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->''"It is computed that eleven thousand persons have at several times suffered death rather than submit to break their eggs at the smaller end [...] Neither are any wars so furious and bloody, or of so long continuance a those occasioned by difference in opinion, especially if it be in things indifferent."''
-->-- Musings upon the Big/Little end heresy, ''Gulliver's Travels''

One of the precursors of SpeculativeFiction, ''Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships'' was written by Creator/JonathanSwift as a parody of the [[ForgottenTrope now-dead genre]] of traveller's tale, satirising 18th century follies, but is now, sadly, largely remembered as a children's tale, despite being Swift's MagnumOpus and a [[WhatDoYouMeanItsNotForKids heavily satirical and adult book]].

On Gulliver's first voyage he is shipwrecked in Lilliput, where everything is one-twelfth normal size. After many incidents (mainly getting entangled in [[SeriousBusiness a holy war over which end to open a hard-boiled egg]]), he escapes on a raft, returning to England. His second voyage takes him to Brobdingnag, where everything is twelve times normal size. Gulliver is kept as a pet by the locals, and has many philosophical conversations with the king of Brobdingnag before being carried off by an eagle, which drops him where he can escape.

On Gulliver's third, and less well-known, voyage, his ship is attacked by {{pirate}}s, but he is rescued by the flying island of Laputa, home to a society of proto-{{TV Genius}}es. After various incidents, including the first description of bombing and a conversation with the ghosts of historical figures, Gulliver returns home via Japan. As mentioned below, a deleted section of this satire attacked the English for their treatment of Ireland, but for the most part it was intended as a scathing condemnation of the nascent European Enlightenment, with the {{TV Genius}}es representing the philosophers, scientists, and academics of his time.

On Gulliver's fourth and final voyage, his crew mutinies. He's marooned on the isle of the Houyhnhnms, where the horses are intelligent (the titular Houyhnhnm) and the humans are animals, called Yahoos. Gulliver soon decides the Houyhnhnm are superior to normal humans, who he comes to see as barely any better than the Yahoos. After the Houyhnhnms throw him out, Gulliver returns to England where he spends all his time talking to his horses as he finds all humans (including his own family) to be nothing more than Yahoos who happen to wear clothes.

''Gulliver's Travels'' has [[TheFilmOfTheBook been filmed]] several times, but most of the adaptations omit the last two voyages. Often, a {{bowdlerise}}d version of the voyage is printed as a children's book. Go [[WesternAnimation/GulliversTravels here]] for the [[TheGoldenAgeOfAnimation 1939]] animated film version, and [[GulliversTravels2010Film here]] for the 2010 film starring Jack Black. In 1968 Creator/HannaBarbera produced a loosely-inspired animated adaptation ''The Adventures of Gulliver''.

There also a TV mini-series starring Ted Danson and Mary Steenburgen. In this version Dr. Gulliver has returned to his family from a long absence. The action shifts back and forth between flashbacks of his travels and the present where he is telling the story of his travels and has been committed to an asylum. It is notable for being one of the very few adaptations to feature all four voyages, and is considered the closest adaptation to the book despite taking several liberties, such as Gulliver not returning home between each part.

And in 2011 TheBBC produced a SettingUpdate for Radio 4 called ''Brian Gulliver's Travels'', which abandoned the original locations entirely in favour of ones that made satirical points about ''modern'' Britain. Interestingly, it duplicates the FramingStory above of Gulliver describing his stories from a mental institution.

Also, Creator/RobertAHeinlein wrote a scathing satire of the fourth journey in his YA novel ''Literature/StarmanJones'', stating that anyone who would prefer the anti-individualistic lifestyle of the Houyhnhnms over human free will doesn't deserve to be human to begin with. Swift would likely agree, given that the fourth journey was in part a scathing satire of the Enlightenment, which Swift ''loathed''.

The actual story is a staple of the PublicDomain, making it very easy to track down and read.

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!!'''This book provides examples of:'''

* AgeWithoutYouth: The Struldbrugs
* AlwaysChaoticEvil: The Yahoos.
* AmoralAttorney: Although there are no attorneys in the story, Gulliver's description of the profession to the Houyhnhnms implies that ''all'' lawyers are this.
* ArsonMurderAndJaywalking:
** Gulliver gives a LongList of various evil things and people that were absent in the country of the Houyhnhnms. After listing "gibers, censurers, backbiters, pickpockets, highwaymen, housebreakers" and "dungeon, axes, gibbets, whipping-posts, or pillories" among other things, he ends with "dancing-masters".
** The title of the third voyage, going through several long and complicated countries' names before ending with Japan. [[JustifiedTrope Though at the time, Japan might have been an imaginary country as far as most gaijin were concerned]]: the only foreign presence was a tiny colony of Dutch traders at Nagasaki, with all other nationalities being forbidden from the islands on pain of death.
* BilingualBonus: the flying city of ''Laputa'' is a harsh allegory of England and its colonial dominion over Ireland; the name means "the whore" in Spanish.
* BlackHumor: Along with BlackComedy, a specialty of Swift's.
* [[{{Bowdlerise}} Bowdlerisation]]: There have been numerous adaptations of the Lilliputian chapters into children's books with all the naughty stuff and political context stripped out.
* CantArgueWithElves: The Houyhnhnms, and to a lesser extent, the Brobdingnagians, look down on Gulliver's society as pitiful. Arguably a subversion, however, in that neither of these societies is without significant problems obvious to readers (if not to Gulliver himself).
* CloudCuckooLand: Laputa, the citizens of which devote their lives to math, music, science and philosophy but are utterly ignorant of everyday practicalities.
* ColonyDrop: A proto-example; the rulers of Laputa quash resistance in rebellious surface cities by landing their FloatingContinent on top of them.
* ColossusClimb: The Lilliputians on Gulliver; later Gulliver on the Brobdingnagians.
* ComplainingAboutRescuesTheyDontLike: When the Empress's apartment is on fire, Gulliver saves her [[ToiletHumor by urinating on it.]] The Empress, in return, refuses to live there again.
** Gulliver himself when he is rescued at the end of the book by the Portuguese captain. He wanted to stay a hermit on some island, and detested being taken back home again.
* CreatorBreakdown: If you indulge Swift's LiteraryAgentHypothesis and think of the work as a travelogue written by Gulliver himself, the ending definitely counts.
* DeadlyDecadentCourt - Liliput.
* {{Disneyfication}}: Adaptations of the novel most often go this route, going along with [[{{Bowdlerise}} Bowdlerisation]].
* DoesThisRemindYouOfAnything: One passage from the third voyage was cut when the book was first published because it was such a transparent pro-Irish allegory of Britain's conquest and oppression of that country. Swift was Anglo-Irish, born in UsefulNotes/{{Dublin}} to ancestrally English parents, but knew and sympathized with the plight of the Catholic majority; he wrote the original ''Literature/AModestProposal'' as a direct attack on English methods in Ireland.
* DownerEnding: Gulliver loses hope with the human race. He even hates his own family.
* TheEveryman: While a learned man and a surgeon, Gulliver is otherwise this.
* FishOutOfWater: Gulliver everywhere, even in England after each voyage.
* FloatingContinent: Laputa is probably the TropeMaker.
* ForScience: Seems to be the main motivation in the Academy of Lagado, with predictably poor results.
* GagBoobs: An encounter with some of the young ladies of Brobdingnag has probably [[FanDisservice turned Gulliver off breasts for life]], as every single imperfection in the skin texture is [[GrossUpCloseUp magnified to the same degree]].
* GettingCrapPastTheRadar: By the bucketful, beginning with the opening paragraphs in which Gulliver describes his apprenticeship under "My Good [[StealthPun Master]] [[ADateWithRosiePalms Bates]]".
* HiddenElfVillage: The country of the Houyhnhnms.
* HumansAreTheRealMonsters: Arguably the whole point of the novel, though it's rather debatable whether the reader is supposed to love or hate the Houyhnhnms and Gulliver is shown deliberately ignoring any evidence to the contrary at the end of the story. Is the message that HumansAreBastards and that horses are great, or is it that All Sentient Lifeforms Are Bastards?
** It's not even clear that Swift thought all sentient lifeforms are bastards - the Portuguese captain who rescues Gulliver after his fourth voyage treats him kindly, and his wife seems to be a decent person. Thus it's quite possible that Gulliver has become deranged by his hardships and descended into UnreliableNarrator territory by the time he starts asserting this.
** It's possible that Swift was critiquing humans through the supernatural human beings he created just as much as the humans in the book. The Houyhnhnms arguably represent the Enlightenment, who in Swift's view were an ancient day Hipster, thinking themselves morally superior to anyone else, but maybe not as perfect as they seem.
* IncredibleShrinkingMan: Gulliver in Brobdingnag.
* IntellectualAnimal: The Houyhnhnms again.
* InWhichATropeIsDescribed.
* ItRunsOnNonsensoleum: Balnibarbi; sort of the point, as none of these crazy inventions actually work.
* LanguageEqualsThought: The Houyhnhnms, lacking many common human vices, have no words for them in their language and have to resort to roundabout euphemisms to describe them, e.g. "to lie" becomes "to say a thing which is not".
** Swift was not exactly consistent about this, either--the Houyhnhnms are stated to have no word for opinions because they can't grasp the idea of two rational creatures not using their perfect Reason to find the same right answer, and a few pages later, they gather for their annual argument. How exactly do you debate if everyone knows the correct answer, with no room for disagreement? Maybe it's easier if you're a horse.
* LastNameBasis: Gulliver. Due to the book being written in first person and mostly known to modern audiences through PopCultureOsmosis, many people aren't aware he even ''has'' a first name. It's Lemuel.
* {{Lilliputians}}: The TropeNamer.
* LiteraryAgentHypothesis: The novel opens with a letter ostensibly written by Gulliver to his "cousin Sympson" in which he complains that the story of his travels as it has been printed contains numerous misprintings and factual errors, and bemoans the fact that it has as yet produced no noticeable improvement in the moral character of the human race, on account of which Gulliver has resolved to stop writing. This is followed by a short note from Sympson to the readers in which he explains that certain duller passages were removed so as not to bore the reader and expresses his hope that they will enjoy the story anyway.
* TheLongitudeProblem: On the one hand, Gulliver carefully reports both the latitude and longitude of all the various fictional places he visits. On the other, when he's in Laputa fantasizing about what he could do if he were immortal, one of the problems he imagines being able to solve is "the discovery of the longitude". The effect is to create the impression that either Gulliver or Swift himself isn't entirely clear on what "the discovery of longitudes" actually means.[[note]]Finding the longitude of a stationary location like an island is relatively easy, if tedious; Swift probably meant a method for ascertaining the longitude of a ship under way, which nobody knew how to do at the time (the first practical method was invented a couple of decades after his death.)[[/note]]
* MeaningfulName: [[BilingualBonus La Puta]]. Also Lindalino, which is a pun on Swift's [[UsefulNotes/{{Dublin}} hometown]] - it has [[IncrediblyLamePun double 'lin's']]. Get it?
** As noted above some scholars are convinced all the made up words follow a complicated cryptogram of Swift's own design.
* MonkeysOnATypewriter: One of the absurd inventions created by the [[CloudCuckoolander Laputan]] [[TVGenius intellectuals]] is a device for randomly combining words so that "the most ignorant person, at a reasonable charge, and with a little bodily labour, might write books in philosophy, poetry, politics, laws, mathematics, and theology, without the least assistance from genius or study".
* MoralDissonance: The Houyhnhnms preach of their own superiority but have incredibly hypocritical beliefs about the Yahoos and refuse to be persuaded otherwise when presented evidence to the contrary. Whether the reader is supposed to acknowledge this or not has been debated for centuries.
* {{Neologism}}: The origin of the words "yahoo", "lilliputian", and "brobdingnagian".
* NobodyPoops: Very much averted, with frequent incidents mostly being used for ToiletHumor.
* {{Omniglot}}: Gulliver learns the languages of the places he visits with remarkable (and convenient) speed.
* {{Parody}}: Of the now mostly-forgotten genre of "traveler's tales", of which Daniel Defoe's ''Literature/RobinsonCrusoe'' is the most famous example today.
* PerfectPacifistPeople: [[SubvertedTrope The Houyhnhnms (a race of sapient horses) at first appears to be this trope, until they get the bright idea of driving the Yahoos to extinction via castration.]]
* PersonOfMassDestruction: Gulliver becomes this in Lilliput, in which the inhabitants attempt to use him as a superweapon in their war against their bitter rival Blefuscu.
* PlanetOfHats: All the countries Gulliver visits, but especially Laputa.
* PottyEmergency: A strange case occurs in Lilliput. Gulliver awakens after a hard evening of drinking to discover two things: The Palace is on fire (the emergency) and his bladder is full (the potty). So he combines the two and takes a leak on the palace to put out the fire.
* RoyalDecree: In the first part.
* SacredScripture: The Lilliputians have "the Blundecral (which is their [[Literature/TheQuran Alcoran]])."
* {{Satire}}: Considered by many people the greatest work of Juvenalian satire in the English language.
* ScienceIsBad: Balnibarbi.
* ScienceMarchesOn: Some of the inventions in Lagado don't seem too far-fetched anymore, such as the weaver trying to make use of spider's webs in cloth (as in [[http://www.wired.com/wiredscience/2009/09/spider-silk/ this Wired article]]).
* SeriousBusiness: The Lilliputians are at war... over which end of an egg to break open. This was meant to satirize religious disputes over seemingly petty differences like the Doctrine of Transubstantiation, which had caused (and continued to cause) vast amounts of war and bloodshed in Swift's day.
* SmallTownRivalry: Lilliput and Blefuscu are at war with each other over which end of an egg one should open.
* SignificantAnagram: A lot.
** Many critics have pointed out that the Lilliputian capital "Mildendo" is an anagram of "dildo men."
** Swift's naming system seems to be more complicated than that. It's hinted at when he describes the Conversational Machine in the third book that it's actually a complex cryptogram, which some people have since managed to crack. Or at least claim they have. This was apparently the reason Swift was so upset when a few letters in his made up words were altered for the original printing.
** "...in the kingdom of [[{{Britain}} Tribnia]], by the natives called [[{{London}} Langdon]] ... the bulk of the people consist in a manner wholly of discoverers, witnesses, informers, accusers, prosecutors, evidences, swearers, together with their several subservient and subaltern instruments..."
* SillyReasonForWar: A political allegory for Catholic-Protestant war.
* SocietyMarchesOn: Of a sort. The extensive and insulting portrayal Gulliver gives of medicine in the fourth book seems very strange coming from a surgeon. But in Swift's time, surgery was not considered a branch of medicine. Surgeons were second-tier craftsmen at best, and Gulliver is a ship's surgeon, who tended to be the worst of their profession.
* SoleSurvivor: Gulliver is the only survivor of the shipwreck in the first voyage.
* SterilityPlague: The Houyhnhnms decide the best way of wiping out the Yahoos is to castrate them all. They got the inspiration for this from Gulliver's description of how horses are treated in England (male horses were castrated to break their spirits and control the population).
* StrawVulcan: The Houynhnms, who use logic to dictate everything and look down on one when it forms an emotional bond with Gulliver.
* SuperiorSpecies: The Houyhnhnms.
* TakeThat: It's [[SignatureStyle Johnathan Swift.]] The book is a giant TakeThat at various aspects of English society and, by extension, pretty much all of humanity. Much of Part IV even reaches into [[TheReasonYouSuckSpeech The Reason You Suck]] territory as he [[AuthorFilibuster explains war, law, alcohol, politics and so on]] to his master Houyhnhnm.
** He was also not what you'd call fond of Humanism and other enlightenment values.
* ToiletHumor: In addition to all the high-minded satire, the book has plenty of this as well; Swift likely would have gotten along well with Creator/TreyParkerAndMattStone.
* WhoWantsToLiveForever: The Struldbruggs, who [[AgeWithoutYouth just get more senile and decrepit as they age]].
* {{Zeerust}}: Laputa.
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