Line #29 Theatre/TheCompleteWorksOfWilliamShakespeareAbridged


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/completeworks_5103.jpg]]
2
3	->''"Brevity is the soul of wit."''
4
5	Three actors (male in the video and the original troupe), with the use of costumes, bad wigs, and more wordplay and slapstick comedy than you can shake a rubber skull at, reenact the entirety of the works of Creator/WilliamShakespeare within the time frame of a two-act stage play. [[HilarityEnsues Hilarity most DEFINITELY ensues]].
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7	This was created by the Creator/ReducedShakespeareCompany (the specific original writers being Adam Long, Daniel Singer, and Creator/JessWinfield), but has since been sold/given to/adapted by a wide variety of comedy troupes and theatre companies.
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9	The play has NoFourthWall, requires performers to [[HarpoDoesSomethingFunny make it up as they go]], and audience participation. This means the likelihood of two shows (even from the same company of actors) being the same twice is very low, if not outright impossible. Unusually for a modern play, performers are ''not'' under contract to be as true to the script as possible after acquiring performance rights, and are in fact actively encouraged to alter and update the text to avoid dated references and anything that hasn't aged gracefully.
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11	That said, the script has three roles named for the actors who originally performed the piece: Daniel (the troupe leader), Jess (the scholar/serious actor), and Adam (comic relief; plays nearly all the female parts). Actors usually perform using their names, since the script occasionally has them address or refer to each other.
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13	Amazingly, the play uses just about every [[AbridgedSeriesTropes Abridged Series Trope]] despite [[OlderThanTheyThink predating the genre by 19 years]].
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15	----
16	!!Tropes in TCWOWSA include:
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18	* TheAbridgedSeries: UrExample, and the TropeCodifier for theatrical productions. There are now equivalent shows for just about every literary oeuvre.
19	** In their [[http://vimeo.com/28343530 30th Anniversary Retrospective]], however, they admit that they weren't the first to come up with the idea of shortening things for humorous effect. Specifically (JustForFun/TheZerothLawOfTropeExamples, anyone?), in "A Midsummer Night's Dream" the performance of ''Pyramis and Thisbe'' by Bottom and his friends.
20	** ''Theatre/ForbiddenBroadway'' also predates this by at least 5 years.
21	* AdaptationAmalgamation: The group accuses Shakespeare's comedies of having RecycledWithAGimmick plots and decide to "condense" all 16 of them into a single play.
22	* TheAnnotatedEdition: The book of the show not only contains the script, but also hundreds of hysterical footnotes that make the book worth reading on its own.
23	* ArsonMurderAndJaywalking:
24	** "Shakespeare's plays have been reimagined on the lunar landscape, Nazi prisoner-of-war camps, and even Vancouver."
25	** In the abridged version of ''Macbeth'': "Ye killed me wife, ye murdered me bairns, ye did a poop in me soup![[note]]Or "jobbie in me stew" depending on the version[[/note]]"
26	* AudienceParticipation: At the end of the first act, the actors use an audience member's program to figure out what they haven't done. At another, they recruit an audience member to play the part of Ophelia--with the rest of the audience playing the various parts of Ophelia's psyche.
27	* AwesomeAnachronisticApparel (inverted) / AnachronismStew: The costuming direction calls for Converse hi-tops to be worn with Shakespearean garb.
28	* BedsheetGhost: The ghost of Hamlet's father is initially portrayed by [[OffTheShelfFX a sock with a smiley face drawn on it dangled from the ceiling]]. Later, when one of the actors shows up as the ghost, the script calls for him to wear a costume that resembles a large sock.
29	* BluntYes: Austin and Reed's response when Adam asks "What, is it a crime to take someone's bag?"
30	* BreadEggsMilkSquick: Adam refuses to perform dry, boring, vomitless Shakespeare.
31	* ButtMonkey: Adam.
32	* CityShoutOuts: The reason why Adam (or "the Adam character") disappears in the interval is often a nod to the city it's being performed in (when it was performed in Inverness, he was looking for the Loch Ness Monster).
33	* ConflictBall: Held by Adam when he refuses to do ''Hamlet'' and runs out of the theatre with Jess/Austin in pursuit, leaving Reed/Daniel to distract the crowd before and after the intermission. In the script, it's later held by Daniel complaining about the AudienceParticipation in the "get thee to a nunnery" scene (the video version gives it to Adam again).
34	* ConspiracyKitchenSink: Adam's worldview, as shown by his interpretation of "Two Noble Kinsmen".[[note]]Granted, he thought the title was "'''{{UsefulNotes/Chernobyl}}''' Kinsmen".[[/note]]
35	* CreatorCameo: Daniel Singer is the "volunteer" who plays the ego on the DVD.
36	* CreepyCrossdresser: Accidentally invoked when the frequent costume changes finally catch up to Adam, who emerges dressed simultaneously as Claudius, Gertrude, and Ophelia.
37	-->'''Jess:''' ''[as Hamlet]'' Here, thou incestuous, murd'rous... [[ArsonMurderAndJaywalking cross-dressing]] Dane!
38	* CueCardPause: "... and Mary Arden, daughter of a Roman. ... Catholic member of the landed gentry."
39	* DeadpanSnarker: Jess and Daniel. Depending on the crowd, the audience can get in on it, too.
40	* DoNotTryThisAtHome: Invoked by the cast just before the 45-second Hamlet. Subverted when Adam suggests doing it at a friend's house instead.
41	* ExactlyWhatItSaysOnTheTin:
42	** The play incorporates (or at least mentions) every play and sonnet by Creator/WilliamShakespeare.
43	** During ''Romeo and Juliet'':
44	--->'''Friar:''' Take thou this vial, and this distilled liquor drink thou off. And presently through all thy veins shall run a cold and drowsy humour.\
45	'''Juliet:''' O, I feel a cold and drowsy humour running through my veins.\
46	'''Friar:''' Told you so.
47	* TheExitIsThatWay: In the video version of the Hamlet performance
48	-->'''Hamlet:''' The time is out of joint--O cursed spite, that ever I was born to exit ''right''!\
49	''[starts to exit, realizes he is going stage '''left''', and quickly reverses direction]''
50	* FootnoteFever: In the annotated edition, the footnotes sometimes take up more space on the page than the text itself.
51	* {{Foreshadowing}}: "C'mon, we know ''Hamlet'' backward and forward!"
52	* GolfClubbing: The ''Macbeth'' sketch calls for Macbeth and Macduff to duel using golf clubs as part of the "authentic Scottish" reproduction.
53	* GratuitousRap: The Othello performance. Used because Othello is a moor (which, as the troupe points out, referred to a person of African descent in Shakespeare's time period).
54	** In some performances it's played for DeliberateValuesDissonance, with one member of the troupe uncomfortable with this (until he forgets); usually, the same one who was embarrassed about even ''attempting'' Othello due to being "melanin challenged".
55	** "Are you ''trying'' to piss off Creator/{{Oprah\|Winfrey}}?!"
56	* GroinAttack: ''Romeo and Juliet'' has two: Juliet initially deals with Romeo's advances by kneeing him between the legs, and later when Romeo discovers Juliet feigning death, he accidentally steps on her crotch when running up to her.
57	* HarpoDoesSomethingFunny: {{Invoked\|Trope}} numerous places in the script. Before {{Intermission}}, Daniel's stage direction is "[he] Stalls" with a footnote describing the absurd things previous productions have done to entertain the audience.
58	* HehHehYouSaidX: Adam convinces Austin and Reed to skip ''Theatre/{{Coriolanus}}'' because he doesn't like the "anus" part.
59	** When Romeo says "Call me but love," Juliet laughs and thinks he said "Call me Buttlove," which she proceeds to do for the rest of the sketch.
60	* HistoricalHilarity: "'Shakespeare invaded Poland on September 1st, 1939, thus precipitating UsefulNotes/WorldWarII.' I never knew that!"
61	* HurricaneOfPuns
62	** Even the annotations are guilty of this. Example: ''Julius Caesar'' and ''Antony and Cleopatra'' are linked with ''Theatre/{{Macbeth}}'' (with [=MacDuff=] "from my mother's womb most untimely ripped") in what the script calls the "Caesarean section" of the show.
63	* HypocriticalHumor: Austin and Reed have no problem with skipping ''Theatre/{{Coriolanus}}'', but are having none of it when Adam suggests they also skip ''Theatre/{{Hamlet}}''
64	* INeedAFreakingDrink: On the DVD, when Romeo is about to kiss Juliet (Adam), he looks down and takes another swig of poison first.
65	* IdiotBall: Mostly carried by Adam, but Jess picks it up from time to time as well.
66	* ImpliedDeathThreat: In the DVD version, when Reed suggests doing Hamlet backwards, Austin picks up the skull prop used for the "AlasPoorYorick" bit and points at it while getting into position.
67	--> '''Austin:''' This could be you.
68	* InertialImpalement: The "fight" between Tybalt and Romeo is played thusly.
69	--> '''Tybalt:''' Thou wretched boy, I am for you! ''(Romeo closes his eyes and holds out his sword, and Tybalt runs right into it)'' O, I am slain!
70	* InUniverseFactoidFailure: When the others leave Adam on his own to research Othello, he concludes that the "moor" referred to in the title is where you tie up a boat.
71	** He also believes that ''Hamlet'' was not written by Shakespeare.
72	-->'''Adam''': It's a Mel Gibson movie!
73	** While the Othello Rap is certainly ''clever'', it gets quite a few details about the play bizarrely wrong, such as stating that Iago's hatred of Othello was down to him (Iago) being in love with Desdemona (while Iago gives several excuses for his behaviour, that is never one of them...). Some productions change the line to "and ''Othello'' loved Desi like Adonis loved Venus," which is more correct.
74	* KnowNothingKnowItAll: Jess (and his successor Austin), most obviously in the "Troilus and Cressida" segment.
75	* LargeHam: Pretty much a requirement for all three.
76	* MajorInjuryUnderreaction: During the Hamlet vs. Laertes duel:
77	--> '''Hamlet:''' What say you?\
78	'''Laertes:''' ''(looking at the sword going right through him)'' A touch. A touch, I do confess.
79	* MusicalGag + MythologyGag:
80	** At least in the home video release, during the "EPILOGUE!" finish to ''Theatre/RomeoAndJuliet'', Adam plays the guitar while intoning background music to the spoken narration. The song he sings is the 'Love Theme' from Creator/FrancoZeffirelli's [[Film/RomeoAndJuliet1968 1968 adaptation]]. The others join in at the end:
81	--->"For Romeo and Juliet are dead!"
82	** Some productions have been known to use "Romeo and Juliet" by Music/DireStraits.
83	* MyBiologicalClockIsTicking: Ophelia in the crew's version of ''Theatre/{{Hamlet}}.''
84	-->'''Ophelia:''' Cut the crap, Hamlet! My biological clock is ticking and I want babies ''now!''
85	** Keep in mind that the above line is not spoken by Ophelia, but by the audience representing her inner monologue.
86	* MyGrandmaCanDoBetterThanYou: The response to Adam claiming that Ophelia's a difficult and complex character.
87	--> "Anyone can play Ophelia! My mother can play Ophelia! [[AudienceParticipation That lady right there can play Ophelia!]]"
88	* NauseaFuel: [[invoked]] In the ''Macbeth'' sketch, the circumstances of Macduff's birth are this to Macbeth.
89	--> '''Macduff:''' See you, Jimmy! And know that Macduff was from his mother's womb untimely ripp'd! What'd you think aboot that, lad?
90	--> '''Macbeth:''' Ech! That's bloody disgustin'!
91	* NoFourthWall: Not only does the cast constantly address the crowd, but they also drag members onstage (willingly or not), steal their seats, sit on their laps, pretend to vomit on them, and in one (brief) case, take a member hostage.
92	-->"I'll kill the cameraman!"\
93	"I don't care; we've got five of them."
94	* NoTalkingOrPhonesWarning: The company not only warns the audience to turn off cell phones and pagers but demonstrates how to use the oxygen masks that will fall from the ceiling in case of pressure loss in the theater. In the "Revised" edition, there is a CallBack (literally) at the start of Act II, when the character who gave the warning has ''[[HypocriticalHumor his own cell phone]]'' go off in the middle of his speech to the audience.
95	* [[OffscreenCrash Offstage Crash]]: Reed gets into one while skipping offstage as Romeo in the video.
96	* OneSteveLimit: Averted. The company calls multiple people "Bob" claiming it's easier for them to remember.
97	* ParentalIncest: In the composite comedy:
98	-->The fairies and the pages get into a knockdown fight in the mud!\
99	During which the pages' clothes get ripped off [[SweetPollyOliver revealing female genitalia!]]\
100	The Duke recognises his daughters!\
101	''[{{Beat}}]''\
102	'''Eeeeww!'''
103	* PoliceCodeForEverything: In the radio show version a "Elizabethan Plot Device #37" covers all of the plot points in the final act of ''Theatre/RomeoAndJuliet''.
104	* RadioDrama: The play was adapted into a six-part radio series in Britain, with episodes dealing with Romeo and Juliet, Hamlet, the remainder of the tragedies, the comedies, the histories, and the life of William Shakespeare. The format effectively doubled the length of the stage show and enabled the troupe to expand jokes and add new material. This included "special guests" (Reed "impersonating" people like Oprah and Helena Bonham Carter), more raps and recreations of the origins of the Capulet/Montague feud and the lost Shakespeare play "Cardenio".
105	* RageQuit: When the aforementioned excuses get him nowhere, Adam storms off the stage, insisting that Austin and Reed do ''Hamlet'' while he just watches.
106	* RewindGag: The guys announce that they know ''Hamlet'' backward, then prove it by performing their cut-down version in reverse. The old king's ghost flits around going "ooB", and Ophelia, whose drowning is represented in the cut-down version by being splashed with a glass of water, un-drowns by spitting a mouthful of water into a glass. See it [[https://www.youtube.com/watch?v=H2Jzkop04P4&t=3m44s here.]]
107	* RhetoricalQuestionBlunder: During ''Theatre/RomeoAndJuliet'', Romeo notes that death has not decreased Juliet's beauty.
108	-->'''Romeo:''' Why are thou yet so fair?\
109	'''Juliet:''' I dunno!
110	* RuleOfFunny: The show is made from this.
111	* RuleOfThree:
112	-->'''Ghost of Hamlet's Father:''' Revenge his foul and most unnatural murder!\
113	'''Hamlet:''' Murder!\
114	'''Horatio:''' Murder!\
115	'''Ghost of Hamlet's Father:''' For the serpent that did sting thy father's life now wears his crown!\
116	'''Hamlet:''' My uncle!\
117	'''Horatio:''' His uncle!\
118	'''Ghost of Hamlet's Father:''' Let not the royal bed of Denmark become a couch for incest!\
119	'''Hamlet:''' Incest!\
120	'''Horatio:''' [[ComicallyMissingThePoint A couch!]]
121	* UsefulNotes/{{Scotland}}: Gleefully plays with every major Scottish stereotype the authors can think of.
122	** Lampshaded by the annotated version, which notes the lack of any lines about the engines' inability to "[[Series/StarTrekTheOriginalSeries take any more o' this]]."
123	* TheScottishTrope: The Scottish Play ''is'' part of Shakespeare's repertoire, so of course this comes into play with the actors tiptoeing around the name because it's cursed. In the recorded version, Adam trips on-cue when Reed says "Macbeth."
124	* ShownTheirWork: Underneath all the silliness is a very thorough understanding of Shakespeare's work. The show makes for a pretty decent introduction to the Bard.
125	** [[HiddenDepths Adam]] pulls off a masterful reading of Hamlet's "what a piece of work is man" speech that leaves even the audience silent - [[MoodWhiplash right before the crew declares that they're skipping that speech entirely.]]
126	** The script also marks which lines come more or less directly from the original Shakespeare. There are more of them than you'd think.
127	* SophisticatedAsHell: Actual lines from the Shakespearean plays mixed in with phrases such as "Up yours, Capulet!" and "Dude, your boob!"
128	--> '''Hamlet:''' There are more things in heaven and Earth, Horatio, than are dreamt of in your philosophy. So piss off!
129	* SubliminalSeduction: Just before performing Hamlet backward, Austin says [[SarcasmMode "Be sure to listen for the Satanic messages!"]]
130	** [[spoiler: Frank Sinatra is God!]]
131	* SubvertedRhymeEveryOccasion:
132	** Played straight, then subverted in the rap.
133	--->Othello loved Desi like Adonis loved Venus,\
134	And Desi loved Othello 'cause he had a big...sword.\
135	But Iago had a plan that was clever and slick.\
136	He was crafty, he was sly, he was kind of a prick.
137	** Some troupes (or, at the very least, one performance by one troupe) made the subversion more obvious, replacing "prick" with "penis" followed by an awkward pause.
138	* TakeThat: In the televised show during the composite comedy.
139	--> One of the shrews is elected [[UsefulNotes/HillaryRodhamClinton Senator from New York!]]
140	** The radio show was made before the televised show, in that version the shrew is made First Lady of the United States, the Company tries to keep their jokes topical. One wonders if a more recent version has the shrew running for President.
141	* ThatCameOutWrong: Jess/Austin and his book on Shakespeare, ''I Love My Willy''. Which he'd like to whip out for the audience and his co-stars (the book, that is). Quoth the script, just to make it worse:
142	--> '''Jess:''' It’s big, it’s long, it’s uncut, and I’ve been hammering away on it for years.
143	* ThoseWackyNazis: Adam's biography of Shakespeare becomes one of Hitler after he drops his index cards.
144	* {{Troperiffic}}: As an UrExample of TheAbridgedSeries, the play uses just about every [[AbridgedSeriesTropes Abridged Series Trope]] despite predating the genre by 19 years.
145	* TrouserSpace: At one point, Jess/Austin pulls a book out of the front of his pants.
146	* UnusualEuphemism: The annotated version claims that in Elizabethan England, men commonly sharpened their penises and used them as tools (such as [[IncrediblyLamePun boning knives]]) or weapons, giving the phrase "profaners of this neighbor-stained steel" an entirely different meaning.
147	* VomitIndiscretionShot: Adam vomits in all his death scenes. Usually on audience members.
148	--> '''Adam:''' I refuse to do dry, boring, vomitless Shakespeare.
149	** It should be noted that he only ''pretends'' to vomit. The DVD features him dry heaving (with extremely evocative sound effects) into an audience member's hat.
150	* WholesomeCrossdresser: Adam portrays nearly every female character in the abridged plays. Averted if the troupe in question [[DistaffCounterpart casts a woman as Adam's role]].
151	* WigDressAccent: Justified, costume changes are ridiculously short.
152	* YeOldeButcheredeEnglishe: Averted, surprisingly. Almost all of the dialogue is either directly from Shakespeare, or contemporary English. The few cases where they blend are played for laughs.
153	-->'''Romeo:''' Call me but love, and I'll be new baptized--\
154	'''Juliet:''' 'Butt-love'? Why would I call you 'Butt-love'?

Context Theatre / TheCompleteWorksOfWilliamShakespeareAbridged