[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/guyfromharlem1977.jpg]]
[[caption-width-right:350:[[Podcast/RiffTrax "He is being the hell out of from Harlem!"]]]]


->''"You got TWO questions, I got ONE answer!"''

[[https://www.grindhousedatabase.com/index.php/The_Guy_From_Harlem/Review Dubbed by Grindhouse Cinema Database as]] {{Blaxploitation}}'s ''Film/Plan9FromOuterSpace'', ''The Guy from Harlem'' is an outsider art "masterpiece."

The year is 1976. Al Connors is a streetwise detective from Harlem, currently working in UsefulNotes/{{Miami}}. The CIA hires him to protect an African VIP from potential assassins. He completes the assignment so skilfully that he draws the attention of a gangster named Harry De Bauld. His daughter Wanda has been kidnapped by a rival gangster, and his own gang is too emotionally shaken to attempt a rescue. Al Connors draws on all his Harlem skills to locate Wanda and bring her back alive.

Along the way, he does battle with stilted dialogue, repetitive storytelling, [[NoBudget poor production values]], choppy editing, goofy fight choreography, incessant flubbed lines, and a pervasive school-play-esque awkwardness that hilariously undermines every attempt at coolness or badassery. But just as Al inevitably triumphs, so the film's many limitations freebase into a glittering crystal of SoBadItsGood.

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!!The Tropes from Harlem:

* AccentUponTheWrongSyllable: In addition to being a LargeHam, Harry tends to place emphasis on the wrong words and syllables.
* {{Acrofatic}}: The squat, man-boobed mook does a lot of jumping and tumbling.
* ActorAllusion: Harry is played by [[https://en.wikipedia.org/wiki/Steve_Gallon Steve Gallon]], and is basically playing his "Wildman Steve" persona during the film.
* AfroAsskicker: Al Connors sports a substantial fro. So does his secretary, and Mrs. Ashanti, Wanda De Bauld, and about a half dozen others. However, the "asskicker" part is an InformedAttribute, since he (and his opponents) exhibit the fighting skills of normally well-behaved toddlers showing Grandma what they "learned" in their first "Kids Karate" class.
* AllMenArePerverts: Every other man wants to ravish the nearest female, including the protagonist. After all, they are in a Blaxploitation movie, which means that every woman, especially every black woman, is utterly irresistible.
* AlternateDVDCommentary: The film was plucked from obscurity by the Podcast/RiffTrax team, who recorded a [[http://www.rifftrax.com/vod/guy-from-harlem comedic commentary in 2012]].
* ArtisticLicenseEconomics:
-->'''Harry:''' Big Daddy's gang, them hoodlums, and my boys have been fighting for a long, long time over valuable property that brings in millions of dollars each and every day!
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' "Millions every day?!" Is this piece of property ''Canada?''
* ArtisticLicenseGunSafety: The {{Mook}} watching Wanda pulls a revolver out of his waistband, spins the cylinder, pretends to shoot Wanda twice, and then sticks it back in his waistband. All with his finger on the trigger. [[note]]Considering the amateur nature of this film, it's possible the actor was just goofing off while waiting for the scene to start (he even trades a smile with Wanda while pointing the gun at her), and had no idea that his antics would appear in the end product.[[/note]]
* ArtisticLicenseLaw: Al is hired by the CIA to protect the wife of an African head of state. For one thing, the CIA doesn't operate within the United States because that would be treading on the FBI's turf (but maybe that's why the CIA has to subcontract to a Guy from Harlem). For another, the FBI wouldn't be involved either, because protecting the family members of visiting dignitaries is one of the jobs of the State Department.
* AttemptedRape: One of the mooks guarding Wanda tries to rape her, but [[TheDragon Jim]] arrives and pulls him off.
* BatmanColdOpen: The film opens mid-conversation between a white mook making inappropriate, racist-tinged sexual advances towards Harry's daughter Wanda, and gives a clumsy InfoDump on the attempt to kidnap an African dignitary's wife.
* {{Blaxploitation}}: And how. It heavily features afros, attempts at kung fu / karate, has a detective as a main lead, and every woman is a foxy damsel in distress. It's exactly the kind of film being made fun of by Film/BlackDynamite, except it's not in on the joke and is played completely straight.
* BloodlessCarnage: When Jim is shot in the back, no wounds are visible. He simply topples over.
* BriefcaseFullOfMoney: Harry's son hands Al a manilla envelope which Harry states contains a quarter of a million dollars. Also a gallon bag of white powder that he says is half a million dollars in cocaine, which is slightly more believeable.
* BrokenRecord: "Hasn't four o'clock passed yet?!"
* TheCasanova: Al Connors. Harry has a lackey who thinks he's one, but he falls flat on his face when he asks Al's secretary to go dancing.
* ContrivedCoincidence: Both of the cases Al takes are orchestrated by Big Daddy. For bonus points, since the African Princess plot gets dropped the instant it's resolved, there's no need for Big Daddy to have had anything to do with it.
* ConvictionByContradiction: Al was able to deduce that the maid bringing their food was really a man in disguise simply because he couldn't smell the steaks he ordered.
* CreatorProvincialism: If an African VIP were going to meet with the U.S. secretary of state, why would their meeting take place in Miami?
* CreepyCrossdresser: Al's room service is delivered by an assassin dressed as a hotel maid. But Al detects the masquerade and knocks "her" out cold.
-->'''Mrs. Ashanti:''' Al, have you lost your mind? That's a woman!
-->''[Al pulls off the guy's wig]''
-->'''Mrs. Ashanti:''' How did you know he was a man?
-->'''Al:''' He didn't have steaks on this tray. I can smell a New York strip steak a block away.
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' What are you, a cartoon dog?!
* DepartmentOfRedundancyDepartment: There are ''so many'' scenes in which exposition or information is given, it cuts away, and then the ''same'' information is given again, as if the film editor never went back and watched the entire thing from start to finish to make sure nothing had been accidentally repeated. In particular, Al and the "wife of an African chief of state" gives her backstory to him twice, almost word for word. The worst offender is in the first scene when the kidnapped girl is demanding to know when she'll be freed, it cuts away, and then she repeats the exact same line and Jim gives her almost the exact same response.
* DevilInPlainSight: After getting an astonishingly detailed description of Big Daddy (whom somehow nobody has ever seen) from Harry, Al encounters a 6'2" muscular guy with curly blond hair and bands around his wrists working out in the gym... and walks right by him. The film does not clarify the question of whether Al knew it was Big Daddy but didn't want to tip him off, was too distracted by the task at hand to look closely, or [[FailedASpotCheck really is just a bad detective]].
* TheDragon: Jim, the bespectacled sauna enthusiast.
* DramaPreservingHandicap: You might expect the leader of a ruthless crime syndicate to send a few of his own henchmen to rescue his kidnapped daughter, rather than paying an outsider to do the job. But as Harry explains, the emotional stress of his daughter's kidnapping makes this impossible.
-->'''Harry:''' Why don't somebody in ''my'' organization do the job? Do you realize, Al, that we're talking about life and death? Everybody's too upset! After all, man, you're talking about my daughter!
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' (''as Harry'') "My criminal organization is very sensitive!"
* DrugsAreBad: Wanda ran away from home in protest after her father started dealing drugs.
* DullSurprise: Most of the cast appears to be on Valium. Even Wanda doesn't show much reaction to being kidnapped and almost raped. No one seems to be at all invested in the movie's plot except for Al, who's almost comically mellow; Harry, who explodes into bouts of yelling or raucous laughter, and Big Daddy, who comes off as very aggressive.
* EndOfAnEra: From a meta-perspective, the height of the blaxploitation genre ended in 1976, and this knock-off communicates that.
* ExcusePlot: The entire subplot about the protection of an African dignitary's wife has zero effect on the plot, and exists just to give Al an age-appropriate woman to have sex with. It doesn't even achieve softcore status, however, making the entire subplot moot even as an excuse plot.
* ExtremeDoormat: Jo Ann lets herself be kicked out of her own apartment so that Al can use it as a hotel room for a strange woman, and also have sex with that woman on Jo Ann's bed.
** Twice.
* FanDisservice
** On both occasions when Al is about to get funky with a chick, she changes into a frumpy ankle-length nightgown.
--->'''[[Podcast/RiffTrax Mike Nelson]]:''' Are we gonna do the Creator/MarxBrothers [[Film/DuckSoup mirror scene]]?!\\
'''[[Podcast/RiffTrax Kevin Murphy]]:''' Or did you think we were in some sort of Creator/PeterSellers sex farce from 1962?
** We are treated to a lingering shot of Jim, clad only in a towel, sitting spread-legged in a sauna. To give you an idea of how physically appealing Jim is, the riffers refer to a later scene of him as the ugliest shot in film history.
-->'''Mike Nelson''': And take a shower for once, it smells like baked milk in here.
** Al himself is not exactly in peak physical condition. His chest is reminiscent of a recently plucked turkey.
* FreezeFrameBonus: Judging by Al's copy of the ''Miami Herald'', Mrs. Ashanti arrives in the United States on June 19, 1976.
* GoodOldFisticuffs: After he has been outmaneuvered and disarmed, Big Daddy demands the satisfaction of kicking Al's ass in unarmed combat.
* GreatDetective: His [[WrongSideOfTheTracks tough even for]] [[BigRottenApple NYC]] neighborhood has endowed him with [[InformedAbility allegedly ace investigative ability]]:
-->'''Mrs. Ashanti:''' With all that experience in Harlem, I should be lucky to have you for my bodyguard.
-->'''Al:''' Baby, you don't know how lucky you are. Harlem is the experienced playground for all people interested in becoming detectives.
* TheGuardsMustBeCrazy: Despite Wanda's value as a hostage, she is left in the care of very unreliable guards.
-->'''Jim:''' I told you to keep your hands off that chick!
-->'''Mac:''' Hey, what can I say, man? She looked horny.
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' Never a good thing to have to say to your boss.
* HalfwayPlotSwitch: For the first half-hour, Al protects Mrs. Ashanti from assassins. The rest of the film is a separate story about Al rescuing Wanda De Bauld from kidnappers. The opening scene does have the racist mook inform Wanda that they're also going to kidnap an African dignitary's wife.
* HammerSpace: Harry De Bauld is shown to have entrusted his son with a bag containing half a million dollars in cocaine and a manila folder with $250,000 in cash the first time they visit Al, while he himself brought along a headshot of his daughter and an envelope containing $5,000, just in case Al asked about pay up front... and ''all'' of it is carried in their inside jacket pockets. The Rifftrax lampshades this heavily.
-->'''Kevin Murphy:''' ''(As Harry)'' "I carry envelopes of all denominations on my person. One's full of blood diamonds -- you really should've aimed higher."\\
\\
'''Bill Corbett:''' He walks slowly because he's carrying the equivalent of Brazil's GDP at all times.\\
\\
'''Harry:''' "Wait a minute"? That's MONEY, honey!\\
'''Bill Corbett:''' ''(As Harry)'' "Straight from my navel!"
* HappilyEverAfter: Big Daddy is vanquished, Harry De Bauld is (maybe) going to stop selling drugs, and Al and Wanda will be married.
* HappyEndingMassage: Averted. When Mrs. Ashanti says she could use a massage, Al calls for a masseuse rather than administer it himself. This is peculiar in retrospect, because he later claims that he used to be a professional masseur.
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' No, you idiot, you did that completely wrong! Get back in there! Haven't you ever seen [[{{Blaxploitation}} one of these]]?
* ImAManICantHelpIt: When one of Big Daddy's goons is caught by Jim trying to rape Wanda, his excuse is "She looked horny."
-->'''[[Podcast/RiffTrax Mike Nelson]]:''' Never a good thing to have to say to your boss.
* ImmediateSelfContradiction: An apparently unintentional example.
-->'''Harry:''' Very few people see Big Daddy. The only thing I can tell you, he's about 6'2" tall, has blond curly hair. And man, you talking about some muscles, he's got some muscles on him, and he always wears ''bands'' around his muscles. That's the only thing we can tell you about Big Daddy. Nobody ever sees him!
-->'''[[Podcast/RiffTrax Bill Corbett]]:''' Man, if only we had some details!
** Later, Mike repeats the description, wishing they had something to go on, when Al walks past a character who exactly matches the description (and later turns out to be Big Daddy) standing in front of the camera.
* InMediasRes: The first scene opens with Wanda already kidnapped. As the Rifftrax points out, the scene seems to just appear out of nowhere, with no setup. They claim it begins "mid-sentence," which isn't much of an exaggeration.
* IncomingHam: Harry's initial appearance has him casually stride into the office, bang on the desk of Al's secretary, and yell, "Good mornin', good-lookin'!" His return to the film is even less subtle, as he just comes from nowhere, makes a bizarre laughing sound, and bellows '''"WANDAAAAAAA, HOW ARE YA, BABY"''' as loud as he possibly can right into his daughter's face.
-->'''[[Podcast/RiffTrax Kevin Murphy]]:''' ''(as Wanda)'' "Daddy, you just made my ears bleed!"
* InformedAbility: Al Connors is considered a MemeticBadass because he just happened to have lived in upper Manhattan, but nothing in the film backs up his skills. He fights like a six year old (fortunately, so do his opponents), is constantly horny ([[AllMenArePerverts again, so is every other male in the film]]), and has astoundingly bad detective skills. Really, the only reason he consistently gets the drop on the bad guys is that they're even dumber than he is. [[invoked]]
* InsistentTerminology: Mrs. Ashanti is always described as "the wife of an African president / head of state". It is never specified who that African president is, or what country he's from. (Harry only further complicates things by calling her "that African queen", due to Steve Gallon ad-libbing most of his own dialogue.)
* ItMakesJustAsMuchSenseInContext: Large portions of the movie, such as "Al has sex with a woman he just met in his girlfriend's apartment" or "a CIA agent drops by and asks Al if he'd mind guarding the wife of an African President."
* JiveTurkey: A lot of the dialogue, though Al himself is a very mild case. The biggest offender is probably the henchman of Harry's who unsuccessfully flirts with Al's secretary.
* KarmaHoudini: Harry De Bauld is a drug-dealing mobster, but everything works out for him. By the end of the film, his daughter has been rescued and his competitor eliminated.
** Because it's never directly established that they're in an open relationship, we have to assume Al openly cheats on his girlfriend Jo Ann ''and even has sex with two different women on her bed'' before she dumps him. It's especially notable that one of said women he cheats with was recently threatened with rape, yet he has no issue boozing her up and porking her.
* KingpinInHisGym: Whenever Big Daddy isn't attending to some criminal business, he's in the gym pumping iron. Doing endless arm curls.
* LargeHam: ''Harry'', full stop, to the point where every other actor in the movie appears comatose next to him. It's an ActorAllusion; as Miami comedian Steve Gallon [[note]]better known at the time as [[https://en.wikipedia.org/wiki/Wildman_Steve Wildman Steve]], a radio DJ, MC, and filthy nightclub / "party record" comic[[/note]] was hired for his very boisterous, lively stage presence. Rene Martinez, Jr. even liked him enough to give Gallon a starring role in his next film.
* LeaveTheCameraRunning: The film includes many prolonged shots of characters sitting and doing nothing, walking across rooms, etc.
* LikeFatherUnlikeSon: Wanda wants nothing to do with her father due to his illegal activity. Well, some of the illegal activity. She's apparently fine with the stuff that isn't drugs.
* LovableSexManiac: The film attempts to make Al into one, but he comes across as an awkward horny asshole instead, going as far as cheating on Jo Ann with two different women ''in her apartment.''
* LowSpeedChase: Al follows Jim to the kidnappers' hideout in the mellowest way possible.
* MaleGaze: Possibly an unintentional example, but after Wanda puts on a nightgown, Al can't seem to stop looking at her breasts.
* TheMole: When Al goes to check on Ashanti, the hotel masseuse, knowing that Al could come back any second, heads over to the window and flashes the thugs waiting outside a broad, obvious, high sign, which Al sees when he walks in.
* MoodSwinger: Harry De Bauld shifts suddenly between belligerent shouting, sly amusement, and crazed laughter. As if that isn't enough, the volume of his voice rises and falls at random.
* MookChivalry: The Mook who is about to shoot Al in the back yells his name out first, giving him time to dodge out of the way.
* NewhartPhonecall: The film includes several phone conversations, all one-sided. As expected, this does not make for gripping cinema.
* NoIndoorVoice: As Bill Corbett points out in the intro to the film, Harry De Bauld appears to be unable to control the volume of his voice. A large portion of his dialogue consists of screaming at the top of his voice to people who are a foot or so away from him.
* NonAnswer:
-->'''Al:''' And how'd you become the wife of a president?
-->'''Mrs. Ashanti:''' Oh, that surprised me!
* NonindicativeName[=/=]InformedAttribute: Despite the title, the film is set entirely in Miami. Al's connection to Harlem is explained in dialogue.
* NotEvenBotheringWithTheAccent: The African princess sure doesn't sound African. The film even lampshades this fact. Unfortunately, most prints have film breaks that skip her reply.
-->'''Al:''' Now where does a foreigner pick an accent like that?
* OnlyKnownByTheirNickname: Big Daddy.
* PimpDuds: Several characters, but especially Harry De Bauld's disco-loving henchman.
* RhymesOnADime: Harry. "That's money, honey!"
* RapeIsASpecialKindOfEvil: Averted, surprisingly. The goon who tries to rape Wanda fares no worse than the rest of Big Daddy's gang.
* TheSeventies: And how!
* SassyBlackWoman: Wanda doesn't suffer fools, even fools who have her tied to a chair, and ''especially'' fools who have her tied to a chair ''and make sexual come ons''. Unless it's Al. Then she's fine with it. So, apparently, is her dad.
* ScrewThisImOuttaHere: Jo Ann's reaction to being kicked out of her own apartment for a second time by Al, implying she's done with him. Though she does still let him stay there with another woman.
* SeinfeldianConversation: Unintentionally. Al's conversation with [[InsistentTerminology the wife of an African President]] is meant to explain things like why Al's called The Guy From Harlem, why an African has an American accent, and set up later plot points. But it's all very ham-handed, and most of the "explanations" are really {{Handwave}}s, making the whole thing feel like pointless {{Padding}}.
* ShirtlessScene: Every scene featuring Big Daddy. Even when he wears a shirt, he leaves it entirely unbuttoned to show off his muscles.
* StockholmSyndrome: Averted. Wanda isn't about to start sympathizing with her captors.
* StupidEvil: Most of Big Daddy's schemes. Kidnapping Wanda De Bauld has at least some strategic value, given that Big Daddy is using her to try and force his rival Harry out of business. But then his gang does an agreed-upon coke deal with Harry, allowing Al to shadow them and rescue her. Meanwhile, attempting to abduct / kill Mrs. Ashanti seems to have ''no'' goal whatsoever. Even if they'd pulled it off, it would've only gotten the CIA on the gang's tail. And that's not even accounting for what should be a major diplomatic incident with a sovereign nation and the US. ''And'' having the leader's spouse be a former US citizen. He even challenges Al to a showdown at a predetermined time and place, which leads to Harry's men swarming and overpowering his own. And that's not even getting into [[SurroundedByIdiots the people that make up his organization...]]
* SuddenlyShouting: As mentioned before, Harry's voice randomly goes from normal speaking voice to shouting at the top of his lungs and nearly blowing out the (often visible) boom mic in any room he's in.
-->'''Harry''': I came here to see Al Connors.
-->'''Bill''': ''(pretending to be Harry)'' I'm hoping he can HELP me CONTROL the [=VOLume=] of my VOICE!
* TapOnTheHead: Al's preferred strategy for putting mooks out of commission. He only shoots them as a last resort. The worst example might be the guy at the compound when he rescues the first girl; he grabs his arm and holds it to the ground, then kind of just smushes the guy's face and head into the grass. The guy is struggling, then just goes limp, but Al literally doesn't do anything like choke him out or hit him in the head to knock him out.
* TheTeaser: Before the opening titles there is a brief sequence setting up both the kidnapping and the "African princess" subplots. Due to poor editing, it looks like the movie starts mid-scene.
* ThereAreNoTherapists, 1970's style: A few hours earlier, Wanda was tied to a chair and nearly raped. Naturally, Al gives her liquor, fondles her backside, and has sex with her.
* TitleDrop: David [=McLeod=] addresses Al as "the guy from Harlem". This is peculiar, because [=McLeod=] is also established to be a guy from Harlem.
** Al refers to himself as "The Guy from Harlem" as well. He could have been "The ''Man'' from Harlem," or "The ''Dude'' from Harlem," or "The ''Brother'' from Harlem," or even (given the era) "The ''Cat'' from Harlem," but no, he's just The ''Guy''... which, given the level of overall badassness he displays in the film, almost makes this a case of ExactlyWhatItSaysOnTheTin.
* TitleThemeTune[=/=]ImageSong:
-->''Get down! Guy from Harlem!''
-->''Feel the rumble! That cat's a bad dude!''
* TrademarkFavoriteFood: Al likes his New York ''strip'' steaks to be cooked ''well-done''[[note]]To be fair, strip steaks are fine well-done -- just needs to be cooked to 160 deg F internally[[/note]], served with J&B Scotch[[note]]J&B are known for American whiskey, not Scotch.[[/note]]. Hey, he's a detective, not a gourmet.
-->'''[[Podcast/RiffTrax Bill Corbett]]:''' Hope you like really tough burnt meat and shitty scotch.
* TrailersAlwaysSpoil: The [[https://www.youtube.com/watch?v=oHfLswbWpA8 official trailer]] basically showed scenes from the last 5 minutes of the film.
* UnskilledButStrong: Big Daddy tries to beat Al with pure strength in their fight.
* WhereDaWhiteWomenAt: The film both plays it straight and inverts it -- as befitting a blaxploitation film.
-->'''White mook:''' You know, that broad's not too bad-looking. I haven't had any of that dark meat in a long time.
** Not long after in the film, his boss gives him a WhatTheHellHero -- and his response? "She was looking kinda horny."
** However, Al's relationship with his white girlfriend doesn't really qualify.
--->'''[[Podcast/RiffTrax Kevin Murphy]]:''' They don't have the jungle fever. More of the jungle nut allergy.
* YeahShot: The film ends with a freeze-frame of a high-five.
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