* The film has perhaps the only one that happens before the film even starts: it was released soon after the ''Challenger'' disaster, and the producers took it upon themselves to put the following at the beginning of the print: "Dedicated to the crew of the space shuttle ''Challenger'', whose courageous spirit will live to the 23rd century and beyond."
* When Chekov informs Kirk he and Uhura have found the "nuclear wessel", Chekov notes "Admiral, it is the ''Enterprise''.", which almost takes Kirk aback, that no matter what time or place they're in, the ''Enterprise'' will be there to help him.
* The scene in the hospital where [=McCoy=] gives the sick old lady on dialysis some 23rd century medicine... and a few scenes later, she's ''grown a new set of kidneys.''
* This exchange between our main trio:
-->'''Spock''': Mister Scott cannot give me exact figures, Admiral. ...So I will make a guess.
-->'''Kirk''': A guess? You, Spock? That's extraordinary!
-->'''Spock''': I don't think he understands.
-->'''[=McCoy=]''': No, Spock. He means that he feels safer about your 'guesses' than most other people's facts.
-->'''Spock''': Then you're saying ...it is a compliment.
-->'''[=McCoy=]''': It is.
-->'''Spock''': Ah. Then I will try to make the best guess I can.
* The scene where Kirk and the others talk about rescuing Chekov. They ask Spock what he thinks, and he agrees that they must save Chekov. Kirk asks, "Is that the logical thing to do, Spock?" Spock answers, "No, but it is the human thing to do." At that moment, Kirk and everyone else knew that Spock was truly back.
* "Admiral! There be ''whales'' here!"
* The waterfight at the end. Particularly when Kirk picks Spock up and throws him bodily into the water.
** Keep your eye on Spock in the scenes leading up to that. Is he... ''smiling''? [[NotSoStoic He might be]], but he'll never tell!
* The scene where the ''Enterprise'' crew are put on trial:
-->'''Officer:''' Mr Spock. You do not stand accused.
-->'''Spock:''' I stand with my friends.
* [[WellDoneSonGuy Sarek]] HATED the idea of Spock joining Starfleet. But after all that, he pulls him aside at the end and admits he was in error.
** Really, the entire conversation is heartwarming in at least three different ways. Sarek shows his love for Spock, both unconditionally and with direct approval for his life choices; Kirk and the crew earn the respect of the reserved Vulcan (validating the entire intercultural-cooperation idea of the show, really); and Spock acknowledges his deep friendship with them. All with the typical reserve and formality of Vulcans, yet immensely powerful thanks to the performances of Mark Lenard and LeonardNimoy.
-->'''Sarek''': I am returning to Vulcan within the hour, I would like to take my leave of you.
-->'''Spock''': It was most kind of you to make this effort.
-->'''Sarek''': It was no effort. You are my son. Besides, I am most impressed with your performance in this...crisis.
-->'''Spock''': Most kind.
-->'''Sarek''': As I recall, I opposed your enlistment in Starfleet. It is possible that judgement was incorrect. Your associates are people of good character.
-->'''Spock''': [''matter-of-factly''] They are my friends.
-->'''Sarek''': Yes, of course.
** It's capped with Spock finally asserting his humanity and closing the [[BookEnds bookend]] from the beginning of the movie, when he tells his father to tell his mother "he feels fine".
** For the ''Trekkie'' audience, seeing Jane Wyatt make her appearance as Spock's Mom was heartwarming itself.
* And of course Trek's greatest Heartwarming Moment ever -- Kirk and company think they're being reassigned to the ''[[ReplacementScrappy Excelsior]]'', but just as Alexander Courage's classic fanfare plays we see...[[spoiler:the brand new ''USS Enterprise, NCC-1701-A'']]! Along with the classic quote, "[[spoiler:My friends, we've come home.]]" Trek fans weep and cheer every time at [[http://www.youtube.com/watch?v=4w1j5rAZK1Q that scene]].
** Except [[SpamWarrior3000 this troper]] can't watch it without laughing because she's seen the ''outtake'' of that scene, wherein there is a moment of silence and then Leonard Nimoy deadpans, "Get your hand off my leg."