[[quoteright:300:[[ComicBook/{{Dazzler}} http://static.tvtropes.org/pmwiki/pub/images/discodazzler_5063.jpg]]]]
[[caption-width-right:300:Ah, ComicBook/{{Dazzler}}. [[TemptingFate Surely]] your appeal will [[DeaderThanDisco last forever!]]]]
A character is created as a direct response to an idea or fad that is currently popular. Naturally, this character might prove schlocky or out of place once that [[PopularityPolynomial fad passes out of pop culture]], unless some writer is willing to take the character out of obscurity and build him or her up into something more.

Villains who are Fad Supers have a higher chance of being kept, since they are usually intended to be [[DiscoDan eccentric, out of place, and theme-based]].

This isn't the same as an ''existing'' hero's ability or story being tweaked in response to the times, such as SilverAge technobabble revisionism. Compare with CaptainEthnic, CyclicNationalFascination, TotallyRadical, and WereStillRelevantDammit. Contrast with OldSuperhero, who is outdated ''on purpose''. Particularly prone to being the subject of ReimaginingTheArtifact if brought back.
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!Examples:

* ComicBook/WonderWoman was once caught up in this trope. For a time in the late 1960s and early 1970s, Wonder Woman lost her powers and familiar uniform, gained a wise old Asian mentor who taught her martial arts, and had espionage adventures wearing a white jumpsuit ... right around the time spy shows like ''Series/TheAvengers'' were popular. Most people hated this, Gloria Steinem even commenting how it was a needless depowering of the strongest female hero in comics, and it's pretty well in a DorkAge.
** Ironically, the spy concept as well as the white-jumpsuit were both used in a more recent volume of Wonder Woman following Infinite Crisis. Judging by some reviews, people liked it.
* ComicBook/{{Dazzler}} (pictured at right), who later became a member of the Comicbook/XMen, was introduced with disco-based powers and costume (white jumpsuit and roller skates) just as disco [[DeaderThanDisco was dying]]. It didn't help that she was given a big marketing push, meeting up with the likes of Galactus in a vain attempt to make the character cool, or that the entire project had begun as a proposal for a [[LiveActionAdaptation live action film]] starring Bo Derek. But at least she wasn't called the Disco Dazzler, as originally planned.
** Going even further, there was going to be actual Dazzler music put out by Casablanca Records, the same label that employed Music/{{KISS}}.
*** Actually, the record/comic tie-in was the original conceit. The character was at one stage to be black, and there are [[http://holdyourfireal.smugmug.com/COMIC-BOOK-IMAGES/Characters/Dazzler/JRJRDazzBogart/871688078_cKqUM-L.jpg John Romita Jr. sketches]] that exist of this early Dazzler. At one point they actually had a singer who was to play the Dazzler persona but the deal between Marvel and Casablanca fell apart. Later on, Jim Shooter put together a treatment for the aforementioned movie (also to feature Donna Summer, Cher, Rodney Dangerfield, [[Series/LaverneAndShirley Lenny and Squiggy]], Creator/RobinWilliams, the Village People and KISS), and the now revived Dazzler concept's appearance ended up based mainly on Bo Derek (and when she was still attached to the role, People magazine even had her [[http://goodcomics.comicbookresources.com/wp-content/uploads/2008/06/19800211-750-0.jpg on the cover holding a whole bunch of Marvel mags for research]]!)
** Her Ultimate version in 2000–09 was a punk rocker. But at least this time, [[ContinuityNod the anachronism]] [[TheyPlottedAPerfectlyGoodWaste was deliberate.]]
** Once the "disco diva" gimmick was dropped, Dazzler became a fairly popular second-tier X-Woman. Dazzler revisits the disco diva gimmick during some of her performances as part of a tribute. She's a main character in ''ComicBook/MarvelZombies vs. [[Franchise/EvilDead Army of Darkness]]'', and Ash hits on her repeatedly.
** In Dazzler's introductory issue, Scott and Jean look for Dazzler in a makeshift disco inside a dilapidated building, with Scott wondering "if this was where old discos went to die".
** Dazzler's sister/nemesis, Mortis, sports a costume similar to the Misfits from ''[[WesternAnimation/{{Jem}} Jem and the Holograms]]''. So one sister visually evokes 1970s disco, while the other evokes 1980s hair metal and glam rock.
* ComicBook/{{Storm}} was another X-Woman who got in on the punk trend - she sported a mohawk for a while in the 1990s.
** WordOfGod is that the mohawk initially began as a joke, with someone suggesting that they should make Storm look like Creator/MrT from ''Series/TheATeam'', which was a wildly popular show at the time.
* Vibe, a member of the [[DorkAge much-maligned]] Detroit-based Franchise/JusticeLeagueOfAmerica, was a breakdancer with vibrational powers.
* The original run of the ''ComicBook/TeenTitans'' comics featured two villainous examples who used then-trendy fads as covers for their criminal schemes: [[HaveAGayOldTime Ding-Dong Daddy]] (a caricature of Ed "Big Daddy" Roth, whose shtick was Hot Rods) and the Mad Mod (whose shtick was the fashions of the "Mod" look). Appropriately, such villains have returned as part of a nostalgia fad, to evoke the era in which the original fads appeared. [[WesternAnimation/TeenTitans The animated series]] hangs a lampshade on this when it's revealed that the youth-scene-oriented Mad Mod is actually a crotchety old man using holograms and stage magic to create his younger appearance, trying to steal and/or control youth.
** This trope is possibly a reason why Dick Grayson got new ComicBook/{{Nightwing}} costumes. His first one was [[http://www.hyperborea.org/flash/bigimages/grayson2.jpg very 80s]] while his second was [[http://images2.fanpop.com/images/photos/6500000/Nightwing-2nd-Costume-nightwing-6544193-252-360.jpg very 90s]] with hair to match and that followed him into his more familiar costume for a time.
* Grunge from ''ComicBook/{{Gen13}}''. Adam Warren had one of his sparring partners mock his name by calling him "Easy Listening" and other musical genres. Gail Simone's run explains this as a reference to the fact that he has "grunge under his fingernails", although Roxy provides a LampshadeHanging with the comment "Grunge? You mean the stuff dinosaurs have on their iPods?"
* The Calculator. Originally a supervillain with a giant calculator on his chest, pocket calculators having just come into wide use at the time. In recent years, he's matured into a costumeless InformationBroker and plotter, and [[MissionControl Oracle's]] archrival. [[FoeYay Possibly her stalker as well.]]
* Videoman, of ''WesternAnimation/SpiderManAndHisAmazingFriends'', was based on arcade-style video games. Other characters of similar vintage are Marvel's Megatak and DC's Colonel Computron, and Bug and Byte. The latter three could potentially be made into credible threats again considering the incredible advances in computer technology since their creation, but Megatak's entire thing is being a character from an eight-bit arcade game.
** A little earlier in Spider-Man's history, we have supervillains Rocket Racer (skateboard) and Hypno Hustler (disco). Disturbingly, Hypno Hustler [[OneSceneWonder never appeared again as a villain]] (Aside from some cameos here and there) after his first appearance but has acquired a certain notoriety-based cachet among fans; Rocket Racer cameos every few years - his latest appearance portrays him as a genius BasementDweller with confidence issues, based on the engineering skills he often displayed in earlier stories.He's recently popped up in ''Avengers Academy'', seemingly back to using his old board.
** There's also Screwball, a [[LeParkour traceuse]] who likes recording her exploits and then uploading them to YouTube and talking about them on {{Twitter}}. Peter himself has apparently begun studying Parkour as well, as showcased by an issue where he's forced to operate in an area without high-rise buildings from which to web-swing.
* Guy Gardner didn't become an actual Franchise/GreenLantern until the 1980s, where he was essentially made into a walking parody of Reagan-era policies. He started a war with the USSR and frequently expressed admiration for the amoral corporate raiders of the era. His characterization has progressed since then, but his 1980s look remains intact.
** His fellow GL, John Stewart, was introduced amidst the racial turmoil of the 1970s as an AngryBlackMan who railed against "The Man" and frequently provided a liberal counterpoint to conservative white Hal Jordan. Like Gardner, Stewart has grown into a [[CharacterDevelopment complex and well-rounded character]].
* ComicBook/GhostRider is actually a combination of two different fads at the time the character was created in the early 1970s: stunt cycling and characters with horror-themed origins, which were then popular at Creator/MarvelComics. Thankfully, his occult adventures and highly distinctive design fit in rather well during the 1980s and '90s, especially with the influx of [[NinetiesAntiHero anti-heroes in the 1990s]]. His popularity has faded considerably in recent years, however.
* The new ''[[Franchise/TheFlash Flash]]'' character Turbine seems like he was created to cash in on the renewed interest in the Tuskegee Airmen after the release of the movie ''RedTails''.
* The ''ComicBook/{{New 52}}'' introduced a female villain named the [[BondageIsBad Masochist]], whose initial design bore [[http://media.tumblr.com/tumblr_lzccj3gtBy1qbujox.jpg more than a passing resemblance]] to Lisbeth Salander, the title character of the then-recently popular film ''[[Literature/TheMillenniumTrilogy The Girl With the Dragon Tattoo]]''. Due to some InternetBackdraft, she was renamed Anguish, her design was altered and all of the tattoos, piercings, and fetish elements were removed from the final costume.
* Naturally, any Soviet-themed comic character [[TheGreatPoliticsMessUp that is now hopelessly dated]]. Granted, the USSR was around for more than seven decades, so it's a pretty long fad.
** Combining this with ComicBookTime gives nearly every one of these characters his or her own ContinuitySnarl.
*** The only aversions (or are they {{Lampshade Hanging}}s?) are Omega Red, an ''intentional'' throwback who, in his first appearance, was explicitly [[SealedEvilInACan kept in stasis]] since the Cold War until woken in the post-Soviet era, and "Cold Warrior", a similarly stored surplus-parts cyborg whose whole schtick is trying to bring back the People's Glory Days.
**** Ironically, Omega Red was created in 1992, early enough that stasis could not have been needed.
** Averted in the case of Nazi-themed villains, since Nazism is such an enduring symbol of evil, but played straight for any villain based on Japanese Imperialism.
* The 2001 ReTool of ''ComicBook/XForce'' (later ''X-Statix'') cast the new team as a group of fame-hungry [[ThePrimaDonna Primma Donnas]] right around the time ''Series/BigBrother'' and other [[RealityShow reality shows]] were becoming wildly popular.
* U.S. Archer was a Marvel character based on the truckin' citizens band radio craze of the 1970s... created in 1983. Way to jump on that trend. Razorback was an earlier CB-based character.
* Night Thrasher, leader of the ComicBook/NewWarriors in the Franchise/MarvelUniverse, was created in 1990 with a skateboard grafted onto his urbanized Franchise/{{Batman}} schtick to cash in on the rising popularity of the sport in the late '80s. As the '90s progressed, he used the board less and less and settled on a CoolBike early in the series.
** And since any connection between skateboards and the term "thrashing" has largely passed out of public awareness, his name [[NamesToRunAwayFromReallyFast just sounds]] [[FreudWasRight awfully nasty]] (although Spider-Man [[LampshadeHanging made a joke]] along this line in ''1991''.) He fought with twin escrima sticks so the thrashing part of his name could easily be applied to his weapons of choice.
** Not just a skateboarder, mind you, but a ''black'' skateboarder. Marvel writers sure know their demographics. For the uninitiated - his heyday was long before there were any big-name black skaters.
** Rocket Racer, Marvel's ''other'' black skateboarding superhero, has much the same problem.
*** The concept has become less baffling now, since there is a subculture of African-American skateboarders. LupeFiasco's hit "Kick, Push" is credited with helping popularize the sport among black teenagers.
* Marvel's Angar the Screamer, an angry radical type whose screams cause intense hallucinations.
* You also used to get a lot of "kneejerk reactionary" villains in the 1980s, like [[ComicBook/CaptainAmerica Warhead]], who held the Washington Monument hostage until the United States started war with somebody, ''anybody''. Strangely, he was an inversion of a real-life incident where a peace protester threatened to blow up the monument unless the United States disarmed.
* At the height of ''Series/{{Ultraman}}'''s popularity, Franchise/{{Godzilla}} was forced to hang out with [[Film/GodzillaVsMegalon Jet Jaguar]]. That didn't go so well.
* [[http://www.internationalhero.co.uk/s/skateman.htm Skateman]] was made at a time when ''all'' skates had side-by-side wheels.
** Skateman is interesting because the other two major facets of his life, being a karate blackbelt and a Vietnam vet, are also heavily tied to the early 1970s.
* ComicBook/{{Legion of Super-Heroes}}' Karate Kid, who has since moved beyond his fad into a fairly RoundedCharacter.
** There was a karate fad in the United States in the 1950s and 1960s. He was reworked to fit the kung fu fad of the 1970s. He still predates the movie ''Film/TheKarateKid'' by decades, so he's not quite as derivative as he sounds.
--->'''Beast Boy:''' "Karate Kid"? Ha! "Wax on. Wax off."
--->'''Apparition:''' Superboy said that, too. What does it mean?
--->'''Karate Kid:''' I have no idea.
* '''Adam X the X-Treme,''' from the early, well, [[DarkAge guess which decade]], who was almost made a ''completely unignorable'' OldShame by virtue of being ''the third Summers brother''. Fortunately, he vanished before the writers revealed that, and it ended up being someone completely different about a decade later. He hasn't disappeared completely, considering a few recent appearances - and it's still entirely possible he's the ''fourth'' Summers brother, if only a half-brother.
* Occasionally employed in a self-aware manner by ''ComicBook/AstroCity'' -- for instance, flashbacks to TheFifties might feature an appearance by a hero called "The Bouncing Beatnik".
** WordOfGod is that the Bouncing Beatnik actually changes identities to social trends of the time. There's been three known (in-universe) incarnations of the Beatnik, though only two have appeared in stories to date.
** The "Dark Ages" story arc references the kung fu fad of the '70s with the Jade Dragons, and the space race with the Apollo Eleven.
** Older stories have featured brief glimpses of [[ThePioneer the Frontiersman]], complete with coonskin cap. If you don't get it, there was a popular ''Davy Crockett'' TV show in the 1950s.
* ''Series/VRTroopers'', ''Series/SuperhumanSamuraiSyberSquad'', and ''Series/DenjiSentaiMegaranger'' all had 1990s-high-tech cyberspace/virtual reality themes (though ''Franchise/PowerRangers'' modified ''Megaranger'' into [[Series/PowerRangersInSpace an outer space theme]]).
** Similarly, ''Series/MahouSentaiMagiranger'' was made to cash in on ''Literature/HarryPotter'''s popularity, whereas its American counterpart ''Series/PowerRangersMysticForce'' was remade in the style of ''Film/LordOfTheRings''.
** The producers of ''Series/KaizokuSentaiGokaiger'' justified its {{Pirate}} theme by literally arguing, "Well, ''Manga/OnePiece'' is popular, innit?" (Averted when it came time to adapt it for ''Franchise/PowerRangers'', though; you'd think they might attempt to piggyback on ''Franchise/PiratesOfTheCaribbean'' but instead they tried to downplay the pirate theme as much as possible; ''[[Series/PowerRangersMegaforce Super Megaforce]]'' focuses on the [[MilestoneCelebration anniversary]] aspect instead.)
** Then there's the dance-based ''Series/BattleFeverJ'' (1979). And yes, one of the Rangers there danced disco (Miss America).
** ''Series/NinpuuSentaiHurricaneger''/''Series/PowerRangersNinjaStorm'' seemed fit to muscle in on a piece of the ninja pie inspired by ''Naruto'', as did ''Series/JukenSentaiGekiranger''/''Series/PowerRangersJungleFury''.
* The ''Heroes for Hire'', [[ComicBook/LukeCageHeroForHire Power Man]] and [[ComicBook/ImmortalIronFist Iron Fist]], capitalized on the popularity of blaxploitation and kung fu movies, respectively, by combining the two trends. As did their female counterparts, the ''Daughters of the Dragon'' Misty Knight and Colleen Wing. And the vaguely affiliated Sons of the Tiger.
* There were a lot of black superheroes created in the wake of the {{Blaxploitation}} trend. In addition to the aforementioned Cage and [[AfroAsskicker Misty Knight]], there was also ComicBook/BlackLightning, Black Goliath and Franchise/WonderWoman's black "sister" Nubia.
** Creator/DwayneMcDuffie ended up creating the ''ComicBook/{{Icon}}'' character Buck Wild as a parody of this trend.
* Similar to Karate Kid, Marvel's Shang-Chi, Master of Kung Fu, first appeared in 1972 as part of the '70s kung fu revival. Not only was Shang-Chi meant to invoke BruceLee, but his origin came because Marvel owned the comic book rights to both [[YellowPeril Fu Manchu]] and ''Series/KungFu'' at the time.
* ''ComicBook/MarvelZombies''. It's probably not a coincidence that an alternate universe where all the superheroes have become zombies became a recurring theme at the same time that books and movies about zombies were trendy.
** There's a bit of "retro on purpose" there, though. The Marvel Zombies universe (the first one, at least, before they go dimension-hopping) is a bit further back in the timeline than the "real", 616 Franchise/MarvelUniverse but doesn't perfectly match any particular era. Captain America was a colonel, Earth has never seen Galactus before, and most of the zombified heroes wore costumes that those characters hadn't worn since the 1970s. However, Magneto had acolytes, which didn't come along until the 1990s in the 616 Franchise/MarvelUniverse.
* There are plenty of {{Goth}} superheroes, like Marvel's Nico Minoru (formerly Sister Grimm until they decided to ditch the codenames) and DC's Black Alice.
** In ''ComicBook/TeenTitans'', ComicBook/{{Raven}} was worked to fit the {{Emo}} and {{Goth}} fads as well, with... varying levels of success.
** The Goth subculture's also not even close to dead (though the music's unrecognizably different now, of course) ... its corresponding superheroes tend to be about ten years behind the current popular "look."
** Negasonic Teenage [[MonsterMagnet Warhead]], or Why It's A Bad Idea Let A Goth Teen Name Herself.
** Coinciding with the popularity of ''Manga/RozenMaiden'' and the rise of the ElegantGothicLolita subculture, almost every work of popular Japanese media produced from 2002 to 2008 or thereabouts had to have at least one character that was a 10-14 year old girl dressed in frilly, modified Victorian dresses armed with mystical powers, if not total command over the forces of darkness. Characters include but are not limited to [[VideoGame/TheKingOfFighters Ninon Beart]], [[VideoGame/SoulSeries Amy Sorel]], every character of the VideoGame/{{Touhou}} Project, and more.
** Creator/NeilGaiman's Death is also now an example. She typically dresses as a 1980's goth, even in time periods before the 1980's. From a modern perspective, she has an odd fixation on death imagery from one historical time period to the point that she even uses it in another.
* [[http://en.wikipedia.org/wiki/Super-Hip Super-Hip]], who appeared in DC's ''Adventures of Bob Hope'' comic book, was a parodic example of this trope.
* Video game example: [[VideoGame/TheKingOfFighters Hinako Shijo]] was based almost entirely around a very short-lived fad that revolved around petite women and high school girls that wanted to learn how to sumo wrestle. Seriously.
* In the ''Roleplay/GlobalGuardiansPBEMUniverse'', there is Headbanger, a hair-metal themed supervillain (who shows lots of chest hair, has big poofy 1980s rock-star hair, and makeup) who uses ThePowerOfRock as a weapon. Glitterball was a disco-themed hero active in the late 1970s. Speedway is a {{NASCAR}}-themed speedster. Yo-Yo uses gimmicked yo-yos as weapons.
* Fire and Ice from the [[ComicBook/JusticeLeagueInternational JLI]] had very 1980s-looking costumes, complete with [[EightiesHair big hair]] and T-shirts over spandex. Ice even {{Lampshaded}} this by claiming she and Fire looked like they belonged in a HairMetal video. Needless to say, the more recent comics and cartoon adaptations have chosen to give them different outfits.
* Obscure Franchise/{{Batman}} villain Magpie used to sport a mohawk and an outfit that made her look like a reject from an 80's hair metal video.
** They brought her back in the ''WesternAnimation/BewareTheBatman''. To modernize her look, she was redesigned to resemble Music/LadyGaga.
* It's hard to tell whether ''Marvel: The Lost Generation'''s Hipster, a skinny, goateed beatnik and total JiveTurkey operating in late 1950s San Francisco, is intended as a spoof or a completely straight portrayal of this trope. However, he's inarguably an example. When he meets Sunshine, a woman with psychadelic powers, he changes his costume and name to become Captain Hip.
* DC's ComicBook/SuperYoungTeam subverts this while trying to play it straight. They aren't tied to any specific trend, but they're obsessed with staying fresh and current. That said, Most Excellent Superbat, the most materialistic of the lot, is adamant that they're also somehow more than all that.
* The ''Comicbook/{{Earth 2}}'' version of JimmyOlsen from the {{New 52}} is an Edward Snowden-style "[[TheCracker Hacktivist]]" rather than a print journalist.
** And before him, Marvel tried to introduce a new hacktivist version of U.S. Agent. He came into conflict with CaptainAmerica and the SecretAvengers after he leaked the names of a bunch of former criminals who had been made into {{SHIELD}} informants, using the justification that the government had no right to hide secrets from the public.
* Video game example: The Koopalings, introduced in ''VideoGame/SuperMarioBros3'', were generally given a punk aesthetic to reflect [[TheEighties Eighties]]-era trends (the most notable exception being [[Creator/LudwigVanBeethoven Ludwig von Koopa]]). They went on hiatus after ''VideoGame/SuperMarioWorld'', which would seem to reflect on Nintendo abandoning past fads. Luckily for them, they got a comeback in the last dungeon of ''VideoGame/MarioAndLuigiSuperstarSaga'', followed by top billing in ''VideoGame/NewSuperMarioBrosWii''; WeirdAlEffect is definitely present, though.
* Another DC creation was the short-lived Brother Power, The Geek, a hippie-themed hero [[http://goodcomics.comicbookresources.com/2011/10/07/comic-book-legends-revealed-335/ whose exploits must simply be seen to be believed]].
** In 2009, there was an issue of ''ComicBook/TheBraveAndTheBold'' that was written, which essentially put forth the idea that Brother Power was too tied to the past to exist in the present. The issue ends with him burning to death after realizing he doesn't belong in the 21st century.
* Just to prove that this tendency isn't going anywhere anytime soon, late in 2012 Valiant Comics [[http://www.huffingtonpost.com/2012/06/28/archer-and-armstrong-one-percent_n_1633785.html?utm_hp_ref=culture&ncid=edlinkusaolp00000008 relaunched its 1990s property Archer and Armstrong]], [[ReTool retooling]] the concept of a superhero OddCouple to fit current cultural labels. While Armstrong is still an ancient immortal with a “proclivity for inebriation”, the reboot reimagines Archer as a home-schooled Christian teenager, who is described by writer Fred Van Lente as [[StrawCharacter “well-intentioned, brainwashed, and naïve]]”. Moreover, one of the villains in the new series is an [[StrawmanPolitical inherently evil organization]] of devil-worshiping stock-brokers known only as “[[CorruptCorporateExecutive The One Percent]]”.
* Along the same lines, Creator/DCComics announced in 2013 that they'd be debuting two new series, one a relaunch of the failed 1970s concept the Green Team and the other a massive group of working-class heroes known as "The Movement". The idea is to represent "the 1 percent" and "the 99 percent."
* It's easy to forget the ComicBook/SilverSurfer is a fad super. He was created in the 1960s when surfing first gained popularity, but since he's an alien who never knew anything about surfing (the Human Torch gave him that name) and the board is actually just an extension of himself he uses to fly through space and not technically a surfboard, the fad aspect of his character never distracted readers.
* Spoofed in an ''ComicBook/{{Asterix}}'' one-shot from the 1960s in which Uderzo was (in {{Kayfabe}}) bowing to reader pressure to ReTool the characters to fit the then-trendy psychedelic craze. In the story, drawn in the style of ''WesternAnimation/YellowSubmarine'', he removed Astérix and Obelix's usual SuperSerum-induced SuperStrength in favour of giving them hippie-themed EmotionBomb flower magic that causes attacked Romans to experience a DesignStudentsOrgasm of enlightenment, peace and love. Obelix is not amused by this and opines that he prefers punching people.
* Hawk and Dove were created in response to the Vietnam War movements.
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