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->''"People don't really hate {{ComicBook/Aquaman}}.''
->''It's just that the [[WesternAnimation/SuperFriends 70s version of him]] [[SnarkBait is such an easy and irresistible target]]."''
-->-- [[http://www.escapistmagazine.com/forums/read/18.223418-Why-so-much-hatred-for-Aquaman?page=1 User Cheveyo, from the thread "Why So Much Hatred for Aquaman?"]]

An adaptation to a long running franchise which irrevocably colors the public's perception of the franchise as a whole. This is rarely for good reasons.

This can not only kill a show, but may also [[FranchiseKiller kill any interest in doing future adaptations]] unless we are promised the next one will be very good. Even if it doesn't, people who aren't fans, who might [[ComplainingAboutShowsYouDontWatch never even have seen]] ''any'' of the installments, will bring this one up to mock because of the ink stains. In the worst scenarios, the good installments [[NoExportForYou aren't freely available in one's country]], while the bad ones ''are''.

Sometimes, an InkStainAdaptation is used for LostInImitation. The results can be [[DarthWiki/RuinedFOREVER disastrous]].

See also AdaptationDisplacement and NeverLiveItDown. [[IThoughtItMeant Not to be confused with]] InkSuitActor.

----
!!Examples

[[foldercontrol]]

[[folder:Anime and Manga]]
* The first few seasons of the ''Anime/{{Pokemon}}'' anime will always be how the Franchise/{{Pokemon}} franchise is most known, for better or worse. In many people's eyes, Ash will always be present, Pokémon will always speak PokemonSpeak, Pikachu is the only Pokemon, the controversial episodes are the ''only'' Pokemon episodes exist, Team Rocket will always be humorous, seizures will always be a danger to the audience, [[AnimationAgeGhetto there will be no reason for adults to enjoy Pokémon other than nostalgia]], and it'll always be considerably more [[LighterAndSofter toned down]] than the games. Certain characters can't quite break the rep of their anime counterparts.
* Because of [[FourKidsEntertainment 4Kids Entertainment]] and their infamous {{macekre}}s, anime dubs are almost always disliked by a subset of anime fans no matter how accurate they are to the original version[[labelnote:*]]''CowboyBebop'' would be the agreed-upon exception to this rule[[/labelnote]], thus causing the neverending SubbingVersusDubbing wars that have torn North American anime fandom apart.
** For a concrete example, the [[FourKidsEntertainment 4Kids]] dub of ''Manga/OnePiece'' has probably kept many anime fans away from the series, since they believe it's a childish series with no serious story to it. It's not ''just'' about a kid made of rubber wanting to become King of the Pirates and having to face bad guys armed with "poison suction cups" or brightly-colored "pop-guns". It also ''hasn't even been owned by 4Kids since early 2007''. However, the ink stain may be lifting. Since Funimation bought the rights, uncut DVD releases have been big sellers on Amazon's anime section; and when the uncut version was added to the revived Toonami block in 2013, it regularly garnered some of the highest ratings of the evening, along with ''Manga/{{Bleach}}'' and ''Manga/{{Naruto}}''.
* A lot of entry-level ''Anime/GalaxyAngel'' fans immediately split into two camps. One believes that [[Anime/GalaxyAngel the anime]], for throwing out the plot and turning it into a SitCom with more CharacterExaggeration than previously thought possible, has ruined the serious games. The other believes that [[VideoGame/GalaxyAngel the games]], for ''having'' a far-reaching SpaceOpera plot that mutes the characters to realistic personalities instead of exaggerations, has ruined the funny anime. Both camps invariably grate on the nerves of [[TeamSwitzerland those that have learned to enjoy both.]]
* Perhaps a mild version, but many people only know ''DragonBallZ'' for its anime adaptation. This causes people to stereotype it as having whole episodes of powering up, pointless {{filler}}, and many an InactionSequence, whereas the manga had none of these. Still, ''Dragon Ball Z'' is a very popular anime, so it's not all bad.
* {{Shonen}} Anime such as ''Manga/{{Naruto}}'' have become a version of this to non-fans of anime. Despite the medium encompassing multiple genres, with many having extremely fluid animation and mature story lines, the popularity of the mainstream Shonen anime as led many detractors to view anime as being filled with cliches, low-budget, filler-packed, and poorly animated.
* Indecisively the case with ''Anime/SailorMoon.'' Some argue the Creator/DiC-produced dub of the anime that ran in North America is a more offensive {{Macekre}} than anything 4Kids ever did. Nonetheless it still earned the series a large number of fans of both sexes, and had enough staying power that 15 years later, the uncut release of the [[Manga/SailorMoon original manga]] shot to the top of the graphic novel sales charts (often coming in second only to ''ComicBook/{{Batman}}'').
[[/folder]]

[[folder:Film]]
* In 1995, ''ComicBook/JudgeDredd'' had [[Film/JudgeDredd a film adaptation]] starring Creator/SylvesterStallone that had a very devastating impact in the US. While in Britain, ''Dredd'' is an old warhorse of a comic that isn't going anywhere, the movie was the first exposure most Americans had to the franchise. Almost two decades later, the impact can still be seen in DC's failed attempt to market ''Judge Dredd'' trade paperbacks in American comic stores, and in how [[Film/{{Dredd}} the latest film adaptation]] was a BoxOfficeBomb despite hewing much closer to the source material and [[AcclaimedFlop winning the acclaim of those who actually saw it]].
* The movie adaptation of ''Film/TankGirl'', which many critics saw as the comic's swansong (and which pissed off the original creator so badly that he didn't write the character again for a decade). Members of its cult following might disagree, though.
* Though the original ''Film/{{Gojira}}'' was a [[UnbuiltTrope serious and scary movie]], Franchise/{{Godzilla}} is best remembered by the general populace as a [[SoBadItsGood camp icon from the 60s]], or by the [[Film/{{Godzilla 1998}} 1998]] InNameOnly adaptation.
* The first sound version of ''Franchise/{{Frankenstein}}'' simplified and compressed the story considerably and changed the character of Frankenstein's creation. In particular, the monster in the original story was actually about as lithe as a human, could speak, and was very intelligent, not the stiff, shambling, groaning monster of the movies. He also did not have bolts in his neck or a cylindrical flat-top head. The movie solidified [[IAmNotShazam the idea that the monster was called Frankenstein]], though this mix-up was already in effect in the preceding decades.
* As with ''Frankenstein'', {{Dracula}} is best known today through movies (take your pick: Bela Lugosi, Christopher Lee, Gary Oldman, etc.) and other forms of popular culture rather than the original novel.
* The success of the ''Film/TheLordOfTheRings'' films has dramatically colored public perception of the work, for better or worse, since the films put their own dramatically different spin on various themes. The number of people who read the books for the first time prior to seeing the films or knowing everything that happens therein is expected to approach zero. The studio struggled for a while to get the prequel, ''Film/TheHobbit'', off the ground, due in part to the pressure of making it [[DarkerAndEdgier conform to the existing films]] (and turning it into [[AdaptationExpansion a trilogy]]).
* It seemed that the 2004 adaptation of ''Film/{{Catwoman}}'' starring Creator/HalleBerry would kill any chance for a reasonable adaptation for quite some time... though the character appears in ''Film/TheDarkKnightRises'', played by Anne Hathaway. (Notably, this version of Selina Kyle doesn't wear the iconic outfit and [[ComicBookMoviesDontUseCodenames is not even called Catwoman]] -- possibly because of this stigma.)
* The ''Franchise/ConanTheBarbarian'' franchise has been a series of ink-stain adaptations building on each other, for better or worse, until the original Howard stories were LostInImitation. Some aspects of the ExpandedUniverse Conan, such as [[Film/ConanTheBarbarian1982 the classic Arnold Schwarzenegger film]] and FrankFrazetta's artwork depictions, are more successful than others, such as the sequel ''Film/ConanTheDestroyer'' which with ''Film/RedSonja'' nearly killed the [[GenreKiller entire genre]] as well as [[FranchiseKiller franchise]]. And [[Film/ConanTheBarbarian2011 the Conan remake]] seems to have done it all over again, as it did poorly at the box-office and was savaged by critics.
* Ultimately averted for [[Film/TheLastAirbender the film adaptation]] of ''WesternAnimation/AvatarTheLastAirbender''. Critics unfamiliar with the source material (since it's, y'know, [[AnimationAgeGhetto a cartoon]]) wrote off the series completely, thinking [[ComplainingAboutShowsYouDontWatch that the TV show must be just as bad as, if not worse than, the movie]]. This frustrated fans of the series—who by and large ''hate'' the movie—to no end, critic Creator/RogerEbert among them. But skip forward a few years and everyone's singing the praises of the cartoon's SequelSeries, ''WesternAnimation/TheLegendOfKorra'', while the movie is mostly forgotten, except as perhaps Creator/MNightShyamalan's official fall from grace.
* Averted with ''{{Popeye}}''. This 1980 RobertAltman adaptation, with Creator/RobinWilliams as the world-famous sailor man, notoriously tried to recreate the 10-minute cartoon format at feature length and failed miserably. Most critics and audiences, many of whom were unfamiliar with the original source material, were so disgusted with the movie that the Max Fleischer cartoons looked much, ''much'' better by comparison. Those cartoons continued to be popular on TV long after the movie was forgotten.
* For most people, Franchise/{{Superman}} is synonymous with the ChristopherReeve movies, to the point that many critics of ''Man of Steel'' were off-put by the fact that it '''wasn't''' as light and tame as the Reeve films.
* The failure of Disney's quarter-billion-dollar 2012 ''Film/JohnCarter'' has killed any further attempts to bring Edgar Rice Burroughs' other hero to the big or small screen by Disney or anyone else for at least a few decades.
* While it's largely dismissed by most, ''Film/DragonballEvolution'' was so bad that it prompted series creator Creator/AkiraToriyama to create [[Anime/DragonBallZBattleOfGods his own film]] after having not been involved with the series in over a decade. (With the exception of SelfParody ''Neko Majin Z'').
[[/folder]]

[[folder:Literature]]
* The King James version of ''Literature/TheBible'', with its antiquated (it was deliberately a bit archaic even in James' day) version of English, seems to have produced in some people the rather bizarre notion that God speaks Ye Olde Englishe exclusively, and that it's very nearly sacrilegious to use modern English when speaking to or about Him. To this day, there are a great many Christians and Christian denominations (especially those on the [[TheFundamentalist fundamentalist]] end), known as "King James Onlyites", who will insist that the King James Version is the ''only'' English translation "approved" by God, and can get ''very'' touchy on the subject. However, these people are in the minority in much of the world. This is especially ironic/silly when you consider just ''why'' people like the KJV: Because it is the version of the Bible with the most ''artistic'' merit; [[{{Woolseyism}} rather than just a translation of the Hebrew, it is a work of English verse in its own right]]. In other words, it ''isn't'' a literal translation.
* The later runs of ''ThePrincessBride'' include post-novel content in which Goldman tells us ({{Kayfabe}}) that Stephen King felt this way about Goldman's abridged version of the story.
[[/folder]]

[[folder:Live Action TV]]
* ComicBook/LanaLang has played a minor role in the many adaptations of {{Franchise/Superman}}, including ''Film/SupermanIII'' and ''WesternAnimation/SupermanTheAnimatedSeries'', but unfortunately she gets [[TheScrappy immense hate]] for her first big appearance in ''{{Series/Smallville}}'', where she is infamous for 8 seasons of non-stop RomanticPlotTumour.
* The re-imagined ''[[Series/BattlestarGalacticaReimagined Battlestar Galactica]]'' had to deal with the cheesy legacy of its predecessor. True, the original did have a lot of fans but even a larger segment who only remembered the funny costumes, the InSpace plots and, oh gods, the kids... The new show's success and the ire it drew from the fans of the original was a result of its efforts to distance itself from these aspects by going DarkerAndEdgier.\\
One of Ronald D. Moore's main aims in re-imagining the BSG was to "take from the old show what worked and leave the rest" and he genuinely seemed to believe that the original show had a very good premise that simply could not be portrayed justly in the 1970s.
* The 70s ''Series/WonderWoman'' series starring Lynda Carter colored, and continues to color, peoples' cultural knowledge of the character. Unlike Batman, however, Wonder Woman has never had the benefit of a successive adaptation that mitigates the {{Camp}} elements of the 70s show. The ''WesternAnimation/JusticeLeague'' animated series has helped to some extent, but popular culture still looks almost exclusively to the Carter version, and [[Series/WonderWoman2011Pilot a recent adaptation with Adrianne Palicki]] was cancelled before it aired. And because, unlike the Batman show, it very rarely attempted to adapt any of the villain concepts from the comics, it's also left future filmmakers floundering to find a villain from the comics that the mainstream will care about.
* While ''PowerRangers'' is a successful franchise on its own, many ''SuperSentai'' purists view it as the reason why ''Super Sentai'' will never get the proper international recognition it deserves, since the adapted footage of the costumes and giant robot battles are so deeply ingrained with ''Power Rangers'', ''Super Sentai'' could never stand on its own merits. It's not uncommon to see ''Super Sentai'' videos on the internet (such as the "Legendary War" scene from ''Series/KaizokuSentaiGokaiger'') to be labeled as ''Power Rangers'' videos. This is especially prevalent among fans from countries such as Brazil, the Philippines, or France, which used to air locally-dubbed versions of ''Super Sentai'' before switching to ''Power Rangers'' dubs.
** On another level, the individual ''Sentai'' seasons can be tarred with the ''Rangers'' brush. Some past seasons get a bad reputation simply because of the following ''Rangers'' adaptations. Some fans who watch ''Rangers'' first looked a little skeptically on ''Gaoranger'' or ''Boukenger'' simply because of how badly they were adapted into ''Wild Force'' or ''Operation Overdrive''.
** This also applies to tokusatsu in general. Fairly often people would call any costumed superhero from Japan "a Power Ranger", despite having no resemblance to one whatsoever.
* The 60s high {{Camp}} TV interpretation of ''Series/{{Batman}}'' still lingers on as some people's view of the character, despite several adaptations and major character changes since. This has continued to the extent that Warner Bros. Consumer Products has approached Adam West and 20th Century Fox (producers of the TV show) in 2012 about producing merchandise based on the TV shows. (Also, greeting cards from Hallmark tend to follow the Adam West design, which most closely resembled the traditional comic book design.) The Jim Holmes incident may further encourage this revival of the West version.
** The TV series was a distillation of the very silliest of UsefulNotes/TheComicsCode[=/=]SilverAge era Batman comics, roughly late '50s to mid '60s. In fact some say that the later (1970s-80s) portrayals of Batman were a backlash against the show. In Amazing Heroes#119 in 1987 (two years before the Michael Keaton film), Max Allan Collins had an interview. He said the following:
--->“I’m afraid what I’m running smack up into is the old Batman TV show controversy: the old business about, Gee that was a TV show that made fun of Batman and made fun of comic books, so we have to show people that Batman and comic books are serious and they’re adult and accordingly all the fun goes out of it. There was a reason why that TV show was played for laughs and that is when you put actual human beings in those costumes and act out those stories, it looks stupid. They betray their juvenile roots. It can’t be done straight. I defy them to do the movie straight”.
** In some ways, ''Batman'' was an ink stain for ''the genre of Western superheroes.'' Until 2000 or so, when superhero movies started being huge, any outside journalism on the genre would feature "Bif! Pow!" in the headline, as if Adam West was the last word on the subject.
** Notably, TheDarkAgeOfComicBooks may have revitalized interest in the show as a backlash against all the grimdarkness. ''WesternAnimation/BatmanTheBraveAndTheBold'' was something of a love letter to both the show and SilverAge DC comics, and even included episodes written by Paul Dini, who had done plenty of serious work for the comparatively serious ''WesternAnimation/BatmanTheAnimatedSeries''. Also, Creator/DCComics debuted ''Batman '66'', which treats the TV show as an alternate universe, in 2013 to modest success.
* ''MaskedRider'', Saban's adaptation of ''Series/KamenRiderBlackRX'', was not just an ink stain to the Franchise/KamenRider franchise itself, it was also an ink stain to its very own name. Originally "Masked Rider" was the official romanized name of Kamen Rider (''kamen'' simply means "mask" in Japanese), but because the name "Masked Rider" is so closely associated to the Saban version outside Japan, most fans refuse to use it despite its prominence in many products. When Adness made ''Series/KamenRiderDragonKnight'' (a remake of ''Series/KamenRiderRyuki''), Executive Producer Steve Wang [[http://www.scifijapan.com/articles/2009/02/22/kamen-rider-returns-to-us-television/ insisted]] on using "Kamen Rider" instead of "Masked Rider" since he wanted to distance the show from the Saban version. The Japanese shows, which were using the romanized name of "Masked Rider" on the logos since ''Series/KamenRiderKuuga'', [[http://en.ishimoripro.com/news/index-51177.php followed suit]] by switching to "Kamen Rider" beginning with ''Series/KamenRiderDouble''.\\
On top of that, some time ago Saban applied for a trademark for "Power Rider", which many believe is their giving "Kamen Rider" another swing.
* ''{{Warehouse 13}}'' uses this as a major plot point. All of the stories children grew up with, such as ''Literature/{{Cinderella}}'' and ''Literature/AlicesAdventuresInWonderland'', were bowdlerized Warehouse-issue fabrications designed to downplay the more horrifying aspects of the ''true'' stories.
* Although the book series it was based off of was reasonably popular at the time, the ''Literature/{{Dinotopia}}'' miniseries has colored the view of the entire franchise in the minds of many.
[[/folder]]

[[folder:Video Games]]
* ''VideoGame/BloodyRoar'': Each sequel after the 2nd further destroyed people's perceptions that the game involved any skill or strategy, culminating with Bloody Roar 4, where one could almost justly assume the entire series was just a ButtonMasher.
* ''VideoGame/CastlevaniaRondoOfBlood'', the [[NoExportForYou Japanese-only]] [[TurboGrafx16 PC Engine]] installment of the ''Franchise/{{Castlevania}}'' franchise, received one in the form of the SNES adaptation, ''Dracula X'', which eschewed all of the stages as well as a playable Maria, and [[NintendoHard ratcheted the difficulty upward to ungodly levels]]. It did not go over well at all, and [[SmallReferencePools anyone unaware of the original would immediately think of the SNES game instead]] even when the PC Engine version was specifically mentioned. Luckily, this was all remedied with the release of the PSP mini-compilation ''The Dracula X Chronicles'', which included both the original Rondo along with the remake, as well as its sequel ''VideoGame/CastlevaniaSymphonyOfTheNight'', and subsequently, the appearance of a perfectly emulated ''Rondo'' for the [[{{Wii}} Wii's Virtual Console]].
* ToeJamAndEarl had many [[RogueLike Rogue Lite]] elements about 20 years before the term "Rogue Lite" came into common use, and had many aspects that were rarely seen in console games, but a glance at its good but less creative side-scrolling sequel or the unimpressive third game can make a casual observer overlook the original.
* For ''CallOfDuty'', the ''ModernWarfare'' sub-series, while being one of the biggest selling trilogies in all of gaming, has ultimately tainted many gamers' view of the franchise as a whole, to the point that any future releases are unfavorably deemed as being "mere MW re-skins". Try to point out how much different the games from Treyarch and Sledgehammer are, and most will still write them off as being just recycled assets all dressed up. Not helped by the fact that the latest release, CallOfDutyGhosts, was essentially everything that the detractors claimed the series has become, leading many to call the next upcoming release, CallOfDutyAdvancedWarfare, as the derogatory nickname "Call of Duty Recycled Warfare", in spite of the many changes it is making, in addition to it using a new engine and being in development for three years.
[[/folder]]

[[folder:Western Animation]]
* ''WesternAnimation/SuperFriends'' has crippled ComicBook/{{Aquaman}} as a character forever. Give him a harpoon hand, replace it with a magical water hand, point out how life at the bottom of the ocean has made him stronger, faster, and more resilient than most humans... and everyone will still be like, "He's just some guy who swims fast and talks to fish." It's gotten to the point where DC finally decided to [[DyingToBeReplaced kill off the old Aquaman and create a new one]].
** But the original is back now, and in New 52, all bets and gloves are off with DC, as they hire expert comic book fixer Geoff Johns to fix Aquaman's bad cred. As Geoff has had Aquaman face all of the 'fish man' jokes and blow them to shreds with all of the awesome things he does, it seems to be working.
* {{Hawkman}}, too, lost a great deal of what made him great. Among companions who could fly and bench-press planets, or fly and become living lightning, or fly and create any green-colored thing they could imagine, Hawkman was the Super Friend who could fly ... and do ''nothing else''.
* Everyone remembers the 1987 ''WesternAnimation/{{Teenage Mutant Ninja Turtles|1987}}'' cartoon, while the much darker original comics and more recent cartoon and movies seem to be living in its shadow... Much like [[Series/{{Batman}} the '60s Batman]] example earlier in the page.
* Everyone remembers ''WesternAnimation/HeManAndTheMastersOfTheUniverse1983'', with its goofy takes on the characters and the [[AndKnowingIsHalfTheBattle moral segments]] at the end. Very few remember the previous DC Comics take on ''Franchise/MastersOfTheUniverse'', where the Sorceress is referred to as 'The Goddess' and lives in a cave (and not Castle Greyskull—and she and Zoar the falcon are separate characters), Prince Adam (He-Man's alter-ego who didn't appear in the toyline minicomics... at first) is known for 'wenching and carousing', and Skeletor is a much more dangerous villain who kills a rival wizard in combat. There were also illustrated books released with the original action figures which gave different origins for the characters (Teela, instead of being the Sorceress' daughter, is a magical clone of her[[note]]which practically makes Teela her "daughter" anyway[[/note]]), and had a storyline where He-Man's Sword of Power was split in two (with He-Man possessing one half and Skeletor the other—this was reflected in the original action figure accessories with two 'sword halves' with the characters' figures that could be put together). Later takes on He-Man and the Masters of the Universe (such as [[Film/MastersOfTheUniverse the 1987 live-action movie]] and [[WesternAnimation/HeManAndTheMastersOfTheUniverse2002 the 2002 series]]) don't seem to be talked about as much as the 80's Filmation cartoon.
* A rare positive example is the effect that the episode "Heart Of Ice" had on the character of Mr. Freeze in ''WesternAnimation/BatmanTheAnimatedSeries''. The episode had given him a tearjerking backstory and a beautifully done characterization that is considered canon by comics and fans, overriding his relatively flat [[Series/{{Batman}} '60s version]].
* When people think of Literature/{{Aladdin}}, odds are they'll think of [[Disney/{{Aladdin}} the Disney version]] with its storybook version of Persia/Arabia, rather than the Chinese setting that the original story employed. To be fair, nearly all adaptations of Aladdin were set in Arabia well before Disney got their hands on the story.
* ''Disney/{{Pocahontas}}'', meanwhile, is one of the biggest subversions. The legend of John Smith and Pocahontas being lovers had built for centuries—but once Disney put that myth to celluloid, the VocalMinority that knew its inaccuracies raised such a stink that everyone now knows the real Pocahontas was only twelve years old at the time and Smith probably didn't even care that she existed. She even married John Rolfe and moved with him to England, a fact that Disney inexplicably got right in the direct-to-video sequel.
* Inverted in the case of ''TheRealGhostbusters'' and ''Film/{{Ghostbusters}} 2''. It's been said ''[=GB2=]'' is seen as the runt of the franchise because ''RGB'' set such a high standard with writing and characterization.
** At least until ''RGB'' was tragically torn apart by {{Executive Meddling}} in the later seasons.
* ''Franchise/MyLittlePony'' is frequently dismissed as a {{Glurge}} outlet. This is almost entirely because of G3, which consists almost entirely of saccharine nonsense. People turned onto the franchise by ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' are often surprised to find the G1 [[WesternAnimation/MyLittlePonyTVSpecials TV specials]], [[WesternAnimation/MyLittlePonyTheMovie movie]], and [[WesternAnimation/MyLittlePonyAndFriends cartoon show]] can be remarkably mature, and even [[VileVillainSaccharineShow a bit]] [[SurpriseCreepy dark]].
* ''Any'' time that a Video Game receives an animated adaptation ([[Anime/SonicX no matter which side]] [[WesternAnimation/SonicUnderground of the Pacific produces it]]) fits as this. And 9 times out of 10, the only way to [[AdaptationDisplacement displace]] an impression from an animated series, is with a ''new'' animated series (e.g. [[WesternAnimation/MegaMan The Mega 'Toons]] overriding [[WesternAnimation/CaptainNTheGameMaster Captain Mega-N]] for Mega Man and Dr. Wily.)
* Thanks to the Dic's SonicTheHedgehog [[WesternAnimation/SonicTheHedgehog cartoons]] and [[ComicBooks/SonicTheHedgehog the comics based on them]], many people will always think of Sonic as an insufferable manchild [[{{Narcissist}} who has a massive ego]] and is always [[AttentionWhore gloating and showing off]], trying too hard to be cool by overusing annoying catchphrases and expressions such as [[TotallyRadical "Way past cool!", "Let's do]] [[JiveTurkey it to it!" or "Let's juice!"]] and coming up with childish nicknames like "Robuttnik", "[=SWATbutts=]" and "botbutts"; and of [[IHaveManyNames Robotnik/Eggman]] as a humorless CardCarryingVillain who has a tendency to lose his temper and scream '''[[YouMeddlingKids "I HATE THAT HEDGEHOG!"]]'''. Nevermind the fact that such interpretations are pretty much the ''opposite'' of the characterizations in the source material.[[note]]Heck, [[{{Leitmotif}} Sonic's theme song]] from VideoGames/SonicAdventure and VideoGames/SonicAdventure2 states "I don't show off"[[/note]] For starters, the games and Sega-produced Sonic media tend to portray Sonic as a laid back, fun, friendly, if a bit snarky guy who is more concerned about [[{{Ubermensch}} living by his own rules and having fun]] (all while getting the job done at the same time) than about showing off or worrying about what others think. Oh, he's pretty self-assured, but he doesn't see the point in boasting[[note]]Beyond the occasional BadassBoast before fighting Eggman[[/note]] or trying to prove anything to anyone, as one of his main character traits is that he doesn't care what anyone else or even the whole world thinks. And Eggman is a silly AffablyEvil MadScientist who has a perchance to act childish and loves to build fun [[BewareTheSillyOnes yet unexpectedly dangerous]] stuff such as [[{{Mooks}} colorful killer robots]] or hazard-ridden amusement parks and [[CasinoPark casinos]]. And the aforementioned catchphrases and quotes? [[BeamMeUpScotty They were never used]] in the source material or anything produced by Sega.
[[/folder]]

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