Do We Have This One?
... oh and I am open to title suggestions.
So let's say we have a character who comes across as extremely self-righteous, touting his or her moral standing as above that of most others. Surely someone so self-righteous ought to just be projecting his or her evil onto everyone else, right? Surely if we look closely enough we could find out that this character is a hypocrite of some sort...
No, this character sees himself or herself morally superior because he or she actually IS. Such portrayals do not require the good-does-not-call-itself-good approach either; to the contrary, it requires good to be blunt about it, because Good Is Not Nice
, and if others do not like this Brutal Honesty
, it must be because the moral fallings of others reduce their appreciation for it
Basically, the Rightly Self Righteous are to morality as the Insufferable Genius
is to intelligence.
Truth in Television
, but it might be an idea to focus on fictional examples for now.
If there's a race who hold this trait, it's Can't Argue with Elves
. Compare Well, Excuse Me, Princess!
. Multiple Closer to Earth
relationships are conveyed this way. They are often snarky, condescending and in some cases outright abusive to their spouse, all while usually completely convinced they are patient and enduring people, though it's very often justified by the latter's completely imbecilic behavior proving their downfall as they so accurately predicted.
Can sometimes lean as a Designated Hero
if their pompousness becomes truly insufferable, or even does
have hypocritical shades that usually go unnoticed. Can also overlap into Jerkass Has a Point
In most cases, no matter how consistent they are to this trope, you can expect them to fall off their high horse at least once
. After all there's only so long stories can go without Breaking The Haughty
Contrast Small Name, Big Ego
, Know-Nothing Know-It-All
for characters who similarly believe they are a bastion of goodness, but are usually just full of hot air (naturally it is possible for examples to merge into these cases however, especially if they are badly written).
- Misty of early episodes of the Pokémon was often haughty, belittling and temperamental to Ash, however since the latter was an arrogant newcomer who wrecked her bike, she was often proven right to question his competence as a trainer. Occasional Days In The Limelight knocked her off her pedestal however, especially as Ash became less of an Idiot Hero.
- Lancelot in Camelot (1967). He is insufferably arrogant about his purity (as shown in his I Am Song "C'est Moi" below), but he really is that pure: his prayer to raise a slain knight from the dead is granted.
The soul of a knight should be a thing remarkable, his heart and his mind as pure as morning dew. With a will and a self-restraint that's the envy of ev'ry saint, he could easily work a miracle or two
. To love and desire he ought to be unsparkable, the ways of the flesh should offer no allure. But where in the world, is there in the world a man so untouched and pure? C'est moi!
- Mary Poppins qualifies, I think. She is, "practically perfect in every way". The film version of Mary is even nicer then the novel version.
[Mary Poppins measures herself with her tape measure and reads what it says]
Mary Poppins: As I expected. "Mary Poppins, practically perfect in every way."
- Carla of Scrubs who can be demanding, belittling and short fused, especially to her boyfriend, Turk, but this is usually represented as mandatory given he and most of the other staff at Sacred Hearts hospital are deranged overgrown children in charge of the serious ill. This can border a somewhat erroneous case at times, to the point that if it weren't for a random bout of Compressed Vices to destroy Turk's argument, Carla would arguably lean more as a Never My Fault Control Freak.
- Nearly everyone in the Inquisition of Warhammer 40K is, by today's standards, a raging fundamentalist convinced of the righteousness of his/her path and would rather burn entire worlds than see them fall to heresy. The thing is, they're right: death is much preferable to falling victim to Chaos (and more to the point, corpses can't serve Chaos). Inverted, however, in that there are those desperate enough to use the weapons of Chaos against it (psykers, Demonic Possession) which are shunned by the hpart of the Inquisition that thinks it heretical. So in between the petty infighting and Inquisitors going rogue every other week, the only thing preventing Chaos from taking over is that they're just as disorganized and prone to getting in each other's way.
- Princess Sally Acorn of Sonic the Hedgehog medias was originally portrayed as such, somewhat pompous and condescending to Sonic's attitude and acting as a rivalistic By-the-Book Cop. In most cases however her strategy is proven to be right and has to bail Sonic out of a stunt gone wrong. In later medias she is more mellowed out, though still has shades of this due to being a snarky Straight Man.
- Sonic himself often has shades of this when lacking Sally as a foil. Rivals such as Knuckles and Antoine are quick to point out his egotism and recklessness, and are often driven crazy by his mockery of them, but usually end up outshone due to his Ace level stealth, power and competence.
- Lisa Simpson of The Simpsons is a neurotic Soapbox Sadie who constantly looks down at her family and the civilians that surround her. Of course since she is child prodigy and rare bastion of virtue, while her family is biologically retarded and Springfield genuinely is a Crapsack World, she is often proved to be justified. There are times however, her pompousness costs her or she is made to admit she is Not So Different.
- Duck from Thomas the Tank Engine boasts about his Great Western heritage, much to the annoyance of the rude and arrogant engines like Gordon, Henry, and James. However, as he puts it, "The Great Western Way" implicates that he's a reliable engine who works hard and gets the job done without any complaints.
- Some other engines are occasionally conveyed this way, eg. Fergus, Toby, Donald and Douglas. They can often be smug and heckling to the other engines, but are competent hard workers and usually any attempts to ignore or belittle them only led to a karmic accident or humiliation. Usually avoided in later episodes, where each engine gets their shortcomings and arrogant moments spotlighted equally, with most of said characters being put Out of Focus or altered completely personality wise (Toby, far from this role, is now a Shrinking Violet who usually underestimates his worth).
- Played with for Twilight Sparkle and Applejack in My Little Pony: Friendship Is Magic. While they are often The Straight Man, and rather openly aware of it, the instances they start to get rather arrogant about it are usually a sign they'll prove to be Not so Above It All.
- Hayley of American Dad! despite being created as a hypocritical left wing foil to Stan, often proves to have a far less destructive zeal and usually takes the role of the family's Straight Man.
- For that matter, it's not rare to see the female leads of most of Seth Macfarlene's works to be portrayed as such, to the point of outright Jerkass Designated Hero territory. Lois Griffin of Family Guy and Donna of The Cleveland Show are prime examples.
- Kyle of South Park has an overly preachy and temperamental attitude and his hatred of Cartman reaches obsessively petty and borderline Knight Templar territory. Most of the time however, Cartman, and to an extent the whole town is completely immoral and deluded enough to earn Kyle's contempt and the majority of time things go haywire as a result of ignoring or hindering him.