!!Film - Animated
* Disney's ''Disney/TheLionKing''. The first time the theme "[[http://www.youtube.com/watch?v=IlYMBzxEW4Q This Land]]" appears is during the rainstorm immediately following the confrontation between Mufasa, Scar, and Zazu, and it is as grand and choral as you could possibly imagine...that is, until it takes things a step higher during the [[http://www.youtube.com/watch?v=gCyc5KPjS7I scene]] where Simba speaks to his father's ghost. There's also a [[http://www.youtube.com/watch?v=iq2ymgK6HPs heartbreaking rendition]] which occurs in the gorge after cub Simba finds Mufasa's body. By the time the [[http://www.youtube.com/watch?v=B0oOHHi5z_E finale]] arrives, and Simba is ascending Pride Rock to the most powerful, stirring, and uplifting version yet, you know Hans Zimmer is truly a genius. What is most disappointing, however, is that one of the most awesome versions of this theme ever, that which plays during Simba and Scar's BattleAmongstTheFlames, does not appear on the official soundtrack and is in fact not available anywhere.
** Part of it is actually on the Spanish-version soundtrack. Good luck finding it, though; this troper has only seen it available on cassette tape.
** The battle version of the theme is actually included on the ''Legacy Collection'' soundtrack as a part of the almost twelve minutes long track "The Rightful King".
** There are also separate themes for [[http://www.youtube.com/watch#!v=uts7MHcwG7o the hyenas]], along with [[http://www.youtube.com/watch?v=G7v8Dg6Jc7c Timon and Pumbaa]].
* In Disney's ''TheGreatMouseDetective'', the three main protagonists had their own recurring leitmotif tunes. [[http://www.youtube.com/watch?v=RDaHLkF0d0k&feature=related Basil's leitmotif]] was also the film's main title theme music, Dr. Dawson's leitmotif almost always prominently featured a bassoon, and [[http://www.youtube.com/watch?v=FTSNwl_RON4 Olivia Flaversham's leitmotif]] was also used for the tune the musical dancing doll her father made would play. Professor Ratigan also had his own little leitmotif played on a clarinet.
* In ''TheBraveLittleToaster'', composer David Newman gave all five the appliences a theme, which pops up whenever one of them does anything. You really have to pay attention. There are also themes for some secondary characters, the Master and [[http://www.youtube.com/watch?v=wxX_zxWUhN0 Elmo]] [[http://www.youtube.com/watch?v=3P2miEm57kA&feature=related St. Peters]].
** There are similar [[http://www.youtube.com/watch?v=ztKkbC_FM8c tunes]] during when Blanky tries to snuggle with Toaster and he/she pushes him away and when Toaster similarly does the same to the flower later on, causing it to die and changing the Toaster's attitude to Blanky later.
*** That music actually IS Blanky's theme. He and Kirby probably have the least-heard music in the movie. Kirby's theme is heard primarily when he rescues Blanky from the tree and when he's first shown at the beginning. The Toaster's is most easily heard when he's looking at his reflection after the waterfall scene, Radio's plays pretty much any time he talks, and Lampy's can be heard in near the very end of the credits played on a xylophone.
**** Actually, if I'm right in what the leitmotifs are, you can hear nearly every one in quick succession when each one sinks in the mud. (Though Toaster's is usually longer than just three notes.) Ironically, the only one not heard is Radio's. The song cuts off when he's sinking.
* ''Disney/TheLittleMermaid'' has a theme for almost every character. Ariel is represented by "[[IWantSong Part of Your World]]," Ursula has "[[VillainSong Poor Unfortunate Souls]]," [[http://www.youtube.com/watch?v=snusSDhCZsk Scuttle's theme]] was used for "[[http://www.youtube.com/watch?v=DEB4Tr1PNRk Beyond My Wildest Dreams]]" in TheMusical (similarly, Flotsam and Jetsam's theme was written into "[[http://www.youtube.com/watch?v=QWLuOAjbXRg&feature=related Sweet Child]]"), [[http://www.youtube.com/watch?v=RKSY8dXT6QU Triton]] is given a royal {{Fanfare}}, Eric has a wistful, longing tune, and the human society is represented in a more upbeat manner, with variations appearing in "[[http://www.youtube.com/watch?v=y9oyoosEzdc Jig]]" and "[[http://www.youtube.com/watch?v=_aGuY5vWcJ0 Tour Of the Kingdom]]."
* ''Disney/{{Aladdin}}'' is also based heavily on themes. Aladdin himself is represented by "One Jump Ahead," Jafar has a set of dark, descending notes, the Sultan has his own {{Fanfare}}, Jasmine has a [[http://www.youtube.com/watch?v=8Rg2rp8e6ro&feature=related haunting little tune]], and there is a [[http://www.youtube.com/watch?v=PJgo_fk0Lgw lovely]] [[http://www.youtube.com/watch?v=3chWBldnKKA theme]] represnting freedom. Jasmine's theme and the freedom theme were later combined to create a new song called "[[http://www.youtube.com/watch?v=W5_NLFNiq9A To Be Free]]."
* Disney's ''Disney/TheHunchbackOfNotreDame'' had the villain, Frollo, followed by an ominous greek choir singing "Kyrie Eleison", which in church greek translates into "Lord have Mercy."
** Also notice that the song "Hellfire" is essentially [[http://www.youtube.com/watch?v=z5tD9oFqlk4 "The Bells of Notre Dame" ]] tune, but in a [[http://www.youtube.com/watch?v=fRO-M4XyAbM ''minor'']] key.
* In ''WesternAnimation/{{Coraline}}'', the intro track "[[http://www.youtube.com/watch?v=_LLHUQQ9cmM Dreaming]]" is used as the theme for the Other Mother. She even hums several times. If you're creeped out by EtherealChoir, then do not listen. Seriously.
** The leitmotif used for Coraline is "[[http://www.youtube.com/watch?v=j6Phs898rcY Exploration]]", which uses a boy solo.
** Wybie lacks a distinctive tune, but the music associated with him has spring-like noises.
* In Pixar's 10th film ''WesternAnimation/{{Up}}'', a leitmotif figures prominently, representing Carl's late wife Ellie.
* Another Pixar example: in WesternAnimation/MonstersInc., [[http://www.youtube.com/watch?v=flLBeTPFfIg Boo has her own leitmotif]]. [[TheRival Randall]] [[http://www.youtube.com/watch?v=SCrUlOhr2EU also has one whenever he appears]], which sounds [[ReptilesAreAbhorrent sneaky and sinister.]]
* ''Disney/SnowWhiteAndTheSevenDwarfs'' has a themes for [[http://www.youtube.com/watch?v=kC7NpEISWxU Dopey]], [[http://www.youtube.com/watch?v=eFc-vdwaGD8 the Magic Mirror]], and the [[http://www.youtube.com/watch?v=bZIDJxMNRrU Queen/Witch]] called "Theme Sinister."
* ''Disney/{{Pinocchio}}'' has his own theme based on the CutSong "[[http://www.youtube.com/watch?v=ggzVoHXuEwo Turn on the Old Music Box]]," and there is a jaunty little ditty for Jiminy.
** And meanwhile, Geppetto and the Blue Fairy had "Little Wooden Head" and "When You Wish Upon A Star" as their themes respectively.
* ''Disney/SleepingBeauty'' gives Maleficent a wonderfully [[http://www.youtube.com/watch?v=LAYR80fIXe0 ominous]] theme.
* If one were to listen to the soundtrack of ''Disney/TreasurePlanet'', there are several distinct leitmotifs throughout; there's a soft and tender melody for some of the more [[CrowningMomentOfHeartwarming heartwarming scenes]] between [[IntergenerationalFriendship Jim and Silver]], an energizing and exciting one for Jim's [[SkySurfing solar surfing]], and a triumphant one for the [[CrowningMomentOfAwesome moments you want to cheer.]] All of which can be heard in the order mentioned [[http://www.youtube.com/watch?v=6uhwotthHLU here.]]
* Wilbur's theme from TheRescuersDownUnder was the guitar riff to "Wipe Out" when ever he was about to take off for flight.
* ''Disney/BeautyAndTheBeast'' has the "Prologue" theme, the Beast's theme (which has a DarkReprise during his death scene), "Belle", Maurice's theme, "Gaston", and "Prince Charming" (the love theme). Some of these became the bases for new numbers in the ScreenToStageAdaptation.
* TheBlackCauldron is ''built'' on leitmotifs. Almost every character has their own theme.
** For example, here's [[http://www.youtube.com/watch?v=FjgLEdYVGrE the Horned King's theme, followed by Creeper's theme]].
* Both WesternAnimation/KungFuPanda movies have a few subtle ones, but they're there. At least Po, Tai Lung and Lord Shen have themes that usually accompany their appearances. Po's is called "Panda Po" (Remixed as "Dumpling Warrior" and its remix in the sequel's OST), Lord Shen has "Ancient China/Lord Shen" and Tai Lung's, while not named in the OST, first appears as the music Shifu plays on his flute/staff, and is featured prominently in their battle as well as, naturally, his escape from Chorh-Gom. The movie's main theme also appears to be Oogway's, since it plays during his [[spoiler:[[AscendToAHigherPlaneOfExistence Ascent to a Higher Plane of Existence]]]] scene.
* The Crocodile from ''Disney/PeterPan'' has a leitmotif based on the CutSong "Never Smile at a Crocodile."
** There's also Peter's theme, which is heard in a fanfare at the very beginning of the film. It is often played on the flutes.
* ''WesternAnimation/ThePrinceOfEgypt'' makes some use of leitmotif. One of the more notable uses is a snippet of the melody of "All I Ever Wanted" (the part of the song where the lyrics are "This is my home") that plays when Moses is living in Midian with Tzipporah, signifying that he has found a place where he is truly happy, but he's still hiding from the task at hand. A CherubicChoir also appears several times to signify a miracle occurring. The choral part becomes a lushly orchestrated theme right after Moses encounters the burning bush.
* ''WesternAnimation/HowToTrainYourDragon'' takes an interesting approach, using at least three recognizable "melody" leitmotifs as well as assigning particular instruments to particular characters. The Vikings are represented by thundering warpipes, the dragons by noisy brass instruments, a violin comes into play when Astrid is on the scene, and our stalwart hero, Hiccup, is represented by...[[CrowningMomentOfFunny a piping tinwhistle and/or flute]]. These instruments weave in and out of major themes such as:
** The flying theme, a bright and swelling melody which plays softly over the opening Creator/DreamWorks logo as the first music heard in the movie, resurges whenever Hiccup and Toothless are at their most {{Badass}}, is repeated when the pair are rescued by Stoick from drowning and the pair take flight together to face down the Red Death, and triumphantly finishes off the film with the rousing addition of a parade-ground drumbeat. Along with the drums, the instruments of every group participate: the Viking warpipes and dragon brass harmonize, supported by Astrid's violin, and Hiccup's tinwhistle happily skirls around, leading the melody. It's... pretty good.
** The dragons theme, an almost swashbuckling/piratical melody which blasts into play the minute Hiccup says "Dragons!" and comes back in nearly every major scene involving them, including most of Hiccup and Toothless' flying scenes and several of the training sessions.
** The romantic theme, a gently swirling violin-heavy melody which makes a brief cameo during Astrid's epic walk away from the fireball at the beginning, reaches full bloom during her flight through the sunset clouds with Hiccup and Toothless and briefly reappears when she kisses Hiccup at the end.
** The Green/Red Death's theme, an earblasting melody which first appears in the dragons' den and again during the final battle, involving horror-movie-style frantic strings over booming brass and a deep, steady drumbeat reminiscent of heavy footsteps.
* For the animated ''Disney/AliceInWonderland'', Alice is represented by the title song, the White Rabbit by "I'm Late", the Mad Hatter by "The Unbirthday Song", the Cheshire Cat by "'Twas Brillig" and the Queen of Hearts by "March of the Cards".
* In ''WesternAnimation/SouthParkBiggerLongerAndUncut'', Wendy is represented by "Wendy's Song". In some scenes, the Mothers Against Canada have [[VillainSong "Blame Canada"]] as an accompaniment.
* ''WesternAnimation/MonstersInc'' has a sentimental theme whenever there is heartfelt interaction between Sully and Boo.
* ''WesternAnimation/ToyStory'' characters have their own leit motif. Woody, the cowboy, has a theme that resembles old western movies. Buzz Lightyear, on the other hand, has a leit motif of epic blaring horns which are taken from "I Will Go Sailing No More".[[http://www.youtube.com/watch?v=_4f65bsPdn4]]
* ''Disney/TheJungleBook'' has Baloo represented by "The Bare Necessities" and Kaa represented by "Trust in Me". In addition, an instrumental of "My Own Home" is heard a number of times to represent the man-village before it actually appears, being heard during more emotional moments.

!!Film - Live Action
* The King of the Leitmotif: ''Film/{{Jaws}}''. [[http://www.youtube.com/watch?v=ZvCI-gNK_y4 Here comes the shark]]!
* Franchise/JurassicPark: The tune that plays whenever the Velociraptors are even ''mentioned'' could be considered the ''Jaws'' theme of the franchise.
* Creator/LaurelAndHardy: [[https://www.youtube.com/watch?v=snnCKVFzjHE&list=RDaQqC6_6Wf0M "Dance of the Cuckoos"]]
* The ''Franchise/StarWars'' series has instantly recognizable leitmotifs for many of its characters, all of them [[AwesomeMusic/{{Film}} awesome]]. Particularly notable are the ''[[http://www.youtube.com/watch?v=-bzWSJG93P8 Imperial March]]'', which goes with both Darth Vader and shows of Imperial power, and [[http://www.youtube.com/watch?v=PXcoM_AHuk8&feature=PlayList&p=EBD6497622AB3C3C&index=9 Luke's Theme]] (also the main theme of Star Wars). JohnWilliams got to have some fun with his leitmotifs when scoring the prequel trilogy: [[http://www.youtube.com/watch?v=6_rzI7Y_NUs&feature=related Anakin's Theme]] has weaving through it Luke's Theme, [[http://www.youtube.com/watch?v=ZQ2P_-yO3h8 Leia's Theme]], and the Imperial March, thus telling us musically [[ForegoneConclusion what we already know]]; this little kid is going to do some very big things before he's through. Likewise, when at the end of ''Attack of the Clones'' we see the Clone Army mobilizing, the fanfare morphs into the Imperial March played in a triumphant major key, telling us that while this is a good development for now, it's going to lead to much, much worse things. The best, however, is [[http://www.youtube.com/watch?v=_7hj6qP167k&feature=related Augie's Great Municipal Band]], at the end of Episode I; the melody of the song is the Emperor's Theme, switched from minor to major and sung at fast pace by an exuberant children's choir. [[http://www.youtube.com/watch?v=L6W6Agqujpw&feature=related The Emperor's Theme]] is also used as the motif for Darth Sidious [[spoiler: who is the same person.]]
** This is notable to a lesser extent in Williams' other works; he has often been quoted as saying that [[Creator/RichardWagner Wagner]] was a great influence on his work.
** ''KnightsOfTheOldRepublic'' uses many of the leitmotifs of the films along with at least two original ones. Most notably, Revan's Theme is played [[spoiler:during character creation]].
*** Also, Bastila's theme is played as you approach the top of the Rakatan temple and your confrontation with her.
* Film/{{Rocky}}'s [[http://au.youtube.com/watch?v=AuULcVaMTf0 Theme]].
* [[http://www.youtube.com/watch?v=ELNh23yRiJc Christopher Reeve]] ... er, Film/{{Superman}}.
* The main section of the [[https://www.youtube.com/watch?v=-bTpp8PQSog Raiders March]] aka the Franchise/IndianaJones theme (again by John Williams), always plays when Indy pulls off an IndyPloy... enough so that sometimes other shows will play this theme when their hero pulls an IndyPloy. The bridge of the march sometimes plays when Indy is coming back from what looks like defeat. Indiana Jones movies also have a few leitmotives, such as the [[http://www.youtube.com/watch?v=QLaFMmaIXbs&feature=related Ark's theme]] and [[http://www.youtube.com/watch?v=Q2lrlIbv2F8 Marion's theme]].
** [[http://www.youtube.com/watch?v=AgzWO2BkNHw Short Round's theme]] and [[http://www.youtube.com/watch?v=fzXpn_Tx7tA Willie's theme]].
** The [[http://www.youtube.com/watch?v=PlSfzaLci2c Grail theme]] and the [[http://www.youtube.com/watch?v=7_2LeU8Wz2I Nazi theme]].
** Henry Sr. gets a leitmotif posthumously whenever he's mentioned in ''Indiana Jones the Kingdom of the Crystal Skull''. It's the theme that plays in the finale of ''Last Crusade'' for the Grail Knight.
* ''Film/ManosTheHandsOfFate'' always played a generic four-note synthesized tune anytime Torgo came on screen, which Crow of ''Series/MysteryScienceTheater3000'' called "The Haunting Torgo Theme". In [[http://www.youtube.com/watch?v=e0s9OC6rzAA one instance]], it played went he went to get luggage, stopped when he was picking it up, and then ''[[MickeyMousing started up again]]'' once he continued walking.
** On ''Series/MysteryScienceTheater3000'' this plays every time Mike Nelson enters Deep 13 as Torgo.
** The ''Master Ninja'' episodes featured character Leitmotifs (including stereotypical Japanese flute music that played whenever the title character's recurring enemy appeared). The idea of Leitmotifs is explored during a skit where Joel and the bots -- dressed up and acting like characters from the movies -- "battle" each other with their theme music.
*** Not to mention the end of the episode, where Joel cheered up the bots by leading them in a loud, acapella version of the Master Ninja theme while reading viewer mail (occasionally pausing to loudly add "Master Ninja Theme Song!" to the music).
** FugitiveAlien had a recurring horn-heavy piece of orchestra go on whenever something actiony happened. Thanks to Joel and the Bots, it will forever be known as the "He Tried To Kill Me With A Forklift!" theme.
** "{{Franchise/Gamera}} is really neat! / {{Franchise/Gamera}} is full of meat! / We are eating {{Franchise/Gamera}}!"
* Davy Jones of ''PiratesOfTheCaribbean'' fame goes so far as to play his own leitmotif on a gigantic OminousPipeOrgan, in the bowels of his cursed ship, during a thunderstorm, ''with his beard'', in case we'd forgotten he was a {{badass}} demon squid pirate who had the time and money to put a pipe organ in a ship that frequently ''went under water''. He also possesses a locket that plays a music box version of the same, though it's not one-of-a-kind. This inevitably forms a plot point of the third film.
** And of course, Captain Jack Sparrow also has his own one. It usually starts with a cello motif, sounding like it's supposed to represent an almost 'drunk' mood. It's incredibly fun to play and listen to, as it just sounds mischievous.
** Jones also has an organ theme for his pet Kraken.
** The character Cutler Beckett and the East India Trading Company (pure eeeeevil, in real life and in fiction) had a creepy single string melody that played every time a character affiliated with him/them, or even every time their logo appeared on screen. In the third movie, this melody evolved into a full fledged theme. It was based on the melody of Music/EnnioMorricone's "[[Film/OnceUponATimeInTheWest Man With a Harmonica]]", which gets a full, electric guitar-led homage in the third film.
* The ''Film/LordOfTheRings'' movies are chock-full of themes:
** The "[[http://www.youtube.com/watch?v=NUIZvAe3RBg Fellowship theme]]", a traditional balls-to-the-wall triumphant brass theme as heard over the montage of the Fellowship traveling out of Rivendell towards the Gap of Rohan. Later used for the Three Hunters, Aragorn, Legolas, and Gimli. Notable in that, according to the composer Howard Shore, it never quite makes a full reappearance after the events in Moria; at least one note is off, or the rhythm is changed.
** The "[[http://www.youtube.com/watch?v=_pGaz_qN0cw Shire/Hobbit theme]]", a sort of jaunty flute piece with bassoons and oboes evoking pastoral countryside. Plays over the "Concerning Hobbits" narration. Gets more and more wistful the more the hobbits, especially Frodo, go through BreakTheCutie - only to be restored to [[http://www.youtube.com/watch?v=2jJnyyta07k#at=373 full orchestral glory]] when everyone bows to the hobbits during Aragorn's coronation.
** The "Rohan Theme". [[http://www.youtube.com/watch?v=Om_BKWttz18 Wistful when we first hear it]] on the Norwegian fiddle when the heroes arrive at Edoras, it later appears in [[http://www.youtube.com/watch?v=ESnMzQZubKg full-on brass mode]] for Helm's Deep. Plays over the charge of the Rohirrim at the Battle of Pelennor Fields, with Norwegian fiddle and brass sections working together.
** The [[http://www.youtube.com/watch?v=afY_Srf4xjk "Gondor Theme"]]. Majestic, soaring theme that wouldn't sound entirely out of place in a pirate movie. Heard as Gandalf and Pippin arrive at Minas Tirith and gallop up the city to see Denethor, as well as over the lighting of the beacons. An early version of this theme is played on solo French horn as Boromir speaks at the Council of Elrond.
*** A bit of FridgeBrilliance: 2nd half of [[http://www.youtube.com/watch?v=rdsR8o0MH4I this clip]]. Those blasting trumpets? The Gondor Theme. The soaring violins? That's the ''Númenor'' Theme.
** The [[http://www.youtube.com/watch?v=MPVo2KDOosk "Mordor Theme"]]. Dark and dramatic with lots of brass and ominous chanting when needed. Heard as Gandalf witnesses the arrival of the Nazgûl. Used to excellent effect first as a threatening sound when Sauron first appears before the Allied Army, single-handedly stopping their attack with his very presence, and then blasting into angry brass and choir as he sweeps away scores of soldiers with casual swings of his mace.
** [[http://www.youtube.com/watch?v=zkXbzffVl44 "Gollum's Theme"]], appears all the way through the second film whenever Gollum is around, but most notably as a song in the end credits sung by Emiliana Torrini.
** The [[http://www.youtube.com/watch?v=F_q2mYi7N4s "Isengard Theme]]," (no, not [[http://www.youtube.com/watch?v=uE-1RPDqJAY this one]]) played with heavy brass and percussion in the Caverns of Isengard or when the Uruk-hai are on the move. Unlike other themes, which are in more conventional timing, Isengard's theme is done in 5/4 time, which sounds a little bit off or unnatural (as most music these days is done in 4/4 or 2/4 time), to reflect the twisting of nature and industrial methods of Saruman.
** The Lothlórien theme (for Galadriel's Elves) is first heard as an [[http://www.youtube.com/watch?v=RCVG9SeMqHA ethereal, dreamy piece]] with generous amounts of CherubicChoir and OneWomanWail. In the second movie, though, it gets transformed into a {{badass}} [[http://www.youtube.com/watch?v=J_mxSQcGTBw military march]] during the scene where [[TheCavalry the elven army comes to the rescue]] at Helm's Deep.
** "The [[http://www.youtube.com/watch?v=tVV7ijh01jo History of the Ring"]], representing the power of the One Ring, especially when it changes hands or when someone tries to take it -- plays under the title card of each movie, so easily mistaken for the theme to the trilogy itself -- or perhaps it is, in a way. It also plays in ''Film/TheHobbit'' at several key moments associated with the Ring, such as when Bilbo sees it for the first time.
** The "Nature's Reclamation" theme (perhaps best known as [[http://youtu.be/kIGUKXtRFUo?t=2m10s "The Last March of the Ents"]]) does a double duty of representing nature in Tolkien's [[RomanticismVersusEnlightenment nature versus industry]] conflict (for example, [[http://youtu.be/l8yOdAqBFcQ?t=1m40s as the Rohirrim prepare to charge against the Orcs]] in the Battle of the Pelennor fields), as well as representing [[GaiasVengeance beings that are nature personified]] such as the Ents or the Eagles (especially as [[http://youtu.be/t11_Xx61AYM?t=3m9s the latter come down on the Nazgûl]] at the Battle of the Black Gate). This theme also comes back for the appearances of the Eagles in ''Film/TheHobbit''.
* ''TheGodfather'' has a main theme which is a mournful waltz. There's also a tragic theme for Michael Corleone.
** A love theme that plays when Michael is in Sicily and meets Apollonia. It is heard in ''Part II'' when Vito and his family return to Sicily.
** In ''Part II'' there is a theme for when young Vito Corleone arrives in America and his early days as an immigrant in Little Italy.
* The appearance of Mrs. Tweedy in the movie ''WesternAnimation/ChickenRun'' is always accompanied by what sounds like a mandolin.
* In ''KillBill'' the same eerie, whining siren-like riff plays in several scenes when The Bride lays eyes on her targets of vengeance.
** That tune they play when the Bride spots a target and remembers what they in particular did to her, is the first few seconds of the ThemeTune from the series ''Ironside''.
* Fritz Lang's 1927 movie classic ''Film/{{Metropolis}}'' featured specific tunes for nearly every major character. In addition, many recurring events (such as the worker's monotonous march into the factory) also had their own distinct tunes.
* ''Hedwig's Theme'' from the ''Film/HarryPotter'' movies grew to prominence over the entire rest of the score. It essentially became the theme for Harry Potter and, more interestingly, a musical cue representing good magic. It has been retained through all eight films, even as the original composer, John Williams, left after the third.
** Notable in that it is played over the sight of the innumerable other owls trying to deliver Harry's letter of acceptance - long before Hedwig herself has even been introduced.
** It's also used as a theme for Hogwarts.
** The motif did get significantly more discordant and darker along with the movies. Notably, in the opening sequence of the fourth film, the first to have characters die outside of flashback, the theme starts up in ''minor''.
** A handful of characters have their own leitmotifs. In the second film, Gilderoy Lockhart has [[http://www.youtube.com/watch?v=-ob2jTy33nU a very noticeable, ostentatious theme]] which perfectly reflects [[SmallNameBigEgo his personality]]. [[http://www.youtube.com/watch?v=k_bBc8iMLPE&feature=related Dolores Umbridge's leitmotif]] in the fifth film is cloyingly jaunty with a hint of poison behind it. Dobby has [[http://www.youtube.com/watch?v=9Ac6tYjGIvA a leitmotif]] which is played only partially when he confesses to stopping Harry's mail, but which is included on the soundtrack.
** [[http://www.youtube.com/watch?v=WPjBnBdq5Os Fawkes' Theme]], a heart-lifting, memorable melody, is one of the most successful adaptations from book to film: phoenix song builds courage in those who hear it.
** In the final film ''Deathly Hallows Part II'' Alexander Desplat wrote a theme for Harry's mother Lily.
** Due to the composers changing, Voldemort has a leitmotif that is [[http://www.youtube.com/watch?v=J4_0bc1M4F4 only used in the first two films]].
* Similar to Hedwig's Theme above, the ''Film/JamesBond'' theme is another. When taken by itself or as accompaniment to the BondGunBarrel sequence it stands for the franchise as a whole, but within the movie it stands for "Bond being Bond". It plays in fragments and licks woven into the score when he's preparing to be awesome, and rocks out in brassy belligerence when it comes time to give him an awesome ThemeMusicPowerUp.
** In general, instrumental versions of the theme music for the film are often remixed into chase or battle themes, such as the main theme from ''On Her Majesties Secret Service'' into Ski Chase. In a few films, other songs from the soundtrack are the basis of the remix. Notably, ''The Living Daylights'' remixes the song Where has Everybody Gone into Inflight Fight and ''Tomorrow Never Dies'' remixed Surrender into Backseat Driver.
** Exception: ''Film/DrNo'' and ''Film/FromRussiaWithLove'', the first two Bond films, play it practically any time 007 is on-screen, sometimes bordering on MundaneMadeAwesome (such as a simple driving sequence by the beach).
** Bond's theme was notable in ContinuityReboot ''Film/CasinoRoyale'' by its absence -- set up in several subtle moments across the duration of the film, it didn't play in full until the very last seconds, when he snipes a man and comes up to him looking dangerously dapper in a suit.
*** In fact, the first time we hear the Bond Theme harmonies only, it's when he is wearing a tuxedo for the first time.
** Bond's theme through the rest of the film was an instrumental version of the movie's theme song, up until the moment when the iconic Bond Theme appeared in full force.
** Vesper also had a theme in Casino Royale, conveniently titled [[http://www.youtube.com/watch?v=jTpepPLu_V0 "Vesper"]]. The main motif that's repeated are the four piano notes played at the very beginning.
* The 2007 '' Film/{{Transformers}} '' movie has a few notable leitmotifs, particularly the OminousLatinChanting of the [[http://www.youtube.com/watch?v=TAYV8X-RX64 Decepticons]] - No one has been able to determine exactly what's being sung, but by gum if it doesn't make you afraid of giant evil robots.
** According to the composer, he based the "Decepticons" theme on the Catholic prayer, Dies Irae.
** This is used to particularly great effect whenever Megatron shows up; given that he is the BigBad of the film, this is somewhat appropriate.
** As compared with the Decepticons, the [[http://www.youtube.com/watch?v=WEL5atUKRZQ Autobots]] also get their own leitmotif, which compared to the deep, chanting, build-up present for the Decepticons, sounds far more uplifting and angelic.
** [[http://www.youtube.com/watch?v=87Ji4Taw3aE Optimus]], [[http://www.youtube.com/watch?v=v8foTMjFqIk Bumblebee]], [[http://www.youtube.com/watch?v=hDFns0LA7O0 Scorponok]], Sam, [[http://www.youtube.com/watch?v=FICrZ0sDT3I The All Spark]] and Sector 7 all get their own. Even the freaky little Frenzy, whose theme was never heard in the actual film had one arranged for him.
** The new Big Bad, [[http://www.youtube.com/watch?v=gHh-BS37vuw The Fallen]], also gets one for ''Revenge of the Fallen''.
*** Optimus [[http://www.youtube.com/watch?v=frADyjHdiKE Prime]] also has his own theme that is different to what was used in the first film, although it could apply to the previous Primes. Moreover the theme first used for the government group, [[http://www.youtube.com/watch?v=O4gngu-7fDY NEST]], also makes a number of reprisals in the film. Most notably the 'main' part of the theme plays when anything especially 'heroic' happens.
*** In fact, the Autobots' leitmotif gets reused when Optimus goes into UnstoppableRage[=/=]PapaWolf during the [[http://www.youtube.com/watch?v=Y-Dcg7cdnRY Forest Battle]] (skip to 1:24). Parts of "[[http://www.youtube.com/watch?v=4H0JDomv8ac Arrival to Earth]]" (considered one of the best tracks) gets reused twice: [[spoiler: Optimus parachuting into Shanghai at the beginning, and during the search for Jetfire at the Smithsonian.]]
** Interestingly, the humans have one tucked into Scorpnok's theme, which is used when the cavalry is called in. A modified version, tucked into [[http://www.youtube.com/watch?v=H6x9__W42Yc Optimus vs Megatron]] (at 1:56) complements Lennox's Crowning Moment of Awesome.
* The Franchise/{{Batman}} franchise has spawned this a few times. The famous title theme from the 1989 ''Film/{{Batman}}'' movie became the initial leitmotif for ''WesternAnimation/BatmanTheAnimatedSeries'', but was phased out as the show came into its own and replaced with the animated Batman's true leitmotif for every show in the rest of the {{DCAU}} - [[http://www.youtube.com/watch?v=BOPWTjPa--0 Shirley Walker's Batman theme]], which eventually got its own cinematic treatment as a gigantic orchestra/choir version in the opening credits of the animated movie ''Batman: Mask Of The Phantasm''. When the film franchise was [[ContinuityReboot rebooted]] for ''Film/BatmanBegins'', so was Batman's leitmotif -- he got a sort of dark plucking of stings accompanied by strong percussion, reminiscent of the 1989 Batman theme but not identical to it. (Hans Zimmer and James Newton Howard deliberately left the theme incomplete until the very last scene of the film, much like James Bond in ''Casino Royale'', mentioend above). In ''Film/TheDarkKnight'', the Joker got a leitmotif of his own... of a sorts. Rather than any traditional sort of motif, the Joker is represented by [[http://www.youtube.com/watch?v=gAB-dQ7XyA0 a single sustained violin chord followed by discordant strings growing in crescendo as he pulls off his big badness]] (appropriately based on the notes [[DCComics D and C]]). Also in ''The Dark Knight'', the pre-existing Batman themes become more complex as the character does, climaxing in the leadup to the final fight scene with the Joker when [[spoiler:Batman is taking down ''police''--nonlethally--to keep them from accidentally killing hostages, and only setting up his further fall from favor at the end of the film]] to a frantic and complicated treatment of the main theme.
** The Joker gets a minor one in the 1989 ''Film/{{Batman}}'' in the form of "Waltz to the Death," but Danny Elfman outdoes himself in ''Film/BatmanReturns'' with not only an omnipresent dark four-note theme for the Penguin, but also a haunting theme for Catwoman featuring meowing vilons.
** This use of villain themes began with the campy 1960s ''Series/{{Batman}}'' t.v. series. In the 1966 film, the four primary villains (The Catwoman, The Penguin, The Joker, and The Riddler) are all [[http://www.youtube.com/watch?v=Lf61-sYqe6g introduced accompanied by their individual themes]]. The leitmotif for Burgess Meredith's Penguin became particularly well-known, even making an appearance in a popular rock song in the 1980s.
** The Nolan movies' Batman leitmotif sounds an awful lot like a minor key version of the Adam West series' "NUH-nuh NUH-nuh NUH-nuh NUH-nuh BAT-MAN!", of all things.
** Oh, "NUH-nuh NUH-nuh NUH-nuh NUH-nuh BAT-MAN!" counts as a leitmotif itself. So much any homage to those cheesy fighting scenes have to include both [[WrittenSoundEffect onomatopaeia]] and the theme.
*** The "NUH-nuh NUH-nuh NUH-nuh NUH-nuh BATMAN!" theme counts as one for the [[Series/{{Batman}} Adam West series]] and [[TheSilverAgeOfComicBooks Silver Age Batman]].
** For ''Film/TheDarkKnightRises'', Bane has one [[http://www.youtube.com/watch?v=mWyB447vNjg composed of]] chanting lots of drums to establish the character's brutality.
*** Selina Kyle also gets [[https://www.youtube.com/watch?v=RaZdwJ6qTNs a slinky, piano based suite]] in Film/TheDarkKnightRises.
* The Witch's [[http://www.youtube.com/watch?v=r4kiXh8YOzk theme]] in ''Film/TheWizardOfOz'' is also used for Miss Gulch, to demonstrate the [[AndYouWereThere connection between the two characters]].
** Dorothy has "Over the Rainbow" representing her in a few scenes, such as during "Merry Old Land of Oz" (you can hear it playing when she's getting her makeover) and when she's held captive at The Witch's castle.
* ''Film/TwoThousandOneASpaceOdyssey'', used "''Music/AlsoSprachZarathustra" for two key scenes, both times when humanity (or its forebears) made some kind of evolutionary/spiritual leap.
* ''Film/{{M}}'' created the cinematic Leitmotif. Everytime Hans Beckert is about to attack, he whistles "In the Hall of the Mountain King" by Edward Grieg.
* ''GoneWithTheWind'' has "[[http://www.youtube.com/watch?v=ikVeY0brtXU&feature=related Tara's Theme]]".
* ''{{Gladiator}}'' has a choir crescendo every time Maximus does [[CrowningMomentOfAwesome something... well.... awesome.]]
* ''DrZhivago'' and ''Lara's Theme.'' So many times that it gets annoying!
* ''Film/IronMan'' combined a Leitmotif with a shout-out to the original Marvel animated shows by using a jazz version of the cartoon theme as background music when Tony Stark is being crass and selfish in Vegas, then later by using the tune as his ringtone on a friend's phone.
** TheIncredibleHulk does something similar as "The Lonely Man" theme from the 70s TV show plays as Bruce makes his way back to America.
* RepoTheGeneticOpera is chock full of these, of course. They can be as subtle as Blind Mag's indiscernible vocals in songs she's not even part of (Things You See In A Graveyard) to the hilariously blatant "REEEEPO MAN!" that follows Nathan's alter-ego.
* Calm but eerie music was used every time the title character in {{Mikey}} was scheming or about to do something evil.
* Music/EnnioMorricone liked to use instruments to represent characters in ''The Film/DollarsTrilogy'', rather than particular melodies, which is a tendency which gets more pronounced as the series goes on. In ''Film/AFistfulOfDollars'', Joe is accompanied by a swift descending scale on a recorder whenever he does something impressive/we see his face/[[MickeyMousing he happens to blink]]. In ''Film/ForAFewDollarsMore'', Manco was represented by a different recorder riff, and Mortimer was accompanied by a single twang on a Jew's harp. In ''Film/TheGoodTheBadAndTheUgly'', everyone has the same melodic motif, probably because [[EvilVersusEvil everyone is an equally shitty human being in it]], but it's played on different instruments for each character (recorder followed by a wah-wah voice for Blondie, screams followed by a wah-wah voice for Tuco, and a bass ocarina followed by an electric guitar for Angel Eyes). Which instrument goes with which character is drummed into our heads right from the very beginning of the opening credits when the [[{{Rotoscoping}} rotoscoped]] characters appear in quick succession, accompanied by their themes. And they each get BossSubtitles, which play their themes as they come up. Twice. You will ''not'' forget who's who.
** Played to the point of shear maddness with the Love Theme in Red Sonja...Ok Ennio, we get it! She going to boing him sometime, you don't have to point it out "EVERY" damn time they are on the screen!
* Every major character in ''Film/MaryPoppins'' is accompanied by a signature tune. This is most obvious with Mary Poppins herself (Spoonful of Sugar), Bert (Chim Chim Cher-ee), Mr. Banks (A British Bank), and Mrs. Banks (Votes For Women).
* ''{{Snatch}}'' uses Leitmoffs occasionally by sampling bits of songs from its soundtrack when it shifts focus to another group of characters. Perhaps most noticeable is the use of "Dreadlock Holiday" several times when focus switches to the pawn shop gang. Just as conspicuous is the Russian folk tune "Korobushka", which tends to follow Boris wherever he goes. [[MickeyMousing As in, he walks into a room, the song plays, he walks out, it stops, he walks back in,]] [[FunnyMoments it continues.]]
* ''Film/TheThirdMan''. The Harry Lime theme underscores the menace and charisma of Harry's presence in the film.
* In ''Atonement'', while Briony schemes against Robbie (albeit unknowingly), we are introduced to a sinister tune as she walks around the estate. The song returns whenever Briony does.
* The music of ''Film/TheMatrix'' (composed by Don Davis) uses a staggering series of horns as the primary series leitmotif. While it doesn't seem that Neo himself has a specific leitmotif, he shares a love leifmotif with Trinity in all three movies (you first hear it after Neo saves Trinity after jumping from the helicopter). Agent Smith shared the original foreboding agent leitmotif in movie # 1 with the other agents, but later gained not only one, but two pieces of musical flair for "Reloaded" and "Revolutions." The first is a nasty chant (listen to it just as Neo begins wailing with the metal pole in "Reloaded's" 'burly brawl') and the second is a buzzing viral sound as he replicates relentlessly in the last films.
* Scut Farkus, the bully in ''AChristmasStory'', is always accompanied by the Wolf's theme from Prokofiev's ''Music/PeterAndTheWolf''.
** Particularly fitting seeing that "Farkus" is the Hungarian word for "wolf'.
* The Shredder from the first Film/TeenageMutantNinjaTurtles movie had a [[https://www.youtube.com/watch?v=lKEIfBBbgm8 particularly memorable theme]] which started with an ominous drum bass before working it's way up the something decidedly more 'metal'. It then becomes a very unique sounding theme (most notably played when he fights the Turtles for the first time) that feels so thematically conflicting.
** In the 2007 CGI movie, Raphael's alter-ego, The Nightwatcher has one.
* ''Film/BackToTheFuture'' had [[http://www.youtube.com/watch?v=hDVhSP5sUoY the theme]] that would play whenever something epic was happening.
** "[[http://www.youtube.com/watch?v=DEvJLbTeQoM Mr. Sandman]]" appears to be the theme song of 1955 Hill Valley or something. It's played when Marty first enters the 1955 town square in both ''Part I'' and ''Part II'', something which inspired us to [[MisterSandmanSequence name a trope after it]].
* The long, low, almost mechanical groan that can be heard in the {{Terminator}} franchise whenever there's a terminator doing something [[BuffySpeak terminator-y]].
** And also when Sarah Connor is [[HeWhoFightsMonsters trying to kill Miles Dyson]].
* Various recurring themes are heard in the movie version of Film/BattleRoyale. Most recognisable are [[TheVoiceless Kiriyama's]] theme (rising strings and a repeated blast of low choir humming) and the eerie choir music that plays whenever Noriko and Kitano are together.
* Every character in {{Oldboy}} has his/her own theme. Oh Dae-Su has the low techno beat and trumpets of "In A Lonely Place"; Mido has the flutes and strings of "The Last Waltz". The theme most thoroughly worked into the movie, however, is [[BigBad Lee Woo-Jin's]] theme. This waltz is recurrent with some variations even on the soundtrack album, as "Cries and Whispers", "Breathless" and "Farewell My Lovely". Apart from reinforcing many scenes as a part of the soundtrack, it is also heard as the little midi tune accompanying the release of the gas in Oh Dae-Su's prison, and it is the ringtone on the phone Oh Dae-Su given when he is released.
* Several songs were used as leitmotifs in Ken Burn's documentary ''TheCivilWar'', mostly from the UsefulNotes/AmericanCivilWar era, and often played either when a quote from a specific person was spoken, or in a section devoted to them. ''Marching Through Georgia'' represented General William Tecumseh Sherman, while a piano rendition of ''Kingdom Coming'' represented Ulysses S. Grant. There were also specific songs played for parts involving Abraham Lincoln and Frederick Douglas, as well.''Johnny Has Gone for a Soldier'' was often used during tragic events, and after the conclusion of battles.
* ''BriefEncounter'' has Rachmaninov's Second Piano concerto, over and over again. The second movement is mainly used for love scenes, with the darker outer movements used to more dramatic effect.
* ''Film/InglouriousBasterds'': Hugo Stiglitz has a deep, rock-ish, two-note leitmotif that shows up twice right before the film features his flashbacks. These are both accompanied by his awesome bitchface.
* In Hal Hartley's TheBookOfLife, [[LouisCypher Lucifer]] has a brief 70's riff that plays for a moment when he appears on screen.
* Some of the more iconic horror films have instantly recognizable leitmotifs. For example, the "ki ki ki, ma, ma, ma" music that accompanies Jason in the ''Franchise/FridayThe13th'' films. Also, the simple piano melody played in the ''Franchise/{{Halloween}}'' franchise.
* Music/PinkFloyd's TheWall reuses [[http://www.youtube.com/watch?v=M_bvT-DGcWw Another Brick in the Wall, Part II's]] riff [[http://www.youtube.com/watch?v=Dbh_k5GLRuQ over]], and [[http://www.youtube.com/watch?v=0bDY0DfEjmo#t=1m21s over]], and [[http://www.youtube.com/watch?v=FCMHmDnfD6I#t=3m21s over]].
* ''Zeiram'' has an incredibly unsettling theme, being equal parts classical Japanese instruments, spacy sci-fi music and OminousLatinChanting.
* The version of TreasureIsland starring CharltonHeston as Long John Silver featured leitmotifs provided by the Chieftains for the loyals, the pirates, the island, and the ship. The only character to have his own leitmotif was Silver, however.
* In ''Film/OnceUponATimeInTheWest'', Harmonica plays his own leitmotif. Usually just before he kills somebody.
* ''Film/BlackDynamite'' has the phrase '''[[http://www.youtube.com/watch?v=wcim1O9ECTE DYNOMITE! DYNOMITE!]]''' played pretty much every single time the titular character appears.
* ''Film/XMen'':
** ''Film/XMenFirstClass'':
*** Erik's guitar theme forms the core of "Not That Sort of Bank" and "Frankenstein's Monster," before finally blasting into the bombastic "Magneto" at the end of the film.
*** The ''X-Men: First Class'' theme (besides the two eponymous tracks "First Class" and "X-Men") plays heavily in "Cerebro" and "X-Training," and heartwarmingly shows up for Erik in "Sub Lift."
*** When listening to the complete score on the Blu-Ray release, Charles is associated with a simple violin melody which gradually evolves into the ''X-Men: First Class'' theme. This makes perfect sense because he's the leader of the group. "Rage and Serenity" is actually a combination of Charles' and Erik's themes.
*** Raven's piano theme shows up in "Would You Date Me?" and "To Beast or Not to Beast."
*** Edith Piaf's "La Vie en Rose" for Sebastian Shaw.
** ''Film/XMenDaysOfFuturePast'':
*** Composer John Ottman elaborates on Professor X's theme [[http://www.youtube.com/watch?v=jg2wAjThiQA in this interview]].
--->'''Radio host''': We talked about Xavier's theme which almost acts as the central theme for the film because his story is so important, and it hovers around him. Since the film is about hope, and his character is about hope and rediscovering his hope, kind of a lost soul, where did you really draw the music from [...]?
--->'''John Ottman''': [...] I knew what the character's challenge was, what the film was about, so I tried to create a piece of music or a theme that could play both sides, sort of despondent and tortured, but also be designed so that it can be hopeful as it evolves later in the movie. I started sketching on an electric piano, and it sounded so cool and vintage [...]. Early in the movie, when it's just very subtly underscoring him, it's a lot of electric piano within the strings.
*** [[http://www.youtube.com/watch?v=O4rl47uDxUQ In this featurette]], Ottman brings up Magneto's theme.
--->'''John Ottman''': Magneto's theme is a very simple "baauum baaaaw." That's basically it, it's so simple you can identify with it and feel it. [...] When he does his stuff at the end and you hear that big sound, it's bigger than it ever was before, and it ties things together.
* In the "Godzilla" films, nearly every monster in the franchise gets its own leitmotif. The most famous ones probably are [[http://www.youtube.com/watch?v=cYPRNQgG2Vs&playnext=1&list=PL2E2ED416F42908AD Godzilla's]], [[http://www.youtube.com/watch?v=C8i4MQ1x8QE King Ghidorah's]] and [[http://www.youtube.com/watch?v=eJEjdPxGsdw&feature=related Rodan's]]. [[LoadsAndLoadsOfCharacters And that's only three of them!]]
* Ladies and gentlemen, the [[http://youtu.be/Wp8mvZX9uas Captain America March.]]
* John Slade from the movie ''I'm gonna git you sucka'' has a band that follows him playing his theme music. Stating that "Every good hero should have one", Jack Spade then gets his own band at the end of the film.
* ''Film/CloseEncountersOfTheThirdKind'' had themes for [[http://www.youtube.com/watch?v=cwGQKsFTK9Q the aliens]], [[http://www.youtube.com/watch?v=Zah0Jtt9Ek0 the Devil's Tower]], and [[http://www.youtube.com/watch?v=opyg4fC5GyE the government]].
* HomeAlone gives us a silly theme for the [[http://www.youtube.com/watch?v=bMh4RVdznC8 wet bandits]] to match their incompetence.
* Film/{{Hook}} has themes representing [[http://www.youtube.com/watch?v=JM_1SZlO_Qc&feature=plcp&context=C438ba4dVDvjVQa1PpcFPAVNU9SaQWPjipgTsmlfo91d-biN-86Sg%3D childhood]] and Tinkberbell. Hook and pirates have [[http://www.youtube.com/watch?v=VBxbWRXbEMY&feature=plcp&context=C42288c6VDvjVQa1PpcFPAVNU9SaQWPjdIHzh6Y7Las1wTXLcwewg%3D multiple]] [[http://www.youtube.com/watch?v=bsejLziECo0 themes]].
* In addition to the two themes that every JohnWilliams fan knows by heart, ''Franchise/JurassicPark'' has a four-note motif for the [[http://www.youtube.com/watch?v=1DrL17Pz7Gw raptors]].
* The Music/JohnWilliams scores to ''Literature/WarHorse'' and ''Film/TheAdventuresOfTintin'' are so complex, they need full a [[http://www.jwfan.com/?p=1364 full]] [[http://www.jwfan.com/?p=1266 analysis]]!
* Film/WhoFramedRogerRabbit has themes for Roger, [[http://www.youtube.com/watch?v=6muvkhKQFlE Jessica]], [[http://www.youtube.com/watch?v=09wdBz379U8 Eddie Valiant]], [[http://www.youtube.com/watch?v=Xm9t7b_lRHw Judge Doom]], and the Toon Patrol.
* ForrestGump has a theme for [[http://www.youtube.com/watch?v=xQQx-iNeXas running]].
* In the 2011 film ''Film/{{Warrior}}'': Brendan's trainer Frank Campana uses Beethoven's "Ode to Joy" as his intro music, which is at odds with the rap and Russian music intros of the other fighters. %% This entry was added automatically by FELH2. In case the wording doesn't make sense, rewrite it as you like, remove this comment and tell this troper.
* The ''Film/{{Saw}}'' franchise has the ScareChord-heavy "Hello, Zepp", written for the climax of the first movie and remixed for the (many) sequels. When it starts playing, you can expect some combination of OnceMoreWithClarity / an especially gruesome death / the villain sealing someone in a room and declaring "Game over." It's also been used in movie trailers and, for some reason, [[http://www.youtube.com/watch?v=b1tCDdYF7IQ a Brazilian gymnast's floor routines]].
* BeverlyHillsCop has [[http://www.youtube.com/watch?v=V93XY-KQfak Axel F.]] [[http://www.youtube.com/watch?v=WYHKxhFcMfk This tune was also remixed in Beverly Hills Cop III.]]
* "Ringo's Theme (This Boy)" from ''AHardDaysNight''. It's actually just an instrumental version of the song "This Boy," but it nicely captures the melancholy of Ringo's TenMinuteRetirement in the film.
* In the infamously horrible TheGarbagePailKidsMovie, the Garbage Pail Kids had their own piece of theme music. Near the end of the movie, Captain Manzini even tries to get the Kids back into their garbage pail prison by playing their leitmotif backwards. [[spoiler: It doesn't work]].
* Since it was used again in the ''Catching Fire'' teaser trailer, it looks like Rue's 4-note tune will be one for the ''HungerGames'' movies', or at least its advertising anyway.
* ConfessionsofaTeenageDramaQueen has "I'll Never Leave You (Uh -Oh)" as Carla's leitmotif.
* In ''FerrisBuellersDayOff'', Cameron is the only character to get a leitmotif -- a minor-key synth dirge accompanied by a pulsing and fading high note when he is introduced. In his final scene, when he resolves to stop being afraid of life, the theme is reinstated, [[TriumphantReprise but in a major key.]]
* ''Film/{{Gravity}}'' has a [[https://www.youtube.com/watch?v=-m43yB4yZg0 synthesized two-note leitmotif]] for the primary antagonist of the film; the orbiting debris that shreds anything in its path. It is heard shortly before each of the three times the debris cloud makes an appearance.
* In ''Film/TheWolfman2010'', Talbot's werewolf form is always introduced by three short notes on a violin.
* In ''Film/TheGreatRace'', [[TheHero the Great Leslie]] has an upbeat and patriotic (and sometimes diegetic) leitmotif, incorporating parts of "Hail to the Chief" and "America the Beautiful." Contrast this with [[HarmlessVillain Professor Fate]], who gets a comedic, plodding theme. [[LoveInterest Maggie]] gets an instrumental version of "The Sweetheart Tree," which she sings aloud near the end.
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