->''"Mohinder needs to do a thing where he doesn't treat me to rambling stoner quasi-philosophy voice-overs at the beginning of every episode because it makes me dislike him as a person."''
-->-- '''Creator/BrianClevinger''', on ''Series/{{Heroes}}''

Philosophical narration, dialogue, or exposition that has little to do with the plot, usually of the same vague nature as what first-year philosophy students use [[{{Padding}} to pad out]] their term papers.

When a movie, television show, or other such narrative wants to create the illusion of more depth than it actually possesses, it can can use FauxlosophicNarration to have some character, whether it be protagonist, villain (especially the StrawNihilist), or innocent bystander, (especially ThePhilosopher) talk about "Big Topics", like [[Franchise/TheHitchhikersGuideToTheGalaxy Life, the Universe, and Everything]]. This overall doesn't add anything to the story; rather the intent is to put more FauxSymbolism and MindScrew (TrueArtIsIncomprehensible, after all), and make the story's characters and events seem grander and more fantastic, while also being increasingly vague. This usually backfires, as the faux intellectualism is both insulting and distracting to anyone who has the brains to figure out this narrator is speaking a lot of words and phrases and clauses that [[MeaninglessMeaningfulWords don't actually mean anything]], and in-universe, this just ends up as a RedHerring.

It may be an attempt to change a character's purported wisdom from an InformedAbility. It doesn't work.

This trope often has an "Emperor's New Clothes" effect on the more pretentious members of the audience: wishing to appear wise, intelligent, and cultured, and fearful of being perceived otherwise, they convince themselves they are privy to some profound truth. In fact what they are indulging in is often merely [[MeaninglessMeaningfulWords pompous, self-important nonsense with no discernible virtue to it]]. But of course, if you tell them that, it's cos you "[[TrueArtIsInComprehensible just don't get it]]"...

{{Post Episode Trailer}}s use this quite often to mask the actual events of the coming episode.

A product of the desire to ContemplateOurNavels, and maybe of attempts to do a PrivateEyeMonologue. [[IThoughtItMeant Is not used so that]] EvilSoundsDeep. When the author uses this to convey a message, it can overlap with AuthorTract. When a ''character'', not the author, does this, it becomes HoldingTheFloor. If particularly nonsensical, this can become WordSaladPhilosophy.

Also compare BlahBlahBlah and WallOfText.

'''Note: This trope has been subjected to misuse. [[Administrivia/ComplainingAboutShowsYouDontLike Do not simply add philosophical narration that you don't like.]] Also, do not just add any contemplative speech that you can find. If it has a clear relation to the plot, it is not this trope. [[TropesAreNotBad Philosophical musings are not inherently bad]]. If done well, they should enhance the plot.'''
----
!!Examples:

[[foldercontrol]]

[[folder:Anime & Manga]]
* ''EurekaSeven'''s next episode previews. This one is pretty ingenious, actually – it actually ''is'' relevant, usually, but the ambiguous language ("the boy" and "the girl" instead of "Renton" and "Eureka", for example) makes it sound like it could be talking about anything, because that's not [[SarcasmMode pretentious or anything.]]
** Renton making his in-episode monologues addressed to his sister often treat into this as well.
* Same for ''{{Gasaraki}}''.
* Also the same for ''Manga/ElfenLied''.
* The narrator from ''Anime/ArmoredTrooperVOTOMs'' displays some of the funniest and yet most entertaining examples.
* ''Manga/OutlawStar'' episodes always start with an opening narration, some of which fall into this category; most of the rest are universe building or exposition.
* The ruminations about life and love that begin and end each episode of ''BoysBe''.
* Vash does a form of this in the PostEpisodeTrailer at the end of each ''Manga/{{Trigun}}'' episode. There are three exceptions: Meryl recites a capsule description of him for the preview to the RecapEpisode; Vash as a ''child'' does the narration for "Rem Saverem" (the WholeEpisodeFlashback); and Vash gives up on the philosophy entirely and [[HeroicBSOD breaks down]] for the trailer to the penultimate episode, "Live Through".
** It's worth mentioning that the Japanese cast were very intrigued by this, as ''Trigun'' was one of the earliest anime to use this style for next-ep previews.
* ''LightNovel/HaruhiSuzumiya'' is about 90% Kyon talking to himself. Koizumi's segments also tend to be this.
* ''Anime/ErgoProxy'', to the point of overuse.
** As well as its spiritual predecessor, ''WitchHunterRobin'', the narration of which (if anything) made even less sense.
* ''Anime/TengenToppaGurrenLagann''
** [[WrenchWench Mechanic par excellence]] [[CampGay Leeron]] gives one of these around episode 22, about... gyroscopes.
** This is far from the only instance of this in the series. In the confrontations against two {{Big Bad}}s both the villains and the protagonists start ranting a mile a minute about things like free will, determination, hope, despair, responsibility, and everything the series goes for. They never say anything terribly original or deep, but it's presented as though both sides are profound.
* ''GlassFleet'' features FauxlosophicNarration from Michel before the opening credits of each episode.
* ''Anime/CodeGeass'' tends to do this during the PreviouslyOn segments that are part of several episodes. The musings are usually meant to comment on the different twists and turns of Lelouch's current situation or his eventual fate, but some end up sounding a bit repetitive or go off into philosophical tangents.
* ''Manga/{{Bleach}}'' would sometimes, albeit rarely, do this. One such involved Yumichika saying a rather obvious musing of "Compared to letting it fall apart, holding it together is so much more difficult", when observing that Renji's taken the tougher path to holding onto his resolve over many decades to reclaim his past relationship with Rukia rather than the easier route of simply giving up in frustration at ever being able to achieve it. And the Bount filler arc spends almost the entire last episode talking about circles. And saying the same things about them. Repeatedly.
* ''Anime/{{FLCL}}''. Naota usually begins each episode with some sort of semi-emo philosophical musings. He says several times throughout the six-episode series that "nothing exciting ever happens here. Everything is ordinary", which is clearly ''not'' the case, what with the fighting robots and such (though this is probably meant to be ironic, especially as the series goes on). As the single most mature individual in the series, Naota is probably affecting what he thinks is an "adult" outlook. But most of his monologues are largely meaningless and inaccurate.
* A contrary-to-popular-expectations aversion: ''Anime/NeonGenesisEvangelion'', despite ''actually having'' massive themes to talk about, focused its very occasional narration on either what's going on right now, the big alien that shows up next episode, or the FanService. You would really expect a story about Man-destroying Angels and [[ScrewDestiny Screwing Destiny]] to have some of this going on. Rei's monologue, too.
* ''MagicalGirlLyricalNanohaAs'' features lengthy inner monologues by the [[AntiVillain Wolkenritter]], which mostly revolve around their perceived inability to have normal lives and impending failure to save the only person in the universe they care for.
* Used for effect in the [[PostEpisodeTrailer Post Episode Trailers]] for ''VisualNovel/HigurashiNoNakuKoroNi'' in it's first season. The text that flies across the screen appears to be far more relevant to the next episode, and the deeper voice that talks stuff sounds like FauxlosophicNarration -- until you watch the second season when you realize exactly ''whose'' voice it is and ''how'' relevant it actually is to the ''real'' central plot.
** Also subverted in the second season, when the real protagonists do some narration that would normally be fauxlosophic... but not in their situation.
* On very rare occasions, the narration at the beginning of each episode of ''Anime/GunXSword'' refers to previous plot events in a helpful way, but it frequently falls into this sort of pseudo-philosophy. The over-the-top voice doing the narrating on the English dub makes matters worse.
* Every NextEpisodePreview in ''[[Manga/FullmetalAlchemist Fullmetal Alchemist: Brotherhood]]'' consists of the pretentious musings of [[spoiler: Father]], and ends with a fauxlosophic one-liner for the ages (many of which border on SoBadItsGood in their blatant pseudo-profundity).
** What makes this especially fun is that these musings are entirely in-character for [[spoiler:Father]].
* ''Anime/ParanoiaAgent'' has the Mysterious Old Man rambling on about seemingly completely random things during each preview. Not helping is that it includes puns that only work in Japanese.
* ''Manga/{{Berserk}}'': Episodes from {{Anime}} often begin with a PastelChalkedFreezeFrame of a giant, mutated hand holding the [[ArtifactOfDoom Crimson Behelit]] while a deep, ominous voice gloomily narrates about how [[YouCantFightFate mankind has no true free will]]. Seems [[FauxSymbolism like pseudo-profound]] [[ExcusePlot pretext]] so the audience can pretend that [[RatedMForManly this over-violent storyline]] actually has depth. [[spoiler: Then last few episodes reveal [[GodOfEvil exactly who]] [[NarratorAllAlong the narrator is]], [[ChekhovsGun why we needed to remember this]], and [[CosmicHorrorStory just how fucked up this story really is]].]]
* ''Extremely'' frequent in all works set in the {{Nasuverse}}.
[[/folder]]

[[folder:Comic Books]]
* Done to GreenLantern by Tommy Monhagan in ''ComicBook/{{Hitman}}''. Kyle Rayner is hoodwinked from all sides and ends up helping Tommy put the smack down on homicidal government agents. He ends waxing Fauxlosophic after the adventure. Before Kyle comes to his senses and arrests Tommy, he sneaks off.
* The infamous panel in the ComicBook/{{Doom}} Comic where the Doom Guy suddenly starts rambling about the need to preserve the environment for mankind's children in a somewhat eloquent way when he stumbles upon some toxic waste. All of this between spurting one-liners and killing monsters left and right.
[[/folder]]

[[folder:Fan Works]]
* ''MyInnerLife'' is a huge example of this. Jenna attempts to convince the readers that she is a deep, philosophical thinker in her prologue about dreams and past incarnations. The story is about Jenna's deluded fantasy that she was a Mary Sue of epic proportions in an alternate universe.
[[/folder]]

[[folder:Film]]
* ''Film/TheBeastOfYuccaFlats'' was comprised almost entirely of the director Creator/ColemanFrancis performing this sort of narration to avoid having to sync the soundtrack. Much of it has nothing to with the movie. Flag on the moon. How did it get there? A man murdered. A woman's purse. Nothing bothers some people. Not even flying saucers. A couple vacations, unaware of scientific progress. Man's inhumanity to man. Flag on the moon. [[ScienceIsBad Caught... in the wheels of progress]].
* Subverted in ''StrangerThanFiction'' The narration means something, even the scenes that appear to be random filler fold into Emma Thompson's story, and when the narrator talks about objects and events being meant to save our lives, she is talking literally...and literarily.
* Criswell's narration in ''Film/Plan9FromOuterSpace'' and ''Film/NightOfTheGhouls'', both written and directed by Creator/EdWood. Neither examples are helped by the fact that the dialogue is extremely awkward or the fact that Criswell delivers it very oddly. You can tell he's reading it off of cue cards, likely without any prior rehearsal.
* In ''Film/GlenOrGlenda'', Creator/BelaLugosi's addled delivery of obtuse philosophical rants over StockFootage of buffalo herds is [[{{Narm}} memorable in a way Wood surely did not intend it to be]].
* ''TheBoondockSaintsIIAllSaintsDay'' opens with a Rocco voiceover that finds a fancy way to say "Doers do and talkers talk." It isn't very long-winded though.
* The closing shot narration from the cinema release cut of ''Film/BladeRunner'' definitely veers into this territory.
--> DECKARD: I don't know why he saved my life. Maybe in those last moments he loved life more than he ever had before. Not just his life, anybody's life, my life. All he'd wanted were the same answers the rest of us want. Where did I come from? Where am I going? How long have I got? All I could do was sit there and watch him die.
** Especially {{Egregious}} because the character in question had already said why he saved Deckard's life, ''and Deckard's narration directly contradicted it.''
* ''Film/TeenagersFromOuterSpace'''s opening scene. In fact, many B-movies from the 1950s and 1960s either began or ended with some amount of Fauxlosophic Narration.
* ''Film/HowardTheDuck'', though it may have been a failed joke.
* Parodied in ''Film/TheBigLebowski'': the narrator is not only WrongGenreSavvy, but can't keep his fauxlosophy straight and keeps getting sidetracked. At one point he repeats "Sometimes there's a man" a few times before trailing off and stating that he lost his train of thought. He eventually just gives up ("Aw, hell, I done introduced him enough."), and at the very end even [[LampshadeHanging lampshades]] it ("Huh - I'm ramblin' again."). Ironically, the last time he realizes this and gives up is when he's actually on the verge of making a sage, relevant point for once.
* Parodied in ''RockyHorrorPictureShow'' with the Criminologist, especially his closing lines.
* The first ''LeftBehind'' movie opens with a Fauxlosophic Narration: short but tedious, [[http://slacktivist.typepad.com/slacktivist/2008/11/lbtm-thats-our-buck.html described as]] "a vaguely foreboding series of non sequiturs".
* ''RaisingArizona''. Done intentionally.
* The B-movie ''{{Zardoz}}'' begins with this, but there is no way to be profound when Sean Connery is running around in a red thong.
* ''AnatomyOfHell'', a cold, sexually-explict, coma-inducing arthouse film by Creator/CatherineBreillat. As put by RogerEbert: "''They talk. They speak as only the French can speak, as if it is not enough for a concept to be difficult, it must be impenetrable. No two real people in the history of mankind have ever spoken like this, save perhaps for some of Breillat's friends that even she gets bored by. "Your words are inept reproaches," they say, and "I bless the day I was made immune to you and all your kind.''"
* The opening and closing of ''Film/SuckerPunch'' involves narration about guardian angels, and taking back the power, which are basically [[spoiler:Sweet Pea's musings on the role that Baby Doll played in her life and, more immediately, springing her from the BedlamHouse]]. They also state that you have power in your own life. It ends ''You have all the weapons you need, now'' '''FIGHT'''.
* Tons of {{Mondo}}-style films. To quote [[http://horror-movie-a-day.blogspot.ca/2009/01/faces-of-death.html a review]] of ''Faces of Death'', "we get long stretches where real or not, the footage has no death. And at one point, there aren’t any "faces" either, because the movie stops cold(er) for a good ten minutes to warn us about the dangers of littering and pollution. I bet your schoolyard pal never boasted about the cool scene where you see a bunch of beer and soda cans on a beach. We also get lectured on hunger, World War II, nuclear weapons, and being careful while hiking."
* While all of {{Terrence Malick}}'s films are noted for their use of philosophical voiceovers, ''ToTheWonder'' [[UpToEleven took this so far]] many critics accused it of this. Reportedly, some audiences [[{{Narm}} straight up laughed]] at certain sequences.
* Parodied in WithnailAndI. Marwood's voiceovers are magnificently self-important rubbish.
* Film/ZeroEffect: Darryl Zero's narration is mired in this. It isn't as bad as in some other cases, but usually the point he's trying to make isn't worth the time it takes to make it.
[[/folder]]

[[folder:Literature]]
* ''Literature/TheWheelOfTime'' by Robert Jordan begins each book with an intro (to the intro) of the book which, despite being rather short relative to the books themselves, is still quite huge by conventional standards. Pops up additionally throughout the writing as well.
* Terry Pratchett does this occasionally, especially at the beginning of books, sometimes introducing a later-important ChekhovsGun at the same time (just look at Discworld/InterestingTimes and the Quantum Weather Butterfly, which ends up saving Rincewind's life.)
** In-story example: Vetinari occasionally gets very non-sequitur-ishly philosophical. Could be deliberate, though, because anyone talking to him at the time finds it ''seriously'' disconcerting.
** The FauxlosophicNarration is most often PlayedForLaughs as a parody of works that do this in all seriousness.
** Played straight in Discworld/RaisingSteam, where the plot grinds to a screeching halt and the scene shifts to an irrelevant character in a very different country so that said character can whinge about how terrible cultural assimilation is.
* In DavidEddings' ''{{Belgariad}}'', Belgarath poses the question "Why does two plus two equal four?", saying that he's been pondering it for ''millennia'' and hasn't been able to come up with an answer. He also asks a series of questions regarding basic natural phenomena, all of which stump Garion, though that's justified by the lack of universal education in a world of MedievalStasis.
* R.A. Salvatore used to fall into this. Especially in [[Literature/TheDarkElfTrilogy Drizzt series]] that contain pages of his journal with musings of the protagonist on matters like morality, faith, and emotion. However, Drizzt ''was'' very young (by elven standards), grew up in a rather isolated city and had education focused less on what local high priestesses or even wizards learn and more on swinging a pair of oversized razors and not dying while trying to wage war in caverns full of ridiculously deadly critters... through which he later wandered alone until gone half feral. It's not like he could do much better when trying to make sense of the suddenly complex world.
* This makes up about half of ''JasonXDeathMoon''.
* ''Ape and Essence'' has a lot of narration droning on about subjects such as fear and ignorance, much of it in blank verse.
[[/folder]]

[[folder:Live-Action TV]]
* ''Series/{{Heroes}}'' has a few of these, with one of the main characters, Mohinder, starting and ending each episode with a philosophical note that extrapolate on the events of that episode (and some that merely capitalize on the mood)
** Occasionally other characters, such as Linderman or Sylar, got in on the act, usually exhibiting their own dark tones to deviate from Mohinder's, usually, more positive narration.
** In the official parody "[[http://heroeswiki.com/Zeroes Zeroes]]", the Mohinder stand-in is forced to stop his closing narration as a "sentence finisher" starts reading along with him.
* The eponymous protagonist of ''Series/{{Dexter}}'' often has inner monologues about his double life that is consistently used to remind us that the [[VillainProtagonist "hero"]] is a SerialKiller with a disturbed mind.
* Tends to pop up in the opening video packages for Wrestling/{{WWE}} pay-per-view events, probably somewhere between 1/3 and 1/2 of them. The rest are pretty blatant, "Hey, come check out grown men hitting each other with chairs and throwing each other around to make it look like it hurts without actually breaking their necks! Only this time ON A LADDER!!!"
** This often pops up in the promos of self-proclaimed geniuses and/or lunatics. Then there's fellows like the UltimateWarrior, where even the other people behind the scene can't tell whether it's an [[MethodActing unbelievably in-depth put-on]] or [[CloudCuckooLander they really believe the insanity coming out of their mouths]].
* The beginning and end narrations on ''DesperateHousewives'' are full of musings on love, loss etc with only the barest of connections to the actual show.
* This applies to ''Series/TheXFiles'', where it was common either for Mulder to go on at length about how there are more things in heaven and earth etc., or Scully to lecture about how science is the only reliable guide to the truth without which nothing makes sense yada yada.
** This was spoofed on an episode of ''WesternAnimation/TheSimpsons'' when Mulder starts one of these in the day and by the time he finishes it has become night and everyone else including Scully has left the area.
--->'''Mulder:''' "Voodoo priests of Haiti! Tibetan numerologists of Appalachia! The unsolved mysteries of... ''UnsolvedMysteries''!"
** These voiceovers are most often framed as being readings of the case reports Scully (and sometimes Mulder) are seen writing. It's interesting to think what Skinner's feelings were about all the pretentious quasi-philosophical stuff in what should have been straightforward accounts of events.
* Meredith's opening and closing narrations on ''Series/GreysAnatomy'' sometimes fall into this rut.
** Ruthlessly mocked in one episode of ''Series/{{Scrubs}}'' as part of that show's series of TakeThat insults aimed at other medical series.
* ''Series/VRTroopers''. Every one of the episodes (save one) over two seasons opened up with Ryan Steele musing about Life, The Universe, and the Monster of the Day, always tying it into some memory of his father. The guy had issues.
* ''Series/{{Scrubs}}'' does the opposite with JD talking about the world and modern life in relation to events that are happening in the episode. This doesn't make it any less predictable or irritating though, especially when he literally does it ''every episode''. Also, JD must have some latent psychic abilities to make connections between his philosophy of the day to things he has no in-character knowledge of, no matter how tenuous the link may be. This was lampshaded in one episode, where JD openly admitted that he was taking advice that was given to somebody else and using it for his own solution. When Jordan explained that seemed rather convenient, he would agree "except that he does it nearly every week."
** JD's constant talking and his vivid fantasy are one of the defining aspects of the series. The fauxlosophic narration is just one part of it.
** [[http://www.youtube.com/watch?v=_Ok12K9X6y0 Touche, magic hallway]]
* ''TheHitchhiker'' had a few of these, that tried horribly to give the show a feeling of FilmNoir.
* ''Series/EarlyEdition'' often had this.
* ''Series/TheOuterLimits'', both original and 90s revival, had the Control Voice give one of these speeches. Say it with me: "Do not attempt to adjust your set..."
* ''Series/BuffyTheVampireSlayer'' did this in "Passion", "Becoming, Part 1" (which was more of a case of bookends delivered by Whistler) and "Redefintion", including one narration by the villain.
* Gil Grissom often lapses into FauxlosophicNarration on ''Series/{{CSI}}'' whenever the team encounters something offbeat, generally on the subject of human nature.
* ''DeadLikeMe'' often has it, and often reiterates the same message that death is random, seems unfair, but is inevitable.
* ''Series/DueSouth'' often opened or closed with Fraser Sr.'s voiceover reading extracts from his diary. But the man wrote beautifully, and the text always offered an interesting commentary on the main action.
* Carrie's CaptainsLog s in ''SexAndTheCity''- justified in that she's writing a newspaper column based on the events of her life.
* [[AreYouAfraidOfTheDark The Midnight Society]] had a variant on this: The kids ''knew'' they were spewing nonsense in the prefaces to their stories; it was all just to build atmosphere, and sometimes to mislead the audience on what their story was actually about.
* Bit of a subversion, ''Series/CriminalMinds'' begins and/or ends each episode with one of the characters narrating a quotation, usually philosophical. And surprisingly, they usually DO have something to do with the episode, typically the nature of the killer.
** And a [[CrowningMomentOfHeartwarming beautiful]] subversion on the episode where TVGenius Spencer Reid gives a victim's watch back to her father, telling him that he doesn't recognize the piece of poem in it. The guy starts reciting it, and it is clear that it fills him with emotion, so much that he cannot bring himself to finish it. Reid then leaves, and, being a genius who remembers ''each letter of every text he's read in his life'', the finishing narration is him finishing the poem.
--->What though the radiance that was once so bright, be now forever taken from my sight. Though nothing can bring back the hour of splendor in the grass, of glory in the flower; We will grieve not, rather find strength in what remains behind.
** The episode "True Night" opens with the killer, in voiceover, delivering an odd monologue about real darkness and how most people don't see it. It does make some sense when you watch the rest of the episode, though, and the killer is AxCrazy anyway.
** The subversion at the end of the fourth season finale "...And Back" is probably one of the best. Rather than give the usual quote, Hotch gives his own opinions on the matter as he arrives at his home after a beatdown of a case [[spoiler: only to discover that George Foyet aka "The Reaper" is waiting there for him.]]
--->'''Hotch''': Sometimes there are no words, no clever quotes to neatly sum up what's happened that day. Sometimes you do everything right, everything exactly right, and still you feel like you failed. Did it need to end that way? Could something have been done to prevent the tragedy in the first place? Eighty-nine murders at the pig farm, the deaths of Mason and Lucas Turner make 91 lives snuffed out. Kelly Shane will go home and try to recover, to reconnect with her family but she'll never be a child again. William Hightower, who gave his leg for his country, gave the rest of himself to avenge his sister's murder. That makes 93 lives forever altered, not counting family and friends in a small town in Sarnia, Ontario, who thought monsters didn't exist until they learned that they spent their lives with one. And what about my team? How many more times will they be able to look into the abyss? How many more times before they won't ever recover the pieces of themselves that this job takes? Like I said, sometimes there are no words or clever quotes to neatly sum up what's happened that day.
--->[[spoiler:'''The Reaper''': You should have made a deal]]
--->'''Hotch''': Sometimes, the day just...
--->(Screen fades to black, [[spoiler:then a gunshot is heard]])
--->'''Hotch''': ... ends.
* During the ending credits of each episode of ''Series/{{Riget}}'', show creator LarsVonTrier gives a ScriptWank speech with bizarre rants about the evil and the good. He delivers it with a smirk grin, as if he's parodying this very trope.
* ''Series/{{Profit}}'', though it's more like a demented corporate speaker spouting uplifting cliches that are undercut by the action just seen.
* ''Series/MacGyver'' usually starts an episode with some unrelated adventure backed by a fauxlosophic voice-over by the man himself.
* ''GossipGirl'' sometimes does this.
* ''Series/HowIMetYourMother'' has Future!Ted provide narration like this, in addition to commenting on all the stupid things he and his friends used to do.
* ''InPlainSight'' does this a ''lot'', to the point that the narration often has an entirely different version from the subtitles.
* ''Series/TheTwilightZone''. Rod Serling's opening and closing monologues are simultaneously brilliant and brain-twisting. One generally needs to re-listen to Serling's soliloquoys three or four times before they stop sounding like so much word salad and start making sense. It's honestly just easier to [[http://en.wikiquote.org/wiki/The_Twilight_Zone_(1959_TV_series) read them]]. A lot of this is due to Serling's gumshoe delivery, which adds a healthy dose of mystery to what would otherwise be a commonplace prologue or summation.
* The second season opener of the horror anthology series ''The Hunger'' gives its narrator (played by DavidBowie) a backstory that also helps explain his ramblings in subsequent episodes: He's a MadArtist obsessed with death and shunned by society.
* ''Series/{{Andromeda}}'' opened with the text of a different quote (usually at least bordering on this trope), sometimes real ones from actual real-world sources, often from some in-universe source.
* ''Series/{{Godivas}}'' used this to open and close each episode, even though the monologues (which were often food-related in keeping with the show's setting) rarely had anything to do with the story.
* In the ''Series/DoctorWho'' serial ''[[DoctorWhoS17E5TheHornsOfNimon The Horns of Nimon]]'', Soldeed interprets everything Nimon says as this.
* ''Series/{{Touch}}'' (from the same producer as ''Heroes'') begins and ends each episode with a rambling philosphical monologue from Jacob, which tend to follow the same pattern as Mohinder's speeches. One episode begins with him talking about how army ants are amazing because they can cooperate, then ends with a discussion about how humans are amazing because they are the only species that knows how to cooperate.
* In ''TheWonderYears'', Kevin seemed to begin and end every single episode with a monologue. Often times it could be relevant or meaningful but other times it felt like writers were trying to garner something inspiring from completely mundane events. After a while, Adult Kevin seems to wax nostalgically about everything that has ever happened to him.
* ''Series/DarkShadows'' opened almost every episode with Victoria [[IKnowYouKnowIKnow introducing herself for the 500th time]] and then say something philosophical sounding that usually was either [[CaptainObvious stating the obvious]] or [[FridgeLogic completely falls apart once you think about it]].
* ''Series/{{Revenge}}'' opens and ends with Emily giving an over the top the narration each week. Sometimes it manages to fit the episode theme very well. Other times...
* ''Series/{{Oz}}'' often included odd narration segments from Augustus Hill (Who is also a main character) regarding the theme of the episode. Sometimes They were beautiful and insightful. Other times They were just bizarre. He also delivered exposition on prisoners and Their crimes, making his exact nature (Augustus as a character couldn't possibly know some of the facts) somewhat ambiguous.
* Joe Friday's "This is the city" narrations from ''Franchise/{{Dragnet}}'' very rarely fell into this, mostly because the narration is used to set up the plot of the episode, very little waxing philosophical is ever done. However when it does happen, it tends to be very strange; one example is form the infamous O.J. Simpson episode. Friday has a longer-than-usual introduction where he tells the audience about all the things that boats are used for in Los Angeles. The episode has absolutely nothing to do with boats, or anything related to water.
* This is how Rust talks on ''Series/TrueDetective''
* Every episode of ''Series/TheInvisibleMan'' starts with Darien narrating a quote by a famous figure. It usually has something to do with the episode's plot. It's established in the pilot that, despite Darien never going to college and spending a chunk of his life behind bars, he is actually pretty well-read (he immediately spots Arnaud's bullshit when the latter appropriates one of MarkTwain's quotes for himself).
* Every post-pilot episode of ''Series/FirstWave'' has [[TheChosenOne Cade]] quote one of the "lost quatrains" of Nostradamus he found. While the quatrains themselves are made up for the show, they do usually have something to do with the episode's plot, as Cade usually uses them to figure out what to do next.
--> On the seventh dawn of the seventh day,
--> A twice-blessed man will roam the fields.
--> Doomed to shadows with his brethren,
--> Or savior to all who walk the ground.
[[/folder]]

[[folder:Theater]]
* ''TheMysteryOfIrmaVep'' ends with a melodramatic rambling speech by Lady Enid as she stares off over the blasted heath that ultimately has no purpose except to make fun of Victorian melodrama.
[[/folder]]

[[folder:Videogames]]
* In the GameMod ''VideoGame/BatmanDoom'', the text screens that pop up a few times throughout the game are filled with Batman's {{Narm}}ful musings about how he's "the chosen one" to fight evil. In fact, the text screens are probably only there because there's no way to remove them from the game, so the modding team decided they might as well fill them with something vaguely relevant.
* The entréee of each and every serving of the ''KingdomHearts'' franchise. Cutscenes are riddled with existential positing on the subject of hearts, darkness, power, light, [[DontExplainTheJoke nothingness]], or [[WhatDoYouMeanItsNotDidactic destiny of the heart of darkness against the power of light and destiny]].
* Kreia from ''KnightsOfTheOldRepublic II'' skirts this trope for the majority of her dialog, but tends to pull off something more to the effect of ContemplateOurNavels.
* ''VideoGame/MaxPayne'''s PrivateEyeMonologue musings often stray into this when he takes time off from capping mafiosos in order to muse about the nature of choice, the true meaning of fairy tales, and the end of the world.
* The ''VideoGame/SuperMarioWorld'' rom hack "Rise to the Challenge" is filled with this.
* ''VideoGame/{{Xenosaga}}'' has a generally good-quality narrative, but there are more than a few wince-worthy moments in ~120 hours of series gameplay.
* The cave in Mt Ember where the Ruby is found in ''[[VideoGame/PokemonRedAndBlue Pokemon FireRed and LeafGreen]]'' contains the following inscription, in braille: "Everything has meaning. Existence has meaning. Being alive has meaning. Have dreams Use power." This doesn't relate to the game's plot or themes in any way at all, and just seems there for the sake of it. (Contrast the braille inscription near the Sapphire, which is an elaborate metaphor for cross-version trading, which the gems enable you to do)
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[[folder:Webcomics]]
* Like the anime example above, pick any serious webcomic. And even a few humorous ones.
* Appears occasionally in ''MoltenBlade''. Most of Fred's [[InnerMonologue inner monologues]] fall into this category.
* Parodied by ''Webcomic/TheAdventuresOfDrMcNinja'' at the end of every chapter.
** Then parodies itself at the end of "Judy gets a kitten"
--> {Shows Dr.Mcninja at his desk}\\
"Did...Did something happen? [[BreakingTheFourthWall Why are you here?"]]
* ''WapsiSquare'': [[http://wapsisquare.com/comic/bouncesback/ Used deliberately to avoid questions.]]
* In ''Webcomic/SandraAndWoo'', [[http://www.sandraandwoo.com/2012/07/05/0391-sandras-truths-and-lies-in-an-extra-moral-sense/ Sandra's attempts to justify her jealous destruction of a sand castle.]]
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[[folder:Web Original]]
* Parodied in episode 6 of ''Machinima/TheStrangerhood'', where Nikki does the narration and goes on rambling, repetitive musings about the nature of things. All she does is make Wade even more confused than he usually is and even she admits at the end that she has no clue what she's talking about.
* Cecil's opening and closing narrations in Podcast/WelcomeToNightVale come off like this, given they're usually quite random and have little to do with the plot. Example:
--> "The desert seems vast, even endless. And yet, scientists tell us that somewhere, even now, there is snow."

--> "Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I, drowsily, but comfortably."
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[[folder:Western Animation]]
* The final moments of the 1994 ''WesternAnimation/FantasticFour'' cartoon feature one of these between the Silver Surfer and Reed Richards, throwing in something about understanding humanity's nobility that didn't have a great deal to do with the plot. The DVD release cuts Reed's response as the Surfer flies off, removing the ''final shot of the series'' in doing so. Fortunately, the Liberation Entertainment release is slated to fix this.
* Spoofed at the end of ''WesternAnimation/{{Futurama}}'' episode "Love And Rocket," with Zoidberg's meditation on Valentine's Day:
-->''"As the candy hearts poured into the fiery quasar, a wondrous thing happened, why not. They vaporised into a mystical love radiation that spread across the universe, destroying many, many planets... including [[PlanetOfHats two gangster planets and a cowboy world]]. But one planet was at exactly the right distance to see the romantic rays, but not be destroyed by them: Earth. So all over the world, couples stood together in joy. [[MyFriendsAndZoidberg And me, Zoidberg]]! And no one could have been happier unless it would have also been Valentine's Day. What? It was? Hooray!"''
** The narrator of ''The Scary Door'' intros tends to do this as well, in a spoof of ''Series/TheTwilightZone''. And boy howdy do they play with it:
-->''"Imagine, if you will, an announcer you can barely understand. He refers to a (mumble) but you're not sure what he said. He seems to be eating or maybe he's a little drunk. It's possible he just said something about... The Scary Door."''
* The much-maligned third season of ''WesternAnimation/{{Gargoyles}}'' had Goliath give one of these at the start of each episode. The season tacked on a subtitle ("The Goliath Chronicles") that was apparently there to convince us that somewhere, Goliath was actually writing down the incredibly generalized drivel he was spouting. Even Keith David's voice couldn't hold the attention of anyone over eight when he was reading that.
* Each Episode of ''WesternAnimation/StarWarsTheCloneWars'' opens with a philosophical quote or pseudo-quote that tries to tie it in to the episode.
** The openings reek of fauxpraganda a la ''Film/StarshipTroopers'' - probably intentional.
* Parodied in almost every episode of ''WesternAnimation/TheTick'', as the eponymous character was quite fond of it.
-->'''Tick''': Everybody was a baby once, Arthur. Oh, sure, maybe not today, or even yesterday. But once. Babies, chum: tiny, dimpled, fleshy mirrors of our us-ness, that we parents hurl into the future, like leathery footballs of hope. And you've got to get a good spiral on that baby, or evil will make an interception.
* Spoofed to hell and back in ''XavierRenegadeAngel''.
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