[[caption-width-right:350:Yippie-kai-yay, motherfucker!]]

->''"No one dies harder than John [=McClane=]."''
-->-- '''[[FilkSong Guyz Nite]]''', [[https://www.youtube.com/watch?v=OTyw6cq86kY "Die Hard"]]

A landmark action movie franchise that started with [[AnAssKickingChristmas the greatest Christmas movie ever made]] in 1988 when the world was introduced to badass John [=McClane=]. He is usually called "[[RightManInTheWrongPlace the right man in the wrong place at the wrong time.]]" Creator/BruceWillis stars as New York cop John [=McClane=], who usually has to employ his skills in a situation that has since been called DieHardOnAnX -- he is usually trapped inside a location and has to climb around in air ducts and counter the bad guys' plot. The setup is slightly different in each film (mostly depending on the location), but he always finds himself in the way of terrorists hatching some sort of plot (which ends up serving as an elaborate robbery).

The first film arguably started the trend of modern action movies that had intelligent, well-acted villains with intricate, meticulously-planned schemes, instead of the usual paper-thin plot layered with extra helpings of [[MoreDakka dakka]] to keep you from caring. It also helped to codify the modern action hero (after Franchise/IndianaJones) where they are prone to sweat, bleed, [[DeadpanSnarker snark]] and [[IndyPloy make things up as they go along]] while you feel they truly are in deadly danger that could overwhelm them at any time.

The series is composed of five movies:

* ''Film/DieHard'' (1988) -- UsefulNotes/LosAngeles skyscraper
-->'''Hans Gruber:''' Do you really think you have a chance against us, Mr. Cowboy?\\
'''John [=McClane=]:''' Yippee-ki-yay, motherfucker.
* ''Film/DieHard2: Die Harder'' (1990) -- Dulles International Airport, UsefulNotes/WashingtonDC
-->'''John [=McClane=]:''' Another basement, another elevator. How can the same shit happen to the same guy twice?
* ''Film/DieHardWithAVengeance'' (1995) -- All over [[BigApplesauce New York]]
-->'''Zeus Carver:''' Damn [=McClane=], you know I was just starting to like you.\\
'''John [=McClane=]:''' Yeah, well don't, I'm an asshole.
* ''Film/LiveFreeOrDieHard'' (a.k.a. ''Die Hard 4.0'', 2007) -- UsefulNotes/WashingtonDC, UsefulNotes/{{Baltimore}}, and surrounding areas
-->'''Matt Farrell:''' You just killed a helicopter with a car!\\
'''John [=McClane=]:''' I was out of bullets.
* ''Film/AGoodDayToDieHard'' (2013) -- Yippee-ki-yay, Mother Russia!
-->'''John [=McClane=]:''' The [[Film/JamesBond 007]] of [[UsefulNotes/NewJersey Plainfield, New Jersey]]

A sixth film (tentatively entitled ''Die Hardest'') [[http://screenrant.com/die-hard-6-hardest-story-samuel-jackson-zeus/ is currently in pre-production,]] and is slated to be the GrandFinale of the series at Bruce Willis's request. The movie will apparently [[RevisitingTheRoots take place in a single tower in Tokyo]] (appropriate enough, considering that the series is [[GermansLoveDavidHasselhoff Big In Japan]]) and will have a plot tied to the original film, taking place on the thirtieth anniversary of [=McClane=]'s successful handling of the Nakatomi hostage crisis. While the movie is supposed to feature [=McClane=] as its sole protagonist, supporting characters from previous installments are being written into the script.

It has spawned a number video games, some of which are directly based on the movies.

Creator/BoomStudios pulished comics called ''Die Hard: Year One'' that showcases John's early days in the force.

If you came here expecting the trope DieHardOnAnX from a link, go there instead and please change the link to it, and tell the troper who inserted that link that he/she is a silly goose.
!!Now I have a trope example list. Ho ho ho:
* AdaptationAmalgamation: Any ''Film/DieHard'' sequel is there because all of them were based, mostly, on unrelated source material.
* AdultFear:
** In the first three films in the franchise, this is the drive behind most of our hero's actions. The first film sees our hero getting caught in the middle of a terrorist takeover of a high-rise building, with no way out, holding dozens of hostages with [[IHaveYourWife his wife among them]] and the police officers arriving to save the day [[PoliceAreUseless being no help at all]]. The second one raises the stakes with dozens of planes full of innocent families coming home for Christmas trapped in mid-air at the mercy of a madman, who manages to [[spoiler:destroy one such plane, murdering every man woman and ''child'' onboard]]. The third film has a major subplot about a terrorist bomb in an elementary school.
** In the fourth movie, the antagonist uses HollywoodHacking to erase [=McClane's=] pension, mortgage, etc., destroying his financial stability with a few keystrokes.
* BadassFamily: The [=McClanes=] and the Grubers.
* BandOfBrothers: [=McClane=] and his various sidekicks in each film (especially Al Powell), and weirdly enough, the Grubers:
-->'''Zeus''': Didn't I hear you say you didn't even like your brother?\\
'''Simon''': There's a difference, you know, between not liking one's brother and not caring when some dumb Irish flatfoot drops him out of a window.
** And for that matter, Tony and Karl in the first film.
* BondVillainStupidity: Present in all the movies, but [[TropesAreNotBad used sparingly]] to keep the villains threatening.
* {{Bowdlerise}}: Played straight with TV edits of the films (see: Mr. Falcon, which is Esperanza's code name). A peculiar example in ''With a Vengeance'', [=McClane=]'s sign "I hate niggers" is turned into "I hate everybody", the actual and less problematic text used during the filming on location in Harlem. Surprisingly, AMC kept the original sign.
** Interestingly, although the German synchro had to change the catchphrase's "motherfucker" ("fuck" would be ''much'' more rude in German) to a "Schweinebacke" (approximately "pig tush"), it became memetically stuck as fast as the original.
* BrooklynRage: Guess where John is from.
* CatchPhrase: "Yippie-ki-yay, motherfucker!"
** Used as a PreAssKickingOneLiner in the first and the fifth, a PreMortemOneLiner in the second and the fourth, and a PostMortemOneLiner in the third.
* TheCavalryArrivesLate: Subverted; the police always arrive early on, but they just can't do anything about the situation, as the villain has already factored their expected response into his plans.
** You'd think by now that John would wise up, and start mentoring a few rookies.
* ChronicHeroSyndrome: John has a violent version of this.
* ClothingDamage: John gets noticeably more raggedy from various injuries in each movie.
* ClusterFBomb: Many of John's lines are guilty of this trope.
* DaChief: Deputy Chief of Police Dwayne T. Robinson in the first film, Airport Police Captain Carmine Lorenzo in the second film and Captain Walter Cobb in the third film. The first two are [[JerkAss jerkasses]]/[[TheNeidermeyer Neidermeyers]] while Cobb is a classic ReasonableAuthorityFigure.
* DenserAndWackier: As detailed [[http://www.vulture.com/2013/02/die-hards-john-mcclane-everyman-to-superman.html here]]. It begun with "[[DieHardOnAnX everyman stuck in a building filled with baddies]]", but by the fifth movie he's MadeOfIron and barely flinches while destroying everything in his path.
* {{Determinator}}: Every movie seems to involve [=McClane=] going through truly unholy quantities of punishment - including being shot, having his feet carved up by broken glass, getting ''severely'' thrashed in hand-to-hand combat, and falling over and over again - and still keeps going.
--> '''[=McClane:=]''' I'm like that fuckin' Energizer Bunny.
* DeadpanSnarker: [=McClane=] in all films.
* DieHardOnAnX: The TropeNamer and TropeCodifier. Happens to the one and only John [=McClane=] fairly often.
* DolledUpInstallment:
** ''Die Hard'': Based on the novel ''Nothing Lasts Forever'', which was the sequel to ''The Detective,'' whose adaptation starred Music/FrankSinatra. When Ol' Blue Eyes passed on the chance to reprise his role in a direct sequel, the flim was retooled as ''Film/{{Commando}} 2'', but Arnie passed and ''Die Hard'' became a stand-alone movie.
** ''Die Hard 2'': Based on the novel ''58 Minutes''. The french title is "58 Minutes to Live" mirroring this.
** ''Die Hard With a Vengeance'': An original script called ''Simon Says'', about a man and a woman solving a big mystery in New York. Later retooled as ''Film/LethalWeapon4'' with the man changed to Riggs and the woman changed to Murtaugh. Then retooled into ''Vengeance'', with Riggs changed to [=McClane=] and Murtaugh changed to a new sidekick, Zeus, played by Creator/SamuelLJackson.
** ''Live Free or Die Hard'': Based on a magazine article, turned into an original script called "WW3.com", shelved after the events of September 11th, eventually retooled to star John [=McClane=]. It was almost a different film called "Die Hard: Tears of the Sun", but after that version of the film fell through Bruce Willis took the catchy title with him to a different movie.
** The fifth film is about the closest there's been to a Die Hard film actually beginning life as a Die Hard film. But even so, the screenplay was a rejected one for the 4th film.
*** Even the video games are not immune to this. The Creator/{{Sega}} BeatEmUp ''Die Hard Arcade'' was originally ''[[VideoGame/DynamiteCop Dynamite Deka]]'' in Japan, whose main character (Bruno Delinger) just happened to resembled Bruce Willis. Sega simply tacked on the ''Die Hard'' license for the international release and claimed that Bruno was actually John [=McClane=] himself, and remade the villain into Hans Gruber.
*** Also, the arcade game has nothing to do with any of the films, nothing to do with the archetype, and nothing about the main character that uniquely suggests John [=McClane=]; it's just a generic plot about rescuing the President's daughter with a cop named John [=McClane=] who ''kind'' of acts like the film character. The Japanese release was stand-alone.
* DowntimeDowngrade: John and Holly's marriage. First movie: On the rocks, restored by RescueRomance. Second movie: Appears stable. Third movie: On the rocks again, and John unintentionally leaving her hanging on the line while he goes to confront the BigBad probably didn't help. Fourth movie on: Divorced.
* DudeWheresMyRespect: No matter what adventures [=McClane=] may go on, by the start of the next film he'll be back to being a JerkAss with a miserable home life. Seriously, this is a man who has now single-handedly thwarted four major terrorist attacks on the country (well, only one was actually terrorism, the other three were robberies disguised as terrorist acts), but still [=McClane=] should seriously be invited to train Delta Force in urban combat and anti-terrorist tactics.
** The second film was the only one in the series to suggest [=McClane=] has achieved any level of fame from his actions, with various people scoffing at his media appearances. In real life, the passengers on United 93 are lauded as heroes, and they didn't survive their counterattack on their hijackers. If [=McClane=] was a real person, his face would have been added to the U.S. flag by now...
** "You know what you get for being a hero? Nothin'. You get shot at. You get a little pat on the back, blah, blah, blah, attaboy. You get divorced. Your wife can't remember your last name. Your kids don't want to talk to you. You get to eat a lot of meals by yourself. Trust me, kid, nobody wants to be that guy."
** It actually sort of makes sense. He was fairly well known in the second, mostly because of the reporter forcing Holly's maid to give an interview or be deported. The reporter who he worked with in the second clearly had ethics, so she probably downplayed his involvement. The third movie: You are a reporter. Are you going to focus on the little kids who were saved by cops or some bank robber? And by the fourth, it had probably been 10-12 years. And one can easily argue that his involvement in the fourth would be downplayed for national security reasons, leaving him as somewhat known to law enforcement, but largely anonymous by the fifth.
* EvenEvilHasLovedOnes: There are many examples of bad guys lamenting the deaths of their loved ones:
** TheDragon in the first movie is deeply angered after his brother is killed by John and spends most of the movie wanting revenge.
** Simon admits he didn't like Hans, but he was still family to him.
*** In the same movie, one of his men makes a toast to fallen comrades and he shares the sentiment.
** When Gabriel learns about his girlfriend's death, he is shocked into silence and seems to be on the verge of tears as he tells John ItsPersonal.
* ExactlyWhatItSaysOnTheTin: The movies are about a guy who just.... won't.... die no matter what manner of immense danger, unholy pain and injuries happen to him. The villains just... can't kill this guy no matter what they try.
%%* ExtremeGraphicalRepresentation
* FilkSong: Guyz Nite made [[http://www.youtube.com/watch?v=OTyw6cq86kY one]], which is even on the fourth movie's DVD.
* {{Flanderization}}: John [=McClane=] himself. In the first three installments, he's a regular cop with a lot of bad things going on in his life, from divorces to hangovers, and his motivations are usually very personal. By the fourth film, he's an ImplacableMan trying to save everyone because he has to be the guy to do it (although it does get personal later on).
* FourTemperamentEnsemble: The villains: Hans and Simon Gruber (choleric), Col. Stuart (melancholic), and Thomas Gabriel (phlegmatic).
* GoodOldFisticuffs: At least one scene in every film.
* GuileHero: John [=McClane=]. Overshadowed by the more prominent ActionHero profile.
* {{Handguns}}:
** In "Die Hard", although John McClane seeks out a machine gun (ho-ho-ho) at the first opportunity, he's still eventually reduced to his trusty pistol.
** He's able to take out a helicopter in "Die Hard with a Vengeance" with a snub-nosed revolver. To be fair, he didn't aim directly at said helicopter...
* HellishCopter: Various helicopters meet their ends due to rocket launchers, power lines, and ''[[CarFu police cars]]''.
* HollywoodHealing: Averted; [=McClane=] keeps on limping throughout the movies from all the damage.
* HonorBeforeReason: No matter how brutally damaged and horrifying under-equipped [=McClane=] may be, he just never gives up and lets the bad guys get away, ever.
* HostageSituation: It wouldn't be ''Die Hard'' if each film didn't involve one at some point.
* ImperialStormtrooperMarksmanshipAcademy: For highly trained and well-supplied insurgents, very few of the henchmen in the films even get close with their shots. In the first movie this makes a little sense as most of them are using automatic weapons, it's hard to hit anything with those things.
** In the second film, played straight with in the Skywalk shootout. The SWAT officers and Stuart's men both have automatic weapons ([=M16A1=] assault rifles and H&K [=MP5K=] submachine guns, respectively) - all five SWAT officers are killed, but only manage to kill a single mercenary (Shockley). In part 2 of the shootout, [=McClane=] bursts in as one mercenary puts a pistol to Barnes's head, he's firing at them with a semi-automatic pistol and manages to take out the remaining three mercenaries. He even trades fire with a mercenary firing down through wooden scaffolding (justified as he can't see where [=McClane=] might be). Noticeably, all three were not killed while firing at [=McClane=]: the first is being shot after catching a ventilation grate, the second falls off the scaffolding and is crushed, and [=McClane=] empties a magazine at the remaining one as he runs towards John.
*** Subverted in the church shootout: Major Grant's men fail to pick off any of Stuart's men despite both sides firing automatic weapons. Neither side has any casualties. [=McClane=] manages to pick off two mercenaries to start the snowmobile chase. However, it's revealed that Grant and his men were working with Stuart all along and the shootout was staged for everyone else's benefit.
* IndyPloy: [[{{Foil}} In contrast to the villain's carefully laid plans]], John [=McClane=] does everything on the fly, leading to absurd decisions that many times nearly kill him. He {{lampshade|Hanging}}s it frequently: "Oh, John, what the fuck are you doing?" (first, as he ties a fire hose around his waist), "Ah John, what the fuck are you doing out on the wing of this plane?" (second, trying to stop the plane from taking off), "[[ThisIsGonnaSuck This is a bad idea!]]" (third, before jumping into a subway train from the sidewalk, and fourth, just before taking down a helicopter with a car.)
* InvincibleHero: John started off as an aversion of this trope as a hero who gets hurt like anyone else would, but by ''Good Day'', he's able to brush off falling through several stories of glass despite pushing 60.
* {{Jerkass}}: Police Chief Dwayne Robinson in the first film, Airport Police Captain Lorenzo in the second film and Dick Thornburg in both films. Zeus in the third film Zeus starts out as a bit of a jerkass but [[JerkWithaHeartofGold slowly lightens up.]]
* LaughablyEvil: Both Gruber brothers occasionally slip into this, Simon more so.
* MadeOfIron: As the intro noted, John [=McClane=] followed Franchise/IndianaJones in the school of "action hero who is beaten by everyone\everything on his path and yet survives". Some of the people he encounters (Karl, Mai) are also resilient as hell.
* MuggedForDisguise:
** In the first movie, once Karl shoots the lobby guard, another henchman takes the guard's jacket to impersonate him.
** In the second movie, Barnes and the SWAT team are ambushed by four of Stuart's men, disguised as painters and airport maintenance employees. A deleted scene shows where they got the disguises: two painters are seen unloading their van when two of the Skywalk team's men, [[RobertPatrick O'Reilly]] and Sheldon, walk up. O'Reilly pulls out a pistol and shoots both painters, then they throw the bodies in back and lock the doors.
* NoOneShouldSurviveThat: This trope is invoked at least once every 10 minutes while watching these films.
* OddlyNamedSequel2ElectricBoogaloo
* OncePerEpisode: "Yippee-ki-yay, motherfucker."
** Every movie but the second reveals that the terrorists are actually doing a great robbery.
* OneManArmy: Practically a TropeCodifier.
* PermaStubble: [=McClane=].
* PlotArmor: While the films always show John coming out pretty roughed off, he still tends to pull off highly improbable survivals, especially when confronted with an army of {{Mooks}} with automatic weapons. Then again, if they all attended the ImperialStormtrooperMarksmanshipAcademy...
* QuoteSwearUnquote: The CatchPhrase of the film came from [=McClane=] mentioning Creator/RoyRogers was his favorite movie cowboy, and then taking Roy's CatchPhrase and adding swearing to it.
* RatedMForManly: ''Yes.''
* RescueRomance: The first two movies are the RatedMForManly version of a love movie: Yes, Holly, your husband may not always say the right thing, or remember to bring romantic gifts. But when you truly need him, he will literally fight his way through an army for you. What more proof do you need that he really loves you?
* RightManInTheWrongPlace: With the exception of the third movie, [=McClane=] always found himself in the middle of something that was generally beyond his training as a police officer.
* RuleOfCool: Most of the stunts performed by John, although the first movie at least complies with physics fairly well
%%* SesquipedalianLoquaciousness
* SequelEscalation: The series goes from a single office building to an airport, to all over New York City, to a scheme affecting all of America. And the fifth movie goes international, sending him to Russia.
* SequelReset: Starting with the third, the Die Hard sequels start with John [=McClane=] back to being a down-on-his-luck cop on the outs with his family (in the second, he's in a relatively good mood... until disaster finds him ''again''). Possibly [[JustifiedTrope justified]] by his being something of a headstrong CowboyCop with a drinking problem; the acclaim he gets for his heroics is balanced by repeatedly getting in trouble.
* SiblingYinYang / FoolishSiblingResponsibleSibling: [=McClane's=] daughter Lucy is (or was) a teenage rebel while his son John Jr./Jack is a very responsible, by-the-book [[spoiler: CIA agent]]. Just about the one thing they'd agree on (if they were in the same film) is that their dad sucks.
* SpannerInTheWorks: Pretty much the theme of the series. John never seeks out the antagonist or wants to get involved in whatever is going on. Though more often then not a family member of his (his wife in the first two movies, his daughter in the fourth and son in the fifth) will get caught in the crossfire forcing him to get in involved and expanding from there. The third is the only movie to subvert it as its a revenge plot engineered by the big bad but even then that winds up backfiring.
* SuperWindowJump
* TelevisionGeography: Regarding the DC-Baltimore area in the second and fourth movies. They've got Washington Dulles International Airport being represented by the Alpena, Michigan airport in the second film and LAX in #4, and downtown Baltimore for Washington DC (as evidenced by skyscrapers that are much taller than D.C. building codes allow).
* TerroristsWithoutACause: Not really. They're bank robbers, or they're ones seeking revenge for being fired, or assisting a corrupt dictator in escaping.
* TrueLoveIsBoring: Poor John and Holly just couldn't catch a break.
* TheUnfettered: TheDragon in each movie.
%%* UnorthodoxReload
* WeDoTheImpossible: Rather, just John. It's actually a source of scorn for some people in-universe, who think he's jumpy and cocky after the events of the first film - it's part of the problem why Carmine Lorenzo won't believe him in ''Die Hard 2''.

''"Now I know what a troper feels like."''