[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/spacewest2344big_3.jpg]]
[[caption-width-right:350:[[TheWestern Cowboys]] versus [[ThoseWackyNazis Nazis]], [[JustForFun/RecycledInSpace in]] [[ScienceFiction Space]]!]]

->''"So settle in one more time for the action-romance-comedy-drama-kids movie for adults."''
-->-- '''WebVideo/HonestTrailers''' for ''Film/ThePrincessBride''

A mixture of seemingly disparate genres together. After all, if two genres are already awesome on their own, then combining them will result in something even more awesome, right? Well, maybe, if you get the balance between the genres just right. Otherwise, you risk having an UncertainAudience or AudienceAlienatingPremise: a Romantic Action Comedy flick ''could'' attract both {{Action|Genre}} fans and RomanticComedy enthusiasts, but it's just as likely that the elements of one genre will turn away fans of the other.

For works which use multiple, disparate genres ''without'' actually mixing them together, see GenreRoulette. Compare to RecycledInSpace where a new genre may be pasted onto an existing story. If a ''character'' is this instead of a story, see NinjaPirateZombieRobot. If a character from one genre ends up in the setting of another, see GenreRefugee. Compare and contrast with GenreBusting, where a work fits into no genres rather than multiple. See also JustForFun/XMeetsY and HybridGenre. May involve AnachronismStew.
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!!Example Subpages:
[[index]]
* GenreMashup/AnimeAndManga
* GenreMashup/{{Film}}
* GenreMashup/{{Literature}}
* GenreMashup/LiveActionTV
* GenreMashup/{{Music}}
* GenreMashup/VideoGames
[[/index]]
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!!Other Examples:

[[foldercontrol]]

[[folder:Comic Books]]
* ''ComicBook/StrangersInParadise'' is a SliceOfLife story, mixed [[YuriGenre lesbian romantic comedy]], [[TheSyndicate crime drama]], and on occasion a ''Series/XenaWarriorPrincess'' parody.
* ''ComicBook/Ronin1983'' is a mixture of fantasy, {{Cyberpunk}}, [[AfterTheEnd post-apocalyptic]] action comic with a dose of TimeTravel for good measure.
* ''ComicBook/{{Grimjack}}'' covers a whole lot of genres. Its protagonist is a cross between [[Literature/TheMalteseFalcon Sam Spade]] and Franchise/ConanTheBarbarian who lives in a city at the center of the multiverse populated by, among other things, humans, robots, talking animals, ghosts, and vampires. Magic works in some parts of the city, technology in others, some places have both and others neither. Ostrander said he was inspired by ''Series/DoctorWho'''s ability to tell any kind of story it wanted, which is true of ''Grimjack'' without it being very much like ''Doctor Who'' at all.
* ''ComicBook/WildCATsWildStorm'': While ''Wild C.A.T.s Version 3.0'' is technically a super-hero comic, there aren't many super-heroics, and the titular team isn't even assembled until the last story arc. It is also very philosophical, topics ranging from questioning if a corporation can be truly good, to how far people will go to maintain the status quo or adapt to new situations.
* At first blush, ''ComicBook/UsagiYojimbo'' is a pretty standard samurai story. Albeit one starring an anthropomorphic bunny. Then the ghosts and ghouls start showing up, then it veers into a pure detective story, then slice-of-life, almost {{Edutainment|Show}}, in/about Shogunate Japan, and even tragedy raw enough to draw tears. It's an interesting series.
* As currently stands ''ComicBook/LokiAgentOfAsgard'' is a {{Super|hero}}[=-=]AntiHero, SpyFiction and/or CriminalProcedural comic [[{{Metafiction}} about stories]].
* ''ComicBook/AlbedoErmaFelnaEDF'' is basically what happens when you mix a Furry comic with a military drama, some slice of life stuff, lots of UsefulNotes/{{existentialis|m}}t ranting, socio-political machinations, tragedy, a SpaceOpera with some [[spoiler:''Anime/NeonGenesisEvangelion''-levels of CosmicHorrorStory]], [[LovecraftLite albeit in reduced scale]], and some PostCyberpunk added on it.
* ''ComicBook/{{Runaways}}'' mixes the small-scale TeenDrama genre and the {{Superhero}} grandeur of the greater Franchise/MarvelUniverse, resulting in something of a superpowered ComingOfAgeStory for its leads.
* ''ComicBook/KaijuDayz'': The premise is a family dramady sitcom starring giant monsters.
[[/folder]]

[[folder:Multiple Media]]
* As with music, there are ''entire story genres'' that do this.
** {{Superhero}} comics in general take place in a ScienceFantasy [[SciFiKitchenSink Kitchen]] [[FantasyKitchenSink Sink]]. Aliens, robots, clones {{Mad Scientist}}s, wizards, vampires, ghosts, demons, and more are all valid character types in a superhero story, and since most superheroes masquerade as ordinary people, so are character types from a SliceOfLife or WorkCom story.
** TwoFistedTales is based on [[PulpMagazine pulp fiction]], which ranged from CosmicHorror stories to hard-boiled FilmNoir to ProtoSuperhero stories and epic action-adventure {{Jungle Opera}}s, so stories of this nature are naturally often a mashup of all of these at once.
* The ''Music/{{Tsukipro}}'' franchise -- what started as an ostensibly ordinary IdolSinger anime -- albeit with AnthropomorphicPersonification boy bands based on the months of the year -- has become a FantasyKitchenSink multiverse, where the [[ShowWithinAShow plays performed by the idols]] bleed into reality. The main-setting (supposedly SliceOfLife) idol characters not only end up TrappedInAnotherWorld so often they get used to it, a few of them also have supernatural powers even in the real world. While the [[Theatre/{{Tsukiuta}} stage plays]] have always gone head-first into fantasy, the anime series stayed in the MaybeMagicMaybeMundane territory until the 4th season, when the {{Yokai}} [[Theatre/TsukinoHyakkiYakou world]] characters appeared...
[[/folder]]

[[folder:Podcasts]]
* While Podcast/WelcomeToNightVale perhaps has a leg up in this regard due to it being in the unconventional medium of a radio-drama, its genre could perhaps be best described as a slice-of-life comedy horror with healthy dose of science fiction and romance.
[[/folder]]

[[folder:Webcomics]]
* From ''Webcomic/{{Freefall}}'', [[RidiculouslyHumanRobot Querty]] and [[MadScientist Dvorak's]] music experiments include ''Cyber Rap'', ''Cyber Rap and the Digital Symphony Orchestra'', and ''Epic Rap Yodeling Operas''. Oh, and ''Orbital Bombardment in D minor''.
* ''Webcomic/{{Subnormality}}'' has ''The Generals'' - military-themed rap-metal band - in [[http://www.viruscomix.com/indefenseofweird.jpg this]] strip.
* Fictional example from ''Webcomic/DaisyOwl'': [[http://www.daisyowl.com/comic/2009-12-04 ElectroFolk ClassicAlt is pretty cutting edge.]]
* In ''Webcomic/QuestionableContent'', in-universe band Deathmole plays what's characterized as "electro-spaz-post-hardcore" and "abrasive electro-grindcore."
* ''Webcomic/TemplarsOfTheShiftingVerse'' is fantasy, yet dips into horror, romance and noir.
[[/folder]]

[[folder:Western Animation]]
* ''WesternAnimation/{{Centaurworld}}'' has this as its basic premise: what if a character from an action cartoon got stuck in a comedy cartoon? To be more precise, what if a young soldier's horse from a LowFantasy world in the grips of war is flung headfirst into a colorful SugarBowl world where they now have the ability to talk and must contend with the surreal natives who operate on ToonPhysics and barely take anything seriously? It is later revealed that [[spoiler:the two worlds used to be connected, with further backstory reveals making it clear that this separation has only been a few decades at the most]].
* InUniverse: in the ''WesternAnimation/{{Daria}}'' episode "[[BizarroEpisode Depth Takes a Holiday]]," the Holidays are described as having a "hip-hop-punk-electronica vibe."
* ''WesternAnimation/{{Gargoyles}}'' is an epic UrbanFantasy, a sci-fi thriller set TwentyMinutesIntoTheFuture, and a gritty crime-drama. Oh, and a tribute to Creator/WilliamShakespeare, where [[Theatre/AMidsummerNightsDream Puck, Oberon, Titania]], and [[Theatre/{{Macbeth}} the Weird Sisters]] have prominent roles, and Theatre/{{Macbeth}} kicks ass in a [[BadassLongcoat trenchcoat]] with a laser gun. [[ItMakesSenseInContext Seriously]].
* In the ''WesternAnimation/SouthPark'' episode "Christian Rock Hard", the four main characters' band Moop has, by their admission, elements of jazz fusion, Latin jazz, hip-hop, and R&B, while the one song they're heard playing sounds more garage-rock.
[[/folder]]

[[folder:Real Life]]
* With biological organisms, it's worth to note that examples only apply in Linnaean taxonomy (the system you're most likely to find in textbooks), which prioritises organisation (to the point of being considered [[http://www.cambridge.org/an/academic/subjects/philosophy/philosophy-science/poverty-linnaean-hierarchy-philosophical-study-biological-taxonomy anti-evolution]], and not taken seriously anymore by actual scientists). In cladistics, it's pretty much averted, as organisms pretty much are defined by their evolutionary relations. For instance, arguing about monotremates somehow not being mammals ''may'' make sense in a Linnaean paradigm, but in cladistics it doesn't since there is nothing that defines "mammal" besides being genetically a mammal (which monotremates are).
* [[http://en.wikipedia.org/wiki/Monotreme Monotremes]] (platypuses and echidnas) are known for not fitting 100% into the traditional fauna classifications, since they have many mammalian characteristics but lay eggs instead. The platypus is also one of the very few mammals to be venomous, and they have ten sex chromosomes, instead of the usual one or two. Furthermore, they hunt for food by sensing tiny electrical currents generated by their prey, unlike the vast majority of predators that hunt by sight, sound, or smell.
* Turtles are the subject of a raging debate among taxonomists and herpetologists as to how they're related to other types of reptiles. This is due to how all other closely related groups have gone extinct. In fact, until the discovery of [[http://en.wikipedia.org/wiki/Odontochelys Odontochelys]] in 2008, there were no known transitional species--for all that people knew based on fossil records, some reptiles just suddenly evolved shells and became turtles.
* This trope describes American culture in general. While its core is unmistakably British, due to the country's colonial past, trade and immigration have added elements of French, Japanese, West African, and Mexican culture, to name a few.
** UsefulNotes/{{Spain}} and UsefulNotes/{{Portugal}} were colonized by the Moors throughout most of the Middle Ages, thus the countries have a lot of Moorish influences in their architecture.
** UsefulNotes/{{Belgium}} is a surreal hybrid of Dutch, Flemish and German influences.
** UsefulNotes/{{Switzerland}} is a cross between French, German and Italian cultural influences.
* The English language's vocabulary pool is mainly Germanic, Latin, Greek, and French, but also includes words from languages as diverse as Japanese, Swahili, Nahuatl, Czech, Romani, Quechua, and Wiradjuri (an Australian Aboriginal tongue).
** Some examples:
*** Japanese: manga, anime, kamikaze
*** Swahili: jumbo, safari, dengue
*** Nahuatl: tomato, ocelot, chocolate
*** Czech: dollar, pistol, robot
*** Romani: pal, shiv, drag (the clothing style)
*** Quechua: cocaine, jerky (the food), condor (the bird)
*** Wiradjuri: billabong, kookabura
* Some conlangs (constructed languages) do this deliberately. Lojban's pool of ''gismu'' (basic words) comes from English, Spanish, Mandarin, Russian, Arabic, and Hindi, as those were the most widely spoken languages at the time of its creation. Toki Pona includes highly simplified words from Tok Pisin, English, Croatian, and other languages. Esperanto was valiantly designed with this principle in mind, although its reach scarcely extends beyond Western Europe, something it's been highly criticized for.
* This trope can be applied to food as well. The (fraternal, not identical) twin Louisiana styles of Creole and Cajun cooking can be described as French/Spanish/African/Native American/Caribbean.
* "Fusion" cuisine in general tends to be this trope. Not so much when it involves related styles (eg. Chinese/Korean); but many forms incorporate multiple completely unrelated cuisines.
* Creole languages are hard to class by the usual "genetic" system of descent in philology, where one former language branches off into others. These languages are (typically) the result of one language merging with a group of other related ones, with the vocabulary taking from both while much of the grammar is created from scratch.
** In a broader sense, there's the concept known as the "[[http://en.wikipedia.org/wiki/Sprachbund sprachbund]]" or "linguistic crossroads," an area where multiple (often relatively unrelated) languages have developed in such close contact with one another that features from each start bleeding over into the others.
* [[RealLife Life itself]], according to Creator/AlanMoore.
[[/folder]]

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!!Examples from GenreBusting not yet sorted:[[note]]The subpages also include unsorted examples regarding those genres.[[/note]]


[[folder:Roleplay]]
* ''Roleplay/SurvivalOfTheFittest'', just like ''Literature/BattleRoyale'', the work that inspired it, is pretty much impossible to place in one genre. A class of students being abducted and forced to kill each other with very close attention to their personal experiences has led to a rather diversive mix of horror, action, romance and even comedy, all thanks to the multitude of different writing styles that occurs with so many authors in one place.
[[/folder]]

[[folder:Tabletop Games]]
* ''TabletopGame/{{Rifts}}'' is set in a universe that has gone through culture-changing advances in science, an apocalypse, a return of magic, an alien invasion, and a tearing of the space-time continuum that in the core book alone you can play as a genetically manipulated super-soldier, anthropomorphic dog, psychic warrior, cyborg, techno's-wizard, dragon, or hobo, just to name a few.
* ''TabletopGame/{{Shadowrun}}'' is a universe about life after the {{Mega Corp}}s started to gather power, nations breaking up, and two plagues taking off the top quarter of the population. This happens to the backdrop of [[TheMagicComesBack the Awakening]], where many children were born as Elves and Dwarves, Native Americans becoming the first group to manifest magic, about 10% of the population painfully "Goblinized" into Orks and Trolls, and claimed sightings of dragons. Shadowrun First Edition was set in the 2050's, after all the insanity started to calm down into an UrbanFantasy[=/=]{{Cyberpunk}} world with some DungeonPunk for flavor. The only significant change since then is that the "punk" part is less prominent.
* ''TabletopGame/{{Space 1889}}'': Science fiction in the past. Retro-science fiction (id est science fiction the way the first science fiction writers did it). Alternate history with alternate natural laws. One of the first examples of steampunk.
[[/folder]]

[[folder:Theater]]
* Music/GeorgeFredericHandel: Both ''Semele'' and ''Hercules'' blend elements of Italian ''opera seria'' (e.g. scenes alternating recitative and aria) and English sacred oratorio (e.g. choral writing) and also have traits not common to either genre (both plots are based on Greek myths, a common source for French opera of the period). Audiences of the time were really confused, particularly about ''Semele'' (people called it 'bawdy opera' and 'bawd-atorio'). It didn't help that Handel tried to mount the premiere of quite a raunchy piece as part of the Lenten season...
* This is what Music/RichardWagner set out to do (and most would say he succeeded). His concept of the ''Gesamtkunstwerk'' was a fusion of all the arts - visual, theatrical and musical.
* Music/WolfgangAmadeusMozart: At the time, all operas were written in the Italian style (except the French, which were seldom performed outside France). There were two types of opera: Opera Seria (dramatic) and Opera Buffa (comedic). Mozart was one of the first composers to blur the lines between the two styles, incorporating hilarious comedy into dramas and compelling drama into comedies. He even took this a step further, inventing the concept of "German Opera" with ''Theatre/TheMagicFlute'' (and to a lesser extent, ''Die Entführung aus dem Serail'').
** Even ''Theatre/DonGiovanni'', an Italian opera written in an essentially classic form and style, shatters conventional dramatic structures. There's no hero, the AntiHero Jerkass protagonist(?) dies, the alpha couple doesn't get married, and one of the few sympathetic characters is too weak-willed to do anything but be a menial serf to some other entitled creep. Neither tragedy nor comedy, it's just sorta ''there''.
* There is a classic story about the first two productions of ''Theatre/TheCherryOrchard'' by Creator/AntonChekhov. The first production was very sad and melancholic, and the audience left the theater deeply moved. The second production? The audience was laughing so hard the walls shook. So which is it, comedy or tragedy? None can say (though WordOfGod claims comedy).
* Nathaniel Lee deliberately played with his audience's expectations in ''The Princess of Cleves'', which he called a 'farce, comedy, tragedy, or mere play'.
* ''Theatre/RomeoAndJuliet'' was the first play to combine the idea of comedies and tragedies. In a typical comedy, there are young lovers who live HappilyEverAfter. In a typical tragedy, there are political figures and families that feud and kill people. All of this happens in ''Romeo and Juliet''. [[{{Dissimile}} Except]] [[DownerEnding the happily-ever-after part.]]
[[/folder]]

[[folder:Toys]]
* ''Toys/{{Bionicle}}'', as a whole. It has magical epic fantasy, cyber-city sci-fi, plenty of action (both regarding the usage of special powers, or plain hand-to-hand combat), a CosmicHorrorStory or two, war tales, crime and mystery, western-ish DesertPunk, some mild philosophizing, tells moral fables, and showcases various kinds of humor (sarcastic and dry verbal jokes, or visual {{Slapstick}}). Comes in the form of plastic toys, comic books and novels, 2D and 3D animations and DirectToVideo movies, magazines (at least in Europe), free-to-read online stories, even audio podcasts, and its music ranges from rock and techno mixes of varying hardness to orchestral choirs, tribal drums and hums and almost rural-sounding chimes. The toys also blended traditional ''Franchise/{{LEGO}}'' bricks and standard ''Technic'' pieces with the unique ''Bionicle'' parts. The early Tarakava models, for instance, had a midsection built up purely by classic, studded bricks. Since the theme was still a member of the ''Technic'' umbrella-title then, [[EarlyInstallmentWeirdness some of these early Rahi sets looked more like mechanical playthings than animals]]. Then, there were the playsets, "normal" LEGO building sets that came with their own Minifugures, but often had a regular ''Bionicle'' figure thrown into the mix for good measure. Blending the vastly different building techniques has, in fact, become a standard practice for LEGO since then, and not-too-overspecialized pieces tend to creep over from one theme of sets into another.
** LEGO as a whole can be this if approached with sufficient enthusiasm and/or a lack of focus. You've just built a stagecoach, a UFO, an [[{{Franchise/StarWars}} X-Wing]], a medieval castle, [[Film/HarryPotter Hagrid's hut]] and a police car? Time to get imaginative.
[[/folder]]

[[folder:Visual Novels]]
* Is ''VisualNovel/UminekoWhenTheyCry'' a mystery or a fantasy? Neither! It's more of a fantastical romantic mystery with a tinge of horror and Jungian-psychological elements. Or, a PostModern GenreDeconstruction of the entire concept of a mystery story.
* [=07th=] Expansion's next big work ''VisualNovel/RoseGunsDays'' is part FilmNoir, part slice-of-life, part political drama, and part… ''something''. While it is far from the {{Mind Screw}}y DeconstructorFleet ''Umineko'' was, the work is still hard to classify, especially considering its rather schizophrenic tone − sometimes light-hearted, sometimes dark and cynical… in some cases ''in the same scene''.
* ''Franchise/{{Danganronpa}}'':
** ''VisualNovel/DanganronpaTriggerHappyHavoc'' could initially be described as a VisualNovel courtroom adventure game ala the ''Franchise/AceAttorney'' series, mixed in with some Social Link elements from the latter two ''Franchise/{{Persona}}'' games. Only the courtroom scenes also regularly feature minigames with lightgun-style shooter and rhythm game elements where you literally shoot down your classmate's arguments. The story is also a mix of ''Franchise/AceAttorney'''s own murder mystery/courtroom drama combination and ''Literature/BattleRoyale''-style thriller [[spoiler: with some (allegedly) [[AfterTheEnd post-apocalyptic]] elements showing up near the end.]]
** ''VisualNovel/Danganronpa2GoodbyeDespair'' takes all this, adds a snowboarding-esque minigame to the pool of trial minigames (don't ask; it's weird even for ''Dangan Ronpa''), and then adds on top of all the plot elements from the previous game [[spoiler: everything in the game taking place in a VR simulation.]]
* ''VisualNovel/FateStayNight'' is an action UrbanFantasy combined with some horror and thriller elements, as well as a romance and some SliceOfLife, set in a ConstructedWorld with a heavily detailed magic system. A high schooler finds himself thrown into a battle royale, where seven Mages summon their own Servant -- a superpowered figure from history or myth -- to compete in a SecretWar, and depending on the route, the main character either falls in love with his own Servant (a romance centered on the conflict between one's duty and one's needs, including love), his ally (a FriendsToLovers story), or his longtime friend (a horror story about protecting loved ones from the evils of the world).
[[/folder]]

[[folder:Webcomics]]
* ''Webcomic/SluggyFreelance'' started out as simply a FantasticComedy, then (while still keeping comedy a staple) started playing GenreRoulette with soap operatic drama, epic fantasy/science-fiction, spy stories, horror, film noir, and so on. However, thanks to the [[ContinuitySnarl constantly accumulating continuity]], story elements introduced while handling one genre will still be around when another genre takes the foreground, creating some weird combinations. Like sci-fi epic "Oceans Unmoving" having a lead character who's a TalkingAnimal that went to war with Santa Claus. Or the wacky adventure of "A Time for Hair-raising" drawing upon Torg's past as an action hero and Gwynn's past as a victim of DemonicPossession. Or the dark, brutal story told in "Fire and Rain" still having a [[InvoluntaryShapeshifting Zoe-gets-turned-into-a-camel]] gag.
* ''Webcomic/ElGoonishShive'' crosses a few. It starts out like a comedic slice-of-life comic, quickly adds sci-fi and drama, then fantasy, then [[spoiler:it retcons the sci-fi into fantasy]]. Currently it's kind of a mix of the lot. And weird.
* ''Webcomic/ProblemSleuth'' and ''Webcomic/{{Homestuck}}'' of ''Webcomic/MSPaintAdventures'' are both very difficult to classify. They're online comics, except that the readers basically choose the direction stuff moves in (at least originally; ''Homestuck''[='s=] readership grew too large for this early on). ''Webcomic/{{Homestuck}}'' in particular ping-pongs between a SatireParodyPastiche, other comedy elements, SliceOfLife, and a (fairly) serious epic fantasy/sci-fi MythArc that draws heavily from {{Eastern RPG}}s and creation myths. The creator however does say that despite the CerebusSyndrome, it is and always will be a predominantly comedic series. ''Homestuck'' is even ''Medium Busting''. It's primarily a comic consisting of images above text boxes containing dialogue, but also includes gifs, extensive animated sequences, a few flash-based interactive point-and-click sequences where the reader/player can control one of the main characters directly -- one part InteractiveComic, one part game, one part novel, one part animation, one part [[JigsawPuzzlePlot puzzle]], one part something else? It's impossible to define, with the official designation having settled on "[[BuffySpeak thing]]".
* ''Webcomic/LastRes0rt'' is a sci-fi vampire Furry comic about a DeadlyGame RealityShow, with some supernatural elements, a MagicalGirl squad, and even a little ComingOfAge (well, coming of ''vampire'' age) thrown in for good measure.
* ''Webcomic/GarfieldMinusGarfield'' involves taking old ''ComicStrip/{{Garfield}}'' strips and removing every character except Jon Arbuckle, leading to a bizarre, Dadaist portrayal of him as a bipolar/schizophrenic loner. Especially strange since each source comic can have only one possible outcome, making it a constrained webcomic.
* ''Webcomic/WapsiSquare'' describes itself as a "slice of supernatural life" comic, but it is a bit more complicated than that. For starters, there's the save the world plotline [[NoAntagonist without any antagonist.]] Then there is the protagonist's constant attempts to convince herself and those around her that the comic is actually on the other side of ClarksThirdLaw (she gives up eventually). It's rather hard to explain.
* ''Webcomic/TheDragonDoctors'' blends a bunch of different possible genres into one. It's about magical doctors solving weird problems in a fantastic setting that nonetheless resembles a lot of modern-day life, but the doctors spend as much time fighting evil as adventurers as they spend time as healers, plus there are plenty of slice-of-life moments mixed in to even out the pace. Sometimes it's funny, sometimes it's very dark. Transformation is rampant but it's far from the actual point of the comic, unlike most {{Transformation Comic}}s; instead, it's just a consequence of the magical setting. Emotional healing is given as much priority as physical healing, too, unlike most PatientOfTheWeek deals.
* ''Webcomic/TowerOfGod'': Modern Fantasy, mystery Shounen tournament, a maturity more commonly seen in seinen works, aspects of a political drama, mind game series and a declaration by the author that every season will be another genre along with affectionate parodies of those genres (you know, when all the death, betrayal and broken dreams get a little too hard on you).
* ''Webcomic/JosephAndYusra'': It's a Slice of life romantic comedy thriller supernatural war story.
[[/folder]]

[[folder:Web Original]]
* Literature/TheSolsticeWar is nominally "Military Fiction," but it also has the trappings of dieselpunk, epic fantasy, alternate history, period romance, queer fiction, and even anime.
* ''WebAnimation/{{RWBY}}'' is fairy tale sci-fi SuperheroSchool anime before a GenreShift into contemporary HighFantasy fairy tale {{Reconstruction}} with sides of magical girl, post apocalyptic, and science fiction. Later volumes add political thriller, a {{Deconstruction}} of military sci-fi, and [[spoiler:TrappedInAnotherWorld style surrealism]].
[[/folder]]

[[folder:Web Videos]]
* For its first two chapters, ''WebVideo/DoctorHorriblesSingAlongBlog'' is a musical, superhero {{deconstruction}}, romantic comedy [[VillainProtagonist about a wannabe mad scientist supervillain]] and his attempts at gaining power (frequently detailed, of course, in his video blog). Then the last chapter ends [[spoiler: with elements of classic tragedy, the only remotely sweet and sympathetic character dying in the most gut-wrenching, Whedon-specialty way possible. The montage that follows, however, still includes some brutally funny moments]].
* ''WebVideo/{{Dad}} is a {{Satir|e}}ical {{dystopia}}n [[ScienceFiction science fiction]][=/=][[ScienceFantasy fantasy]] [[RomanticComedy romantic]] [[PsychologicalHorror psychological]][=/=]{{surreal horror}} [[BlackComedy black]] [[HorrorComedy comedy]] {{dram|edy}}a {{Alternate Reality Game}} {{dom|com}}estic {{situation comedy}} {{Website/YouTube}} web series
* ''WebVideo/VideoGameHighSchool'' is a high school action/comedy/drama with elements of sci-fi, SportsStories and of course, VideoGames. It often uses VideoGameTropes as plot points.
* The third season of ''WebVideo/TheMonumentMythos'' has been referred to by it's creator, MISTERMANTICORE, as a combination of AnalogHorror and the {{Superhero}} genre: "Analog [[{{Pun}} Superhorror]]" as he calls it.
* ''WebVideo/TheNostalgiaChick'': {{Discussed}} in a review of ''Film/SleepyHollow1999,'' where she notes that this can also give something an AudienceAlienatingPremise:
-->"It's not going to satisfy history fans because it's so wildly inaccurate and different from the source material; comedy fans won't like it because it's not really funny; it's not serious enough to be ironically funny; and the doofy tone is bound to turn off most hardcore drama fans. Mystery or romance fans won't like it because it's so gory, it won't satisfy gore fans because the gore is so fake and goofy-looking... I guess the reason I kind of like this movie is 'cause it... kind of gives a big-old middle finger to genre."
* ''[[https://www.youtube.com/watch?v=p3IMwhoAMcs Pyongyang Racer]]'', North Korea's online browser game designed to promote tourism, involves driving around a mostly deserted city that looks nothing like actual Pyongyang and collecting things while a police officer, taking up a large portion of the screen, insults you.
[[/folder]]

[[folder:Western Animation]]
%%* ''WesternAnimation/SteamboatWillie'', one of the first sound cartoons.
* ''WesternAnimation/KaBlam!'': Comedy/sci-fi/action/(and depending on the Henry and June short) romance.
* ''WesternAnimation/TeenTitans'' is a superhero action cartoon whose animation is often more inspired by Creator/TexAvery or [[QuirkyWork the weirder side of]] {{Anime}} than anything in U.S. ComicBooks, yet often has very dark, dramatic storylines and, on a few occasions, will have an episode focus almost entirely on character interactions, with the obligatory supervillain battle relegated to a minor B-plot.
%%* ''WesternAnimation/{{Recess}}'': Comedy/drama/prison escape/satire.
%%* ''WesternAnimation/RecessSchoolsOut'': Comedy/drama/satire/sci-fi/action/prison escape/coming of age.
* ''WesternAnimation/PhineasAndFerb'' has a specific work in-universe: "... [A] twenty-eight volume science fiction swashbuckling historical romance tell-all potboiler mystery satire buddy cop adventure tragedy how-to action novel!"
%%* ''WesternAnimation/CodenameKidsNextDoor'': Action/adventure/comedy/drama/sci-fi/satire.
* ''WesternAnimation/AdventureTime'' is a comedy in a world that's ''mostly'' fantasy, but where science fiction elements are almost as common. It also has plenty of horror elements and, as the series goes on, a lot of drama as the characters' motivations and back stories are revealed. It also occasionally turns into a [[MagicRealism supernatural]] [[AfterTheEnd survival drama]], whenever [[ReallySevenHundredYearsOld certain characters']] back stories come up.
* ''WesternAnimation/TheLegendOfKorra'' is generally described along the lines of "UrbanFantasy mixed with action genre", or "a sequel to ''WesternAnimation/AvatarTheLastAirbender'' several decades down the timeline". But, it is rare for urban fantasy to be set in a full-blown ConstructedWorld, and only in the first season the show's actually confined to an urban environment. The overall aesthetic and background details resemble DieselPunk, but unlike for (what currently passes for) the genre standards, the centrality of the supernatural element moves it at least as close to DungeonPunk. And as a SequelSeries, it retains the SupernaturalMartialArts and messianic hero as crucial parts of the franchise, in spite of them better suited for the old epic fantasy format. Altogether, the series could qualify as honorary member of NewWeird movement, but even then breaking the stale genre conventions wasn't ever the point -- which leads us back to defining its genre by its relation to the original series.
* ''WesternAnimation/StevenUniverse'' is a superhero show as the Crystal Gems protect humanity from monsters with unique powers and weapons that have a well-defined system, many themes and fantasy elements give it a MagicalGirl flavor while not specifically conforming to genre standards as technically none of the Gems are what you'd call girls and don't transform from a mundane form. It's a romance story as emotional bonds between characters are a core theme of the show with Pearl and Greg's love for Rose Quartz, the fusion between Ruby and Sapphire, and Steven and Connie's mutual attraction shape many events of the series. It's also a lighthearted comedy with many surreal and silly moments with a lot of character-based humor, that is when it's not a dark drama with a disproportionate amount of BodyHorror and psychological complexity with flashbacks to a war story set within a SpaceOpera setting. The show dedicates many episodes to cute SliceOfLife situations that sometimes disguise a complex backstory and mystery about Rose's secrecy and past. So it's a comedic, {{Animesque}} SliceOfLife romantic dark horror ComingOfAgeStory as the Magical Boy protagonist protects the Earth against aliens that frequently include musical numbers and sexual themes.
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