[[quoteright:301:[[Music/PublicEnemy https://static.tvtropes.org/pmwiki/pub/images/pegm1.jpg]]]]
[[caption-width-right:301:Note the police officer in the crosshairs.]]

->''Fuck the police coming straight from the underground\\
A young nigga got it bad 'cause I'm brown\\
And not the other color so police think\\
they have the authority to kill a minority''
-->-- '''Music/{{NWA}}''', "Fuck tha Police", ''Music/StraightOuttaCompton''

The Anti-Police Song is a subtrope of the ProtestSong focused on being a protest of and/or an expression of anger, frustration, or disgust with the police or other law enforcement. The Anti-Police Song often deals with themes of BadCopIncompetentCop, the DirtyCop, PoliceBrutality, PoliceAreUseless, TheBadGuysAreCops, perceived or actual [[BigotWithABadge bigoted/racist behavior by law enforcement officers]], perceived or actual injustice and corruption in the process of law enforcement, and similar.

Related to CopHater, which is a character who hates the cops.

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!!Examples:
* Music/DeadKennedys
** "Police Truck", which depicts (in its uncensored version), police officers taking out a police truck for a night of PoliceBrutality and drinking culminating in raping someone inside the police truck.
** "I Fought The Law (And I Won)" (and a cover of the Cricket's version) fits this. It's about Dan White, a San Francisco ex-cop turned politician who murdered the gay politician Harvey Milk and the mayor George Moscone, and got away with it, largely because he was a former cop.
* "Out To Get Me" by Music/GunsNRoses, which is about persecution by the brutal LAPD.
* "Fuck tha Police" by Music/{{NWA}}, from ''Music/StraightOuttaCompton'', is an obvious example of the trope, being a BoastfulRap about a ReasonYouSuckSpeech against the LAPD for its brutality and bigoted racism against African-Americans, putting the LAPD "on trial."
** Other artists that have recorded songs with the title "Fuck The Police", with content to match, span from Music/JDilla and Music/DeadPrez to Music/BoosieBadazz and Music/{{Stitches}}
* "No Law Or Order" by Hanoi Rocks.
* "Ridin'" by Music/{{Chamillionaire}} is a GlamRap example that underwent MemeticMutation.
* "Cop Killer" from the album ''[[Music/BodyCountAlbum Body Count]]'' by Music/BodyCount, a metal group co-founded by rapper Music/IceT. This song may be the most infamous and effective example of this kind of this song, and raised so much controversy at the time it was released[[note]]This song earned the outspoken wrath of authorities from the Fraternal Order of Police to then-President UsefulNotes/GeorgeHWBush, and all but ended the band's run in mainstream media at the time[[/note]] that it was removed from later reissues of the album.
* "I Shot The Sheriff" by Music/BobMarley from ''Music/{{Burnin}}'', in which the narrator turns out to have killed the racist sheriff in self-defence. Also, "Rebel Music" from ''Music/NattyDread'', in which the police is targeted for arresting people for drug possession.
* "Sheriff John Brown" by The Coral is an AnswerSong to "I Shot the Sheriff", in which it turns out that it wasn't even the narrator who killed the Sheriff, but the [[SinisterMinister even more racist preacher]], who shot the sheriff because he had last minute qualms about killing the narrator.
* "Sound of da Police" by KRS-One.
* "GO COPS" by Music/RuckaRuckaAli is an AffectionateParody version of these songs set to the sound of Music/{{Kesha}}'s ''Tik Tok'' - but one which makes the same points.
* "Great Cop" by Music/{{Fugazi}}. Furious guitars? Check. Yelling/growls from Ian Mackaye? Check. We have a seriously angry tune.
* "Doo Doo Doo Doo Doo Doo (Heartbreaker)" from ''Music/GoatsHeadSoup'' by Music/{{The Rolling Stones|Band}}:
--> ''The police in New York City\\
Chased a boy right through the park\\
In a case of mistaken identity\\
They put a bullet through his heart''
* "I Fought The Law" by Bobby Fuller, CoveredUp by Music/TheClash, makes even someone who was robbing people with a weapon more sympathetic than the "law" that originally forced him into crime in the first place, then punishes by means of the [[WorkingOnTheChainGang Chain Gang]].
* Another song CoveredUp by ''Music/TheClash'' is Junior Murvin's "Police and Thieves", which finds commonality between the two groups in "scaring the nation with their guns and ammunition."
* And there's also Music/TheClash's own original song "Guns of Brixton" from ''Music/LondonCalling'', which flat-out fantasises about oppressed London black men killing the cops en masse. "Cheat" has the narrator flatly state, "I hate all the cops", as well as in several songs about crime including "Police on my Back", "Jail Guitar Doors" and "Bankrobber".
* "Prologue, August 29, 1968" by Music/{{Chicago|Band}} had audio footage of the chant "the whole world is watching", which was chanted by protesters at the 1968 Democratic Convention who were clashing with Chicago police.
* "Chicago" by Music/GrahamNash also refers to the protesters' clash with Chicago police at the 1968 convention.
* In Quebec, ''[[https://www.youtube.com/watch?v=I2cwSdWgLkE Bonjour La Police]]'' (Hello the Police) was a song by comedic group ''Rock & Belle Oreilles''. Named after a skit of the same name, it continues its theme of depicting police officers as doughnut-obsessed, incredibly stupid violent individuals. The song is obviously meant as a joke and achieved memetic status in Quebec during the 80s and 90s, so much that saying "Bonjour La Police" to a police officer was likely to cause a rather hostile reaction.
* "Get Your Riot Gear" by Music/FiveIronFrenzy is very critical of Denver PD's reaction to the 1998 Superbowl riot. The liner notes have an explanation from Reese Roper that it's criticizing a specific incident, and isn't meant to be a blanket "cop-bashing" song. Then Reese cheekily adds, "It's a true story. If you don't like it, make all complaints to the Denver Police Department; they'd love to hear from you."
* ZigZagged by ''WesternAnimation/SouthPark'' in a teaser for its twentieth season. A stadium full of football fans stand to sing to the [[NationalAnthem Star Spangled Banner]]'s suit.
--> ''Colin Kaepernick is brave! Cops are pigs, cops are pigs\\
Wait, someone just took my stuff, I need to call the cops\\
Oh no, I just said cops are pigs! Who's going to help me get my stuff?\\
Why did I listen to Colin Kaepernick? He's not even any good\\
Oh, I just got all my stuff back, [[UngratefulBastard cops are pigs again, cops are pigs]]\\
Colin Kaepernick is a good backup...''
* "Badge and A Bullet" by Stray From the Path. It focuses on abuse of power and the "above the law" attitude.
* The Levellers have made a number of these, including "The Battle Of The Beanfield", "Dirty Davey", "PC Keen" and "61 Minutes Of Pleading".
* From Music/{{MDC}}, we have "Dead Cops", "I Remember", "Let's Kill All the Cops", "No More Cops"...among others. What else would you expect from a band most commonly referred to as "Millions of Dead Cops"?
* Music/KneecapBand:
** "C.E.A.R.T.A"'s lyrics and video show two of the band in trouble with the police. The one English section of the lyrics, in the policeman's voice, explains that one of them is being detained for "damaging public property". The video shows this crime as graffiti.
** "Your Sniffer Dogs Are Shite" is about being stopped for a drugs search and threatened by the police. The protagonist eventually snaps and knifes both the policeman and the sniffer dog, or at least fantasises about doing so.
* Music/ThePogues, ''Birmingham Six'' is about the wrongful detention and conviction of six men of the right nationality who were within fifty miles of an IRA bombing outrage in Birmingham, England, who were beaten and tortured into confessing to a crime they did not commit, by the West Midlands Constabulary.
--> ''There are six men in Birmingham,\\
In Guildford there's four of 'em,\\
Picked up and tortured and framed by the Law\\
While the filth get promotion, they're still doing time,\\
For being Irish in the wrong place and at the wrong time! ''
* Unexpectedly reversed in "On the Beat, Pete" from ''Music/{{Absolutely|Album}}" by Music/{{Madness|Band}}, which is a song from the point of view of a kindly OldFashionedCopper who helps the disabled and lost tourists, banters with criminals, and is compassionate to tramps and prostitutes.
* "God's Cop" by Music/HappyMondays is an unusually personal example of this, being a direct attack on James Anderton, the notoriously right-wing, fundamentalist Christian, and homophobic Chief Constable of Greater Manchester.
* "Klink" by Music/DeathGrips.
* Music/TheDicks had "Hate the Police", probably their most well known song (which was aided by the fact that Music/{{Mudhoney}} CoveredUp the song), a VillainSong from the perspective of an abusive, racist police officer:
--> ''Mommy, mommy, mommy, look at your son,\\
You might have loved me, but now I've got a gun\\
You'd better stay out of my way - I think I've had a bad day!\\
Daddy, daddy, daddy, proud of your son\\
Got himself a good job, killing niggers and Mexicans\\
I'll tell you one thing, it's true - you don't find justice, it'll find you!''
* "Killing in the Name" by Music/RageAgainstTheMachine is one of the more well known examples of this. An anger-fueled song against police brutality, with lyrics that equate some members of law enforcement with the KKK ("Some of those that work forces, are the same that burn crosses").
--> ''"Those who died, are justified,"\\
"For wearing a badge, and the chosen whites!"\\
"You justify those that died,"\\
"For wearing a badge, and the chosen whites!"''
* "IPC" by the synthpop group Light Asylum is an empowering anthem about standing up to police injustice.
--> ''Fight girls, get tough, fight cops, who try to rape us!''
* Poison Idea's "The Badge", which was famously covered by Music/{{Pantera}} for Film/TheCrow1994 soundtrack.
-->''Do you think this corruption will ever stop?\\
What makes a person want to be a cop?\\
Ran a red light, storm the house and bust the guy\\
Do you like to see his children cry?''
* Operation Ivy's "Officer" is an indirect version- the first verse sounds like it's describing a corrupt police officer, but by the second verse it becomes more clear that it's about a macho, violent, elitist punk rocker, who the singer is negatively ''comparing'' to a cop.
* Music/FrankZappa: ''Music/FreakOutAlbum'' gives us "Trouble Every Day," which while not a 100% example (it mainly criticizes the media coverage of its subject matter), was written in response to the [[https://en.wikipedia.org/wiki/Watts_riots Watts Riots]] and features a verse about the police culpability in the incident.
--> "Wednesday I watched the riots, see the cops out on the street.\\
Watch them throwing rocks and stuff, and chokin' in the heat."
* "Kinky Boots" by the Irish Brigade is a song making fun of British policies during UsefulNotes/TheTroubles, and the people who followed them, such as the Royal Ulster Constabulary and Special Air Service. It CrossesTheLineTwice by singing the British were homosexuals to the tune of Melanie's "Brand New Key".
-->''And when we go on night patrol\\
We hold each other's hands\\
For we are the British Army\\
And we're here to take your land.''
* Vincent E.L.'s "[[https://www.youtube.com/watch?v=7JkrJUAg8aI Fuck the Fire Department]]" is a spoof of these types of songs, as well as an example by analogy--in this case, it's about a world where [[LastSecondWordSwap pol- fire]] departments regularly burn down people's homes. The song is also a dig at the phrase "Ain't no song called 'Fuck the Fire Department'".
* Music/LeftAtLondon's "Do You See Us?" and "as blue as a bruise" are anti-police songs written in response to the 2020 Black Lives Matter protests.
* "Disillusion in a Discordant System" by Music/{{Acrania}} thanks its blistering criticism against corruption in the police force and PoliceBrutality. [[MemeticMutation Most notable]] is its use of pig squeals in its ending breakdown as a metaphor for the people revolting against and killing the cops who have screwed them over for so long
* Brazilian band Titãs had [[https://www.youtube.com/watch?v=tczawp5Fh_k "Polícia"]], written after two members were arrested for drug possession. It led to an ironic moment after the drummer's girlfriend was kidnapped, and when he arrived at the police station following her release, the cops greeted him singing that song.
* Music/KrisKristofferson's "The Law is for Protection of the People" drips with sarcasm and eventually compares cops to the soldiers who crucified Jesus.
-->'''Cause the law is for protection of the people\\
Rules are rules, and any fool can see\\
We don't need no riddle-speakin' prophets\\
Scarin' decent folks like you and me\\
No sir-ee!''
* Music/{{Clipping}} have a couple of notable ones: [[https://clppng.bandcamp.com/track/knees-on-the-ground "Knees On The Ground"]] is a chilling depiction of a black boy being shot dead by a cop, and the militarised police presence at the resulting protest. [[https://clppng.bandcamp.com/track/chapter-319 "Chapter 319"]] is a ''furious'' song written as a direct response to the murders of George Floyd and Breonna Taylor, based around a sample of Floyd's rapping from his Screwed Up Click days.
* The death of amateur boxing coach Liddle Towers after being arrested and allegedly beat by police in jail in 1976 inspired a string of protests songs like "Time for Truth" by Music/TheJam, "The Murder of Liddle Towers" by Music/AngelicUpstarts and "Blue Murder" by Music/TomRobinsonBand from the nascent punk scene.
* Besides Blue Murder", Music/TomRobinsonBand also recorded famous ProtestSong "Glad To Be Gay" which skewers the tabloid press and social homophobia in its latter verses, but starts with a take down of PoliceBrutality against gay clubs.
-->''The British Police are the best in the world\\
I don't believe one of these stories I've heard\\
'Bout them raiding our pubs for no reason at all\\
Lining the customers up by the wall\\
Picking out people and knocking them down\\
Resisting arrest as they're kicked on the ground\\
Searching their houses and calling them queer\\
I don't believe that sort of thing happens here''
* Music/JayZ's song "99 Problems" features a verse that depicts an interaction between the rapper and a police officer who has [[Bigot with a Badge obviously pulled him over on a flimsy pretext due to racial stereotyping]].
-->''So I pull over to the side of the road\\
I heard,'' "Son, do you know why I'm stopping you for?"\\
''Cause I'm young and I'm black and my hat's real low?\\
Do I look like a mind reader, sir? I don't know\\
Am I under arrest or should I guess some more?"''\\
"Well, you was doing fifty-five in a fifty-four\\
License and registration and step out of the car\\
Are you carrying a weapon on you? I know a lot of you are"\\
''"I ain't steppin' out of shit, all my paper's legit"''\\
"Well, do you mind if I look around the car a little bit?"\\
''"Well, my glove compartment is locked, so is the trunk in the back\\
And I know my rights, so you gon' need a warrant for that"''\\
"Aren't you sharp as a tack?\\
You some type of lawyer or something?\\
Somebody important or something?"\\
''"Well, I ain't passed the bar, but I know a little bit\\
Enough that you won't illegally search my shit"''\\
"Well, we'll see how smart you are when the K9 come!"
* A ''lot'' of the songs of French HipHop band Music/SupremeNTM are about PoliceBrutality in the low income French suburbs with heavy ethnic diversity (''[[https://en.wikipedia.org/wiki/Banlieue banlieues]]''). "Nique la Police" ("Fuck the Police") is a common occurence, and they attacked [[UsefulNotes/FrenchPoliticalSystem Ministers of the Interior]] (a job that's often nicknamed 'First Cop of France') such as Charles Pasqua and Jean-Louis Debré in their songs on occasion. Needless to say, their CopHater behavior made them quite infamous among law enforcement agents.
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