Follow TV Tropes

Following

Context WesternAnimation / SupermanTheatricalCartoons

Go To

1[[quoteright:298:https://static.tvtropes.org/pmwiki/pub/images/fleischer_superman_8.png]]
2[[caption-width-right:298:"[[CatchPhrase This looks like a job]] ''[[SecretIdentityVocalShift for Superman!]]''"]]
3
4->''"Faster than a speeding bullet!''\
5''More powerful than a locomotive!''\
6''Able to leap tall buildings in a single bound![[note]]alternately, "Able to soar higher than any plane!"[[/note]]''\
7''This amazing stranger from the planet Krypton!''\
8''The Man of Steel! (gong ring) [[Franchise/{{Superman}} SUPERMAN!]]''\
9''Possessing remarkable physical strength[[note]]"The Mechanical Monsters" adds "Empowered with X-ray vision" before that[[/note]], Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter Clark Kent."''
10-->-- The opening narration
11
12From the studio that brought you such classics as WesternAnimation/BettyBoop and ComicStrip/{{Popeye}}, [[Creator/MaxAndDaveFleischer Fleischer Studios]] played a major role in cementing [[ComicBook/{{Superman}} the Man of Steel]] as a pop culture icon by means of these lavishly animated, massive budget short subjects which served to bring Superman to the big screen, from MediaNotes/TheGoldenAgeOfAnimation. These cartoons were a big deal back in the '40s -- the first short, "WesternAnimation/TheMadScientist", was nominated for the 1942 MediaNotes/AcademyAward (losing to a [[WesternAnimation/ClassicDisneyShorts Disney]] [[WesternAnimation/PlutoThePup Pluto short]], ''WesternAnimation/LendAPaw''). These shorts were among the first cartoons that were made for genuine action and drama, rather than crude comedy, which was part of what contributed to their success. Paramount in fact had such confidence in the shorts being a hit, they even had '''trailers''' made for them -- yes, that's right, trailers for ''short cartoons.'' Try to wrap your head around that.
13
14The Fleischer Brothers, Max and Dave, had to make similar mental gymnastics themselves at the beginning when they were approached by Paramount to make this series. Already stretched from [[WesternAnimation/GulliversTravels their ill-fated]] [[WesternAnimation/MrBugGoesToTown feature film projects]] and the terrible falling out between them, they were in no mood to take on this project, which presented considerable demands for a more realistic style. So, Dave tried to scare off Paramount by saying they would need around $100,000 per short, an astronomical figure considering Creator/{{Disney}}'s shorts, the most expensive shorts to produce at the time, cost on average $25,000 per short. To his shock, Paramount negotiated it down to $50,000 per short (equal to around $918,000 in 2019 dollars) and the Fleischers just could not turn down money like that, making the ''Superman'' cartoons possibly the most expensive (adjusted for inflation) animated short series in Hollywood history. And boy, [[EyeCandy does it show in the art]].
15
16On top of that, this was the series that turned Superman into a FlyingBrick. To elaborate, at the time Superman's aerial abilities were limited to literally "Leaping Tall Buildings InASingleBound," and the Fleischers intended to adhere to this, but they couldn't animate it without it looking stupid and awkward[[note]]The only short where they tried to do this was in "The Arctic Giant", and it's about as ridiculous looking as you'd expect[[/note]]. They copped out and just gave him flight, and hence an archetype was born.
17
18On a side note, only the first nine shorts were made by [[Creator/MaxAndDaveFleischer Fleischer Studios]], with the other eight being handled by Creator/FamousStudios, their successor. Alas, the basic American economics of the ShortFilm format in MediaNotes/TheGoldenAgeOfHollywood, where such films earned a set fee for screenings regardless of audience interest, couldn't sustain the series and it ended as simply too expensive.
19
20On another note, in the late forties, Columbia Pictures made an unrelated live-action series of Superman serials, which featured Supes [[RogerRabbitEffect turning into an animated version of himself]] whenever he flew, reportedly due to budget constraints.
21
22These cartoons were also a huge influence on the Franchise/DCAnimatedUniverse as a whole, as well as filmmakers like Creator/HayaoMiyazaki.
23
24To date, all 17 of the cartoons have fallen into the PublicDomain and are all free to view on the internet. For your convenience, links have been provided below in the filmography. Despite their public domain status, from 1969-96, these cartoons were technically the earliest-released color cartoons in the Creator/WarnerBros library (WB and DC Comics having merged in 1969), as WB had sold the color ''[[WesternAnimation/LooneyTunes Looney Tunes and Merrie Melodies]]'' they released prior to August 1948 to Associated Artists Productions (a.a.p., who also bought a Paramount cartoon series of their own, ''Popeye'') in 1956 (including a 1943 Bugs Bunny cartoon that spoofed the Paramount ''Superman'' cartoons), these cartoons were owned by Creator/UnitedArtists at the time WB and DC became co-owned, and later passed to Creator/MetroGoldwynMayer and Turner Entertainment, which merged with WB in 1996.
25
26Paramount returned to involvement in the ''Superman'' franchise first in 1972, when it produced an episode of the animated TV series ''WesternAnimation/TheBradyKids'' (a spin-off of ''Series/TheBradyBunch'') that featured Superman, then again in 1995, when the acquisition of the studio by [[Creator/ParamountGlobal Viacom]] gave Paramount the US TV rights to three of the Christopher Reeve ''Superman'' films - ''Film/SupermanIII'', ''Film/Supergirl1984'', and ''Film/SupermanIVTheQuestForPeace'' - along with US TV rights to the ''Series/TheAdventuresOfSuperboy'' TV series. The former two films are now fully owned by WB, while Paramount continues to own US TV rights to ''The Quest for Peace'' as it was a co-production of Creator/TheCannonGroup, whose films were distributed on US TV by Viacom and later Paramount, while Creator/{{CBS}} Media Ventures owns the US TV rights to ''The Adventures of Superboy''. Coincidentally, when Creator/TheCW aired the later ''[[Series/Supergirl2015 Supergirl]]'' TV show, it was a joint venture of CBS and WB.
27
28Creator/{{Paramount}} would later co-produce with Creator/DCComics both [[Film/{{Watchmen}} the film]] and [[Series/Watchmen2019 the series]] of ''ComicBook/{{Watchmen}}''.
29
30A comic tie-in to ''Series/CrisisOnInfiniteEarths2019'' established this series as a part of the ''Franchise/{{Arrowverse}}'', designation Earth-F.
31----
32[[folder: Fleischer/Famous Superman Filmography]]
33[[index]]
34* "[[WesternAnimation/TheMadScientist The Mad Scientist]]": September 26, 1941
35* "[[WesternAnimation/TheMechanicalMonsters The Mechanical Monsters]]": November 28, 1941
36* [[https://www.youtube.com/watch?v=_TYxALvELBo Billion Dollar Limited]]: January 9, 1942
37* [[https://www.youtube.com/watch?v=D3a9dNqqq-E The Arctic Giant]]: Feb 27, 1942
38* [[https://www.youtube.com/watch?v=kDcSJD7w5gU The Bulleteers]]: March 27, 1942
39* [[https://www.youtube.com/watch?v=bU16YFt6-jo The Magnetic Telescope]]: April 24, 1942
40* [[https://www.youtube.com/watch?v=st9UIZt9qZk Electric Earthquake]]: May 15, 1942
41* [[https://www.youtube.com/watch?v=SMpqjCSO9yI Volcano]]: July 10, 1942
42* [[https://www.youtube.com/watch?v=TrNYK7EWUHM Terror on the Midway]]: August 28, 1942
43* [[https://youtu.be/0E0ss_jeAeg Japoteurs]]: September 18, 1942
44* [[https://www.youtube.com/watch?v=OLVOAgXX_b0 Showdown]]: October 16, 1942
45* [[https://www.youtube.com/watch?v=3fGF0ZGlggw Eleventh Hour]]: November 20, 1942
46* [[https://www.youtube.com/watch?v=cWNJFJR41aE Destruction Inc.]]: December 25, 1942
47* [[https://www.youtube.com/watch?v=DsD8fm_XRdo The Mummy Strikes]]: February 19, 1943
48* [[https://www.youtube.com/watch?v=squbp0WXWto Jungle Drums]]: March 26, 1943
49* [[https://www.youtube.com/watch?v=D9uvXnWkCvQ The Underground World]]: June 18, 1943
50* [[https://www.youtube.com/watch?v=Tc7GO6vOjOk Secret Agent]]: July 30, 1943
51[[/index]]
52[[/folder]]
53----
54!! Tropes Employed In This Series Include:
55* AccidentNotMurder: In "The Mummy Strikes", when an archeologist is found dead from poison, it is believed he was killed by his assistant, even though she was the one who found him dead. Turns out that he had died due to triggering a poison needle booby trap inside a sarcophagus.
56* AdaptationalBadass: This series of cinematic shorts is where Superman gained his powers of Flight and X-Ray Vision from.
57** The flight was created specifically because Superman leaping over tall buildings in a single bound looks a little silly in motion. The one short where he actually does this, “The Arctic Giant”, kind of shows this to be true.
58* AffectionateParody: The WesternAnimation/BugsBunny short "Super-Rabbit" by Creator/ChuckJones, as well as the WesternAnimation/PrivateSnafu short "Snafuperman," which even features a brief snippet of the theme song.
59* AirborneAircraftCarrier: The [[SuperPrototype prototype Giant Bomber]] in "Japoteurs" is shown to also be one of these.
60* AlternateSelf: Given how this universe was included in the tie-in for the Franchise/{{Arrowverse}}'s ''Series/{{Crisis On Infinite Earths|2019}}'', Superman, Lois, and Perry White all have counterparts in its multiverse, most noticeably on [[Series/Supergirl2015 Earth-Prime]], [[Film/SupermanTheMovie Earth-96]], [[Series/{{Smallville}} Earth-167]] and two [[Film/ManOfSteel undesignated]] [[Series/SupermanAndLois Earths]].
61* AnimalsNotToScale:
62** The eponymous dinosaur from "The Arctic Giant" is {{Kaiju}}-sized, far larger than any actual dinosaur species.
63** Gigantic, the gorilla from "Terror on the Midway", is a lot larger than real-life gorillas, towering over the humans in the circus.
64* AnimationBump: The whole series held no punches when it came to flaunting its huge budget, and the action scenes really pushed the Fleischer animators to their limits.
65* AntiVillain: The Native American in "The Electric Earthquake" counts as this as unlike the previous villains, he only wants to reclaim his people's land given the terrible history regarding their interactions with the Europeans. Though this becomes Subverted in that what he demanded was all of Manhattan Island.
66* ArtEvolution: Compare Lois' design in [[https://www.youtube.com/watch?v=ZAjCyN5ruFA#t=178s the first short]] to her in [[https://www.youtube.com/watch?v=Mb8iYqIVBzQ&feature=player_detailpage#t=208s the second]].
67* ArtisticLicensePaleontology: ''The Arctic Giant'' has this in spades with the alleged “Tyrannosaurus” found in Siberia with its display listing its age at around 3400 B.C. which... anyone with even basic paleontological knowledge will tell you is preposterous. Never mind how the T-Rex looks nothing like the real deal.
68* AsideGlance: The wink Supes gave to the audience OnceAnEpisode.
69* AttackOfThe50FootWhatever: "The Arctic Giant."
70* BackForTheDead: The Walmart-exclusive tie-in comic to the Franchise/{{Arrowverse}}'s ''Crisis on Infinite Earths'' has [[https://pbs.twimg.com/media/ELIZwdAU8AAREOG?format=jpg&name=medium Pariah getting to this world to warn them of the wave of antimatter, only for him to be too late.]] (Although from a comics-only perspective, he wasn't "back" at all, as this was the first time any version of [[Series/TheFlash2014 Harrison Wells]] had appeared in that medium.)
71* BeneathTheEarth: "The Underground World."
72* BetterManhandleTheMurderWeapon: In "The Mummy Strikes", an Egyptologist is killed by a tomb's poisoned needle booby trap. His assistant picks up the needle he had been holding and gets her fingerprints on it, [[EasilyCondemned so she is naturally arrested for it]]. Fortunately, Clark Kent and a professor find the booby trap and manage to clear her name.
73* {{BFG}}: The super laser cannon used in "The Mad Scientist".
74* BigApplesauce: At least one of the shorts, "The Electric Earthquake," takes place in New York instead of Metropolis.
75* BigElectricSwitch: "The Arctic Giant". After the generator malfunctions, two knife switches are pulled out to turn it off.
76* BiggerOnTheInside: Close examination of the villain's underwater lair in "Electric Earthquake" shows that it's only a few times larger than the elevator used to reach it in exterior shots but cavernous in interior shots.
77* BirdPeople: The inhabitants of "The Underground World"
78* BitchInSheepsClothing: Lois is this to Clark when it comes to getting the story before he does. In one case, she drives off just as he's trying to get in her car but he takes the opportunity to change into Superman. In "Volcano," she ''steals his press pass,'' which prevents Clark from being inside the security perimeter when the volcano erupts. Though in "The Mummy Strikes" this habit comes to bite back on Lois as she ends up with both hands injured and heavily bandaged and so unable to do any writing for a while.
79* BoundAndGagged: Lois, several times.
80* BraidsBeadsAndBuckskins: Averted with the villain of "The Electric Earthquake," who dresses in a suit and tie and later a mad scientist's lab coat. His Native American ancestry is only used as an explanation of why he's blowing up the city.
81* BurnTheWitch: This nearly happens to Lois in "Jungle Drums", after she's captured and interrogated by Nazi agents, she refuses to answer their questions, upon which they order her to be tied to a stake and burnt alive. Luckily Superman shows up to rescue her before things get too hot!
82* TheCameo: Hitler himself makes a brief one at the end of "Jungle Drums," angrily switching his radio away from the newsflash of the destruction of his U-boats to a song ("Praise the Lord and Pass the Ammunition" (!)) as he hangs his head in frustration.
83* CatchPhrase
84** "This looks like a job for Superman!" and other variations of it.
85** "Thanks to Superman."
86* CircusEpisode: "Terror on the Midway", where Superman has to save spectators from a [[KillerGorilla ferocious gorilla]].
87* ClarkKenting: This version seemed to favor the idea that Clark was the "real" personality and Superman was a "mask" over forty years before ''ComicBook/TheManOfSteel'' reboot nailed it in place. One way of maintaining this "mask" involved Clark Kent speaking in a higher-pitched voice than Superman. (The voice actor, Bud Collyer, also starred in ''Radio/TheAdventuresOfSuperman'', where this voice change became the only way for listeners to tell Clark and Supes apart.) In "The Magnetic Telescope", Superman even used Lois' confusion to steal a kiss as Clark.
88* ClumsyCopyrightCensorship: Apparently, Warner could only secure one ending clip featuring the Paramount logo. They ended up taking this one clip onto the end of nearly every short on their DVD, creating an abrupt change in music.
89* CollapsingLair: The Mad Scientist's lair, after Superman overloads the cannon.
90* ConvectionSchmonvection: "The Volcano" sees Lois standing right next to a stream of lava (and possibly even ''standing'' on it) with no ill effects.
91* CoolCar:
92** The flying car from "The Bulleteers."
93** The crooks' car in "Billion Dollar Limited" transforms from an average-looking sedan by deploying armored shutters over the windows and a ramming plate on the front that also conveniently conceals the license plate. It's fast enough to pull ahead of the titular train even when [[RunawayTrain it's running like a bat outta hell]], allowing them to repeatedly sabotage the tracks.
94* CoolPlane:
95** The [[UnnecessarilyLargeVessel aptly named Giant Bomber]] in "Japoteurs", which dwarfs its own air traffic control tower and [[AirborneAircraftCarrier has a rapid-fire runway for normal-sized bombers on its back]].
96** The above mentioned Bullet Car also qualifies, at least in flight-mode.
97* CoolTrain: The titular ''Billion Dollar Limited''.
98* CostumeCopycat: "Showdown", which revolves around a gangster having his henchman dress up in a Superman costume and commit crimes. It's a wonder it works at all, since the guy looks nothing like Superman, not to mention he's way too skinny, and of course, has no superpowers.
99* CutLexLuthorACheck: Most of the villains have non-monetary goals or don't use all ''that'' impressive technology, but the inventor villain in "The Mechanical Monsters" invented and built remote-controlled giant mechanical machines... and used them to rob banks, and jewelry stores, etc.
100* DamselInDistress: Lois Lane has a complicated relationship with this trope. Generally speaking, if Lois isn't being BoundAndGagged at the hands of the villains, she's being put in a DeathTrap, menaced by a rampaging monster, or at the mercy of some natural disaster, all so Supes can swoop in and save her. ''However...''
101* DamselOutOfDistress: ...In "Billion Dollar Limited", right after realizing the train's being hijacked, her first instinct is to try and stop the train despite the boiler being left in a pretty dangerous, un-attended state and not being a trained engineer. When the remaining hijackers' open fire on the engineer's cabin, she unhesitatingly picks up one of the fallen guards' Tommy guns and ''fires back''. She then repeatedly sounds the whistle while the train is out of control, which helps alert everyone (including Supes) that the train is in trouble. She only has to be bailed out when the robbers lob a ''bomb'' at her (having previously stayed with the train when ''its bridge was blown up and Supes had to save the whole damned train and get it back on the tracks''). Other shorts, particularly the earlier ones, have her performing similar feats of competency and only really put her in "distress" when she would logically just be completely outclassed as a normal human being.
102** Lois is actually the one who ends up using the titular machine to save the day in ''Magnetic Telescope'' after Superman finds himself powerless against the incoming luminous green comet, hurling the rock back into space. Superman's contribution is using his body to connect damaged power cables so the machinery runs.
103* DarkestAfrica: The setting of "Jungle Drums".
104* DeadHandShot: In "Destruction Inc." and "The Mummy Strikes".
105* DefiantCaptive: Despite her frequent distress, Lois always manages to seem self-possessed and/or defiant until the last moment, when it really looks (to her) like this time she's not going to make it. (Superman has a tendency to arrive JustInTime.)
106* DeadpanSnarker: Maybe the earliest instance of Clark usually having a smart answer for each of Lois' jabs.
107* DeadUnicornTrope: The "cliche" of Clark turning into Superman in a phone booth is based primarily on TWO of these cartoons: "The Mechanical Monsters" and "Bulleteers". In the first cartoon, Clark is with Lois when he ducks into a phone booth to...[[UnbuiltTrope call in the story to the Daily Planet.]] While he's on the phone, Lois sneaks away to investigate the story further. Clark finishes the call, steps out, sees Lois is missing, and only then goes back into the booth to change into Superman. In "Bulleteers", Clark changes in the phone booth for no apparent reason, helping to solidify in the public's mind that this is how he "always" changes into Supes. The earliest known comic where he does this was in a newspaper strip that came out later the same year as "Bulleteers". In that strip, Clark even [[LampshadeHanging thinks to himself]] [[{{Deconstruction}} that this is a fairly uncomfortable place to change clothes in]] [[JustifiedTrope and that he's doing it here only because he's in a hurry.]]
108* DeusExMachina: Superman himself. In nearly all of the shorts save "Eleventh Hour", he doesn't pop up until more than halfway through the cartoons, acting on the established threats.
109* DigitalDestruction:
110** Warner's DVD compilation has superb restorations of the cartoons, with no DVNR damage or digital interlacing; however, it does include some jarring auditory changes, such as missing sound effects from the opening credits of "Electric Earthquake" and "The Magnetic Telescope", and a jump in the prologue of the first short.
111** Their Blu-ray release uses DVNR to the point where linework is obscured along with the previously established audio issues.
112* DisneyVillainDeath: One of the Nazi henchmen in "Jungle Drums" gets killed while grappling with Superman atop the AntiAir gun they've disguised as a large stone idol. He takes a leap at Superman but accidentally goes over the edge and plunges to his death. We don't see the impact, but we do see his hand bounce to a stop.
113* DoesThisRemindYouOfAnything: The Nazis' robes in "Jungle Drums" are ''very'' reminiscent of the ones worn by the KKK. Very fitting all things considered.
114* DressingAsTheEnemy: Done by Lois in "Jungle Drums" where she steals the robe of a dead Nazi agent in order to use the Nazi base's radio to warn the Allies of a planned submarine attack. [[spoiler: This fails when the Nazi commander spots Lois's high heels under the hem of her robe.]]
115* EarlyAdaptationWeirdness: With this being the second earliest adaptation of ''Franchise/{{Superman}}'' (coming just a year after ''Radio/TheAdventuresOfSuperman''), it contains a lot of stuff that modern day viewers familiar with the current Superman might find weird. This incarnation of Clark was raised in an orphanage without his adopted parents around, and he doesn't fight any supervillains barring the occasional mad scientist who has no connection to Lex Luthor. Kryptonite is completely absent (it hadn't even been created yet!), as are pretty much all notable characters except Lois Lane and Perry White. Also, Superman's power is a lot lower than what it would become in later installments; his enhanced senses, EyeBeams, and freeze breath are absent, and in one short, Superman gets around by jumping, not flying. Superman gained his flight specifically because it was easier to draw and it was later [[RetCanon added onto the comics]].
116* EarthquakeMachine: The plot of "Electric Earthquake", natch
117* EarthquakesCauseFissures: From the short "Electric Earthquake."
118* EarthShatteringKaboom: The way Krypton gets destroyed in this series.
119* ElixirOfLife: One is recreated in "The Mummy Strikes" by Dr. Jordan as part of his Egyptian research. The giant guards of King Tush were inoculated with the elixir, but the doctor was killed via a poison needle trap before they could properly resurrect.
120* EscapedAnimalRampage: "Terror On The Midway" features Superman attempting to stop the chaos created by several circus animals, including a giant ape, escaping their cages and restraints. The "Arctic Giant" involves Superman trying to subdue a ''Tyrannosaurus rex'' that was frozen in ice until it melted, and starts rampaging in the city.
121* EveryoneCallsHimBarkeep: The mad scientist from the first short is known by everyone in Metropolis as... the mad scientist. [[NoNameGiven He doesn't seem to have a name]].
122* EvilKnockoff: The villain of "Showdown", although he's just a non-powered thief using a Superman costume to catch people off guard.
123* EvolvingCredits: The opening speech quoted above underwent a revision after Superman developed flying powers.
124-->Faster than a speeding bullet! More powerful than a locomotive! Able to soar higher than any plane! This amazing stranger from the planet Krypton...
125** It then evolved to the point where Superman's powers are compared to the ''forces of nature''!
126--->Faster than a streak of lightning! More powerful than the pounding surf! Mightier than the roaring hurricane!
127* ExactWords: In "The Mummy Strikes", the tomb of King Tush contained a plaque bearing this warning: ''He Who Disturbs The Eternal Rest of King Tush Must Perish''. The entire tomb had been disassembled and brought all the way to the United States, then reassembled in a museum, and even the sarcophagus of the pharaoh's bodyguards had been opened, and the mummies within injected with an experimental serum, to seemingly no ill effect, other than one man dying from a non-magical trap. It wasn't until King Tush's ''actual sarcophagus'' was actually opened that the curse took effect.
128* ExactlyWhatItSaysOnTheTin: Pretty much all of the names of each short.
129* {{Expy}}:
130** "Showdown" has a cameo by a Daily Planet office boy who is clearly supposed to resemble ComicBook/JimmyOlsen, but he is never named in the cartoon. It's possible Paramount didn't have the rights to the character at that point but wanted to incorporate him into the cartoons somehow, leading to this character. He never appears again after that scene or in any of the later entries.
131** The villains of “The Mad Scientist”, “The Mechanical Monsters,” and “The Magnetic Telescope” each have a passing resemblance or narrative similarity to the Ultra Humanite, Toyman, and Lex Luthor respectively.
132** The unnamed female spy in the very final cartoon, "Secret Agent", clearly was Lois Lane's character design, just colored into a blonde and the voice actress added a foreign accent, and her narrative situation is also identical to Lois.
133* EyesAlwaysShut: Clark seems to have his eyes closed much of the time, like his [[http://www.supermanhomepage.com/multimedia/Wallpaper-Images/golden-age1.jpg golden age counterpart at the early days]] and [[ComicBook/{{Shazam}} Captain Marvel]].
134* FaceDeathWithDignity: In "The Underground World", Lois and Dr. Henderson were ready to accept their fates, thinking Superman might not show up.
135* FaceOfAThug: All of the robbers in "Billion Dollar Limited". They all look like an unshaven [[https://en.wikipedia.org/wiki/Vinnie_Jones Vinnie Jones]].
136* FiveRoundsRapid: The cops in "The Mechanical Monsters."
137* FlamingMeteor: In the opening of 'The Magnetic Telescope', a meteor is dragged towards Earth, soars through the atmosphere, and rolls through Metropolis as a red-hot solid ball of rock - so hot, in fact, that it lights a port authority building on fire just by rolling over it while simultaneously [[ConvectionSchmonvection rolling past dozens of other buildings with no effect]].
138* ForScience: The motivation behind the scientist from "The Magnetic Telescope," who was willing to risk human lives for his experiments.
139* FriendlyRival: Lois and Clark. Lois always tries to get a story before Clark gets it, or without him.
140* GodGuise: It's heavily implied that the Nazi commander and his men are posing as gods to the African tribe serving them in "Jungle Drums", although not stated outright.
141** In the backstory for "The Underground World", Prof. Henderson explains that his father disappeared years ago while exploring the titular caverns. Later, when Clark and Lois visit the caverns a statue of Henderson Sr. can be seen towering over the tribal (and visibly non-human) inhabitants. However, it's averted when it turns out ''that's not a statue at all'', Henderson Sr. had been murdered by the creatures by being submerged in molten metal, with his body kept on display, and both Prof. Henderson and Lois are next.
142* GoneHorriblyRight: In "The Magnetic Telescope," you'd think that the professor's counter-warning to the police that any attempt to interfere with his experiments with comets would be disastrous was more of a threat than an honest warning. [[VillainHasAPoint It turns out he had a point all along]] ''after'' the police sabotage his machine, as he soon loses control of his magnet after pulling a comet into the Earth and is unable to send it away from Earth. Disaster ensues.
143* GoingForTheBigScoop: Lois, ''always''.
144* GratuitousAnimalSidekick: The titular scientist's crow... vulture... [[ViewerSpeciesConfusion thing]] in "The Mad Scientist"
145* TheGreatestStoryNeverTold: After Lois submits her article about the events of "The Underground World", Perry White tells her and Clark that their readers would find it too unbelievable, and burns it.
146* {{Hammerspace}}: Subtly subverted in "Showdown". Initially, it's unclear where the spandex-clad impostor is carrying the stolen jewels (and [[ShootingSuperman the gun that he pulls on the real Superman]]), but after losing his cape, he can be clearly seen to be wearing a hip-satchel.
147* {{Handwave}}: In "Showdown", the short excuse the imposter Superman's pretty obvious disguise by not letting anyone get a good look at his face (though this doesn't explain why nobody notices that "Superman" is scrawnier than usual or that he's not using his superpowers).
148* HarmlessFreezing: In "The Arctic Giant" a ''Tyrannosaurus rex'' frozen for millions of years is accidentally thawed out and goes on a rampage.
149* HeroicMime: Not as Clark Kent, but Superman doesn't seem to talk when he's on the job. Until "The Arctic Giant", that is. That said, even in the majority of the shorts after that he remains silent most of the time (aside from the "Arctic Giant," the only other shorts where he speaks are "The Magnetic Telescope," "Japoteurs," "Destruction, Inc.," and "Jungle Drums.")
150** Technically speaking, Superman does speak in very short:
151--> '''Clark Kent:''' This looks like a job...
152--> '''Superman:''' [[PowerMakesYourVoiceDeep For Superman.]]
153* HoistHeroOverHead:
154** In "Terror on the Midway", the killer gorilla lifted Superman over its head and threw him into the fire.
155** In "The Mummy Strikes", a mummy lifts Clark Kent and hurls him into a sarcophagus. Later, Superman lifts one of the mummies and hurls him into the others.
156* ImmuneToBullets:
157** "The Mechanical Monsters" has the introduction newspaper implies that significant measures to stop the mechanical monsters, but it only amounts to a large number of guards using automatic rifles. The bullets simply bounce off the armor, and the robot simply walks into the building as if there's no opposition. These robots are still destructible (as demonstrated by Superman fighting them).
158** The Arctic Giant. Bullets were the first thing used on it, and they ricochet off the front. Instead, the creature is entangled by more mundane means.
159* InformedSpecies: "The Arctic Giant" is labeled in the museum as being a ''Tyrannosaurus rex'', but it looks more like a {{Notzilla}} than any real dinosaur, is stated to be [[MisplacedWildlife native to Siberia]], and at the end, we see that [[VegetarianCarnivore it's eating hay]] at the zoo.
160* InvincibleHero: Admittedly, the characterization is pretty shallow and the conflicts are ''very'' one-sided. Still, the villains are shown to be ruthless and unstoppable before Superman jumps in, and there is a real sense of wonder about his fantastic abilities. So, the final analysis? Heroic, yes. Invincible, yes. Boring, '''''[[ShowyInvincibleHero hell, no]].'''''
161** Subverted several times throughout the series, as the series shows that for all of his power, there are some things even Superman can't fight namely the forces of nature itself. In "Volcano" and "The Magnetic Telescope", Superman's powers are largely ineffective against the volcano and the meteor, both being problems he can't simply punch into submission. Instead, he has to use his brain and rely on science to save the day. There are even some mundane weaknesses demonstrated, like in "Billion Dollar Limited" when the train robbers briefly knock him out with some kind of gas bombs.
162* JungleDrums: Right there in the title of "Jungle Drums".
163* {{Kaiju}}: What the "dinosaur" from ''The Arctic Giant'' would actually be today. It even looks a lot like Franchise/{{Godzilla}}, making this OlderThanTheyThink.
164* KangarooCourt: In "The Mummy Strikes", an assistant to a killed archaeologist goes through this when she's immediately found guilty of poisoning him based solely on her fingerprints being on the needle believed to be the murder weapon, not even letting her explain that she had found it beside the body and picked it up, or examining the needle to see if it held poison.
165* KillerGorilla: The plot of "Terror on the Midway" is kicked off by one accidentally getting released in the circus. Its tamer was nowhere to be found.
166* KillerRobot: The eponymous machines from "The Mechanical Monsters." Not only are they ImmuneToBullets and have SuperStrength, but they also have ''flamethrowers'' on their heads.
167* KingKongCopy: Gigantic, the gorilla from "Terror on the Midway", is similar in size to Kong, going on an EscapedAnimalRampage after escaping his circus cage.
168* KryptoniteFactor: While never named outright, Superman finds himself powerless against the comet in "Magnetic Telescope", which constantly emits a SicklyGreenGlow and hurls Superman back to Earth unconscious every time he attempts to attack it directly, strongly implying that the comet is made of the trope-naming mineral--or, at least, a precursor thereof (considering Kryptonite as we now know it was not created until the radio show a year later and didn't appear in the comics until seven years later).
169* LavaPit: Or rather, molten lead pit.
170* {{Leitmotif}}
171* MalevolentMaskedMen: The train robbers from "Billion Dollar Limited". They're shown briefly unmasked just before they begin the heist.
172* MaybeMagicMaybeMundane: "Mundane" is a relative concept here, since it involves an ElixirOfLife, but in "The Mummy Strikes", the mummified bodyguards of Pharaoh Tush swore an oath 3.000 years ago to protect their lord, both in life and in death. In modern-day, Dr. Jordan tried to bring them back to life using an elixir, which he had found in the tomb, but this failed, and Jordan himself died from a poisoned needle hidden in the sarcophagus of Pharaoh Tush. When the sarcophagus is opened, and the needle trap is discovered by Clark Kent and the curator, a light begins to glow from an amulet worn by the mummy within, and the dead bodyguards do indeed return to life.
173* MickeyMousing: A laser shoots Supes along to the background music in one of the shorts.
174* MonsterInTheIce: In ''The Arctic Giant'', a ''Tyrannosaurus rex'' is thawed out of a block of ice and goes on a rampage. Of course, this being the [=40s=], it looks more like Franchise/{{Godzilla}} than an actual ''T. rex''. Though it averts being a {{Notzilla}} by predating the {{Kaiju}} by 14 years, making for a case of OlderThanTheyThink.
175* MsFanservice: Lois Lane, per usual. A particularly noteworthy highlight is her [[SexyBacklessOutfit opera dress]] in the episode "Showdown."
176* MySuitIsAlsoSuper: Superman's cape can redirect the flow of molten lead without even getting singed. Justified in that it actually DID have this ability in the Golden Age of Comics, an early comic shows that the fabric in Superman's spaceship was used to make his costume, and was almost as indestructible as him.
177* [[NiceJobBreakingItHero Nice Job Breaking It, Hero!]]: In "The Magnetic Telescope," the police destroy the generator powering the eponymous telescope, just as it's pulling in a massive comet through the atmosphere.
178* NoCelebritiesWereHarmed: Lois bears more than a passing resemblance to Rosalind Russell's "Hildy Johnson" in ''Film/HisGirlFriday'' (1940).
179* NonMaliciousMonster: The Arctic Giant, which goes on a rampage, only because it was scared and confused after being woken from its deep freeze.
180** In a looser sense the gigantic mummified guards in "The Mummy Strikes" were merely acting upon their UndyingLoyalty to protect King Tush. They had only just come back to life after 3000 years and it was the late Dr. Jordan who revived them.
181* {{Notzilla}}: "The Arctic Giant" manages to give us a Notzilla about a decade before the real one shows up! The titular Giant is described in-cartoon as a ''T. Rex'', but it [[https://s3.amazonaws.com/intanibase/iad_screenshots/1942/3303/11.jpg stands as tall as a building and has fins down its back.]] Fleischer Studios was huge in Japan (with Creator/OsamuTezuka considering them an inspiration) so perhaps Creator/EijiTsuburaya had a memory of seeing this...
182* OhCrap:
183** When the boss from "Showdown" discovers that the Superman he's talking to isn't his mook in disguise, but the ''real'' one.
184** The mad scientist from "The Mad Scientist" has one when he sees Superman shrugging his laser off at full power.
185--> ''[[ThisCannotBe I don't believe it! He isn't human!]]''
186** Lois's reaction in "The Underground World," is when she realizes what the birdmen creatures [[TakenForGranite did to the professor's missing father]], and that they're intending her and the professor to share his fate.
187** Her reaction in "Terror on the Midway", is when she sees Gigantic the gorilla coming towards a little girl, causing her to drop her camera in shock.
188* PaperThinDisguise: One of the villains from "Showdown" impersonates Superman at the behest of his boss. Thing is, aside from obviously not having any powers, the henchman looks ''nothing'' like Superman, he's not even muscular.
189* PetTheDog: The Arctic Giant, after its rampage is stopped, is put into a wildlife reserve. After all, it only went berserk because it was scared and confused.
190* PoliticallyIncorrectVillain: The Nazi commander in "Jungle Drums" makes it clear that he despises the natives who are his allies. TruthInTelevision of course, because, well, [[ThoseWackyNazis Nazi]].
191* PublicDomainAnimation: All 17 of the cartoons. After Paramount's contract for the character expired, the rights to the cartoons reverted to ''Superman'' rights-holder National Comics (now Creator/DCComics), which was a common practice by the publisher to retain maximum creative control of their property. When the time came for copyright renewals, National somehow neglected to renew all of the cartoons' copyrights, and all of the cartoons went public domain as a direct result.
192* RecycledSoundtrack: In "The Mummy Strikes" during Dr. Wilson's recounting of the hieroglyphics detailing the legend of Pharaoh Tush, music from ''WesternAnimation/PopeyeTheSailorMeetsAliBabasFortyThieves'' is played.
193* RemovingTheRival: In "Volcano", Lois steals Clark's pass to go investigating the eponymous volcano alone [[GloryHound and get sole credit for the story]]. Clark finds out at the end but doesn't seem to hold it against her.
194* RetCanon: Superman's ability to fly and X-Ray vision came from these cartoons.
195* {{Rotoscoping}}: Used to make the bulk of the animation. Interestingly, according to the book "Hollywood Cartoons", some of the animations weren't rotoscoped and were drawn freehand by the animators themselves!
196* RuleOfCool: Superman easily repels a deadly laser beam in the first short, then proceeds to ''punch'' said laser beam. ''Repeatedly''.
197* RunawayTrain: "Billion Dollar Limited"
198* SceneryPorn: A lot of art deco backgrounds.
199* SciFiWritersHaveNoSenseOfScale: The scientist in "The Magnetic Telescope" claims that he will bring the comet he is going to study to within a mile of the Earth's surface. Normal airliner planes travel at 7 times that altitude. Plus, the comet itself is wildly inconsistent for the sake of drama. A later scene shows an astronomical body being destroyed by the comet, which would only be possible if the comet was bigger than Earth, or there was a satellite in orbit, which there wasn't in 1942. Even later still, the comet is shown to be only about 3 times as large as the observatory that pulled it in, much like the asteroid that the scientist pulled in at the start of the short.
200* SchizoTech: It's the 1940s, but somehow there are still robots, laser guns, earthquake machines and another tech around that'd be difficult to make ''today'', much less a near-century ago.
201* ShootingSuperman: In "Billion Dollar Limited."
202** Also attempted by the impostor Superman in "Showdown"
203* ShotAtDawn: Threatened by the Japanese on Lois in "Eleventh Hour" if one more act of superpowered sabotage takes place. Luckily, Superman rescues her just as the firing squad opens fire.
204* ShoutOut: Whether or not it's intentional, the scientist in "The Magnetic Telescope" resembles [[ComicBook/{{Shazam}} Captain Marvel's]] nemesis Dr. Sivana. And to a lesser degree, to [[ComicBook/LexLuthor that bald mad scientist that causes trouble for Metropolis]]...or, going back ''further still'', the prototype for Lex Luthor, the [[EvilCripple Ultra-Humanite]].
205* SilenceIsGolden: These shorts used dialogue very sparingly. Superman's stunts in particular often have no accompaniment other than music.
206* SoftGlass: In "Showdown", the Superman imposter doesn't have powers, but at one point, he punches through a window without hurting his hand.
207* SuperNotDrowningSkills: Averted. One of the few weaknesses this version of Superman has is a need to breathe (which gives him trouble in "Electric Earthquake" and is actively exploited by the villains in "Billion Dollar Limited").
208* TakenForGranite: In "The Underground World", the professor and Lois Lane come across a statue of the professor's long-lost father, who originally discovered the caves, but disappeared into them. Lois soon realizes that the statue IS him, and the Birdmen of the Underground World intend to turn them into statues as well.
209* ThisCannotBe: In the first Superman cartoon, the mad scientist has this reaction when his destructive ray has no real effect on Superman (aside from just knocking him down and pushing against him) and that Superman is more than a match for it.
210-->'''Mad Scientist:''' ''(alarmed)'' I don't believe it! He isn't human!
211* ThoseWackyNazis: In "Secret Agent", Superman battles Nazi saboteurs as they try to stop a female double agent from getting important documents to Washington, D.C.
212** Superman also battles Nazis in "Jungle Drums".
213* TitleSequenceReplacement: Sometimes, shorts come to home video with their openings replaced with the prologue from the first. Also, sometimes "The Mechanical Monsters" lacks the part of the opening where Superman shows off his XRayVision (later used to find out which robot contained Lois).
214* TooDumbToLive:
215** Lois, most of the time. In the first short, Lois insists that she'd cover the story on the mad scientist alone without Clark and despite Perry's saying "no".
216-->'''Lois:''' Thanks, Chief. ''(walks off)''\
217'''Clark:''' But, Lois... Chief, don't you think this is a dangerous mission?
218** How about the villain from "The Mechanical Monsters"? What does he do when he sees that Superman is trouncing his robots? Leg it while Superman is busy? Of course not, he stands there like an idiot until the last robot is demolished and Superman throws the pile on the control console. Then he tries to hold Lois hostage, but instead of trading her life for safe passage, which Superman would uphold if he agreed, he tries to kill her and THEN runs for it. Yeah, he ends up in jail.
219* {{Trainstopping}}: As Superman usually does.
220* TransformingMecha: The mechanical monsters from the eponymous cartoon. Creator/HayaoMiyazaki would use a robot very similar to the robots from "The Mechanical Monsters" in the second ''Lupin the Third'' TV series, as well as in ''Anime/CastleInTheSky''.
221* TRexpy: "The Arctic Giant." The eponymous monster is identified as a ''Tyrannosaurus'', but it is [[ArtisticLicensePaleontology much bigger and looks nothing like the real deal]].
222* UnderwaterBase: The villain in "Electric Earthquake" has one.
223* UndyingLoyalty: ''Literally'' in "The Mummy Strikes". 3000 years ago, the bodyguards of Pharaoh Tush swore to guard him in this life, and the next one. When Tush died young, his guards committed suicide to follow their oath and were mummified alongside him. When Dr. Wilson and Clark Kent open the sarcophagus of Pharaoh Tush during their investigation of the death of Dr. Jordan, the mummies rise from the dead to kill them, just as they had sworn to do. [[PlayingWithATrope This is actually played with]] in that they wouldn’t have come back to life at all had Dr. Jordan not inoculated their mummies with the ElixirOfLife. Of course, Jordan himself had died from a poisoned needle hidden in the pharao's sarcophagus, [[MaybeMagicMaybeMundane so the pharaoh wasn't actually disturbed until Clark Kent and the museum curator investigated it...]]
224* UnnecessarilyLargeVessel: The aptly named Giant Bomber in "Japoteurs". Even considering the fact that it also serves as an AirborneAircraftCarrier for regular-sized bombers, the extreme difference in size shows that it's still considerably larger than it needs to be.
225* VillainousValor: The inventor supervillain in "The Mechanical Monsters" counts as this. Where many of the other villains flee at the first sign of their plans being thwarted, this guy just keeps throwing everything at Superman in an effort to either destroy the hero or escape. When Superman interferes with one robot, he drops Superman onto some power lines. When Superman breaks into his headquarters, he sends his ''entire'' robot army after Superman. When Superman destroys them, he holds Lois hostage and tries to get Superman into a risky position by saving her. And after Superman successfully saves her, the guy tries to destroy them both via a vat of ''molten metal''. It's only after he exhausts everything on hand that he tries to make a break for it.
226* WartimeCartoon: The later Famous Studios shorts went in this direction, resulting in some very unpleasant ValuesDissonance.
227* WaveMotionGun: The huge laser in the first short.
228* WellIntentionedExtremist: The villain in "The Electric Earthquake" is a Native American with obviously legitimate land claim grievances given his people's terrible history interacting with Europeans, and whose first public appearance is in the ''Daily Planet'', where he tries the legal and moral route of getting his story published in the paper (heck, Clark clearly thinks he has a good point.) It is only the fact that the piece of land he wants people to vacate is ''the island of Manhattan,'' one of the most densely populated places on Earth; and that after it is rejected he decides to stoop to making terrorist threats and has the destructive means and will to carry them out, that is obviously beyond the pale.
229* WhatHappenedToTheMouse: We never do find out why the villains in "Destruction Inc" plotted to blow up the munitions factory, let alone killed the night watchman.
230* WingedHumanoid: The bird-men in "The Underground World."
231* TheWorldIsNotReady: Perry White decides to burn Lois's photos of the Underground World and pull the plug on the story, reasoning that no one would believe such a tale (even if Superman is involved). In his defense, it does sound ridiculous if you think about it.
232* YourSizeMayVary: The giant gorilla in "Terror on the Midway" sometimes towers over humans that can barely reach its waist. At other times, it's only one head taller than Superman.

Top