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* There was once a time where every anime fan had to have at least seen one episode of ''Manga/InuYasha''. Every con would at least have a dozen people cosplaying as the title character. Hell, it occasionally leaked out of the anime fandom and it wouldn't be uncommon to see people on the street wearing merchandise from the show. Nowadays, the show's largely considered a joke that most newcomers would never dare to touch. This is likely because of the frustration amongst fans of the anime watching it for years only to see it end without any conclusion to any of the plot. By the time a conclusion was reached with ''The Final Act'', the damage had been done, causing lots of fans to simply tell newcomers "not to bother with it" or "read the manga instead".
** The fact that it became infamous for its ''atrocious'' FanDumb (to the point where it was often used as ''the'' example for how obnoxious anime fandoms can get, at least before the ''{{Hetalia}}'' and ''Manga/{{Naruto}}'' fandoms came along) probably helped it reach this status as well, as more and more people were turned off of it because of the rabid squealing fan-girls and boys.
* The original ''Anime/FullmetalAlchemist'' anime was once hailed as an absolute masterpiece the likes of which the west had never seen (even gaining a lot of mainstream popularity with those who otherwise weren't anime fans). However, the anime going its own route created a rift between the manga and anime fans: the manga fans who found the anime lacking, and the anime fans, many of whom were introduced to anime by this adaptation. It's initial popularity was also helped by the fact that it came out at the time of the anime craze in the early 2000s, but for anime fans who were anime fans before that time, many felt as though the anime was being shoved down their throats. If ''Anime/{{Inuyasha}}'' was the ''Anime/{{Naruto}}'' of the time period then the first FMA anime adaptation was the ''Anime/{{Bleach}}''. And for new anime fans who came after the early 2000 anime craze didn't have any attachment to the 2003 anime, and so would watch both anime side by side and found the 2003 adaptation lacking. Critics were split and it's fairly easy to tell whether the reviews were positive or negative based on whether or not the critic in question was a fan of the 2003 adaptation or not. If the reviewer is a fan of the 2003 adaptation then they will most likely give a negative review (often through [[JadeColoredGlasses Jade-Colored Glasses]]), however if they aren't then the review will be positive. Nowadays, you're just unlikely to find them among the FMA fandom unless you really dig, and even in the general anime communities they're very quiet.
** Part of the reason for the heavy backlash the 2003 anime suffered was its [[TheMovie sequel movie]] ''The Conqueror of Shamballa'' which was rather poorly received as it more or less turned the whole show into a ShaggyDogStory. It was around this time that people who wanted more FMA gravitated toward the manga and subsequently latched on to the ''Brotherhood'' version when it debuted in 2009.
** There is also the fact that at the time the 2009 adaptation was announced there was a massive HypeBacklash by the 2003 anime fans, who saw no reason for Brotherhood to exist. However, by the time Brotherhood neared its halfway mark they reversed places with fans actually liking Brotherhood, while the 2003 adaption receiving HypeBacklash which resulted in it becoming DeaderThanDisco.
* {{Gonzo}}'s original ''Anime/{{Hellsing}}'' adaptation underwent something similar against the later ''[[Manga/{{Hellsing}} Hellsing Ultimate]]''. The original was [[GermansLoveDavidHasselhoff an underground phenomenon in America]], praised for its excellent dub, interesting take on vampires, and badass fight scenes. Then ''Ultimate'' came along, got the dub voice cast back, explored the mythology, and [[BloodierAndGorier took the fight scenes]] UpToEleven. It also increased interest in the original manga... and then people realized just how much [[OvertookTheManga the Gonzo series had overtaken it]]. Cue people picking it apart for the usual Gonzo sins, including [[OffModel cheap animation]] and an abrupt GeckoEnding. Today, the Gonzo adaptation is mostly remembered for [[CrowningMusicOfAwesome its soundtrack]] (and to some its AlternateCharacterInterpretation of Seras), while ''Ultimate'' has achieved an iconic status.
* ''Manga/{{Bleach}}'' started off as an overnight sensation, gaining rapid popularity in Japan (and in the anime fandom in the West) to the point of being considered one of the "Big 3" of Japan along with ''Manga/OnePiece'' and ''Manga/{{Naruto}}.'' Around the time of the Arrancar arc however, Bleach suffered massive HypeBacklash due in part to its rather infamous reputation for ArcFatigue, along with many controversial plot twists. Said ArcFatigue also negatively impacted the anime, as well causing (multiple) lengthy filler arcs. To add insult to injury, declining ratings would lead the anime to be unceremoniously cancelled and replaced by ''[[Manga/RockLeesSpringtimeOfYouth a Naruto spinoff.]]'' These days, it's still fairly popular in English-speaking areas, but the fanbase is ''nowhere near'' as big as it used to be.
* ''Anime/MobileSuitGundamSEED'' was once a smash hit, getting the second highest ratings in ''Franchise/{{Gundam}}'' history only behind ''Anime/MobileSuitZetaGundam'', and introducing a new generation to the ''Franchise/{{Gundam}}'' franchise. Fans would start clamoring for a sequel, which they got with ''Anime/MobileSuitGundamSEEDDestiny'', the first-ever full-length television sequel to a ''Franchise/{{Gundam}}'' show outside of the original Universal Century timeline, as well as a manga spinoff in ''GundamSEEDAstray''. There were even talks that the CE timeline could become the new UC.\\
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However, thanks to [[TroubledProduction production troubles]] and the like, Destiny failed to be as successful as Seed, [[FranchiseKiller evidently ending those talks]], and [[BrokenBase heavily dividing the fanbase in the process]]. There were plans for a movie to be a GrandFinale of the saga, but the head writer was fighting cancer (which is partly the reason Destiny had such issues) and to this day is in DevelopmentHell. This made both the creators and the fans give up on the saga and move on to the non-CE series ''Anime/MobileSuitGundam00''. Today, if you ask Gundam fans of their opinion of Seed, you will get plenty of LoveItOrHateIt responses, [[FirstInstallmentWins and you certainly won't find many fans of Destiny]].
* When DigimonAdventure02 initially aired in the United States it was very popular,perhaps even more so than its predecessor, though there were criticism laid at the controversial epilogue. Now however, through it has a fair share of fans, it has become one of the most controversial and polarizing seasons of Digimon and is widely derided in many fan circles, especially on 4chan's /a/ board. The reason? Because an inversion of VindicatedByHistory happened and people saw that the epilogue was not the only part of the series with problems, but also due to a large number of plotholes along with a large number of plotlines that were either abandoned (ie: The Dark Ocean Arc and the Daemon Corps arc), or hyped up but rendered into irrelevance a while later(ie: the Destiny Stones Arc), along with a preceived "excess" of filler episodes making up the series, the rumor that the show ''ruined'' the Adventure universe in Japan and is the reason why every Digimon series is set in a different continuity and the fact that the series in the original language, after seeing the subs, was even more contrived than in the dub, it dosen't help that the [[DigimonTamers series after that]], through being somewhat divisive in the start, is now considered one of the best Digimon series in the franchise. Nowadays, talking about 02 would draw a lot of divisive LoveItOrHateIt responses, with the best season either considered Seasons [[Anime/DigimonAdventure 1]] or [[Anime/DigimonTamers 3]] , through you certainly won't find many fans of Season [[Anime/DigimonXrosWarsTheYoungHuntersLeapingThroughTime 7]].
** This trope was referenced once in-universe in the English dub of Anime/DigimonAdventure:
--> '''Demidevimon''': Aw, come on! Everyone makes mistakes, remember disco?
* The CutAndPasteTranslation as a dubbing practice. The method of altering the scripts of the episode began in TheEighties when Carl Macek combined ''Anime/SuperDimensionFortressMacross'', ''SouthernCross'', and ''General Mospaeda'' into ''Robotech''; and World Events Productions followed a similar method to combine ''GoLion'' and ''Dairugger'' into ''Anime/{{Voltron}}.' For some time, this type of dub was one of the most common styles of translating anime.
** However, there were several factors that led to this type of dub's decline. First, there was the controversy raised by several of 4Kids' later dubs. Namely, the violence in later episodes of ''Manga/ShamanKing'' caused protests from offended parents, which led to 4Kids taking their practices to extremes for their dubs of ''Manga/OnePiece'' and ''Manga/TokyoMewMew''; effectively stripping them of anything remotely Japanese. The creators of both series, not amused, thereby pulled the rights from them on the grounds that they made mockeries of their series. Second, the popularity of the films of StudioGhibli, which enacted a "no-cuts" policy for studios that dub their films for foreign markets, proved that anime doesn't have to be toned down for audiences to appreciate it. Third, the rise of Website/YouTube and other video-sharing sites helped uncut versions and subtitled versions of anime become more widespread, thus eliminating the need for sanitized dubs being the primary introduction to other types of anime. Lastly, this type of translation, as noted on its trope page, is ''expensive'', much more so than a straightforward dub, and with fans having access to the unedited Japanese subtitles, there just wasn't a market any longer for heavily edited dubs as the 2000s wore on. As a result, the CutAndPasteTranslation has largely been discredited as a dubbing practice. As for 4Kids, the license to ''Pokémon'' was moved in-house to The Pokémon Company International, and they continued to dub anime in this manner amidst years of losing money and being the subject of mockery from personalities such as LittleKuriboh and MarzGurl until the company was absorbed into Saban Brands in 2012; with the ''Yu-Gi-Oh!'' license being given to Konami.
* ''Manga/LoveHina'' standardized the typical slapstick a lot of viewers tend to associate with the HaremAnime genre. [[FollowTheLeader A little too well.]] [[SeinfeldIsUnfunny Thanks to a lot of imitators]] there has been a growing backlash against Harem cliches, particularly the AccidentalPervert and the HairTriggerTemper {{Tsundere}}, which has led to people 180ing on their opinions. Love Hina went from being a cutting edge Harem Anime to being the representative of everything ''wrong'' with Harems.
* TV anime adaptations of shoujo manga seem to be heading this way. Nowadays, most of them get adaptations in film, live action drama, or short OVAS. A lot of this probably has to do with anime becoming more male otaku-oriented, and the fact that shoujo manga ''itself'' (or at least the kind adaptable into animation) seems to be in danger of becoming this because of its DorkAge.
* ''TheMelancholyOfHaruhiSuzumiya'' is now pretty much this due to the massive failure of its second season and its basic premise and tropes being copied to death.
** Haruhi in particular is notable because of just how quickly this can happen. As far as the Western fandom was concerned, the show debuted in 2006 to raving reviews and acceptance. The lack of a second season quickly succeeding the first turned the show into something like the Half-Life of the fandom, with constant anticipation and speculation with great demand for the series. The airing of the first episode in 2009 was met with exuberance. Finally, the rest of the novels would be animated! This great series will go on! Then the "Endless Eight" story arc happened, and in a matter of weeks the entire perception of the brand had been shattered. Fans were dismayed by the arc, while more casual viewers who had enjoyed the first season quickly found themselves wanting to have nothing to do with it. Suddenly criticisms started to extend from the mishap or an arc adaptation to the series as a whole. Being a major fan of the series in some circles went from being completely normal to almost something of a badge of shame. While reaction cooled in the coming months and the animated adaptation redeemed itself in the eyes of fans with the release of Disappearance in 2010, the fervor for the series by and large disappeared. From top of the world to bottom of the barrel in the span of three years.
* {{CLAMP}} seems to be becoming this due to the lukewarm to almost negative reception of their more recent works and people becoming more aware and critical of flaws even in their older ones (such as overuse of AuthorAppeal, pretentiousness, and lackluster endings). Nowadays, they are simply remembered for their [[CardCaptorSakura brilliant]] [[MagicKnightRayearth shojo]] [[TokyoBabylon stories]] [[NostalgiaFilter that were created decades ago]], not the obscure series they are currently making now.
** ''{{Chobits}}'' is this especially. Once one of their most popular works, it's now only brought up in discussions about its writing problems and loads of UnfortunateImplications. There's a good chance people cosplaying its main character don't even know where she's from.
* ''UsagiDrop'' was a very well-regarded manga with heaps of critical praise and a successful anime adaptation. Then came the ending and [[spoiler: Rin and Daikichi got very squickily StrangledByTheRedString for no reason other than apparent AuthorAppeal and the ''whole story'' was all about WifeHusbandry and nothing else]]. Cue nearly everyone dropping it like a hot potato and pretending that only the anime (which ignores the controversial time skip and glosses over the unsavory elements) exists. Even the American publisher seems to be treating it as an OldShame.
* While it still has a relatively small fanbase, ''VisualNovel/{{Air}}'' has lost popularity, especially due to AngstAversion and ItWasHisSled. Those who would rather watch a fun action show will think twice before watching it. Nowadays, those who haven't seen the show have most likely had [[spoiler: Misuzu's death]] spoiled for them, even on this very wiki.
* {{Tokyopop}} used to be ''the'' English-language manga publisher up until its 2011 closure. Now it's mostly remembered for its mediocre translations and the incompetence of its CEO Stuart Levy. Also its contribution to the brief trend of awful, low-quality OEL manga did not help at all (in fact their over-hyping and focus on their unpopular collaborative project ''PrincessAi'' is often believed to be one of the things that led to their eventual downfall)
* ''MermaidMelodyPichiPichiPitch'' is pretty much this in the English-language magical girl fandom. A lot of this simply has to do with its target audience outgrowing it and it lacking anything to make it appealing to other demographics. It's now seen as SnarkBait and pretty much nothing else.
* ''OreImo'' is another example of how quickly this trope can happen. Once a very popular light novel/anime, it's now known for its terrible ending and for giving birth to the creepy "[[http://goldenani.blogspot.com/2013/12/2012-o-brother-where-art-thou.html imouto]]" genre.
* While the ''{{Hetalia}}'' franchise as a whole is still fairly popular (though its fanbase is starting to dwindle for various reasons), the anime by StudioDeen seems to be heading this way, as more fans are critical of its low quality and changes to the source material. A fifth season made a few years later greatly increased the writing and animation quality, but it apparently didn't perform well enough to get the series started up again.
* Sites like Crunchyroll seem to have {{fansubs}} heading this way, as they can offer subbed versions of shows on the other side of the Pacific as soon as they hit the airwaves in Japan. On the other hand, some fansubbers feel they do a better job than the "official" subbers.
** They are also still popular with the BitTorrent crowd due to their accessibility.
* ''ShugoChara'' was once ''the'' MagicalGirl anime about 5 years ago, was a borderline CashCowFranchise in Japan, and received lots of praise from both viewers and reviewers. Now it's pretty much obscure. A lot of it has to do with the manga's lackluster final chapters, and the third season bombing so badly it killed off most interest in the franchise. Also many fans were starting to get tired of and {{squick}}ed out by its LoveTriangle RomanticPlotTumor. The franchise still has a ''few'' fans, but they see it as a GuiltyPleasure now and little more.
* ''VampireKnight'' was once one of the few shojo romance franchises to get mainstream popularity, and is often credited for helping get more people into manga. Now thanks to its SeasonalRot and large amount of writing problems later on it's now almost completely forgotten. It also became a near-CreatorKiller for its mangaka.
* ''HotGimmick'' used to be one of Viz's most popular shoujo titles, and was even one of its fist series to get a ''Viz-Big'' edition. Now thanks to severe backlash against BastardBoyfriend manga the series is pretty much unknown, and saying you're a fan will get you ''very'' dirty looks in some circles.
* Non-ironic MagicalGirl shows aimed at young girls. The only examples still running and successful are shows in the PrettyCure franchise, and even those have some parody/post modernist elements to them.
* The ''{{Slayers}}'' anime is now pretty much forgotten due to SeinfeldIsUnfunny and the revival seasons bombing. It used to be ''huge'' in the mid-to-late 90's, but now good luck finding anyone who still remembers and actively watches it.
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