Digital Rights Management (sometimes referred to as "digital ''restrictions'' management" or "digital rights ''mangling''", especially among detractors, and usually abbreviated "DRM") is a general term for access control mechanisms implemented on digital media to limit what a user can and cannot do with it.

If you hear the word in general conversation, it's most likely specifically referring to the CopyProtection placed by copyright holders on digital audio and video files -- restrictions on converting from one format to another, how many and what kinds of different devices the media can be played on, and so forth. One widespread example of this type of DRM is DVD RegionCoding, which restricts playback of a DVD to a player marked with the same region code as the disc.

In the United States, the UsefulNotes/DigitalMillenniumCopyrightAct outlaws the use of mechanisms for bypassing or circumventing DRM; other jurisdictions' laws vary.

The use of DRM is, to say the least, [[FlameWar highly controversial]]. On the one hand, many large content groups (chief among them the RIAA, MPAA, IFPI, and video game distributors) argue that by preventing unauthorized copying, they ensure that artists are fairly compensated for their work and reduce the availability of illegal [[DigitalPiracyIsEvil pirated content]]. On the other hand, a significant number of individuals and smaller entities (a number of indie record labels, for example) revile DRM as an infringement upon the user's own rights, such as fair use. Opponents seize on missteps like the infamous [[http://en.wikipedia.org/wiki/Sony_BMG_CD_copy_protection_scandal Sony "rootkit"]], which attempted to implement DRM on audio [=CDs=] by automatically installing software that opened computers to potential exploitation by malware.

What's perhaps proven the most relevant objection, though, is that [=DRMed=] files are usually just plain less useful. For instance, it's often impossible to transfer them from one device to another. That means it's actually ''more'' convenient to have an ''illegal'' file that some nice pirate has already stripped the DRM off of. All moral arguments one way or another aside, it became increasingly clear throughout the '00s that letting the pirates beat you on quality is just ''not'' good for business. This pure market logic is what has finally gotten many big companies who otherwise wholeheartedly embrace the thought behind DRM-- like Apple and Amazon-- to start migrating away from it. [[http://arstechnica.com/tech-policy/2012/11/how-four-microsoft-engineers-proved-copy-protection-would-fail/ Not to mention the people who knew of this fact ten years before it even became so widespread]].

Needless to say, reasoned discussion can be... difficult to come by, and much like the ConsoleWars, DRM as [[InternetBackdraft a subject of conversation is best avoided]] if you're not wearing a nice [[FlameWar flame-proof jacket]]. An important issue with DigitalDistribution, since there's no "physical" copy in the first place.

Not to be confused with "[[labelnote:DRM]]Direct Rendering Manager, i.e. component supporting hardware acceleration[[/labelnote]]" in {{Linux}}.
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!Types of DRM include:
[[index]]
* CopyProtection - wherein measures are created to prevent users from copying floppies, [=CDs=], [=DVDs=], or other media.
* ContentScramblingSystem (or CSS) - a measure on the software level to provide the same sort of CopyProtection.
* RegionCoding - a piece of software from another locale can't be run on your machine.
* UserOperationProhibitFlag - a user can't skip past certain portions of a video CD or DVD.
* DownloadableContent - in this case, in the sense that if you purchase a game pre-owned, you miss out on various portions of the game which were available to the original owner, unless you pay an 'access fee'.
* Online Authentication - The software needs to connect to an authentication server or else it will refuse to launch.
[[/index]]
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* So far the only DRM schema to avoid a ton of flak is Steam, but it's not without its vocal opponents and it launched to a shaky start. But aside from the initial online activation, Steam is fairly transparent and even comes with an "Offline Mode" in case there's no network connection so you can still play your games. The only problem is that Valve still allows third party DRM on top of Steam, but this is only a problem from the usual suspects.
** A major point in their favor is the daily, twice-weekly, and quarterly sales, where games get marked down anywhere from 25-90% off, depending on the title.
** However, Steam is also unforgiving if you forgot to activate "Offline Mode" before going somewhere where getting Internet access is a pain, since offline mode must be activated while the PC or laptop still has internet access. Steam does offer an option to activate offline mode if it's started without an Internet connection, but that button only causes Steam to quit immediately for some reason.
** Some games available on Steam are DRM-free, and thus can be played by launching the game executable directly regardless of whether Steam is running or even if you have an Internet connection at all. Examples include ''VideoGame/EtherVapor'', ''VideoGame/LaMulana''[[note]]Although as noted by the developers, this will disable unlocking achievements[[/note]], and ''VideoGame/{{Satazius}}''. However, you are never given official indication as to whether the game you're purchasing is DRM-free, so the only options are to ask other players (e.g. on the game's corresponding Steam forum) or to find out the hard way.
* ''{{Gears of War}} 2'' was the largest game to initially implement the lattermost 'DLC' variety, with a pack of 5 remade multiplayer maps from the first game, but developers have irritably joked about doing the same thing with ''the endings'' of other games - which also, of course, makes them {{unwinnable}} to anyone without the ability to download the missing vital content.
** ''RockBand 2'' is doing something similar -- the manual includes a code that can be used to download 20 additional free songs (beyond the game's 84 on-disc), but the difference is that using this code is the ''only'' way to get the songs. (Unfortunately, this also means there's no way to get them in the Playstation 2 version of the game, which doesn't support DLC.) The same exact code (NOT the DLC code recieved after submitting it to Harmonix, the 20-character code on the back of the manual) is also used to get most of the licensed [=RB2=] songs in Rock Band 3 (the ones from Harmonix-fronted bands were later released for free on the X360 and PS3)
*** Got ''GuitarHero World Tour'' or ''Guitar Hero Smash Hits'' used? There's a good chance you won't be able to get any songs from them in ''Guitar Hero 5'' (WITH all the new stuff added like Expert+ for GHWT drum charts) as a result of that, and you're guaranteed not to get them if you lack a manual. Oh, and you still have to pay for the re-licensing, but that's the least of the worries here.
** The Nintendo Wii Speak microphone includes a single-use code to download the Wii Speak channel. Bought it used? No software for you!
** ''ForzaMotorsport 3'' has an extra set of classic cars and test/benchmark circuits that you can download with the supplied code in the box.
** ''SOCOM: U.S. Navy [=SEALs=] Fireteam Bravo 3'' is also a possible offender, depending on your point of view. Bought it used? Pay an extra '''$20''' to play online!
*** However, this could also be viewed as an attempt by the publisher to actually get some semblance of a profit from used games sales, since most used games purchased have all the profits going to the seller (eg. Gamestop) and none going to the people who made or published the game.
** EA has been doing this too, most recently with the BioWare games Dragon Age and Mass Effect 2, which each come with a code for an extra party member if you buy them new (you must pay $15 for them if you buy it used). Mass Effect 2, however, has a little extra value with its Cerberus Network, which has various free bits of content, with more on the way, but you must either buy the game new or pay $15 for access to the network.
** The WiiWare release of ''VideoGame/MegaMan10'' was hacked right after its release by dedicated fans, who discovered that several DLC packs (that constituted an extra character, returning bosses from previous games, and special stages) were already part of the coding (and that these DLC packs were already downloaded to your system when you bought the game). This meant that customers who bought the game had to pay an extra $10 to unlock content that was already made and on their systems. Naturally, this led to debates about the ethical nature of making customers pay for already-downloaded DLC.
*** Ditto ''VideoGame/MassEffect3'' with its release-date DLC that you had to pay to unlock. A vocal segment of the fanbase views this as a blatant cash-grab on the part of EA and BioWare.
* One of the earliest types and by far one of the most ineffective is the CD Key.
* Microsoft Windows' Protected Media Path, to work with DRM-enabled media players.
* Installation Limits, which prevent the game from being installed from the disk after it has been installed a few times.
* [=SecuROM=], which requires the CD to be in at all times when playing the game, although this can be defeated by either using a crack or (in some cases) making an ISO image of the game and mounting it.
** Later versions of [=SecuROM=] added the above-mentioned Installation Limits in the worst possible ways. Multiple users on the same computer each counted as separate installs, and despite what marketing intended uninstalling the game would NOT raise your install limit number.
* By far the most infamous one before [=SecuROM=] is [=StarForce=]. To sum it up, it installs a device driver with the highest security privileges (a Ring 0 driver), disables any SCSI device on your computer (most image mounting tools create a virtual SCSI drive), had a tendency to be unstable (which could crash the OS), Windows Vista was terribly allergic to it in normal mode (or even Safe Mode), and it left a huge security hole in your computer. This is all when it wasn't simply ''destroying your CD drive'' as a result of careless device commands. It also didn't uninstall even if you uninstalled the game that came with it.
** Need more proof the [=StarForce=] developers are pond scum? When Stardock Software, creators of GalacticCivilizations and SinsOfASolarEmpire, posted an article on their website stating how they felt that using DRM was bad customer relations and how they intended to abstain from adding DRM to any of their titles, [=StarForce=] responded by publishing torrent links to Stardock's games. That's right, they ''actively aided people in pirating the games of a company who refused to use their product.'' Whatever your feelings about piracy, to do something like that against a company who refuses to use your product ''out of a desire to please their customers'' just to teach some kind of [[BrokenAesop warped lesson]] smacks of pettiness.
*** As if that wasn't enough, they threatened the first two parties that raised awareness of the damage [=StarForce=] can cause with a lawsuit, claiming that the FBI has already been notified. Because it's the FBI you usually call when somebody's defaming you.
*** Even better, it's becoming an established (and even accepted) practice for people to torrent a game as a sort of informal demo, and fork over money if they like what they see. All [=StarForce=] has provided is [[NiceJobFixingItVillain free advertising]].
* One of the earliest types of DRM is the infamous "What is word 20 on line 5 in page 30 of the instruction manual?" checks. If you lost the manual or obtained the game without one? You don't get to play! See the CopyProtection article for more information on these "feelies". If you have a copy of the manual's text that does not preserve the exact format of the original (i.e, a transcript instead of a scan of the original pages), then it will be a tedious trial and error ordeal to figure out which word it is.
** {{Sierra}} spoofed this a bit with an age check "DRM" for its ''VideoGame/LeisureSuitLarry'' games, which simply asked a pop culture question that only an adult would probably know