[[caption-width-right:300:[[{{Slogans}} Something more.]]]]
American Movie Classics, or '''AMC''', is an American cable TV {{network|s}} that was established in 1984, [[NetworkDecay originally]] as a movie channel. Most of the movies it showed in its first twenty years came from UsefulNotes/TheGoldenAgeOfHollywood and [[UsefulNotes/FallOfTheStudioSystem the years immediately after]], such as Creator/MarxBrothers comedies and {{film noir}}s. Starting in 1993, it began running the annual Film Preservation Festival, a multi-day marathon of rare, restored films that were [[MissingEpisode previously lost]], in order to raise money for film preservation. In 1997, AMC also started running Monsterfest, a weeklong marathon of {{horror}} movies that ran before [[AllHallowsEve Halloween]]; this was replaced in 2008 with Fearfest.

Starting in the late '90s, AMC began to undergo a famous case of NetworkDecay. In 1996, the network debuted its first scripted series, the {{dramedy}} ''Series/RememberWENN'', about [[WorkCom people working at a 1930s-'40s radio station]], and in 1999 it premiered the series ''The Lot''. Around the same time, the network ended its long-standing policy of showing movies uninterrupted and began running commercials during movies. AMC also had a short-lived PanelGame, ''The Movie Masters'', moderated by Gene Rayburn. The biggest change came in 2002, when AMC became a general movie channel, adding films from the last 30-40 years to its lineup and pushing pre-1970 films to late night, morning and late afternoon. It's been suggested that rival network Creator/TurnerClassicMovies was responsible for this shift, as that network's establishment cut deeply into AMC's selection of classic films (the vast Turner, Warner Bros. and MGM libraries were now exclusive to that network), along with Fox taking their rights for the Fox Movie Channel, but the main reason for the shift was an effort to appeal to a younger demographic.

The final sign of AMC's decay and perhaps proof that TropesAreTools was the network's investment in original series late in [[TurnOfTheMillennium the Oughts]]. In 2007, AMC debuted ''Series/MadMen'', a critically acclaimed drama that entered the public consciousness and established the movie network as a purveyor of high-quality television shows. AMC followed this up with ''Series/BreakingBad'' in 2008, ''Series/{{Rubicon}}'' & ''Series/TheWalkingDead'' in 2010 and, in 2011, ''Series/TheKilling'' (about the investigation of a girl's murder) and ''Series/HellOnWheels'', a period drama about the construction of the Transcontinental Railroad. AMC has also crafted two {{mini series}}: the 2006 [[TheWestern Western]] ''Film/BrokenTrail'', and the 2009 remake of ''Series/{{The Prisoner|2009}}''.

These days, it's more or less accurate to say that AMC has become {{Creator/HBO}} on basic cable [[DisSimile with commercials]]; with movies during the daytime, and original series in prime time.

Not to be confused with automaker American Motor Company, movie theatre chain AMC Theatres, or ''AllMyChildren'', the long-running SoapOpera known by its AMC initials in FanSpeak.
!!List of AMC shows and {{mini series}}:
* ''The Movie Masters'' (1989-1990; [[Series/MatchGame Gene Rayburn's]] final game show)
* ''Series/RememberWENN'' (1996-1998)
* ''The Lot'' (1999-2001)
* ''Series/MadMen'' (2007-2015)
* ''Film/BrokenTrail'' (2006 mini series)
* ''Series/BreakingBad'' (2008-2013)
* ''Series/{{The Prisoner|2009}}'' (2009 mini series)
* ''Series/{{Rubicon}}'' (2010)
* ''Series/TheWalkingDead'' (2010-present)
* ''Series/TheKilling'' (2011-2013)
* ''Series/HellOnWheels'' (2011-2016)
* ''Series/ComicBookMen'' (2012-present)
* ''Series/LowWinterSun'' (2013)
* ''Series/{{Turn}}'' (2014-2017)
* ''Series/HaltAndCatchFire'' (2014-present)
* ''Series/BetterCallSaul'' (2015-present)
* ''Series/FearTheWalkingDead'' (2015-present)
* ''Series/{{Humans}}'' (2015, co-produced with Creator/{{Channel 4}})
* ''Series/IntoTheBadlands'' (2015-present)
* ''Series/Preacher2016'' (2016-present)
* ''Series/TheNightManager'' (2016)
!!Tropes Associated with AMC as a whole

* TheArtifact: The only trace left of their past as a classic movie channel comes during the odd times they use episodes of ''Film/TheThreeStooges'' as filler. They would have about an hour of stooge shorts a day in TheNineties.
* NetworkDecay:
** A case of a Shift That Fits as the channel transitioned from a channel of old time movies to a large variety movie channel with some original programming. However, this did bring some good shows on the table, so perhaps [[TropesAreTools Tropes Are Not Bad]].
** And then ''Talking Dead'' (which moved ''Hell On Wheels'' out of the cushy post-''The Walking Dead'' slot) became a success and a new form of Network Decay has started in the form of reality shows.
** "Monsterfest" originally featured more traditional monster movies (vampires, werewolves, the occasional AttackOfThe50FootWhatever or AlienInvasion flick), but as time went on and the network decayed, it shifted to slasher films and more recent remakes and sequels, to the point where they renamed it "Fearfest".
* SlidingScaleOfContinuity: Most of the various dramas fall into level 5 (Full Lockout).
* TakeThat: If the network airs an advertisement for one of their shows, it was followed by a short blurb highlighting the fact that AMC was not available on Dish Network during its parent company's five month dispute with Dish.
* WhiteMaleLead: The current original series on AMC feature a particular type of protagonist: [[AntiHero The Strong White Man Who Dares To Be Badass]]. Recent AMC ads are practically [[LampshadeHanging hanging a lampshade]] on this by drawing explicit comparisons between Don Draper (''Mad Men''), Walter White (''Breaking Bad''), Cullen Bohannon (''Hell On Wheels''), and Rick Grimes (''The Walking Dead''). ''The Killing'' and ''Into the Badlands'' are currently the sole exceptions to the rule.