[[caption-width-right:250:He's really having a [[{{Pun}} bad heir day]]]]

->''"You spilled an ocean of blood. You showed no mercy, no pity. We too are children of this age... weaned on strife and chaos. We are your sons, yet you count on our fidelity. In my eyes, that makes you a fool. A senile old fool!"''
-->--'''Saburo Ichimonji'''

''Ran'' (乱, Japanese for "rebellion", or "disturbed/confused") is a 1985 film by Creator/AkiraKurosawa, made late in his career. It was [[WordOfGod heavily influenced]] by ''Theatre/KingLear'', [[RecycledInSpace relocated to the Warring States period in Japan]].

%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Do not uncomment them without expanding them properly. Just the character's name is not context. "And how" is not context.

Warlord Hidetora of the Ichimonji clan, once a feared and powerful man, is now in his twilight years. He decides to divide his domain between his three sons Taro, Jiro, and Saburo, while he remains a figurehead. Saburo, the youngest, disagrees with the plan and is banished. [[TheZerothLawOfTropeExamples Sound familiar?]]

With Saburo away, Taro and Jiro begin feuding over succession as head of the clan. Egged on by his wife, [[LadyMacBeth Lady Kaede]], Taro uses Hidetora's insolent jester Kyoami as a pretext for stripping him of his powers. Hidetora is made persona non grata and forced to relocate to Saburo's abandoned castle, which is then sacked by Taro and Jiro's forces. Unable to find a blade to commit seppuku with, Hidetora goes mad and wanders, dazed, from the burning castle, [[WorldHalfEmpty as his world crumbles around him]].

Kurosawa wrote the screenplay ten years before its eventual release, [[DoingItForTheArt during which he meticulously painted storyboards for every scene]] while he sought funding. At the time of its release--five years after ''Film/{{Kagemusha}}'', a film considered by Kurosawa a dress rehearsal for ''Ran''-- it had the largest budget of any Japanese film ever made until then. While it garnered praise from critics worldwide, its box office performance was lackluster, [[AwardSnub and was passed over for the Academy Awards in both the United States and Japan]]. In the years since, [[VindicatedByHistory it has come to be seen as one of Kurosawa's best films, and one of the best films of all time]].

Not to be confused with a [[VideoGame/{{Touhou}} certain nine-tailed kitsune,]] nor [[Manga/RanmaOneHalf a sex-changing martial artist]] or a [[Myth/NorseMythology Norse sea goddess]].
!! ''Ran'' contains the following tropes:

* AllThereInTheManual: The sons' names (Takatora, Masatora, Naotora), which are almost never used in the film.
* AmbitionIsEvil: One of the main themes.
* AnyoneCanDie: Like in historical Japan, the introduction of gunpowder weapons can easily bring down a powerful ''daimyo'' through impersonal combat. By the end of the story, very few main characters are left standing.
* ArrowsOnFire: Used in assaulting one of the castles.
* AsskickingEqualsAuthority: Hidetora didn't become the sole head of the Ichimonji clan through sycophantic grovelling. He paved his way to kingship through war and battle. But when he retired...
* AuthorityEqualsAsskicking: Entirely subverted with Taro and Jiro. Jiro is especially cowardly, and his lack of strong back-bone makes him Lady Kaede's obedient little lap dog. He deliberately ignores Kurogane's veteran military wisdom and commits to [[GeneralFailure foolhardy strategies]] that [[spoiler: ultimately lead to the destruction of his kingdom]].
* AuthorAvatar: Kurosawa remarked "Hidetora is me". He was an aged big-shot moviemaker in his twilight, old-fashioned and with chronic problems finding support for his projects in his own country. Furthermore Kurosawa had a BungledSuicide episode, reminiscent of the intended {{seppuku}} of Hidetora, whose life is saved by his inability to procure a sword.
* TheAtoner: Hidetora sports shades of this by the end.
* TheBadGuyWins: Despite her KarmicDeath, Lady Kaede has successfully destroyed the House of Ichimonji, right down to the castles. She, the undisputed villain and single most evil character in a film loaded with GrayAndGreyMorality, is the only character in the film that got everything she wanted.
* BadassGrandpa: When he was sane, Hidetora was this.
* TheBardOnBoard: Apparently written by Kurosawa without any knowledge of ''Theatre/KingLear'', but then remade to fit even ''more'' closely after he found the stories to be similar.
* BatmanGambit: A villainous version of this is used by Lady Kaede. [[spoiler: She effortlessly plays off of both Hidetora's, Taro's, and Jiro's biggest flaws, and despite the fact that her plan could fail at any time by either Taro or Jiro just saying ''no''... it never happens because she's so damn good at what she does.]]
* BolivianArmyEnding: The First Castle is stormed at the end. It is up to viewer's imagination [[spoiler:whether Jiro, Kurogane and Jiro's other retainers survive victorious, are killed in the battle, or commit {{seppuku}} off-screen]].
* ButForMeItWasTuesday: Played with, Tsurumaru, brother of Lady Su is recognized by Hidetora, who is the one surprised by the reciprocity. Tsurumaru bitterly points out the impossibility of forgetting the man who burned his castle and removed his eyes when he was only a child.
* CallingTheOldManOut: Saburo rebukes his father reasoning that Hidetora, a warlord who gained his power through perpetual violence, becomes worse than naive expecting a peaceful and harmonious coexistence between his heirs. It gets Saburo and Tango banned, but the predicament turns out to be a CassandraTruth.
* CampGay: A drag artist plays Kyoami, after the fashion of traditional Japanese ''Noh'' theater.
* CharacterTic: Whenever he suspects somebody is trying to be sneaky, Saburo develops an itch.
%%* TheChessmaster: Lady Kaede.
* ChronicBackstabbingDisorder: Hidetora eliminates families to which he is supposedly allied by marriage.
%%* CoitusUninterruptus
* ColorCodedCharacters: Taro, Jiro, and Saburo are yellow, red, and blue respectively ([[ColorCodedArmies as are their respective armies]]). Hidetora is for the most part coded with white, and this is reflected in Saburo's flags, which have white stripes in them.
* CrapsackWorld: Only the crappiest.
* DeadpanSnarker: Kurogane.
* DecapitationPresentation: During the final battle, a soldier hands a wrapped severed head to Kurogane. Kurogane expects that it's Saburo's head. [[spoiler: It's Lady Sue's.]]
* DefensiveFeintTrap: During the final battle. [[spoiler: Jiro and his men attack Saburo's men, only to find that the enemy they ''thought'' was watching from atop a hill is actually off storming the First Castle. Oops.]]
* DespairEventHorizon: Hidetora hits this - then [[SanitySlippage goes crazy]].
* DownerEnding: Basically, the ending states that God is blind / [[GodIsDead dead]] or that he just doesn't care and is purposefully spiteful.
* TheDragon: FourStarBadass Kurogane serves as Jiro's and is probably the most balanced character of the story.
* EpicFilm: The most expensive Japanese film produced up to that time. A three-hour-long tragedy where the battle sequences involve thousands of extras.
* EtTuBrute: Hidetora and his sons. A subversion (also of MistreatmentInducedBetrayal) with the outspoken Saburo, who receives a lesser share and is outcast, but he is the one son who remains dutifully loyal.
* EvenEvilHasStandards: [[TheDragon Kurogane]], a man who is no stranger to war, bloodshed and assassinations, is outraged when Lady Kaede orders [[ThePollyanna Lady Su's]] death. [[spoiler: When another assassin brings the head of Lady Su, this motivates Kurogane into such a state of fury that he murders Kaede himself.]]
* EyeScream:
** Tsurumaru. Done offscreen, thankfully.
** One of the extras gets a painful looking arrow to the eye during a battle. Onscreen, unfortunately.
* FlawExploitation: Lady Kaede exploits [[spoiler: Hidetora's pride, Taro's lack of assertiveness, and Jiro's obsession with virility]].
* FourStarBadass: Kurogane, see rest of page.
* FromBadToWorse: Hidetora sees the dissension among his sons as a risk to his family's power. His solution to that problem annihilates the clan.
* GenderFlip:
** The feuding children are male, as opposed to the ones in ''Theatre/KingLear''.
** In the opposite direction, Edmund has been turned into a woman.
* {{Gorn}}: The battle scenes are remarkably brutal. The sack of the Third Castle inspired the aftermath of Omaha Beach in ''SavingPrivateRyan''.
* GoryDiscretionShot: You don't need to see a beheading when the results of it are even more obvious. Results in HighPressureBlood.
* GreyAndGrayMorality: Except for Saburo and Tango, the characters are a morally mixed bunch at best.
* HenpeckedHusband: Taro. [[spoiler: Not that Jiro does any better.]]
* HeroicBSOD: This Trope: The Movie.
* IncorruptiblePurePureness: Lady Sue. So much so that Hidetora is a little frightened by her.
%%* JerkAss: Lady Kaede and Hidetora [[spoiler: pre-madness]].
* JerkWithAHeartOfGold: Saburo is simultaneously the most abrasive and one of the most pure-hearted and purely good characters in the film.
* TheJester: Kyoami's job.
* JidaiGeki: Set at some nebulous point in the Sengoku era.
* KarmicDeath: [[spoiler: Her revenge complete, Lady Kaede is treated by Kurogane to a well-deserved death.]]
* KillEmAll: As described on this page, very few characters survive this film.
* KillItWithFire: What happens to the Third Castle.
* LadyMacbeth: Lady Kaede, who pushes her husbands into conflict with their father and each other.
* LaserGuidedKarma: Hidetora gets a big, heaping helping of it.
* ManipulativeBitch: Lady Kaede, a captive who winds up marrying into the family of the man who destroyed her family and eventually brings about its destruction by playing her husbands like fiddles.
%%** MagnificentBitch: Fits this as well. She managed to ''destroy an entire kingdom single handed'' all in the name of revenge.
* MeaningfulName: Taro, Jiro and Saburo literally mean "First son, second son and third son".
* MurderTheHypotenuse: Invoked by Lady Kaede.
* NamesToRunAwayFromReallyFast: Kurogane. The name literally means "Black Metal."
* OffWithHerHead: [[spoiler: Lady Sue, then Lady Kaede.]]
* OffstageVillainy: Hidetora's bloody conquests. We meet some of the survivors, who are, understandably, rather ticked off.
* OnlySaneMan:
** Kurogane plays this role in Jiro's circle. He's the only one maintaining anything resembling a code of ethics. Naturally, his insight - which could have prevented half the tragedy in this movie - is discarded. Instead, [[WhatAnIdiot Jiro opts to bend over for Kaede.]]
** The Jester certainly feels like the OnlySaneMan when he has to look after an increasingly maddened Hidetora.
** Among the three brothers, Saburo does not succumb to any lust for power.
%%* PerspectiveFlip
%%* ThePollyanna: Lady Sue.
* PlayingTheHeartStrings: During the sack of the third castle. [[spoiler: The music is cut short by Taro's assassination]].
* PragmaticAdaptation: Averted regarding TheJester, the medieval European court jester lacks a clear Japanese counterpart ([[ServileSnarker a low-birth wouldn't dare pestering around nobles]]), but it was transplanted directly because of his important {{Foil}} role.
* RageAgainstTheHeavens: Kyoami the fool, who gets a reply [[ShoutOut/ToShakespeare very reminiscent]] of ''Theatre/JuliusCaesar''; the fault is in ourselves not in the gods (stars), who are the ones who should be mad at the mortals.
* RainOfArrows: The attack on the Third Castle.
* RecycledInSPACE: ''Theatre/KingLear'' in feudal Japan. Kurosawa claimed he based the movie on the history of [[http://en.wikipedia.org/wiki/M%C5%8Dri_Motonari Mori Motonari]] and he only became aware of the striking similarities of both stories once his project was underway. Be that as it may, Kurosawa had already used the trope in ''Film/ThroneOfBlood'', ''Theatre/{{Macbeth}}'' in feudal Japan.
* RedemptionEqualsDeath: Hidetora sees the error of his ways and the wisdom of Saburo's way of thinking in the end, but dies shortly thereafter.
* RedSkyTakeWarning: See AStormIsComing below.
* RetiredMonster: Hidetora is a ruthless warlord and an infamous LivingLegend who decides to retire and divide his realm among his sons.
* {{Revenge}}: The driving force behind [[spoiler: Lady Kaede]]. A TheDogBitesBack story.
* RewardedAsATraitorDeserves: Two retainers help defeat their master, Hidetora. Hidetora's son rewards them as they agreed, however he then explains that he can't very well have retainers who obviously disregard loyalty to their master, and kicks them out. Later on they wander too close to one of Hidetora's loyal followers and get chased down and killed
* {{Samurai}}: Hidetora's family, its retainers, and their rival clans are all samurai.
* SanitySlippage: Hidetora. Kyoami moans that the fool is now acting like a King, and the King is acting like a fool.
* SceneryPorn:
** Some of the establishing shots are quite likely amongst the most beautiful in cinema history.
** The framing is ''excellent'' in this film: it would be fair to say that any scene where the camera doesn't move would be just as good a painting.
** The colors! The colors!!
* SceneryGorn: Oh, man, the attack on the Third Castle scene. Oh. God. That will overlap as NightmareFuel for a lot of people. The sheer brutality of that scene was even the basis for the Omaha Beach scene in SavingPrivateRyan, right down to the soldier holding his torn arm.
* {{Seppuku}}:
** Lady Kaede's mother after Hidetora took the First Castle; Hidetora's concubines during the attack on the Third Castle. In addition, [[spoiler: Jiro, Kurogane, and Jiro's other main retainers presumably do so offscreen when the First Castle is about to be destroyed. Unless, of course, they get killed in the battle or emerge victorious on their LastStand.]]
** Subverted in Hidetora's case. [[BreakableWeapons It pays to have an extra sword on hand in times like these.]]
%%* ShootTheShaggyDog
* ShoutoutToShakespeare: Again, it's ''KingLear'' in Feudal Japan! And considered by critics to be one of the best adaptations of Lear ever made.
* TheSonsAndTheSpears: Hidetora tries to use this to encourage his sons to stick together. The fable is deconstructed by Saburo managing to break it anyway, but Hidetora takes the intended reality check as a mockery.
* SparedbytheAdaptation: Kyoami, compared to Shakespeare's Fool.
* SpeakTruthToPower: Tango defends the validity of Saburo's objections, which gets him [[TheExile exiled]].
* AStormIsComing: Both literally and figuratively. The gathering of clouds in the sky is a recurring visual motif.
* SuccessionCrisis: Hidetora thinks he's preventing one with his dividing of the realm, but it's only postponed as the three sons esteem there are still two [[TheWrongfulHeirToTheThrone wrongful heirs]].
* ThemeNaming: Taro, Jiro and Saburo literally mean "first son," "second son" and "third son."
* TooDumbToLive: There are some things worth leaving behind...
* {{Tragedy}}: You're reading this page. Does it sound like a comedy?
* TrashTheSet: The burning of the Third Castle.
* TraumaCongaLine: Part of Hidetora's CharacterDevelopment, from ruthless warlord to traumatized, lonely, [[TheAtoner remorseful old man]].
* UnfriendlyFire: [[spoiler: Taro meets his end this way.]]
* WarIsHell: Fire, confusion, dead bodies; war is not presented as glamorous in any way once it breaks out. The storming of the Third Castle is particularly hellish.
* WhatTheHellHero: His most loyal son gives Hidetora one when he decides to divide the domain in three parts.
* WisePrince: Saburo. Not only is he the only one who realizes that his father's plan to divide the Ichimonji lands is madness, he's also just to his subjects and men (even if he is a bit of a dick in personal interactions).
%%* {{Yandere}}: Lady Kaede.
* YoungestChildWins: [[spoiler:[[SubvertedTrope Subverted.]] Saburo is assassinated just as he is happily reunited with Hidetora.]]