* ''ASongOfIceAndFire'' has so many of this [[DeconstructedTrope/ASongOfIceAndFire it got its own page]].
* "TheMagicians" and "TheMagicianKing" are brilliant deconstructions (and subsequent reconstructions) of hero, utopian, and magic tropes, among others. The main character is an extremely genre-savvy person, but finds that none of these things are what he thought they'd be.
* ''Literature/DonQuixote'' is a DeconstructorFleet, but even more than a deconstruction of ChivalricRomance, (a genre now forgotten given WeirdAlEffect), he is a DeconstructiveParody of the {{Fandumb}} (hence an immortal novel).
** Before ''Don Quixote'', there was Ariosto's ''Orlando Furioso'', whose intense [[LoveMakesYouEvil love]] for Angelica basically turned him into TheIncredibleHulk after he finds out that she's a normal, human woman who's had a fling with a shepherd, and not a virginal PrincessClassic.
*** This scene was homaged/parodied in ''Don Quixote'' when the titular character ([[MisaimedFandom who doesn't realize]] that ''Orlando'' is a satire) decides to recreate it. The only thing more ridiculously unheroic than a man going violently insane over a woman who doesn't want him is a man ''trying'' to go violently insane over a woman who doesn't want him.
* ''EndersGame'' deconstructs the GroinAttack. Yes, really. And yes, it really is as bad as it sounds... possibly worse.
** The book also deconstructs the BugWar. You see, [[spoiler: the buggers only killed humans because they had assumed our individuals were drones like theirs, when they realize we possess sentience on an individual level, they accept humanity's retaliatory invasion with a resigned, "oh… the humans didn't forgive us…" They actually turn out to be [[HumansAreBastards a fair bit nicer than humans]] at least as far as respecting other sentient life]].
** It shows the incredible physical and emotional strain of [[KidHero being a child burdened with saving the world]].
* The novel ''NuklearAge'' by Brian Clevinger subverts and deconstructs almost every aspect of TheCape and rebuilds it in his own image.
** The book begins as a DeconstructiveParody, but toward the end [[WhamEpisode it does a complete about face]] and begins deconstructing its own premise.
* ''Literature/TheNeverendingStory'' provides a particularly satisfying deconstruction of the CanonSue. Bastian gets the power to remake an entire world as he sees fit, but with each wish that gets granted he loses one of his memories and becomes more and more of a moron and a jerk. Finally it's up to the story's real hero to save his ungrateful ass, and when he finally realizes what's been going on it's a thing of beauty.
** The various 'stories' also serve as deconstructions of various tropes, especially in the second half where Bastian's attempts to help don't go as intended. For instance:
*** AlwaysSaveTheGirl and StandardHeroReward are both deconstructed with the character of the Hero (actually his title) who is madly in love with a princess who won't give him the time of the day. Bastian uses his powers to create a situation wherein a dragon kidnaps the princess and the Hero can rescue her to make her fall in love with him. It's briefly described that the Hero endures a number of dangers and saves her, and she ''does'' fall for him... except he's no longer interested in her after going through so much for her. So there's only so far TheDulcineaEffect will take you.
*** Said Hero's three companions (of the same class) deconstruct KnightInShiningArmour and UndyingLoyalty - after Bastian earns their respect, they swear to serve him forever... This unfortunately includes trying to do amoral things against their benevolent nature, and also when Bastian disappears they dedicate their lives to finding him, ultimately BreakingTheFellowship and going their separate ways.
*** MagicAIsMagicA and AppliedPhlebotinum are deconstructed when Bastian - in a very special city with an acidic lake, full of inhabitants who wish to know their own origins - creates a story for them which becomes fact. That would be fine... except that said origin involves the acidic 'water' of the lake coming from a group of grotesque, ever-weeping creatures, whose acidic tears created the lake but also unearthed the one metal which it withstands (the city's main source of profit as well). Bastian's attempt to make them happy (by changing their forms into butterfly-like beings) comes back to bite him much later when they reveal to him that without their tears, the lake has dried up and there is no way to mine for the special metal anymore. He is threatened and almost ''killed'' by them to try and change them back into their sorry prior forms, before [[BigDamnHeroes Atreyu and Falkor save him]].
* ConservationOfNinjutsu is deconstructed in the ''TabletopGame/{{Warhammer 40000}}: GauntsGhosts'' novel ''Ghostmaker'', where the victory of Gaunt and a small group of troopers (exalted by some Eldar sorcery) over a thousands-strong Chaos force without taking casualties is found to simply not make sense given the tactical data, which should have had them killed to the last man, and is written off by analysts as a phantom engagement.
* ''Literature/{{Animorphs}}'' deconstructs RecruitTeenagersWithAttitude by combining it with WarIsHell.
** It also had some fairly lengthy deconstructions of AlwaysChaoticEvil, basically arguing that any species you could call "sentient" must have the potential to choose good or evil.
* The ''{{Mistborn}}'' books deconstruct the EvilOverlord in the character of the Lord Ruler- he's introduced in the first book and pretty much played straight as an inhuman/superhuman force of evil [[spoiler: though we do get a bit of his backstory]]; subsequent books delve deeply into his personality, history, and motivations, ultimately making him out as NotSoDifferent from the heroes.
** It also Deconstructs many, many tropes of rebelling against an EvilOverlord like him. For example, killing him doesn't bring easy succession-it drives the land into chaos! And now the heroes, who killed him off, are in government, and it shows the hardships of that.
* ''Literature/TheDresdenFiles'' deconstructs the IndyPloy methods so much favored by Harry and other heroes flying by the seat of their pants. But Harry's 'throw plans together within a seconds notice' and 'survive now and deal later' mindset screw him over multiple times, such as when he goes to Bianca's party in the third book and starts the Vampire War, or in ''Changes'' when he [[spoiler: wiped out the entire Red Court of Vampires, winning the war -- and opening up a massive power vaccuum that is throwing the world into such chaos that even the mortals are beginning to take notice]].
** The series also subtly deconstructs the HoYay trope - it's all fine and funny if two guys are suspiciously close while insisting [[HaveIMentionedIAmHeterosexualToday they are]] ''[[HaveIMentionedIAmHeterosexualToday not]]'' [[HaveIMentionedIAmHeterosexualToday gay]]. But when there are two guys who are suspiciously close and one of them is an incubus who can enslave people to their will through sex and the other is a [[ParanoiaFuel close friend of yours]]...it's caused Harry no end of trouble placating worried allies that he is ''not'' mind-controlled.
* ''Literature/{{Stardust}}'' makes the Deconstruction of the EngagementChallenge a plot point, by showing and openly talking about how stupid an idea it is, and how if someone makes a joke about an impossible task to evade your flirtations, this doesn't mean that they actually want you to do it. Victoria spends the entire duration of the Hero's quest torn between being guilt-ridden and terrified that she's probably sent an old childhood playmate to his death, and terrified that he'll come back, because she's in love with someone else. The book also covers the unpleasant end of a [[spoiler:MayflyDecemberRomance]], although the movie version offers a way out.
* ''ParadiseLost'' is a deconstruction of DracoInLeatherPants in its portrayal of {{Satan}}. He starts out all BadAss and charismatic, but as we get to know him more and more, he see that he's a whiny, self-pitying bully who bows to peer pressure from the other demons, [[ParentalIncest bangs his own daughter]] and arguably isn't even all that badass when compared to, say, [[TheCape Michael]] or KungFuJesus. The intention was to make the reader acknowledge that they felt the allure of sin but also that it leads nowhere good. However, he is for the most part still portrayed sympathetically enough, to the point that actually seeing him as living up to those traits isn't that far off, if he wasn't emerged in a sea of {{Wangst}}.
** It doesn't help that in the process of deconstructing Satan, the story [[RonTheDeathEater deconstructs God]] and YouCantFightFate by having God know every single thing Satan is going to do... [[JerkassGod and chooses to do almost nothing to stop it.]] As a result, it manages to slightly reconstruct Satan: both gods are jerks, but at least Satan is proactive and likable.
* Creator/AynRand deconstructs several tropes in her works. For instance...
** ''Literature/TheFountainhead'' deconstructs ScrewTheRulesIMakeThem as well as NietzscheWannabe with the character of Gail Wynand. Wynand embodies what is arguably TheThemeParkVersion of Nietzsche's philosophy and believes he can rule the masses and shape popular opinion with his newspaper. Things [[spoiler:don't exactly go according to plan]].
** ''Literature/AtlasShrugged'' deconstructs DontThinkFeel with the villain's justifications for their [[ArtisticLicenseEconomics economic policies]], as well as BettyAndVeronica via an actress who joined the strike because she was always typecast as Veronica but lost the man to less interesting characters.
** ''Atlas Shrugged'' also deconstructs IJustWantToBeLoved with James Taggart's relationship with Cheryl. Instead of being loved for owning a company, for being skilled or for even being a nice person, he wants to be loved for what he is, and that's pretty much nothing.
** ''Atlas Shrugged'' is the story of an everyman refusing to submit to an evil corporation. ''Literature/TheFountainhead'' is the story of a corporate head refusing to submit to the people. Which is supposed to be the correct version, we may never know.
* ''Literature/TheElderScrolls'' novels - Pretty heavy on this:
** WarriorPrince: Does this with Prince Attrebus. [[spoiler:Instead of going out and winning glorious battles for TheEmpire, he is tricked into believing he has done so, and subsequently gets all his men killed, realizes that just being a prince doesn't make a person a great fighter, and is forced to face his own failings before he can try to be a real hero.]]
** ActionHero: Annaig. She reads a lot of adventure books, and has an extreme desire to be an adventurer herself. When she finally does get to go on a "real" adventure, [[spoiler:most people she cares about are killed, she is constantly forced to keep her morals in check or else she is worried she will become just as bad as the people she's fighting, she realizes that destroying Umbriel will likely kill hundreds of decent people along with the not-so-decent ones, and spends most of her time just trying desperately not to die.]]
* ''TomorrowWhenTheWarBegan'' takes the RagtagBunchOfMisfits and LaResistance tropes to their logical conclusions via WarIsHell. The kids have to stop being kids and start being soldiers - those of them that can't quickly get captured or killed, while those of them that can never really recover from some of the traumas.
* The ''Literature/HarryPotter'' series deconstructs the ChosenOne trope. Harry's status as the chosen one wasn't decided by fate, but happened because [[BigBad Voldemort]] ''thought'' it was fate and [[SelfFulfillingProphecy leaped into action with an impulsive decision]]. Moreover, while he's competent with magic (better at some things than his peers), he's not a genius or exceptionally gifted in magic like his adversary (who is described as one of the most powerful wizards in wizarding history). His heroic actions save lives but, until the end, do not bring him glory - on the contrary, they end up being used to label him as "reckless" and "unstable" for a long time. He [[spoiler: ultimately triumphs over Voldemort not because of his superior talent, but because Voldemort makes a major mistake and is arguably brought down by his own blindness and arrogance.]]
** Another deconstruction takes place in regards to ComfortingTheWidow. [[spoiler: A certain Death Eater named Severus Snape can't get over being Lily Evans-Potter's UnluckyChildhoodFriend, who is more or less HappilyMarried to James Potter and is the mother of baby Harry. He panics when his boss, Lord Voldemort, decides to kill her alongside Harry for being his mom ''and'' a "mudblood", and then asks Voldemort to only kill her husband and child so he can comfort the widowed Lily and ultimately have her as his trophy wife of sorts. Voldemort's answer is "NO DAMMIT" and he coldly kills Lily too, when she goes MamaBear to protect baby Harry (and her HeroicSacrifice protects him from beyond the grave too). Snape is so crushed after losing the only person who once cared for him due to his own actions, that he has a HeelFaceTurn and becomes a GoodIsNotNice [[TheAtoner Atoner]]. Not to mention, [[TheDumbledore Dumbledore]] [[WhatTheHellHero harshly calls him out.]]]]
** [[spoiler:Actually, Voldemort agreed to spare Lily, but found at the last moment that he would have to go through her to get to the baby. He told her to step aside, if she did he would have let her live; but she couldn't step aside, thus making it a willing sacrifice.]]
** A deconstruction of a lighter shade comes with Luna Lovegood's CloudCuckoolander tendencies, which have left her an easy target of teasing and ridicule amongst the other students. (In example, she tells Harry that the Ravenclaw kids prank her by hiding her stuff and forcing her to search for it all alone). Consequently, Ginny Weasley had been pretty much ''her OnlyFriend'' at Hogwarts until her 4th year at the school... However, neither of these facts bothered her significantly, and she does what she can to live her life at the fullest.
** Also deconstructs ThePowerOfFriendship; there isn't any magical reason Harry's friends are an advantage (indeed, Ron, like Harry, isn't really someone special) but Harry's willingness to ''make'' friends means that he has people by his side fighting for his cause because they believe in him, whereas Voldemort tries to command loyalty through fear and power. People think nothing of betraying him (one doing this in particular very important in the process of his undoing) or at the very least not giving him their all if they've come to find that it's no longer to their advantage.
*** Voldemort's side truly Deconstructs the YouHaveOutlivedYourUsefulness. He is so obsessed with punishing his underling who he considers weak that the first time he fell from power, they immediately disowned any association with him. During the final battle, his Death Eaters started to outright ''abandon'' him while those loyal to Harry continued to fight on despite several major characters dying. [[spoiler: The death of Bellatrix, his only remaining loyal underling, caused Voldemort to lose his collective shit.]]
** Cho Chang serves as a deconstruction of the RelationshipSue trope. She is introduced as a pretty and popular girl who is an excellent Quidditch player. But when she and Harry finally get together a combination of her still grieving for Cedric, Harry knowing nothing about girls and a few misunderstandings show that they are not very compatible and they remain friends. In another variation Ginny Weasley may reconstruct the trope by realising her crush on Harry won't amount to anything and working on becoming a stronger and more capable friend to him... which is the very reason he falls in love with her.
** Hagrid is a deconstruction of NightmareFetishist, FluffyTamer and BunnyEarsLawyer. He's a FriendToAllLivingThings with a particular liking for dangerous creatures, and has a kind-hearted but somewhat simple-minded persona. He's also a school drop-out with no educational training. Unsurpisingly, a decision to let him teach Care for Magical Creatures turns into a disaster. He honestly wants to entertain his students as well as educate them, and he does it by introducing them to things that he personally adores, that is large, vicious animals, without preparing the kids in theory beforehand or arranging for any safety protocols. This grates on children's nerves more and more, until the less scrupulous of them start blackmouthing him to the media and eventually even the main trio, who are his friends otherwise, abandon his classes.
* Speaking of deconstructing TheChosenOne, Literature/TheWheelOfTime does a deconstruction in the form of [[CrystalDragonJesus Rand Al'Thor]] who is nearly driven insane by the pressure of having the entire world resting on his shoulders and begins to use much darker methods to make sure everything stays together. Eventually [[spoiler: he realizes what he's doing wrong and gets better.]]
* ''The ChroniclesOfThomasCovenant'' is yet another deconstruction of TheChosenOne. After seemigly getting knocked out after getting hit by a car, he wakes up in a magical land, and spends the rest of the series refusing to accept any of it is real because he thinks it's all in his head and he's going insane. And to top it off he's a JerkAss, highly cynical loner who really is only a hero because the villain is someone that gives most others nightmares.
** The first series also uses [[spoiler:Lena]] to deconstruct LovingForce.
* The ''Literature/HonorHarrington'' series deconstructs TheFederation, in the form of the People's Republic of Haven (or, arguably, the Solarians). Much more on the trope page.
* In Dostoevsky's classic ''The Idiot'', he ruthlessly deconstructs the PuritySue. Myshkin is basically Jesus reincarnated, being possibly the most pure representation of what the Church expects that people should try to be like. The problem? Everyone who ''doesn't'' want to be like this (that is to say, everyone except Myshkin himself) takes advantage of his personality for all it's worth because HumansAreBastards.
* ''KingdomKeepers'' deconstructs ClapYourHandsIfYouBelieve. Enough people believing in {{Disney}} allows those characters to come to life. However, it's those like [[Disney/SleepingBeauty Maleficent]] that take advantage of it.
* The novel ''Speeding Bullet'' by Neal Shusterman takes a knife to the idea of JumpedAtTheCall. Nick saves a girl from a subway train, then a man from a burning building, then gains the attention of a rich, hot girl, and keeps running across situations for him to intervene in. [[spoiler:Except his girlfriend has been paying people to set up situations to feed his Adrenaline Junkie habits. And when he really needs it, he can't find his courage anymore.]]
** From the same author, "The Shadow Club" involves a group of teenagers getting back at others by playing pranks on them. Naturally, someone takes the "harmless" pranks too far; because that's what happens when you give people power over their foes.
* ''TheRedBadgeOfCourage'' deconstructs the idea that WarIsGlorious. When it's not boring and monotonous, [[WarIsHell it's absolutely horrific]].
* ''Literature/WutheringHeights'' deconstructs AllGirlsWantBadBoys, by showing exactly what happens when girls fall in love with troubled, angry men. Heathcliff is a 'bad boy', and Bronte shows exactly what this means; he's unstable, vindictive, violent, selfish and vicious. The relationship between Heathcliff and Catherine is depicted as being intensely passionate, but also intensely unhealthy (not least because they [[IncestIsRelative may]] or [[NotBloodSiblings may not]] actually be [[BrotherSisterIncest brother and sister]]), and Heathcliff's response to being spurned for another man is to embark on a single-minded crusade of vengeance that ultimately results in the ruination of both lovers and their immediate families for absolutely no point whatsoever. As if this wasn't enough to illustrate the point, Edgar Linton's foolish sister Isabella elopes with Heathcliff because she's attracted to his bad-boy image. She gets what she wants, but not in the way she expects; an abusive husband who is openly contemptuous and violent towards her, and makes no secret of the fact that he only married her to get at her brother. This hasn't stopped a MisaimedFandom growing around Heathcliff, however, who even to this day is considered a model of a romantic hero despite the fact that he's pretty much a sociopath -- something that Bronte intended to make absolutely clear.
** It also shows that what happens when good boys fall in love with troubled, angry women who are in love with said troubled, angry men...
** Romance, as a genre, is one of the easiest to deconstruct, simply because by its very nature it is fantasy-driven. There are eerie parallels between the 'romance' and 'porn story' genres (aside from the fact that a story can be both at once), in that both exist to embody fantasy satisfaction of impulses that in real life ''must'' be restrained by the necessities of duty, common sense, and sanity. Drama is good as entertainment but rapidly becomes exhausting and draining when you have to live it.
** ''Series/BuffyTheVampireSlayer'' uses this same deconstruction with the transformation of [[SuperpoweredEvilSide Angel-to-Angelus]], and Buffy's MasochismTango with [[spoiler: Spike]] in Season 6.
* Even optimistic adventure stories, while free from overall deconstruction, aren't necessarily free from having individual tropes deconstructed. Case in point, ''TheMysteriousIsland'' by Creator/JulesVerne, which blatantly falls on the Ideal side of the [[SlidingScaleOfIdealismVersusCynicism scale]]. Thus, the trope of {{Robinsonade}} is played straight by the main protagonists, but is deconstructed by SixthRanger Ayrton who goes mad from being isolated for so many years and probably would have died an agonizing death [[spoiler:were it not for Nemo telling the castaways about his island]].
* ''When the Windman Comes'' by Antonia Michaelis deconstructs MrImagination. The girl Paredoile and her mother live in a world filled with their imagination, and some of things they imagine are very wonderful and exciting - but most are ''evil and threatening'' - like [[spoiler: the titular Windman]]. They live in constant fear of imaginary phantoms, which leads to both of them having no friends (which is especially hard for the girl), brings further hardships, and even creates some very real dangers (like when [[spoiler: Paredoile's mother refuses to let her be treated in a hospital for fear of Windman]]). Ultimately, it takes an intervention of the hero, a Down-To-Earth kid, to break them free of that.
* Film/TheGodfather, one of the most famous Mafia sagas in fiction, made a big deal out of the NothingPersonal trope. But in the novel that inspired the films, Michael Corleone himself deconstructs the trope in this speech to Tom:
-->'''Michael:''' Tom, don't let anybody kid you. It's all personal, every bit of business. Every piece of shit every man has to eat every day of his life is personal. They call it business. OK. But it's personal as hell. You know where I learned that from? The Don. My old man. The Godfather. If a bolt of lightning hit a friend of his the old man would take it personal. He took my going into the Marines personal. That's what makes him great. The Great Don. He takes everything personal. Like God. He knows every feather that falls from the tail of a sparrow or however the hell it goes. Right? And you know something? [[MakeItLookLikeAnAccident Accidents don't happen to people who take accidents as a personal insult]].
* The title character of Alexander Pushkin's ''Eugene Onegin'' is a deconstruction of a ByronicHero.
* GoneWithTheWind deconstructs the SouthernBelle and SouthernGentleman archetypes in the winning form of Scarlett O'Hara and Ashley Wilkes. Scarlett is more or less trained not to care about people, and merely become a pretty doll devoid of personal wishes or emotion that is supposed to attract husbands. Ashley has nothing of the vices of his trope, but also has no practical virtues. After the war, Scarlett will adapt and Ashley will become useless.
* ''AnimalFarm''
** BrilliantButLazy: Benjamin is the smartest animal in the farm but refuses to become a leader not so much because he's lazy but out of fear. He still wouldn't say anything even after [[spoiler:Boxer got sold to the knackers]].
** DumbIsGood: The animals' FatalFlaw.
** HumansAreBastards: The animals' refusal to adopt human ways allows the pigs to screw them over.
* ''Seven Sorcerers'' by Caro King deconstructs PlotArmor. The heroine Nin Redstone, a young girl, has it, and therefore survives many dangerous situations unscathed - physically that is. However, the PlotArmor, as usual, does nothing to ''prevent'' her from getting into such situations. In fact often she get into bad situations precisely because somebody wanted to exploit her luck, [[spoiler: in fact, this is the whole reason she got dragged into the whole mess in the first place]], and Nin has to deal herself with the psychological scars of her dangers. Also she developes huge SurvivorsGuilt, when other people die around her - partially because her PlotArmor doesn't seem to care about collateral damage.
* ''PrideAndPrejudice'' deconstructs GoldDigger. The Bennet sisters are greatly pressured by their mother to find a wealthy husband so that they can live comfortably after their father dies. The oldest daughter Jane genuinely falls in love with a rich man Mr Bingley but due to her snobbish mother's efforts and the fact that Jane is a LoveYouAndEverybody kind of person, Mr Bingley's friend Mr Darcy mistakenly believes that Jane is a GoldDigger and doesn't actually love Mr Bingley.
** The second oldest daughter Elizabeth recognizes how destructive the GoldDigger mindset is. But she eventually comes to a compromise. She won't marry a poor man but she would only marry a rich man ''if she falls in love with him''. Her intentions are genuine when she actually shies away from the rich but snobbish Mr Darcy. It does take a polite trip to his beautiful estate and hearing how his servants [[NiceToTheWaiter heap praises about him]] to make Elizabeth to consider letting him court her.
* The Literature/{{Redwall}} book ''The Outcast of Redwall'' does this to AlwaysChaoticEvil. Veil Sixclaw is a ferret, classified as "vermin" in the setting. He's taken off a battlefield and raised by Redwallers. However, anything that goes wrong during his stay is immediately blamed on him, and he eventually decides [[ThenLetMeBeEvil to be what they expect.]] Only his foster mother believes in him. In short, the Redwallers, sans Bryony, never gave him a chance to NOT be evil.
* AgathaChristie stories [[spoiler: Death on the Nile, Triangle at Rhodes and Five Little Pigs]] deconstructs TheVamp role in a BettyAndVeronica relationship: the evil and sexy RichBitch beauty is only a JerkAss that believes ItsAllAboutMe. She ReallyGetsAround with a lot of admirers, because once a man knows her well, he KnowWhenToFoldEm and leaves her. So, one man who is bored with TheVamp either will leave her or [[spoiler: conspire with his true love, the Betty, to MurderTheHypotenuse and get her money]]
* ''Literature/LegacyOfTheDragokin'' does this to KidHero: Benji is a ten year old boy who wants to be a warrior hero and this story shows precisely why such a person would be a TagalongKid. Without training, experience or, indeed, ''maturity'', he's TheLoad at best and TheMillstone at worst.
* The ''Emerald City'' series deconstructs, among other things, BlackAndWhiteMorality. Said morality is, from book 4 on, enforced by the ability of BigBad to magically force any morally grey charachter into his service. The result is that, since most of those are actually [[AntiVillain]]s, one often feels more for them than for actual heroes (especially since heroes can get BackFromTheDead in most cases).
** Book ten deconstructs BecomeARealBoy. Tom, a living teddy bear, magically becomes a human and a great warrior... and dies per HeroicSacrifice in the very first battle, whereas killing him as teddy bear would be all but impossible.
* ''Literature/TheSagaOfDarrenShan'' deconstructs the concept of someone who wants to be a vampire. What kind of person want's to be a vampire willingly and why. A [[TheSociopath sociopath]] who wants to kill people he doesn't like, and be free to do what ever he wants.
* The entirety of ''{{Literature/Redshirts}}'' is a deconstruction of the RedShirt, and what would happen if the universe's CannonFodder ever tried to do something about their high mortality rate.
* The Creator/TanithLee story "Sold" is a deconstruction of the DealWithTheDevil plot, and one of the few cases of a LighterAndSofter deconstruction: If you can sell your immortal soul to the devil, [[spoiler:you obviously ''have'' an immortal soul, and the devil can't easily take it from you]]. So you might as well endure your circumstances, since [[spoiler:you know you are going to heaven]].
* ''Literature/OutOfTheDark'' deconstructs HumansAreWarriors and HumansAdvanceSwiftly. The [[AliensAreBastards Bastard Aliens]] witnessed the English slaughtering the French at Agincourt and see how fast human tech is progressing compared to "civilised" races and are scared to hell. So they tell their enforcer race that everyone will turn a blind eye if an accident were to happen to us...
* ''Franchise/LesMiserables'' deconstructed the typical "mysterious benefactor" character common in 19th century novels with Jean Valjean. He rescues Cossette from hardship the same way The Bishop of Digny did for him. He becomes obsessed with being her ParentalSubstitute because he's eaten up by guilt over not being able to save her mother Fantine.