* It might be a weird entry but the Jets' apparent disdain of Shrank and Krupke's racism towards the Sharks. Sure they're rival gangs, sure they're leading violent lives that can only end in tragedy, and sure they do honestly hate the Sharks... but they refuse to let it be about racism. For them, it's something else entirely.
* Tony and Maria excitedly discuss how they would get married in the sewing shop, using mannequins to represent their parents and friends.
* Likewise, both gangs briefly get together to mouth off to the cops. They even stick up for one another. Oddly enough, if the cops were around more often, the gangs probably would've cooled off eventually.
* The fire escape scene. The whole scene is one long CMOH.
* For all their faults, Bernardo and the other Sharks do seem to genuinely love and care about Maria.
* For all the tragedy, Maria not committing suicide unlike Juliet is a case of a minor moment of both heartwarming and awesome. (Some theatre versions, such as the Australian tour in 2010 (the troper saw this production) makes it clear that she is determined to live.)
* This little exchange between Anybodys and Ice. It really shows that she's been accepted as one of their own.
-->'''Ice:''' You done good, buddy boy.
-->'''Anybodys:''' Thanks, Daddy-O.