeball'' and a one-off performance with Caetano Veloso in 2004.
** The other two, ''Everything That Happens Will Happen on This Tour – David Byrne on Tour: Songs of David Byrne and Brian Eno'' and ''David Byrne's American Utopia On Broadway (Original Cast Recording)'', were more contemporary releases taken from the supporting tour for ''Music/EverythingThatHappensWillHappenToday'' and the ''Music/AmericanUtopia'' Broadway residency, respectively. The latter is functionally an expanded version of the live EP ''"...The Best Live Show Of All Time" —NME'' (included with the deluxe edition of ''American Utopia'') and acts as a companion piece to the Creator/SpikeLee-directed ConcertFilm ''David Byrne's American Utopia''. And yes, the album titles are all that long.
* Music/CaptainBeefheart: He only has one: ''Music/BongoFury'', in collaboration with Music/FrankZappa, where Beefheart is basically the supporting act and only has a couple of songs where his vocals are the lead.
* Music/JohnnyCash: ''At Folsom Prison'' and ''At San Quentin'' were both recorded at those prisons, and were responsible for putting Johnny back in the limelight in the late '60s.
* Music/CheapTrick: ''At Budokan'', which not only put the band on the map in the U.S. but is considered better than any of their studio albums. The versions of "Surrender" and "I Want You To Want Me" are played more often on radio stations than their studio recordings.
* Music/JoeCocker: ''Film/MadDogsAndEnglishmen'' (1970), which was also made into a ConcertFilm.
* Music/JohnColtrane had several live albums, but ''Live! at the Village Vanguard'' is the most famous by far.
* Creator/BillCosby: ''AudioPlay/IStartedOutAsAChild'' (1964) is a stand-up comedy album where he first told funny stories about childhood, a theme that he would later elaborate on during other records and would inspire ''WesternAnimation/FatAlbertAndTheCosbyKids''.
* Music/DaftPunk: ''Alive 1997'', and more importantly, ''[[IdiosyncraticEpisodeNaming Alive 2007]]''. The latter was their first album that they won a Grammy for, and was received ''[[SugarWiki/AwesomeMusic very]]'' well. Both albums combine elements of the band's separate songs mixed into new stuff, and are both technically [[FadingIntoTheNextSong one continuous track]].
* Music/DarkAngel has their ''Live Scars'' EP.
* Music/DeepPurple: They have two famous live albums, the first one oddly enough a collaboration with the Royal Philharmonic Orchestra ''Music/ConcertoForGroupAndOrchestra'' (1969), the other the rock classic ''Made in Japan'' (1973). The band was not originally interested in releasing a live album, but the success of ''Made in Japan'' increased their album sales and concert attendance to new heights.
* Music/DepecheMode has three "main" live albums: ''101'' (a companion piece to the ConcertFilm of the same name), ''Songs of Faith and Devotion Live'' (simply a front-to-back live rendition of ''Music/SongsOfFaithAndDevotion''), and ''Live Spirits Soundtrack'' (a companion piece to the ConcertFilm ''Spirits in the Forest''). Then there's ''Recording the Angel'' and ''Recording the Universe'', an elaborate series of live [=CDs=] respectively documenting the supporting tours for ''Music/PlayingTheAngel'' and ''Sounds of the Universe'', and the soundtrack [=CDs=] included with various other live [=DVDs=].
* Music/BobDylan has ''The Bootleg Series'', a selection of [[ExactlyWhatItSaysOnTheTin bootleg recordings]] recorded at varying points in his career.
* Music/BillEvans had several live albums but two of them, ''Sunday at the Village Vanguard'' and ''Waltz for Debby'', were not only recorded at the same venue with the same band on the same day (Evans on piano, Scott [=LaFaro=] on bass, Paul Motion on drums, June 25, 1961), but are the most famous and most beloved albums he ever made. Tragically, bass player [=LaFaro=] was killed in a car accident eleven days after they were recorded.
* Music/{{Fishmans}}: ''Otokachi no Wakare 98.12.28'' is their most well-known album, and the top-rated live album on [=RateYourMusic=]. The show was intended as a farewell show to their bassist. It ended up being their final concert period, as Sato, their singer, passed away three months later.
* Music/PeterFrampton: ''Frampton Comes Alive!'', which put him on the map in the U.S.
* Music/PeterGabriel has five live albums in his discography.
** The first, ''Plays Live'', documented the supporting tour for ''Music/{{Security}}''. Some CD releases truncate it to the one-disc ''Plays Live Highlights'', which officially supplanted the full version in the 2002 remastering campaign; the full double-disc album wouldn't return to print until 2021. ''Plays Live'' notably features the only officially-released version of "I Go Swimming", an outtake from ''Music/{{Melt}}'' (the studio version of which remains unreleased outside of bootlegs).
** The second, ''Music/SecretWorldLive'', acted as a companion piece to the ConcertFilm ''Secret World''. The album features a slightly different tracklist from the latter, swapping out [[Music/{{Security}} "San Jacinto"]] for [[Music/{{So}} "Red Rain"]]. Both songs would be included on the streaming release of the album and the Blu-ray release of the film.
** The third, ''Live Blood'', acted as a companion piece to both the CoverAlbum ''Scratch My Back'' and the re-recordings album ''New Blood''. The album features Gabriel performing orchestral renditions of both his own songs and songs by other artists, conducted by ''Series/DoctorWho'' orchestrater Ben Foster.
** The fourth, ''Back to Front: Live in London'', was a companion piece to the ConcertFilm of the same name. Both the album and film are taken from the Back to Front tour, conducted to celebrate the 25th anniversary of ''Music/{{So}}''. The album notably features not only the entirety of ''So'' performed in sequence, but also the new piece "Daddy Long Legs", which would later be reworked for ''i/o'' as "Playing for Time".
** The fifth, ''Growing Up Live'', was taken from the supporting tour for ''Music/{{Up|PeterGabrielAlbum}}'' but wasn't released until 2019. The album is only available on vinyl and as a digital release.
* Music/{{Genesis|Band}} has had six live albums over the course of their career.
** The first, simply titled ''Live'', was created in fairly short order (to buy time for the band to finish recording their fifth studio album, ''Selling England by the Pound'') from tapes of the band recorded by King Biscuit Flower Hour (a syndicated radio show based on live concerts). Plans for a double-sided album were nixed fairly early on to ensure teenagers could afford it.
** The second, aptly titled ''Seconds Out'', was released concurrently with guitarist Music/SteveHackett's departure from the band, and thus effectively acted as the final note for the band's ProgressiveRock period before their shift to increasingly radio-friendly material (though not without some leftover prog touches) from ''Music/AndThenThereWereThree'' onwards.
** Their third live album, ''Three Sides Live'', incorporated a new studio side of non-album songs; when the album was released in Europe (where those songs had been released as singles and EP's), it was instead with a fourth side of older live recordings.
** ''The Way We Walk'' was unusual in that it was a DistinctDoubleAlbum split across two separate releases. The first volume, ''The Shorts'', contained performances of their pop rock material, with the longest track being just over seven minutes. The second volume, ''The Longs'', featured EpicRocking ProgressiveRock songs, with only one track being shorter than ten minutes (the 6-minute "Drum Duet").
* Music/TheGratefulDead, in addition to hundreds of live albums they already have, tweaked the idea for 1968's ''Music/AnthemOfTheSun'', which splices several concerts together and jumps back and forth from live to studio.
* Music/GreenDay: ''Bullet in a Bible'', and ''Awesome as Fuck''. The latter contains the song "Cigarettes and Valentines", the title track to an album that was [[WhatCouldHaveBeen recorded but never released due to stolen master tapes]].[[note]]Those master tapes have since been recovered.[[/note]]
* Music/GeorgeHarrison's ''Music/TheConcertForBangladesh'' was recorded from the 1971 charity concert of the same name. This live album also got the distinction of winning the MediaNotes/GrammyAward for Best Album of the Year in 1973.
* Music/IronMaiden: ''Live After Death'' is considered to be one of the greatest live albums ever made, receiving universal acclaim from music critics and fans alike. It was also on Loudwire's retrospective list for the "Top 10 Best Metal Albums of 1985", holding the distinction of being the ONLY live album to make it on that list. It received perfect scores from ''Sputnikmusic'' and ''Kerrang!'', both notably agree that it is possibly the greatest live album to ever have been made, while [=AllMusic=] rewarded four and a half stars commenting that it is easily one of ''Main/HeavyMetal'''s best live albums. It has since been certified Platinum by the RIAA.
* Music/JimiHendrix: ''Music/BandOfGypsys'' is his most beloved concert album.
* Music/JeanMichelJarre:
** His most well-known live album has to be his first, the platinum double-album ''The Concerts in China''. It's remarkable for sounding the least of all his live releases like the studio albums. At his first concert in Paris in 1979, he piled up his entire studio on stage. Obviously, this was out of question when he flew to freshly post-Mao China, accompanied by other musicians for the first time. Also, these must have been his only performances in the 20th century without backing tracks.
** The other live albums from TheEighties, ''In Concert Houston-Lyon'' and ''Jarre Live'', not only sound quite close to the studio recording plus a few live additions, but they're also painfully shortened -- not only do they not contain all pieces of music from the concerts (''In Concert Houston-Lyon'' even tried to cover two shows), but most pieces are cut in length. Besides, especially the Lyon footage is more studio overdub than actual live recordings. There was a LimitedSpecialCollectorsUltimateEdition album box named ''The Laser Years'' which was sought-after just for one album, ''Cities in Concert Houston-Lyon'' with the same tracklist as ''In Concert Houston-Lyon'', but uncut. When Jarre had his albums remastered in 24 bit in TheNineties, ''In Concert'' was fully replaced by ''Cities in Concert''; ''Jarre Live'', however, was only renamed ''Destination Docklands''.
** ''Hong Kong'' {{avert|edTrope}}s ExactlyWhatItSaysOnTheTin: Only "Fishing Junks at Sunset" (or the second half which is all that survived remastering and reducing the album from two [=CDs=] to only one) was actually recorded in Hong Kong -- during the dress rehearsal. Everything else was taken from recordings of the 1993 ''Europe In Concert'' tour which is the most obvious if you happen to own the ''Europe In Concert -- Barcelona'' VHS tape. That said, Jarre originally wanted to release a live album of another 1994 concert he planned to play in Düsseldorf. But after that concert was cancelled a few days before it would have happened, he had to release something else as a live album.
** Many of Jarre's shows have never seen an official live release; for example, the record-breaking 1990 mega-show ''Paris La Défense'' only got a VHS release cut from two hours down to one hour and twelve minutes. And after ''Hong Kong'', only one more live CD was released as part of the ''Jarre In China'' DVD box. Needless to say that bootleg recordings of Jarre's concerts have been around since TheEighties, often taped from live radio transmissions like the full two-hour ''Paris La Défense'' bootleg from Europe 2. Meanwhile, Jarre has encouraged his fans to record and bootleg his concerts, probably to not have to go through the hassle of releasing live double albums or the fans' anger after releasing another shortened live album.
* Music/JayZ and Music/LinkinPark: ''Collision Course'', supposedly the first entry in the "Creator/{{MTV}} Mashups" concert series but no further entries ever materialized. [[note]]The album is a two-disc set featuring studio versions on CD and a live concert DVD[[/note]]
* Music/EltonJohn has released four live albums. His most famous one was ''Music/LiveInAustraliaWithTheMelbourneSymphonyOrchestra'' in 1987, which was recorded in the last concert of his ''Tour De Force'' concert series in Australia. It's most well-known for him playing piano with the Melbourne Symphony Orchestra while weating a [[Music/WolfgangAmadeusMozart Mozart]]-style pompadour wig. The live version of "Candle in the Wind" from this concert series finally became a hit in the United States.
* ''Music/BrianJonesPresentsThePipesOfPanAtJajouka'': Despite its name, Music/BrianJones merely produced it and does not actually appear anywhere on the album. It's really live album for the Master Musicians of Jajouka, a Moroccan folk group, but the recordings were shortened somewhat because [[LeaveTheCameraRunning the actual length of these chants can stretch out to several hours]].
* Music/JoyDivision had a considerable number of live albums released posthumously. The first live release, the second disc of the 1981 compilation ''Still'', is notable for featuring Joy Division's only live performance of [[Music/NewOrder "Ceremony"]] while simultaneously lopping off the first half of the song and leaving most of Ian Curtis' vocals inaudible due to an engineering error at the show. Other concert recordings from the band's brief lifetime were included as bonus discs in collector's edition reissues as well as in standalone releases.
* Music/KingCrimson released a large number of live albums throughout their lifetime, especially after they shifted focus to the touring circuit in 2003. Their first, 1972's ''Earthbound'', particularly stands out for the fact that it was sourced from a cassette tape left in the rain in the back of a pickup truck. The album's consequent lo-fi sound quality meant that it wasn't released on CD until 2002, and it almost wasn't released at all back in the day.
* Music/{{KISS}}'s ''Alive'' is a bit of a {{subver|tedTrope}}sion, as many of the tracks were re-recorded or overdubbed in the studio to fix sound issues and flubbed notes. Still, it ended up making the band famous and has sold much higher than any of their studio albums. Indeed, much like with ''Frampton Comes Alive!'' by Music/PeterFrampton, the album was pretty much what broke the band into the mainstream.
* Music/LedZeppelin had ''Film/TheSongRemainsTheSame'', the soundtrack to the film of the same name. They also have ''BBC Sessions,'' the first disc of which is session recordings and the second is a live concert given on air. ''How the West Was Won'' is made up of concert recordings from 1972, but wasn't released until 2003. ''Led Zeppelin DVD'' is essentially a video live album, and contains footage from higher-quality bootlegs where the original concert recordings were either lost or unusable. ''Celebration Day'' gives a similar treatment to their 2007 reunion show.
** ''No Quarter: Page and Plant Unledded'' is a live album, albeit without John Paul Jones.
** Robert Plant has yet to release an official live album of his solo work, but bootleg recordings made it in as bonus tracks on re-releases of the albums on which they originally appeared, and he released an official bootleg available to download on his website in 2012.
* Music/JohnLennon: His first live performance as a solo artist can be found on Side 1 of ''Music/UnfinishedMusicNo2LifeWithTheLions'' (1969), but it's basically a recording of Yoko wailing minutes long, while John provides guitar feedback. Apart from that you can't hear the audience at all. [[note]] It was recorded at the university of Cambridge and only the first half of the concert. So not even the applause or audience reaction is heard [[/note]]. Lennon's first live album is ''Live Peace in Toronto 1969'' (1969) and the second half of ''Some Time in New York City'' (1972) is also live, featuring a heavily edited live performance with Music/FrankZappa. Zappa would later release an unedited version of this concert as ''Playground Psychotics'' in 1993.
* Music/BobMarley: Bob Marley & The Wailers released two live albums during Bob's lifetime, ''[[Music/LiveBobMarleyAlbum Live!]]'' (1975) and "Babylon By Bus" (1978). ''Live!'' in particular is widely regarded as one of the finest concert albums ever released, as it captures the magic of Bob's concerts like none of his other albums have ever managed to surpass.
* Music/{{MC5}}: ''Music/KickOutTheJams'', unusual in that it was their first album.
* Music/JohnMcLaughlin's ''Music/TheBostonRecord'' is completely live.
* Music/{{Metallica}}: ''[[IntentionallyAwkwardTitle S&M]]'', which adds a symphonic orchestra.
* Music/{{MGMT}}: ''11•11•11'', a recording of their performance at the Guggenheim Museum on that date, is noteworthy for not being released until the 11th anniversary of that event.
* Creator/MontyPython: ''AudioPlay/MontyPythonLiveAtDruryLane'' is their second live album.
* Music/{{Nirvana}} has two major ones, ''Music/MTVUnpluggedInNewYork'', released in 1994 and full of acoustic renditions of some of their work as well as cover songs, and ''Live At Reading'' released in 2009. There's also the compilation ''From the Muddy Banks of the Wishkah'', although it's not quite as well-known.
* Music/MikeOldfield only had one official live album[[note]]discounting live cuts included on deluxe editions of his studio albums[[/note]], that being 1979's ''Exposed''. The album features his most recent work-- "Incantations" and the non-album {{disco}} single "Guilty"-- as well as his most famous work, ''Music/TubularBells''. It features a full orchestra and choir.
* Music/PearlJam were the ones who started the '[[https://en.wikipedia.org/wiki/Pearl_Jam_Official_Bootlegs Official Bootlegs]]' tendency documenting every concert they played, which set ''Billboard'' records for most albums debuting simultaneously (5 in the first wave in September 2000, 7 in the second in February 2001).
* Music/PinkFloyd has five, released during and after their lifetime:
** The first disc of ''Music/{{Ummagumma}}'', which showcased the band in its early psychedelic period.
** ''Delicate Sound of Thunder'', made after Roger Waters's acrimonious split from the band and taken from the supporting tour for ''Music/AMomentaryLapseOfReason''.
** ''Pulse'', taken from the supporting tour for ''Music/TheDivisionBell'' featuring a full performance of ''Music/TheDarkSideOfTheMoon''.
** ''Is There Anybody Out There? The Wall Live 1980–81'', a collection of recordings from ''Music/TheWall''[='=]s tour released in 2000.
** ''Live at Knebworth 1990'', first released as part of ''[[BoxedSet The Later Years 1987-2019]]'' in 2019 before seeing a standalone release in 2021, and taken from the same tour as ''Delicate Sound of Thunder''.
* Music/{{Rush|Band}} has had several live releases going back to 1976, with their first live release All the World's a Stage. They would release a live album every few years, one of their most notable coming after a six-year hiatus as a result of drummer Neil Peart's personal tragedies. ''Rush in Rio'' was released in 2003, featuring their well-received performance in Rio de Janeiro, Brazil the previous year.
* Music/ElvisPresley Has had many official live releases both during and after his death. Among them: [[Music/ElvisNBCTVSpecial his 1968 comeback special]], ''In Person'' which is from Elvis' first Las Vegas engagement in 1969; ''On Stage'' which features extra tracks from his early Vegas years; "An Afternoon at the Garden" and "As Recorded Live at Madison Square Garden" from 1972; his famous global satellite show ''Elvis: Aloha from Hawaii'' from 1973; ''As Recorded live On Stage in Memphis'' from 1974 and ''Elvis in Concert'' from his last concert tour in 1977. And that's not even counting the multitude of bootleg albums released by ''Follow that Dream'' records which to date has released dozens of bootleg and soundboard recordings of Elvis shows. The most notorious concert album in his career is ''Music/HavingFunWithElvisOnStage'', a [[OverlyLongGag 35 minute collection of nothing but Elvis cracking jokes with the audience without any music or context.]]
* Music/{{Queen|Band}}:
** The most famous one is ''Live Killers'', situated near the middle of their career and produced by the band themselves. The album features performances from the supporting tour for ''Music/{{Jazz|1978}}'', many of which were overdubbed in the studio.
** ''Live Magic'', taken from the supporting tour for ''Music/AKindOfMagic'', is special because some of the recordings were made at Freddie Mercury's last concerts ever, but the editing is heavy-handed with many songs having verses removed. In the 21st century, several new live albums of varying quality made from 1970s or 1980s recordings have appeared.
** One of the most memorable Queen live albums is the posthumous release ''Live at Wembley '86'', recorded from their second of two shows at Wembley Stadium in July 1986; two tracks were previously featured on ''Live Magic'' in shortened forms. A re-release titled ''Live at Wembley Stadium'' (which was released along with a DVD of the show) also featured tracks from the previous night's show as well as a performance of the Hungarian folk song "Tavaszi Szél Vizet Áraszt" at a later show in Budapest, Hungary.
* Music/{{The Rolling Stones|Band}}: ''Get Your Ya Yas Out!'', ''Flashpoint'', ''Film/TheRollingStonesRockAndRollCircus'', among many others.
* Music/BobSeger: ''Live Bullet'', which basically put him on the map nationally.
* Music/ThinLizzy: ''Live And Dangerous''. Not only is crammed with hits, but although it's heavily tinkered with in the studio, the tinkering is not very noticeable and has been described as "making it closer to what you'd feel there than the real recording would".
* Music/SarahVaughan: Her ''Music/LiveInJapan'' (1973) album is so acclaimed that it has been inducted in the UsefulNotes/NationalRecordingRegistry.
* Music/SidVicious' only album is ''Music/SidSings'', a hastily cobbled together compilation of mostly live recordings and one studio track. The record was released in the wake of his death and it really shows. The audio quality is lo-fi.
* Music/TalkingHeads had two live albums released in their lifetime, both in the early '80s (after which they stopped playing live). The first was ''The Name of This Band is Talking Heads'', a DistinctDoubleAlbum documenting recordings from early tours on disc one and the then-recent ''Music/RemainInLight'' tour on disc two. The second was ''Stop Making Sense'', an edited live recording from the band's final live shows, documented in [[Film/StopMakingSense the film of the same name]]. Both albums received expanded releases years later, with the latter including the full film soundtrack.
* Music/TearsForFears:
** ''Secret World Live in Paris'', taken from the supporting tour for their reunion album ''Music/EverybodyLovesAHappyEnding''. The album also features three studio tracks: the outtake "Floating Down the River", the radio edit of the TitleTrack, and the previously-released Curt Smith solo cut "What Are We Fighting For?".
** ''Live at Massey Hall'' was a 2021 Record Store Day exclusive, documenting a show from the supporting tour for ''Music/SongsFromTheBigChair''.
* Music/TomWaits: ''Music/NighthawksAtTheDiner'' (1975) is notable for three things: 1) it was his first live album 2) it appeared after his first two studio albums, yet was all new material 3) it was a double album. The album is praised for the wonderful jazz nightclub atmosphere and Waits' amusing delivery and interludes.
* Music/TheWho: ''Live at Leeds'', which features several songs that had not been released on any studio recordings, such as their cover of "Summertime Blues". The deluxe version contains ''Tommy'' in its entirety.
* Music/TheYardbirds: Released ''Music/FiveLiveYardbirds'' in 1964, which was a revolutionary live album at the time.
** Other notable live albums by the band include ''Live Yardbirds: Featuring Jimmy Page'' and the collaboration album with Sonny Boy Williamson II.
* Music/YellowMagicOrchestra had two live albums during their initial run: ''Public Pressure'', compiling recordings from the band's 1979 world tour, and ''After Service'', taken from the supporting shows for 1983's ''Service''. Both albums received expanded two-CD releases in the early '90s (as ''Faker Holic'' and ''Complete Service'', respectively) to cash in on the band's reunion, whose supporting tour was itself documented in ''Technodon Live''. Ironically, the expanded versions are now out of print, with the original versions supplanting them. The band released a much greater amount of live albums afterwards from both archival shows and newer reunion performances.
* Music/FrankZappa had a glut of these during his lifetime, many of which include exclusive material and studio overdubs. The non-posthumous live discography is as follows: ''Music/FillmoreEastJune1971'' (1971), ''Music/JustAnotherBandFromLA'' (1972), ''Music/RoxyAndElsewhere'' (1973), ''Music/BongoFury'' (1975), ''Music/ZappaInNewYork'' (1977), ''Music/SheikYerbouti'' (1979), ''Music/TinseltownRebellion'' (1981), ''Music/ShutUpNPlayYerGuitar'' (1981), ''Music/DoesHumorBelongInMusic'' (1986), ''Music/{{Guitar}}'' (1988), ''Music/BroadwayTheHardWay'' (1988), ''Music/MakeAJazzNoiseHere'' (1991), ''Music/TheBestBandYouNeverHeardInYourLife'' (1991) and of course the ''Music/YouCantDoThatOnStageAnymore'' series, where the most interesting live concert moments from various decades are compiled together. ''Music/TheYellowShark'' (1993), Zappa's last release before his death later that year, is a live orchestral performance.
* ''Music/AVerySpecialChristmas Live From UsefulNotes/WashingtonDC'' (1999), the fourth album in the ''Very Special Christmas'' album series. It features Music/MaryJBlige, Music/RunDMC, Music/EricClapton, Tracy Chapman and more.
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