[[caption-width-right:280: ''"TheMafia? Hah! I've shit 'em."'']]

->''I have rarely seen a movie character so completely alive. Shand is an evil, cruel, sadistic man. But he's a mass of contradictions, and there are times when we understand him so completely we almost feel affectionate. He's such a character, such an overcompensating Cockney, sensitive to the slightest affront, able to strike fear in the hearts of killers, but a pushover when his mistress raises her voice to him.''

British gangster film starring Bob Hoskins as Harold Shand, an old-school LondonGangster planning to make the leap from organised crime to legitimate business with the financial aid of some [[TheMafia American]] {{Legitimate Businessmen|sSocialClub}} and some potentially lucrative property details. Success is within his grasp when a mysterious group of hitmen start targeting Harold and his organisation, executing two of Harold's closest accomplices and bombing several of his businesses.

His deal threatened, Harold starts to use all his muscle and contacts to try and find out who's attacking him -- but when it starts to look as if betrayal could be coming from close to home and prior dodgy dealings might be coming back to bite him, it becomes clear that it's going to be a very long Easter weekend for Harold Shand.

The film was a critical and commercial darling in Britain, but whilst it found favor with American critics, audiences found it too niche, dealing as it did with some very British concerns of the 1970s, such as the EEC, union strikes, the rise of property development over industry, TheTroubles, and political corruption. It currently holds a 95% approval rating on Rotten Tomatoes, however, and some critics consider it to be the best British gangster movie of all time, and a worthy trans-Atlantic counterpart to ''Film/TheGodfather''.

!!This film provides examples of:

* AbhorrentAdmirer: Victoria develops one in Jeff.
* AcceptableEthnicTargets: Two of Harold's henchman talking about the chef he's hired: "He's a right awkward ponce." "Well, he's French, innie?"
* AffablyEvil: Harold Shand as it would appear at first (and in certain instances seems genuine), but when he realises the threat of the situation, this fašade begins to fade - see FauxAffablyEvil below.
* AntiHero: Harold is introduced as an affable crook and loving husband who is trying to establish a legitimate business deal while under attack from a ruthless and mysterious aggressor. As the film progresses, however, it becomes clear that he's just a thug who is no better than the people after him.
* AxCrazy: The opinion of everyone sane (the detectives, the Mafia) of the IRA.
* BolivianArmyEnding: [[spoiler: The last scene has Harold being driven off at gunpoint by the IRA to be killed.]]
* TheBrute: Razors, Harold's gangland enforcer.
* BullyingADragon: Despite being told that even the British Army haven't managed to beat the IRA, Harold is ready to go to war with them. He also tells a New York mafia boss to go fuck himself at the end of the film.
* CoolCar: Harold's gold Rolls-Royce Silver Shadow with whitewall tyres, registration: HS 10. After it gets blown up, he rides around in a swish dark blue Jaguar XJ6. Jeff also has a classic red early-1970s Mercedes 280SL.
* CorruptPolitician: Councillor Harris
* DarkMistress: Victoria (Helen Mirren) is an unusually posh, well-bred version of this, who played Lacrosse at school with Princess Anne. She acts as something of [[TheConsigliere an adviser to him]].
* DramaticIrony
-->'''Harold:''' It's like f**king Belfast on a bad night!
* DirtyCop: Parky, a senior Met police officer on Harold's payroll (probably a Detective Inspector or Detective Chief Inspector)
* TheCaligula: Harold starts off as amiable, even charming, but as his grasp on the situation slips he becomes a lot more vicious.
* DidYouActuallyBelieve: No one actually says it to [[spoiler:Harold]], but it's pretty clear from the smirks what they're thinking.
* EvilVersusEvil: It's {{London Gangster}}s vs the [[TheTroubles Irish Republican Army]]. Needless to say, there are no heroes in this battle.
* FatalFlaw: {{Pride}}. Once everyone else figures out who the Irish gang [[TheTroubles actually are]], they urge Harold to let them have their pound of flesh to settle the grievance and have done with it. But Harold Shand can't comprehend anyone other than him calling the shots in London. This will come back to bite him.
* FauxAffablyEvil: Harold would like to present himself as AffablyEvil, but it quickly becomes clear he's got quite a sadistic streak and a bad temper that only gets more pronounced as the movie goes on.
* {{Gayngster}}: One of Harold's murdered friends turns out to be one of these. Harold actually seems relatively okay with it, considering.
* GrievousBottleyHarm: [[spoiler: Jeff's fate due to Harold's HairTriggerTemper]]
* HairTriggerTemper / HotBlooded: Harold will go off at the drop of a hat. And it only gets worse as things get more stressful.
* {{Homage}}: The final scene of [[spoiler: Harold being taken to his implied death]] is a homage to the ending of ''Film/{{Performance}}''.
* TheIrishMob: Subverted. Harold thinks that's who he's dealing with, but in reality it's the I.R.A. The kicker is once everyone realises who they are and try to warn him, [[spoiler: he ''continues'' to treat them as he would the average mobster.]]
* LargeHam: Bob Hoskins is excellent but it's not exactly an understated performance (for the most part). Even Harold himself is something of a large ham when he's giving an overblown speech to the guests on his yacht, with the Tower Bridge behind him.
* LeaveTheCameraRunning: An excellent example [[spoiler:in the final scene; just a close-up on Bob Hoskins' face as he silently conveys everything that Harold is thinking as he's 'taken for a drive'. You can practically see the entire movie play out in his head.]]
* LegitimateBusinessmensSocialClub: It's pretty clear who the American businessmen Harold is working with are really TheMafia.
* LondonTown: Harold wants to develop it.
* LondonGangster: Harold fancies himself the top dog of all gangsters in London.
* TheMafia: Harold is trying to come to an agreement with them.
* TheNapoleon: Harold, obviously.
* NotMyDriver: [[spoiler: Thought you got away with it, didn't you Harold? Your 'chauffeurs' beg to differ.]]
* OutsideContextVillain: Harold assumes that he's under attack from a rival gang, and is baffled by the fact that it's the IRA. His advisers warn him that the IRA belong to a completely different world than him, and not to treat them like another group of thugs.
* PetTheDog: A less wholesome variation of, the "dog" being a gang of delinquent street kids who have "minded" Harold's Jaguar (instead of vandalising it) Knowingly, he indulges the pre-adolescent boys with some cash to go and get drunk with, then comments to his henchman that this was how he started.
* PoliticallyIncorrectVillain: Harold clearly doesn't approve of all the black people that now inhabit one of his old neighbourhoods.
* PragmaticVillainy: The Mafia, of all people, preach caution and cool headedness. They're not trying to draw attention to themselves. Taken to its logical conclusion in the finale, combined with a little KnowWhenToFoldThem, [[spoiler: The Mafia decide to cut their losses and split even after all of Harold's enemies have been killed. When Harold points out it was a "little problem," they retort massacres and explosions are nothing of the sort. They believe he's far too much of a liability. And they are right.]]
* TheReasonYouSuckSpeech: Harold's closing speech ("The mafia? I've shit 'em!") after [[spoiler: they tell him the deal's off due to all the bombs going off and whatnot]] which he extends to Americans in general. ("No wonder you've got an energy crisis your side of the water!")
* RuthlessForeignGangsters: TheMafia appear, but they are ''not'' this, being one of the voices of caution and reason that Harold gradually ignores. The [[TheTroubles mysterious Irish gang]] that shows up, however...
* SawedOffShotgun: There's a few floating about.
* ShowerOfAngst: [[spoiler: After Harold kills Jeff.]]
* TechnologyMarchesOn: Harold's line "You'd need a million dollar COMPUTER to understand this!" somehow sounds unintentionally funny now (as if he thinks computers can do anything) Also it conjures up humorous mental images of big clunky computers from this era.
* TheTroubles: When a group of mysterious Irish murderers show up, you know that it's going to be connected.
* UnwillingSuspension: One of the more famous "hanging upside down from the ceiling scenes". The actors had to keep being supported between takes to prevent them passing out.
* VillainousBreakdown: Harold seems to be going through an extended slow-burning one from about a third of the way in. [[spoiler: It culminates in him slitting his right-hand man's throat and having his gangland rivals hooked upside down on meathooks.]]
* WesternTerrorists: Harold tries to [[spoiler: stiff the I.R.A]]. This ends about as well as you'd expect.
* WhatHaveIBecome: Harold says something to this effect after lashing out at Victoria during one of his tantrums.
* WouldHitAGirl: Harold slaps a distraught widow when she starts getting in his face. He also hits Victoria at one point, though he immediately regrets it.
* WrongGenreSavvy: Despite being warned this is not the case, Harold believes he can simply take out the [[spoiler: I.R.A. out like any other of his rivals in London. They catch up to him in the very final scene when he believes he's wiped out all his enemies.]]
* YouHaveFailedMe: [[spoiler: Harold glasses Jeff in a fit of rage, after he finds out he used Harold's resources.]]