| 1 | * ChannelHop: In their long career, they've been with so many different record companies that it's easier to list the labels they ''haven't'' been on. Come the TurnOfTheMillennium and they've taken to releasing records on their own label. |
| 2 | * CreatorBacklash: The duo consider their attempts to appeal to a West Coast audience with ''Big Beat'' and ''Introducing Sparks'' to be failures. They also don't recall making ''Terminal Jive'' ("When I'm With You" aside) with much fondness. |
| 3 | * ExecutiveMeddling: The band were very unhappy with how Music/ToddRundgren produced their first album. |
| 4 | * NewbieBoom: ''Gratuitous Sax and Senseless Violins'' won the duo a lot of fans in Europe, particularly in Germany, so they recorded ''Plagiarism'' (made up of reworked versions of older songs) to capitalize on their new-found audience. This trope has steadily began to grow in stature worldwide from ''Music/LilBeethoven'' onward, eventually leading to ''Hippopotamus'' cracking the UK Top 10 (#6) its first week in September 2017, their first placement there since ''Propaganda'' in 1974. The 2021 documentary ''Sparks Brothers'' also brought a lot of renewed attention to the band. |
| 5 | * SimilarlyNamedWorks: In 1969, an unsigned early lineup of the band (then still going by Halfnelson) recorded a demo called ''A Woofer In Tweeter's Clothing''. They reused the title, but absolutely none of the content, for a 1973 album. |
| 6 | * ThrowItIn: ''A Woofer In Tweeter's Clothing'' was supposed to be a basic FaceOnTheCover shot of the then-current lineup of the band posing together against a wall. As a prank, drummer Harley Feinstein tipped Ron Mael's chair back as soon as the camera went off, resulting in a photo where Harley and Ron were blurry, Ron had his arms up in fear of falling over, and everyone else was still posed as normal. The rest of the band must have found the results ActuallyPrettyFunny, because that shot was used as the cover, with an otherwise identical "straight" take with the same poses appearing on the back. |
| 7 | * WhatCouldHaveBeen: |
| 8 | ** ''Big Beat'' was originally going to reunite the Maels with former guitarist and producer Earle Mankey, and it would have returned the band to the oddball, experimental style of their first two albums. Only the B-side "England" was recorded before production switched to Rupert Holmes and a stripped down American Rock style was pursued. |
| 9 | ** The band tried unsuccessfully to get a film adaptation of ''Manga/MaiThePsychicGirl'' with Creator/TimBurton off the ground in the late 80s-early 90s. |
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