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A 2001 {{anime}} film by Creator/SatoshiKon, the director of ''Anime/PerfectBlue'' (1998) and ''Literature/{{Paprika}}'' (2006), ''Millennium Actress'' explores the relationship between art, life, love, and memory. Satoshi Kon co-wrote with his long-time collaborator Sadayuki Murai.

Director Genya [[MeaningfulName Tachibana]], who has been making a documentary about reclusive (and retired) movie star Chiyoko [[MeaningfulName Fujiwara]], manages to secure a rare interview with her. The informal and deeply impassioned interview covers her career from her first movie, made [[UsefulNotes/WorldWarII a few years after]] [[UsefulNotes/ImperialJapan the Japanese]] [[UsefulNotes/KatanasOfTheRisingSun invaded]] [[UsefulNotes/SecondSinoJapaneseWar Manchuria]], to her retirement in the mid-sixties--along with her love life, including her marriage to (and divorce from) her most prominent director. Much of the story is told using episodes and scenes from her movies, the settings of which span a [[TitleDrop millennium]] -- from the Heian period (794-1185) to a futuristic space age, with the various scene and era changes lampshaded by Kyouji Ida, Genya's snarky but seemingly imperturbable cameraman. Along the way Kyouji and Chiyoko discover that Genya has much deeper connections to Chiyoko than either of the latter would have any way of knowing.

''Millennium Actress'' won a slew of anime awards both in Japan and abroad, some of them shared (or split) with ''Anime/SpiritedAway''.

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!!This anime provides examples of:

* ActionGirl: See LadyOfWar.
* AnachronicOrder: Skips around from the present to {{flashback}}s of Chiyoko's past; also, from one time period to another, each time period reflecting on Chiyoko's mental state at the time. (See also EmpathicEnvironment and TimeTravel, below.)
* AnimalMotifs: There are a lot of cranes around if you keep an eye out for them. Possibly a symbol for [[ThousandOrigamiCranes a deep wish]], or immortality.
* TheAtoner: The cop Chiyoko first encounters chasing a rebel artist is last seen making his way across Japan apologizing to people he's wronged.
* AuthorAppeal: A lot of motifs recur throughout the works of Creator/SatoshiKon; similar music (often by the same composer); MindScrew; the female lead often looks similar; surrealism and GenreBusting.
* BeautyMark: Chiyoko has the classic tragic anime mole just below her left eye.
* BeenThereShapedHistory: The film takes us on a tour of Japanese history[=/=]HistoricalFiction with the actress and the film crew turning up as characters chasing after her.
* BigHeroicRun: The famous "Run" sequence, where Chiyoko runs after the artist while the time period and Chiyoko's current reincarnation/movie costume change several times.
* BitchInSheepsClothing: Why hello there Eiko.
* BittersweetEnding: [[spoiler: After a strong earthquake strikes Chiyoko's villa, she collapses (possibly from a heart attack) in Genya's arms and is taken to the hospital. She dies there, but not before telling Genya that she will find [[LoveInterest the man she was searching for]] in the afterlife, and even if she doesn't -- chasing him is more fun, anyway.]]
* BookEnds: Chiyoko taking off in a spaceship. Earthquakes are BookEnds [[spoiler: in Chiyoko's life.]]
* ChristmasCake: Played in the world of movies; Eiko Shimao is barely a decade older than Chiyoko, and undeniably beautiful, but after Chiyoko becomes a star, Eiko is only ever cast as the scheming older woman opposing her.
** Averted with Chiyoko, who reaches the pinnacle of her stardom in the 1950s, when she is in her thirties, and who is still a wildly popular star in her early forties when she abruptly quits.
* ContrivedCoincidence: An InvokedTrope and a DiscussedTrope.
* CrashIntoHello: Chiyoko meets [[LoveInterest the man]] with [[MementoMacGuffin the key]] twice this way. When, as an adult, she bumps into a random stranger on the street, she half-expects it to be him.
** To drive home the irony of the situation, she's standing in front of a billboard with her face a dozen feet high, but the stranger doesn't recognize her. (Then again, she's wearing dark sunglasses.)
* DeadpanSnarker: Kyouji Ida (the cameraman).
* DeliberatelyMonochrome: Parts of the film, specifically to contrast with the more vivid colors of things Chiyoko remembers with fiery intensity.
* {{Determinator}}:
** Chiyoko. Made explicit with her stubborn journey to Hokkaido.
** Genya, with his feelings towards Chiyoko.
* TheDulcineaEffect: Both Genya's reverence for Chiyoko and Chiyoko's devotion to the man of her dreams.
* EmpathicEnvironment: UpToEleven: not just the weather, but the historical era itself reflects Chiyoko's emotional state. A JustifiedTrope, in a sense, in that much of what we see is a mix of Chiyoko's movies with her memories and the imaginations of her and Genya; that is, the "environment" in question really ''is'' Chiyoko's emotional state, not a real place that [[ContrivedCoincidence just happens to mirror it]]. See also TimeTravel.
* EverythingsBetterWithPrincesses: Chiyoko is/plays a Fujiwara princess. See also LadyOfWar.
* {{Expy}}: Chiyoko, especially in her twenties, looks a lot like the young actress Mima from ''Anime/PerfectBlue''. (They have the same nose.) However, their personalities are not especially similar.
* TheFaceless: We never get a good look at the face of the man with the key -- in part because the "reality" we see in the "{{flashback}}s" is subjective, and Chiyoko no longer remembers what he looked like.
* {{Fanboy}}: Genya's main reason for doing the interview.
** [[spoiler: Arguably a SubvertedTrope. As it turns out, Genya knew and loved Chiyoko in real life, and worked with her back at the studio, from about the second quarter of her career not long after the end of World War II. Although he knew and loved her she didn't know he existed; she had been a movie star for nearly a decade, whereas he was just some lowly member of the crew. (Not that she was by any means a snob; but he was too timid to dare intrude into her world.) Then one day during an earthquake he saved her life, and perhaps she ''would'' have noticed him after that -- but that was the day she fled the movie industry forever, and became a recluse. Besides, she was already InLoveWithLove.]]
* {{Flashback}}: Most of the movie consists of {{flashback}}s, although few of them are to be taken literally: they freely mix Chiyoko's memories with her film roles, and also with her present-day imagination, and the imagination of Genya (and his cameraman Kyouji Ida). See also AnachronicOrder, EmpathicEnvironment, PensieveFlashback, TimeTravel.
* FortuneTeller: [[spoiler: A SubvertedTrope: the fortune teller was bribed, and given personal information, by Chiyoko's rival Eiko, specifically to get Chiyoko off the set and thus fired and possibly blackballed from the movie industry. (Given the political situation in that time and place, it could easily have gotten her killed.) For whatever reason, the plot failed in its larger purpose: Chiyoko did not get fired, although she did land in plenty of trouble.]]
* FramingDevice: The documentary.
* FreakOut: Chiyoko has a few. [[spoiler: Perhaps the most fateful is the one that drives her forever from the movie business and into her life as a recluse: after an earthquake that nearly kills her, she abruptly decides/realizes that she is now middle-aged, and thus no longer the girl the artist who gave her the key would be looking for. She quits the movie business, not wanting the man to see her as anything other than a girl. Unfortunately for all involved by that time the man is already long dead.]]
* GenericCuteness: An AvertedTrope. With a few exceptions, only the in-universe actresses and actors are beautiful (and by no means all of them, especially if they play minor characters); the members of the crew and other minor characters tend to be average-looking. A notable exception is Chiyoko's LoveInterest, the mysterious artist who gives her [[MementoMacGuffin the key]]. But we [[TheFaceless never see him all that clearly]], and to the extent we do, we still mostly see him through Chiyoko's eyes.)
* GenreBusting
* GirlyRun: An AvertedTrope, although Chiyoko spends a lot of the movie running. In the interview section of the DVD, [[WordOfGod the director]] says he shot footage of a girl running specifically for the animators to study, so they could depict Chiyoko running in a realistic -- and ''elegant'' -- manner.
* IWantMyBelovedToBeHappy: Genya. In the ShowWithinAShow movies, he (fused with whichever in-universe movie character he happens to be "playing") keeps sacrificing himself, over and over, in order to give Chiyoko (fused with the in-universe movie character she's playing) another chance to pursue the ever-elusive man she loves (fused with LoveInterest of said character). Also, as it turns out, more than three decades before the FramingDevice documentary takes place, Genya [[spoiler: saved Chiyoko's life during an earthquake; thus his role as perennial savior is to some extent justified.]]
* ImperialJapan: The police officer who persecutes Chiyoko is from the ''[[StateSec Kempetai]]'', Imperial Japan's near-equivalent of the ''Gestapo.''
* InLoveWithLove: Chiyoko.
* InterruptedSuicide: Chiyoko, as a princess, in one of her film roles. The demonic spirit who interrupts her suicide and curses her [[spoiler: turns out to be her own self as an old hag.]]
* IWillFindYou: A running theme of the movie.
* JidaiGeki: Many of Chiyoko's old movies; the cameraman points out that Genya is dressed for the wrong era after one scene change.
* LadyOfWar: One of Chiyoko's roles is as a Fujiwara princess during the Heian period. She's also an ActionGirl. See also [[EverythingsBetterWithPrincesses Everything's Better With Princesses]].
* LovingAShadow: Perhaps she loves the chase more than the man.
** Genya for Chiyoko, almost certainly.
* MeaningfulEcho: The movie is saturated with them, some of them verbal, but most of them visual or situational.
* MeaningfulName: Chiyoko's surname is Fujiwara. The Fujiwara clan was a powerful political entity during the Asuka (538-710) and Nara (710-794) periods, and they went on to become the dominant political power in Japan during the Heian era (7941185), freely intermarrying with (and often presiding over) the Imperial House itself. Furthermore, Chiyoko's own name means "Child of a thousand generations" - a thousand {{Reincarnation}}s?
** Genya's surname name is Tachibana. Tachibana was another powerful clan during the Nara and Heian eras.
* MeetCute: See CrashIntoHello. [[spoiler: In some ways a SubvertedTrope, in that it doesn't lead to a real, flesh-and-blood romance -- but see also InLoveWithLove.]]
* MementoMacGuffin: The key.
* MindScrew: A [[SignatureStyle given]] for director Satoshi Kon.
* MoodWhiplash: several, but especially when Chiyoko walks off a movie set into the devastation of firebombed Tokyo.
* NoNameGiven: The mysterious man who gives Chiyoko the key.
* OnlySaneMan: Kyouji Ida (the cameraman).
* TheOjou: Chiyoko is from a well-to-do family that doesn't approve of actresses. Chiyoko doesn't necessarily fit the personality -- although her mother certainly does -- but she has the semi-aristocratic bearing and manners.
** Chiyoko is called "ojou-sama" even before she becomes an actress.
** She plays (or ''is'') a princess in the Fujiwara clan in a movie set the Heian era. See also MeaningfulName.
* PensieveFlashback: Mostly in the form of movie scenes, but we get a few real ones.
* PosthumousCharacter: [[spoiler:The artist Chiyoko loves died in police custody shortly after they met. Neither she nor the audience is aware of his fate until the end of the movie.]]
* TheReveal: A bunch of them. For example, the fate of the man who gave Chiyoko the key.
* SceneryPorn
* ShowWithinAShow: Chiyoko's movies, although they blur with her memories and indeed the "present day" in ''Millennium Actress''.
* SpiritualSuccessor: To ''Anime/PerfectBlue'' (according to WordOfGod, in the interview section of the DVD).
* TimeTravel: Not literally, but the characters do skip around from one era to another -- or at least those time periods as depicted in Chiyoko's films. See also AnachronicOrder and EmpathicEnvironment.
* TomatoInTheMirror: [[spoiler: Rather, the creepy old woman with the spinning wheel in the mirror -- eep.]]
* ThoseTwoActors: Chiyoko and Eiko Shimao, no matter how much the latter hates it.
* TimeCompressionMontage: Combined with GoodTimesMontage to illustrate the heady early days of Chiyoko's career in the gloriously animated "Rickshaw Montage" sequence.
* TrainStationGoodbye: Chiyoko chases that artist to the train station but arrives just as the train departs. [[spoiler: subverted in that he's already dead.]]
* UnrequitedLove: Genya for Chiyoko.
** Perhaps also Otaki for Chiyoko. [[spoiler: Although he does manipulate her into marrying him, for a time -- until she finds his IdiotBall. (On the other hand, there are hints that he views her more as a fine jewel to be collected than as a person to love as an equal.)]]
* WantingIsBetterThanHaving: [[spoiler:Chiyoko's last line is that it's the pursuit of the artist that she truly loves.]]
* WhiteDwarfStarlet: For the most part, an AvertedTrope. Chiyoko wasn't abandoned by the movie business; she abandoned it. Furthermore, she harbors no illusions about returning to her former glory. Moreover, she was never drawn to the glamor of the movie business; she became an actress in hopes to meeting the artist who gave her the key; she stayed an actress after the war to keep food on the table during Japan post-war devastation, and she chose to accept her role as a star because she hoped it would lead to a reunion with the artist who gave her the key. [[spoiler:When she realized she was no longer the girl he had known, she had a FreakOut and quit, because she wanted him to remember her as he had known her. Too bad he was long dead by that time.]]

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