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Also known as ''Creator/AndyWarhol's Dracula''.

''Blood For Dracula'' is a 1974 horror movie that was filmed alongside its companion piece ''Film/FleshForFrankenstein'', which was released a year earlier. Both films were written and directed by Paul Morrissey, a frequent collaborator of Andy Warhol who allowed his name to be attached to their alternate titles but otherwise had nothing to do with them. The films also starred Joe Dallesandro, another Warhol collaborator, and Udo Kier. Both films dealt with themes of sexuality, classism, and immortality in a tongue-in-cheek manner, using classic horror figures of the 19th century. In this case, {{Dracula}}.

Dracula, played by Kier, is dying. He clings to life and needs blood in order to survive. The only problem is, in this version, vampires must feed on the blood of virgins in order to live. His assistant suggests that the Count move to Italy where, due to the strict religious culture, there should be plenty of virgins to choose from. They pack up their belongings and move in next door to a family with four daughters, three of them ready for marriage and claiming to be virgins. The Count befriends their parents and promises to marry one of the girls but soon finds out that not all the girls are as pure as they say they are. It seems that Mario the Socialist farmhand has been sleeping with two of them in secret. With the fourth daughter having been previously married and (presumably?) not a virgin, Dracula sets his sights on the youngest of the girls with Mario quickly unraveling the mystery.

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!! This film contains examples of:

* AlasPoorVillain: Dracula is actually one of the more sympathetic characters in this film. He is just a dying man trying to hang on to life while the human characters are abusive, selfish, and mostly pretty nasty to each other.
* AnArmAndALeg: [[spoiler: Dracula]]'s eventual fate involves getting his arms and legs chopped off.
* AnAxeToGrind: Mario's weapon of choice against Dracula is his wood axe.
* AnythingThatMoves / DepravedBisexual: The two middle daughters are not picky when it comes to sleeping with Mario, or even each other.
* AntiHero: Mario is abusive to the daughters to the point where he forces himself on one of them before throwing her naked outside his cabin. Despite this, he shows sympathy for the dying Dracula (until he discovers he's a vampire), and tries to protect the remaining daughters. Of course [[spoiler: protecting the youngest daughter means raping her so that she will no longer be a virgin, thus "spoiling" her for Dracula.]]
* AntiVillain: Dracula bears no ill-will toward anyone and even shows a great deal of fondness toward the oldest daughter. Drinking blood is simply the only way he can survive.
* ArtisticLicenseHistory: The movie is supposed to be set sometime in 1915 but Dracula and Anton seem to have an easy time driving from Romania to Italy despite the [[UsefulNotes/WorldWarOne deep militaristic and political turmoil that would have been going on at the time]].
** Also, as noted below, Mario has the [[HistoryOfTheUSSR Hammer and Sickle]] in his room, a symbol that would not have existed at this time.
* AuthorAvatar: Played with - Mario is a proud socialist who has the hammer-and-sickle in his bedroom. He often gives monologues rallying against the upper class. Morrissey had similar leanings, but also hated the sexual nihilism that often came with the territory, hence portraying Mario as a misogynistic brute.
* TheBadGuyWins: Arguably.
* BarBrawl: Dracula's assistant Anton gets into one near the beginning, which includes a {{cameo}} by Creator/RomanPolanski of all people.
* BigScrewedUpFamily: Incest, insanity, and apathetic materialism run rampant in the family.
* BlackAndGreyMorality: Dracula is the grey, weirdly enough.
* DawsonCasting: Mario and the three youngest daughters are meant to be teenagers but are obviously in their mid to late twenties.
* DeathBySex: An inversion before the trope fully took affect in horror movies. Dracula only feeds on the blood of virgins, placing them in danger. Meanwhile, tasting the blood of women who have had sex is deadly for Dracula, meaning this trope is in effect for the villain. In yet another twist, the daughters would have been safe from the Count if they were more honest about their sexual history instead of claiming to be virgins.
* DeusSexMachina: Mario saves the youngest daughter from Dracula by taking her virginity. She's fourteen.
* DirtyCommunist: Averted in that Mario is the closest thing this movie has to a hero.
* DoNotDoThisCoolThing: Despite the large amounts of nudity and sex in this movie, Morrissey was a staunch critic of the free-love movement and this film was meant to show the results of such debauchery.
* DullSurprise: If Kier is over the top in his hamminess, then Dellesandro offsets this by being nearly catatonic, as evident when he discovers Dracula is a vampire or when he finds newly-created vampires in the house.
* FamilyThemeNaming: The sisters- Esmeralda, Saphiria, Rubinia, and Perla- are all named after precious gemstones.
* ImpaledWithExtremePrejudice: The typical way to deal with vampires.
* InCaseYouForgotWhoWroteIt: Andy Warhol's name was slapped on the alternate titles of both films but he had little to do with them.
* InnocentFanserviceGirl: The two middle daughters to a certain extent, although their 'innocence' is a semantic point. They think nothing of stripping outside in full view of the entire plantation and while they do have sex with Mario, they believe it doesn't count since he is of a lower class. They seem to have similar opinions while having sex with each other. Therefore, when Dracula asks if they're virgins, they claim they are. They firmly believe they're telling the truth.
* JerkassVictim: The two daughters Dracula initially goes after are selfish, materialistic, and have such contempt for the lower class that they don't even count having sex with them as real sex, which leads to Dracula mistaking them for virgins.
** In fact, when [[spoiler: Dracula turns them into vampires, they try to rape their younger sister.]] It is unclear if they did this because they were BrainwashedAndCrazy at this point or if they simply did it ForTheEvulz.
* KillEmAll: By the end of the film, most of the main cast is dead. A few of them are now vampires.
* NamesToRunAwayFromReallyFast: The father, played by Vittorio [=DeSica=] of all people, completely misses this about Dracula's name. He thinks the '-ula' suffix is charming and intriguing. Being one of the few genuine Italians in the cast, he really ought to [[TheCaligula know better]].
* LargeHam: Kier as usual. His strong German accent makes it all the more whimsical.
--> "Ze blood of zees whores is keellink me!"
* LesbianVampire: Well, bisexual. And they were bi before they were vampires. But still.
* MarketBasedTitle: In some markets, the previous film was called ''Andy Warhol's Frankenstein'' in order to cash in on his fame while ''Blood For Dracula'' was given the similar title ''Andy Warhol's Dracula''. Morrissey would later regret this since many people believed Warhol wrote and directed these films.
* NotEvenBotheringWithTheAccent: The movie takes place in Italy but it's in English so it's expected that no one would have an accurate accent. And for the most part, they don't. Of particular note are Udo Kier who has a hilariously thick German accent and Joe Dellesandro who has a hilariously thick New York accent.
* OurVampiresAreDifferent: Vampires need virgin blood in order to survive. Also, they can function in daylight and are not harmed by crucifixes, although Dracula seems uncomfortable with both.
* Really700YearsOld: Dracula is hundreds of years old and would normally look like a middle aged man. He dyes his hair and applies make-up to look even younger than that, however.
* TheRenfield: Anton, Dracula's servant, seems to be much more assertive than most versions. He seems to be making all of Dracula's decisions for him and even bosses him around at one point. Then again, Dracula is typically too weak to do much in retaliation since he is so ill.
* RichBitch: The two daughters once again.
* SecretRelationship: The sisters' relationship with Mario is a secret to everyone else. By proxy, so is the relationship they have with each other.
* SympathyForTheDevil: The oldest sister falls in love with the Count. It's actually kind of sweet.
* ThematicSeries: Along with ''Flesh For Frankenstein'', this film creates a duology that share creators, themes, tone, and similar titles.
* TrappedInVillainy: We get perhaps the most sympathetic version of the count: a sickly, dying vampire that needs the blood of a virgin in order to avoid a very painful death. He considers this a curse and doesn't seem to enjoy killing.
* UnequalPairing: The wealthy sisters and their farmhand.
* VampiresAreSexGods: Highly averted since Dracula is sickly and in no way attractive. The only reason why the girls want to marry him is due to [[GoldDigger his wealth]].
* VampireBitesSuck
* VomitDiscretionShot: Averted. When Dracula tastes the blood of non-virgins, he goes into convulsions and starts vomiting for about a minute. The camera lingers on him the entire time.
* VillainousIncest: The two middle daughters aren't the nicest girls around and they are okay with having sex with one another, even inviting their younger sister to join them. She's not into it, to her credit.
* VillainProtagonist
* VirginPower: Their blood is needed for vampires to survive.
* VirginSacrifice: Vampires simply need their blood to live; there is no ritual involved.
* WhatHappenedToTheMouse: [[spoiler: The vamped-out daughters are still in the house by the time the credits roll. Since they had previously tried to rape their own sister, it's not a good idea to keep them around.]]

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