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->''"I'm in a funny business, Rey. Everybody talks like hippies and acts like they're in the Sicilian mob."''
-->-- '''Lisa Lundquist''', ''Series/LawAndOrder''

When you think of Hollywood and other places within the entertainment industry, as well as the stars that inhabit them, you think of glamorous men and women who create the magic you see in movies and television, right?

WRONG! In Horrible Hollywood, the actors and actresses are brain-dead, spoiled, have a tendency towards fighting the law, like to engage in occasional sexual deviancy, and are [[HookersAndBlow addicted to various illegal substances and/or sex workers]]. Everyone fears [[WhiteDwarfStarlet growing old and losing their fame]], so plastic surgery and desperate attempts to seem young abound. The directors are [[PrimaDonnaDirector egomaniac control freaks]] who wear funny pants and throw [[HairTriggerTemper petty tantrums]] at the slightest provocation. The assistants are overworked, underpaid, and might be [[DeadpanSnarker snarky towards the talent]], but this won't stop them from ruthlessly trying to climb the ladder -- and in this depraved environment, climbing to the top tends to be a [[CastingCouch horizontal sort of activity]]. The fans are insane and you might gain some [[StalkerWithACrush stalkers]]. The executives are fond of [[ExecutiveMeddling excessive meddling]], [[UsefulNotes/HollywoodAccounting screwing artists out of their royalties]], and/or are just plain [[CorruptCorporateExecutive corrupt]], and have people fired on the spot for being insufficiently sycophantic. [[WritersSuck Writers are second-class citizens]] and {{Butt Monkey}}s. Absolutely everyone -- even those not actually ''in'' the entertainment industry -- is a StepfordSmiler [[SuchAPhony Phony]] who may be all smiles and charm and obsequiousness to your face, but only because they secretly hate you and can't wait for you to turn your back so they can stick a knife into it. Everywhere you look, crippling insecurities and neuroses are constantly being masked with bombastic, preening arrogance and ego.

Essentially, it's the entertainment industry depicted as a {{Crapsack World}} or CrapsaccharineWorld populated solely by horrible {{Jerkass}}es.

Despite what the title may imply, this isn't just for movies, this can go for things like television or actual live theater as well.

See also {{Celebrity Is Overrated}}, which tends to go in line with this. See also: [[{{Hollywood Index}} every trope on this wiki containing the word Hollywood.]]

SIDENOTE: This trope only applies to Hollywood, California, not [[http://en.wikipedia.org/wiki/Hollywood_(disambiguation) any of the other Hollywoods.]]



[[folder:Anime & Manga]]
* In the world of ''Manga/{{Nana}}'', assorted record companies are evil and probably {{Yakuza}}, all performers have issues ranging from ParentalAbandonment to being in teenage prostitution rings to drug addiction, and they are surrounded by stalkers.

[[folder:Comic Books]]
* ''ComicBook/TheFadeOut'' by Creator/EdBrubaker delves deeply into the sex, drugs, and dirty politics of late 40's Hollywood.
* ''ComicBook/TheSensationalSheHulk'' #12 revolves around a movie being made about She-Hulk. The producer is meddling to secure his own investment, the director is a prima donna, and most of the actors are talentless hacks. She-Hulk is briefly reassured when she finds a script lying around, reads it, and discovers that it's excellent, but then the director informs her that it's an old draft that was rejected for not having any songs in it.

[[folder:Fan Works]]
* The Manga/TokyoMewMew fanfic [[https://www.fanfiction.net/s/8902209/1/Masquerade Masquerade]] plays it in a very [[TearJerker realistic and creepy way]], main character Zakuro feeling [[AloneInACrowd isolated]] and reflecting how her dreams of being a model turned into this and how she is [[DespairEventHorizon unable to go back to her old life]] and how she always has to be [[StepfordSmiler careful because of]] [[MaliciousSlander rumors]] and {{paparazzi}}. It is so much that she seems to be building to a major [[FreakOut breakdown]] or [[LossOfIdentity identity crisis]].
* PlayedForLaughs in ''[[https://www.fanfiction.net/s/1052763/1/The-Last-Kiss-Goodbye The Last Kiss Goodbye]]'', a ''Series/StarTrekVoyager'' uber fic where Captain Janeway is a Los Angeles private eye who discovers the EvilPlan of an executive producer for Paramount Pictures called [[Creator/BrannonBraga Canon Bragger]].
-->"Television!" she said. "Millions of sets in homes throughout the United States of America. And beamed to them all, weekly serials filled with gratuitous action scenes, plot cliches, lousy continuity, non-existent character development, and women with large breasts in highly revealing costumes!"


* ''Film/TheLastCommand'' is about a former Tsarist Russian general living out a degrading, poverty-stricken life as a Hollywood film extra. He gets $7.50 a day.
* Creator/DavidMamet's film ''Film/StateAndMain'' humorously portrays the trials and pitfalls and sacrifices in conscience that come with getting a Hollywood film made.
* Film Quarterly, describing Creator/DavidLynch's vision of Hollywood in ''Film/MulhollandDrive'': "Human putrefaction ... in a city of lethal illusions."
* Lynch's film ''Film/InlandEmpire'', being about a film actress, also dabbles in the subject.
* ''Film/AnAlanSmitheeFilmBurnHollywoodBurn'' lampoons Hollywood, as the title bluntly suggests. A director first has to contend with prima donna actors, then experiences ExecutiveMeddling when the studio recuts the film.
* ''Film/BartonFink'': Fink is forced to write an inane wrestling movie when he comes to Hollywood after a successful theatrical career.
* ''Film/SunsetBoulevard'', though its attitude toward the studio system was neutral enough that Paramount allowed the use of its own name and several names associated with it.
* ''Film/TheBadAndTheBeautiful'' is one of the milder examinations of this trope.
* Creator/RobertAltman's ''Film/ThePlayer'' paints a blisteringly critical portrait of Hollywood culture.
%%* ''Film/TheParty'' has this as one of its themes, but is (mostly) light-hearted about it.
* ''Film/SwimmingWithSharks'' examines the systematic abuse of production interns, who must endure a year of abuse at the hands of their sadistic Hollywood bosses in order to get a foot in the door.
* ''Film/LivingInOblivion'' is three vignettes illustrating the nightmares involved in being an independent filmmaker.
* ''Film/TheRealBlonde'' satirizes the shallowness and dysfunction of the New York fashion and cinema scene.
* Taken together both ''Film/WaynesWorld'' films show the television and music industries to be this. Except for Music/AliceCooper.
* ''Film/{{Bowfinger}}'' takes this as its premise and plays it for comedy more than satire. Bobby Bowfinger is an ultra-low budget, Grade Z filmmaker who has to do things like hire Mexican immigrants as his crew.
* ''Film/GetShorty'' conflates this trope with organized crime, as a loan shark's enforcer winds up taking over a movie when the producer can't pay his debt. Also, nearly all of the Hollywood "insiders" are vain, shallow, and self-absorbed to the point of obliviousness. Despite this, most of them are still fairly ''likeable'' because they're not actually malicious, just kind of stupid.
* While focusing solely on a small group ''Film/BoogieNights'' is actually an inversion of this trope... in the porn industry, typically portrayed as being even more corrupt and exploitative than the mainstream film industry. However, while it's implied that this is the case in a larger context (several of the producers are hinted to have mob ties at the very least), the film focusses on the main characters bonding together as a loving family unit.
* ''Film/TropicThunder'' is a merciless satire of selfish, cynical Hollywood moviemaking. (Creator/TomCruise's rageaholic producer is perfectly willing to let his actors die.)
* There is elements of this in ''Film/{{Sunset}}''. Tom Mix himself is a decent fellow, but there is plenty of corruption and decadence.
* ''Film/{{SOB}}'': The title is an abbreveation the term one character uses to describe how Hollywood operates: Standard Operational Bullshit.
* ''Film/AmericasSweethearts'': Mostly focused on the tropes surrounding celebrity romances and an agent exploiting it for movie promotion.
* ''Film/TheCatsMeow'' is a tale of infidelity, murder, cover-up and blackmail that takes in Hollywood, "the place just off the coast of the planet Earth,": a place where the rich and powerful can get away with murder, everyone has their price, and the murder of a good man can go unmourned and unpunished.
* ''Film/KissKissBangBang'' portrays Hollywood as a weirdly glamourous and seriously fucked up place which attracts the damaged and disturbed.
-->'''Harry''': It's abandonment, it's abuse, it's, "My uncle put his ping-ping in my papa!"... and then they all come out here! I swear to God, it's like somebody took America by the East Coast, and shook it, and all the normal girls managed to hang on.
* Discussed at length in ''Hollywood Paparazzo''. It is explained that the rise of tabloid journalism and the {{paparazzi}} has led to celebrities becoming [[ArtistDisillusionment insular, screwed-up and totally alienated]] from the rest of society, who often go down a self-destructive path. In turn, the paparazzi are self-obsessed people who run and hide from anyone they don't know to conceal their identities, people in a position of power are vain and power-hungry, and the fans are crazed lunatics who will stop at nothing to harass celebrities. The film highlights the absurdity of this culture with a well-adjusted young boy who acts just as cutthroat as the paparazzi when it comes to getting celebrity photos.
* In ''Film/{{Argo}}'', one of the reasons for disguising the extraction operation as location scouting for a movie is that, with the Iran Hostage Crisis in full bloom, movie producers are some of the only people sleazy enough to still be doing business there. Chambers describes it as a place full of hacks and untalented people or productions and a shot of the famous Hollywood [[SignsOfDisrepair sign missing some letters]] underscores it.
-->'''Tony''': It's an exfil, from the worst place you can think of...\\
'''Chambers''': [[Ride/UniversalStudios Universal City]]?
* In ''The Legend of Lylah Clare'' (1968), the inherent sickness of Hollywood and the people who work there is examined at length. A young starlet is hired to play a famous silent movie actress (who died under mysterious circumstances) in a {{Biopic}} directed by the actress's collaborator/lover, and as she's pushed into inhabiting her role, she becomes seemingly possessed by the dead woman's spirit, causing the threat of history repeating itself. [[spoiler: It does, and the biopic ends with ''the actual footage of her death'', which apparently no one in town objects to.]] (This is from the same director who made ''Film/WhateverHappenedToBabyJane'', and that movie's world could easily fit into this one.)
* In ''Film/NottingHill'' the heroine has lived her life as a movie starlet amid boyfriends who mistreated her.
* The movie stars and celebrities who appear [[AsHimself As Themselves]] in ''Film/ThisIsTheEnd'' are pretty uniformly a bunch of self-obsessed, preening, pretentious, entitled, spoiled, debauched and decadent phonies and ''prima donnas'' who care about nothing but themselves and pretty clearly don't like each other very much once the surface of their cool personas is scratched. In fact, when people are raptured up to Heaven, no one at James Franco's party notices, implying that ''no one'' there is good enough to be raptured. The implication is dampened somewhat as the film goes on, however, since it's gradually revealed that this version of Heaven forgives people's sins pretty easily, and the conditions for being allowed into Heaven are unusually specific.
* ''Film/AFaceInTheCrowd'' portrays the television industry much this way, at least the part revolving around Lonesome Rhodes, though the industry at the time was based in UsefulNotes/NewYorkCity.
* The experimental short film ''Film/TheLifeAndDeathOf9413AHollywoodExtra'' portrays working in Hollywood as a dehumanizing experience in which you are identified only by a number stamped on your forehead, and success is unobtainable.
* Pretty much the entire point of ''Film/MapsToTheStars''. Delusional, past-their-prime actresses? Spoiled-rotten child stars? Smiling, sanctimonious agents? Having to play nice with a rival actress who just stole the role of a lifetime from underneath you? Check, check, check, and oh HELL yes.
* ''Film/{{Scream 3}}'': The third movie in the trilogy reveals that the entire series was the result of Sidney's mother Maureen Prescott's failed attempt to become a Hollywood actress, only to be forced into a CastingCouch gang rape by unscrupulous Hollywood producers.
* ''Film/TheBarefootContessa'' depicts the movie business as full of cynical {{Jerkass}}es, with the occasional KnightInSourArmor around to make them look even worse by comparison. Titular character Maria Vargas has great success but doesn't enjoy it, writing everything off as phony.
* ''Hollywood Boulevard'' is a cheap, sleazy, slightly exaggerated and darkly funny look at the world of cheap, sleazy, 1970's exploitation film.
* ''Film/EdWood'', while buoyed by the performance of Creator/JohnnyDepp and direction of Creator/TimBurton , still deals with this in its sympathetic but unsparing examination of Creator/BelaLugosi at the end of his career.
* ''Ivansxtc'' doesn't paint a flattering picture of the movie industry, showing the egos, dirty politics, crass commercialism, and drug abuse involved in a seedy production company.
* ''Film/StarryEyes'', a horror film about a young aspiring actress who finds that the CastingCouch is merely the least of the horrors she has to endure on the road to fame.
* Downplayed in ''Film/LaLaLand'' but the film shows just how often Mia is disrespected by casting directors - at one point her emotional audition is interrupted for the sake of a phone call (which is based off something that actually happened to Ryan Gosling). She has to go to endless parties filled with shallow and vapid industry people in the hopes of making connections. Sebastian even calls it "the city where they praise everything and value nothing". The film's cynical look at Hollywood tends to get lost in pop culture, where the splashy musical numbers (particularly "City of Stars") are what's remembered.

* ''Money: A Suicide Note'' is a Creator/MartinAmis book about a really unpleasant advertising man writing a movie script and getting it published. He is a truly horrible character, and so are most of the other people he meets.
* Nathanael West's novel ''Literature/TheDayOfTheLocust'' is about a Yale graduate who comes to Hollywood to work as a scenery painter as a way of paying the bills while he works on his masterpiece, a painting called ''The Burning of Los Angeles''. The producer for whom he works bluntly describes himself and his co-workers as "grown men making mud pies to sell to the great unwashed," and the world they inhabit is full of sexual depravity, ruthless ambition, and callous disregard for humanity, with major set pieces including the collapse of a soundstage being used for a battle scene while it is still actively under construction, and the audience at a film premiere devolving into a rioting mob.
%%* ''Literature/LAConfidential''.
%%* Creator/EvelynWaugh's novel ''Literature/TheLovedOne'', as well as TheFilmOfTheBook.
%%* Pretty much the point of ''Bright Shiny Morning.''
%%* Creator/CliveBarker's ''Literature/ColdheartCanyon'' starts with this trope, and proceeds into more supernatural territory...
* All the characters of ''Literature/ImperialBedrooms'', the sequel to Creator/BretEastonEllis's ''Literature/LessThanZero'', are members of the Hollywood machine.
* Creator/RaymondChandler's fifth novel, ''Literature/TheLittleSister'', is all about this. Story features a producer named Oppenheimer, because Chandler's subtle like that.
* Creator/MarioPuzo's ''The Last Don'' portrays Hollywood as being substantially more ruthless than the ''Mafia.'' [[TakeThatUs Puzo was himself a screenwriter]] (he wrote the screenplay for ''Superman'', among others.)
* In one of its longer subplots, ''Literature/TheGodfather'' follows Johnny Fontaine's adventures into this. It includes planned orgies, doctors who will ignore a patient's health to keep them going, and studio boss Jack Woltz molesting an underage girl (with her mother's consent, though not her own). Mob [[TheConsigliere Consigliere]] Tom Hagen thinks to himself that if this is the world Johnny wants, [[EvenEvilHasStandards he can have it]].
* AbusiveParents Camille and Antonio Spencer from ''Literature/{{Damned}}'' encourage their thirteen-year-old daughter to experiment with drugs, adopt NonSpecificallyForeign and/or InspirationallyDisadvantaged children as a PR stunt each time they have a project coming up, and let their vanity go so far that when their daughter dies, they put the wrong birth year on her headstone to make themselves appear younger.
* In Creator/RobertBloch's novel ''Psycho 2'' (different from the [[Film/PsychoII movie]] of that name), nearly everyone in Hollywood (where they're making a [[Film/{{Psycho}} movie about killer Norman Bates]]) is a degenerate scumbag, from the director who watches snuff films to remember the time he watched his mother get gang-raped to death, to the male actors who are all perverts, to the leading lady who slept her way into every role. One gets the idea that Mister Bloch was not a fan of Hollywood.
* ''[[https://en.wikipedia.org/wiki/What_Makes_Sammy_Run%3F What Makes Sammy Run?]]'', a dark take on the RagsToRiches story with whopping doses of AmbitionIsEvil and LonelyAtTheTop. Later made into a Broadway musical.
* ''Film/{{Birdman}}'' doesn't deal with Hollywood directly, but the title characters struggles with his past in Hollywood and his desire to be respected critically drive the film's conflicts.

[[folder:Live-Action TV]]
* Played for laughs in ''Series/{{Californication}}'', where many a MadArtist and {{Cloudcuckoolander}} crosses paths with Hank Moody, a witty and talented writer who is OnlyInItForTheMoney. It's also strongly implied that he was able to work and generally had it together when he lived with his family in New York. They relocated to Hollywood because a film based on Hank's novel was being made. They seriously cannot deal and they all end up messed up in some way or another.
%%* The ''Series/{{Supernatural}}'' episode "Hollywood Babylon".
* The ''Series/LawAndOrder'' three-parter about a Hollywood producer who gets murdered, forcing the New York-based detectives and prosecutors to spend time in Los Angeles, takes this approach, with almost everyone involved in that world painted as grasping, backstabbing, narcissistic and neurotic. It's aptly summed up by a disillusioned junior executive (and one of the few 'Hollywood' characters who ''isn't'' an utterly horrible human being) who bitterly comments that everyone around her "talks like they're a hippy and acts like they're in the Sicilian Mafia."
* The 70s ''Series/ElleryQueen'' episode "The Adventure of the Sinister Scenario" had the Queens, father and son, witness this for themselves when they go on the set of an adaptation of one of Ellery's books. This being an Ellery Queen mystery, this trope's horrible aspects culminate in murder.
%%* ''Series/{{Dirt}}''
* ''Series/MadeInCanada'', except it's about [[ExactlyWhatItSaysOnTheTin the Canadian industry]]. And yet, universally believable enough to be exported south of the border (as ''The Industry''). The production executives are well aware that the films and especially television programmes they produce are complete trash (the ones they bother to watch, anyway), but openly admit that they don't care as long as they make money.
%%* The depiction of the behind-the-scenes world of ''TheLarrySandersShow'' isn't exactly flattering.
* ''Series/TheWestWing'', of all things, touches on this every so often. C.J Cregg's backstory involves her working as a publicist for a selection of spoilt and neurotic Hollywood types who throw tantrums if they get placed lower on a magazine's 'who's most influential in Hollywood' list; a job she hates and considers meaningless (and eventually gets fired from). Another episode has the President go to a fundraising event in Beverly Hills swarming with these types; he doesn't have fun. A few other episodes also have mentions of this kind of thing.
* Played with in the ''Series/{{Castle}}'' episode "One Life To Lose"; the behind the scenes environment of the popular soap opera isn't exactly free of intrigue, bitchiness and people sleeping with and / or hating each other and playing their own agendas, but it's no worse than some of the other walks of life the characters have entered.
** Averted in the episode where Castle and Beckett actually travel to Los Angeles to solve a murder and get to spend some time on the set of "Nikki Heat". The cast and crew are friendly and later go out of their way to help Beckett solve the case.
** Averted with Castle himself and his mother Martha, both of whom work in the entertainment industry (Castle as a successful bestselling novelist, Martha as a once-fairly successful Broadway diva) and are consistently portrayed as likeable and decent people, even if Castle's a slightly shallow and rather egotistical ManChild while Martha is far from being the most responsible or humble of people and tends to sponge off her more successful and wealthy son.
* ''Series/ThirtyRock'', while more sympathetic than the others, does portay the more shallowier / nastier / crazier elements of showbiz.
* In one episode of ''Series/BoyMeetsWorld'', Eric goes to Hollywood be a cast member of the SelfParody show ''Kid Gets Acquainted with the Universe'', he finds out that the actors on the show are either {{jerkass}}es or highly neurotic, the so-called "best writers in town" are actually small children, and the scripts are [[RecycledScript recycled]] many times and full of StylisticSuck.
* In ''Series/MurderSheWrote'', Hollywood, Broadway and the TV industry are all full of people lying, cheating, sleeping around to get ahead, and above all, plotting to kill each other. Admittedly, this doesn't distinguish them from ''Murder, She Wrote'''s portrayal of newspapers, book publishing, computer firms, toy companies...
* ''Series/{{JAG}}'': Harm's RomanticFalseLead Rene Peterson, in seasons five to seven, is very much a personification of this trope. An up and coming director of commercials and music videos, her neurotic personality traits are very much the anti-thesis of all the main characters.
** Admiral Chegwidden's brief stint as technical advisor in “War Stories” was brought to an abrupt end because his ''can-do due-diligence gung-ho'' attitude was ultimately not very compatible with the nonsensical herd instinct of the Hollywood folks.
* Being a detective series set in Los Angeles and focussing on the wealthy elite, several episodes of ''Series/{{Columbo}}'' focus on scheming creative and industry types resorting to murder to get what they want (or stop someone else from getting it). All of this serves to contrast the often preening, arrogant egotists who scheme to get away with murder with the humble, friendly and down-to-earth shabby detective who finds [[PullTheThread just one more thing]] they've overlooked in doing so.
* ''Series/{{Entourage}}'' shows Hollywood at its ''worst'', with petty, egotistical actors and actresses who are easily tempted to ruining their lives with drugs, unscrupulous producers and studio heads, basically anything you can think of when showing the dark side of Hollywood, the show does and doesn’t hold back.
* ''Series/TheLarrySandersShow'' mostly plays this trope straight, but it's nevertheless quite [[AffectionateParody affectionate]] all the same. The main characters (both on-screen and off) of Larry's talk-show and his guests are certainly far from being free of egotism, insecurity, scheming, backbiting, troubled personal lives or cynicism, but at the same time they're not really malevolent either; they're just people with frailties and weaknesses like anyone else.
* ''{{Series/Angel}}'' has a couple of episodes dealing with this, mostly with Cordelia's desire to become an actress. The antagonist of the first episode is a vampire who preys on wannabe starlets. A later episode revolves around an actress who's aware that her looks are starting to fade, and she considers becoming a vampire in order to maintain her youth (and by extension, her career) forever.

* Music/RedHotChiliPeppers' "Californication" (off of [[Music/{{Californication}} the album of the same name]]) pretty much defines this trope. It goes on about starlets selling their bodies on the silver screen, the hypocrisy of music and film producers who sell false ideas, and the [[CaliforniaCollapse inevitable destruction of Hollywood culture]] through its own faults and debauchery.
* Music/TheDecemberists' "[[http://www.youtube.com/watch?v=e41ygKJ3ABk Los Angeles, I'm Yours]]" is more about the city of Los Angeles, but elements of HorribleHollywood creep into the lyrics.
%%* Music/SystemOfADown's "Lost in Hollywood."
%%* Music/{{Supertramp}}'s "Gone Hollywood."
%%* Music/SoulCoughing's "[[SomethingBlues Screenwriter's Blues.]]"
* Music/{{Tool}}'s "Aenema", where the singer dreams about Hollywood being flooded and lists some of the reasons why this would be a good thing.
* Music/TheVeronicas track "Hollywood" takes all the dark parts of Hollywood and shines a big light on it.
* Music/GunsNRoses' "Welcome to the Jungle" and "Paradise City."
* The Music/{{Eagles}}[='=] "Hotel California" is said by the band to be about the hedonism and self-destruction of California and America in general, using a HellHotel as a metaphor for such.
* A recurring theme for singer-songwriter [[https://en.wikipedia.org/wiki/Dory_Previn Dory Previn]], particularly the treatment of women in Hollywood. She even did a ConceptAlbum (''Mary C. Brown and the Hollywood Sign'') about it.

* ''Theatre/CityOfAngels'' tells the story of the making of a (fictional) FilmNoir, which involves a little {{nepotism}}, enough ExecutiveMeddling to overwhelm the [[WritersSuck unfortunate writer]] adapting his novel, CastingCouch intrigues, and a crooner with false teeth.
* In ''Kiss the Boys Good-bye'' by Clare Boothe, the action may take place mostly in Westport, Connecticut, but much of it concerns the travails of a director, a producer, and a "matured star" who'd do anything to land the leading part of a SouthernBelle for whom the producer wants to try out a fresher feminine face on his CastingCouch.

[[folder:Theme Parks]]
* "Make the Cut", one of the haunted houses at [[Ride/UniversalStudios Universal Singapore]]'s 2017 Theatre/HalloweenHorrorNights event, parodies the [[KoreanPopMusic K-pop version of this]], with aspiring singers and actors being [[BodyHorror mutilated via plastic surgery]] by the [[PunnyName K/LL]] Entertainment Group.

[[folder:Video Games]]
* The ''VideoGame/LANoire'' case "The Fallen Idol" shows this at its worst, with a sleazy pedophile movie producer who rapes pre-teen girls and films it. Interestingly averted in the rest of the game: Despite being assigned to the Hollywood division at one point, you rarely investigate anyone in the entertainment industry.
* In ''VideoGame/{{Psychonauts}}'', this is the kind of place depicted in Gloria Gouten's mind. She's an actress, whose [[StageMom actress mom]] sent her off to [[BoardingSchoolOfHorrors boarding school]] in order to pursue her own career and relationship with her boyfriend. When she left, she also became an actress, becoming very rich and famous, while her [[WhiteDwarfStarlet mom's]] popularity had faded. On the eve of Gloria's debut, her mom committed suicide. However, since this is seen only from the inside of Gloria's head, she may be an UnreliableNarrator.
* ''VideoGame/GrandTheftAutoV'' is set in a thinly veiled parody of southern California, and so the game's version of Hollywood is portrayed as the usual wretched hive of hypocrisy and stupidity. Then again, this being ''VideoGame/GrandTheftAuto'', the [[EagleLand whole damned country]] is portrayed the same way, and possibly the [[CrapsackWorld entire world]] as well.

[[folder:Web Original]]
* ''Website/TheOnion'' ran an advice column called [[http://www.theonion.com/articles/ask-a-faulknerian-idiot-manchild,12248/ Ask A Faulknerian Idiot Manchild]]. In one, he recounts the night he spent with a bitter, drunken writer who had a case of this trope.
--> "He was talking how he never should have done gone to Hollywood to write for them picture-shows. He was saying how California was like a demon straight from hell, a burning flapping devil beast that ate up everything it saw, and that it even ate his soul. When he stopped talking I tried to shake him to wake him on up, but he weren't moving. He weren't waking on up at all."
* This trope is the whole RealitySubtext both in and out universe in ''WebVideo/DemoReel''. Almost every main character has been burned by Hollywood one way or another, but Donnie, [[spoiler:who is a FormerChildStar whose mother was DrivenToSuicide after her own career died, causing the bad performance for which he is still blamed and bullied]], is practically ashes.

[[folder:Western Animation]]
* This is the basic premise of ''Series/BoJackHorseman'', detailing the shattering life of a washed-up FunnyAnimal actor and his desperate attempts to be happy in a life he hates. Special attention is put to the damage done to child actors, which haunts Bojack in particular since he worked on a sitcom full of them.
* ''WesternAnimation/TheSimpsons'':
** Bart sees this in the episode "Bart Gets Famous", where he becomes the "I didn't do it kid" and is exposed to the full force of showbiz, "a hideous bitch goddess".
** The trope is inverted at the end of "Radioactive Man" (in which Milhouse becomes Fallout Boy in the ''Radioactive Man'' film): Springfield gouged the simple yet not that unpleasant Hollywood folks out of their money, so they return to their home base and are given a warm welcome and a promise to get them and the movie back on their feet.
-->'''Producer''': Thank God we're back in Hollywood, where people treat each other right!
%%* ''WesternAnimation/TheCritic'' frequently invokes this trope.