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->''Come with me, ladies and gentlemen who are in any wise weary of London: come with me: and those that tire at all of the world we know: for we have new worlds here.''
-->--Preface to ''The Book of Wonder''

[[OverlyLongName Edward John Moreton Drax Plunkett]], [[UsefulNotes/KnightFever 18th Baron of Dunsany]] (24 July 1878 – 25 October 1957), was an Anglo-Irish fantasy author active in the first half of the twentieth century. He first became famous for ''Literature/TheGodsOfPegana'', a collection of supershort stories about a set of fictional gods who created the Worlds. He later wrote a great deal of fantasy, including ''Literature/TheKingOfElflandsDaughter'' and many many short stories. Later in life, he wrote a variety of non-fantastic fiction, including the tales of [[TheMunchausen Jorkens]], a clubman who tells fantastic tales but always loses the one bit of evidence that would prove the tales were true, and Smethers, a little man with a little business and a most peculiar roommate.

Dunsany also wrote many plays, which seem to be mostly forgotten, much like his other work. His works vary greatly in tone and style, which is particularly apparent in a recent collection from Penguin that spans most of his career.

Dunsany's influence on later fantasy is usually overshadowed by Creator/JRRTolkien (who himself cited Dunsany as one of his inspirations), but he was very famous in his day. The dreamlike prose of his early work is particularly addictive and frequently imitated by those who read him. For that reason, Creator/UrsulaKLeGuin dubbed him "the First Terrible Fate That Befalleth Unwary Beginners in Fantasy".

* Creator/HPLovecraft was a great admirer of Dunsany's early work and his Dream Cycle is clearly influenced by Pegāna and Dunsany's own DreamLand tales.
* Creator/NeilGaiman's ''Literature/{{Stardust}}'' shows certain similarities with ''The King of Elfland's Daughter'' and echoes Dunsany's phrase 'the lands we know'.
* "The Sword of Welleran" was greatly admired by Creator/RobertEHoward, creator of Franchise/ConanTheBarbarian, and may be considered one of the starting points of SwordAndSorcery fantasy. It shares this place with "The Fortress Unvanquishable, Save for Sacnoth".
* Dunsany's influence has extended to anime series such as ''Anime/HaibaneRenmei'', ''Anime/{{Simoun}}'', and ''Anime/SoundOfTheSky''.

Dunsany saw action in UsefulNotes/TheSecondBoerWar as a first lieutenant of the [[BritishRoyalGuards Coldstream Guards]] and in UsefulNotes/WorldWarI as a captain in the [[UsefulNotes/BritsWithBattleships Royal Inniskilling Fusiliers]]. He was also an excellent chess player and developed [[http://en.wikipedia.org/wiki/Dunsany%27s_chess Dunsany's Chess]], a [[VariantChess variant]] that pits a standard set of pieces against 32 pawns.

!!Works by Lord Dunsany with their own trope pages include:

* ''Literature/TheCharwomansShadow''
* ''Literature/TheGodsOfPegana''
* ''Literature/TheKingOfElflandsDaughter''
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!!Other works by Lord Dunsany provide examples of:
* AntiquatedLinguistics: Most prominent in his early work, absent in his Jorkens stories.
* CessationOfExistence: Dunsany, an [[UsefulNotes/{{Atheism}} Atheist]], ponders about this trope in ''Literature/TheGodsOfPegana'', where a prophet asks the gods about afterlife and, being given an answer that implies there is nothing for humans after death, proceeds to invent himself a heaven and a hell to preach to his followers.
* DarkestAfrica: Several Jorkens stories take place here.
* DontFearTheReaper: The allegorical short story "On the Dry Land" tells how Love, after leading a man through "perilous marshes" for many years, finally makes ready to leave him, now that the man is old and has reached the dry and safe land. The old man however is unconsolable that Love is leaving him so that Love is moved to promise him to send "his little brother Death" to take care of him. And soon, Death comes "tall and beautiful" and with a smile lifts up the man gently and "murmuring with his low deep voice an ancient song, carried him to the morning, to the gods."
* DreamLand: Featured in the short story "Idle Days on the Yann" and its sequels, along with a few other works.
* DyingDream: The narrator of the short story "In the Twilight" capsizes with a boat and bumps his head on a boat's keel. As he desperately tries swimming upwards, he hears the people in the boats above him say that they "must leave him now", to be followed by the river, the river banks, and the sky all taking their leave from him and disappearing. Subsequently he has several visions of places where he spent his childhood and youth, such as the valley of his childhood and his old school, where he he sees old friends and classmates and also the heroes of Literature/{{the Iliad}} and [[Literature/{{Anabasis}} the Ten Thousand]] (implied to be his boyhood heroes), all of which tell him "Goodbye". His last vision is of himself standing with a crowd of people at the near end of a "white highway with darkness and stars below it that led into darkness and stars". A lone man is walking down the highway away from the crowd towards the darkness, despite the people calling the man by his name, "and it was a very strange name". The narrator gets angry because the man won't react to the people calling him and tries with "great effort" to call the man's name--only to wake up and find himself lying on the river bank and a crowd of people resuscitating him, "and the name that the people called was my own name".
* EatTheEvidence: "The Two Bottles of Relish," [[spoiler: where the title objects are used by a murderer who chopped down trees solely "in order to get an appetite."]]
* EnlightenedAntagonist: In ''A Night at an Inn'', [[VillainProtagonist the protagonists are four thieves]] who are on the run from the Hindu priests of the god Klesh, having stolen a precious ruby from the forehead of Klesh's statue.
* EternalEnglish: In one story, a wrong turn while returning from DreamLand takes the narrator into the far future where the lions of Trafalgar Square are badly worn. And a shepherd says 'Everkike' or 'Av er kike'-- 'Have a cake' in badly [[{{Flanderization}} devolved]] Cockney.
* GodsNeedPrayerBadly: This varies a bit; certainly.
** [[foldercontrol]]

[[folder: Māna-Yood-Sushāī ]]
explicitly has no need for prayers.
** Subverted by the short story ''Chu-Bu and Sheemish'', the story of an idol that is suddenly beset by competition for sacrifices; he doesn't seem to need them in any way, but he is still incredibly irritated that the villagers are making offerings to Sheemish.
* TheLittleShopThatWasntThereYesterday: His short story 'The Bureau d'Echange de Maux' features a little shop in Paris where men may exchange whatever 'evil' or burden they feel they have for twenty francs. Once a trade is made, a client will never find the Bureau again.
* MilkmanConspiracy: This is vaguely implied in the short story ''Why the Milkman Shudders when He Perceives the Dawn''. [[spoiler: We never find out what it is.]]
* TheMunchausen: The usually loquacious Jorkens, though he might require a whiskey and soda to perk up the memory.
* NobleFugitive: "The Exiles Club", where exiled kings and descendants of kings gather [[spoiler: as waiters to yet greater exiles.]]
* SuddenDownerEnding: "The Hoard of the Gibbelins". Alderic reaches the tower cleverly and retrieves some of the treasure, [[spoiler:but the Gibbelins catch him and summarily hang him]], "and the tale is one of those that have not a happy ending."
* SuperPersistentPredator: In ''Literature/TheFortressUnvanquishableSaveForSacnoth'', Leothric learns that the "dragon-crocodile" Tharagavverug eats one human being every day and always pursues his chosen prey until he catches it. On account of this, the villagers who live near Tharagavverug's marsh have entirely given up running away from him, but have developed the custom of all going out in the morning in order to let Tharagavverug pick his victim, as this is quicker and less troublesome than having him hunt for a victim in the village. The narrator says they also tried climbing trees, but Tharagavverug would cut down the tree by using the scaly ridge on his back as a saw.
* SwordOfPlotAdvancement: The sword Sacnoth in ''The Fortress Unvanquishable, Save for Sacnoth'' is perhaps the first version of this trope in modern literature.
* TakenForGranite: [[spoiler: The ending of ''The Gods of the Mountain'']]
* UnbuiltTrope: ''The Fortress Unvanquishable, Save for Sacnoth'' does this with SwordAndSorcery; a lot of it seems to come across as deconstructing aspects of the genre (especially the idea of the SwordOfPlotAdvancement, given the way people react to Sacnoth and the way that it's made clear that Sacnoth is essentially resolving the entire adventure on its own), but it actually came first. This trope is also present in his work for other fantasy subgenres.
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