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[[KnightFever Baron Olivier of Brighton]] '''Laurence Olivier''' (May 22, 1907 -- July 11, 1989) was an English actor and director, considered by many the greatest actor of the twentieth century. His roles range from the UsefulNotes/AcademyAward-winning title role of ''{{Hamlet}}'' (which he also directed) to a [[UsefulNotes/GoldenRaspberryAward Razzie]]-winning supporting role in the remake of ''Film/TheJazzSinger''.

As a film director, he's best known for his three Creator/WilliamShakespeare adaptations: ''Theatre/HenryV'' (1944), ''Theatre/{{Hamlet}}'' (1948), and ''Theatre/RichardIII'' (1955). He also played the title role in each, being nominated for the Best Actor Oscar each time. He won for ''Hamlet'', which also won Best Picture (the ''only'' movie spoken in Shakespeare's dialogue to win to date) and earned Olivier a Best Director nomination (making him the only person to direct ''himself'' to an Oscar until Roberto Benigni won an Oscar for acting in ''LifeIsBeautiful'' 50 years later).

He also received two honorary Academy Awards: the first in 1947 for Outstanding Achievement for his ''HenryV'', which he produced, directed and starred in; and a Lifetime Achievement award in 1979.

Other roles that attracted Academy Award nominations but not wins included Heathcliff in ''Literature/WutheringHeights'' (1939), Maxim de Winter in ''{{Rebecca}}'' (1940), the title role in ''The Entertainer'' (1960), the title role in ''Theatre/{{Othello}}'' (1965), Andrew Wyke in ''{{Sleuth}}'' (1972), Dr Christian Szell in ''MarathonMan'' (1976), and Ezra Lieberman in ''Film/TheBoysFromBrazil'' (1978).

In what was perhaps the logical extreme to both their careers, Creator/KennethBranagh netted an UsefulNotes/AcademyAward nomination for playing Olivier in ''Film/MyWeekWithMarilyn''.

[[http://www.laurenceolivier.com/ Official site]]
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!!Tropes associated with Laurence Olivier include:

* CreatorCouple: He and Vivien Leigh appeared in many stage productions together but only two films. ''That Hamilton Woman'' is considered the best and it was UsefulNotes/WinstonChurchill's favorite film.
* DramaticPause: This [[http://www.youtube.com/watch?v=q0RFGBjG35Q anecdote]] by Peter Ustinov, Olivier's ''Film/{{Spartacus}}'' co-star on the Jack Paar Show demonstrates Olivier's tendencies toward this.
* DyeingForYourArt: Olivier occasionally did this, most famously his stage version of ''{{Othello}}''. He wore full-body make-up, lifted weights and spent months working with a vocal coach to lower his voice an entire octave.
* LargeHam: Frequently labeled as such by detractors. Granted, Olivier was a classically trained stage actor, and it did become his default style in Shakespeare adaptations or his [[MoneyDearBoy paycheck roles]]. But anyone watching Olivier in, say, ''The Entertainer'' or ''Marathon Man'', or his own favorite, Wyler's ''Carrie'' [[note]]As in Theodore Dreiser's ''Sister Carrie'' and not Stephen King's prom-from-hell[[/note]] or in Creator/OttoPreminger's ''Bunny Lake is Missing'' would know he was capable of more nuanced performances.
** It should also be noted that Olivier was such a great stage actor that he found acting for films harder than many other Hollywood stars since he found it hard to [[DamnYouMuscleMemory dial down his instinctive stagecraft]] for the cameras, and as a constant touring stage actor with a film career, he had to shift and juggle registers, something that actors of later generation (and MethodActing) were able to do easier. Olivier credited Creator/WilliamWyler for teaching him how to act for films and felt his films with him were his best.
* RealLife/MeanCharacterNiceActor: Despite playing Nazis and cruel emperors, he was known as a very friendly, down to earth guy in real life to the point that he hated being called by any of his royal titles and preferred to be addressed as Larry. He was such a nice guy that even Creator/MarlonBrando, who was known as a big jerkass, couldn't bring himself to seduce Vivien Leigh when they were married. Creator/DustinHoffman has said that, contrary to rumors that he and Olivier didn't get along while making ''Film/MarathonMan'', Olivier and wife Joan Plowright took Hoffman to dinner several times, and presented him with Olivier's personal copy of the Complete Works of Shakespeare once filming ended.
** He was however known for a HairTriggerTemper and was capable of [[SirSwearsALot swearing a blue streak]] when agitated. One of Olivier's biographers records him unleashing a savage ClusterFBomb on Laurence Harvey for insulting John Gielgud in his presence. He could also be quite mean to his female co-stars. He hated Merle Oberon who was Cathy to his Heathcliff in the Samuel Goldwyn ''Wuthering Heights'' and treated her badly. He was also irritated with Joan Fontaine on ''Rebecca'' and complained to Hitchcock, "she can't act, old boy!". Likewise, Creator/StanleyKubrick ran into troubles when Olivier and his ArchEnemy Creator/CharlesLaughton were costars. Kubrick assigned Peter Ustinov to keep them from killing each other as they engaged in HamToHamCombat.
* MethodActing: He famously hated method acting, which is reassuring given [[Film/{{Spartacus}} some of]] [[MarathonMan the roles]] [[Film/TheBoysFromBrazil he played]].
** This hatred of method acting made filming ''ThePrinceAndTheShowgirl'' with Creator/MarilynMonroe difficult for Olivier, since Marilyn's coach Paula Stasburg would insist she employ all the Stanislavskian techniques even in a read-through.
** A story goes that, when filming ''Film/MarathonMan'', Creator/DustinHoffman stayed up all night in order to appear tired for a scene. Olivier was unimpressed by the show and said "Why not try acting, dear boy? It's easier".
* MoneyDearBoy: TropeNamer. It was the reason he gave for appearing in ''Inchon'' (which netted him the second of his two [=Razzies=]). He started doing film roles like ''Inchon'' - which he hated making - just for the money after he was forced out of his job as director of the National Theatre. He was worried that he would die and his family would be left with nothing.
* OldShame: Olivier had many rotten films to choose from, but he seemed to particularly hate the musical ''The Beggar's Opera'', due to his contentious relationship with director Peter Brook, and ''The Jazz Singer'', which he said "oozes sentiment like pus," adding "I never saw anything, heard anything, read anything so absolutely awful." The only films he really liked were the ones he made with Creator/WilliamWyler who he noted taught him how to act for films.
* PlayingAgainstType: While it's hard to say Olivier, with his diverse selection of roles, had a "type," his appearance in John Osborne's ''The Entertainer'' counts. Besides playing a seedy musical hall comedian, Olivier's involvement gave credibility to Osborne and the Royal Court Theatre, who were considered disreputable outsiders among England's stage community. Afterwards, establishment actors like John Gielgud and Alec Guinness queued to appear at the Royal Court!
* PlayingGertrude: His film version of ''Hamlet'' is the TropeNamer.
* TheRival: John Gielgud. The two appeared in a stage production of ''Theatre/RomeoAndJuliet'' together in the '30s, clashed over acting styles and became the two preeminent Shakespearean actors of their day. The two initially disliked each other, but grew into VitriolicBestBuds later in life. By most accounts, he had a similar relationship with Ralph Richardson.
* RomanceOnTheSet: Met Vivien Leigh while filming ''Film/FireOverEngland'', and Joan Plowright during the stage production of ''The Entertainer''.
* SesquipedalianLoquaciousness: If his [[http://www.youtube.com/watch?v=TSgvp0l1n2s acceptance speech of an honourary Oscar at the 1979 Academy Awards ceremony]] is anything to go by. Actually, it is said that this speech was intended as a little dig at the American Academy over how they would applaud anything even if they didn't understand it. However, judging by some of his other interviews and comments, he really was that poetic.
* ShakespearianActors: He was one.
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