->''We don't want your forgiveness; we won't make excuses. We're not gonna blame you, even if you are an accessory, but we will not accept your natural order. We didn't come for absolution, we didn't ask to be redeemed, but isn't that the way it is? Every goddamn time. Your prayers are always answered, in the order they're received.''
''The Way of the Gun'' is the first and, to date, only film directed by screenwriter Christopher [=McQuarrie=], best known for his Oscar-winning script for ''Film/TheUsualSuspects.'' After several unsuccessful attempts to get films off the ground, [=McQuarrie=] ultimately caved to studio pressure and wrote another underworld film, this time attempting to subvert the genre by pointedly exploring the characters' lack of morality. The film centers on two criminal low-lifes who, having chosen to live off the grid, stumble upon a way to strike it big: kidnap the young surrogate mother of a Mafia accountant's child.
It stars Ryan Phillippe, Benicio Del Toro, Creator/JulietteLewis, and Creator/JamesCaan.
!!This film provides examples of:
* ActionFilmQuietDramaScene -- Several. Most notably, Joe Sarno has a cup of coffee with Longbaugh.
* AntiVillain -- Joe Sarno, the bagman who, as it turns out, [[spoiler:is trying to rescue his daughter]].
* BackToBackBadasses -- The final showdown.
* BadassGrandpa -- Joe Sarno (played by James Caan). He lampshades the trope early on, noting that "the only thing you can assume about a broken down old man is that he's a survivor."
* BlackAndGrayMorality -- Deliberately pursued by the director. Parker and Longbaugh are, by default, the protagonists, and they display more morality than some other characters, but they're still cold-blooded killers. The camera lingers on bystanders who were killed through their actions.
* BolivianArmyEnding -- The movie ends with the protagonists lying in the dirt, presumably dying. This is itself a ShoutOut to the ''original'' BolivianArmyEnding, as Parker and Longbaugh are metafictional counterparts to Butch Cassidy and the Sundance Kid.
* BookEnds -- The film begins with the pair on their backs, having just gotten the shit kicked out of them. The film ends with the pair on their backs, having just gotten the shit shot out of them.
* BottomlessMagazines -- Deliberately averted. The characters are frequently shown reloading.
* BriefcaseFullOfMoney -- Openly subverted. Parker and Longbaugh demand $15 million in mixed bills, clearly anticipating a briefcase of money. Jeffers yells at them, "Do you know how much that'll weigh? Try a couple hundred pounds!" Even in hundreds, the ransom comes in three giant dufflebags. In reality, it would be even more.
* ChaseScene -- Noteworthy in that this one is a car chase at ''walking speed.''
* ClusterFBomb -- SarahSilverman's cameo. Her character is named [[ExactlyWhatItSaysOnTheTin Raving Bitch]].
* DeathSeeker -- One of the hitmen is introduced sitting alone at home playing RussianRoulette. With ''six'' revolvers.
* GenreSavvy -- All the shooters either are or think they are.
* GrievousBottleyHarm -- Parker jumps into a dry fountain for cover, discovering too late that it's filled with jagged broken beer bottles. It's the most gruesome scene in a film filled with shootings, torture, and forcible surgery.
* HollywoodDensity -- The BriefcaseFullOfMoney was changed to three dufflebags after Benicio Del Toro casually asked during filming how much $15 million in cash would actually weigh.
* IndyPloy: Before the final shootout, Parker and Longbaugh agree that "a plan is just a list of things that don't happen."
* LawOfInverseRecoil -- One of the few really noticeable firearm gaffes in the film is when Longbaugh fires a fully automatic burst through a wall. The bullet holes appear in a perfectly straight horizontal line across the wall.
* MeaningfulEcho -- "Every goddamn time." Blink and you'll miss the first one, though.
* MeaningfulName -- The main characters use the aliases of [[ButchCassidyAndTheSundanceKid Parker and Longbaugh]].
* MexicanStandOff -- Parker and Longbaugh attempt one when kidnapping Juliette Lewis. It doesn't work the way they expect it to.
* NoodleIncident -- "What happened in Baltimore," Dr. Painter's unelaborated shame.
** Parker giving half of his sandwich to Robin.
** Obecks shows Robin that his finger is off the trigger to assure her that he's bluffing about shooting her. When he pulls her to safety, he whispers, "You're okay."
* PregnantHostage -- Taken hostage ''because'' she's pregnant with a mobster's child.
* RageQuit: The director points out in the commentary how the first scene is an example of this trope. Parker and Longbaugh realize that they're going to lose the bar brawl because they're outnumbered, so instead of trying to win, they steal their opponent's victory by decking his girlfriend.
* RedOniBlueOni -- Parker and Longbaugh, in that order. Parker is moody, yells and screams a lot, and is generally unstable. Longbaugh [[TheQuietOne doesn't say much]] and is generally aloof.
* ReliablyUnreliableGuns: Averted. At one point Benicio Del Toro's character is firing a pump-action shotgun and it suffers a stovepipe malfunction. He simply takes a moment to clear the jam and resumes firing. The film was notable for the accuracy of its depiction of firearm usage. The director's SWAT team brother serving as advisor.
* RussianRoulette -- a variation with one round in each of six revolvers, which are then picked at random from a pillowcase.
** "Everyone will assume they made off to [[ButchCassidyAndTheSundanceKid Bolivia.]]"
** Additionally, Parker and Longbaugh are Butch Cassidy and The Sundance Kid's actual surnames.
* SmugSnake -- Jeffers (played by Taye Diggs)
* TerribleIntervieweesMontage: Parker and Longbaugh at the sperm bank. Longbaugh gives, "[[SuspiciouslySpecificDenial I've never killed a man]]," as one of his qualifications to donate. Parker sees fit to start ranting about homosexuality in modern culture.
--> "Because we usually don't ask our applicants ''ABOUT SEX WITH DEAD PEOPLE!'' " "You should."
* VillainProtagonist -- The main characters are kidnappers, and the antagonists are trying to get the hostage back.