[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/Rebecca.jpg]]
[[caption-width-right:300:"You're overwrought, madam; I've opened a window for you."]]
->"''Last night I dreamt I went to Manderley again.''"
--> --'''The Second Mrs. de Winter,''' her opening narration from both film and novel.

A 1938 novel written by Daphne du Maurier (who also wrote the story that became ''TheBirds''). In 1940, Creator/AlfredHitchcock directed the film version, his first American project, which won the [[AcademyAward Oscar]] for Best Picture. It was the only Hitchcock film to win Best Picture, and Hitchcock didn't win Best Director--he never did, in fact, and had to settle for a lifetime achievement Oscar late in life. A musical version debuted in Vienna, Austria in 2006.

While working in Monte Carlo as the companion for the wealthy Mrs. Van Hopper, our young unnamed heroine meets the much wealthier Maxim de Winter: a moody, inscrutable widower presumed still to be in deep mourning for his late wife, the beautiful Rebecca, tragically drowned in a boating accident. Thus no-one is more surprised than the shy, gauche little companion when Maxim not only seems attracted to her but impetuously proposes they wed there and then.

The first signs of trouble in Paradise appear when they arrive at his elegant old country estate, Manderley. The servants have grown too fond of its late mistress and receive their new one coolly. Mrs. Danvers, the current housekeeper and Rebecca's former nurse, is especially less than thrilled with the prospect of anyone taking Rebecca's place, and has made something of a fetish of keeping her darling's things exactly as she left them -- stationery in the desk, clothes in the cupboards -- all monogrammed with that bold, decisive initial ''R''.

As the novel progresses the shadow of Rebecca hangs more and more heavily over the house, making it increasingly difficult for our heroine to face the challenges not only of running a great estate but within her marriage -- especially when it's increasingly clear that the two are related. Gradually, with a not-so-subtle assist from Mrs. Danvers, she begins to despair of ever living up to the perfect, proud, beloved Rebecca...

...then they find the remains of a boat...
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!!This and its adaptations feature examples of:

* AdaptationalHeroism: The musical portrays the second Mrs. de Winter much more sympathetically and heroically after TheReveal - her desire to help Maxim seems far less psychotic. She's also portrayed as becoming a confident woman that doesn't take Mrs. Danvers's bullying any longer so that the audience can root for her. She and Maxim [[spoiler: are seen as very happy together and kiss at the end]], which is much clearer than the ambiguous future of their relationship in the novel.
** The Hitchcock film does this to Maxim by [[spoiler:eliminating his murder of Rebecca, by necessity of the Hays Code.]]
* AllGirlsWantBadBoys: The second Mrs. de Winter becomes even more passionately in love with Maxim once he admits that he killed Rebecca. Justified because the second Mrs. de Winter's greatest fear was that Maxim still loved Rebecca. When he confesses to killing her, it proves that he doesn't and never did.
** However, the novel repeatedly hints that Maxim is actually rather weak-willed (as demonstrated by Rebecca's successful SuicideByCop). Moreover, when the novel opens, Maxim's bad boy days are long gone. However, see FridgeLogic.
* AlphaBitch: Mrs. Danvers pulls a lot of the tactics despite being too old to qualify. Alice one of the maids that sneers at the narrator's modest and plain underwear fits better. Rebecca to the people she was openly nasty to.
* AmbiguouslyGay: Mrs. Danvers is coded as a lesbian as blatantly as the censors would allow, what with her caressing Rebecca's minks and lingerie, and talking about how Rebecca would undress in front of her and take a bath.
* AnimalMotifs: Rebecca, the wild and untamed one, is likened to the horses she trained, whereas our young, submissive heroine is likened to the loyal de Winter dog, Jasper.
* AntagonistTitle: Arguably.
* AuthorAvatar: The second Mrs. de Winter's original name being "Daphne" implies that she was supposed to be one, though there are articles suggesting that the real author insert is Rebecca (du Maurier, at around the time that she was writing ''Rebecca'', was also writing passionate, if self-loathing-filled, love letters to a straight, married woman; a lot of descriptors she uses for herself in these letters are similar to the descriptions of Rebecca in the novel). Of course, it could be both of them.
* TheBadGuyWins: Discussed throughout the novel, with the narrator always thinking that Rebecca is conquering from beyond the grave. In the end, Rebecca loses her power to hurt the new couple, but Mrs. Danvers destroys Manderley and causes the bleak ending described in the prologue right when the couple were happy for the first time.
* BigFancyHouse: Manderley. The prologue to the novel includes PurpleProse describing it and its grounds. It may be based on [[https://en.wikipedia.org/wiki/File:Milton_Hall_Cambs.jpg Milton Hall]], which du Maurier visited as a child, or else [[http://en.wikipedia.org/wiki/Menabilly Menabilly]], Du Maurier's home of twenty-six years.
* BitchInSheepsClothing: The widely adored Rebecca was an utter selfish bitch who was nice to people on their faces but laughed and jeered behind her back.
* BirdsOfAFeather: The heroine and Maxim are this.
* {{Blackmail}}: Favell attempts to blackmail Maxim with his note from Rebecca, which suggests that Rebecca did not actually suicide, implicating Maxim himself.
* BuryYourGays: In the film, Mrs. Danvers perishes when she burns down Manderley.
* CharacterTitle
* TheCharmer: Rebecca.
* CreatorCameo: Alfred Hitchcock, as usual, this time near the end, walking past George Sanders right after Sanders has exited a phone booth.
* CreepyHouseKeeper: Mrs. Danvers. She is creepy in herself, with a deathlike appearance, and in her devotion to the memory of Rebecca such that she doesn't wash the clothes of Rebecca's scent and goes to her room every day.
* DancesAndBalls: Rebecca and Maxim regularly entertained at Manderley, and another costume ball is held in the second Mrs. de Winter's honour, at the begging of the neighbours who loved the previous ones. It doesn't go well.
* DarkSecret: Rebecca's murder. In theory, only Maxim and the new Mrs. de Winter know the whole story, but Favell guesses it (though he gives up on his guess in the end) and one of the servants and the magistrate also figure out an unspecified amount, leading to a lot of worry about who knows what.
* DeathByAdaptation: Mrs. Danvers, in the film.
* DeathByFallingOver: Rebecca, in the film version and TheMusical; she stumbled and hit her head. This would be because of the [[MoralGuardians Hays Code]]. In the book, she goads Maxim into shooting her.
* DeathGlare: Mrs. Danvers has a frightening one that she likes to shoot at the 2nd Mrs. de Winter
* DepravedBisexual: n the novel Rebecca is hinted to have had male and female lovers while married to Maxim. Mrs. Danvers contends that she loved no man at all.
* DrivenToSuicide:
** Mrs. Danvers tries to do this to our heroine after the fiasco at the costume party, telling her how worthless and unlike Rebecca she is. This is foiled when they find the boat where Rebecca's SuicideByCop happened.
** Mrs. Danvers at the end of the film (but not the novel). She can't live with the verdict about Rebecca.
* DrivingADesk: As unconvincing as usual when Olivier is driving Fontaine around.
* EarnYourHappyEnding: The narrator tries but does maybe not quite manage it. It is hinted that ''she'' is satisfied, and her husband is with the woman he loves, despite feeling really bad about the earlier events of the book.
* FilmNoir: The movie is sometimes considered an example of the genre, if only because of its visual style.
* FlowerMotifs:
** Roses for the new Mrs de Winter.
** Rhododendrons and azaleas for Rebecca. The rhododendrons are particularly interesting: they are notoriously invasive, with a tendency to crowd out any native plants by depriving them of food and sunlight, ensuring their takeover of large areas. Moreover, they have a reputation (of uncertain validity) for "poisoning the soil," meaning that even once the rhododendron has gone, no other plant can thrive where it used to be. Sound familiar?
* {{Foil}}: Rebecca, who was a self-centered and ruthless ManipulativeBastard BrainyBrunette, and the heroine, a kind and innocent girl almost always always portrayed with HairOfGoldHeartOfGold.
* ForegoneConclusion: The novel begins some time ''after'' everything has happened, with the de Winters living a grim, inconsequential existence overseas.
* GentlemanSnarker: Maxim gets decidedly snarky at the inquest. Not the cleverest tack to take when the police are suggesting you killed your wife...
* GettingCrapPastTheRadar: Seems to be Jack Favell's main business after blackmail. It's one of the things the narrator dislikes about him.
* GrandeDame: Edythe van Hopper, who passes over into RichBitch territory; Beatrice, who is on the more intelligent and sympathetic end of the scale. Also Lady Crowen, who is rather ridiculous. Maxim's grandmother was one before becoming senile.
* HandsomeLech: Favell.
* HappyMarriageCharade: Maxim and Rebecca; they are thought to be a glorious couple even by the house servants, and neighbours for miles around speak of them, but their marriage is anything but. It is hinted that the same is true for Beatrice and Giles.
* HauntedHeroine: Figuratively speaking. The second Mrs. de Winter is obsessed with Rebecca, to the point that she ''feels'' like Rebecca is haunting the house, and sometimes imagines her visually. Mrs. Danvers helps things along...
* IAmNotPretty: The second Mrs. de Winter thinks she is bland and childish, but others find her reasonably attractive.
* IAmSong: "I'm an American Woman" (which, aside from the title line, is entirely in German). Also, "Mrs. de Winter bin ich!" ("Mrs. de Winter am I!"), a duet between the heroine and Mrs. Danvers.
** "Sie ergibt sich nicht" ("She's invincible") for Rebecca, sung by Mrs. Danvers.
* IWantSong: "Zeit in einer Flasche" ("Time in a Bottle"), where Mrs. de Winter-to-be wishes for a way to capture the magic of a moment, the reality of a dream, and the miracle of understanding in order to remember her time with Mr. de Winter in Monte Carlo, not knowing that he intends to marry her.
* ItsACostumePartyISwear: The fancy dress ball held in the second Mrs. de Winter's honour. It ''was'' in fact a costume party, but Mrs. Danvers suggested M. de W. II dress up as a certain painting in the house, something Rebecca had done in the past, in order to humiliate her.
* KissingCousins: Jack Favell and Rebecca, first cousins and lovers alike.
* LargeHam: Mrs. van Hopper as portrayed by Carin Filipčić in the musical.
* LetThePastBurn: Mrs. Danvers goes over the edge and sets Manderley on fire. All that symbolically remains of Rebecca is burned down along with the house. In some adaptations Mrs. Danvers also burns.
* MeaningfulName: Rebecca means "a snare" or "captivating".
* MementoMacGuffin: Manderley.
* {{Motif}}: The big flourished R of Rebecca's name, as written by the woman herself, appears and is described several times and used to bring out her character. In the musical, this is translated to the main poster, which is a flaming R and the shadow of a face.
* NiceToTheWaiter: The protagonist is very polite to waiters and assorted serving staff, but they are not nice to her. The personnel in the hotel at Monte Carlo were rude and unhelpful and from the Manderley staff only Clarice makes her feel welcome and comfortable.
* TheNicknamer: Rebecca seemed to have been one. She called Mrs. Danvers Danny and Maxim Max. Maxim does not seem to care much for the nickname, at least after her death when it reminds him of her. The narrator thinks this means she was close with Mrs. Danvers and Maxim, and wishes that she could use Max herself.
* NoEnding: Played with. The novel ends very abruptly with "And the ashes blew towards us with the salt wind from the sea," and gives no description of what happens next or even details of the fire. However, the ending has already been written [[ForegoneConclusion in the form of the prologue]], which takes place some time later. The prologue is very bleak, but when first reading it one has no idea what causes it.
* NoNameGiven: The second Mrs. de Winter. She mentions that her name is unusual, and people rarely spell it correctly, but doesn't tell what it is. In earlier drafts of the novel, her name was [[AuthorAvatar Daphne]]. A bit unusual, and, back in the days before ''Franchise/ScoobyDoo'', easy to misspell. In TheMusical, she's just know as "Ich" ("I").
* NothingIsScarier
* ObfuscatingStupidity: Ben, kinda. He really is mentally disabled, but can play it up, but isn't clever enough to say that nobody told him to say nothing.
* OminousFog: Manderley is often shrouded in it, making the place all the more creepy.
* OrangeBlueContrast: A very blatant example in the form of the musical's poster, which is a massive flaming R with a big flourish on a strong blue background.
* ThePerfectCrime: Subverted at the inquest, when the boat's builder explodes the theory that the boat went down accidentally.
* PosthumousCharacter: Rebecca.
* PrettyInMink: Mrs. Danvers proudly showing the furs Maxim brought Rebecca.
* PrimAndProperBun: Mrs. Danvers in the film.
* PsychoLesbian: Mrs. Danvers, though in the film version, this was put only in subtext. In the musical, she [[spoiler:dies ''wearing Rebecca's nightgown'', which she has never washed since Rebecca wore it last]].
* PsychoSupporter: Mrs. Danvers.
* RavenHairIvorySkin: Rebecca is described as having had a cloud of dark hair and very white skin. Frank also describes her as the most beautiful creature he had seen.
* RedemptionEqualsAffliction: In the 1997 TV series, Maxim (who previously [[spoiler:murdered his wife]]) is disfigured trying vainly to [[spoiler:save Mrs. Danvers from the fire]].
* RichBitch:
** Mrs. Van Hopper is relentlessly unpleasant.
** Rebecca, as it turns out.
* SanitySlippageSong: The second reprise of "Rebecca".
* SecondLove: The heroine for Maxim, although he grew to hate Rebecca and she never loved him; their marriage was a [[HappyMarriageCharade charade]].
* SheCleansUpNicely: The second Mrs. de Winter attempts this twice. The first time she dresses up to look like a woman on a magazine hoping to impress her husband, at which he's a little alarmed. The second time backfires horribly when she is tricked into dressing up as Rebecca for the costume ball.
* ShrinkingViolet: The second Mrs. de Winter is meek and shy, which allows Mrs. Danvers to intimidate her.
* SidekickSong: "Die lieben Verwandten" ("Beloved relatives"), sung by Beatrice and Giles, with the second Mrs. de Winter joining in at the end.
* SmugSnake: Jack Favell, especially as played by George Sanders, is one of the smuggest snakes in media history.
* SympatheticMurderBackstory: Maxim murdered Rebecca. But she was a horrible person, and she manipulated him into doing it.
* SuicideByCop: Rebecca manipulated Maxim into shooting her after learning she had cancer by pretending to be pregnant with another man's child. Because of the production code, this is amended in the film and musical versions to Rebecca dying in a convenient fall just as Maxim was ready and willing to pull the trigger.
* TakeOurWordForIt: Several characters mention how attractive and charming Rebecca was in life, but she never appears onscreen (or in the text of the novel).
* TallDarkAndHandsome: Described to the first Mrs. de Winter:
-->''"Tall, slim, dark, very handsome?" said Colonel Julyan quietly.''
* ThanatosGambit: See Suicide by Cop.
* TriumphantReprise: "Hilf mir durch die Nacht" ("Help Me Through the Night") is a DistantDuet with Maxim and wife unable to get through the demons at Manderley. It is reprised triumphantly in "Jenseits der Nacht" ("Beyond the Night"), where they are together and happy at last.
* UndyingLoyalty: Frank to the de Winters.
* TheUnfairSex: Massive subversion; Rebecca was a sociopathic bitch who cheated on Maxim with a series of lovers, and wasn't even loyal to them either. Our young heroine, who had earlier aspired to be just like her predecessor, is glad that she's dead.
* UnreliableNarrator: The second Mrs. de Winter describes herself as plain, a bit foolish, and makes out she's not very emotionally strong. Other characters regularly comment on her prettiness, and she is clearly both intelligent and emotionally strong underneath her shyness.
* UpperClassTwit: The second Mrs. de Winter finds herself surrounded by these.
* VillainousBreakdown: Mrs. Danvers has a mild one in all versions, but the musical takes the cake when she [[spoiler:puts on Rebecca's nightgown and walks through Manderley in a daze, lighting the place on fire as she goes.]]
* VillainousIncest: Rebecca and Jack.
* VillainWithGoodPublicity: Rebecca
* VillainSong: "Rebecca" and its two reprises, sung by Mrs. Danvers when showing the second Mrs. de Winter Rebecca's room, when trying to make her commit suicide and when she learns [[spoiler: Rebecca had cancer, where this becomes a SanitySlippageSong.]] Also "Eine hand wäscht die and're Hand" ("One hand washes the other") for Jack Favell, crossing over to SidekickSong territory as he explains his extortionist philosophy.
* [[WagTheDirector Wag the Producer]]: Hitchcock had to resort to some tricky measures to get around producer David O. Selznick's creative demands. Among others, he edited "in-camera" -- shooting only the scenes he wanted to include in the final cut so that Selznick couldn't recut the film if he didn't like it. This is why, for example, the film does ''not'' end [[{{Anvilicious}} with a giant "R" appearing out of the smoke]] from the burning Manderley, as Selznick originally envisioned.
* WhamLine: Maxim's "I ''hated'' her!".
* WomanInBlack: The narrator wishes she was this during Maxim's courtship of her. Maxim quickly shoots the idea down; he likes her youth and innocence.
* WomanInWhite: Both Mrs. de Winters for the fancy dress ball.
* WrongGenreSavvy: The second Mrs. de Winter keeps imagining herself as the heroine of a conventional romance novel, instead of a gothic romance.

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