[[quoteright:166:[[Webcomic/SchlockMercenary http://static.tvtropes.org/pmwiki/pub/images/DefiedFilibuster_1283.bmp]]]]
[[caption-width-right:166:"Whew, glad we caught that one in the bud."]]

->''"This is John Galt speaking [...] I will never live for the sake of another man, nor ask another man to live for mine."''\\
--'''John Galt''', ''Literature/AtlasShrugged''. That ellipsis covers ''33,319 words.''

An Author Filibuster is the unwholesome offspring of WriterOnBoard and InfoDump, where the plot stops dead in its tracks to give the author an opportunity to preach their message to the readers or audience, often very [[StrawmanPolitical political]] or [[AnAesop ethical]] in nature.

It's worth noting that writing a work of fiction neither adds nor subtracts evidence from a point of view. It may display evidence, it may make an argument using that evidence, it may convince the reader using that evidence. Authors should remember this though: ''a work of fiction doesn't prove anything.'' The fact that the author expects us to take their fictional world as instantly applicable to real life is part of what makes this trope so grating.

If this is the climax of the book, it's often a case of TalkingTheMonsterToDeath.

If a character is delivering the rant, it's also a CharacterFilibuster. If the author's opinion is the purpose of the work, it's an AuthorTract. A main cause of DontShootTheMessage. Whether or not any specific reader considers an Author Filibuster a good or bad thing is usually dependent on [[ConfirmationBias whether or not said reader agrees]] with the content of the filibuster, although this is not always the case.
----
!!Examples:

[[foldercontrol]]

[[folder:Anime and Manga]]
* The [[MindScrew infamous]] final two episodes of ''Anime/NeonGenesisEvangelion'' are essentially an Author Filibuster on the human condition and the nature of loneliness.
** TheMovie ''End of Evangelion'' was the same, just not taking place on a "big blue ball" and was... [[GainaxEnding arguably]] ''[[GainaxEnding even more confusing]]''.
** Due in part to the MindScrew, what exactly the Author Filibuster is arguing is a topic of hot contention in the fanbase
** The general consensus is Hideaki Anno was on some form of antidepressants through a fair portion of the series. While ''End of Evangelion'' was a blatant anger response to fan backlash. Anno did not take criticism kindly.
* In an early chapter of the ''Manga/ExcelSaga'' manga, Il Palazzo takes a few pages to rant about how he feels Christianity has had a negative influence on the world. The anime parodies this by Excel suggesting they skip that scene to avoid controversy. [[LampshadeHanging A lampshade is hung]] by Excel in the manga: "I think we may have just offended a large portion of the world's population..."
** Though given the nature of Excel Saga in general, it's hard to tell if this is an actual Filibuster, or just another joke that is pretty standard throughout the show.
* The original ''GhostInTheShell'' manga had an ending consisting of little more than the author's existential musings thinly packaged in abstract screen toned "art". However, this philosophical payload was cleverly hidden inside an espionage series, and anyone who didn't see where it was going after [[spoiler: Kusanagi beheld the falling feather]] have only themselves to blame.
** This is a common feature in all of Shirow Masamune's manga. He is famous for including extensive commentaries at the end of volumes, the 30-page commentary in ''GhostInTheShell'' being the most famous example. He will also often break the fourth wall by adding his own personal comments in the margins, ranging from the technical aspects of gadgets included in the story, to subjects like the nature of human souls and the organization of Japan's military. These commentaries will often only have a loose connection to what actually goes on in the story. ''Ghost in the Shell II'' is probably the best example, as ~1/4th of all pages have some sort of commentary in the margins.
* A chapter of ''HajimeNoIppo'' includes a several page long speech about how great the environment is, how everybody should do their part to protect it, and how pollution and industrial emissions are evil. It is then shortly followed by the introduction of a new character whose entire goal is to spread this exact message to the world.
* The manga ''Gimmick!'' has a rather glaring example of this, after a flashback where [[spoiler:Kohei takes a job to do special effects for a video game commercial, which turns out to be a government conspiracy that takes the commercial and re-edits it into a post-9/11 pro-war viral video.]] After the revelation that [[spoiler:one of Kohei's friends from Hollywood joins the Iraq War because of it and gets killed]], Kohei launches into a "Don't be fooled by images" rant about how Hollywood (and American media in general) is always sneaking subliminal messages into movies and commercials and such, saying how filmmakers just want to make movies, but [[ExecutiveMeddling executives keep interfering to cram their evil propaganda into every crack and crevice]].
* HidekazHimaruya tries to avoid this in his work. Although the closest he gets to this trope can be found in an ''AxisPowersHetalia'' arc which bemoans Japan losing elements of his traditional culture, which is more in context of the changes brought about by Westernization rather than NostalgiaFilter.
* ''Anime/GreenVsRed'' has Lupin.... Lupin''s'' chasing [[MacGuffin The Ice Cube]], which turns out to be a source of nuclear power, and the creators use it to condemn the proliferation of nuclear weapons. All this seems out of place in a Lupin film until one remembers that Creator/HayaoMiyazaki has a similar anti-war, anti-nuclear stance.
[[/folder]]

[[folder:Comics]]
* ''{{Hellblazer}}'' has always been a quintessentially British series, and as such is usually penned by authors from the isles. Starting with writer Jamie Delano and including Garth Ennis and Mike Carey, pretty much all the authors the series has had usually end up using the series as a vehicle to criticize and point out the worst aspects of British politics, economics and popular culture. Many storylines cover {{Margaret Thatcher}}'s economic policies and her handling of TheFalklandsWar, for example, and the general woes of British society are firmly analyzed and represented as equal or worse than any supernatural threat the protagonist himself faces.
* In a 1945 ''ComicStrip/LittleOrphanAnnie'' strip, Annie soliloquizes about the dreadful foster home she's been placed in. She sleeps in the attic, dresses in a cut-down maid's uniform, is allowed no friends or recreation, and has to take every irksome task from serving dinner to shoveling coal -- she is treated as a slave or unpaid servant -- but as she observes, it could be much much worse, because at least ''she's not in an orphanage sponging off the taxpayers''.
* As Jhonen Vazquez's comic ''JohnnyTheHomicidalManiac'' went on, more and more text began appearing that dealt with the main character's philosophical doubts, to the point that the panels would usually carry more text than drawings.
* As part of the legendary CreatorBreakdown during the run of ''{{Cerebus}}'', Dave Sim replaced parts of his comic with fine-print screeds detailing his legendary misogyny, which even diehard fans who continued to read the comic do their very best to ignore.
* About seventy-five percent of all ''{{Doonesbury}}'' strips engage in this, though it generally sets up the [[AntiHumor "punchline"]].
* ''TheBoondocks'' comic usually falls into this (witness the series of strips, after the 2004 presidential election, where Huey calls out and insults every state where Bush won), but it's largely an AuthorTract to begin with. The animated version can't really do this due to AnimationLeadTime, which is [[BrokenBase one of the many reasons why it's disliked by fans of the comic strip]].
* Creator/SteveDitko may be a master comic book storyteller, but when he does not have a collaborator like StanLee to restrain him, his stories are notorious for his Objectivist philosophical lectures that dominate his more personal stories. The "Mr. A" stories are by far the worst, though "The Question" could be just as bad at times.
* The five issues long series ''Comicbook/{{Warrior}}'', a licensed comic about every ProfessionalWrestling fan's favorite crackpot, The UltimateWarrior, is one great big WallOfText after another meant to elucidate the reader on Warrior's bizarre mystical-reactionary philosophy, and paint Warrior as {{Jesus}}. Between the sheer density of the text and the preponderance of made up words (just what in the blue hell is "Destrucity", anyway?)[[note]] The comic actually does provide a definition for the word, but somehow it causes the word to make ''even less'' sense than before.[[/note]], it confused its few readers so badly that both the third and the fourth issues had to open with an explanation of the previous issues (with the recap on the fourth issue being a footnote and unreadable due to being black text on black paper). The one issue this doesn't apply to? The Christmas special, a completely dialog-less issue in which Warrior goes to the North Pole, [[{{Squick}} puts Santa in bondage]], steals his clothes ''[[spoiler:and possibly rapes him]]''. There's a reason that every wrestling fan on the planet has agreed that the guy is nucking futs. It's bad enough to [[http://www.thatguywiththeglasses.com/videolinks/bt/spoonyone/reviews/7238-warrior1 mess with the space-time continuum!]]
* In the final years of Chester Gould's ''ComicStrip/DickTracy'', the stories were notorious for the main character yammering about due process restrictions on the police to the point where the villains dropped dead just from this.
* Matt Fraction's first issue of the ''Invincible ComicBook/IronMan'' comic has young villain supergenius Ezekiel Stane, fresh from his latest round of building and selling [=WMDs=] to genocidal terrorists, stop to spend four pages testing out his latest weaponry on the board of directors of a tobacco company, while delivering a rant on a) the evils of smoking and b) why, despite Ezekiel's long list of crimes against humanity, he is still infinitely morally superior to people who grow and sell tobacco.
* Oddly enough, the [[Comicbook/{{Doom}} Doom comic]] ([[http://www.doomworld.com/10years/doomcomic/comic.php?page=11 here]]) did this too, interrupting the plotless violence with a rant about how radioactive waste is killing the environment. This may well be a parody of the tradition, though, assuming that the comic is a [[StealthParody parody]] to begin with.
* Warren Ellis' ''{{Transmetropolitan}}'', whose main character's inflammatory news articles, while only sometimes political, and definitely in-character (insofar as Spider is an homage to Hunter S. Thompson), are too long and detailed to NOT also be the author's viewpoint.
* Creator/AlanMoore responded to complaints about ''ComicBook/{{Promethea}}'' by saying something along the lines of, "There are hundreds of comics out there that aren't a didactic on magic, isn't there room for just one that is?"
* Given that the character is the creator's AuthorAvatar, it's not hard to hear all of [[ForBetterOrForWorse Elly Patterson's]] old school preaching, like how she doesn't like computers or malls taking away downtown commerce, and believe that it's Lynn Johnston speaking.
* In ''UniversalWarOne'' #5 and #6, various characters expose the author's political view on "American capitalism".
* GarthEnnis can get into this. While it works in the context of the stories, {{Preacher}} having the protagonists discuss how any God who made the world must be evil, ComicBook/ThePunisher having characters talk about the horrors of war and Comicbook/TheBoys featuring long-winded TakeThat dialogue towards DC and Marvel-style super heroes, there are also random, out of nowhere ones. In Preacher, Cassidy raves at Jesse about his distaste for the word 'insecure'. Comicbook/TheBoys also has a scene where Butcher claims that every straight man is homophobic and anyone pretending otherwise is just lying.
* Bill Watterson would sometimes do this with ''ComicStrip/CalvinAndHobbes''. It was better-executed than most versions, in part because the themes were frequently apolitical, in part because Watterson went after multiple targets and because of Watterson's innate storytelling skills. It also didn't hurt that Watterson occasionally engaged in SelfDeprecation and made ''himself'' the target of the occasional filibuster.
* Rick Remender had Havok give a very controversial speech in ''ComicBook/UncannyAvengers''. Due to the speech's controversial nature, and likely also due to his response to many people who took offense with it (namely, by telling these people to go 'drown in hobo piss'), Remender then stops the plot dead in its tracks for three pages in a later issue, just to have two characters debate the matter. He uses the ScarletWitch as his AuthorAvatar, with her being portrayed as levelheaded and reasonable, while Rogue, who represents those who don't like the speech, is snippy and blinded by emotion. As you'd guess, the Scarlet Witch is portrayed as being correct.
** The same thing happened in ''All-New X-Men'', with Brian Michael Bendis having Kitty Pryde rant about the same subject, siding with those who don't like the speech, although she's much more accepting of those who do agree with it.
* The 1990-91 ''ComicBook/{{Foolkiller}}'' miniseries, appropriate as it was written by Steve Gerber himself. He considered this his opportunity to really expunge on what the character is all about. Especially since he seemed to be little more than a cheesey character (albeit, one with an AwesomeMcCoolName) that most people remember for the Zorro-like outfit and his battle with Spider-Man.
* The last issue of Marvel's ''[[ComicBook/GIJoeARealAmericanHeroMarvel G.I. Joe]]'' series (Issue #155): ''A Letter From Snake Eyes''. Larry Hama is in full force and pulls no punches as this is the first time we ever get into the mind of the most mysterious Joe of all. Hama, being a former soldier knows what he's talking about when he says WarIsHell. This is definitely considered one of the better uses of this trope, given the high value of this issue in the collectors market.
[[/folder]]

[[folder:Fanfiction]]

* ''[[FanFic/UltimateSleepwalker Ultimate Sleepwalker: The New Dreams]]'' has a one-scene filibuster that illustrates the author's hatred of the CListFodder trope, as well as the frequent depiction of C- and D-list characters as losers or otherwise ineffective in the official comics. A villain who's considered an A-list psychopath in the official comics gets into a fight with a villain who's a D-list loser at best, and the scene throws traditional expectations out the window by having the D-lister win. The D-lister then points out to his dying opponent that a character's ranking on some glorified pecking order doesn't necessarily reflect their true potential.

[[/folder]]


[[folder:Film]]
* Overlapping with AndKnowingIsHalfTheBattle, Creator/AlfredHitchcock's ''Foreign Correspondent'', like several other films of the era, ends with a call to Americans to enter UsefulNotes/WorldWarII.
* Steven Seagal finished off his movie ''OnDeadlyGround'' by [[http://www.jabootu.com/ondeadlyground.htm delivering an author filibuster]]... the uncut, ''ten minute'' version (the release version was three and a half) which caused test viewers to walk out.
** Seagal commonly ends his movies this way. The trend started in his very first movie, ''Film/AboveTheLaw'', where he spends the finale battling corrupt government agents, then after all is said and done, just before the end credits, he gives a short voice-over about how even in real life, the further up the chain of command you go, the more people you find that think they're...[[TitleDrop above the law.]] The key word here being "short"; ''On Deadly Ground'' was his directorial debut, presumably to make room for his ego.
* Creator/CharlieChaplin's ''Film/TheGreatDictator'', in which the entire closing monologue is a statement of Chaplin's anti-war beliefs, though it is very appropriate (and ''moving'') in context.
* Parodied in Creator/WoodyAllen's ''BulletsOverBroadway'', in which David Shayne simply cannot help but write what he thinks is "important dialogue", but everyone else thinks is turgid.
-->'''Cheech:''' "A maze beset by brutal pitfalls!" Hey, Olive, ''I'' memorized it, and I'm tellin' ya, it comes to me all the time, and it stinks on fuckin' hot ice!
* In the last 10 minutes of ''{{Clerks}}'' Creator/KevinSmith's voice hops from one character to another every time someone opens their mouth. In fact, this tends to be the method by which he concludes all his films.
* During a flashback scene in ''{{Saw}} VI'', Jigsaw is standing in the office of William, an executive at a health insurance company who had just denied him coverage for an experimental treatment of his cancer (and who is the subject of the film's main trap). This causes Jigsaw to go into a rant attacking the health insurance industry, saying that they do the very same thing that conservatives fear socialized medicine will do -- namely, take life-and-death decisions away from doctors and their patients by denying them coverage. He doesn't say "conservatives" or "socialized medicine," but the message is clear, and is repeated throughout the film, especially with the way that [[spoiler:William gets killed]]. As Cracked pointed out, the message would be a lot more compelling coming from someone who ''wasn't'' a serial killer that forced people to make brutal life and death decisions himself with his various traps.
* ''BlackHawkDown'' suffers from this at points, where all of a sudden, one character or another will give a little speech to whoever's around justifying "why we're here", which is no doubt because it was BackedByThePentagon.
* ''{{Birdemic}}'' twice brings all other activity in the film to a dead stop to lecture about environmentalism. These are just the densest clumps of the movie's almost relentless "message".
* The sequels in ''Franchise/TheMatrix'' film franchise, ''Film/TheMatrixReloaded'' and ''Film/TheMatrixRevolutions'', were heavily criticized for being full of lengthy philosophical pontificating by several characters, including Councillor Hamann, The Oracle, The Merovingian (twice), Agent Smith, and Morpheus. And the Architect. He talks for SO LONG. Parodied by Creator/GeorgeCarlin and Will Ferrell.
* Cecil B. [=DeMille=]'s ''Film/TheGreatestShowOnEarth'' (1952), which was ostensibly a backstage drama about a season at the Ringling Brothers and Barnum & Bailey Circus, keeps interrupting itself with various segments that have little to nothing to do with the characters, including unself-conscious circus performances (with many, ''many'' in-universe audience reaction shots that tend to undercut the fourth wall) and pure documentary scenes showing what carnival workers do, the latter of which are accompanied by verbose and frankly pompous descriptions by a "voice-of-God" narrator. The movie in general can't seem to decide what it wants to be, making it a fine mess.
[[/folder]]

[[folder:Literature]]
* ''Literature/AtlasShrugged'' has [[TropeCodifier the definitive]] Author Filibuster in "This Is John Galt Speaking," where Creator/AynRand gives her protagonist an opportunity to lecture the reader for ''sixty'' pages on end (''eighty'' pages in the paperback edition); since he's [[DoNotAdjustYourSet taken over all channels]], the StrawmanPolitical villains are made to sit through it for three hours of plot time. There are several shorter examples in the same book, such as the sermon explaining that "If money is the root of all evil, then what is the root of all money? Virtue is the only thing that can give money any value. Is virtue the root of all evil?" In an example of artistic license, Ayn Rand, in ''Atlas Shrugged'', claims John Galt's radio monologue is only three hours. No one has ever been able to read, clearly and distinctly, the entire monologue aloud in less than '''SIX HOURS'''.
** This gives rise to the joke: "In the first half of ''Atlas Shrugged'', you're asked the question 'Who is John Galt?' For the second half, ''you'' ask 'when will John Galt shut the hell up?'"
** It also leads one to wonder how the hell they plan on translating that [[Film/AtlasShrugged to film]] - although it ''would'' decrease the required budget significantly, at least.
* Howard Roark of ''Literature/TheFountainhead'' also gets such an opportunity in his courtroom scene, and the last chapter of ''Anthem'' is essentially devoted to this purpose (Creator/AynRand seems to do this a lot). These examples aren't quite as extreme as ''Atlas Shrugged'' -- in book form. In the movie adaptation of ''The Fountainhead'', Rand demanded that Roark's courtroom speech be performed ''exactly'' as she had written it (the version Rand wrote for the film's screenplay was significantly shorter than the book's version), resulting in a nearly six-minute long speech, one of the longest in film.
* ''[[Literature/{{Illuminatus}} The Illuminatus Trilogy]]'' parodies the filibuster in ''Atlas Shrugged'' with ''Telemachus Sneezed'', mentioning that the last hundred and three pages are a soliloquy on the importance of guilt.
* Creator/LouisaMayAlcott admits in ''Literature/LittleWomen'' that she was guilty of this at one point. Her AuthorAvatar Jo's literary exploits include, in a backlash against ExecutiveMeddling insisting that TrueArtIsAngsty, writing a book that failed because "it might more accurately have been called an essay or a sermon, so intensely moral was it".
* In ''Literature/DeceptionPoint'', Dan Brown has several characters expose the pros and cons of letting NASA monopolize space exploration instead of opening it up to the private sector (though the arguments supporting NASA greatly outnumber those against it).
* Creator/AgathaChristie in her final few novels.
* ''Literature/JackRyan'':
** Creator/TomClancy espoused his world view at length in ''The Bear and the Dragon''.
** It started to become really obvious with ''Executive Order''.
** In a Tom Clancy book, John Clark thought to himself that a movie, implied to be ''Film/AirForceOne'' (which in reality did pretty well with critics), was a stupid movie that makes airport security overly diligent. This is most likely an indirect TakeThat at Creator/HarrisonFord, whom Tom Clancy had hated as Jack Ryan.
* Also in the genre, the protagonist in the W.E.B. Griffen book, ''The Hostage'', Charley Castillo, thinks to himself that he likes Mel Gibson movies, and goes into detail about why, which has no relevance to the plot. It would come off strongly as product placement if Gibson was a product.
* Creator/MichaelCrichton:
** ''Literature/StateOfFear'' left approximately half the key plot points unresolved in favor of the heroes making every rant possible on the subject of global warming. There was also a huge BigLippedAlligatorMoment where one character has to babysit some guy who begins espousing social and media theories that have nothing whatsoever to do with global warming or anything else in the rest of the book (yet end up being what the book is [[TitleDrop named after]]).
** ''Literature/JurassicPark'', Ian Malcolm spends better than half of his scenes in the book making pages-long speeches about the evils of modern science, despite the fact that he is supposedly dying at the time (and a scientist himself). There is occasionally a HandWave, like when Malcolm is cranked out of his mind on morphine, and is just babbling whatever thoughts come into his head. ''TheLostWorld1995'' also contains long philosophical digressions.
** ''Literature/{{Next}}'' warns of the dangers of Big Genetics, hamfisting the point in at every available opportunity, with an epilogue followed by a didactic author's note, just to make sure that the subtlety of his point could in fact cause a concussion.
** And let's not forget depicting one of the more prominent critics of ''State Of Fear'' as a child molester.
* ''Wakefield'' by Andrei Codrescu does this over and over on a wide variety of subjects, but at least has a certain self-knowledge. Kudos for when, after the main character gives a lengthy speech about the relationship between art and money, another character tells him he's "full of shit".
* Creator/BillOReilly's fiction book, from before he was really famous, ''Those Who Trespass'', is one after the other, from two characters that essentially play two sides of his personality, one of which is a cold blooded killer who takes revenge on those who fired him from television, while the other is an Irish cop who blabs on about the errors he predicts in the OJ Simpson trial, which was a few months away in the book's time.
* Emmanuel Goldstein's book in ''[[Literature/NineteenEightyFour 1984]]'', plus a drunken proletarian's rant against the metric system. The story of the novel is largely a FramingDevice for Orwell's vision of the {{Dystopia}}, and said book-within-a-book can be skipped by the reader without missing anything important to the plot. He also spends about ten pages near the end of "1984" driving the message home, just in case the reader missed the thinly-veiled metaphor of the first hundred or so pages.
* The plot of ''Literature/MobyDick'' is an excuse for myriad Author Filibusters about whaling, whaling culture, the anatomy of whales, and lots of [[HaveAGayOldTime sperm-wringing]]. Plus [[WhatDoYouMeanItsNotSymbolic all the classical references]]. Then there are those that interpret the whole book as an AuthorTract about religion, where Ahab was trying to kill {{God}} by using Moby Dick as a substitute.
* Vegetarians get their say in the second book of the ''Literature/InheritanceCycle''. Humorously, Paolini seems to have changed his mind in the mean-time, as Eragon rationalizes about eating meat in the third book. The anti-religion message was just as bad or worse. It looked like it was forced in--plot going on, scene change, random out-of-nowhere scene where [[OurElvesAreBetter Oromis]] makes some relatively basic atheism arguments that are treated as fact, scene change, back to the story's actual plot.
** And then Eragon changes his mind about that ''as well''!
** It seems to go both ways. Elves tend to be a lot wiser and more attuned to nature than any other creature because of the nature of their magic that bound their whole race in their blood oath with the dragons. As a result, they can't eat meat any more than a person could eat their own hand because they can feel the emotions from all the life around them, and if a creature dies, it feels like they themselves are dying along with it. They sing[[note]]they speak in the ancient language combined with a flow of magic. The singing part is just their own artistic flair.[[/note]] to the trees to harvest fruits and vegetables that grow all the nutrition they need, so there's no need to butcher animals. With all their needs taken care of, the elves don't fight wars and most are content to keep to themselves and pursue whatever they fancy, be it writing, painting, or being a fish. However, when pressed, they will rise up together to fight off whatever force threatens them.
** Dwarves, on the other hand, have their central religion and set of customs and traditions that probably vary between the clans and deep dwellers and can get very [[BerserkButton riled up]] if their beliefs are challenged, but they also have the most marvelous and luxurious empires in the entire continent, and as a social collective, they seem to have a lot more fun in life than the elves. On top of all this, [[spoiler: dwarves might actually be right about their religion; in ''Brisingr'', Eragon actually ''sees'' what could very well be their god.]]
* Parodied in the original novel of ''Literature/ThePrincessBride'', when author WilliamGoldman (in his guise as the alleged "editor") discusses how he cut out scores of pages of boring political lectures and discussions from the "[[LiteraryAgentHypothesis original book]]".
** Goldman parodies his own parody in the excerpts from ''Buttercup's Baby'', (the sequel) that are provided in some editions of the novel - he describes in detail how a major stumbling block in getting his annotation of the sequel off the ground is the fact that Morgenstern's estate took a dim view of his chopping away Morgenstern's filibustering, as they view that as an integral part of the original work.
* The final third of Upton Sinclair's ''Literature/TheJungle'' is a rambling treatise on the virtues of socialism. Most readers only noticed his nauseating descriptions of contemporary meat-packing practices. As Sinclair himself noted, he'd aimed for the country's heart, but missed and hit it in the stomach.
* Terry Goodkind's main characters in his ''Literature/SwordOfTruth'' series frequently stop to give ranty, self-important speeches espousing a fantasy version of his Objectivist philosophy. The fact that he [[SciFiGhetto doesn't consider himself a fantasy writer]] adds a lot of weight to this one -- even if the Aesops are ''invariably'' [[BrokenAesop broken into little teeny pieces]] or [[FamilyUnfriendlyAesop completely demented to begin with]].
** The later books feature pages-long speeches seemingly every other chapter. It wouldn't be so bad if the topics covered weren't ''what they just said''.
* Creator/RobertAHeinlein was fond of these, using them in quite a few of his works. Some readers actually enjoy them. Not all of course.
** ''Literature/StarshipTroopers'' is full of long speeches on why war is necessary and the attitudes necessary in being a soldier, as well as sermons on the topic of "spare the rod, spoil the child."
** ''Literature/TheMoonIsAHarshMistress'' has several long rants on subjects ranging from tyranny and revolution, to limited government, to [[ArsonMurderAndJaywalking polyamory]]. The last was also a frequent topic in his later works as well, to the point that the group marriages in ''Literature/TheMoonIsAHarshMistress'' seem rather tame by comparison.
** The last third of ''Literture/GloryRoad'' is essentially a long libertarian diatribe.
* ''Literature/WarAndPeace'' has one of two epilogues of the novel devoted to espousing Leo Tolstoy's view of history. If you have read the book beforehand, there's no real need to read that particular epilogue.
** The majority of Tolstoy's output is this trope. One of his earlier, shorter works is a TakeThat FixFic to a woman who rejected him (oops), while ''Literature/AnnaKarenina'' turned from a straightforward bit of realist fiction to an epic due to Tolstoy's decision to add a second plot complete with an author avatar to expound on the joys of mowing.
* The 4th ''Literature/MaximumRide'' novel by Creator/JamesPatterson. While, in the first 3 books, the main characters were always on the move and in danger, fighting for their lives against evil scientists, and keeping a low profile, in this one Max and the flock are brought to Antarctica to combat '''global warming'''. The global warming commentary is there but not overwhelming until the last few pages of the book (before the epilogue) which has Max ''making a speech to the US Congress'' (a ''literal'' filibuster) concerning global warming and referencing the current big thing about compact fluorescent light bulbs (that if every house replaced one normal bulb with one of these, it would be "like taking a million cars off the road"). The protagonist of this series was the subject of kidnapping and human experimentation, but goes out of his way to state that global warming is worse than those things. The speech also contains a lot of America-bashing (pig-headed, short-sighted, arrogant, etc). To finish it up, the very last page has 5 facts/tips about "Saving the world. Wings not required" which is more global warming / recycling commentary (and is signed "--Max").
* ''LadyChatterleysLover'' has several rants on how industrial growth is killing nature and humanity.
* ''TheSevenBasicPlots'' by Christopher Booker contains a lengthy rant on why ''Lady Chatterley's Lover'' is an awful book.
* Book Three of ''Literature/NativeSon'', particularly toward the end, and at its absolute worst during each of the two speeches during Bigger's trial, especially by Bigger's attorney; each of these speeches went on for over 20 pages of the book. The longest one was exactly 24 pages.
* ''The History of the Decline and Fall of the Roman Empire'' contains a lot of Gibbon's anti-religious sentiment (he blamed its fall on the Church.)
* Creator/CharlesDickens could never resist the temptation to embellish his characters' actions via moralistic asides, sometimes lighthearted, more often disgusted. Since his books tend to contain LoadsAndLoadsOfCharacters, he does this a ''lot'', in his later, socially-aware novels especially.
* Literature/TheExecutioner series of action novels was written by Don Pendleton in the 1970's in response to the anti-war and "violence doesn't solve anything" attitudes of the time. Its hero, Vietnam veteran turned [[VigilanteMan vigilante]] Mack Bolan, spends entire chapters pondering the morality of violence and the nature of his "war everlasting".
* The last published part of Geoffrey Chaucer's ''Literature/TheCanterburyTales'' with a long sermon by the Parson on the Seven Deadly Sins. While there may have been more later on, thanks to his [[AuthorExistenceFailure dying before he finished the Tales]], it's left to speculation.
* People familiar with [[Theatre/LesMiserables the musical version]] of ''Les Misérables'' are certain to be rather confused by numerous dissertations on such things as local linguistics, Hugo's thoughts on convents, the life of a side character bishop, the governance of a town, the Battle of Waterloo, and the Paris sewer system in [[Literature/LesMiserables the original work]].
** The filibustering seems to take up more space than the actual storytelling.
* Parodied in ''Mason & Dixon'', when Dixon goes on a several page speech about the mythological Lambton Worm, and by the time he gets to the end, he can't remember what his point was in bringing it up.
* In ''The Ethical Assassin'', the title character says almost nothing that isn't Author Filibuster. The last conversation sounds like it's the assassin delivering the jacket blurb.
* In some of John Norman's later ''Literature/{{Gor}}'' novels, what little plot there is halts AT LEAST EVERY TWO PAGES for a character to go on another rant about how a woman's proper place is kneeling at his feet.
* Creator/PoulAnderson's otherwise pretty good collection of loosely-related short stories, ''The Boat of a Million Years'' veers into this trope. The author apparently can't help himself from launching into angry rants against [[StrawmanPolitical liberalism]] and expressing the view that libertarianism is the best thing ever.
* A [[http://www.dansimmons.com/news/message/2006_04.htm short story]] that Dan Simmons posted onto his website is a rant on how Islam will destroy the world if left unchecked.
* In the original 1818 version of ''Literature/{{Frankenstein}}'', during the scene in which Elizabeth and Victor are visiting the condemned Justine Moritz, Mary Shelley allows Elizabeth to go into a completely inappropriate rant against the inhumanity of the death penalty (Shelley and her husband Percy were strongly against it) - inappropriate for that dramatic moment, anyway, because Elizabeth is meant to be there comforting and consoling her friend who's just been condemned ''under'' the death penalty. This led one editor of the 1818 edition to remark that Elizabeth isn't the sort of friend you'd call on to cheer you up if you've had a bad day...
** Mary Shelley was fond of these. ''Frankenstein'' has no fewer than three separate narrators (even more if you count the letters from family members that Victor quotes verbatim), and all of them to some degree deliver little sermons on topics that are only tangentially related to the novel's theme. Oddest of all, the story proper is recounted in the form of a series of letters written by (fictional) Arctic explorer Robert Walton, whose ship is trapped in ice as the novel begins (which, for modern-day readers, must amount to the greatest FakeOutOpening in history). Mary in fact began writing her story with the creation of the monster itself, but was encouraged by her husband to expand it to full length, belatedly adding Walton and all the rest.
* ''Making History'' by Creator/StephenFry contains at least one conversation full of remarks the author himself has made in interviews. The line "Just because [[ScienceMarchesOn science doesn't know everything]] doesn't mean [[ScienceIsBad science knows nothing]]" stands out. There's also the "beautiful words" sketch from ''A Bit of Fry and Laurie'', which is ''all'' filibuster by an AuthorAvatar character. He did a podcast where he makes many of the same points, only seriously.
** In the category of "anvils that definitely should have stayed where they were," ''The Hippopotamus'' has a lengthy passage on the idea that [[AllWomenArePrudes women don't enjoy sex]] and [[TheOldestOnesInTheBook only say they do because they need to be in a relationship]]. This is something Fry said in at least one TV interview about twenty years ago.
* Creator/NealStephenson does this a ''lot''. He keeps you on your toes, too - sometimes he's just rambling about RestorationComedy for no good reason, but sometimes the five-page demonstration of van Eck phreaking will turn out to be a key plot point. Stephenson's filibusters tend to be less telling us about his political views (though that does show up--science and free markets are good, and academic liberalism and postmodernism are bad, according to ''Literature/{{Cryptonomicon}}'', ''Literature/TheBaroqueCycle'', and ''Literature/{{Anathem}}'') and more about his almost obsessive desire to [[ShownTheirWork show his work]] (think the long discussion on Sumerian religion in ''Literature/SnowCrash'').
* Terry Pratchett has succumbed to this in later ''Literature/{{Discworld}}'' books, as he began to use the series to express his views on the world. A major example is the argument between Sacharissa and William in ''The Truth'' on the true purpose of news media, in which William may as well be holding a card that say "VIEWPOINT OF TERRY PRATCHETT".
** Pratchett is an atheist and a humanist, something that won't surprise anyone who has read ''Discworld/SmallGods'' or the exchanges between Granny Weatherwax and Oates in ''Discworld/CarpeJugulum''.
* Like so many other things of the literature scene, this gets heavily satirized by Creator/WalterMoers in many of his books through his [[BunnyEarsLawyer Bunny Ears]] AuthorAvatar Hildegunst von Mythenmetz (Optimus Yarnspinner in the English translation). The plot of the books are actually a story inside a story, that are told by Hildegunst who is constantly breaking the fourth wall (which is in fact, an in-story fourth wall) to comment on the story he is currently writing down. Moers hangs a giant lampshade on it by having Hildegunst invent the ''Mythenmetzian Tangent'', a literary device in which the author stops telling his story and instead talks about something entire else. Be it the interior decoration of his study, or a rant directed at his most hated critic, or just [[MindScrew entire pages of the word "Brumli"]]. Hildegunst does however fail to explain the purpose of this device, which is completely intentional.
* ''Literature/JustACoupleOfDays'' by Tony Vigorito is entirely made out of this trope. The fact that the author attempts to justify this via the protagonist complaining about how depressed or scattered he is feeling is embarrassing at best and infuriating at worst.
* ''Literature/DonQuixote'': Parodied and lampshaded by Cervantes. The critics said that the chivalry books were plagued by a lot of lengthy discourses from a lot of different abstract themes, immobilizing the action and discouraging the reader. Cervantes was a great writer, so maybe his intent at author filibuster could not be boring, but the reactions of the people who listen to them are very realistic: Don Quixote talks for nearly two pages in the "Discourse on The Golden Age", Part I, Chapter XI, and for almost six pages in the "Discourse on Arms and Letters", Part I, Chapter XXXVIII. The first filibuster is [[LampshadeHanging lampshaded]]: ''"All this long harangue (which might very well have been spared) our knight delivered because the acorns they gave him reminded him of the golden age; and the whim seized him to address all this unnecessary argument to the goatherds, who listened to him gaping in amazement without saying a word in reply."'' and in the second the action really never stops, because all the other characters have their dinners while Don Quixote talked... for 6 pages and 2 chapters!: ''"All this lengthy discourse Don Quixote delivered while the others supped, forgetting to raise a morsel to his lips, though Sancho more than once told him to eat his supper, as he would have time enough afterwards to say all he wanted."''
* ''[[Literature/HansBrinkerOrTheSilverSkates The Silver Skates]]'' devotes lengthy chunks of the book - including a long side-story only little related to the main plot - to facts about the country of Holland, its culture and history, and why it is just [[AuthorAppeal completely awesome]].
* The Literature/LeftBehind series has this in spades. Each of the 16 books bring the narrative to a full stop on at least one occasion to provide sermons that are several pages in length. The final book, Kingdom Come, is especially bad as it spends a chapter retelling the stories of 3 Old Testament figures.
** The ''Literature/ChildrenOfTheLastDays'' series by Michael D. O'Brien is essentially a very conservative Catholic version of the above, with a hefty dose of NewMediaAreEvil and {{Take That}}s against the modern world.
* Similar to Left Behind, the ChristCloneTrilogy has some serious author fillibustering. There's hardly any in the first 2 books, but the 3rd book, ''Acts of God'', frequently gets bogged down in Christian sermonizing.
* Professor Michael Murphy in the Literature/BabylonRising series frequently lectures his students, friends, and acquaintances on the correctness of his conservative Christian views. It just so happens that Murphy's creator, Tim LaHaye (of Literature/LeftBehind fame) is a conservative Christian.
* In ''Literature/CharlieAndTheChocolateFactory'', the Oompa Loompas' poem about Mike Teavee is almost entirely devoted to a lengthy rant about how too much TV is bad for kids, and that everyone should [[NewMediaAreEvil get rid of their television and install a bookshelf in its place]]. Mike Teavee himself is only mentioned in a post-script.
* Creator/JohnVarley's Literature/GaeaTrilogy frequently lapses into this trope, whenever the characters get preachy about sexual politics and/or religion. There's also a weird lecture in ''Demon'' about how the "real" rock-and-roll genre of music died out in the disco years, and how 80s-era rock (i.e. music from when ''Demon'' was written) was sold-out overhyped garbage. As this digression is uttered by an alien centaur from the 22nd century, and one who's ''performing brain surgery'' at the time, it's about as out-of-place as this trope can get.
** ''Literature/RedThunder'' has a long speech about how the space program was ruined by Kennedy's challenge to reach the moon before 1970 and how space travel ''should'' have progressed.
* Creator/AnneRice is simply magnificent at this trope, especially in her ''Literature/TheVampireChronicles'' series. It's obvious when its happening because a conversation between two characters (usually involving religion) can span chapters ([[spoiler:Lestat and Marius' conversations near the end of ''The Vampire Lestat'' spring to mind]]), and often go over the same points over and over and over again.
** Lestat does this quite often, especially in the later ''Chronicles'' books; the worst example is when he takes time in the preface of Blood Canticle to complain about the fans' reaction to Memnoch the Devil, saying more-or-less that he gave them a glimpse into the mysteries of Heaven and Hell and all they wanted was "the fancy fiend" with glamorous leather and heavy motorcycles. He assures them that there's plenty of traditional badassery to go around but that he'll get to it when he's good and ready. Chapter 7 of the same novel has nothing to do with the plot or the series, but is a three page rave about the new Pope and the canonization of Juan Diego, the first indigenous American saint.
* The ''Series/DoctorWho'' book ''Night of the Humans'' is essentially one long rant about how awful and evil every single religion is.
* Every time someone is mentioned as using pot in the Literature/HouseOfNight series the plot gets temporarily derailed so Zoey and her friends can rant about how [[DrugsAreBad doing pot is so uncool and stupid]]. In ''Betrayed'', we find out that Neferet specifically chooses students to feed to the red-eyed vampires just because Zoey ratted them out to her as having used pot. When the police confront Zoey about the deaths, Neferet tries to blame it all on the victims falling in the river after being high, which sounds uncomfortably like "they were asking to die a brutal death!" And while Neferet is the bad guy, Zoey in no way ever contradicts or debates that argument, and since younger generations tend to have a more liberal attitude about pot (with most thinking that while it may not be good, you can do worse things to yourself) it comes off as even more dissonant.
* Literature/SisterhoodSeries by Creator/FernMichaels: Well, this series has gone into this trope a number of times. The book ''Payback'' portrays a Health Maintenance Organization (HMO) as scum of the earth who suck up your money like leeches, use that money to pamper themselves, and will simply stand back and not lift a finger to help you as you die of a life-threatening illness. The book ''Vendetta'' portrays China as a CrapsackWorld that cheerfully brings YellowPeril wherever it goes! The book ''The Jury'' has one character Nikki Quinn tell the other characters about the vicious cycle of abuse between spouses. The book ''Fast Track'' portrays the World Bank (particularly its president) as a money-sucker that will leave poor countries to rot and die. The book ''Under the Radar'' portrays a polygamist sect as a cult made up of the CorruptHick, rapists, and pedophiles hiding behind religion and treating women as a BabyFactory.
* Mat Coward's ''Success... And How to Avoid It'' is a funny book about being a freelance writer, which periodically breaks off the jokes to talk about how MargaretThatcher was out to ruin Britain and referring to her time in office as the "Time of Evil".
* The wild adventures of our heroes in Creator/JohnRingo's ''Literature/CouncilWars'' novels at one point come to a screeching halt as they're sitting around a fire and Edmund explains how humans in the late 20th/early 21st centuries were just so damn silly for believing in a clearly absurd thing like human-caused climate change.
* At the end of the classic Dutch novel ''Literature/MaxHavelaar'', the author himself takes the stage, [[InteractiveNarrator shoos his characters away]], and delivers a rant which [[{{Anvilicious}} Anviliciously]] rams the point of the book home.
* In Joseph Heller's novel ''Good as Gold'', the narrative stops dead for about forty pages while the author delivers a massive rant about Henry Kissinger, how he's a lying, murdering scumbag and how, worst of all, [[ArsonMurderandJaywalking he isn't even really Jewish]].
* Joseph Conrad's ''Literature/HeartOfDarkness'' (1902) is a psychological thriller masquerading as an African adventure story, but even before the psychological element takes center stage, the novella's protagonist, Charlie Marlowe, veers away from pure narrative at times to talk about his spiritual awakening (or spiritual death, as the case may be) while in the Congo. For several pages at a time, we come upon extensive philosophical treatises that were considered long-winded and dull even in Conrad's time. Partly justified by the fact that Marlowe is actually, in-story, speaking to a group of friends on a boat, and it is an unnamed first-person narrator listening to Marlowe who both opens and concludes the whole thing.
* Ray Bradbury's ''Literature/SomethingWickedThisWayComes'' usually doesn't have much, except for Charles Halloway. Four pages that's nothing but a lecture.
* The Marquis de Sade was quite fond of this trope, interposing his famously depraved sex scenes with just as many, if less famous, lengthy rhetorics about the pointlessness of morality in a Godless universe and the glories of hedonism. ''Philosophy in the Bedroom'' is [[ExactlyWhatItSaysOnTheTin probably the most blatant example]].
** This is actually something of a subversion: in De Sade's day, the word "philosophy" in a book title used to be code for "porn". The title (and his then-already-infamous name) capitalize on this -- only to show readers a woman walking into a brothel, picking up a pamphlet lying on the piano... which is then given in full length, eclipsing anything else in the story.
** Even in ''120 Days of Sodom'', which was allegedly written to be a catalog of different "passions", he can't help his philosophizing and the first part of the book (the 400 pages that were actually written, as opposed to just notes researchers have found) intertwines "tame" (for de Sade, that means water sports/scat, by the by) non-penetrative sexual scenes with why the four main characters are justified in their future torture and murder of their guests.
*** This was StealthParody of the day's aristocracy and those who they share power with, and an example of how an OverlyLongGag can still be Author Filibuster.
* While it's probably impossible to ignore the subject completely in a book specifically centered on RealLife [[SerialKiller serial killers]], [[Literature/TheProfiler John Douglas]] spends a ''little'' too much time in ''Mindhunter'' telling the reader that he is an avid supporter of the death penalty and that anyone who isn't, should be.
* A good deal of Petr Beckmann's ''A History of Pi'' is, by word count, rants against the Soviet Union. ''In a book about mathematics''. It isn't ''quite'' as misplaced as you'd think: Beckmann viewed the Soviet Union as the benchmark for anything and everything irrational, so whenever he would discuss cranks who try to "square a circle" or some such, he would inevitably compare them to official Soviet policy (a bit hypocritically, [[YouAreWhatYouHate as Beckmann was a major crank himself]].)
* An early chapter of ''Literature/{{Flashman}} and the Redskins'' has the protagonist encounter a group of [[StrawmanPolitical well-off liberals]] discussing the ill-treatment of Native Americans. Flashman spends the next five pages or so haranguing them on [[TheReasonYouSuckSpeech why they are idiots]] for entertaining an absurdly romanticized view of the American West.
* Dutch children's book ''De Griezelbus'' ("The Spooky Bus") involves an author of scary stories telling a number of his stories to a class of schoolchildren on said bus. ([[spoiler:Said author later turns out to be a werewolf who intends to eat the children.]]) At one point, one of the children asks him why doesn't tell ''real'' scary stories, like those movies his brother watches in which "[[{{Gorn}} arms and legs are flying around]]". The author replies, and is presumably channeling the author of the ''book'' here: "That's not scary, that's disgusting!"
* The story line of the [[VanityPublishing print-on-demand]] historical novel ''[[http://www.cafepress.com/alsatian.383896598 The Alsatian]]'' stops in the middle for a two-chapter synopsis of the causes and early campaigns of World War I. The author considered deleting it, but decided that a thorough knowledge of the conditions at the time was necessary for the audience to understand why the protagonist [[spoiler:shoots himself in the foot to escape from battle]].
* Creator/StephenKing takes a fair bit of page time at the end of the first act of ''Literature/ElevenTwentyTwoSixtyThree'' to have his protagonist internally monologue about [[NostalgiaFilter how great]] [[AuthorAppeal the year 1958]] is and [[TakeThatAudience how bad 2011 sucks in comparison.]] [[JustifiedTrope Justified]] in that the character believes himself to have become trapped in the year 1958 and may simply be trying to talk himself into being okay with it.
* Near the end of ''Literature/RobotsAndEmpire'', Creator/IsaacAsimov put in an {{Anvilicious}} and story-derailing diatribe against nuclear fission power. It is stated that the the Three Mile Island accident forever turned the world against its use, to the extent that humans would rather burn oil or coal instead. Even the name of the place is taboo to mention centuries afterwards. This doesn't bear any resemblance to the real world even when the book was published (in 1985, six years after the accident).
* ''Literature/TheEnglishDragon'': "Our Freedom is being eroded. Those bastards in government are taking it from us stealthily and insidiously. Our culture is being eroded. You can't be English any more. They'll make it illegal. '1984' said it all" says Oliver. More still when Oliver imagines himself as Dante in Hell: "Oliver reserved the first circle for the writers of novels who censored their own work so as not to fall foul of politically correct editors... The second circle would be reserved for the editors and publishers who were scared of anything that wasn't politically correct... In the next circle he put cowardly politicans... In the next circle - always getting tighter and fouler he put the television presenters who voiced only one point of view... Oliver thought about the next circle [and] [p]eopled it with social worker busybodies".
* Creator/KarenTraviss does this in her ''{{Halo}}'' novels (''[[Literature/HaloGlasslands Glasslands]]'', ''[[Literature/HaloTheThursdayWar The Thursday War]]'', and ''[[Literature/HaloMortalDictata Mortal Dictata]]'') regarding Dr. Halsey and the SPARTAN-II program. This is usually done from the viewpoint of Margaret Parangosky, the head of [[StateSec ONI]], and Serin Osman (one of the SPARTAN-[=IIs=] whose augs failed). As far as Parangosky (and Traviss, of course) is concerned, Halsey is Dr. Mengele for having abducted innocent children and replacing them with clones that got sick and died shortly after. Traviss expects the readers to believe that Parangosky, who claims to know ''everything'' that goes on in UNSC and in her own ONI, somehow had no idea that Halsey was planning on using clones instead of simply abducting children (NOTE: she was perfectly fine with abductions, it was cloning that was a problem) for the program. Even Chief Mendez suddenly decides that he has always thought that Halsey was a monster, even though in ''[[Literature/HaloGhostsOfOnyx Ghosts of Onyx]]'' (different author) he was glad to see her on Onyx. Interestingly, Traviss has no problems with the SPARTAN-III program, because the kids for that program were not abducted but were merely orphans. Just to be clear, Traviss doesn't have a problem with using child soldiers, as long as they're given a choice. What she fails to point out is that these children have recently lost their parents to the Covenant, and ONI is, basically, telling them "Wanna avenge your Mommy and Daddy? Just sign here."
** For reference, a good number of ''Halo'' fans hated Traviss's books because of this. This also applies to developers.
* In ''Literature/ColdDays'', the 14th book of ''Literature/TheDresdenFiles'', Harry and [[spoiler: Titania]] suddenly have a discussion on Harry's thoughts on gay people, where Harry says that he have no problem with them and doesn't care what they do behind closed doors. While an agreeable message, a number of readers have commented that it feels shoehorned in.
[[/folder]]

[[folder: Live Action TV ]]

* Very common in American TV cartoons and sitcoms during the 1980s and well into the '90s, with the characters (or, sometimes, the actors portraying them) BreakingTheFourthWall at the end of the episode to advocate on behalf of a cause with which the episode had fictionally dealt. For more on this phenomenon, see AndKnowingIsHalfTheBattle or check your local library.
* When ''Series/{{Brookside}}'' was canceled, the show's creator Phil Redmond had his final say in a rebellious scripted rant about how 'TV and society's not like it was' voiced by its longest-running character.
* In ''BostonLegal'', starting with season 4, there would be one or two closing arguments in EVERY EPISODE that were perfect examples of this. It would always be a very left leaning take on an issue of the day, even those who agreed with the viewpoints found them a bit much.
** Lampshaded somewhat when Denny says "How come the other side always has short closings?"
** There were a very few occasions when they ended up getting shot down by the end of the episode, though that was phased out as the series went on.
*** It's true of most David E. Kelley productions. Check out PicketFences, ''Chicago Hope'', etc.
* A non-moral example from DanSchneider, the creator of ''Series/ICarly'': one episode of the show portrays {{Shipping}} and shippers in a bad light, then finally stops the show so Carly can tell them that the point of the show is comedy, not who is dating who.
** What made this especially infuriating for some fans, is that the very next episode they filmed was a 'secret' episode which ended on a nuclear level shipping cliffhanger, with the first 4 episodes of the next season being a romantic StoryArc following the cliffhanger.
* ''Series/TheWestWing'', ''Studio 60'', and anything else that AaronSorkin has ever done.
** Specific example of this being the rant by Judd Hirsch's character in the teaser to ''the very first episode'' of ''Studio 60'' - that's very much Aaron Sorkin talking directly through his mouthpiece (and lifting from ''{{Network}}'' as he does).
** Unlike other shows that portray this trope, ''The West Wing'' doesn't fit very well considering that in its essence it is a political show. Each episode usually has several ongoing plots that deal with politics, because they work in the White House, and it's their job. Since their politics inevitably tends to dovetail exactly with Aaron Sorkin's view on the situation, in another sense it fits here like a glove.
*** The speeches that move the plot escape this trope, even if they are {{Anvilicious}} and match Sorkin's views, since the speeches are situated within ongoing events (e.g., Bartlet's talk at the end of the first season) or part of the plot (e.g., the State of the Union). The filibustering is much more apparent when, for example, Josh begins expounding on the virtues of an erudite president to his assistant for roughly two full minutes of screentime. When a character begins ranting and isn't cut off for preaching to the choir, it's frequently this trope.
** When it comes to Sorkin, there are aversions, subversions, and straight examples everywhere, sometimes within the same scene. Since several of his works explicitly ''allow'' for this trope, your mileage ''will'' vary.
* More of a "Host Filibuster," but after learning that ''The Dennis Miller Show'' was going to be canceled, embittered host DennisMiller began to break show format in the few remaining episodes to air his personal grievances on a number of social and political issues. His biting, humorous rants, dotted with his trademark obscure references, became the foundation for his follow-up show, ''Dennis Miller Live'', in which he performed a scripted rant in each episode.
* TheShield season five had a major moment (Claudette Wyms being promoted to Captain of the Farmington Precinct) interrupted for an Author Filibuster in the form of Internal Affairs officer Jon Kavanaugh interrupting the meeting where Claudette gets her promotion, to deliver a foaming at the mouth rant where the character (serving as the voicebox for Shawn Ryan and the rest of the writers of the series) goes off on the MisaimedFandom of the Vic Mackey character.
** Which works in story, as Vic purposefully builds and maintains this adoration (by both fellow cops and the audience themselves) to continue doing things his way. That the audience are the only ones who truly see how horrible a human being he is, were as he merely "bends the rules" or plays just dirty enough to not get in trouble by his co-workers, only makes their admiration more suspect.
* Parodied in ''Series/GarthMarenghisDarkplace'', which frequently had awkwardly inserted scenes about such diverse topics as how great it would be for someone to make a school for psychic children, or what an underappreciated writer Garth Merenghi is. Most fitting the trope was the episode where numerous characters discuss at bizarre length the benefits of buying name-brand batteries from a reputable retailer. Seriously, they spend like ten percent of the show on it.
* The leviathan arc in ''Series/{{Supernatural}}'' was basically one long rant about the evils of big business. The show's writers had done minor political {{Take That}}s before, but this was the first time they'd let it take over the entire season. [[InformedAbility Supposedly]] these monsters are worse than anything the Winchesters have ever faced.
[[/folder]]

[[folder:Radio]]
* Fit the Eleventh of ''Radio/TheHitchhikersGuideToTheGalaxy'' is largely a filibuster about -- of all things -- the fact there are too many shoe shops around, and the shoes they sell are all rubbish, suggesting that eventually we will reach the Shoe Event Horizon, where it will be economically impossible to make or sell anything except ill-fitting shoes. Apparently, Creator/DouglasAdams wrote it after failing to find a decent pair of shoes in Oxford Street.
[[/folder]]

[[folder:Tabletop Games]]
* TabletopGame/{{Rifts}}: Kevin Siembieda enters Author Filibuster mode regularly. He instructs gamemasters in "the only right way" to run their games. It ranges from core game mechanics ("There are no neutral alignments") to ethical matters ("Faction A is intrinsically evil because..."). Most players just ignore these statements and run things their way, which only fuels further Author Filibusters.
[[/folder]]

[[folder:Theatre]]

* Tony Kushner's ''AngelsInAmerica'' has a number of these, except that the rants are not about Kushner's views, they're about his character Louis's views. This might sound pretty weird--the guy is gonna waste our time with long rants that don't even say something he believes?--but it's actually a characterization device, to depict how obsessed Louis is with politics and religion.
** How much Kushner agrees with Louis is uncertain.
** Louis is to some extent (by Kushner's own admission) an AuthorAvatar -- but in a pretty self-deprecating way. Louis goes on at very neurotic length about his views, often exposing his own hypocrisy and blind spots.
** Kushner is a huge fan of Brecht, and the subtitle of ''Angels In America'' is ''A Gay Fantasia On National Themes''. So really, ExactlyWhatItSaysOnTheTin.
* Some published versions of ArthurMiller's ''Theatre/TheCrucible'' (commonly used in schools) contain notes from Miller himself interrupting Act One. Most of them discuss the RealLife characters who have just been introduced, but one devolves into practically a treatise on the Red Scare.
* Even Creator/WilliamShakespeare can fall to this; the middle of ''{{Hamlet}}'' is interrupted by a discussion between Hamlet and the Players that serves no dramatic purpose but to give Hamlet a chance to rant about spoiled child actors and how they're ruining the art and the business of theater today (that is, in 1601).
** And the entire "Speak the speech I pray you" monologue is usually seen as Shakespeare's critique on the [[LargeHam typical acting methods]] of the day.
*** Some academics think it was originally intended as an in-joke. Hamlet has no theater experience whatsoever yet there he stands, lecturing a roomful of actors on how to act. It's suspected to be a send-up of the late Earl of Essex, Shakespeare's first patron and a well-known egocentric loudmouth.
** Child actors/children in theater is a reference to Boy's Theater, a form of English theater that was outside the patent rules that Shakespeare and his contemporaries had to follow. Only two theaters in ALL of England were legal for centuries (The Admiral's and King's Men); however, Boy's theaters were outside these boundaries and many of the regulations did not apply (also the city of London which hated theater could do nothing against Boy's theater). So, a rant by Shakespeare on the topic of "spoiled" child actors is perfectly valid; they were his biggest competition right next to bear-baiting.
* Subverted in ''ThreeSisters''. Vershinin gives a big long speech about how nobody really wants to be happy; they just want to want happiness. And then Tuzenbach asks if there are any chocolates left, deflating Vershinin's entire point: Tuzenbach, at least, wants to be happy ''now''.
* TeamStarkid are very good at doing these and turning them into huge [[CrowningMomentOfHeartwarming heartwarming moments]].
** HolyMusicalBatman: Batman gives [[spoiler: Superman]] a pep talk that enthuses about just how awesome superheroes are and defends less serious characters like Robin that tend to get a lot of bashing from fans.
--> '''Batman:''' ...Some people think that Robin’s stupid. But those people are pretentious douchebags, because literally the only difference between me and Robin is our costumes! Robin’s cool. [[{{Superman}} Krypto’s]] cool. ComicBook/AntMan is cool. TheAtom is cool! ComicBook/PlasticMan... uh! Gloves, capes, masks... oh, superheroes are cool, man! Helping people is cool. And you? You’re goddamn great at helping people.
** AVeryPotterSequel: Harry gets a brilliant speech that uses Hogwarts as a metaphor for the whole HarryPotter franchise.
--> '''Harry:''' We spent time here, we made friends here, and that's a part of us. 'Cause Hogwarts is bigger than us, it's bigger than any of its founders. And it's gonna be around long after we're gone. Maybe we'll see our kids come here one day. That's the thing about Hogwarts: no matter how long you're away from it, there's always a way back.
[[/folder]]

[[folder: Video Games ]]

* This happens a ''lot'' in the ''Franchise/MetalGear'' series. As a sly apology, more often than not it's the ''villains'' blathering on, and the protagonist greets their speeches with irreverence, frustration or bewilderment as appropriate. You get to ''beat them'' once the cutscene's over.
** That said, in the final cutscene of each game, there's a character that always espouses for Hideo Kojima for a while. In [=MGS1=] it's Naomi Hunter, in [=MGS2=] it's Snake, and in [=MGS3=] it's EVA (sort of, she doesn't nearly break the fourth wall). And you never get the chance to beat any of them up, because it's the final cutscene.
*** That's because the Villainous filibusters are actually [[CharacterFilibuster Character Filibusters]], with the later Author Filibuster at the end being a disagreement with it. He's generally not wanting you to agree with the villains, which is why their plans fall apart at the end and you get to cream them.
** Nastasha Romanenko would like you to know that [[{{Anvilicious}} nukes are bad]].
* Subverted in ''VideoGame/ResidentEvil4''. Antagonist Ramon Salazar starts what appears to be a long speech about a rather "special" fate he's got planned for Leon, following a brief quip about terrorism "(being) a popular word these days", but before he can finish his second sentence, Leon [[ShutUpHannibal shuts him up by nailing his hand to a wall with a well-thrown knife.]]
* In ''VideoGame/DeusEx'', JC can match wits with a Hong Kong bartender who has a '''lot''' to say about the nature of government and the consent of the governed. The monologue of the NSF leader met in the Statue of Liberty also qualifies.
* The sole purpose of the Botfinder General in ''VideoGame/RuneScape'' is to deliver these against bots, [[TheReasonYouSuckSpeech constantly ranting to everyone present exactly why and how much autoers suck.]]
[[/folder]]

[[folder:Webcomics]]
* ''PastelDefenderHeliotrope'' used its first update after the results of the 2004 presidential elections to berate the readers for the re-election of George W. Bush.
** ''VenusEnvy'' did much the same thing, with the AuthorAvatar not only berating the readers, but also [[{{Wangst}} sobbing and collapsing in a heap]], along with the equivalent of "How could yoooou?!" at the end of the rant.
* ''{{Sinfest}}'' typically shows Tatsuya Ishida's liberal leanings both in the comics themselves and the rants. In particular, after the 2004 election, he posted a rant about how he "knew" UsefulNotes/GeorgeWBush had stolen the election because there was no way he could have won fair and square.
* R.H. Junior, the man behind ''TalesOfTheQuestor'', apparently thought that the subtle right-wing Christian elements of his comics and his very political journal weren't enough, and decided to interrupt his cutesy ''{{Narnia}}''-like allegory about an adventuring raccoon kit with a completely out-of-the-blue ramble. He quickly stopped doing this, though, and relegated it to a separate section - presumably too many people complained.
** Also happens in his other comics ''Nip and Tuck'' and ''Goblin Hollow''.
* ''TheLastDaysOfFoxhound'' is a bit different from these. Instead of a moral dilemma and controversial subject, Decoy Octopus goes on a rant for a whole page about... why the Red Sox suck.
** And this, about the 2004 national elections: [[http://gigaville.com/comic.php?id=133 this strip]].
* ''Webcomic/{{Subnormality}}'' often features a [[WallOfText level of verbosity]] rarely seen in its medium. Perhaps the most filibustering example is [[http://www.viruscomix.com/page474.html this one]]. (If you don't want to read the whole thing, here's a summary: "If you're not part of the solution, you're part of the problem".)
** It's no coincidence that Subnormality's subtitle is "Comix with too many words since 2007."
* In ''Webcomic/SluggyFreelance'' [[AttentionDeficitOohShiny Kiki, of all people]], breaks into [[http://sluggy.com/comics/archives/daily/20090830 an eight panel rant]] about how [[{{Fandom}} Fandoms]] shouldn't be upset when authors kill off beloved characters ([[spoiler:which Pete had done once]]). It's [[LampshadeHanging Lampshaded]], however, when Kiki ends the rant complaining about Author Filibusters, [[HypocriticalHumor completely unaware of the irony]].
* ''VGCats'' has the infamous [[http://www.vgcats.com/comics/images/090423.jpg Nerd Rage]], and several others almost equally non-subtle.
* ''Webcomic/PennyArcade'' had one, noteworthy for being "too urgent" to wait for the regular update and drawn only on line paper, featuring nothing but a melancholy Tycho lecturing the audience.
* ''Webcomic/OzyAndMillie''was often interrupted by its author so she could rant on various subjects and air her left-wing opinions. What makes this odd is the fact that the author also had a political comic running around the same time with which to do this.
* ''BetterDays'', oh '''boy''', ''BetterDays''. The Chess chapter is nothing but.
** Subverted in the same author's ''Webcomic/OriginalLife'': the ''Literature/LordOfTheFlies'' arc- [[HalfwayPlotSwitch picking up from a rather different one]]- was shaping up like this. Then it [[AbortedArc abruptly]] turned out to be AllJustADream and wrapped up with a StockAesop about not stealing. Played straight in the later muffin arc, with little kids spouting out long speeches about justice right and left.
* [[http://somethingpositive.net/sp04262010.shtml This strip]] of ''SomethingPositive'', which contains a lengthy TakeThat against Iran and ends with a call to action and a hotlink.
* One ''Webcomic/ElGoonishShive'' [[http://egscomics.com/?date=2010-02-19 strip]] interrupts some exposition involving the effects of a particular bathroom's design on the events of the previous scene so that Dan can rant about why all bathrooms should be designed like that (summary: People are ''Goddamn disgusting''). While he's dead serious, the way he presents the rant, with comic!Dan nearly foaming at the mouth, makes it an amusing aside rather than a truly jarring interruption.
* ''Webcomic/SchlockMercenary'' [[http://www.schlockmercenary.com/2001-01-07 has a moment]] where Kevyn starts on a rant about the evils of government bureaucracy, only to be caught by Schlock who mentions that [[BreakingTheFourthWall "He senses an author's message incoming"]] and making Kevyn realize what he just said. The narrator steps in to wash his hands off the event, and the strip carries on with its usual brand of ComedicSociopathy.
* ''{{Sonichu}}'', especially during the troll-influenced issues, usually have the eponymous character or the AuthorAvatar complaining about stuff the author hates, mostly trolls and homosexuality. Issue 10 is the worst of the bunch, with at least three filibusters and, at one point, Sonichu even tells Chris to stop and get on with the story!
* In early chapters of ''{{Webcomic/Lightbringer}}'', Lewis Lovhaug would often have the titular hero espouse his opinions [[WallOfText taking up a good chunk of each page]] particularly on his belief of an objective morality.
* ''{{Webcomic/NerfNow}}'' has had these, especially prevalent post 2012. Early strips about NerfNow were cutsey things and game humour, but a lot of recent strips have been the author giving her opinion about something in the form of some political cartoon, or even adding some particularly {{Anvillicious}} commentary. (Thoughs ometimes, they really [[SomeAnvilsNeedToBeDropped dropped]].
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[[folder: Web Original ]]
* A mild example occurs in ''SailorNothing'', when at one point Shin bursts into a long rant about DVD regional lockout and copy protection. This is actually exactly in character for her, given the situation, but it's a little jarring and has nothing to do with the plot whatsoever.
* WebAnimation/ZeroPunctuation's spent the better part of one video pointing out that calling rappers dipshits is not racist– the fact that they're mostly black didn't even enter into it– complete with the phrase "Unfunny Soapbox Bit" [[LampshadeHanging scrolling in the background]].
** Whenever Yahtzee's reviewing a Wii-game, expect at least one-and-a-half minutes of bashing the console ''itself'', not because the game was awful, but because he [[ViewersAreGoldfish feels the need to remind us that, yes, he DOES hate this console]].
*** Yahtzee has also taken the same stance against the ''SonicTheHedgehog'' series by taking time out of his review of a Sonic game to remind viewers that Sonic is beyond the point of saving and how Sega should just put Sonic out of his misery.
** And if it's any sort of shooter game (usually involving the American military, but that's not a hard and fast rule), expect a rant about how America is imperialistic and mean and sucks.
** Yahtzee's review of ''The Legend of Zelda: A Link Between Worlds'' spends less time making fun of the game and more time making fun of Nintendo's business practices, accusing them of relying on nostalgia and gimmicky peripherals to sell consoles/games.
* MovieBob has a REALLY long extended rant on MeganFox in ''Jennifer's Body''- it isn't until the 2-minute mark that he starts talking about the actual film because he feels he has to get off his chest his annoyance at how overrated she is as either an actress ''or'' a sex symbol.
** His Star Trek review also included a long rant against the Tyler Perry cameo.
** Bob got a column at the {{Escapist}}. He gleefully announced in his first video that the new series would just be his personal soapbox.
* [[WebVideo/AtopTheFourthWall Linkara]] has a tendency of interrupting his comic reviews to remind us of how very much he hates OneMoreDay, and at one point adds a caption saying he will not be getting over it any time soon. He has the decency to make it funny.
** He tends to also go off on political/social rants sometimes in his videos. A good example of this is the lengthy tirade about nuclear weapons in the ''Superman IV'' review. Some of it's justified given the movie's CluelessAesop but it still comes off as {{Anvilicious}} at certain points.
** He also gave a rant about blatant and/or inappropriate FanService in modern comics to start off his "Athena #1" review. He cited examples such as [[ComicBook/AllStarBatmanAndRobinTheBoyWonder Vicki Vale's]] ass shot, a Wizard magazine outright saying women should be drawn sultry, and a shot at Stephanie Brown's ass when she was being ''tortured'' by Black Mask (among others) as examples. Given how many comic artists ''still'' don't get this, [[TropesAreNotBad it usually comes off as]] SomeAnvilsNeedToBeDropped.
** Averted in his review of "{{Superman}} #592-3"[[note]]The one where Superman and Big Barda are [[AliensMadeThemDoIt mind-controlled into filming a porno]][[/note]], where instead of ranting about the use of rape as a plot device he links to a website that already has one (the source of the page quote for GratuitousRape) and recommends that people read it instead.
* Animated web series ''BrokenSaints'', steeped as it is in political and religious themes, comes dangerously close to this several times.
* Alpharius from ''Fanfic/{{PRIMARCHS}}'' spends a chapter doing this at the end of the 2nd arc. Not only is this lampshaded by the stage directions ('''Alpharius'''...'''Alpharius again'''...'''Alpharius still isn't shutting up''') but the chapter itself is titled "[[InvokedTrope I Think This Qualifies As An Author Filibuster]]"
* ''WebVideo/TheyMadeMeWatchThis'' videos end with long written rants, although he's noted that's the time people can turn the videos off if they want to.
* ToddInTheShadows' review of Chris Brown's 'Turn Up The Music' was about 30 seconds of actual review, and the rest a long rant about why Chris Brown and [[FanHater Team Breezy]] sucks.
** He's also stopped to explain why he hates "White guy with acoustic guitar" songs so much on occasion.
[[/folder]]

[[folder: Western Animation ]]
* ''WesternAnimation/BatmanTheBraveAndTheBold'' has a Bat-Mite episode which cuts away to a comics convention where Bat-Mite explains to the audience that the version of Batman with goofy villains is as valid a use of the source material as the grim Batman.
** Interestingly enough, the episode in question was written by Paul Dini, who not only wrote the [[WesternAnimation/BatmanTheAnimatedSeries best known grim animated Batman]] for quite some time, but even uses the episode to playfully take a jab at himself. Let's just say he doesn't look good in spandex and leave it at that. Regardless, if this had come from anyone else, it might not be nearly as effective.
* ''WesternAnimation/FamilyGuy'' has done a lot of this in its post-revival episodes to express the writers' generally left-wing views, usually without any self-parody. There is one example of a parodical usage in the episode "Boys Do Cry", however. The message itself is completely sincere, but the way it's delivered is comedically heavy-handed, infused with RealitySubtext:
-->"Like, for instance, if you're watching a TV show and you decide to take your values from that... you're an idiot. Maybe you should take responsibility for what values your kids are getting. Maybe you shouldn't be letting your kids watch certain shows in the first place if you have such a big problem with them, instead of blaming the shows themselves. [long pause] Yeah."
** That is subtle LampshadeHanging of Author Filibuster in ''WesternAnimation/FamilyGuy''. [[CluelessAesop If the line was intended to have a go at people taking morals from TV without irony]] then...
*** One particularly egregious example has an episode defending OJ Simpson and in the closing scenes there's an explanation about how it's wrong to judge others and it ends with OJ stabbing three people. The BrokenAesop infuriated many viewers who felt that they had just had a half hour of time stolen from them.
** A particularly horrifying example of a literal filibuster came from the same episode where they used up 5 minutes of their show playing... a Conway Twitty music video.
*** The DVD commentary for that episode announces gleefully that they put it in for its whole ~5min run because people would assume that Fox was just not playing WesternAnimation/FamilyGuy. They know how it is inappropriate for the show, and put the whole thing in to piss off the people who watch.
** Parodied in ''The Road To Germany'' when Stewie mocks Brian after he said an obvious TakeThat towards the war in Iraq.
* ''WesternAnimation/SouthPark''. Although sometimes with mocking, many episodes are about what Trey Parker and Matt Stone find wrong in the world.
** This has become increasingly apparent in later seasons. In a scene from "Whale Whores", the in-universe Larry King breaks character and diverts attention from the scene just to talk about how much he (that is, Matt and Trey) hates the host of ''Whale Wars''. A previous episode had a scene that made fun of ''Ghost Hunters'' [[OverlyLongGag by repeating the same joke over and over again, that did not contribute anything to the plot of the episode and was a throwaway gag for something like five whole minutes]]. In other words, WesternAnimation/SouthPark's instances of author filibuster have not only become more jarring and (even) less subtle, have become increasingly-focused upon more minor topics (such as currently-popular TV shows or trends).
** Ironically, South Park's actual morals are usually sarcastic and insincere, lampshaded in several episodes where the characters predict and rant against an upcoming moral following a series of misadventures. The sappy music as one of the characters (usually Stan or Kyle, though Cartman and other characters are sometimes given the moral for purposes of comedy and irony) lectures the entire town on some topic underscores the further aversion of this trope. It's possible that due to South Park's increasing reliance on themed episodes and their extremely rushed work schedule, this formula may just be a reliable way to end episodes.
* In the 2005 [[WesternAnimation/TeenageMutantNinjaTurtles2003 Ninja Turtles]] episode "Sons of the Silent Age," Donatello goes off on a rant about nuclear power and how [[GreenAesop awful]] it is. At one point he even makes a comparison between the [[{{Mooks}} Purple Dragons]] and a nearby power plant (which they destroy during the episode).
** Meanwhile, there is a [[http://the-5th-turtle.blogspot.com guy on Mirage staff]] who is very much an environmentalist and has mentioned working some of his views into scripts in the comics and cartoons. This may very well be an example.
*** The writer in question, Steve Murphy, was responsible for both the cited episode and the original comic from which it was adapted.
** Donatello's rant is [[FantasticAesop really questionable when you consider the Turtles and Splinter's origins]]. Granted, it wasn't nuclear-related, but Donatello never railed against the Utroms for not taking better care of their potentially hazardous material.
[[/folder]]

[[folder:Other]]
* From the annals of the [[AmericanCourts United States Supreme Court]] we have Justice Harry Blackmun's seven-page paean to the sport of UsefulNotes/{{Baseball}} opening his majority opinion in ''Flood'' v. ''Kuhn'',[[note]]Note to baseball fans: This decision indirectly led to the development of free agency in baseball.[[/note]] after which the whole thing becomes quite technical. While to be fair the case was about the antitrust exemption granted to MLB (and by extension several other major sports leagues), everyone thought that this was unbecoming of a major judicial decision. The justices who joined in Blackmun's opinion explicitly noted that they did not join in the opening seven pages. Blackmun defended himself by saying that he intended to show how baseball players were affected by the issues in the case, and that the Court had started to take itself far too seriously and needed to lighten up a bit and show some humanity.
[[/folder]]
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