* Vincent dies because he shits where he eats. He first comes close to doing so when he is tempted by Mia (his boss's wife) and then he seals his fate when he takes a bathroom break in Butch's apartment (the place he was working)
* Vincent monologuing that "being loyal is very important," convincing himself not to sleep with his boss's wife. It's actually an important maxim for him: [[Film/ReservoirDogs Vincent's brother]] served four years in prison by refusing to give the cops his boss's ([[BerserkButton or rather, business partner's]]) name.
* Butch's choice of a samurai sword seems to fall completely in line with KatanasAreJustBetter. He's awed by the sword's majesty and it symbolizes the honorable decision he's made to rescue Marcellus. However, the swords is also the most practical weapon available: the hammer and baseball bat aren't as damaging as a blade, and the chainsaw would make a lot of noise to forewarn the rapists. The samurai sword is also the only item he sees that was designed to be a weapon rather than a tool.
* Koons's words to Butch: "Hopefully, you'll never have to experience this yourself, but... When two men are in a situation like me and your dad were, for as long as we were, you take on certain responsibilities of the other." This is probably one of the reasons Butch chose to return and come to Marsellus's aid.
* One side effect of being a dope fiend is constipation. This explains why Vincent is so backed up that he's constantly trying to relieve himself and also why he takes so long that he brings a book everywhere to read on the pot.
* Related to the first point on this page, in a way: In his first appearances in "Vincent Vega and Marcellus Wallace's Wife" and the beginning of "The Gold Watch", we only ever see Marcellus Wallace from behind. This distances us from him, and dehumanizes him; he's an unknowable, almost inhumanly threatening presence, in constant command and control. Pretty much the first time we see his face is when Butch runs him over, and then during his [[RapeAsDrama experiences]] in the pawn shop. This 'humanizes' him, brings him down from his pedestal of all-powerful crime lord to vulnerable human being. Fittingly, when we see him in "The Bonnie Situation", although the segment is set before these experiences we see him from the front, demonstrating the humanity he developed in the earlier segment. CharacterDevelopment -- it doesn't have to happen in linear order.
* Jules' habit of [[MaliciousMisnaming sarcastically calling Pumpkin "Ringo"]] in the final scene can be taken as a subtle clue that he's a fan of Music/TheBeatles, referencing the deleted scene in which Mia states that "You're either a Beatles man or an Elvis man," and she correctly concludes that Vincent is an "Elvis man." So much of Jules's and Vincent's character dynamic is centered around the fact that they're polar opposites of each other (one's black, the other's white; one's religious, the other's a skeptic; one's a serious and intense professional, the other's a casual, irresponsible druggie; one goes straight, the other dies violently; etc.), and the fact that they're "a Beatles man" and "an Elvis man", respectively, is meant to tie into this.
* Vincent, the "Elvis man," dies on the toilet, as Elvis infamously did.
* Seems like a long shot at first, but the events of the film are shown in a perfect mirror, with the gold watch scene (which, if you think about it, started it all, and indirectly led to every character's final fate except for Jules) in the middle:
** The diner scene
** Jules and Vincent's journey go to Brett's place
** the scene where Jules kills Brett
** Marcellus and Butch make a deal
** Vincent and Butch have a nasty encounter
** the first romantic story, ending in disaster
** the gold watch
** the second romantic story, ending in disaster
** Vincent and Butch have a nasty encounter
** Marcellus and Butch (ending up with them making another deal)
** the scene where Jules kills Brett
** Jules and Vincent's journey from Brett's place
** The diner scene
* During the first Ezekiel 25:17 scene, Jules slowly turns around, surveying the room. When he gets to "the finder of lost children", who's he looking at? Marvin, who's later revealed to be their [[TheMole informant]].
* In the opening scene, Vincent tells Jules that he doesn't really watch much television. In virtually every subsequent scene he's in, he makes a reference to a TV show.
* Zed's chopper that Butch gets away on is named Grace. Grace can be defined as "a favor rendered by one who need not do so" or as "a temporary immunity; a reprieve," which is exactly what Marcellus had given Butch after the incident at the pawn shop.
* Jules pointedly refuses to let Marvin, his informer, tell him where the briefcase is, saying, "I don't remember asking you a ''goddamn'' thing!" Jules doesn't ask Marvin for any help because he's getting a sadistic kick out of intimidating the men he's about to kill. Since Jules isn't going to kill Marvin, he doesn't want to interact with him.
** Alternatively, the entire performance was intended for Marvin instead of Brett. No point in wasting your breath lecturing someone you're just going to kill anyway. But Marvin probably dedicated the rest of his life to staying on Marcellus Wallace's good side.
* Butch never got to meet his father because he died in a POW camp, and his most prized possession is a memento of his father. Fittingly, his story arc in "The Gold Watch" ends with him [[ConscienceMakesYouGoBack deciding to rescue his worst enemy from a hellish imprisonment in the pawn shop]], even though it means delaying his own chance at escape. After being haunted by his father's death and imprisonment for most of his life, there's no way that Butch could ever have left another man to die as a helpless prisoner, even if he had every reason to leave him behind.
* During the first Ezekiel 25:17 scene, Jules is really talking for Marvin's benefit. No point in lecturing
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