->''You can say we broke up because of artistic differences. He saw himself as alive, and I saw him dead. ''
->- Theatre/{{Chicago}}

Often given as the public reason that a person involved with a show leaves the project.

Usage: "Joe Smith left the cast of ''Murder on Cliche Street'' this season over creative differences with the production team."

When they actually mean it, it refers to irreconcilably different artistic visions for the show. For actors, it often means, "I'm not getting paid enough to put up with this." For writers and other members of the creative team, it usually means, "I've had it with the producers, the executives, and [[MediaWatchdog Standards & Practices]] [[ExecutiveMeddling telling me what I can and can't write]]." For musicians, it can sometimes mean "we had totally different styles and couldn't see eye-to-eye on anything", but it usually means "I can't stand the assholes in my band". In most cases, it's just a euphemism for, "I got in a big fight with the producer." Likely anytime some one mentions "scheduling conflicts", it means there's been a conflict between the director and producers or studio. Then the director quits or is fired. If there's only one constant member and a steady flow of departures and inductions, this is usually an indication of a PrimaDonnaDirector at the very least and is also usually a sign that the lone holdout is [[JerkAss an incorrigible dick who doesn't know how to work with other people]].

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!!Examples:
[[foldercontrol]]

[[folder: Anime and Manga ]]

* Around two-thirds of the way through the anime adaptation of ''[[KareKano His & Her Circumstances]]'', the creative differences between the manga-ka Masami Tsuda and the director Hideaki Anno reached such a peak that she demanded he be fired. (Basically, Anno made Karekano ''far'' too comedic for Tsuda's taste; she wanted a more angsty and plot-driven series, similar to the angstier turns that the story would eventually take). With Anno gone, his assistant Kazuya Tsurumaki completed the series... ironically, making it ''even more'' comedic in process. On the other hand, back then Tsurumaki's style wasn't the screwball type {{GAINAX}} in general and [[{{FLCL}} he in particular]] [[DieBuster would later]] [[GurrenLagann become famous for]], but more conventional RomanticComedy, which was more acceptable for the mangaka.
* Creator/YoshiyukiTomino and ''[[TheFiveStarStories Mamoru Nagano]]'' famously clashed in both their best known collaborations, ''Anime/MobileSuitZetaGundam'' and ''Anime/HeavyMetalLGaim''. Tomino, who was heavily depressed at the time, tended to create a [[CrapsackWorld bleak, sombre works]] filled with [[TrueArtIsAngsty angst and suffering]], while Nagano, while not without an occasional {{GRIMDARK}} moment of his own, nevertheless wished for less dark storytelling and, being infamously possessive of his works, a bigger creative control. Things were hot enough that Nagano ended up [[StartMyOwn starting his own]] [[TheFiveStarStories L-Gaim]], and Tomino made him one of the prototypes for the main Zeta villain, Paptimus Scirocco.
** Their creative clashes were exacerbated by the fact that [[LoveTriangle both men were competing for the affections]] of the Zeta {{seiyuu}} MariaKawamura. The rumor goes that Tomino is still somewhat bitter over the fact that [[DidNotGetTheGirl not only Kawamura chose Nagano over him]], but they're HappilyMarried up to this day.
* This is the reason that a second season of ''FruitsBasket'' will never be made (at least, not by Studio Deen): creator NatsukiTakaya—who due to a hand injury was able to have direct involvement with the anime—and Director Akitaroh Daichi basically drove each other nuts. During production, Takaya gained a reputation for being a control freak. For one, she demanded that big-name seiyuu be cast for her characters, something Daichi [[StuntCasting normally]] avoids. She also had issues with the animation director and character designer. Unfortunately, Deen will not let any director except Daichi handle the series, and Daichi has made it very clear he ''won't'' work with Takaya again.
* This is rumored to be the reason why Manga/YuYuHakusho ended rather abruptly. Anime director Noriyuki Abe made [[AdaptationDecay so many modifications to the TV series]] that, by the time the Three Kings saga hit, the already not-happy (and rumored to be [[WagTheDirector rather hard to work with]]) YoshihiroTogashi lost it and decided to cut off the Manga/YuYuHakusho story ''as a whole'', finishing '''both''' the manga and anime so Abe wouldn't keep introducing more changes.
* According to other cast and crew members, this is the reason why Tracey Moore quit her title role in the Creator/DiC dub of ''Anime/SailorMoon'' after roughly 13 episodes. Apparently, Moore (who was also the original voice director) was very stressed with the workload the show brought her, and her duties were given to other people.
* Kyoko Mizuki and Yumiko Igarashi got into many legal fights over CandyCandy and both came to [[CreatorBacklash resent it.]]

[[/folder]]

[[folder: Comics ]]

* JohnWagner and AlanGrant had a bit of a falling out in the late 80s over the direction in which to take ''ComicBook/JudgeDredd''; Wagner wanted to humanize Dredd more, while Grant wanted to [[{{Flanderization}} Flanderize]] him into being more of a dark {{parody}} of strict authority figures. As the strip's original creator, Wagner won out, and so Grant left, but as a consolation was made the sole writer ''StrontiumDog''.
* Creator/JohnByrne left the ''The Uncanny ComicBook/{{X-Men}}'' after a very successful run that included the "Dark Phoenix Saga" and "Days of Future Past" because he became increasingly frustrated with writer Creator/ChrisClaremont ignoring what he had drawn in favor of writing his own interpretation.
-->'''Byrne:''' That was the argument that Chris and I always had was that Chris didn't write the picture. And so I eventually reached the point where I said 'Maybe ''I'' should be writing the picture.'"
** In the end, this same situation, only reversed in the outcome, was part of what drove Claremont to finally end his long run on ''X-Men'' and leave Marvel altogether for a few years. In the last year or so of his run, Jim Lee would send him finished artwork, essentially saying "write a story around ''that''". Bob Harras, the Editor in Chief, was starting to side with the new crop of superstar artists, and Claremont grew fed up with the situation.
** In reading JimShooter's (sadly on long hiatus) blog, this seems to be a constant source of tension between writer and artist. The writer often wants the scene visualized as he or she writes it in the script due to necessities of storytelling (Shooter, for instance, writes long descriptions and even at times sends reference photos or sketches along to clarify how things should look). Meanwhile, the artist believes him or herself responsible for the visual look of the pages, and may see things very differently from an artistic standpoint.
* The original head writers for ''ComicBook/ArchieComicsSonicTheHedgehog'', Ken Penders and Karl Bollers, came to butt heads very badly at the end of their run, leading to both of them to quit, though it's said that Karl was the only one who quit and Ken was "let go". Their fighting got so vicious and resulted in so much KudzuPlot and AbortedArc that the next writer, Ian Flynn, had to spend the entire first year of his run untangling the insane mass of plot threads the two left in their wake.
** To better understand this: Ken Penders was head writer up until around #60 then went to focus on the ''Knuckles'' comic. Karl took over and the two seemed to be out of each other's hair until the ''Knuckles'' comic was cancelled, putting the two head writers together. For awhile, Ken had Knuckles back-up stories to Karl's main Sonic stories, but when the back-ups were abandoned, the two ended up working together and the messes began.
* When ComicBook/{{Morbius}} [[OurVampiresAreDifferent the Living Vampire]]'s first solo series started in the early 1990s it was helmed by writer Len Kaminski and penciler Ron Wagner. Wagner, however, felt that Kaminski's stories were too character-driven, and according to Kaminski complained about this to [[Creator/MarvelComics Marvel]]'s editorial staff as well as leaving "snide margin notes in which he made his personal opinion of my plots clear". Moreover, Wagner ignored Kaminski's attempts to get in touch with him so that they could discuss how the comic should be done. After 9 issues of this Kaminski had had enough and quit.

[[/folder]]

[[folder: Literature ]]

* In a classic example, Creator/JulesVerne and his lifetime publisher Pierre-Jules Hetzel constantly clashed about the content of the Verne's work, with [[ThePollyanna Hetzel]] consistently fighting to mitigate the Verne's [[HumansAreBastards bitterness and gloom]], and [[ExecutiveMeddling insisting on him]] writing the LighterAndSofter fiction. Hetzel also wasn't averse to [[LowestCommonDenominator pandering to the audience]], to which [[DeadpanSnarker Verne]] usually replied with his [[VitriolicBestBuds most pointed epistolar barbs]].

[[/folder]]

[[folder: Music ]]

* This is believed to be one of the MANY reasons why Bizzy Bone of the rap group BoneThugsNHarmony wanted to stay away from the group for awhile, as his solo music was going into a completely different direction.
** After the post 2010 implosion of the group, many think that Krayzie Bone is now having creative differences with the group and vice versa.
* Ryan Ross and Jon Walker as of July 2009 left PanicAtTheDisco to form their own band, The Young Veins (whose sound is completely different from their previous band; compare Panic's latest song [[http://www.youtube.com/watch?v=ebeKZGsadUU New Perspective]] with TYV's [[http://www.youtube.com/watch?v=AMKnaYyuiss Change]] ), for this stated reason. This led to [[FanDumb many fans casting blame on them]] for not trying hard enough to work out the differences with fellow band mates Brendon Urie and Spencer Smith.
* Why Cee-Lo left Goodie Mob to eventually form Gnarls Barkley. Goodie Mob had eschewed the social-consciousness of their first two albums in favor of a more crunk style with ''World Party,'' which Cee-Lo hated. Judging from his solo albums and work with Danger Mouse, it's very similar to the ''Sliders'' case. He was creative; they weren't.
* Inverted with the BeautifulSouth who, according to leader Paul Heaton, split due to 'musical similarities'.
* Music/TheBeatles all seemed to develop different musical styles by the mid-60's (''The White Album'' was seen by many fans as being "four solo albums in one" rather than a true band album), and they began to feel a bit of this. Especially George, whose growing songwriting skills weren't fully acknowledged by the Lennon/[=McCartney=] pair...
** The movie ''LetItBe'' is essentially what happens when someone has a film camera and films a band suffering from CreativeDifferences -- lots of bitter, snide passive aggressive sniping. There's one famous scene with Paul [=McCartney=] and George Harrison having a bitter fight over a chord.
** ''{{Doug}}'', in the first episode of the Disney season, had its Beatles homage the Beets break up for the same reasons; the press conference consisted of all four members facing away from each other (and the microphone) saying "[[TellHimImNotSpeakingToHim I'm not gonna tell them, YOU tell them!]]" before one of them finally takes the mic and says "We're breaking up the band."
* TheAdventuresOfDuaneAndBrandO experienced this trope at one point. It turned from a permanent breakup in to a 6 month hiatus, with the band members claiming that the breakup was over a stolen ice cream sandwich ([[http://www.youtube.com/watch?v=n_AVdgQsidQ&feature=plcp it really dealt with extramarital affair]]) and keeping their respective new projects open for when they needed to do solo work.
* This was said to be the reason why Dave Navarro was fired from the RedHotChiliPeppers.
* On April 9, 1962, prior to a Carnegie Hall performance of Brahms' Piano Concerto in D minor with LeonardBernstein conducting the New York Philharmonic and Glenn Gould as the soloist, Bernstein uttered an unusual disclaimer that he would conduct the piece according to Gould's unorthodox conception, one quite incompatible with his own. Though he allowed due respect for Gould's artistry despite their creative disagreement, his introductory speech became somewhat notorious.
* Nodded to by Disney sitcom ''Series/EvenStevens''. When asked about the creative differences that led to the breaking up of the band with friend Twitty, Louis explains, "I'm creative, and he's different."
* There were lots of other factors, but part of the reason for At The Drive-In breaking up was a legitimate case of this - Cedric Bixler-Zavala and Omar Rodriguez-Lopez wanted to go in a more progressive direction, while the rest of the band wanted to focus on melodic rock. This is pretty obvious if you compare the two groups they splintered off into, TheMarsVolta and Sparta.
* {{Supertramp}} lost Roger Hodgson to this.
** [[WordOfGod Hodgson has implied]] that though he and Rick Davies ''did'' have many widening creative and personal differences, that Roger left the band at least in part due to his wish to settle down, learn how to raise a family, and get away from the grind of the album-tour-album-tour rock lifestyle. Hodgson also felt disenchanted with the state of the music industry at the time (and the loss of intimacy of the ArenaRock shows the band were now playing post-''Breakfast In America''), and had wanted not [[WhenYouComingHomeDad to be away from his wife or children]] for long tours and see his kids grow up with an unavailable father.
* There was always some tension between multi-instrumentalist Music/JohnCale and front-man Music/LouReed during their days in TheVelvetUnderground, but matters came to a head in the summer of 1968 when deciding what to do after the sonic assault of ''White Light/White Heat''. The final result was Reed threatening to dissolve the group unless Cale was sacked, with which Sterling Morrison and Maureen Tucker reluctantly complied.
* Though only Greg Ginn knows for certain why he chose to break up BlackFlag, Henry Rollins is certain that the break-up was because of this: Black Flag kept changing musical direction to the point of confusing fans, and Rollins suggested to Ginn that they release similar-sounding albums consecutively to stabilize their direction. Ginn, who up to that point had been unchallenged in determining the band's direction, was taken aback, assholishly retaliated by burying Rollins' vocals in the mix of their last album ''In My Head'', and Black Flag broke up soon thereafter.
* This was the reason that Moonshake effectively split into two bands after one full album and an extended play, Dave Callahan and Mig Moreland continuing as Moonshake while Margaret Fiedler and John Frenett formed Laika. Many fans consider Laika the "true" continuation of the band and [[FanonDiscontinuity discount the two later albums under the Moonshake name]].
* Music/ThePolice broke up expressly because of this trope. They had already been drifting along and were quasi-disbanded after 1983's ''Synchronicity'', but they decided to get into the studio to record a new album as well as an update of some of their older hits. They only made it as far as "Don't Stand So Close To Me", the recording of which was largely eaten up by petty arguments between Stewart Copeland and Sting over instruments to use. Sadly, Copeland later mentioned that part of the problem was that he had broken his collarbone playing polo, meaning he was unable to actually do any drumming [[note]]one of the instruments at the center of the dispute was a drum machine synthesizer, specifically whether to use the Fairlight CMI Copeland preferred or the Synclavier Sting wanted[[/note]]. He went on to say that had the band been able to jam and get out any pent-up aggression that way, [[WhatCouldHaveBeen The Police might not have broken up.]]
* This was basically the reason given for Florian Schneider leaving Music/{{Kraftwerk}}, after ''four decades'' of being in the band no less.
* In 1979, Rick Wright left/was sacked from PinkFloyd. Roger Waters stated that "Our paths were not parallel enough." This statement euphemized a vicious falling out caused by (on one hand) Waters giving [[IAmTheBand his own control freak tendencies free rein]] and (on the other hand) Wright concentrating on solo work instead of contributing to the band. Oh, and him developing "a nasty cocaine habit" as well.
* The reason why Dennis Stratton was fired from IronMaiden. He was writing songs that Steve Harris felt were too poppy, and when the band rejected them, he left.
** According to the man himself, their early vocalist Paul Di'Anno was so bored of playing metal that he started drinking heavily. This alcoholism caused the band to fire him, which he apparently didn't mind that much. He much preferred to play punk music, and somewhat resented the fact that he'd missed out on the first wave of British punk by playing in a metal band during that time. In recent years he's had to return to the old Iron Maiden songs.
* Reports of the 2013 breakup of TheJonasBrothers allude to this.
* Music/{{Cynic}} have had this happen to them more than once. The ''Focus'' line-up dissolved due to the members all trying to pull the band in different musical directions. Similarly, Tymon Kruidiner and Robin Zielhorst left after ''Re-Traced'' due to them not agreeing with Paul Masvidal and Sean Reinert over musical direction.
* Music/TheFaceless has had this happen on numerous occasions, with Lyle Cooper being the most notable. Given the comments that former members and other musicians who have toured with The Faceless have made about [[IAmTheBand Michael Keene's]] personality, it seems to be a case of "this dude has no idea how to run a band without pissing off and alienating everyone in it".

[[/folder]]

[[folder: Film and Live Action TV ]]

* After his experience with ''Series/{{Firefly}}'', Creator/JossWhedon refused to work with {{Fox}} for years because of this, foremost being an early cancellation. He only relented with ''Series/{{Dollhouse}}'' because star Eliza Dushku had a 3-series deal with the network; Dushku brought Whedon in.
* Creator/ChristopherEccleston left the ''Series/DoctorWho'' revival, due to his fights with the executives "over the way things were being run", and, according to him, his distaste for non-acting personnel getting bullied by directors.
** Creator/WilliamHartnell's departure was also at least in part due to creative differences with a new production team (although his failing health was also a factor). He saw the show as a children's programme, but the new producers had other ideas. "So did I, so I left", as he said in a letter to a fan.
** The most notorious and damaging ''Doctor Who'' example was the conflict between the producer Creator/JohnNathanTurner and script editor Eric Saward over the ending of the "Trial of a Time Lord" season. Saward, out of his general love for DarkerAndEdgier content, wanted the season to end with a CliffHanger in which the Doctor and his EnemyWithout the Valeyard were seemingly either dead or trapped eternally in a SealedEvilInADuel situation. Nathan-Turner felt, with considerable justification, that since the BBC wanted to cancel the show altogether, writing an ending that could be seen as a BolivianArmyEnding for the whole show was a very bad idea. Saward, whose relationship with Nathan-Turner was already strained due to personality clashes and his belief that Nathan-Turner was paying insufficient attention to the artistic content of the series, quit with no finalised script for the final episode, threatened to sue the BBC if they made a final episode with '''any''' similarity to any draft he'd worked on, and then gave an interview to a fan publication viciously slagging off Nathan-Turner. The whole affair led to a somewhat disjointed on-screen end to a season that, in reality, had been seen as the show's make-or-break chance to avoid cancellation, and contributed to the show's actual cancellation a few years afterwards.
* ''Series/{{Sliders}}'':
** When John Rhys-Davies left the cast of ''Series/{{Sliders}}'' just as the show had been [[ReTool retooled]] away from SpeculativeFiction and toward "rip off whatever movie is popular this week", he cited CreativeDifferences with the writers as the reason. Most observers concluded, "He was creative; they weren't."
** Creator/showrunner Tracy Tormé left the show shortly before John Rhys-Davies did for pretty much the same reasons.
* Creator/ForestWhitaker left the live action ''FatAlbert'' film due to artistic differences with Bill Cosby.
* JackNicholson and director [[Creator/MilosForman Miloš Forman]] had a falling out over Jack's character's motivation during pre-production on ''OneFlewOverTheCuckoosNest'', leading to Jack and [[Creator/MilosForman Miloš]] speaking through the cinematographer and Jack not contributing anything to the film's DVD special features. The cinematographer in question, Bill Butler, was himself a replacement for Haskell Wexler who had quit the movie due to - you guessed it - "creative differences."
** Director StanleyKubrick ordered so many re-takes of TheShining (especially the scene where Jack says "Here's Johnny!" which itself set a world record for most takes for a scene with dialogue) that Nicholson swore he would never work with him again, and he didn't.
* An inversion of the typical "actor/writer leaves because he's pissed with the producers" setup of this trope was ''GrowingPains'', where it was ''the producers'' who quit after Kirk Cameron became a born-again Christian and started [[WagTheDirector forcing his values onto the production]], pissing off just about the entire cast and crew in the process.
** It's worth noting that the producers tried to get rid of Kirk first, but ABC executives told them basically, "It's not ''your'' faces on the cover of 'Tiger Beat'." So they left.
* A notable play on this phrase came when [[TheSimpsons Harry Shearer]] left ''Series/SaturdayNightLive'' in 1984. When a reporter mentioned to Shearer that this trope was the show's stated reason for his departure, he quipped, "Yeah, I was creative, and they were different."
* Creator/ConanOBrien left the ''Series/TheTonightShow'' in the beginning of 2010, after only six months of hosting it, due to his refusal to let Creator/{{NBC}} move the show a half hour later in their schedule in order to give the fledgling ''Creator/JayLeno Show'' a boost in ratings, claiming that it would ultimately be detrimental to ''The Tonight Show''.
** At the end of the day, Conan left because Leno had the better contract. Leno's primetime show was tanking in the ratings to the point that local affiliates, worried about flagging viewership for the 10/11-o'clock news due to the unpopular Leno lead-in, threatened to drop it themselves. NBC was forced into a situation where ''somebody'' had to go. Breaking Conan's contract cost NBC $45 million, but breaking Leno's would have cost $100 million, so NBC presented Conan with an unacceptable situation to convince him to accept a buyout. A month later, Conan was gone and Leno was back on ''Series/TheTonightShow''.
* ''Film/TheWarriors'' is known for Fox (Thomas Waites) leaving before the end of filming. Suffice to say they [[DroppedaBridgeOnHim dropped him]]... Very painfully
* ''Franchise/PowerRangers'' writer Judd Lynn eventually quit because he disliked Executive Producer Jonathon Tzachor's preference to [[ShotForShotRemake directly copy-paste plots]] from the original ''SuperSentai'' seasons (as he best demonstrates in ''Series/PowerRangersWildForce'' and ''Series/PowerRangersSamurai'').
* For several years, Carroll O'Connor refused to work with Creator/{{CBS}} after they denied him the chance to shoot a series finale for the ''AllInTheFamily''-spinoff ''ArchieBunkersPlace''. He would eventually return to work with them on the ''InTheHeatOfTheNight'' television series in 1992, after the show moved to the network from Creator/{{NBC}}.
* This is the reason Ronald D. Moore left [[Series/StarTrekVoyager Voyager]] and effectively Franchise/StarTrek itself after more than a decade of writing for three different series. He apparently couldn't abide the controlling nature of how the show was written.
* Jack Klugman didn't care for Glen A. Larson's approach on ''{{Quincy}}'', eventually telling NBC that either Larson left or he would. The network chose Klugman (the show lasted a lot longer without Larson than with, effectively vindicating Klugman... soapboxing and all).
* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of Series/{{Crusade}} before it got a chance to mature and {{Jeremiah}} being cancelled after two seasons.
* ChevyChase gained a certain amount of notoriety both among fans and his coworkers for being outspoken regarding what he thought was the poor quality of ''Series/{{Community}}'', and for feuding with series creator DanHarmon behind the scenes over it. He ended up quitting the show in November 2012 with only two episodes left of the shortened fourth season to film. However, while he was vocal about what he thought was the poor quality of the show, he was willing to return to film a brief cameo appearance in Season 5, indicating that the feud between himself and Harmon has largely been resolved or was overstated.

[[/folder]]

[[folder: Professional Wrestling ]]

* An occasional occurrence in ProfessionalWrestling, sometimes with mixed results.
** More common in wrestling is the phrase "left to pursue future endeavors".
*** There's also "Confronting their personal demons" which usually translates as "too drunk/stoned to work".

[[/folder]]

[[folder: Web Comics ]]

* A source of contention between some fans (and ex-fans) of ''Webcomic/MegaTokyo'' is the "creative differences" that led to the break-up between the artist (and current writer) Fred Gallagher and former writer Rodney Caston, ultimately resulting in the comic's turn from straight comedy to dramedy. It is telling that the last comic Rodney wrote before Fred took over pretty much predicted ''exactly'' how the comic under Fred would be... kinda like a DatingSim.

[[/folder]]

[[folder: Video Games ]]

* Toby Gard, creator of ''Franchise/TombRaider'', had left the franchise by ''Tomb Raider II'' due to being pressured by the higher ups in making Lara Croft to appeal more to the male demographic. Gard didn't like the idea of having Lara's character being over sexualized.
** Ironically, he later went on to create ''Galleon'', a game which featured ''two'' sexy lead females instead of one...
* ''VideoGame/MasterOfOrion III'' suffered something of a civil war on the creative team between the lead designer and the art director. The lead designer, Alan Emrich, wanted to more or less continue in the tradition of [=MoO=] II, adding more features such as religion, governmental corruption and the exploration of black holes, and of course new races and new racial abilities, but not fundamentally breaking away from the FourX SpaceOpera mold that had made ''II'' so successful. The art director, Rantz Hoseley, was having none of that, though: he wanted to have a more realistic simulation of a complex galactic empire, one that you couldn't run yourself and ''had'' to automate, and he also ''hated'' the humanoid aliens of the series (comparing them to PeopleInRubberSuits). Hoseley won the internal fight, and Emrich was forced out, leading to ''Master Of Orion III''.
* One of the main reasons along with poor sales as to why ''CloverStudios'' left ''{{Capcom}}'' and became ''PlatinumGames'' at ''{{Sega}}''.
** More recently, they have grown very disgusted at Sega's Marketing for one of their more recent titles, ''VideoGame/AnarchyReigns'', epecially in the U.S. This is possibly one of the reasons they allowed themselves to branch out to even more companies, like with {{Konami}} to develop the gameplay for VideoGame/MetalGearRisingRevengeance, and being the main developer for the Creator/{{Nintendo}} published, WiiU exclusive title, ''VideoGame/TheWonderful101'' as well as the main exclusive publisher of ''VideoGame/{{Bayonetta}} 2'' (With Sega merely owning the IP rights, with no development input)..
* This is pretty much the story behind most of the original id Software's departures.
** Tom Hall was let go due to him not being creatively invested in Doom (it was a bit dark and serious for the wacky mind behind CommanderKeen).
** John Romero was frustrated over Quake being turned from an action-RPG into a shooter in Doom's template at a late stage in the game. He left to form Ion Storm with Tom Hall.
** Adrian Carmack was essentially fired after Doom 3, later suing the company.

[[/folder]]

[[folder: Western Animation ]]

* This was the reason given for Creator/DonBluth and Creator/StevenSpielberg parting ways in the late 80's. The real reason was never made public, but neither of them enjoyed the same level of success in animated movies afterward.
** And the whole reason Creator/DonBluth left Disney and created his own animated films in the first place, in the middle of the production of ''Disney/TheFoxAndTheHound''.
* This was one of the reasons Creator/JohnKricfalusi was booted off ''TheRenAndStimpyShow''.
* While ''WesternAnimation/TwiceUponATime'' was eventually finished and had a theatrical and home video run, writer and director John Korty and producer Bill Couturié had pretty different ideas of what the movie was supposed to be like, to where two different cuts of the movie exists: The Couturié cut contains frequent [[ParentalBonus swearing and lewd innuendo]], while the Korty cut excises all swearing (save for a mild PrecisionFStrike that gave it a PG rating). That these two would not yield an inch from their stances is why ''Twice Upon a Time'' has not had a television airing or home video release since 1998--any attempt to show or distribute the movie would lead to the person responsible for the other cut theatening legal action.
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