[[quoteright:297:[[Webcomic/TheOrderOfTheStick http://static.tvtropes.org/pmwiki/pub/images/Angst_what_angst_778.png]]]]
[[caption-width-right:297:[-[[Franchise/StarWars "We have no time for sorrows, Commander."]]-] ]]

->''"First, you deny the grief. Then, ''party''!"''
-->-- '''Crow''', ''Series/MysteryScienceTheater3000'' on ''Film/TheHorrorOfPartyBeach''

Imagine you found yourself TrappedInAnotherWorld, far removed from everything you know with no promise you could ever go back. And just as you started to come to grips with that, you discovered you were TheChosenOne and that this world depended on you. And then your [[TrueCompanions band of quirky companions]], who had been your support, started to [[DwindlingParty disappear one by one]], leaving you alone with TheMole. And ''then'' the person you thought was your last friend betrayed you to the BigBad, who threw you into his dungeon and promised to execute you at dawn. As you sit there in your chains, how do you feel?

If your answer is "well, a little sad -- but who cares about that, it's escapin' time!", you might be a fictional character. Angst? What angst?

The [[OppositeTropes polar opposite]] of {{Wangst}}, this is when a character has been given every reason to fall into depression or go AxCrazy, but... just doesn't, and life goes on. They aren't TheStoic or the {{Determinator}}; they aren't holding off their real feelings by an effort of will. Nor are they putting on a brave face because [[DontYouDarePityMe they can't endure pity]]. They're just sort of rolling with it, riding out the adventure as it comes and looking ahead to the next plot event.

This trope appears frequently in children's media, particularly adventure stories featuring young heroes who never FreakOut when piloting a burning biplane into a [[TyrannosaurusRex T-Rex's]] gaping maw. These protagonists take everything in stride; if anything, they think it's all impossibly cool and wish it would never end. Real children would be forgiven if they burst into hysterics, but it isn't ''fun'' for real children to read about other kids screaming in terror as their lives fall apart. So fictional children don't. That said, it doesn't have to be an adventure story or a work specifically aimed at children; any genre with horrible suffering is a good environment to show off this trope (except the ones that thrive on the characters angsting, like {{soap opera}}s).

The {{Deconstructed|Trope}} version of this trope exposes the calm protagonist as a StepfordSmiler, showing nothing on the surface but breaking inside. It is also possible to combine this trope with the LawOfDisproportionateResponse, creating a character who overreacts to little things and underreacts to big things, all to show how mentally unstable s/he has become.

As disliked as {{Wangst}} is, you'd think this would be preferable, but [[TropesAreTools any trope can be mishandled]]. A character shrugging at trauma that would reduce a RealLife person to emotional collapse (or at least a few honest tears) can definitely strain the audience's WillingSuspensionOfDisbelief. A character who does not react to suffering can come across as a sociopath -- hardly what this trope is meant to express. Of course, similar to {{Wangst}}, this {{trope}} can be PlayedForLaughs as well.

Possibly TruthInTelevision for the more extreme cases. If you're fighting for your life, you don't have time to think about how awful it is -- not at that very second, anyway. Afterward, all bets are off.

Compare PlotPoweredStamina, where characters shrug off physical (rather than emotional) trauma and stress like it's nothing.
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!!Examples:

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[[folder:Anime and Manga]]
* Minorin in ''LightNovel/{{Toradora}}'' lives by the principle that she shall always be happy, no matter what happens. Although she doesn't have any actual tragedy in her past, this still leaves her feeling a bit... hollow, at times. She might even fool herself, but she isn't fooling the viewers.
* In ''Manga/FruitsBasket'', Tohru is usually extremely cheerful and amiable, despite having a dead mother, working to pay for her own tuition and having been ostracised by her peers from an early age. She has a few lines, especially in the first couple of chapters, which reveal she's forcing herself to be strong because her mother wouldn't want her to be sad. As it turns out, it's a {{justified|Trope}}; she is hurting inside and had closed up everything in a box that she didn't want to open, [[StepfordSmiler continuously happy so she can make other people around her glad]]. The anime however, which did not adapt the manga's latest chapters (and therefore cut out '''a lot''' of Tohru's CharacterDevelopment) left out this bit in favor of making her a PuritySue with [[FlatCharacter no motivation.]]
* ''Manga/{{Naruto}}'':
** Even though the Naruto has no family and everyone around him hates him just for existing, he doesn't seem to have any angst at all, and further displays this trope in regards to being the jinchuriki of the Nine-Tailed Demon Fox, expressing little angst over the matter after he initially found out. Probably the most shocking instance is in an arc where he is confronted with the villain that's the direct reason he grew up an orphan and had the fox sealed inside of him. Considering his reaction [[spoiler:when he had the chance to talk to his father about it]], one would expect him to pissed, but he treats it the same as every other fight. However, as to the former, the first arc where they actually do some fighting spells out that he'd gotten over it after angsting non-stop for several years, and one of Naruto's teachers steps up as a father-figure, mainly because he grew up in similar circumstances.
** Fellow Jinchuuriki [[CrazyAwesome Killer Bee]] embodies this even more than Naruto. His relationship with his beast is actually quite friendly and his brother is protective and caring.
* Meet Ayasaki Hayate from ''Manga/HayateTheCombatButler''. He's worked since he was eight years old to support his happily unemployed parents who enjoy: gambling, stealing his money to keep gambling and selling him to "[[{{Yakuza}} very nice people]]" to pay off their gambling debts. He's also constantly plagued by the most ridiculous misfortunes and despite his best efforts things almost never go his way. If anyone has the right to [[{{Wangst}} whine about how unfair life is]], one would think he does but he simply grins and bears it. Why? [[SurpriseSantaEncounter Because Santa]] [[GagSeries told him to]]!
* In ''Manga/SoulHunter'', Taikoubou hardly angsts about ''anything''. Sure, Dakki throws a bunch of humans he was trying to protect into a pit filled with carnivorous alligators and snakes, and he feels a bit bad about that, but he gets over it within a few pages (in the {{anime}}, it took a bit longer - around maybe 10 minutes?). The closest thing to angsting was when his best friend [[spoiler: Fugen Shinjin]] was killed, but even then, he quickly changes his attitude to becoming determined to immediately avenge his death (which he does quickly). In the end, when [[spoiler: Jyoka causes him to start crumbling and dying, saying, "My last bit of selfishness... please vanish with me..." his reply is to look slightly irritated and calmly say, "Well, fine..."]]
* In ''Manga/MagicKnightRayearth'', the girls are [[TrappedInAnotherWorld summoned to Cephiro and cannot return home to their families until their task is complete]] -- which, for all they know, could take the rest of their lives (if they aren't killed first). [[GenkiGirl Hikaru]] and [[TheSmartGuy Fuu]] have [[JumpedAtTheCall very little trouble with this]], and [[{{Ojou}} Umi]] doesn't angst, but she ''whines'' a lot about missing her fencing tournament and because there's no Haagen-Das in Cephiro.
* ''LightNovel/{{Slayers}}'':
** Given that she belongs to a royal family that's full of members constantly at each other's throats and will do morally questionable things for the sake of power (especially with her cousin Alfred, who requests help from two members of an AlwaysChaoticEvil race of demons), [[ThePollyanna Princess Amelia]] doesn't seem very phased by the tragedies that happened to her: when her uncle Randionel is killed in the first season after a botched act of treason, she moves on as if nothing happened. However, it's implied that the [[MissingMom assassination of her mother]] and her sister's disappearance upset her greatly, but the angst implied behind it is appropriate and never [[{{Wangst}} exaggerated.]]
** It's implied that [[IdiotHero Gourry]] had a horrific family life; [[WordOfGod outside material]] notes that his family had a massive personal war over the [[ForgottenSuperweapon Sword of Light]]. He runs off with it, meets a man who instills him with purpose (he was actually [[spoiler:Lina's father]]), and from there, became the happy-go-lucky swordsman who strives for the future that he's known as.
* ''Manga/OnePiece'': Every single Straw Hat Pirate has seriously angst-worthy moments in their pasts. However, you rarely see them angst about these issues in the present. The exceptions are the female members of the crew when their pasts caught up to them. But their crewmates' willingness to fight on their behalf turned them around.
** Considering Nami's home was taken over by evil pirates who also killed her mother and basically enslaved her, and Robin's was flat out destroyed by the government along with everyone she ever knew. It's not surprising that they angst the most. Hell, Nami only became free 'after' the Straw Hats followed her to her home and defeated the Fishman Pirates still occupying there.
** Usopp, with some fans finding it quite odd that he harbors no resentment towards [[DisappearedDad his father Yasopp]] whatsoever, even though the guy left to go be a pirate when his son was still very young without ever returning while his wife dies a couple years after he left. It probably helps that his wife told him to do it, and Usopp thinks being a pirate is the greatest thing in the world.
** Shanks. He takes his arm being bit off very well, being mainly glad that Luffy is safe.
-->'''Shanks''': ''(regarding his arm after thinking about Luffy)'': [[HeartwarmingMoments I gave it up for... the sake of the new era]].
* Horribly subverted in ''Manga/SevenSeeds'' for Team Summer A. Some of the teachers ''thought'' this would be their reaction after the Final Test, given how they had raised them, but... it's the complete opposite.
* Kagura Tsuchimiya from ''Manga/GaRei''. Even after her sister figure betrayed her and her peers, killed her father and became an evil spirit dead-set on destroying Tokyo, she still maintains an upbeat attitude and is a fun-loving girl, as Kensuke can attest.
* Sakai Yuji from ''LightNovel/ShakuganNoShana'', considering how he handled being a [[TomatoInTheMirror Torch/Mystes]] and fated to [[YourDaysAreNumbered perish]], he is more concerned of people he will leave behind and relieved no one will be sad because they will forget about him. Shana, Alastor and Lammie compliments him for staying sane from the revelation.
* In ''Manga/BlackCat'', interestingly enough, the series depicts Train's [[CharacterDevelopment progress of maturity]] to be going from [[{{Wangst}} wangsting about the past]] to becoming very carefree. In the second half of the series, Train gets over Saya's death and stops stressing about a lot of things (most of which are pretty important and angst-worthy). For example, when shot accidentally by Creed with the Lucifer bullet, while everyone else (including [[StalkerWithACrush Creed]]) panics and tells Train that he'll transform into a monster, Train [[CrowningMomentOfAwesome just brushes it off and says he'll handle that when it comes]]. When Train turns into a kid, everyone stresses about it while he actually thinks it's kind of ''fun'' (his more immediate thoughts being whether they can save money on kid's meal and metro ticket prices). This is even {{lampshade|Hanging}}d later by one of his past [[NebulousEvilOrganization Chronos]] superiors, who asks him if he even ''cares'' that [[BigBad Creed]] is trying to bring about the EndOfTheWorldAsWeKnowIt. Train's answer is no, and that he only cares about [[BigEater what's for lunch tomorrow]].
* Miaka Yuuki of ''Manga/FushigiYuugi'' shows remarkably few psychological aftereffects from the [[RapeAsDrama multiple sexual assaults]] she endures over the course of the series, although one could argue she expends enough angst over [[SecondActBreakup Tamahome]] that she doesn't have any left to spare.
* In ''Anime/MobileSuitGundamZZ'', Judau Ashta goes through hell. He inherits a battle he never had any interest in, he seemingly loses his little sister even when one of his friends promised to keep her alive, nearly every attempt he has at keeping his enemies from throwing their lives away fails miserably, and his primary love interest is the ''leader'' of the enemy faction and he has to not only kill her, but also the fact she deliberately threw the duel. He does a very good job getting over the various problems with only short instances of depression, but in the end he finally hits the breaking point. Bright Noah uses a [[GetAHoldOfYourselfMan reverse Brightslap]] to get him out of it.
* ''Manga/MobileSuitCrossboneGundam'': Tobia Arronax continues the tradition in the UC 0130s, being one of the more well-adjusted characters in the Universal Century. As an interesting sidenote, Judau [[spoiler:as Grey Stoke]] also makes an appearance around this time period and seemingly unchanged from his ZZ days, although there are signs that he hasn't ''quite'' gotten over some of the trauma.
* Paula Sis of ''Anime/AfterWarGundamX''. For context, she lost her parents when so young that she cannot remember their faces, and has been raised by what amounts to an armed rebel group. After this group is wiped out, she sheds a few tears, but almost instantly bounces back to her usual [[GenkiGirl cheery self]]. One would think she would react a ''bit'' more strongly to the loss of everyone she had ever held dear in her life.
* ''Manga/FullmetalAlchemist'':
** Edward has relatively little angst given that at age 11 he lost two limbs and was exposed to TheseAreThingsManWasNotMeantToKnow in an effort to bring one of his parents back to life, which comes out wrong. He half-believes that he has condemned his brother to a FateWorseThanDeath, and in order to correct this joins the military, despite knowing that they previously used people with powers like his to commit genocide. That's all in the prologue. Someone like that should be worrying less about angst and more about if they have any sanity points left.
** His brother as well. To sum up: His father leaves, mother dies, and they decide to bring her back. This fails, and he's [[spoiler:temporarily trapped in the screwed up body that they ended up making]] and loses his body to [[EldritchAbomination the Truth]]. Al then blocks the Truth from his memory out of shock, taking away the good (clappable transmutation) that was supposed to come with the bad. His brother manages to bring back his soul and attach it to a suit of armor, leaving him unable to sleep, eat, feel, and all around keeping him from leading a normal life. Al blames himself for all of this. Now, once we start on the main storyline, well, let's just say that [[FromBadToWorse things didn't get any better from there.]]
* Saito of ''LightNovel/ZeroNoTsukaima''. He is trapped in a world which is the complete opposite of his own, demoted to something akin to a dog, ''whipped and beaten'' by his {{tsundere}} mistress Louise, for who he gave up his only chance to return to Earth. His reaction? To drool over other girls' tits, even though he's been beaten black and blue for it. This is eventually, partially, {{Justified|Trope}} in the novel: the [[PowerTattoo familiar's seal]] Saito was given suppressed his inclination for homesickness. When Tifania removes the [[PowerTattoo seal]], his reaction ''was'' all the {{Angst}} bottled up for about a year. He does get better.
* ''Anime/DragonBallZ'':
** Gohan's screentime can be summarized thusly. Four years old, kidnapped by screaming crazies twice in one day, learning second-hand that his father was dead, gets abandoned in the wilderness for months, then goes through TrainingFromHell until he develops what a particularly cruel critic might identify as Stockholm Syndrome. He then loses a father figure in a hideous battle against space aliens, battles some more space aliens in an attempt to revive him, loses biological father ''again'' when he gets lost in space and won't come home and doesn't tell anyone why. Biological father finally comes home a year and a half later, they go through three more years of TrainingFromHell (four, if you count the time chamber) and then Dad dies again and decides to ''stay dead''. This is six or seven years of consistent, repeated emotional trauma, yet Gohan never stops acting like a happy, well-adjusted little nerd boy. ...Except for that whole ''"Saiyaman"'' phase, which was noted as being weird and unhealthy.
** Vegeta, at least in the beginning. When he first hears of his home world's demise and near-extinction of his race as a child in the ''Bardock'' special, he brushes off the message and continues eating from one of the corpses he killed. And then there's his reaction to Raditz's death, where he says "Meh. He deserved it." However this might be a subversion: [[AlasPoorVillain when he first dies at the hands of Freeza he begs Goku to avenge their race]], meaning that deep down he might have cared about the Saiyans' demise.
** Goku is this even from the very early chapters of the original ''Manga/DragonBall'', not overly concerned that the adopted grandfather who raised him got squashed flat by a weremonkey, leaving him, a small child, alone in the woods without human companionship until Bulma comes by. This is part of the reason that the moments he snaps [[BewareTheNiceOnes are all the more terrifying]].
** Android 18 is a minor example; after what is basically being physically SwallowedWhole by Cell's tail and enduring who knows what horrors inside his body and then later getting spat out, she shows no signs of being remotely traumatized upon waking up, seemingly being more concerned with learning Gohan beat Cell than the fact that she was ''EatenAlive''.
* Allen Walker of ''Manga/DGrayMan''. The universe has [[TheWoobie put him through an incredible amount of crap]], including ParentalAbandonment, the death of his surrogate father, [[spoiler:his turning said surrogate father into an Akuma because he didn't know any better, his freaky [[RedRightHand left arm]] going berserk and re-killing Akuma!Mana after he got his face slashed up]], getting adopted by an abusive TricksterMentor who smacks him around and leaves him to pay debts upward of tens of thousands of dollars, and then having to find the Black Order headquarters with absolutely no clue where it was, and no help from Cross, who knocked him out and left so he wouldn't have to report back to his bosses. And that's just the backstory. Despite all this, and the fact that his disfigured left eye makes him see the tortured soul of every Akuma he comes across, he's cute and [[ThePollyanna perpetually cheerful]], and while he does get upset about some of what happens during the series, he always defaults back to his usual WideEyedIdealist self eventually.
* ''Anime/NowAndThenHereAndThere'' takes this to its logically absurd extreme, but probably for the better. Shu is quickly abducted from his world and his main beef with the new world is its war. For eleven episodes, his abduction doesn't faze him in the least and any mention of "Earth" is mere background information or due to the introduction of Sara Ringwalt. He returns to Earth in episode thirteen and--that's all. Fortunately, almost everyone else in the show balances out his vacuous optimism.
* Characters on ''Anime/YuGiOh5Ds'' who have lived most if not all their lives on the poverty-stricken streets of Satellite claim they've gotten used to dealing with pain and hardship, explaining why they spend less time angsting than you'd expect.
* Genki in ''Anime/MonsterRancher'' is often like this, combining it with SandInMyEyes in some cases. [[spoiler:He breaks down in the season 2 ending.]]
* ''Franchise/LyricalNanoha'':
** Fate, rather than being emotionally devastated by her mentor and [[ParentalSubstitute mother figure]] Linith disappearing as a result of fulfilling her contract with Precia, feels mostly gratitude toward her, and Fate only regrets that her training was the only thing Linith could do for Precia. Unfortunately, this marks the point where Precia goes from being cold and distant to actually [[AbusiveParents physically and emotionally abusive]].
** Several protagonists have {{Dark And Troubled Past}}s, but they tend to have very little angst in the present. {{Dark Magical Girl}}s like Fate and Lutecia overcome their tragic circumstances and become much happier after being [[DefeatMeansFriendship befriended]]. Nanoha herself ''loves'' being a magical girl, despite how dangerous and difficult it is. No matter how daunting the opposition, she never once wavers or bemoans her situation, and the only time in the series she broke down was [[spoiler:when Vivio was kidnapped]]. Even then, she didn't let it affect her performance.
* Ichise from ''Anime/{{Texhnolyze}}''. He grows up as an ostracized outsider, works as a fighter in an underground ring, has his limbs cut off, has to go through the agonising pain of learning to use new limbs, watches his entire world deteriorate, realizes that the entire human race is effectively dead, and then watches the only human he actually has a connection to [[spoiler:have their head stuck on the body of his enemy]]. When he and his mother discovered his father's dead body he didn't show any emotion and looked surprised when he saw his mother crying at the sight. He goes a little insane in the very last episode, but apart from that, he copes a little too well...
* ''[[Manga/ZeroSevenGhost 07-Ghost]]'': After having had his country invaded and everyone he knew, including his adoptive father, murdered while still a small child, being made a combat slave and forced to kill people daily for training during years and seeing his only friend die after having been possessed by the man who killed his father Teito Klein holds himself remarkably well. He still angsts once in a while, but who wouldn't in his place?
* The fact that {{the protagonist}}s in ''Manga/PeacemakerKurogane'' manage to be as cheerful as they are is actually quite impressive especially considering how the terrorists they're fighting kill their friends, are trying to destroy their capital, and yet ''[[NotSoDifferent actually believe in all the same ideals as them]]''. And that Okita's dying of tuberculosis. And that the three executive and Okita had to assassinate their founder because he [[DirtyCop used his power for racketeering]], a mere ''year'' before the first part of the series. And the fact that, for them, the penalty for ''any'' violation of the Shinsengumi rules ''or'' Bushido in general, was ''[[DisproportionateRetribution ritual suicide]]''.
* Seras Victoria from ''Manga/{{Hellsing}}''. She's unnaturally cheerful, upbeat, and goofy for someone who's had all of her police partners killed, was nearly raped and killed by a vampire and then is actually turned into one. Also, during her childhood [[spoiler:her father was murdered by burglars, her mother hiding her in a cupboard to protect her, and her mother was immediately murdered by them]]. It was because of this trope that Alucard had the interest in turning her into a Vampire, that she would still wish to live even after being through all of that.
* ''LightNovel/{{Baccano}}!'':
** Deconstructed with Elmer Albatross, whose perpetually cheery attitude in the face of everything and blithe expectation that everyone else will act the same comes across to other characters as callous and sometimes downright creepy.
** The novels subvert it with Firo. While he initially seems pretty chill about [[spoiler:acquiring the GhostMemory of a 300-year-old villain]], the [[BeneathTheMask mask]] eventually cracks after a couple of years and he admits that he's not only confused and disgusted by some of the things that he remembers, but also ''terrified'' that [[spoiler:Szilard's sadism will eventually become his own.]]
* ''Franchise/SailorMoon'':
** A lot of the characters have ParentalAbandonment issues. Makoto was orphaned at a young age when her parents both died in a plane crash, and a car crash took Mamoru's. Neither of them are seen angsting about that, though Mamoru does have some outstanding issues with the amnesia it left him with that are resolved as part of the [[Manga/SailorMoon manga]]'s first story arc. The manga does have a side story which shows that Makoto still has issues from her parents' deaths, namely that she panics and hides behind the curtains if she even sees an airplane on the television.
** Usagi doesn't seem to angst much when confronting the first BigBad [[EldritchAbomination Queen Metalia]], who was responsible for the death of her and everyone she cared about in her previous life. In either version, the only one of the Senshi that displays any anger towards Metalia or [[TheDragon Beryl]] is Minako, the case with the latter is justified since she's the only one of the senshi when they confront Beryl in the manga that regained her memories from their previous life. Everyone else, in both versions, there's no excuse.
** In the anime, Naru experiences the death of her first love as he is impaled in front of her and bleeds to death in her arms. Furthermore, because he wasn't even human and his body apparently disintegrated on death, she can't confide in pretty much anyone (including her family). While she clearly reacts to this in the episode itself and two episodes later its shown she was out of school to grieve, she resolves it rather quickly at the end of that episode and is pretty much her old self again.
* To a small extent, the Pharaoh from ''Anime/YuGiOh''. On finding out his real identity he caustically remarks that it's no wonder he's lost his memories. His means of avoiding angsting about his lost identity seem to be his devil-may-care attitude towards things and occasional snarky smirk. Interestingly, his moments of overconfidence settle down dramatically when he learns his identity.
* Juudai/Jaden Yuki from ''Anime/YuGiOhGX''. Until season 3, he laughs at everything. At the end of season 2, [[spoiler:while he's fighting the epitome of evil, with nothing but a children's card game standing in the way of the destruction of the universe, he still tries to convince Evil Sartorius that card games are all about fun]]. In the manga however, he's never quite as innocent as in the early anime, but he never gets as broken as in the late anime. He's seen his friend and dueling idol, Koyo, go into a coma, had to once fight a duel with Sho/Syrus in which either he would lose his deck or Sho would get expelled, and has had to fight several Shadow Duels over the course of the series. He angsts over his issues when he takes the time to reflect on them.
* ''Manga/{{Yokaiden}}'': The main character, Hamachi, had his parents die when he was just a little kid and was sent to live with his Grandma, who appeared to hate Hamachi and calls him demon-spawn. A creature whose life he saved then kills his Grandma, so Hamachi goes on a quest to track down the creature. How does he deal with all this? By cheerfully treating it like one big adventure.
* The manga version of ''Manga/{{Kanamemo}}'' starts with Kana's grandmother dying and her running away thinking she is going to be taken away like the furniture. After the first chapter it doesn't really get mentioned again. The anime throws a realistic amount in though.
* Subverted in the first episode of ''KimbaTheWhiteLion'' where Kimba is forced by his mother to leave her trapped on a boat while he escapes. Fast-foward to Kimba surviving a storm while lost at sea and seeing wreckage of the boat he and his mother was on, [[BreakTheCutie he realizes that his mother is gone for good]].
* It seems that every high school student and elementary school kid in ''Manga/DetectiveConan'' is completely unfazed by witnessing grisly murder scenes almost every day. Even bystanders and single-arc characters who would logically be less desensitized to trauma have often just lost someone and tend to describe horrific personal events with uniform slightly worried faces.
-->'''[[AmateurSleuth Sera]]''': That reminds me, you said that the victim had a lot of things going on earlier. What did you mean by that?\\
'''Math Teacher''': [[BodyOfTheWeek Tanba-sensei]] and my little sister were planning to marry... but his father was against it... [[http://www.mangahere.com/manga/detective_conan/v74/c860/13.html But in the end, only my sister killed herself by jumping into the ocean to drown...]]
* Most of the cyborgs of ''Manga/GunslingerGirl'' have their memories or their pre-Agency lives erased in order to remove the pain of past traumas (or make them easier to control, if you're cynical). Rico is unique in that she has full recollection of her time before she was given over to the Agency - which was not in itself a happy experience, with years crippled by birth defects and beset by quarrelling parents - and is not at all troubled by years wasted in a hospital bed or being possessed by the Agency and used as a killing machine.
* In ''VisualNovel/{{Shuffle}}'', Rin hardly reacts at all to both his parents dying, in contrast to Kaede, who went into a HeroicBSOD and nearly died after losing her mother in the same car accident.
* {{Justified|Trope}} for being PlayedForLaughs, but the nations of ''Webcomic/AxisPowersHetalia'' shrug off being shot in the head, tortured, abducted, and having the shit beat out of them pretty well. It's pretty heavily averted with the depiction of the American Revolution (both England and America were very upset by it, and it's implied that they still are) and the webcomic's depiction of the first Sino-Japanese War (after Japan attacks China, China is seen crying in a bar, telling Russia how much he misses Japan). This trope is played very straight in ''Paint It, White!'', where the nations are clearly upset at the sight of their major landmarks being attacked by the aliens, but promptly begin bickering when they try to fight together. [[spoiler:Also, while they were all very panicked and upset while being turned into Noppera, upon being turned back, they act like the entire thing never happened.]]
* In ''Manga/MyLovelyGhostKana'', the [[CuteGhostGirl titular character]] [[DrivenToSuicide killed herself in a gruesome manner]] more than a decade before the start of the story, [[UnluckyEverydude Daikichi]] lost his job, home, and over half his possessions, before the only place he could find to live was a haunted apartment, considering suicide himself, and [[MegaNekko Utako]] went through some [[BrokenBird horrible tragedy]] before she showed up. By all rights, could be a freight train full of angst there. But with the help of Kana [[GhostAmnesia forgetting her reasons]] and being [[GenkiGirl so happy to be around others]] again, [[ThePowerOfLove they rise above]] and find a a [[EarnYourHappyEnding happy way to live]] without it.
* In ''Manga/BlackButler'', Finny's backstory includes him being locked in a stone room and experimented on for an undetermined amount of time. The amount of times he complains about this? ZERO. Every character with a Dark and Troubled Past is subject for this except for Ciel. Ciel's other servants are a mild example, as well as Madam Red and the circus kids.
* Subverted with Mikasa in ''Manga/AttackOnTitan'': when it looks like Eren was devoured by a Titan, everybody expects her to freak out (knowing how close they are), but instead, she quickly collects herself and rallies the surviving soldiers to a counterattack against the Titans. Very soon, however, it becomes obvious that far from shrugging it off, Mikasa instead went straight to the DeathSeeker stage of grief and her "counterattack" is basically a SelfDestructiveCharge in order to at least die fighting.
* [[spoiler: Satsuki Kiryuin]] of ''Anime/KillLaKill'' very much qualifies for this trope after her FreudianExcuse is revealed. It's pretty unbelievable that [[spoiler: an eighteen year old girl can have her father and sister killed by her own mother, and spend a good chunk of her life being [[AbusiveParent physically]], [[EvilMatriarch psychologically]], and [[RapeAsBackstory sexually abused]] [[ParentalIncest by her mother]]]] and come out of it relatively unscathed.
* This is Ryugu Rena's world view at the start of Tsumihoroboshi-hen in ''VisualNovel/HigurashiWhenTheyCry''. [[CrapsaccharineWorld It]] [[BreakTheCutie doesn't]] [[AxCrazy work out]].
[[/folder]]

[[folder:Comic Books]]
* A story in ''ComicBook/XMen'' featured a villain trying to psychically possess Jean Grey's corpse. To stop her, ComicBook/{{Cyclops}} secretly had Jean's body dug up and replaced with somebody else's. Oddly, despite all the truckloads of {{Wangst}} that Cyke has had about Jean's death over the years, '''''digging up her corpse''''' didn't seem to disturb him that much. He got over it in about two pages.
* In ''Comicbook/{{Runaways}}'', six teenagers discover that their parents are supervillains and have to go on the run. They handle it remarkably well, barely complaining about being betrayed. But there are hints dropped that they've been traumatized like real teenage runaways -- they just show it less. (Their motto is that no adult, ever, is to be trusted, and some of the kids -- especially Karolina and Molly -- approach StepfordSmiler territory in the early issues.) The use of this was {{lampshade|Hanging}}d by Karolina and Xavin when the team is indulging in some (mostly appropriate) angst after [[spoiler:Gert's death]], where Xavin points out that [[spoiler:Karolina's homeworld and at least one Skrull colony world]] have all but been destroyed in a war the two of them failed to stop, and everyone is angsting more about [[spoiler:the death of one girl instead of two whole worlds.]]
* Lady Blackhawk of ''ComicBook/BirdsOfPrey'' is mind controlled in a {{squick}}-inducing fashion by a villain. When one of her teammates later suggests that she should seek therapy, Lady Blackhawk responds that breaking the villain's face was all the therapy she needed.
* Beast Boy/Changeling spent most of his life as a glutton for punishment. Details aside, most people tend to assume he's miserable and pity him. In Geoff Johns' ''ComicBook/TeenTitans'', he makes it clear that the problems in his life don't bother him nearly as much as they think; but what he can't stand is when people feel sorry for him.
* ''Comicbook/XFactor''
** Strong Guy is one of the "hurts on the inside" variety. He's always cracking jokes, despite emotional pain and physical pain (because of the way his powers warped his body).
** One issue was all about [[Comicbook/IncredibleHulk Doctor Leonard Samson]] going through the team in his role as a psychiatrist. This revealed that Monet kept all her feelings bottled up inside because she feels she needs to put up a brave face, and she is afraid of losing control of herself, especially with how her brother ended up evil. Meanwhile, Siren appeared to take her father's death in ''Deadly Genesis'' oddly lightly. She explained that he was bound to come back from the death, given how [[DeathIsCheap that happens constantly in the Marvel universe]]. Whether that is a perfectly reasonable stance or unhealthy denial is up to the reader to decide.
* ComicBook/{{Static}} of the Creator/MilestoneComics was created in an attempt of capturing a more modern interpretation of Spider-Man. Virgil carries similarly wit and banter but none of the angst. He becomes a Super Hero, not because of dead parents or to follow in his mentor's footsteps. He does it just because he knows right from wrong. The [[WesternAnimation/StaticShock animated series]] plays with it a bit more. Virgil still is a superhero because of a sense of justice, but he also occasionally angsts over his dead mother, who he only just remembers and misses, at least until a TimeTravel episode.
* In ''Franchise/{{Superman}} Family'' #165, Comicbook/KryptoTheSuperdog travels through time and emerges in the past, almost immediately transformed into a cow (thanks to some Red Kryptonite). He finds himself milked, and he gets so upset over his situation he knocks a lamp over, causing a fire. Krypto soon turns back to normal and leaves the farm, only to overhear the farmer calling for Mrs. O'Leary. It is that moment that Krypto realises that he traveled to the beginning of the Great Chicago Fire in 1871. Krypto's reaction upon realising that he's the one who caused the greatest fire in history? [[http://www.comicbooktidbits.com/Krypto%27s%20Time%20Trip.htm "Well, I'll fly back to my own time-era!"]]
* In ''ComicBook/MyLittlePonyFriendshipIsMagicIDW'' the Cutie Mark Crusaders don't seem to think being fillynapped by a monstrous Queen is a big deal, nor did they seem bothered by the fact that said queen [[spoiler:[[HarmfulToMinors killed a luvcat in front of them]]]]. Also Fluttershy is gleefully fascinated by two creatures fighting over the right to eat her and her friends.
* The most reaction we get from [[ComicBook/{{Robin}} Tim Drake]] about the death of [[LoveInterests Stephanie Brown]] was the story where she was revealed to be NotQuiteDead.
* in ''[[Franchise/GreenLantern Green Lantern: New Guardians]]'', Glomulus is essentially a living construct made my Larfleeze. As in he can be dispersed whenever Larfleeze feels like it. Kyle Rayner asks if Glomulus is truly alive or not. Glommy's response? "Glomulus is Glomulus." It's kind of endearing that he can brush off something like that.
* [[ComicBook/{{Shazam}} Captain Marvel]] was made of this trope. Billy Batson had his parents murdered when he was around 8 years old, lost his sister, and was given over to his uncle Ebenezer Batson, who was his only living blood relative. Ebenezer only kept Billy around long enough to legally secure the boy's inheritance as his own, and then threw Billy out onto the street, leaving him homeless. But instead of becoming bitter about his circumstances, Billy instead became more empathic to the suffering of others, maintained his positive outlook, and refused to let his bad situation ruin his ideals or his sense of wonder and hope. It was precisely these qualities that made him worthy to wield the power the wizard Shazam bestowed upon him. It's also one reason why many fans dislike the Nu-52 Billy Batson, who has done a complete 180 and is an angry, petulant little brat consumed by {{Wangst}}.
* Lian Harper is understandably freaked out when Dreamslayer summons her in ''[[ComicBook/{{Convergence}} Convergence: Titans]]'' but she manages to roll with everything that happens after Arsenal saves her. She doesn't even seem fazed by how, since the last time she saw her father (which to her had just been earlier in her day), he now has a prosthetic arm.
[[/folder]]

[[folder:Fan Works]]
* In [[http://danbooru.donmai.us/posts/1319736?tags=nishizumi_shiho this]] ''Anime/GirlsUndPanzer'', fan comic, Miho's reaction to hearing from her mother, Shiho, about [[spoiler:her being disinherited]] (something she has not heard about in canon, [[spoiler:even assuming Shiho didn't change her mind in the last episode]]) is to get somewhat annoyed at Maho and Shiho sneaking onto campus, although the entire issue is PlayedForLaughs.
-->'''Miho''': Why are you two here?\\
'''Shiho''': To tell you about [[spoiler:your disinheritance..]]\\
'''Miho''': Just give it to me and go home already.
* ''Escape from the Hokage's Hat'': Naruto like in canon is like this. At least until he realizes the village had multiple blood seals placed on him by the village ninja to limit his growth (mental and physical). Then he ever so slowly comes to the realization of how bad his life is.
--> "Now while he was embarrassed, Naruto found that he rather enjoyed being tickled by Tsunade. In all honesty this was the most human contact he'd had in his entire life. He promptly shoved that thought aside as it sounded too morbid."
* In the ''Anime/GirlsUndPanzer'' fic "[[https://www.fanfiction.net/s/10099886/2/Of-Blood-and-Steel Of Blood And Steel]]", this is zig-zagged. Erwin doesn't feel much angst over her father's death from liver failure two years ago, saying that "the pain is largely gone", but is quite bitter over having to move as a result of her mother getting a new job in America. [[OriginalCharacter Henrietta]]'s lack of reaction to being [[AllOfTheOtherReindeer ostracized]] due to being the daughter of a PrivateMilitaryContractor is similar to Erwin's glossing over her father's death, saying that she's dealt with it for long enough.
* Subverted in ''[[https://www.fanfiction.net/s/6438802/1/A-Spark-of-Genius A Spark of Genius]]''. [[Series/BuffyTheVampireSlayer Xander]] doesn't seem terribly bothered about being ripped out of his home dimension and being prevented from returning most of the time, but this is shown to be because he keeps himself too busy to think about it. After his friends manage to contact him (but still can't bring him home), Xander breaks down crying from being reminded of what he's lost. He's broken down a few times since, mostly after a [[FromBadToWorse spectacularly bad day]] or when he's left alone to his thoughts and can't invent something to take his mind off things.
* Happens in ''{{Fanfic/Derailed}}'', due to it being [[RoundRobin a collaborative story with minimal communication between the different authors]]. Celestia explains to Octavia [[AmnesiacLover the relationship they had before Octavia's injuries and amnesia.]] Octavia is somewhat taken aback, and she tells the hospital staff that she doesn't want Celestia to visit again in the next few days. The next section is written by a different author--it's less than a day later, and Octavia is hanging out with Celestia in the castle like it's no big deal.
* In ''[[FanFic/SovereignGFCOrigins Origins]]'', a ''MassEffect''[=/=]''StarWars''[[spoiler:[=/=]''[=Borderlands=]''[=/=]''[=Halo=]'']] [[MassiveMultiplayerCrossover crossover]], the RichBitch character Jackie Jakobs comes off as manipulative, engages in some ColdBloodedTorture of heroic characters, and generally makes herself dislikeable. Then it is [[TheReveal revealed]] she has a [[FreudianExcuse reason]] or several to be the [[BrokenBird way]] [[ParentalAbandonment she]] [[StreetUrchin is]]. Thanks to the [[StarWars Trans-Galactic Republic]], Jackie receives some much-needed real therapy after first being helped by [[BackAlleyDoctor Mad Moxxi]]. Her properly-licensed therapist even lampshades how quickly her recovery is proceeding.
* Considering all the WarIsHell and utterly terrible things the Sonic characters face in ''FanFic/SonicXDarkChaos'', none of them (except for [[BrokenBird Cosmo]]) angst about it very much. The rewrite has more angst though, and this trope is somewhat justified considering Sonic's heroic nature - and the fact that the [[WordOfGod author doesn't like writing lots of angst]].
* While the rest of the ''FanFic/TouhouIbunshu'' cast have much justifiable angst about various things, Reimu and Marisa get over things remarkably quickly and soon start reacting to being in constant mortal danger with the equivalent of "not this again". Even [[spoiler:getting stabbed to death and resurrected]] in the second arc barely registered; ''Alice'' ended up being more upset about that than they were. This is presented as being a virtue and part of the reason why they're so heroic compared to the more morally questionable characters, as they are more concerned with making a new future than dwelling on the past.
[[/folder]]

[[folder: Film - Animated]]
* In ''WesternAnimation/RiseOfTheGuardians'', when Jack [[spoiler: regains his memories, he learns that he drowned in a frozen pond [[HeroicSacrifice whilst saving his sister]]]]. He proceeds to focus on the fact that he [[spoiler: saved his sister, rather than the fact that he died.]] In one way it makes sense, considering that [[spoiler: Jack's purpose is to literally be {{Fun Personified}}.]]
* In ''WesternAnimation/AnAmericanTail: Fievel Goes West'', Fievel's parents really don't seem sad or concerned enough when Fievel falls off the train on their [[CrowdSong "way out west",]] leaving him stranded in the middle of the desert and possibly gravely injured. When they get to the town of Green River they're more concerned about where they're going to be living than the whereabouts of their son, saying "He'll find his way here on his own". And when Fievel finally is reunited with them, they're happy, but they don't make a big deal out of it. It's like "Oh, Fievel's lost. It must be Tuesday again." This is probably because [[ExecutiveMeddling executives]] wanted ''Fievel Goes West'' to be LighterAndSofter than the first movie, which had more than enough angst to go around after Fievel got lost.
* In ''Disney/{{Aladdin}}'', the genie says he's been trapped in his lamp for 10,000 years, a fate that would have driven any of us [[AndIMustScream insane with boredom]]. But he seems fine apart from a "crick in the neck." Although, being a genie, maybe he has ways to amuse himself that we don't. The number of anachronistic jokes he makes over the course of the movie would indicate that at the very least, he doesn't perceive time and space the same way we do.
* In ''WesternAnimation/GnomeoAndJuliet'', Featherstone the flamingo just instantly dives out of his shed and goes bananas with happiness upon being released. He was trapped inside for ''20 years.'' And separated from his lover for all that time.
* In ''Disney/TreasurePlanet'', Silver gives one of the best lines that describes this trope [[spoiler:After he left almost all of the treasure behind to save Jim.]]
-->'''Silver''': Just a lifelong obsession, Jim. I'll get over it.
* A humorous example from ''Disney/TheEmperorsNewGroove'', following a mass BalefulPolymorph:
-->'''Guard''': Um, I've been turned into a cow. Can I go home?\\
'''Yzma''': You're excused. Anyone else?\\
'''Other guards''': No, we're good.
[[/folder]]

[[folder:Film - Live Action]]
* {{Invoked|Trope}} and {{justified|Trope}} in ''Film/DefendingYourLife''. The recent dead are relieved of the worry and angst of having died and the loved ones they'll never see again so that they can focus on their trials.
* ''Film/TheMaskOfZorro'': Elena quickly getting over how easily Zorro stripped her could count.
* ''Film/HarryPotter'':
** A lot of characters, major and minor, both in the books and the films seem to have no trouble getting over accidents, mutations and near death experiences that should have traumatized them for life or for a very lengthy period of time that would have required a lot of counseling for most people.
** In ''Film/HarryPotterAndTheGobletOfFire'', [[spoiler:Barty Crouch]] is found dead in the woods and... no one cares. It's never mentioned again. Not that his death should inspire all that much angst [[note]]although he is a much nicer character in the film[[/note]], but it's a fairly important plot point in the book, and besides, a Ministry official ''showed up dead in the forest.'' Someone want to... look into that?
** ''Film/HarryPotterAndTheOrderOfThePhoenix'': We see [[spoiler:Sirius die]], in a super dramatic, gut-wrenching scene. Then we finish the battle. Then we see Harry and Dumbledore have less than a five minute conversation. Harry barely looks upset. That's it for the rest of the series. In [[Literature/HarryPotterAndTheOrderOfThePhoenix the book]] however, Harry trashes Dumbledore's office and yells at him. He then spends most of the remainder of the year in solitude, until Luna comforts him.
* In ''Film/TheHitchhikersGuideToTheGalaxy'', Arthur Dent watches as everyone he ever loved or cared about (except Trillian) plus the human race destroyed right before his eyes. He is half of the existing human race, with absolutely no hope (at that point) of rebuilding the species or ever going home. All over a bureaucratic snafu by an uncaring galactic government, and he receives absolutely no sympathy from other characters for the genocide of his race. And this is played ''for laughs''. The story rolls on, Dent doesn't seem too broken up about it (it might not have even happened as far as Trillian is concerned) and its all HandWaved at the end.
* ''Film/TheHorrorOfPartyBeach''. Less than a month after his girlfriend gets killed by a monster, Hank returns to the very beach she died on and comments to a band member, "Pretty dead tonight, huh, Ron?" They play a spritely tune to get the moods up.
* ''Franchise/StarWars'':
** Luke Skywalker in ''Film/ANewHope'' regarding the deaths of his family. What's that you say? He certainly did wangst about Obi-Wan and Darth Vader? No, I don't mean them. I mean Aunt Beru and Uncle Owen. You know, the people who raised him from a baby. Okay, he grieved for them for... 15 seconds screen time? He seemed over it by the time they reached Mos Eisley. In ''ComicBook/{{Legacy}}'' Luke ''finally'' talks about his Aunt and Uncle's deaths to Cade who's in their old home. More or less, at first he wanted to make the Empire pay but knew he couldn't stop and angst about it. Later, when he become a Jedi, he accepted their deaths and knew they're part of the Living Force now, which they are.
** Leia watched her ''[[EarthShatteringKaboom entire planet]]'' get [[DoomedHometown blown to smithereens]] before her eyes. Leia's only subsequent (onscreen) comment on the destruction of her home, her family, most of the people she's ever known, everyone she's ''never'' known, all that history, all that culture, all those ''people'' is "We have no time for our sorrows." (And a deleted scene where Leia sinks her head in shock immediately after Alderaan's destruction, before turning to Grand Moff Tarkin and saying [[YouMonster "And you call yourselves human..."]]) The Franchise/StarWarsExpandedUniverse talks about it; Leia turns any angst into hating TheEmpire even more, and`at one point flips out meeting an Alderaanian Stormtrooper. It's illustrated by this quote from ''Literature/ShadowsOfTheEmpire'':
-->''She felt the emotions well, felt them threaten to spill out in tears, but she fought it. She was Leia Organa, Princess of the Royal Family of Alderaan, elected to the Imperial Senate, a worker in the Alliance to Restore the Republic. Alderaan was gone, destroyed by Vader and the Death Star; the Imperial Senate was disbanded; the Alliance was outmanned and outgunned ten thousand to one, but she was who she was. She would not cry.\\
She would not cry.\\
She would get even.''
* In the ''Franchise/TransformersFilmSeries'', Optimus Prime has been criticized by fans for practically not giving a crap when [[spoiler: Jazz dies]].
* In ''Film/RebelWithoutACause'', Judy falls in love with Jim and seems to forget that her boyfriend [[spoiler: died in a horrific car accident]] not even two hours beforehand.
* ''Film/TheyLive''. The hero learns that the world is a vast lie created by aliens in human guise that live among us. So he stares one of them in the face and says, "you look like your face fell in the cheese dip back in 1957!" Part of it is due to the hinting that Piper's character is having an IKnewIt attitude.
* Subverted in the TV movie of ''Literature/AWrinkleInTime''. Upon getting home, the protagonist is terrified that her mother is more interested in talking about proper nutrition for kids rather than the fact that her children have disappeared for days to fight evil disembodied brains in another dimension. It's also what makes her realize she's just in a LotusEaterMachine.
* By the end of ''Film/FaceOff'', Eve Archer has been effectively sleeping with Castor Troy (wearing Sean Archer's face), and Jamie has stabbed Castor in the leg - an act which rarely leaves people unscarred in RealLife. This family really should be falling apart any second now. ''especially'' after Sean adopts Castor's son who was orphaned partially due to him - but we are asked to accept this as a HappyEnding.
* In ''Film/{{Zombieland}}'', Columbus [[spoiler:shoots and kills Bill Murray by mistake.]] He suffers no angst at all about this, but in fairness [[spoiler:Bill Murray himself]] takes it pretty well all things considered. Tallahassee, on the other hand, is in tears.
* A minor problem with ''Film/MarsAttacks'', as the President's daughter is seen at the end, only days after her parents have been killed, presenting Richie with his medal and seems unaffected. She even starts to ask him out. Arguably, Richie himself, who is only briefly affected by the death of his brother.
* In ''Film/AKidInKingArthursCourt'', Calvin has been transported to [[KingArthur Camelot]] without warning. He spends his first few days in another time period [[SchizoTech commissioning rollerblades from the local blacksmith and making Big Macs]] [[FridgeLogic somehow.]]
* In ''Film/TwentyTwelve'', given that something like 99.995% of the world's population died less than a month ago [[spoiler:everyone on the arks seems to have got over it rather quickly. Adrian and the President's daughter deserve special mention, flirting carefree just after both their fathers (and presumably the rest of their families) died.]]
* ''Film/JamesBond''
** ''Film/DiamondsAreForever''. The film opens with Bond hunting down his wife's murderer, BigBad Ernst Stavro Blofeld, with the permission and support of MI6 and apparently getting his revenge by making Blofeld drown headfirst into superheated mud. While that should have given him some satisfaction to help him recover, the fact remains that his wife has just been killed on their wedding day, and yet he's back to his old [[TheCasanova womanizing]] and {{deadpan|Snarker}}ning days in an instant, even laughing at [[GallowsHumor a few cracks]] Miss Moneypenny makes about engagement rings. This could be due to the NegativeContinuity of the series.
** In ''Film/{{Skyfall}}'', Bond doesn't seem too concerned when [[spoiler:Severine was shot, despite saying he would protect her.]]
* At the beginning of ''Film/AustinPowers: The Spy Who Shagged Me'', Austin's new wife and heroine of the previous film Vanessa Kensington is almost immediately revealed as a [[RobotGirl fembot]] who tries to kill him before Austin soon subdues her. He is initially heartbroken, reflecting on the loss of his first true monogamous love, before realizing he is once more single and free to womanize in a recovery so sudden it's somewhat {{lampshade|Hanging}}d.
-->'''Austin:''' I can't believe Vanessa, my bride, my one true love, the woman who taught me the beauty of monogamy, was a fembot all along...wait a tick. That means I'm single again! OH BEHAVE!
* ''Film/TheRoom'': "I got the results of the test back... I ''definitely'' have breast cancer". This is never mentioned again, leading many to just assume the woman is straight-up lying.
* In ''Film/IndianaJonesAndTheLastCrusade'', Elsa is severely traumatized, screaming her head off, [[spoiler:as Donovan dies right in front of her eyes due to something she ''delibarately did'',]] and yet in the next scene she acts as if nothing happened.
* In ''[[Literature/PercyJacksonAndTheOlympians Percy Jackson and the Olympians: The Lightning Thief]]'', Percy's mother is killed right in front of him by a Minotaur. [[spoiler:It's later revealed that she's [[FakingTheDead not really dead]] and is eventually [[BackFromTheDead brought back]], but during the time he thinks she's really gone]] Percy is remarkably blasé about it and just throws himself into learning about his powers and his sea-god father. This trope is half the reason it's considered an InNameOnly adaptation by most of the fans, as Percy's entire CharacterDevelopment in the book involved him mourning his mother, hating the gods for getting her caught up in this, and then gradually coming to accept that there was a bigger picture.
* Portrayed in the most [[{{Narm}} unintentionally hilarious]] way ever in ''Film/BattleLosAngeles'': during the AlienInvasion, [[MilitarySuperhero Nantz]] gives a ''long'' [[RousingSpeech speech]] in which he reels off the [[TheDeadHaveNames names and serial numbers]] of all of his men who were killed on the last mission, making it clear he remembers each one of them. After a MelodramaticPause, he [[GutturalGrowler growls]] "But none of that matters now" because they can't dwell on the past and have to get back to killing aliens. Cue laughter ''and applause'' from the audience.
* Lampshaded and subverted in ''Film/LastActionHero'' when Jack Slater (whose onscreen character plays this trope straight) confides in Daniel: "Let's throw his son off a building. Oh sure, it will give you nightmares for the rest of your life, but you're fiction, so who cares?"
* Parodied by Officer Doughy in ''Film/ShriekIfYouKnowWhatIDidLastFridayTheThirteenth''.
-->"Well, that about does it. I killed my cousin, my heart is broken, my sister's dead. Dammit, I love this job."
* Even though the message of ''Film/StarTrekGenerations'' was to move on with your life after past failures/tragedies, Picard seems unusually subdued about the fact that ''the Enterprise'' was destroyed in his absence. He even picks up a priceless artifact he got from a friend [[ContinuityNod during the series]] that was completely ruined and sets it aside as if it meant nothing.
* In ''Film/RobinHoodMenInTights'', Robin returns from the Crusades to find his family home repossessed and all his loved ones dead (including his pets). He gets a distressed expression for a second or two and then is off to his life of adventure.
* The kids in ''Film/FinalDestination1'' barely notice the sudden, shocking deaths of their friends, and instead focus almost exclusively on trying to cheat Death. This hits a crescendo of ridiculousness when Billy is gruesomely decapitated right in front of them by flying debris, and there isn't so much as a "Holy shit!" in reaction before they roll out the metaphorical blackboard and start trying to find a workaround to the Grim Reaper's cosmic book-balancing. The sequels then take it up several more notches.
* The eponymous heroine of a Danish film "Katja and the falcon" is a 10 years old Danish girl who gets stranded in Rome with no money, no acquaintances, and no knowledge of Italian language. She never reminiscences on her predicament, instead quickly bonding with a bunch of local kids and concentrating on freeing the titular falcon.
* In ''Film/WorldWarZ'', a small boy sees [[spoiler:both his parent get turned into zombies, try to attack him, and then get gunned down by the military.]] Despite this he seems mostly unfazed.
* In ''Film/StarTrek'' (2009) it is practically deconstructed, as [=McCoy=] chastises Spock over not acting as though the destruction of Vulcan, his home planet, was an important deal to him. Spock responds with a curt, "If you think crew morale would be better served by me wandering the hallways in sorrow, please tell me." As a Vulcan he is trained from birth to suppress his emotions, and his point is valid still as they still had to confront the BigBad heading towards Earth. But as a ploy to gain control of the Enterprise Kirk antagonizes him so his emotions explode, proving it did have an effect on him.
* In ''Film/AvengersAgeOfUltron'', the characters don't let something as trivial as a floating island that could wipe out humanity if dropped stop them from making wisecracks.
[[/folder]]

[[folder:Literature]]
* In ''Literature/ABrothersPrice'' Jerin does angst after [[spoiler:he is kidnapped and a woman sat on his face without clothes inbetween, i.e. sort of oral rape without actual penetration]], but only because he fears he is [[spoiler: DefiledForever due to consensual sex he suspects he might have had in a night he doesn't remember]] After he is told that all is well, [[spoiler: the woman he thinks he slept with was his bride, anyway, and they didn't even have sex, and he is welcomed back by his wives to be ]] he quickly recovers. May or may not be justified, regarding on how serious of an issue one regards the thing that happened. Other protagonist show realistic angst over the death of their relatives. Ren, for example, is plagued by nightmares of the night her sisters died in an explosion. Jerin's toddler sisters don't want to let him go, for fear he will never return, "like daddy"; their father died a couple of months ago, and Jerin was PromotedToParent. The youngest doesn't quite understand that, unlike her father, Jerin will come back to visit.
* In ''Literature/DragonBones'', Ward is shown to have a very abusive father (who dies at the start of the novel), but never seems to angst about it, even though he had to resort to ObfuscatingStupidity for seven years to not be killed by his father. Justified in that it's implied he's just that resilient - other family members are shown to be more severely affected, like his mother, who became TheOphelia, his CuteMute sister Ciarra, who is, well, mute, and easily scared, and brother Tosten who attempted suicide, and whom Ward took away from the family castle to ensure his survival. (The rest of the family thinks Tosten ran away and is likely dead).
* Meursault's lack of angst over his mother's death is a major plot point in ''Literature/TheStranger''. Plus his lack of angst over his own impending execution.
* This was the gimmick of ''Literature/{{Pollyanna}}'', and is the one thing the book is best remembered for, as witnessed by it lending its name to the term ThePollyanna.
* ''Literature/TheOutsiders'' -- A gang of boys who get into fights for their life with a rival gang of spoiled rich kids on a daily basis, with no parents, no money, and no angsting allowed. When Ponyboy starts complaining once, Two-Bit tells him to shut up because life isn't fair.
* ''Literature/ThePictureOfDorianGray'': Gray's fiancée commits suicide. Later that day, he enjoys the opera with his friend. The next day, he claims that he was simply in control of his emotions and, after he had been done with the emotion of sadness, he simply moved on. Leads to a funny conversation with Basil when he accuses him of being kind enough to console him, but showing frustration that he is already consoled.
* ''Literature/PeterPan'' is legendary for this. Pirates and Indians are fun to read about, and some children would want to have adventures with them. But most children would decide enough was enough after the third time they nearly get killed. The Darlings, by contrast, are having the time of their lives in Neverland, and never wanted to go home until they realized their mother was feeling awful. Not everybody would want to be a kid forever, either -- the ending suggests that being eternally young isn't [[WhoWantsToLiveForever all it's cracked up to be]]. The books lay out that part of why Peter is the one child who will never grow up is because of his immaturity. When an older Wendy asks him what happened to Tinker Bell, he has absolutely no memory of her although the Fairy was a loyal companion. She died seasons ago, and faded from Peter's mind to protect him from growing up. Similarly, the longer the Darlings stay in Neverland the harder it gets for them to want to remember their old lives, thus explaining the missing angst. By having Peter avoid getting too angst-filled, it sure does invoke it in the reader.
* ''Teen Angst? Nah...'' by Ned Vizzini. Sums it up right in the title
* ''Literature/AliceInWonderland'' is trapped in a WorldGoneMad, but she doesn't react as badly as many real people would. Granted, [[AllJustADream she's dreaming]]; she can't be expected to behave normally in a dream. She does angst, one time, which results in her tears flooding the hallway and her having to swim to safety. Can't blame her for trying to avoid that again.
* ''Literature/InheritanceCycle'':
** Eragon exhibits this in the second book ''Eldest''. It is revealed to him that [[spoiler:his father was TheDragon to the BigBad, and to put it lightly, not a nice person]]. He gets over this in three paragraphs. He does, however, angst when his uncle dies (for a few chapters, after which he gets over it), when he is told that [[spoiler:his father was ''really'' his mentor, Brom]], and when [[spoiler:Murtagh joins the enemy.]]
** Arya in the first book, in spite of having been, by her own admission, beaten, tortured, and [[AttemptedRape very nearly raped]] for weeks on end, the biggest reaction we get out of her thereafter is a paragraph of her clenching her jaw a bit as she recounts the events... and after that everything's just peachy.
* ''Literature/{{Twilight}}'':
** While Bella Swan is {{wangst}} incarnate, whining about ''absolutely everything'', angsting on how she doesn't deserve to be with someone like Edward or to have a friend like Jacob and gets incredibly depressed whenever Edward leaves her or tries to, she's this in the areas where she really should be. She barely gives a thought to how Edward's a blood-sucking vampire who constantly warns her that [[IneffectualDeathThreats her life could be in danger]] if she gets close to him, or the very real consequences that come with becoming a vampire. Uncontrollable hunger for blood? Loss of human emotions? Who cares? All she wants is to be with Edward forever! (It turns out that she doesn't suffer from the drawbacks of becoming a vampire... for some reason.) She also has a grand total of maybe one or two misgivings about leaving her human family to be with Edward. Considering how she's set up as a loving, sweet daughter who is her mother's best friend and her father's only hope for normalcy, it seems odd that she's willing to live forever without them after they die a mere month or two after meeting Edward. Then again, it quickly becomes evident that she lies to and patronizes her mother every chance she gets.
** Bella's father Charlie seems pretty nonchalant for a guy who's daughter changed overnight from a clumsy, fairly pretty everygirl to a ravishing, completely-in-control model.
** As we see in ''Breaking Dawn'', [[StrangledByTheRedString imprinting]] is enough to get a guy to not care that [[spoiler:the former love of his life and mother of his new love interest just died violently and bloodily not minutes prior, nor that she is now what he used to consider a soulless monster, nor that she has definitely left him for another man. Never mind that he wanted to kill the girl a minute earlier, nor that she is [[{{Squick}} a newborn baby.]]]]
** The Cullen family are supposed to be highly moral (especially Carlisle), and regret all human lives that have to be lost. Then they invite ''every vampire they know'' into the area where they live, and allow them to eat whoever they want provided it's not someone [[ProtagonistCentredMorality Bella cares about]]. [[LackOfEmpathy She thinks about this for a second, then deliberately puts it out of her mind, and it's never ever brought up again.]]
* The children in Creator/StephenKing's ''Literature/{{It}}'' are much more capable of dealing with supernatural horror than adults; for example, after defeating the EldritchAbomination in the sewers, Bill, the main character goes home: "After a block or two he begins to walk faster, thinking of supper... and a block or two after that, he begins to whistle." As adults, they're no longer that good in that, so a benevolent force wipes their memories. A good portion of the novel follows the main characters as adults trying to remember what they did to stop It. When one of the kids, as an adult ''does'' remember the full horror of IT, he [[spoiler:commits suicide in the bathtub]].
** This seems to be what King believes kids do all the time with painful memories. In one of his short stories he had a boy trying to get over the fact that one of his friends and his teacher had just been eaten by a tiger in the school toilet in the span of time it took to walk down the hallway. The reader is shown the process, which mostly consists on focusing on all the trivial posters on the walls. There was also the Library Policeman's protagonist, though it was made pretty clear the angst from [[spoiler:getting raped as a kid]] left its marks on his adult self.
* ''Literature/TheLordOfTheRings'':
** Hobbits have this quality, mental resiliency. Their ability to shake their troubles and get past horrible experiences is often mentioned. One example is Merry and Pippin strolling around in Fangorn forest being curious about their surroundings and seemingly with hardly a care in the world. This after they've been abducted for the purpose of [[ColdBloodedTorture torture]] (and watched their friend die trying to save them), been handled roughly to say the least by the uruk-hai, and nearly been killed in a battle. During Merry's healing in ''Return of the King'', Merry mentions that Hobbits deal with turmoil by trying to react as if all is mostly well. This sorta hits home once you read "The Sea-Bell" and realise Frodo is still suffering years after he returned to the shire. Frodo is probably one of the best written examples of a HurtingHero.
** King Théoden is as calm about the recent death of his son Théodred as if it had happened years ago. TheMovie adding a scene of him heart-breakingly mourning his son is considered AdaptationDistillation by some.
** The Rohirrim tend to be kinda Viking about the whole 'death in battle' thing. "Hail the victorious dead!" is again movie continuity only, but it's definitely true to the essence of the culture.
* Similarly, in ''Literature/WatershipDown'' it is noted that the rabbits, like humanity, are well suited to weathering disaster and moving on quickly. (As they should be. Rabbits are prey animals. Getting eaten is what they ''do''.)
* In ''Literature/TreasureIsland'', Jim Hawkins's father dies in about the second chapter. This is the ''last'' mention of him; from then on Jim's too busy having an adventure to grieve. A number of adaptations simply have Jim's father either [[Disney/TreasurePlanet leave]] or [[Film/MuppetTreasureIsland die before the main story even starts]], effectively clearing up that bit of loose end.
* ''Literature/TheChroniclesOfNarnia'':
** ''Literature/TheSilverChair'': The narrator takes the time to explain and justify Jill Pole's right to be this, acknowledging that this trope is generally preferred amongst readers. Also, human emotions received more attention as the series progressed, which makes Jill's portrayal far different from the Pevensies' four books ago.
** The Pevensies had a rather severe case of this trope. Their home is being bombed, and they're living with a stranger to get away from the fighting. They've stumbled upon another world, and Lucy's friend there has been kidnapped. They then find out that they're part of an ancient prophecy that involves going back into a warzone. Their first response is essentially a cheery, [[JumpedAtTheCall "Great, where do we sign up?"]] Nor do they seem to miss their home while living in Narnia. Then, in ''Literature/PrinceCaspian'', the once-kings-now-kids seem to have had no trouble readjusting to being children in London after spending (at least) fifteen years as royalty in a magic land. Once they are transported back, they seem none the worse after figuring out that it's been [[NarniaTime a thousand years in Narnia]] and all their old friends are dead. And once they rescue Trumpkin and find out what's happening, they rush off to help rescue the title character, with no thought of getting their old thrones back.
** Played with in ''Literature/TheMagiciansNephew''. While Diggory spends much of the book justifiably angsting over his sick and dying mother, he takes traveling to new worlds and fighting a witch pretty well. Uncle Andrew subverts this when he's thrown into the world of magic, and it's played for laughs.
* For a completely realistic, thoughtful and adult portrayal of how humans deal with life-threatening danger, try Lewis' [[Literature/TheSpaceTrilogy Space Trilogy]], ironically written prior to Narnia. Creator/CSLewis was a veteran of World War I.
* Jeb Batchelder in ''Literature/MaximumRide'' has every reason to angst -- his son dies, ''twice'', once practically ''in his arms'', his daughter would gladly kill him if given the chance, and he regularly gets [[TheChewToy slapped around]] by his superiors -- and yet he never says a word. He does get really upset during both of the times when Ari dies and it was mentioned that the clone of Max makes him very upset.
* In Holly Lisle's ''Fire in the Mist'', Faia (the main character) leaves town for a bit and soon returns to find that ''everyone she ever knew is dead'', from plague. She promptly freaks out and nukes the entire town with her latent magic abilities. About three days later she considers suicide. So it's a subversion, right? ''Wrong.'' About one day later, we find this quote: "And indeed, she felt happy. Or, if not exactly happy, then free at last of the dark burden of [her hometown's] annihilation." After that, the horrible events are never ever mentioned again, and Faia never angsts or even thinks about it. So Lisle was smart enough to give Faia some real pain, but then she erased that pain pretty quickly. Ask anyone: emotional pain of that scale doesn't heal in just a couple days.
* Beautifully lampshaded and {{justified|Trope}} in ''TheDeathOfTheVazirMukhtar'', when, after a fair share of {{Wangst}} prior to the departure from St. Petersburg, Griboyedov, the main character, first calms down and then stops at a small hut on his way to Tiflis. He suddenly realizes that he is happy - because a man can't really be unhappy all the time and that there is more to a person than just grandiose plans, love and misery.
* Berry, the adopted daughter of Anton Zilwicki in ''Literature/HonorHarrington'' has this as a defining character trait. So much so that virtually every person she knows comments on how 'intrinsically sane' she is in the face of the horrors she's been through.
-->"They might rape me? Well, I've been raped before."
* In the fourth book of ''Literature/ASeriesOfUnfortunateEvents'', the character Phil remains quite upbeat for a guy who is working in a lumbermill, is paid with coupons, and has gum for lunch every day. When his leg is crushed, he says, "Well, this isn't too bad. My left leg is broken, but at least I'm right-legged." Somebody comments, "Gee, I thought he'd say something more along the lines of 'Aaaaah! My leg! My leg!'"
* In Creator/RobertEHoward's ''Literature/ThePoolOfTheBlackOne'', ConanTheBarbarian gets in-universe comment about this trope: a handful of them have just escaped an EldritchAbomination in AlienGeometries, and he's cheerfully shouting about how they will sail to waters with rich prey.
* ''Literature/TheHitchhikersGuideToTheGalaxy'':
** Arthur Dent, as mentioned above. He has an even worse time of things in the the books than the movie; Earth is destroyed ''more than once''. Admittedly, in the books his feelings on all the terrible things that seem to happen to him are explored a bit more fully, and he does occasionally get something like impatient sympathy from Trillian or Ford. But mostly, everything that happens seems to be nothing but a big joke at his expense. There's a sequence that plays with this; it seems trying to imagine everyone on earth is gone is just too big a thought for his head to contain. Instead he worries about little things like Nelson's Column and the permanent end of the US dollar. When he realizes there are no more [=McDonalds=] hamburgers, he passes out and wakes up sobbing for his mother.
** Ford's father died of shame because he (Ford) never learned to pronounce his own real name. This is explained in a ''footnote.'' He spends fifteen years trapped on Earth, one of the most boring places in the universe for a traveler to be, kept away from everyone and everything he knows and loves. He regularly gets drunk and staggers around outside looking for spaceships and saying "I'm trying, I'm trying" to people who tell him to go home. Arthur was probably the only real friend he made and kept during this time, as he was the only person he bothered to rescue from the Vogons. Not much is made of any of this.
* ''Literature/LeftBehind'': Imagine that every child in the world and a not-insignificant chunk of the adult population vanishes in a single instant. This being a billion or so people (not counting the collateral deaths) with no plausible explanation, you'd probably be terrified, shell-shocked, if not suicidal. It's unusual then that everyone manages to continue running the world so quickly afterward -- with governments and airlines and such remaining unaffected. The phone company endures all that and the onset of nuclear war, maintaining flawless cellular reception to a degree they can barely manage in reality.
* Huckleberry Finn of ''Literature/TheAdventuresOfTomSawyer'' and ''Literature/TheAdventuresOfHuckleberryFinn'' has an [[AbusiveParents abusive]], [[TheAlcoholic drunken]] father, a [[MissingMom dead mother]], and [[WalkingTheEarth no home whatsoever]]. For him, this is all just business as usual. It's worth noting he keeps a careful distance from most adults, but immediately latches on tightly to Jim, a common occurrence with children of his background.
* ''Literature/TheTaleOfPeterRabbit'':
-->''"Now my dears," said old Mrs. Rabbit one morning, "you may go into the fields or down the lane, but don't go into Mr. [=McGregor=]'s garden: your Father had an accident there; [[BlackComedy he was put in a pie by Mrs. McGregor]]."''
* In Sharon Creech's ''The Wanderer Sophie'', a 13 years old girl is sailing in a small boat across the Atlantic, with her two cousins (both also 13) and three uncles. The story is given to us as her and Cody's (one of the cousins) diaries. When they are caught by a nasty storm, Cody whines in his diary about how he was a bad son and how hopeless their situation is. Sophia whines... about how the uncles won't let her do a ''real'' job, like climbing masts during the storm. Then this gets DoubleSubverted when [[spoiler: Cody reveals Sophhie has regular nightmares, which she [[UnreliableNarrator doesn't mention in her diary]]. However, they aren't about their ''current'' predicament, which Sophie describes (and sees) purely matter-of-factly. She is flashing back to another such storm that she survived, but which killed her biological parents, though Sophie has no conscious memory of this. It is THAT storm that scares Sophie, not the current danger.]]
* In ''Those nearby'' by A. Afanas'ev, Sofa, an alien girl with psychic powers, is BroughtDownToNormal and captured by the BigBad, along with the main protagonist. When they are interrogated, Sofa's snarky comments drive the BigBad nuts. His threats of violence (including thinly veiled [[ColdBloodedTorture torture threats]]) have no effect on her, even though she clearly takes them for real. She even misses her chance to escape when doing so would leave the protagonist alone.
* By the time the eponymous heroine from ''Literature/AliceGirlFromTheFuture'' book series is ten, she was captured about three dozen times and had multiple near-death experiences. She [[ThereAreNoTherapists never sees a therapist about this]] and is as adventurerous, eager and trusting as before.
* Ninevah "Nin" Redstone From Caro King's ''Seven Sorcerers'' series is a glaring example. Sure, she shows lots of fear when things are actually threatening... but the moment the danger is gone, she immediately reverts to being a cheerful and carefree PluckyGirl.
* Mistress Commander Angharad Godkin in ''Literature/FlightOfTheGodkinGriffin'' gets [[spoiler: beaten nearly to death and gang raped by half-human monsters]] and her only reaction is to get mildly irritated about a potential pregnancy screwing up her family bloodlines. Oh, and she [[spoiler: utterly wipes out the mountain pards responsible for creating their monster children]]
* ''Literature/TheMillenniumTrilogy'':
** [[PlayingWithATrope Played with]] in the case of Lisbeth Salander. On the one hand, she has been deeply marked by her terrible childhood experiences, but on the other hand, this has made her pretty much impervious to any later trauma. Her reaction to being [[spoiler:brutally raped and tortured for an entire night]] is to very calmly get revenge, and then move on without any sign of being hurt by it. Her reaction to being [[spoiler:shot in the head and buried alive]] is likewise to get revenge, and then function pretty much exactly as she has always done.
** Other characters seem to have reasonable immediate reactions to trauma, and go into shock or have delayed reactions quite realistically, but do not seem to have any permanent mental scars from their experiences. Considering everything Mikael has gone through by the end of the trilogy, this is quite extraordinary.
* The main heroine of ''Luise Indiewelt'' is an 11 years old girl who, true to her name (which means "In the world"), travels the world in search of her father, and is not stopped by things like being kidnapped or having no money left.
* ''Literature/TheHungerGames'':
** The only thing that seems to make Peeta Mellark angst is [[spoiler:being hijacked by the Capitol]], and even that is the result of [[spoiler:brainwashing targeted to make people frightened and anguished]]. The list of things he shows no signs of angsting over include having killer wasps dropped on him while sleeping, taking a sword to the leg, nearly dying of sepsis, being forced to listen to someone being slowly chewed to death over several hours, having his leg amputated and finding out the girl he loves only pretended to love him back. And that's just from the first book. Even his nightmares are mostly about losing Katniss and not about the horrors he's lived through.
** Gale doesn't spend much time angsting, not even when he's been flogged within an inch of his life.
* In ''[[Literature/CircleOfMagic The Will of the Empress]]'', Sandry annuls the marriage of an [[DomesticAbuse abused woman]] named Gudruny who was forced into marriage many years ago, and who was so desperate she risked hiding in Sandry's wardrobe to beg for release. In RealLife, long-term abuse survivors have a ''lot'' of emotional problems to work through after they escape, but Gudruny turns from "battered wife" to "motherly dispenser of wisdom" almost overnight, with no apparent ill effects.[[note]]Although the setting does have "mind healers" who seem able to magically treat emotional problems and some mental illness, there is no mention of Gudruny ever visiting one.[[/note]]
* At the start of ''Literature/AClashOfKings'', Tyrion offers his condolences to Joffrey over the loss of his supposed father. Joffrey has to be reminded of the loss. Justified in that Joffrey is a sociopath, was never close to his father, and the death of Robert led to his ascension as king, which he is thrilled about. It's hinted that he may have seen the Hound as something of a surrogate father figure, albeit still an emotionally distant one and one that Joffrey could casually abuse. He doesn't show much grief when the Hound takes off without a word (other than "fuck the king") either, though.
* In ''{{Literature/Dinoverse}}'' Janine and Patience are the two characters who react to being torn away from their bodies and becoming very inhuman dinosaurs with basically acceptance and no regret or worry about it, in strict contrast with their companions.
* In ''Literature/CharlieAndTheChocolateFactory'', the Golden Ticket tour group learns how dangerous Wonka's Factory can be -- not to mention how nonchalant their guide is -- when Augustus Gloop winds up sent to who-knows-where via the pipes, but it doesn't dampen their enthusiasm for the rest of the tour, even as further members are eliminated in similarly absurd disasters. No matter what they witness, no one ever asks to ''leave'' if they aren't directly affected by events, and the AudienceSurrogate is having the time of his life. Granted, the disasters are all played for BlackComedy and the victims are all repulsive brats and coddling parents. The [[Theatre/CharlieAndTheChocolateFactory 2013 stage adaptation]] plays with this trope a little, again for laughs -- even though the party is horrified by what happens to Augustus (and in this version [[DeathByAdaptation it's suggested he might not survive]]), when the impatient Mr. Wonka asks them "Anybody want to go ''home''?" not one answers in the affirmative! As the party further dwindles, though, anxiety creeps into the wonder of those still standing...
* ''Literature/TimeOfDeath'' protagonist Emma Rossi survives a staggering amount of horrible events [[spoiler: including no less than THREE city-sized settlements of survivors being destroyed around her--in the first book (!!)]] but maintains a positive attitude.
* The protagonists of ''Literature/WingsOfFire'' are young children thrown into the middle of a war, who have spent nearly all of their lives trapped in a cave for their own safety. And because of their importance to the prophecy, everyone they meet tries to either kill them, kidnap them, or use them for political ends. Yet they remain remarkably casual about this.
[[/folder]]

[[folder:Live Action TV]]
* ''Franchise/StarTrek'':
** ''Series/StarTrekTheNextGeneration'' tends to have this as a result of the ResetButton. In a typical episode, [[TheCaptain Picard]] experiences the planet he grew up on destroyed and everyone he loved killed via implanted memories. There's a brief shot at the end when he looks sad, but then it's like it never happened. Ronald Moore said that the episode was sort of an accident; they were just concerned with making a good hour long story (and it is considered one of the best of the series) and didn't realize until it aired just how traumatized Picard should have been afterwards. They resolved to make a few {{continuity nod}}s and then just continue.
*** The episode "The Wounded" introduced Chief O'Brien's former CO, Captain Maxwell, whose wife and children were killed DuringTheWar with the Cardassians. Picard believes Maxwell's current unauthorized attacks on Cardassian ships are [[RoaringRampageOfRevenge motivated by vengeance]], but O'Brien insists Maxwell remained [[TheStoic stoic]] and [[SadClown in good humour]] after his family's deaths and he must have a good reason for attacking the Cardassians. [[spoiler:Turns out they're both right.]]
** In ''Series/StarTrekTheOriginalSeries'' Captain Kirk was pretty bad about this. The most grating example had to be in "Operation: Annihilate" where [[TheKirk Kirk's]] only brother and his sister-in-law died horribly, leaving their young son an orphan, only a week after Edith Keener's death. Not only does the episode end with [[EverybodyLaughsEnding on a bright, chipper note]] but we never even find out what happened to Kirk's nephew.
*** Over the seasons, various crew members have been mindwiped, tortured, killed, {{mind rape}}d, and so on. None of it ever gets mentioned later.
*** Gary Mitchell, who is made out to be Kirk's good friend from years back [[AGodAmI goes mad from receiving godlike powers]] and Kirk is forced to kill him. [[ForgottenFallenFriend No mention is made of it afterwards.]]
** T'Pol in ''Series/StarTrekEnterprise'', after her mother's death. [[TheStoic Then again, she's a Vulcan, so she was probably repressing it.]] On the other hand, Trip still feels the death of his sister several episodes later and has nightmares about it.
*** In an alternate future episode, Earth has been destroyed by the Xindi, but everyone seems fine with it. Archer feels sad for about a minute.
*** Interestingly, Soval, despite being a Vulcan, seems genuinely sad about [[spoiler:Admiral Forrest]]'s death. For about an episode. Of course as a Vulcan, the fact that it lasted that long is really saying something.
*** Hoshi is {{Mind Rape}}d by the Xindi Reptilians but suffers for no more than an episode after this.
* In ''Series/{{Smallville}}'', [[PluckyGirl Chloe]] has a tendency to be this, as a {{Foil}} to Clark's {{Angst}}ing.
* ''Series/BuffyTheVampireSlayer'':
** In the ''second'' episode Xander and Willow's so-called [[TrueCompanions best friend]] gets turned into a vampire, and Xander is forced to slay him. Neither Xander nor Willow seem that affected by this event, especially over the long term. Said friend is never mentioned again; indeed some people (like the original writer of this entry) couldn't even remember his name (it's Jesse). Worse, this was their first exposure to the fact that [[BrokenMasquerade vampires are real]]. The situation might have been different if the [[WhatCouldHaveBeen development plans for Jesse]] had come through, since a proposed line was for him to become a recurring, unapologetic vampire opponent (like vamp!Xander and vamp!Willow in the Wishverse).
** While there is plenty of angst throughout both ''Buffy'' and ''Series/{{Angel}}'', mostly from the two title characters, the usage of this trope is about equal to those instances; ''everyone'' is almost indifferent to anything less than an Apocalypse, most commonly reacting to endless threats against their lives and the lives of everyone around them with bad jokes. This is also probably a major reason why [[SeasonalRot Season 6]] of ''Buffy'' was so despised, as Xander leaving Anya and Dawn ''shoplifting'' were given more attention and handringing from The Scoobies than mass murder and mayhem.
* ''Series/DoctorWho'':
** The Doctor himself has gone back and forth on this. Often serials would have a very BittersweetEnding with a high body count, and the Doctor mourning the senseless tragedy of it all. Next serial he'd be up for a bit more fun sightseeing, even when it's made clear that little time has past between stories. One explanation running since the First Doctor days and made more explicit in the new series is that the Doctor feels the angst all too much (especially the destruction of his own people between the original show and the revival), but ''must'' keep running. To dwell on all the horror he has faced would mean a one way trip across the DespairEventHorizon. Like the First Doctor says hugging Dodo after "The Savages", he ''must never look back!''
** The first companion to leave in the whole show is Susan, the Doctor's own granddaughter. He quietly misses her for a few moments during "The Rescue", but then he picks up Vicki, a ReplacementGoldfish granddaughter who, unlike Susan, tends to be the Doctor's chirpy sidekick instead of the ScreamingWoman. This suits the Doctor's selfishness and BlueAndOrangeMorality, but isn't exactly sympathetic to consider in any depth. Susan presents all sorts of problems in this regard as she [[TheArtifact was a companion from a very different show to what the show eventually became]] and being the only companion the Doctor has no reason never to go back for - the show did its best in the old days to deal with this by simply forgetting she ever existed. The ExpandedUniverse even suggests that the Doctor even ''forgot all about Susan'', but the revival series has both the Ninth and Tenth Doctor mention being a grandparent in a far more angsty way.
** "Doctor Who and the Silurians" is a harrowing story with a colossal body count where the Doctor is stuck mediating between the Silurians and the humans, both of whom are trying to kill each other out of racist paranoia even though the Doctor is convinced they could talk it out. At the end of the story, hundreds of humans are dead from the Silurian plague, and the Brigadier's misguided attempts to protect humanity from further warfare led him to simply murder all of the defenceless Silurians in suspended animation, metaphorically stabbing the Doctor in the back in order to do so. The final image of the story is the Doctor looking down at the explosion in horror, declaring that the Brigadier had committed murder. The following story, "The Ambassadors of Death", opens with the Doctor in a new house making the TARDIS console do TimeyWimeyBall tricks and still working for the Brigadier like nothing has happened, with the exception of one throwaway barbed comment about the Brigadier being bored because he can't find more Silurians to shoot.
** Averted as strongly as the Classic series ever really really managed in the aftermath to "Inferno" (the finale of Season 7), in which the Doctor's failure to save the MirrorUniverse Earth (and being forced by the laws of time and space to abandon the versions of his friends he met there to die) strongly affects his personality from that point on - he becomes colder and shorter-tempered and alludes to it often. His EstablishingCharacterMoment in the next season is him singing "[[Music/TheInkSpots I Don't Want to Set the World on Fire]]", and when getting a MindRape from the Keller Machine in "The Mind of Evil" he hallucinates fire and explains to Jo that it's trauma. He also experiences fire in the nightmare he has at the beginning of "The Time Monster".
** Something horrible, usually getting possessed or blinded or so on, ends up happening to Sarah Jane once a story, and she eventually decides to leave the TARDIS crew because of it... but not because it's so scary and unpleasant, because it's ''boring''. Her final speech in which she complains to the Doctor is delivered in tones of naggy frustration while the Doctor tinkers with the TARDIS in the background in the manner of a boorish husband fiddling with his car while his wife tells him off.
** Implicitly averted in Season 14 which suggests the Doctor has spent a year brooding after the events of "The Deadly Assassin" in which he had to dump Sarah, decided he hated his former FriendlyEnemy, got tortured by his own people and had to endure a harrowing battle in a YearInsideHourOutside {{Cyberspace}} in which he continually experienced terrible nightmares. Meeting Leela helps snap him out of it.
** Director Ben Wheatley cited this trope as the reason why he found Fourth Doctor stuff so dark:
-->"If you look at the Tom Baker stuff, it's especially dark. When he leaves Leela — who's a very beloved assistant — he just laughs after it. There's none of the [breaking down and crying]. He just laughs, and "on to the next one," you know."
** Companions run the gamut in how well they cope with their adventures, from ActionGirl to ScreamingWoman. The companions who freak when they're running from homicidal Daleks would seem to be more realistic than the ones who stand and fight (not to mention saner), but the fans always prefer the ones who don't angst. Realistic or not, which one do you want to spend a half-hour watching?
** Matthew Waterhouse (Adric) thinks this was the reason the show treated much of the universe as a ThrowAwayCountry after its destruction in "Logopolis" - there was no way to deal with the implications of what had happened, and the characters' participation (however unwitting) in it, without derailing the show. (The [[TakeAThirdOption third option]] would have been not to have such a huge catastrophe in the first place, but anyway.) Nyssa, who was ''from'' that part of the universe, is visibly choked up, her voice breaking (or shaking with suppressed rage, its hard to tell which) when watching Traken's destruction. After that, events moved with enough speed and desperation that she wouldn't have had a ''chance'' to emotionally break down until the end of the story arc, at which point she presumably did her mourning offstage in the time gap between episodes. It's also entirely in-character for Nyssa to ''not'' go around emotionally freaking out; unlike some of the more higher-strung Companions, Nyssa's hat was being the calm and intelligent one.
** Ended up being something of a signature trope of the Peter Davison era, as an unfortunate result of (not entirely unsuccessful) attempts to ramp up the drama and conflict, presided over by a bunch of sci-fi and light entertainment writers and producers who didn't really understand how to pull this off. Nyssa's father's corpse is being worn by a mad Time Lord constantly trying to kill her!... and she never mentions it at all or even reacts. Tegan's aunt is killed by the Master!... "...and what's worse, I'm late for work!". Adric dies in a brilliant and painful sequence!... and in the next episode the Doctor says Adric wouldn't want everyone to mourn and everything is forgotten! The Doctor is introduced to his granddaughter who he abandoned centuries ago in a war zone and vowed through suppressed tears that he would come back for her!... and says "Yes, I know".
** Amy displays a blase attitude towards adventuring, danger, and her fiancé's safety, and is especially blatant after the previous regime's more realistic depiction of extreme trauma. Halfway through her second season, [[spoiler:she has her month-old baby taken to be made into a human weapon]], and while at the end of the episode she's seen shaking and crying, come the next episode and everything is business as usual. On the other hand, the actress describes Amy as a StepfordSmiler, so she just isn't showing it. This was also partly the result of the series's TroubledProduction, and there are multiple ExpandedUniverse stories and minisodes which attempt to plug the gaps.
* Claire on ''Series/{{Lost}}'', after [[spoiler:Charlie]]'s death.
* ''Series/FawltyTowers'' lost a good joke because of John Cleese's unwillingness to do this. In an episode where a guest dies and Basil and Manuel have to carry the body around without anyone noticing, the original ending was that the guest's twin brother arrived, greatly upsetting Basil who thought he was the guest and had been pranking him. Cleese realized that at some point the man would have to catch on that his brother was dead, which would ruin any comedy.
* Niki in ''Series/{{Heroes}}'' does not show much angst about [[spoiler:being responsible for her husband's death]].
* On ''Series/TopGear'', the three presenters allegedly have a pact that, should any of them die while filming the show, the remaining pair would appear at the beginning of the next episode, make a mournful comment, pause for a moment of silence, and then say "Anyway," and cheerily continue with the show. When Richard Hammond was seriously injured in 2006, Jeremy Clarkson commented that the joke didn't seem funny anymore, but after he recovered the pact seems to be back on.
* A few of the characters of ''Series/DegrassiTheNextGeneration'' have this, but Toby especially. He is consistently picked on, ignored by his unrequited crushes, and has two of his only friends killed by school violence, but seems no worse for wear by the next episode he's in.
* The Dolls in ''Series/{{Dollhouse}}'' seem to be like this on the surface. When not programmed, they are essentially [[BlankSlate childlike and complacent]] to those in authority over them, with not much will outside that, to a dangerous degree. For instance, Sierra seems to be able to shake off [[spoiler:being repeatedly raped by her handler]] pretty well.
* Showa ''Franchise/KamenRider'' series usually has the riders treat their angst relatively quickly, Heisei Riders on the other hand...not so much ([[Series/KamenRiderKuuga Yuusuke]] and [[Series/KamenRiderOOO Eiji]] being notable exceptions).
** Some of the Showa series (for non-Japanophiles, "Showa era" means "up to nearly the end of TheEighties.") have angst as an InformedAttribute; sometimes the episode ends with [[Series/KamenRiderBlack Kotaro]] hoping to get Nobuhiko back someday but laughing and having fun with his friends for now at the end of an episode as the narrator assures us that despite the ''soul-searing agony'' that is the ''torturous existence'' of a Kamen Rider, our poor tragic hero shall valiantly soldier on. It's [[{{Narm}} frankly hilarious]].
** Eiji, on the other hand, is an upbeat guy, but the deeper wounds left on him by his experience in that war zone are ''very'' much important to the plot.
** In ''Series/KamenRiderKiva'', Wataru has a party over his broken heart.
* Robin from ''Series/RobinHood'' BBC's retelling of the legend spends two seasons head over heels in love with Marian. Then when [[spoiler:Marian is murdered, he gets over his grief]] in one episode. And in Series Three, the hero who declared he'd love Marian forever gets [[spoiler:two new love interests]] without any sign he misses his first. Also, when he was a little kid, there seems to have been no long-term effects after his father is burnt to death in a fire; approximately two minutes after it occurred, Kid!Robin is throwing a party for the peasants.
* When the gang in ''Series/{{Seinfeld}}'' hear that Susan, George's fiance, has died from licking low-grade wedding invitation envelopes, they all shrug and go back about their business. Especially George, who angsts far more about the work he needs to do because of her death. This is a case of CrossesTheLineTwice.
* On ''Series/TrueBlood'', perhaps as a result of the break-neck pace of the series (they're halfway through Season 3 and it's been--just over a month?--since Bill first met Sookie), no one really has the opportunity to deal with traumatic events for more than half an episode before the plot train comes to take them to the next station. Not that there aren't moments of angst (e.g., [[spoiler:Eric's response to Godric's suicide]]), but they rarely have any long-term effects.
* On ''Series/NoOrdinaryFamily'', during Steph and Jim's first outing together as heroes, they accidentally cause the death of an insane pyrokinetic. The angst over his death lasts about five minutes on the car ride back, then they're back to normal.
* In the first episode of the UK version of ''Series/QueerAsFolk'', Stuart narrates to camera how he lost his virginity: to his PE teacher, when he was eleven years old. While he comments that "I must have been scared to death", he doesn't seem to believe the man raped him (he tells it as though he was the one who instigated the sex), and it's never mentioned again.
* ''Series/{{Misfits}}'' falls into this category at times, probably due to the fast-paced nature of the show - what with there being [[BritishBrevity only six episodes per season]], and a lot of ground to cover in that time. Although characters do angst ''briefly'' when something traumatic happens to them, the angst is either rarely mentioned in later episodes, or it leads to them immediately [[TookALevelInBadass taking a level in badass]]. For example, [[spoiler: Nikki's death]] instigated the closest thing to a MisfitMobilizationMoment the show has ever had.
* There were many instances of abuse, death, etc. on ''Series/{{Friends}}'' where the characters' lack of a sympathetic reaction made them seem very unlikable or tactless:
** When Chandler and Joey are robbed of just about everything they own, Monica's reaction is a mundane "What happened?" then telling Rachel about her date with Chip.
** Despite having had what most would consider a traumatic life, Phoebe is usually very throwaway about it, even using her mother's suicide to get the last muffin.
** Monica and Chandler aren't quite as bad, but seem blase about their absolutely ''horrible'' [[HilariouslyAbusiveChildhood childhoods]]. (Both involving ParentalNeglect and borderline AbusiveParents). Then again, she is a ControlFreak and he a StepfordSnarker, so their responses are subconsciously present.
** In one episode, Monica discovers that her Aunt Sylvia died. Instead of being sad about it, she jumps up for joy and cheers, because she can now have her dollhouse.
** The whole gang also get over break ups pretty fast. Even Ross and Rachel go back to happily being friends after they split. The only characters who react realistically are Monica and Chandler, as the fall out from their various break ups last several episodes. (Both characters seemed to be more romantically vulnerable than the others, though that made them more sympathetic rather than needy). Otherwise characters would shrug it off and be fine by the end of the episode.
* ''Series/{{Firefly}}'':
** [[CloudCuckoolander River]] does not angst anywhere ''near'' as much as one would expect her to, considering what [[SchoolForScheming the Academy]] [[MindRape did to her]]. That isn't to say she doesn't have her moments, but she doesn't appear to fall into depression or mention any of the horrible things that were done to her. She does have a couple of sobbing fits, but these have as much to do with her mental instability as they do with her experiences. She gives off an impression of someone who is trying, in her more lucid moments, to move on from the horrible experiences she's had. [[SouthernGentleman Simon]] notes in one episode that she seems to be happier on Serenity than she was anywhere else.
** The crew in general seem to try to get over various betrayals and deaths as quickly as they can, probably because as outlaws there isn't much chance for mourning. (In ''Serenity'' for example, Mal tells the crew to stop mourning [[spoiler:the deaths of Shepherd Book and his people]] because all they can do now is avenge their deaths.
* Frequently in ProfessionalWrestling. Your brother turns on you, destroys your entire life, kills your dog? Some little creep from your past tries to cripple your entire family? Your best friend mauls you to the point of hospitalization and tries to steal your son from you? Some freak with a beard killed your unborn baby? Eh, within a [[ThreeMonthRule few months]] you'll have forgotten all about it and probably be best friends again (and again and again). Maybe you can even get Beard-Boy to read a poem at your wedding!
* In ''Series/{{Supernatural}}'' season six, [[spoiler:soulless]] Sam is a good example of this.
-->'''Sparrow''': Your brother was abducted by aliens?\\
'''Sam''': Yeah.\\
'''Sparrow''': Oh my god!\\
'''Sam''': It's ok, I've had time to adjust.\\
'''Sparrow''': Did it happen when you were kids?\\
'''Sam''': No, like, a half hour ago.
* Played with in ''Series/LostGirl''. Lauren has spent 5 years as a slave to a species that despise humans, in a desperate attempt to find a cure for her comatose girlfriend. She later learns the Fae deliberately cursed Nadia into a coma, just to get her services. She ''really'' doesn't take that well. Said girlfriend is eventually revived, and in short order possessed by the BigBad, given a MercyKill from Bo (Lauren's other love interest), and [[DiedInYourArmsTonight dies in Lauren's arms]]. Lauren spends the next episode going through a realistic process of grief. She's hostile to Bo, admits to having nightmares, looks like she's about to break down any minute, gives a scientific reason for SexForSolace (but doesn't carry it out), and expresses a desire to simply run and leave it all behind her. It is gone by the next episode, but given how reserved she is (which is heavily implied to be how she got through said 5 years) she probably just isn't showing it. Ultimately averted in Season 3; after being assaulted in her home, she finally breaks down and talks about the toll the past few years has had on her. She mentions Nada's death, and the problems with her current relationship with Bo aren't helping.
* ''Series/PowerRangersSPD'' gives us [[FutureBadass Sam, the Omega Ranger]] who is from a BadFuture where [[BigBad Emperor Grumm]] won and B Squad was killed, so he went back in time to SetRightWhatOnceWentWrong. What makes this a particularly bad offender is that the members of B Squad were some of his only friends when he was a kid, and you'd think that combined with TheBadGuyWins would traumatize him so badly, it would border on {{Wangst}}, but he never shows a trace of angst. Then again, ExecutiveMeddling caused him to be DemotedToExtra, with only a small number of cases where he got to be a SpotlightStealingSquad, so he was pretty much shafted in terms of CharacterDevelopment...
* Lennier on ''Series/BabylonFive'' lost family during the Earth/Minbari War when the Minbari warship ''Drala'fi'' (Black Star) was destroyed. Despite this, he holds no grudge against the person directly responsible for destroying the ship (Sheridan), nor the person who gave the order that started the war in the first place ([[spoiler:Ambassador Delenn]]).
[[/folder]]

[[folder:Manhua]]
* ''Manhua/SchoolShock''[='=]s heroine Liu Li has no parents, almost everyone she got attached to was mentioned to have died and she herself has become dependent on drugs to prolong her short life. She is calm, cool and collected most of the time and also downright adorable in other and overlapping moments. Then again, she spent all her life in the military. It's just life to her.
[[/folder]]

[[folder:Music]]
* Music/ModestMouse's "Float On" is the musical epitome of this trope. ("A fake Jamacian took every last dime with a scam/It was worth it just to learn some slight-of-hand/Bad news is coming don't you worry cuz when it lands/Good news will work its way to all them plans") The whole reason the song even ''exists'' is because frontman Isaac Brock wanted to take a break from writing depressing, angsty music.
* Music/AmandaPalmer's "Oasis" plays this for laughs. [[BlackComedy Very dark laughs]].
[[/folder]]

[[folder:Newspaper Comics]]
* ''ComicStrip/NineChickweedLane'': Gran revealed to her daughter Juliette that [[spoiler: her biological father was an artistic ex-Nazi, not the conservative man who raised her.]] The announcement would have a bit more weight if both Gran and Juliette's daughter didn't accompany the word [[spoiler: "lovechild"]] with fist-pumping motions.
* ''ComicStrip/PearlsBeforeSwine'' loves to play this for dark laughs. Various crocodiles, Rat and Pig's roommate Leonard, and even [[CreatorCameo Stephan Pastis]] himself have died (and undied) in the series, with little if any mourning.
[[/folder]]

[[folder:Tabletop Games]]
* It is common among many players of {{Tabletop RPG}}s to overlook the emotional situation of their characters, leading to people that [[DoomedHometown watch their home towns burn]] and are over it just a round after the incident. Granted, if the group as a whole doesn't care, it's better off that way, but it's a major hindrance to group dynamics when some players want to deepen their characters' deep-seated emotional issues and some players just want to kick asses and take names. It's also common among most role-players for characters to take a fairly laid-back attitude to the death of other party members. You'd think watching your friend and companion get horribly killed, mutilated, turned to stone or worse would bother someone, but typically they just move on without a second thought. (It helps when [[IdiotBall they get themselves killed in stupid ways]], like BullyingADragon.)
* ''TabletopGame/NewWorldOfDarkness'' games:
** Especially considering [[TabletopGame/WraithTheOblivion its predecessor]], the entire setting of ''TabletopGame/GeistTheSinEaters'' manages this trope quite nicely. To whit: in order to become a Sin Eater, you have to 1) start out with some kind of connection to death, [[ISeeDeadPeople such as through some kind of psychic power]]; 2) [[PosthumousCharacter you need to die]]; and 3) you need to make a deal with a Geist to come BackFromTheDead. Though one would think this would lead to tons of SupernaturalAngst, most Sin Eaters seem to believe that, now that they've already died once, there's no reason they shouldn't enjoy themselves till Death gets them again.
** A different, darker take on this trope comes from the Spring Court of ''TabletopGame/ChangelingTheLost''. After being kidnapped by TheFairFolk, horribly abused, and escaping, they decided they would live it up as best as they could, if only to spite their former captors. Subverted in that they really ''are'' still heavily traumatized by what happened to them in Arcadia, they're just in heavy denial and/or trying to sublimate their psychological issues through partying.
* ''TabletopGame/HunterTheReckoning'' counselled players to avoid this:
-->If your sister got turned into a zombie and showed up at your front door, you wouldn't grab a baseball bat and cry havoc. You'd shit your pants.
* ''TabletopGame/{{Warhammer 40000}}'':
** All media in TheVerse include this trope as a matter of course, for two main reasons. Firstly, due to the particularly nasty version of natural selection on which the setting operates, if a character isn't able to mentally shield themselves against tragedy and horror then they won't last long. Secondly, when the types of enemies faced is such that the SlidingScaleOfVillainThreat ''starts'' with things that can kill all life on a planet, then having a {{Doomed Home|town}}world really ''isn't'' something worthy of angst.
** Da Orks are an entire species that has this as one of its many traits. A famous Eldar philosopher once spoke of them as being completely free of angst: every Ork knows and loves its role in life, Orks by nature have no fear of death, and all Orks get to fulfill a purpose within a society. So while you might find a human, Tau, or even Eldar contemplating the meaning of their life in a cold and heartless galaxy, an Ork considers such business 'mukkin' about' and getting in the way of proper business: dakka, choppa, lootin', more dakka, more choppa, more lootin', etc.
[[/folder]]

[[folder:Video Games]]
* Vyse from ''VideoGame/SkiesOfArcadia'', to a really, really amazing degree. To the point where crashing on a deserted island after seemingly losing his friends in a burning vessel...Vyse just shrugs and treats it as a vacation. At one point, after his base of operations is razed to the ground, the player has an option to have him claim to one of his builders that they needed a renovation anyway, which completely shocks her due to how bizarrely optimistic his statement is. The game's script treats his demeanor as out of the ordinary even for the universe it's in, but also points out several times that his attitude is also what makes him an effective leader and captain. In the Gamecube "Legends" release choosing the most noble and optimistic statement in any scenario is scored and affects the unlocking of some of the new content. Notably towards the ''very'' end of the game, he does have a moment where he nearly does crack [[spoiler:though it took an apocalyptic genocide for him to get that far. Fortunately, before he does snap, all the people he helped immediately show up to vow to fight with him and break him out of his funk.]]
* Jude Maverick, main character of ''[[VideoGame/WildArms Wild ARMs 4]]'', [[spoiler:prior to [[HeroicBSOD his mother's death]], anyway]].
* Slightly averted with Polka in ''VideoGame/EternalSonata''. There is angst, just nowhere near as much as you'd expect from someone in her situation.
* Ann of ''VideoGame/JurassicParkTrespasser'' does have a few reasonable worries when she realizes she's crashed on Site B--but deals remarkably well with being attacked by a Velociraptor out of seemingly nowhere.
* ''Franchise/KingdomHearts'': [[TheMcCoy Sora]] is worried for his parents (and the rest of Destiny Island civilization) for all of five minutes before setting out to save the world with a big grin on his face. WesternAnimation/{{Donald|Duck}}and WesternAnimation/{{Goofy}} [[LampshadeHanging specifically ask]] him not to angst, and in Sora's defense many people have a pretty high level of optimism at his age -- the old "you're a teenager, you can solve any problem" thing. He does slip into momentary depression throughout the series in response to events (before being cheered up by friends/distracted by task at hand), and it is implied that everything that has happened is slowly taking a toll on him.
* Aileen Harding from ''VideoGame/AlienSyndrome'' has every right to feel relatively down most of the time, but she usually is in good enough shape to not take it too far.
* The protagonist of ''VideoGame/FinalFantasyTacticsAdvance'' both averts and embraces it - while he strives to go home, he does so in a manner free of angst. In ''VideoGame/FinalFantasyTacticsA2'' meanwhile, the protagonist is dragged alone (at least Marche had his friends dragged with him), he kind of goes with it. At one point, he rather cheerfully admits to forgetting that the whole point of him traveling and adventuring was to go home; he was having too much fun, you know, traveling and adventuring.
* In ''VideoGame/FinalFantasyIII'', one of your {{Guest Star Party Member}}s, [[spoiler:Aria]], performs a HeroicSacrifice and dies in Luneth's arms. After they all black out and wake up in town later, no further mention is made, not even by Luneth, who [[spoiler:Aria]] was closest to.
* Zidane of ''VideoGame/FinalFantasyIX'' is surprisingly well adjusted for a 16-year-old orphan with a tail that gets dragged along to multiple genocides over the course of the game. To the point where it's genuinely shocking that his true origins can actually cause a HeroicBSOD, which he still gets over rather quickly. Even the ''adults'' in this game aren't that well put-together. And while finding out his origins did freak him out a bit, he immediately pushed it aside and turned on his creator while citing ThePowerOfFriendship. The BSOD only occurred after said creator apparently ripped his soul out, and it took the rest of the party's Friendship speeches to help him recover.
* ''VideoGame/FinalFantasyX'':
** Tidus woke up stranded in a strange new land and later found out his home was destroyed, but he's always cheerful and energetic. [[spoiler:Even when he finds out he's a ghost (of a sort) and will fade away once Sin is defeated, he faces his end with a jubilant attitude]]. However, he certainly manages to angst about ''[[{{Wangst}} his family issues.]]''.
** Most of the main cast is quite depressed and either repressing it, hiding it or coping in their own way. The game lampshades this after Home when a character tells Tidus to smile because he'll only worry Yuna if he doesn't. It isn't hard to imagine this is what all the Guardians are doing the same so as to make the Pilgrimage less painful. This is specifically addressed in the cutscene outside of Djose Temple: Yuna shows up late, and everyone starts making cracks about her hair and generally kidding each other. In the narration, Tidus says that at that point, he was the only one really laughing, the implication being that everyone else was just trying to keep a stiff upper lip in the face of Spira's, and more specifically their, inevitable fate.
** Spira as a whole has this feel to it, especially considering their constant terror by Sin. It's remarkable how they can continue their lives when Cthulu-Moby Dick can wipe out their lives in an instant.
* What about Serah of ''VideoGame/FinalFantasyXIII2''? At the start of the game, she's already depressed about Lightning missing and Snow somewhere in Gran Pulse. During the course of the game, she found out that [[spoiler: she has the Eyes of Etro, meaning her life span shortens every time she changes the timeline. She also found out that Snow acquired a l'cie mark, Lightning is in Valhalla (a place she can't leave easily) and the crystal pillar is in danger of breaking.]] Despite all that, she stays cheerful and optimistic. Then we found out that [[spoiler:after defeating Caius, all the time paradoxes get resolved and the only timeline they can return to is 500AF. This means that the people Serah know in 2AF are dead, Snow may or may not be in the same timeline, Lightning may or may not leave Valhalla, Noel may vanish and she may die.]] She probably know these but she still went ahead with a smile.
* ''Franchise/SonicTheHedgehog'':
** Sonic just doesn't seem to "do" angst. Throw him into space, blow up his home, turn him into a werewolf, he'll shrug it off within five seconds and get back to work. The closest thing to angst we've ever seen from him is a brief moment of reflection during the ending of ''VideoGame/SonicAdventure2'', but even then he shrugs it off pretty quickly. It's explained in ''VideoGame/SonicUnleashed'' by Sonic having an amount of HeroicWillpower off the charts, so much so that it's the only reason his transformation into the Werehog only gave him a slightly enhanced aggression streak (and he never experiences any real negative influence from it) instead of turning him into a monstrous killing machine.
** [[KidAppealCharacter Tails]] is an orphan that lives alone in his laboratory building things until [[TheMcCoy Sonic]] decides to call him up whenever he needs to use his airplane. It's also mentioned in most continuities that he was heavily bullied before he met Sonic. Yet he still manages to be a CheerfulChild, despite a backstory that should make him every bit as depressed as [[AntiHero Shadow]].
* In ''VideoGame/{{Mother 3}}'', every single one of the protagonists have [[DysfunctionJunction royally messed-up lives]], and don't angst a bit about it (except Flint and maybe Salsa, but that's a bit hard to tell since he's a monkey). Lucas was a crybaby ''before'' getting an angst-worthy life and ''then'' became nice, brave and [[HeroicMime almost selfless]]. Before the game the people of Tazmily Village were blissfully unaware of "sadness" so it's not unheard of that they wouldn't know how to angst about it.
* ''VideoGame/BaldursGate'':
** Your party is generally made up of either psychos, megalomaniacs, or people with incredibly tragic backstories. Mazzy Fentan in particular, despite having her entire party of companions turned into life-sucking undead horrors, just picks up her blade and goes on.
** CHARNAME, over the course of the games, lost (for the sake of convenience) his father, his home and a startling number of friends ([[MyFriendsAndZoidberg and Xzar]]), learned he's descended from the dead and evil God of Murder, and witnessed countless innocents meet horrifying fates at the hands of cosmic horrors and tentacle monsters. The net result, as most people play it, includes very little moping and huge quantities of [[DeadpanSnarker snark]], usually followed by a few explosions, and then carry on as always - including providing therapy for angsty comrades.
* In ''VideoGame/LiveALive'', Orsted [[HeroicMime silently]] bears all the misfortunes his quest throws in his way as it slowly goes from a very generic "save the princess" plot into the depths of FromBadToWorse territory. He's told that as long as someone's counting on him, he should keep moving forward, and that's exactly what he does. [[spoiler:Until said princess tells him she hates him and [[DespairEventHorizon kills herself rather than be saved by him]]. Then he, uh... [[OmnicidalManiac breaks.]]]]
* ''Franchise/SilentHill'':
** There are a lot of people who won't even play the games alone with the lights turned out, but for some reason, none of the main characters ever just break down screaming. The only comment ever given on the situation comes from ''VideoGame/SilentHill3'', when Heather says that she used to be bothered by the corpses laying all over the place, but barely notices them anymore. Granted, once we find out [[TomatoInTheMirror who she is]], her resiliency isn't all that surprising. [[VideoGame/SilentHill1 Harry's]] love for his child, [[VideoGame/SilentHill2 James']] near-suicidal need to be with his wife, and [[VideoGame/SilentHillOrigins Travis']] repressed violent urges are the things that drive each of them on in spite of common sense. [[VideoGame/SilentHill4 Henry]], meanwhile, seems to simply not process or react any of it, continuing out of sheer stubborness.
** {{Justified|Trope}} in ''VideoGame/SilentHillShatteredMemories'', in which Harry is actually [[spoiler:just a figment of his daughter's imagination. She imagines him as a [[BigDamnHeroes Big Damn Hero]] (or a doormat, or an abusive alcoholic, or a philanderer, depending on how you play) and so that's what he is.]] He still shows signs of "oh god, what the hell is going?"
* Kyrie, the main hero of ''VideoGame/SandsOfDestruction'', doesn't actually stop to feel sorry about accidentally destroying his village and turning all of its inhabitants into dust. He seems to forgets all of it because he meets [[ActionGirl this girl]]... [[spoiler:At first]].
* ''Franchise/DragonAge'':
** [[spoiler:Zevran]] in ''VideoGame/DragonAgeOrigins'' hides [[StepfordSmiler behind a facade of this]] unless he trusts the main character enough to reveal his true feelings.
** Sigrun in ''[[VideoGame/DragonAgeOriginsAwakening Awakening]]'', despite being the SoleSurvivor of a sect of [[DeathSeeker Death Seeking]] Dwarves refuses to wallow in angst and is about as upbeat as someone in her position can get.
-->'''Nathaniel:''' For a dead woman you're remarkably perky.\\
'''Sigrun:''' I could be less perky if you like. 'The darkness of the Deep Roads is seeped into my soul! The world is dead! My heart is black! Alas! Woe! Woe!'\\
'''Nathaniel:''' Let's stick to perky.
** The Grey Warden's origin can have such lovely events as being tainted by a cursed artifact, having your younger brother murder your older brother and pin the crime on you, or having your family's castle assaulted and your entire family down to your young nephew killed. Then there's the battle where you're double crossed and one of only two survivors. You'd think that would result in some issues, which it does with Alistair.
* ''Franchise/MassEffect'':
** In ''VideoGame/MassEffect1'', Liara takes her mother's FaceHeelTurn and [[spoiler:death]] in stride, and is actually surprised if Shepard asks her if she needs any help dealing with it. She does, however, have a very anguished reaction when [[spoiler:Benezia regains control of herself late in the fight and again as she is dying]], and in the third game, fondly talks about childhood memories with the implication that [[spoiler:she misses her mother]].
** In ''VideoGame/MassEffect2'', Shepard seems to take finding out that they have been dead for two years rather in stride. While its talked about briefly at the beginning -- and again when characters from the last game react to seeing their old commander alive -- Shepard seems to completely avoid any of the angst or existential crises that one might expect from someone who has killed and brought back to life; and, depending on your dialogue choices, seems downright chipper for most of the story. This can be attributed to how Shepard is completely and utterly focused on the kidnapped humans mystery. Given quiet time in ''VideoGame/MassEffect3'', they start questioning their own existence, wondering if they're just a TomatoInTheMirror.
** Jacob Taylor of ''VideoGame/MassEffect2'' is almost entirely unaffected by what he discovers during his personal mission, beyond briefly getting very angry during the mission but then proceeding to cope quickly, effectively, and without any external help. This is possibly lampshaded in the Lair of the Shadow Broker DLC, where the files on Jacob suggest that, despite his combat skills, the real reason he was put on the Normandy was for the "stabilising effects of his personality" in the DysfunctionJunction that makes up the rest of the team.
** Lampshaded by Mordin: despite his [[http://www.youtube.com/watch?v=zAiySGf0CPI loyalty]] [[http://www.youtube.com/watch?v=wOqmb0LmEyc mission]] forcing him into conflict with his ex-protege and causing him to question his entire life's work, the next time you talk to him he's as chipper as ever. He happily explains that salarians work through emotions very fast, so he's already dealt with ''all'' his angst on the flight back to the ship. ''VideoGame/MassEffect3'', however, shows that Mordin has not ''quite'' gotten over all of it, as [[spoiler:he leaks Eve's existence to Wrex and stubbornly goes through with the plan to cure the genophage, [[HeroicSacrifice fully aware that doing so will kill him]], declaring that [[OOCIsSeriousBusiness "I MADE A MISTAKE!"]]]]
** Used interestingly after the SuicideMission by your crew if you [[spoiler:save them from liquefaction at the hands of the Collectors]]. Most seem just fine later, a little shaken up but generally fine. But when you ask Kelly Chambers if she's all right, she goes into a horrified flashback and is clearly, obviously ''not'' -- and yet [[ThePollyanna she pushes this back and doesn't show it otherwise.]] In ''VideoGame/MassEffect3'' it is possible to meet Kelly again, and she explains that she's having a delayed reaction to the trauma, and can't bring herself to set foot on the Normandy again because of it.
** If you comply with Tali's request in her Loyalty mission and [[spoiler:subsequently get her Exiled from the Migrant Fleet,]] she's perfectly fine with it, seeing it as preferable to the alternative.
* ''Franchise/SlyCooper'':
** For a guy who saw his parents murdered in front of him, saw the Thievius Racoonus torn apart, saw his friends being held captive, been captured a couple of times himself, saw his friend (Bentley) get crippled by Clock-La at [[VideoGame/Sly2BandOfThieves the end of the second game]], amongst other stuff, Sly doesn't show much angst.
** Bentley is remarkably angst-free about being stuck in a wheelchair for the rest of his life, and though he does show one instance of insecurity about it, it seems he is sufficiently confident in his abilities as TheSmartGuy of the team to compensate for his physical weakness. Being fairly frail to start with, and [[GadgeteerGenius fixing up his wheelchair with a mini-armoury of gadgets might help with that.]]
* ''VideoGame/{{Touhou}}'':
** Reimu is likely an orphan, and Marisa has been estranged from her family since she was young, but they never mention it, let alone to angst about it. All indications point towards them preferring it that way.
** Flandre Scarlet has spent almost ''five hundred years'' in the basement of the Scarlet Mansion because her [[PersonOfMassDestruction ridiculous levels of power]] are a threat to everyone and everything, yet despite what fan works would have you believe she remains a CheerfulChild with no malice or resentment towards anyone.
** Byakuren Hijiri was imprisoned in Makai for more than ''one thousand'' years as punishment for thinking it would be nice for youkai and humans to stop fighting each other, yet she remains probably the friendliest, most caring person in the series. Fans almost immediately [[FanNickname dubbed her]] "Youkai Jesus" as a result.
** Even though Gensoukyou is cut off from the outside world, sometimes stuff from the outside world falls through holes in the barrier and some of the stuff includes scientific scriptures. This, it turns out, is like a plague in the setting. Yamabiko, the youkai race responsible for shouting your echo back at you, used to be common in Gensoukyou, but following a rumor that started to spread in the human village that echoes are actually just sound waves being reflected back at you from surfaces, the yamabiko are losing their purpose in life and essentially facing extinction via PuffOfLogic. Kyouko Kasodani is a yamabiko but you really wouldn't believe any of the above information from her friendly and cheerful demeanor.
* In ''VideoGame/{{inFAMOUS}}'', Cole [[spoiler:loses Trish, gets backstabbed by Zeke, discovers that his future-self is a ''huge asshole'', and learns that there is an unstoppable world-destroying monster on the way that only he can fight]]. In the sequel he's back on good terms with Zeke and seems all-around fairly chipper. This may or may not be a façade depending on your interpretation. [[spoiler:Zeke had to work to prove that he was still Cole's friend, bringing up the topic of Trish around Cole is a Bad Idea and in the good path he never shows interest in any other woman, he will react ''very'' poorly to the mention of his similarities with Kessler, and he spends almost every waking moment trying to find ways to fight back against the Beast.]] His lack-of-angst about the destruction of [[spoiler:Empire City]] is still very strange, however.
* In ''VideoGame/TheLegendOfZeldaOcarinaOfTime'', [[HeroicMime Link]] doesn't seem the least bit upset over [[spoiler:opening the gate to the Sacred Realm, [[NiceJobBreakingItHero allowing Ganondorf to seize the Triforce and plunge Hyrule into darkness]]]]. [[HeroicMime Then again]]....
* {{Invoked|Trope}}, {{discussed|Trope}}, and turned into a CrowningMomentOfAwesome in ''VideoGame/EndlessFrontier''. When Haken learns [[http://www.youtube.com/watch?v=prR2x-gKGOI the shocking secret of his birth]] ([[spoiler:that he's an artificially-created SuperSoldier made to wage war in alternate universes]]), he spends all of zero seconds angsting about it before moving on to the task at hand. His companions actually have to press him on the subject before he finally just says IAmWhatIAm and compares it to boobs.
-->'''Haken:''' In the end, all we discovered here was the shocking secret of my birth.\\
'''Reiji:''' You don't seem to be too shocked about it, though.\\
'''Haken:''' Sorry about that. Should I faint and start screaming a little? [[HiddenDepths ...If I did something like that, it'd just make Kaguya and the others worry more about me, right?]]
* Dwarves in ''VideoGame/DwarfFortress'' have an odd way of measuring their moods; it's a strict positive/negative thing. Did their wife and children just get killed by a [[OurMonstersAreWeird Forgotten Beast]]? This can be balanced out by a eating in a ''really'' nice communal dining room, sleeping in a nice bedroom, and obtaining a well-made pair of socks, leaving them at least "quite content" overall. Some AlternativeCharacterInterpretation is that quite content is more "coping with life" than it is "sort of happy"; at anything below "quite content" Dwarves are at risk of snapping in one way or another, throwing a potentially [[DisasterDominoes Fortress destroying]] tantrum, being DrivenToSuicide or going permanently AxCrazy. Or going into a fell mood and killing some random dwarf.
* In the little known game ''VideoGame/BraveTheSearchForSpiritDancer'', the main character Brave sees his [[DoomedHometown home destroyed]], his best friend Meadow Flower turned into a [[BuffySpeak sort-of zombie... thing]], has his mentor, Grey Bear, [[MentorOccupationalHazard die]] [[DiedInYourArmsTonight in his arms]], [[HeroicSacrifice after shielding]] [[TakingTheBullet Brave from an attack]], and is forced to flee for his life. ''All in the same scene.'' Brave is upset about it for about a scene or so, but then cheerfully goes on his way to find the Spirit Dancer.
* ''VideoGame/HalfLife'' has the one and only Gordon Freeman, a young physicist who never saw combat before [[TheEndOfTheWorldAsWeKnowIt the Black Mesa Incident]] and afterwards has spent almost ''a week straight'' fighting for his life, with any respites lasting no more than an hour at a time. Granted, as a HeroicMime the player never gets to see his reaction, but at this point he should be huddled in a corner somewhere, not facing the next deadly monstrosity guns blazing.
* ''VideoGame/CorpseParty'' deconstructs this. While Seiko Shinohara is secretly a bit of a StepfordSmiler, her apparent lack of angst despite being trapped in a nightmarish situation causes her best friend Naomi Nakashima to accuse her of being creepy. This leads to an fight between the two and they separate. [[spoiler:The next time they meet, Seiko is hanging from a pillar in the girl's bathroom. And there is no way for Naomi to save her.]]
* In ''VideoGame/BatenKaitos Origins'', [[TheHero Sagi]] is surprisingly optimistic and agreeable throughout most of the game, despite the various misfortunes and defeats he suffers. He does have [[UnstoppableRage a few moments]], but his default mood seems to be very cheerful.
* Two of the three playable Servants in ''FateExtra'', [[TheEmpress Red Saber]] and [[GenkiGirl Fox Caster]] have shades of this, (the third servant is [[DeadpanSnarker Archer]] [[VisualNovel/FateStayNight yes, that one]]) despite having BrokenBird level histories neither one of them really laments on their past lives. It might be because they have had time to deal with it, but even over the course of the game, where things keep going FromBadToWorse, they are the rock that keeps the protagonist going.
* In stark contrast to many other vampires, Valvatorez from ''VideoGame/{{Disgaea 4| A Promise Unforgotten}}'' spends very little time on brooding over tragic events. He's even cheerful about his fall from Tyrant to the lowly position of Prinny Instructor.
-->'''Valvatorez:''' Plus, by falling into Hades, I discovered [[TrademarkFavoriteFood sardines]]: an excellent source of nutrition. Actually, I should be thanking you for that.\\
'''[[spoiler:Artina]]:''' Oh, Mr. Vampire... I'm trying to be serious right now.\\
'''Valvatorez:''' I'm being serious too.
* Subverted in ''VideoGame/SpecOpsTheLine''. After the [[spoiler:white phosphorous incident]], Lugo and Adams start freaking out and yelling at Walker. Walker's reaction? A brief silence, then "We need to keep moving." [[spoiler:In reality, the guilt over what he has done causes him to experience a mental breakdown and start hallucinating.]]
* Prince Alexander of ''VideoGame/KingsQuest'' [[spoiler:spent most of his life as a mistreated slave]], but you'd be hard-pressed to tell in ''VideoGame/KingsQuestVIHeirTodayGoneTomorrow'' where he seems to be a appropriately well-mannered and gracious gentleman, other than a few wistful comments he makes alluding to the matter. (He ''is'' rather quiet and reserved, but not more so than you might expect someone who's a scholarly bookworm by inclination would naturally be.) The ExpandedUniverse and fanworks almost invariably respond to this by altering his behavior in some way to be more "realistic".
* The Heavy of ''VideoGame/TeamFortress2'' fame has a DarkAndTroubledPast, but [[BoisterousBruiser you'd never know it by looking at him]]. ''Meet the Director'' has the titular character [[http://www.teamfortress.com/meetthedirector/?p=4 attempting in vain]] to wring some pathos out of him.
-->'''Director:''' Your father was a counter-revolutionary. When he was killed, you, your mother, and your sisters were transported to a North Siberian gulag. Paint me the picture.\\
'''Heavy:''' No. This is my gun. I like to shoot this gun. Is all you need to know.
* Nina of ''VideoGame/BreathOfFireII'' is gradually revealed to have the darkest past of any of the player party, including being excommunicated by her family, raised half a continent away from her home, and generally shunned from returning thanks to her [[FreakinessShame black wings]]. Apart from being a bit depressed when she explains the symbolism of the latter, she never shows any angst over it, [[RealityEnsues due to a stable upbringing, a healthy set of coping mechanisms]], and [[{{Determinator}} willpower]] that impresses even her ancestor.
[[/folder]]

[[folder:Visual Novels]]
* ''Franchise/AceAttorney'':
** In ''VisualNovel/ApolloJusticeAceAttorney'', Trucy Wright gets over [[spoiler:both the disappearance and the murder of her father surprisingly quickly.]] In fact, Apollo seems more shocked than she is. Towards the end, however, it's revealed that she is upset about it, she just avoids showing it to most people.
** Phoenix gets over his shock at [[FirstEpisodeSpoiler Mia's death]] in the first game rather quickly, considering how much she meant to him. He may be channeling his grief into determination to bring the (real) murderer to justice within the three-day trial, however. The effect is also softened somewhat by the fact that Phoenix still gets to see Mia occasionally by way of Maya channeling her, though it ''is'' still weird during the case itself.
** There's some sort of Law of Diminishing Grief at play in the ''AA''-verse. Maya reacts somewhat realistically to Mia's death in the first game, and is similarly shown to still carry grief for her missing mother. However, when [[spoiler:her mother not only appears but is brutally murdered]], Maya seems far more hand-wavey. This is explained as her being strong for Pearl's sake, and she ''does'' seem pretty upset during her testimony in the final trial, so after multiple installments showing that Maya has kind of a crazy threshold for emotional and physical trauma ([[spoiler:being kidnapped and held for ransom, diving in front of a taser, etc.]]), it's believable. However, in later games, both [[spoiler:Trucy]] and [[spoiler:Kay Faraday]] seem to immediately recover from the deaths of their fathers at breakneck speed -- in the former case, the character had been estranged from her father for years, but in the latter the two characters were apparently inseparable and the father had died about two hours before, creating a strange jarring effect. Like... seriously, we're talking about Swiss rolls right now? Your dad is dead.
** If [[spoiler:Franziska von Karma]] is upset that Phoenix sent her father to jail for murder, she doesn't seem to show it. Her main concern is defeating him where [[spoiler:Edgeworth failed in order to prove herself superior.]]
** Perhaps, given the high ParentalAbandonment rate in the ''Ace Attorney'' world, people just get over the loss of their parents very quickly. Right after [[spoiler:her mother is arrested]], Pearl Fey is happily going to the circus and hanging out with the guy who caused it. Though it is later implied that she didn't really understand what that all was about. She was 8 or so at the time, so that is possible. Also, Phoenix had her channeling Mia on the last day so she wouldn't see the trial and verdict herself.
** Speaking of ParentalAbandonment [[spoiler:Apollo is abandoned by his mother]] who re-marries and carries on with her life, yet no one, including him, seems to care all that much, except for [[spoiler:that one brief comment by the journalist Spark Brushel who called Trucy 'lucky' compared to Apollo in that she was kept while he was abandoned]]. During the fifth game he helps his best friend out with his own mother's death by using his own background as his example, so he's clearly handling it very well.
** Klavier Gavin has a lot of things to be down about. During the fourth game [[spoiler:his police detective bandmate had smuggled contraband into the country and killed the Interpol agent who was tracking him and his own brother turned out to be a twisted psychopath who is responsible for two deaths, used Klavier to sabotage a talented lawyer's career, and has a severe case of DisproportionateRetribution]]. In the fifth game you can add [[spoiler:his instructor from high school, a perfectly upstanding and honorable individual, is killed simply because she was trying to be upstanding and honorable to the wrong person]]. Even if he's able to put aside friend and familial relationships to see justice done, there was no justice in Constance Courte's murder, which would surely send most characters into a swill of cynicism and disillusionment. Yet in spite of all this, his personality always remains a calm, suave, debonair ladies' man full of charm and charisma with no hint of internal struggle or pain.
* ''VisualNovel/{{Tsukihime}}'':
** Arcueid is the last remaining sane True Ancestor (until the Franchise/{{Nasuverse}} needs more, anyway) and the strongest one ever. Why? Because she's a living weapon. No life experiences, no memories, no friends, no family (except a 'sister' that she does ''not'' get along with, and her father the... moon? Skip that one for now) and then we get to the first person she ever really talked to, Roa, who tricked her into drinking his blood, causing her to kill all the True Ancestors and stole some of her power, then goes around being all vampirey just so she comes and chases him. 800 years later she has so little life experience that she's ecstatic over a simple ''conversation''. Oh, and before that she never spoke to anyone nor had anything she thought of as fun. Yet she's probably the sanest/most well adjusted character in the series (except when she goes {{yandere}}) apart from [[ThoseTwoGuys Arihiko.]] She doesn't even really ''care'' and is a big goofball all the time.
** Shiki, which was intentionally done and is noted upon several times. Presumably it was done in order to contrast him with the likes of [[spoiler:Kohaku, Hisui or Ciel]] who just can't leave the past alone, and it kinda helps that his memory is Swiss Cheese due to his stepfather's actions, to the point that he doesn't really remember two of the most traumatic instances of his childhood except subconsciously. Though the one time he realized that he was suppressing his guilt over [[spoiler:murdering Arcueid]], he was completely horrified with himself and immediately began apologizing to her.
** Looking at Arihiko's behavior in the main storylines, you'd never guess that his backstory involved [[spoiler:almost his entire family being killed in an earthquake and guilt over wishing that his crushed grandmother would die faster so that she wouldn't cause the rubble to shift while trying to reach him where he was pinned for days in the wreckage.]]
* Sayaka in ''VisualNovel/{{Suika}}'', which only serves to make her an even bigger woobie somehow.
* Lilly of ''KatawaShoujo'' does not bear any resentment toward her parents for leaving her behind in Japan with her sister, prompting Hisao to point out that she's "too kind" to them. She is, however, also a StepfordSmiler and TheStoic who rarely lets her emotional guard down, so it's difficult to tell whether this is how she actually feels.
* [[spoiler:Lily]] in Mia's route from ''VideoGame/DuelSaviorDestiny'' after [[spoiler:seeing all her friends outside of Taiga turned to stone (forever, for all she knew), Mia seemingly fall to her death, and her mother being arrested]]. Though it's more that she ''can't'', since breaking down [[spoiler:would cause Taiga's horrible mental state to become even worse, which would almost certainly lead to Ruin winning.]]
[[/folder]]

[[folder:Webcomics]]
* In ''Ship in a Bottle'', Ship takes being stuffed away for a century oddly well, [[LivingForeverIsAwesome mainly because she's immortal]]. Alan provides the requisite lampshading, but Ship does hint she's hurt that her former master, Ronald, forgot about her.
* ''Webcomic/LastRes0rt'':
** Daisy's had her leg amputated and has been held prisoner/tortured for at least the past three months prior to her arrival on the show. We can justify some of her dissonance by assuming [[spoiler:if she IS Scout Arael, she's been conditioned previously to withstand some of what happened to her]] and that on top of this, her Autistic traits make it harder to notice if she's angsting.
** Jigsaw's also been hiding away from her family and everyone else in the three months between turning into a vampire ([[spoiler:and believing she murdered her sire]]). She's been surprisingly calm since.
** Slick's been in jail for ''six years'' for a crime he didn't do -- though there's at least a couple on the list he probably did do, he most definitely didn't kill his own father.
** White Noise has been in jail for ''forty-seven years'' although in his case he definitely did the crime, he just claims he was ordered to do it. Granted, [[CutLexLuthorACheck he also became filthy rich]] while he was locked up, but still.
* ''Webcomic/{{Misfile}}'':
** Ash angsts constantly about the problems from his GenderBender. But he never angsts (or even notices) that his pre-GenderBender life was in some ways worse; he had [[MissingMom no mother]], his father was cold to him, he had a grand total of two friends (or, for that matter, people he even talked to), and so on. In fairness, the intense mental and emotional effect of a radical change in your body and having your entire life and past changed to something ''you'' don't even know everything about overnight isn't exactly easy. Furthermore, a fair amount of angst is because his life is ''better'' as a girl.
** Emily just lost the last ''two years of her life''. Oh, and all of her former "friends" didn't make the jump back. So, she's isolated, stressed, and confused, and she rarely complains about it. She even says so, which pisses off Ash since he's NOT happy with the change. Then they have a big "I want to help you, but I like my own life" thing, where she probably was about to admit she'd love for Ash to be a boy again, because she wants in his pants, but not as a girl.
* It takes something major to keep the ''Webcomic/SluggyFreelance'' cast down for long. {{Justified|Trope}} with Bun-Bun, who is noted for his great emotional resiliance, and Torg, [[http://pics.sluggy.com/daily.php?date=980505 for different reasons]]:
-->'''Horribus:''' Why can't we use his fears against him?\\
'''Psyk:''' The long of it is, he does not explore consequences in depth, so he has no unknown fears to confront. And his memories are limited, so he has no fears from his past. The only things he seems to "fear" stem from simpler things we would not even regard.\\
'''Torg:''' ''Hey'', are you saying I'm too stupid to be afraid?\\
'''Psyk:''' That's the short of it.
* ''WebComic/SabrinaOnline'' has Sabrina learning that Zig Zag had a difficult childhood with AbusiveParents. However, Zig Zag has put that behind her and is adamant that she doesn't want to talk about it; she's doesn't want her sexual appetites to be treated as a source of pity.
* Jodie of ''Webcomic/{{Loserz}}'' ''is'' alright about [[DisappearedDad her lack of a father]] and her status as an accidental baby.
* ''Webcomic/{{Homestuck}}'':
** A quarter of 13-years-olds have had their homes destroyed by meteors, they're in the middle of some weird paradox land and given a mission nobody thinks they can complete, they have a much higher chance of dying than succeeding (and [[spoiler:there are [[BadFuture timelines in which some of them have already died]]]]), and they're destined to screw up the game even worse than they already have. The RuleOfFunny seems to be the only thing keeping them from breaking down at this point. CerebusSyndrome eventually cuts it down considerably, but John remains a good example; he watched [[spoiler:Jade [[HeroicSacrifice sacrifice her dream self]] to save him, was woken up from dreaming ''right'' before being reunited with his father]], and is ''still'' being told over and over again that YouCantFightFate, but none of it seems to have had any significant effect on his optimism.
** In a couple panels, Nepeta is ''smiling'' even as she's sitting next to [[spoiler:the corpse of her beloved lusus crushed in a cave-in]]. She may have known by then that [[spoiler:she could resurrect Pounce, in a way]], but ''still''.
** [[PlayfulHacker Sollux]] goes as far as adopting a ''more'' casual attitude after [[spoiler:his matesprit is killed, there are two AxCrazy psychopaths on the loose and he's been blinded]]. This plays into Sollux's Gemini theme, with his canonical bipolar disorder taken to an extreme extent.
* Hanna from ''Webcomic/HannaIsNotABoysName'' seems to be this way with his illusive past. (Unless he's a StepfordSmiler.)
* In ''Webcomic/DanAndMabsFurryAdventures'', the fae are [[http://www.missmab.com/Comics/Vol_833.php suggested]] to be like this in-universe (somewhat {{justified|trope}} by [[WeAreAsMayflies their incredibly long lifespans]]).
* In ''Webcomic/SchoolBites'', Charlotte's first words after discovering with shock that she's now a vampire: "[[CursedWithAwesome Kewl!]]''
* Heather from ''Webcomic/VampireCheerleaders'' has the same reaction:
-->"Oh my god! I'm a vampire? COOL! <3"
* Anyone and everyone from ''Webcomic/{{Sonichu}}''. When two characters are killed off panel, they mourn all for about ''one panel'', before they instantly get over it and return to doing whatever they were doing. They don't even linger on it.
* ''Webcomic/ElGoonishShive'':
** Elliot has to use his GenderBender power every few hours, or it'll [[PowerIncontinence trigger]] at a random time. He also has to sleep as a girl, for the same reason. For [[ChasteHero him]], this is more inconvenient than it would be for [[ManIFeelLikeAWoman other people]]. He has never once complained about this.
** Grace has had the most horrible life out of all the characters. When confronted with it, she reacted appropriately, but once it's all over? It's like she never suffered years of trauma at the hands of [[AGodAmI Damien]], who beat her when she displeased him, and intended to use her to breed an army of chimeras! Nope, it's all swept under the rug. She's the most upbeat, positive character in the comic.
* Played for laughs in ''Webcomic/{{Goblins}}'', where Biscuit the Orc states that 600 years of demonic torture barely fazed him since members of his clan are taught to accept loss without pain or regret to become immune to emotional pain. When told that his clan was wiped out 200 years ago, he responds with a simple "Meh, oh well".
* In ''Webcomic/TrueVillains'', cheery little girl Mia doesn't let much get her down. Not the fact that lives in squalor, nor the fact that [[spoiler:her entire town and only home is destroyed in a fiery blaze of death and destruction.]]
* ''Webcomic/GunnerkriggCourt'':
** For the first several chapters, [[SugarAndIcePersonality Annie]] treats the subject of her father's abandonment with cool apathy, at most. On of the comic's most heartwarming scenes is when she trusts Kat enough to [[SubvertedTrope break down crying in front of her and stop repressing her feelings of loneliness]].
** Although this is played straight, weirdly enough, when she and Ysengrin talk about [[spoiler:his attempt ''to murder her.'']] Seriously, it's like five lines of dialogue and then she stops distrusting him completely and they're back to being friends. Made all the stranger because Ysengrin's motivation for doing the above spoiler was so flimsy as to be psychopathic. Of course, Annie's odd choices in who to trust and who to distrust were a well-established character trait by that point.
* In ''Webcomic/KnightsOfBuenaVista'', Dick snarks about this InUniverse when Mary and Adriana discuss the backstory for [[{{Disney/Frozen}} Anna and Elsa]] and think a tragic event in their past would actually be an awesome thing.
* ''A Magical Roomate''. "Hi hi, everyone! Sure my parents and sister are dead, but look at this neat machine that turns dietary fiber into plastic explosives! Yay yay, it failed!" and other happy-go-lucky statements. It probably helps that Daria's from a long-lived race and has a loving step-sister and nephew, but she NEVER angsts about her dead family.
* [[LampshadeHanging Called out]] by the main character of ''Webcomic/CaptainSNES'' when he learns that [[WesternAnimation/CaptainN Kevin Keene's]] response to his wife dying, a minute or so after-the-fact, is to mention it offhand and focus on other things, without shedding so much as a tear. Alex remarks that the reaction barely even seemed human.
* In ''Webcomic/TheDragonDoctors'', Kili's life has been turned upside down at ''least'' four times that we know of -- by [[spoiler:the King of Dust]] as a child, by [[spoiler:the destruction of his hometown]] as a teenager, by the GenderBender at the start of the story, and by [[spoiler:becoming a werewolf]] not long after that -- and every time it was involuntary and unwanted. But you would be hard-pressed to know that from meeting her, because she has made it her job to know how to deal with bad fortune. [[TheShrink Literally.]]
[[/folder]]

[[folder:Web Original]]
* Chaka of the Literature/WhateleyUniverse. Turned into a mutant, the mutation changed him from a he to a she, had to leave home and go to [[SuperheroSchool Whateley Academy]], targeted by more than one campus villain, has fought supervillains who kill people, and never angsts. A lot of the reason is because the old Tony hated his life, because he knew he was [[{{Transgender}} transgender]], so the change to Toni is everything he'd ever dreamed of. Everything else is just side-issues to her.
* The seventh episode of the ''WesternAnimation/{{My Little Pony|FriendshipIsMagic}}: WebVideo/FriendshipIsWitchcraft'' AbridgedSeries features the song [[http://www.youtube.com/watch?v=2ixvsV-ahI0 "The Gypsy Bard"]], essentially a musical endorsement of this trope by Pinkie Pie as a coping mechanism against life's unrelenting cruelty. It's probably simultaneously the biggest TearJerker and HeartwarmingMoment of the entire series.
* The ''Winds of Change'' universe features this a ''lot''. Everyone in the world is suddenly transformed into anthropomorphic animals - of various degrees too, some are even forced to dramatically alter their lives because some of the most high-degree morphs would practically be just like a standard wolf with hands! Some of the poor Aquatics got a load of people who didn't understand exactly how they function in charge and making decisions and had to alter their lifestyles ''the most'' out of anyone. Then there are those people who either got lost entirely to animalistic instincts or had lost family members to said instincts. And yet maybe 1% of the population actually seems to have any issues with those...Especially in America.
* ''Metamor Keep'', a story universe that shares several authors with the ''Winds of Change'', often has this too. There are people who're transformed into anthropomorphic animals, some are {{transgender}}ed, and others are regressed to a child. This obviously doesn't stop anyone from enacting acts of the Renaissance in the Keep valley or enjoying themselves! Some start out whining about how they can't return to normal society or am now a woman or something, but they get over it and there are some who came to Metamor specifically so they could be transformed.
* Vindicator of the ''Roleplay/GlobalGuardiansPBEMUniverse'' was kidnapped via mind control by a telepathic supervillain. She was then used as a sex toy for about a week before being rescued. You'd never know she was physically traumatized by how she acted later.
* Because of RuleOfFunny and NegativeContinuity, Website/ThatGuyWithTheGlasses. [[WebVideo/{{Phelous}} Dying all the time?]] [[WebVideo/TheSpoonyExperiment Being killed and made into a zombie]]? [[WebVideo/TheAngryJoeShow Having your post-rape trauma spill out live on camera]]? [[WebVideo/AtopTheFourthWall Having a robot stalk you for months]]? Not to worry, it'll be okay the next week. Besides, you can always rely on the [[MostFanficWritersAreGirls fanfic fandom]] to fill in the gaps.
** [[WebVideo/TheSpoonyExperiment Spoony]] spends most of WebVideo/{{Kickassia}} absolutely terrified at the thought of [[spoiler: becoming Doctor Insano]]. Then it finally happens, and later when he [[spoiler: shows up as himself again]], we get this exchange:
-->'''[[WebVideo/TheCinemaSnob Cinema Snob]]:''' Weren't you [[spoiler: Doctor Insano?]]
-->'''Spoony:''' Eh, I got better.
** Very rarely, it's sometimes averted. Being led to believe that he fathered a girl and tortured her nearly drove [[WebVideo/AtopTheFourthWall Linkara]] to a guilt-induced [[DrivenToSuicide suicide]], while WebVideo/TheNostalgiaCritic, WebVideo/TheNostalgiaChick and WebVideo/AskThatGuyWithTheGlasses are all consistently a therapist's wet dream.
* In ''WebVideo/AvatarTheAbridgedSeries'', Aang takes the extermination of his people and the fact that everyone he grew up with was probably horribly murdered fairly well. Possibly subverted as a few seconds later, when he calls Momo a kitty and gets corrected by his companions, he enters the Avatar State in a rage.
* ''[[DNAKpts4tv Death Note: The Abridged Series (Kpts4tv)]]'' likes this trope:
-->'''Light:''' [[spoiler: L]], why?! ''[[HoYay Why did you leave me?!]] [[VillainousBreakdown Why did you leave me alone with these IDIOTS!]]'' *sobbing* And... yeah, I'm over it now.
** And:
-->'''Matsuda:''' My life's work has just gone up in flames! Just like Light's [[spoiler: ex-girlfriend]]!
-->'''Near:''' TooSoon, Matsuda.
-->'''Light:''' No it's fine. I'm over it.
* WebVideo/DemoReel usually averted the trope, playing abusive pasts and issues dead straight, but in "The Review Must Go On", [[spoiler: Tacoma, Karl, Quinn and Rebecca are disquietingly serene over losing Donnie and finding out they never actually existed]].
* ''WebVideo/{{Retsupurae}}'' made fun of this tendency in some of the creepypasta readings.
** In 0bl1v10n.exe, the narrator appears more upset about destroying his laptop than his best friend getting killed.
--> '''slowbeef:''' ''[narrating]'' "I woke up at about 7:30 in the morning feeling the best I had in months" -- Your friend just died. "I couldn't believe it. It was over. It was all over. I was so happy I woke up one of the guests next door with my laughing. But I didn't care who was mad. I was having the best time of my life" -- Your friend ''just died''.
** In "Mega Man's Ladder... to Hell!":
-->'''slowbeef:''' Guy got over his dead brother pretty quickly.\\
'''Diabetus:''' Well, it's ''VideoGame/MegaMan2''. It's a classic.\\
'''slowbeef:''' I can't believe Brandon killed himsel -- Oh my god! Videogames!\\
'''Diabetus:''' Sweet!
* [[{{Cloudcuckoolander}} Hugo]] of [[WebVideo/MatthewSantoro Matt Santoro's web series]] frequently gets locked up and yelled at by Matt, but is usually happy when he's seen outside of his cage.
[[/folder]]

[[folder:Western Animation]]
* ''WesternAnimation/AvatarTheLastAirbender'':
** [[TheHero Aang]] discovers that he's TheChosenOne, ''every single person he's ever met''- all the animals too - have either been murdered or died of old age save for [[TheWonka one wacky genius king ]] and a pet bison (and home? [[DoomedHometown a long abandoned ruin]]); his RefusalOfTheCall gets him and said bison frozen for a century and leads to him waking up clueless about the fact the world is engulfed in war and he has [[RaceAgainstTime about nine months to master three elements and save the world from utter doom]]. Oh, and he's [[KidHero twelve years old]]. Most twelve-year-olds wouldn't cope very well with all that, and wouldn't be pleasant to watch, either (like real-world ChildSoldiers). The writers dealt with it by making Aang ThePollyanna. In a reminder of why this trope exists, whenever Aang goes through a RantInducingSlight, fans complained about how whiny, mean and OOC he was and made cracks about [[FanNickname "Aangst"]], even though he'd dealt with much worse without whining.
** [[TeamMom Katara]] has a breakdown at the end of "The Puppetmaster" episode after learning the DangerousForbiddenTechnique against her will. In the next episode she seems to have gotten over it, probably since she now has the means to exact her revenge. [[spoiler:Or so we (or she) think(s).]]
* ''WesternAnimation/DungeonsAndDragons'': A group of preteens barely seem upset at all over being trapped in a harsh fantasy world where everything is trying to kill them and their mentor is unhelpful in the extreme. The one exception is Eric, who is always portrayed as a whiner who needs to snap out of it already. TheComplainerIsAlwaysWrong, even if it's about impending bloody death. A notable exception is the start of "The Dragon's Graveyard", where after losing yet another way home the entire group is sunk in depression, and the youngest breaks down in tears.
* ''WesternAnimation/{{Futurama}}'':
** Philip J. Fry takes all of five seconds to get over the fact that he's a thousand years in the future and all the people he knew are long since dead ("I'll never see any of them again... YAHOO!"). While entirely {{justified|Trope}} by both his [[DarkAndTroubledPast previous life sucking hard]] and him being a [[CloudCuckoolander crazy]] [[TheDitz buffoon]], him agonising about it in a few episodes makes it weird when it goes away after awhile.
** In the final episode "Meanwhile," Leela [[spoiler: seemingly kills Professor Farnsworth]] and neither she nor anyone else cares in the slightest.
-->'''Leela:''' It worked!\\
'''Amy:''' But you [[spoiler:killed the professor!]]\\
'''Leela:''' Yeah, but it worked!
* One of the segments in the film ''WesternAnimation/HeavyMetal'' features Den, who gets snatched from Earth and flung to some far-distant planet, never to see his home again. The fact that he's turned from a scrawny nerd into a perfect physical specimen who gets to have sex with hot babes sorta takes the sting away.
* In the relatively DarkerAndEdgier second season of the ''WesternAnimation/LegionOfSuperHeroes'' cartoon, Lightning Lad gets his arm fried in battle, only to wake up to find Brainiac 5's replaced it with [[ArtificialLimbs a robot arm]]. His response is to shrug "[[FreakyIsCool Cool]]," and revel in his new lightning-cannon powers. [[PinocchioSyndrome Cartoon-Brainiac 5]] of all people might have something to say about tossing away human bits of yourself so casually.
* In the ''WesternAnimation/SupermanTheAnimatedSeries'' "[[LiteraryAllusionTitle Little Girl Lost]]" two-parter, Superman discovers Krypton's devastated sister planet Argos, hears the holographic recording of an Argosian woman's detail of her planet's gradual apocalyptic collapse in the face of Krypton's nearby explosion, and finds the woman's family [[HumanPopsicle frozen in stasis]], and every member but one, [[ComicBook/{{Supergirl}} Kara In-Ze]], has died. Any trauma Kara might have from watching the death of her entire planet and waking up only to lose her family is forgotten with the "Two Weeks Later" card, because now she can fly through the Kansas sky and that's the most awesome therapy ever.
* In ''WesternAnimation/TheSpectacularSpiderMan'', one of Peter Parker's oldest friends, Eddie Brock, [[FaceHeelTurn becomes the supervillain Venom.]] You'd expect Peter to be very upset over the fate of his "best bro" and try to reason with him, with the hope of redeeming him. Instead, he spends surprisingly little time dwelling on this issue and treats him like just another villain in subsequent fights. It's made pretty clear though that Peter doesn't think he's fighting Eddie, rather the symbiote who's warped Eddie's mind. He refers to Venom as "the symbiote", and does his best to get the symbiote off him, and attempts to get psychiatric care for Eddie afterwards.
* ''WesternAnimation/SouthPark'':
** The kids never show any emotion, besides their trademark line, when [[TheyKilledKenny Kenny is killed]]. One episode reveals that [[TheChewToy Kenny]] is the only one aware he ever died. Everyone else forgets it ever happened the next morning. {{Deconstructed|Trope}} in "Kenny Dies," which has Kenny diagnosed with a terminal disease and [[PlayingWithATrope plays it straight]]. As an added twist, this death actually stuck; the creators intended to have him KilledOffForReal, but did eventually resurrect him by the end of the next season.
** Butters has an especially bad childhood. He's essentially the in-series ButtMonkey and TheScrappy and his parents are {{abusive|Parents}} however he stays an oblivious idealistic kid. He probably counts more as a StepfordSmiler, since he's clearly terrified of his parents half the time and comes off as very neurotic.
* Used in ''WesternAnimation/StreetSharks''. {{The protagonist}}s get kidnapped by a MadScientist and his two monsters, find out that their dad went missing, nearly die from an injection, and then turn into shark hybrids with possibly no way to turn back. Their first thought? To eat a hot dog stand. Goes even stranger with an out-of-towner named Melvin, who turns into a shark hybrid purely by accident, spends all of two seconds confused when he wakes up, and then decides to go enter a music contest.
* ''WesternAnimation/WinxClub'' fans find it a bit suspect that in the S4 finale, [[spoiler:Aisha had apparently made peace with the death of [[ArrangedMarriage her intended]] in about a day]], though season 5 shows that she hasn't entirely gotten over it.
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'':
** [[MadGod Discord]] was [[TakenForGranite stuck as a stone statue]] for well over a millennium, and [[AndIMustScream fully conscious the entire time]]. Once he's freed, he's remarkably fine, even mentioning his loneliness and boredom while imprisoned off-handedly. Though he does hint that he's more upset about his FateWorseThanDeath than he lets on.
-->'''Discord''': It's quite lonely being imprisoned in stone, but you wouldn't know that, would you, because ''[[EvenEvilHasStandards I don't turn ponies into stone]].''
** Nightmare Moon's thousand-year [[SealedEvilInACan banishment in the moon]] doesn't seem to have affected her sanity (or Luna's).
** The only ponies who angst over ''anything'' [[SugarApocalypse that went on]] in the season 2 finale were Twilight and Cadance, the former regretful over her impulsive attack on Cadance (who was revealed to be a fake) and the latter upset that said fake is taking her place and marrying her fiance. Everyone else see nothing to cry over, not even the civilians of Canterlot who were attacked by the Changelings. Everyone just danced the night away like none of it happened... Granted, [[EarnYourHappyEnding it all worked out for them]].
* {{Justified|Trope}} in the ''WesternAnimation/YoungJustice'' episode "Failsafe," the team seems oddly unaffected by [[spoiler: the deaths of the Justice League and Wolf... because they knew it was a training simulation. But then Artemis "died" in front of them and everything went [[MindScrew pear]]-[[YourMindMakesItReal shaped]]]]. In the follow up episode "Disordered", [[spoiler:Superboy]] expresses guilt because he ''didn't'' angst one bit during "Failsafe" [[spoiler:even when he thought everything was real.]]
* ''WesternAnimation/{{Gargoyles}}'' begins with a massacre that wipes out the entire gargoyle population of Castle Wyvern, except for three young brothers, the clan leader, their aged father, and one pet. [[EverybodysDeadDave All their other friends, siblings, children, fathers, and mothers]] (gargoyles have multiples of each) are dead along with the leader's wife, and the survivors find the castle littered with the dismembered pieces of their corpses. They are also, as far as they know, the [[DyingRace last of their species]] on Earth, and there are no females or eggs left. Then they're put into a magic sleep and wake up 1000 years later in modern New York, completely FishOutOfTemporalWater. Almost immediately, they learn that the leader's wife [[spoiler:actually survived somehow, but she and their only human friend in the world had betrayed the clan and ''caused'' the massacre, and she's now a genocidal maniac out to murder her husband]]. Yet after the first couple episodes, they don't go through the mourning, angst, or survivor guilt one would expect after such trauma.
* In ''WesternAnimation/SherlockHolmesInTheTwentySecondCentury'' Sherlock is resurrected two hundred years into the future but doesn't think much of it. He doesn't react in any negative way, instead just going on being Franchise/SherlockHolmes.
* ''WesternAnimation/AdventureTime'':
** Finn, much like Aang, is the LastOfHisKind thanks to war, but unlike Aang Finn had no direct involvement with its destruction, completely helpless as a baby. His toddler years were a crapshoot, as highlighted in "Memories of Boom Boom Mountain". His adopted parents are dead. As a thirteen year-old, he contends with every villain in Ooo while the various kingdoms tend to sit on their asses and do nothing. Besides Jake and the on-and-off help of Marceline, he's on his own. No one else is helping him take down the villains, aside from sporadic help from Princess Bubblegum. There are hints (most prominently in how he acts ''incredibly'' needy in his love life) that he is repressing crushing loneliness and depression, but given what he's gone through and continues to go through, it's amazing that he's functional at all, and on a day-to-day basis, very upbeat.
** The Ice King is a somewhat more explicitly tragic example; he seems to immediately forget about trauma because [[spoiler:[[ArtifactOfDoom his crown]] forces him to.]]
* ''WesternAnimation/AvengersEarthsMightiestHeroes'' had the Incredible Hulk get arrested for a crime he didn't commit. None of other Avengers show any distress over the loss of one of their oldest and most powerful members, not even the heroes who had become his closest friends over the show's course. They don't seem to bother freeing him until the series finale becomes imminent.
* ''WesternAnimation/SonicSatAM'':
** Compared to the games' usual scenario, Dr Robotnik was treated far more seriously, and his methods of robotizing characters (which had no current method of reversal) was considered tantamount to being killed. While there were genuine moments of heartbreak and emotion in the series, a lot of serious scenes were broken up by comedic banter or the cast acting less than horrified ("Sonic Boom" and "Blast To The Past" for example feature one shot characters being captured and robotocized, which in both cases the main cast mourn unconvincingly for almost ten seconds).
** Utilized by an actual robotocized victim; Uncle Chuck, after gaining his free will, nonchalently mentions that the process left his state of mind [[AndIMustScream completely conscious but no manner of control over his body]] for the decade it was under effect. But enough about that...
* Utilized similarly in ''WesternAnimation/TheLegendsOfTreasureIsland'' with the numerous sinister threats in the show, the fear of the crew losing each other was always prominant. {{Disney Death}}s were frequent in many episodes, and very few got a particularly shattered reaction from the others (with a couple of exceptions, usually when Jim was in [[DeclarationOfProtection protective mode towards Jane]]).
* ''WesternAnimation/ScoobyDooMysteryIncorporated'': In episode 20, Shaggy wants to re-establish a relationship with Velma, but she just wants to remain friends. It shatters Shaggy, but moments later he's up for pizza.
* A tie-in comic to ''WesternAnimation/TeenTitans'' showed Starfire's parents died during the time she was sold into slavery. Starfire never notes this when she goes back to her home planet and didn't seem too phased about the slavery part either.
[[/folder]]

[[folder:Real Life]]
* This is the basis of the Japanese cultural ethic of ''gaman'' -- endurance -- of keeping a stiff upper lip in times of great hardship. One example is UsefulNotes/TokugawaIeyasu; he was allies with UsefulNotes/OdaNobunaga, and Nobunaga ordered Ieyasu to kill his own wife and son. Ieyasu endured it and never let this become a reason against Nobunaga.
* The British used to have a heavily stiff upper lip attitude through the Victorian era until the 60's, and though it's fading, it's still present to the extent that they will still internalise and repress their emotions rather than make them known.
* It's not unusual for cultures to expect this [[DoubleStandard from the male members of society]] - MenDontCry.
* [[http://en.wikipedia.org/wiki/Flat_affect Flat or blunted affect]] is a symptom of many mental disorders such as schizophrenia, psychopathy, and depression.
* People cope with trauma in different ways. Two people could go through the exact same circumstance, such as losing a loved one. One person could fall apart and slip into a depression, while another might mourn and be sad, but be able to handle it much better. And yet another might be twice as devastated as the first but go through the motions of life without saying a word, due to [[TheStoic simply not being the type to show much emotion]], or to [[StepfordSmiler forcing him/herself to maintain the appearance of normalcy]] to be strong for others, not appear weak in general, or a number of other reasons. Sometimes people in the third category have a finite ability to do this, and when that tank hits empty, it ain't pretty.
* In extension to the ''gaman'' example above, this is the entire point behind Buddhism, which is a major religion in Japan as well as in other Asian countries.
* Freudian psychology recognizes a quite a list of immature and mature defenses at play in the psyche. A few would fit this trope, such as the mature reactions humor and suppression (deciding to not think about a problem, but still aware of it) and the immature defenses repression (being unable to think about it), intellectualization (becoming a StrawVulcan in response to a problem), denial (denying the existence of the problem), and so on.
** Leaving Freud behind, Conversion Disorder is a well-documented disorder where a person suffers some extreme emotional trauma and begins experiencing some physical limitation that is entirely psychogenic (which doesn't mean unreal). They then neither care about their disability nor their other problems, leading to the definitive hallmark of Conversion Disorder, ''la belle indifférence''.
-->'''Patient''': Doctor, my arm won't move at all.\\
'''Doctor''': When did this start?\\
'''Patient''': Oh, just last night, a couple days after I saw that cheating, no-good jerk with my sister. I can't figure out why my arm won't move.
[[/folder]]

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