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9[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/little_shop_broadway.png]]
10[[caption-width-right:350:''"Feed me! Feed me!...Feed me, Seymour!"'']]
11
12-> ''On the twenty-first day of the month of September, in an early year of a decade not too long before our own, the human race suddenly encountered a deadly threat to its very existence. And this terrifying enemy surfaced – as such enemies often do – in the seemingly most innocent and unlikely of places...''
13
14A musical reimagining of the 1960 Creator/RogerCorman film ''Film/TheLittleShopOfHorrors'', made by Creator/HowardAshman and Music/AlanMenken, which debuted in 1982, loosely adapted from Corman's film. The musical was subsequently turned into [[Film/LittleShopOfHorrors a 1986 film]] directed by Creator/FrankOz.
15
16The story revolves around Mushnik's Skid Row Florists and the three people who work there: Mr. Mushnik, the proprietor, and his two assistants, Seymour and Audrey. Seymour loves Audrey, but hasn't told her because he's a poor orphan with no future to offer her. Audrey dreams of meeting a nice man who'll love her for herself, but believes it will never happen. Due to her lack of self esteem, she's willing to date a rich but thoroughly unpleasant guy, Orin Scrivello, a motorcycle-riding dentist who calls himself "the leader of the plaque."
17
18The shop is on its last legs: there's nothing in the till but cobwebs and dust. And then Seymour finds a [[PhraseCatcher strange and interesting plant]], which he dubs the Audrey II, and persuades Mr. Mushnik to display it in the shop window. Audrey II proves to be a customer magnet: people come to look at it, and always buy something before they leave. As its fame spreads, the shop receives larger and larger commissions, and Seymour starts receiving offers for national magazine interviews, lecture tours, even his own TV show.
19
20But there's a catch: The plant thrives on [[BloodLust human blood]], and will [[HorrorHunger die without it]]. At first, Seymour can keep it satisfied with his own blood, but as it grows larger it demands more than a person can give and live. But, you know, there's that repulsive boyfriend of Audrey's -- surely nobody would miss him if he were to... disappear...
21
22The original musical was famous for its EverybodyDiesEnding, with the moral of "Don't feed the plants" serving as a fitting metaphor for avoiding temptation, and [[DealWithTheDevil deals that sound too good to be true]]. The film version follows the stage version fairly closely except for a FocusGroupEnding in which the Audrey II is defeated and Seymour and Audrey survive to live [[StepfordSuburbia happily ever after]], though the originally shot and TruerToTheText ending was restored for the later Director’s Cut. It was also one of the first mainstream musicals with a rock n roll-style score that [[Theatre/{{Grease}} wasn't specifically composed to fit its story]].[[note]]Though the movie ambiguously sets it in the early-to-mid sixties.[[/note]]
23
24The film version subsequently resulted in [[RecycledTheSeries an animated series]] called ''WesternAnimation/LittleShop'', created by Frank Oz, which aired in 1991. It was set in a {{High School|AU}}, with school-aged Seymour (who's no longer an orphan and has a hypochondriac mother, much like the original 1960 film) and Audrey (who was rewritten to be Mr. Mushnik's daughter who's obsessed with becoming a firefighter) dealing with the usual sort of high school comedy plots, with the dubious assistance of a toned-down plant which was merely carnivorous rather than a "[[ImAHumanitarian humanitarian]]."
25
26----
27!!The musical provides examples of:
28
29* AdaptationDistillation: The musical jettisons several incidental characters, tightens the plot and gives Seymour's struggle with the carnivorous Audrey II a proper narrative arc.
30* AdaptationDyeJob: Audrey is traditionally platinum blonde (the acting script refers to her as such). In the original film, she was brunette.
31* AnAesop: The message of the story is to not be tempted by deals that seem too good to be true, which is conveyed by the increasingly vicious demands Audrey II makes as it helps Seymour's shop get more and more successful.
32%%* AlterKocker: Mr. Mushnik
33%%* AltoVillainess: Audrey II, though see AmbiguousGender, below.
34* AmbiguousGender: Audrey II--a plant who acts and sounds male (although casting has often gone both ways in numerous productions). (Admittedly, when Seymour states that "the Audrey II is not a healthy girl", the Audrey II hasn't revealed itself as sentient yet, so he's speaking pretty loosely.)
35* AndIMustScream: This is ostensibly the ultimate fate of Audrey II's victims -- [[PastVictimShowcase their faces become embedded in the centers of the plant's flowers.]] It's shown in the finale that the faces can only move and sing (or ''not,'' if you take their lines in "Don't Feed The Plants" to be an inner monologue), but appear to be ''alive and conscious'' as part of the plant. Since Audrey II and its descendants are nigh-indestructible by the end of the show, their chances of dying a true, {{merc|yKill}}iful death at that point are next to nil.
36* AndYouWereThere: After Audrey II starts growing, Seymour is approached by a series of people offering him fame and fortune (three in the musical number "The Meek Shall Inherit", and one more in the final scene); all four are played by a single actor. The same actor also plays the plant's first victim. [-(As well as various one-off characters with less metaphorical resonance.)-]
37* ApocalypseHow: [[spoiler:By the end, it's heading toward [[ApocalypseHow/Class3A Class 3a: Planetary-scale extinction of the dominant species on the planet,]] assuming Audrey II and its offspring are never defeated. At minimum, it's a [[ApocalypseHow/Class0 Class 0, with man-eating plant monsters rampaging across all of America]].]]
38* AsTheGoodBookSays: In the song "The Meek Shall Inherit".
39-->''They say the meek shall inherit.''\
40''You know the Book doesn't lie.''
41* AudienceParticipationSong: "Dentist!" ends by becoming this. "Say ''ahhhhh!" "Ahhhhh!"''
42* BadassBiker: Orin Scrivello rides a motorcycle and [[HellBentForLeather wears a black leather jacket]] with a dental-themed biker logo on it.
43* TheBadGuyWins: [[spoiler:The plant's growing fame results in a distribution deal that will put cuttings of Audrey II in homes all over the country. Seymour belatedly realizes that this is what Audrey II was after all along, and attempts to kill the plant before the distributor arrives to take the cuttings. He fails utterly, dying in the attempt, and the distribution goes ahead.]]
44* BaitAndSwitchComment: When Audrey talks about her past with Orin:
45-->'''Audrey:''' You know where I met him? In the gutter.\
46'''Seymour:''' the gutter?\
47'''Audrey:''' The Gutter, it's a nightspot.
48* BeCarefulWhatYouWishFor: All over the place, but moreso in the ending; [[spoiler:The play ends with the victims of Audrey II (in the form of the flowers with their faces on them) begging the audience to 'not feed the plants' and give into the promises of fame and fortune in exchange for blood of those around them, like Seymour did when he fed people to Audrey II for his own chance at fame and, in his case, love for the original Audrey.]]
49* TheBerserker: Seymour in the final scene. [[spoiler:Once Twoey's true intentions are revealed, Seymour goes wild and tries killing it in a furious rage. [[TheHeroDies He fails]]]].
50* BewareTheNiceOnes: Seymour (he fails in trying to kill the plant, though).
51* BeyondRedemption: Seymour doesn't necessarily have any ill will towards Orin Scrivello until he watches Orin slap Audrey in the face. Cue to Seymour selecting Orin as his first victim.
52* BigBad: Audrey II, the manipulative ManEatingPlant who sweet-talks Seymour into feeding it people.
53* BloodLust: ''"Don't need no twist of lime..."''
54* BMovie: A parody thereof.
55* BreakTheCutie: Seymour. Audrey was broken long before the musical started.
56* BreathHoldingBrat: Mr. Mushnik pulls this in the song "Mushnik and Son"; it's what finally gets Seymour to agree to his proposal of adoption.
57* BurpOfFinality: [[spoiler:After Seymour climbs into Audrey II's mouth to kill it from the inside, his attempt failing is telegraphed when Audrey II burps after eating him. Most versions even have Audrey II spit out the machete for good measure]].
58* CanonForeigner: Crystal, Ronette and Chiffon have no counterparts in the original movie.
59* CapitalismIsBad: WordOfGod [[https://twitter.com/AIMenken/status/1186668309455998976]] states that this was their intention writing the show.
60* {{Cephalothorax}}: Audrey II is just a big head on a stalk.
61* CharacterCatchphrase:
62** "Feed me!" and variants thereof.
63** A more subtle one is Audrey's "Sure!", which even gets referenced in "Suddenly Seymour" ("I'd meet a man and I'd follow him blindly/He'd snap his fingers/Me, I'd say 'sure'!")
64** "Say ahhhh! ''Say ahhhh!"''
65* TheChessmaster: Audrey II. After noticing Audrey I outside the shop, he feigns interest in a pound of rare roast beef so he can lure her inside.
66* ClassicalAntiHero: Seymour, who [[spoiler:kills his foe, kills his father figure, kills his lover, then kills himself]] - all unnecessarily because PoorCommunicationKills - all keeping in line with classic Greek tragedy!
67* CrapsackWorld: Skid Row. More like a beer-bottle in a paper bag world.
68%%* CreepyPhysical
69* CrosscastRole: Mrs. Luce, usually, since the tradition is for all the characters who offer Seymour fame and fortune to be played by a single (male) actor.
70* CrowdSong: "Skid Row", "Don't Feed The Plants".
71* CutAndPasteSuburb: Audrey reveals her greatest dream is a simple life in a tract house in "Somewhere That's Green".
72-->'''Audrey:''' I'll cook like / Betty Crocker... and I'll look like / Donna Reed!
73* DarkerAndEdgier: Than the [[Film/TheLittleShopOfHorrors original film]], to a degree. While the original was loaded with BlackComedy, the musical manages to throw in plenty of extra angst:
74** In the film, Seymour is a bumbling innocent who's so clumsy that he [[AccidentalMurder kills his victims by mistake]], while in the musical he's [[spoiler:seduced into deliberate murder by being promised fame, fortune and the girl he loves, Audrey]]. Additionally, while the film Seymour lived with his mother, the musical Seymour was abandoned at the Skid Row Home For Boys and taken in by Mushnik, who never liked him and treated him horribly.
75** Skid Row is now a [[CrapsackWorld terrible place]] that everyone desperately wishes they could leave.
76** Audrey, a happy-go-lucky [[TheDitz ditz]] in the film, becomes the product of a broken home who's been in one bad relationship after another, suffers from low self-esteem, and is regularly abused by her sadistic boyfriend. [[spoiler:She also dies in the end.]]
77** The plant goes from being a somewhat sarcastic, [[HorrorHunger ever-hungry]] presence to a MagnificentBastard plotting [[spoiler:world domination]].
78** Unlike the film, it's heavily implied that Audrey II will [[spoiler:just keep getting more powerful and take over the country/world instead of being content to merely sit and munch every now and then.]]
79** The dentist goes from merely being crazy to being a sadistic monster who proudly boasts about the childhood he spent murdering animals in horrific ways.
80* DarkReprise:
81** "Somewhere That's Green". A song with some of the same lyrics is first about dreaming of a bright future with Seymour, and then about begging Seymour to feed her to a man-eating plant.
82** As she is fed to the plant, the orchestra does a reprise of "Skid Row".
83** "Act 1 Finale" contains some lyrics and melody from "Prologue/Little Shop of Horrors", but in a more sinister tone and playing behind the maniacal laughter of a man-eating plant.
84** Averted with "Suppertime II". Sure, it's dark, but it's debatable whether it's actually any darker than the first "Suppertime".
85** "Sudden Changes", a brief solo Seymour has just before "Feed Me", is the same as the opening to "Somewhere That's Green". It's lighter than "Somewhere That's Green"'s reprise, but is darker than the initial "Somewhere That's Green". This makes it appropriate that it comes between the two.
86** "Bigger Than Hula Hoops" uses the same underscore as "Da Doo". "Da Doo" is a cheerful song about how Seymour found Audrey II, "Bigger Than Hula Hoops" is a violent fight between Seymour and Audrey II.
87* DealWithTheDevil: Even referred to as such in the acting script -- the precise wording is "pact with the devil." The introduction references the Myth/{{Faust}} legend as well.
88* DeathByAdaptation: [[spoiler:Mushnik]] and [[spoiler:Audrey]] don't die in the original movie.
89* DeathSong: "Now (It's Just The Gas)" for Orin and [[spoiler:"Somewhere That's Green Reprise"]] for [[spoiler:Audrey]].
90* DepravedBisexual: No matter what its gender, Audrey II acts rather seductively toward both Seymour and Audrey. Orin also gets off on tormenting others, be they man or woman.
91* DepravedDentist: Orin Scrivello, D.D.S., a shameless sadist who gets off on bringing others pain as a dentist.
92* DescriptionCut: "What kind of 'professional' rides a motorcycle and [[HellBentForLeather wears a black leather jacket]]?" Enter Orin Scrivello, D.D.S.
93* DespairEventHorizon: [[spoiler:Audrey's death is this for Seymour.]]
94* DesperatelyLookingForAPurposeInLife:
95-->''I keep asking God what I'm for,''\
96''And he tells me, "Gee, I'm not sure,''\
97''Sweep that floor, kid!"''
98* DidWeJustHaveTeaWithCthulhu: Seymour's relationship with the plant, especially in "Feed Me (Git It)".
99* DidYouGetANewHaircut: "Is that new eye makeup?"
100* DiedInYourArmsTonight: [[spoiler:Audrey, in Seymour's arms.]]
101* DieLaughing: "Now (It's Just The Gas)".
102-->'''Orin:''' Are you ''satisfied?'' I--laughed--my--self--to... ''[dies]''\
103'''Seymour:''' ''...death?''
104* DomesticAbuse: Audrey's boyfriend Orin Scrivello is a [[{{Understatement}} "semi-" sadist]].
105* DooWopProgression: The chorus of "Dentist". Appropriate, given the time era.
106* DownerEnding: [[spoiler:Audrey, Seymour, Mr. Musnik, and Orin]] all get eaten. (Okay, so [[spoiler:Orin]] wasn't that [[AssholeVictim big of a loss]], but still.) Oh, and [[spoiler:Audrey II succeeds in its plans for world conquest, and the distribution plan results in ''thousands'' of people getting sweet-talked by tiny Audrey II plants into feeding them blood. The show ends with a now monstrously huge Audrey II [[TheFourthWallWillNotProtectYou leaping towards the audience]].]] There's exactly one ray of hope in the ending; the line, "If we fight it, we've still got a chance."
107* DramaticIrony:
108** Seymour complains about how he has to keep feeding Audrey II, and Audrey (number I) wonders why he's so upset about the cost of plant food.
109** More tragically, Audrey II persuades Seymour to commit murder by promising him Audrey's heart, and Seymour continues with the killings even after the cost has become obvious because he believes Audrey, along with the fame and the fortune, are Audrey II's gifts to him, and she would leave him if the fame and fortune did. "Somewhere That's Green" makes it clear to the audience that Audrey loved the poor sap long before he ever found the plant.
110* DumbBlonde: Audrey.
111* EatenAlive: [[spoiler:Musnik]] and [[spoiler:Seymour]].
112* EconomyCast: If the roles are divided as they were in the original run, only eight cast members are required--four guys and four girls, with Orin's actor playing several minor roles.
113%%* ElevenOClockNumber: "The Meek Shall Inherit."
114* EmpathicEnvironment: "Shang-a-lang, feel the sturm und drang in the air..." Besides that, the script calls for a "Wagnerian" sunset to heighten the over-the-top drama when [[spoiler:Seymour feeds Audrey to the plant]].
115* EvenBadMenLoveTheirMamas: Orin.
116* EveryoneHasStandards: Mushnik is a very BadBoss, but he's appalled by Dr. Schrivello's abuse of Audrey.
117* EvilLaugh: Audrey II. Orin on Nitrous oxide.
118* EvilSoundsDeep: Audrey II is typically voiced this way.
119* ExactWords: The refrain of "The Meek Shall Inherit" promises that "the meek are gonna get what's coming to them, by and by". Seymour gets what's coming to him, all right- [[spoiler: in the karmic sense of the term.]]
120* ExtremeDoormat: Seymour, and to a lesser extent Audrey put up with Mushnik's abuse and insults.
121* FantasticAesop: "Don't Feed the Plants"- it could lead to the destruction of humanity.
122* FauxAffablyEvil:
123** Audrey II sweet talks Seymour into getting what they want even though it is blood.
124** Orin doesn't even pretend to be nice to Audrey, but he acts friendly toward Seymour.
125* FedToTheBeast: The fate of Audrey II's victims.
126* FinalLoveDuet: "Suddenly, Seymour".
127* FluffyTheTerrible: The name of the evil plant [[spoiler:whose main goal is to devour all of mankind and conquer Earth]]? ''Audrey II''.
128* {{Foreshadowing}}: Orin tells Seymour "somebody'd make you a goddam[sic] ''partner'' to get their hands on this," referring to Audrey II. The song after this scene, Mushnik and Son, has Mushnik convince Seymour to be his son so he can keep Seymour and the profits from the plant in the shop. Mushnik offers to make Seymour a partner: "Mushnik and son/sounds great/three words with the ring of fate/so say you'll incorporate with me." We find out Mushnik's shop was renamed to Mushnik and Son when Audrey and Seymour field calls in Call Back in the Morning - "Mushnik and Son, Skid Row's Favorite Florists, can you hold?"
129* TheFourthWallWillNotProtectYou: In the final song, 'Don't Feed the Plants', the song has two different lines:
130** "And this theater!"
131** "And where you live!"
132*** At that point in the Orpheum Theater, tentacles dropped from the ceiling to threaten the audience.
133*** Occasionally, the line may reference the location of the theater (I.e, "And Atlanta!" if it’s taking place there).
134** During Orin's VillainSong, he sings "Say 'Ah'!"... to the audience.
135* FriendshipMoment: Chiffon, Ronette, and Crystal get two with Audrey. In the first, they encourage her to dump Orin and find a man that's worth her time -- namely, Seymour. In the second, Audrey isn't present, but when the girls meet Orin for the first time and realize he's the scumbag that's been abusing Audrey, they tell him to get lost and leave Audrey alone. ...And try to beat the crap out of him while they're at it! (It doesn't work, but it's the thought that counts.)
136* FurAndLoathing: Stage directions indicate that the [[CrosscastRole rather]] [[TermsOfEndangerment creepy]] Mrs. Luce wears a fox fur coat.
137* GenderBlenderName: Audrey II has a feminine name but is traditionally played by a male actor (traditionally a baritone or bass) and has a masculine personality. Being a plant, and probably an alien, it's anybody's guess what gender Audrey II really is - if any.
138* GenreBusting: It is a musical that serves as a social satire of corruption, greed, and consumerism by combining campy horror, comedy, and sci-fi together.
139%%* TheGhost: Mrs. Shiva, who was an onscreen character in the original film.
140%%* GhostSong: "Don't Feed The Plants".
141%%* GoneHorriblyRight
142%%* GoneHorriblyWrong
143%%* GrassIsGreener
144* GRatedDrug: PG-Rated, not very.
145-->'''Ronette:''' Here he is folks, the leader of the {{p|un}}laque!\
146'''Chiffon:''' Watch him suck up that gas, Oh- my- God...!
147* GreedyJew: Mushnik--though, to be fair, a ''lot'' of characters want to make money off that plant.
148* GreekChorus: The three urchins Crystal, Ronnette, and Chiffon.
149* HeelRealization: Seymour with the following line:
150-->'''Seymour:''' [[NotSoDifferentRemark "You're a monster, and so am I!"]]
151* HeKnowsTooMuch: Seymour's reason for killing Mushnik, with prodding from Audrey II ("Suppertime"), who himself, still needed Seymour.
152* HellBentForLeather: Orin wears a black leather jacket. The acting script calls for an insignia of a bleeding tooth across the back.
153* HeroicBSOD: [[spoiler: Seymour goes into one after Audrey's death. After he feeds her body to Audrey II, he sits in a shattered daze while the clock and lighting reveal that a whole night and morning pass. But he finally snaps out of it when Patrick Martin makes his offer to sell cuttings of Audrey II, which reveals the plant's plan for world domination.]]
154%%* HeWhoFightsMonsters
155* HilariouslyAbusiveChildhood: Seymour was an orphan and was taken advantage of for a roof over his head.
156-->'''Seymour:''' He took me out of the Skid Row Home for Boys when I was just a little tyke. Gave me a warm place to sleep, under the counter. Nice things to eat like meatloaf and water. Floors to sweep and toilets to clean and every other Sunday off!
157* HistoricalDomainCharacter: Mrs. Luce (in real life, Clare Booth Luce) really ''was'' the wife of the editor of Life Magazine. She was also a playwright, journalist, socialite, ambassador and congresswoman.
158* HoistByHisOwnPetard:
159** [[spoiler:Seymour, eaten by his own giant plant]], and Orin, who asphyxiates when the laughing gas mask gets stuck. In the stage show, Mushnik plays with this- he worries about money to the point of adopting Seymour just to keep the plant, and Seymour tells him he put the day's earnings in the plant during Suppertime, but considering A) how the shop had been doing before Audrey II, and B) the fact that it's apparently over a thousand dollars, his concern is more or less justified. [[spoiler:Audrey]] is the only victim who doesn't really have a KarmicDeath.
160** [[spoiler:Audrey]]'s death was karmic - [[spoiler:for Seymour instead of for her.]]
161** Mushnik has an oddly meta example of this. In the [[Film/TheLittleShopOfHorrors original b-movie]], he tricked a would-be robber into getting eaten by the plant by telling him the shop's money was inside it. The musical lifted the situation with practically the same dialogue, but used it to kill off Mushnik.
162* HopeSpot: There are quite a few moments when it looks as if Seymour's going to kill the plant, but [[spoiler:he never does]].
163* HorrorHunger: Audrey II has a strong craving for human blood, accept no alternatives.
164* HumansAreBastards: After we're treated to a seemingly nice and lovable guy getting seduced into repeat murder, the ending song tells us that the plants are doing the same thing all across America, offering "unsuspecting jerks" their wildest dreams in exchange for blood. The message of "Don't Feed The Plants" is obvious--with the right motivation, ''anyone'' could kill people to feed a plant. Including ''{{you|Bastard}}''.
165* IAmSong: "I am your dentist, and I enjoy the career that I picked!"
166* IdiotBall: After killing Orin, Seymour indulges in what has to rank among the worst murder coverups in the history of fiction. He leaves his baseball cap and his bag at the scene of the crime (the bag, by the way, has the ''name of the shop'' on it), stuffs Orin's uniform in the trash can outside the shop, and ''doesn't even bother to clean up the blood he spilled on the shop floor.'' When questioned about it, he says, "I spilled some Hawaiian Punch and it stained."
167* IHaveYouNowMyPretty: Audrey II's behavior toward Audrey in "Suppertime II".
168* ILied: ''No shit, Sherlock!''
169* TheIngenue: Audrey (the human)
170* InsecureLoveInterest:
171** This is why Audrey doesn't consider leaving the abusive "semi-sadist" Orin for her NiceGuy coworker Seymour; she likes Seymour, but she considers herself too dirty and worthless to be with him.
172** For his part, Seymour is convinced that he's not good enough for Audrey. When he finally realizes that she loves him back, he assumes that it's because he now has money and believes that he'll lose her if he loses his income from the plant. Tragedy ensues.
173* InsecureProtagonistArrogantAntagonist: Seymour is a shy self-proclaimed slob whose lack of low self-esteem gets lampshaded by Audrey (who is also deeply insecure, believing she doesn't deserve goodness in life). The main antagonist, Audrey Two, is a smooth-talking, self-assured mutant plant who manipulates Seymour's insecurity so it can feed on blood, and in [[Film/LittleShopOfHorrors the movie]] gets a VillainSong boasting about how powerful it is. Audrey's abusive boyfriend Orin is a lesser antagonist, but is even more blatantly arrogant, frequently bragging about his wealth and success and always putting down Audrey for not meeting his standards.
174* InTheStyleOf: Fitting the age of its source material, the musical's soundtrack is written to resemble 1960s pop music, most prominently illustrated by the {{Doowop}} approach of the title theme and "Dentist!"
175* IronicEcho:
176-->'''Seymour:''' You're a monster, and so am I!\
177'''Audrey II:''' ''Feed me!''
178* IWantSong:
179** "Somewhere That's Green", where Audrey speaks of her desire to settle down with Seymour and have a family.
180** As well as its DarkReprise and the villainous version in "Feed Me" (where Audrey II persuades Seymour to kill people to keep it fed).
181** "Skid Row" (where Seymour expresses a desire to get out of Skid Row), "Grow For Me" (where Seymour begs Audrey II to start growing), and "Mushnik and Son" (where Mushnik wants to adopt Seymour as his son to have a piece of the pie upon learning of his success with Audrey II) also qualify--and, to a lesser degree, "Now (It's Just The Gas)" (where Orin pleads for his life while suffocating on nitrous oxide) and "The Meek Shall Inherit" (where Seymour is torn between destroying Audrey II or continuing to feed the carnivorous plant for his own ends).
182* IWishedYouWereDead: Audrey secretly wished Orin would disappear, and when he actually ''does'', she blames herself, worrying that it's her fault if he "met with foul play". ([[spoiler:Although she doesn't know it, she ''is'' the reason Seymour killed him]].)
183* JerkWithAHeartOfGold: Mr. Mushinik, who cares somewhat for Seymour (though more for money) and for Audrey, who he constantly advises to drop her abusive boyfriend.
184%%* JewishComplaining
185%%* JewsLoveToArgue
186* JobSong: "Dentist" is a song about Orin's job as a psychopathic dentist.
187* KilledMidSentence: Orin.
188* TheKlutz: Seymour's signature trait before the Audrey II plot takes off, at which point it disappears. (Unlike his counterpart in the original film, he's not a LethalKlutz.)
189* LaceratingLoveLanguage: A cut song, "The Worse He Treats Me", would have {{discussed|Trope}} and {{parodied|Trope}} this trope, as Audrey discusses her relationship with her abusive boyfriend Orin, taking his beatings as a sign of love. The song was meant to show more of Audrey's self-loathing mindset than Orin's actual affection, but the writers realized the song was in poor taste regardless and cut it.
190* LaughablyEvil: Orin, Audrey II, and (depending on how he's played) Mushnik.
191* LaughingGas: Has the song "Now (It's Just The Gas)", in which a dentist goes LaughingMad due to an overdose on laughing gas, before he [[DieLaughing eventually suffocates on it]].
192* LaughingMad: ''Dr.'' Orin Scrivello during Seymour's dental exam. [[spoiler:Admittedly, it was due to a fatal overdose of laughing gas.]]
193* LeitMotif: Quite a few. Just to name one example, the tune to Mushnik And Son appears three times, not counting in the song itself.
194%%* LonelyAtTheTop
195* LoveMakesYouEvil: All of Seymour's evil deeds are done for Audrey's sake.
196* LoveRedeems: "Suddenly Seymour" is about Audrey being redeemed by Seymour, which is ironic when you consider that she's TheIngenue and he's [[spoiler:a murderer]].
197* LyricalDissonance: Quite a lot: cheerful, rousing rock/Motown numbers spliced with references to horror and bloodshed are the order of the day here.
198* ManEatingPlant: Features perhaps the most famous of these as its main antagonist.
199* ManipulativeBastard: Audrey II.
200* MeaningfulName: The dentist: Orin ("oral") Scrivello (a type of elephant tusk).
201* MikeNelsonDestroyerOfWorlds: [[spoiler:Audrey. Her dying words make humanity's salvation impossible.]]
202* MiracleGroMonster: Audrey II gradually gets bigger as it gets more blood.
203* MoneySong: Since money is a huge part of the plot, it's inevitable that some songs would revolve, at least partially, around it. Probably the best example is Mushnik's intro to "Ya Never Know".
204* MoodWhiplash: Aplenty. The show blurs the line between comedy and horror to a remarkable degree.
205** Seymour [[spoiler:[[MyGodWhatHaveIDone agonizing after killing Mushnik]]]] is interrupted almost immediately by the arrival of Crystal, Ronette and Chiffon, who are ecstatic after seeing Seymour on the news.
206* MundaneLuxury: Audrey's greatest dream is to live in a small house in the suburbs, with some "fancy" appliances like a toaster, and a twelve-inch screen TV, and a garden, with a man who genuinely loves her. It's [[PlayedForLaughs funny in a sad sort of way]] the first time you watch it, but after getting a look at Audrey's [[DomesticAbuse relationship with Orin]], and further insight into her background in Act Two... Suddenly, it's not even ''slightly'' funny anymore.
207* MurderByInaction: Seymour tries to shoot Orin the DepravedDentist, but can't bring himself to. Moments later, Orin gets himself high inside a mask full of gas, but finds he can't get it off and begs Seymour to help him get it off (while he laughs maniacally.) Seymour just stands by and watches Orin suffocate.
208* MurderTheHypotenuse: While Seymour is compelled to do away with Orin because of how terribly he treats Audrey, reasoning that she'd be better off without him and his abuse, Mushnik jumps to the conclusion that Seymour killed Orin so he could move in on Audrey.
209%%* TheMusical
210* MyGodWhatHaveIDone: Seymour has at least two of these moments during the plot:
211** Following [[spoiler:Mushnik's death]] (complete with a DarkReprise of "Mushnik and Son" to hammer the mood home).
212** And again after he discovers the true extent of Audrey II's plan's - world domination.
213* MySignificanceSenseIsTingling: "Sominex/Suppertime II"
214-->'''Audrey:''' I couldn't sleep. I took a Sominex, but voices in my head kept saying "Go to Seymour, talk to Seymour." I drank some tea, but gee, the feeling wasn't gone. Seymour, sweetheart. Tell me, darling. What's been going on?
215* MythologyGag:
216** During "Don't Feed the Plants", the victims appear as buds to sing the song, as the ending of the 1960 film.
217** Mrs. Shiva is referenced, but not seen. She still needs plenty of funeral lilies.
218** In the 1960 film, Mushnik disposes of a robber by telling him that the shop's takings are kept inside the Audrey plant and letting him get eaten when he climbs in to retrieve them. In the musical, this is the method Seymour uses to dispose of Mushnik.
219** Audrey mentions a big order for the Rose Bowl during "Call Back In The Morning". In the 1960 film, a large order for the Rose Bowl after Audrey Jr.’s unveiling is what convinces Mushnik to keep Seymour employed.
220* NoCommunitiesWereHarmed: [[strike:Manhattan in the 60s]] [[strike:Downtown south of 14th]] Skid Row.
221* NothingExcitingEverHappensHere: Lampshaded in the opening monologue. The narrator talks about how threats to Earth often happen in the most ordinary and unlikely of places.
222* ObliviousToLove: For a good part of the show, Seymour and Audrey are oblivious to each other's love. Each [[InsecureLoveInterest admires the other excessively and has about zero self-esteem]].
223** {{Deconstructed|Trope}}, as Seymour refuses to stop feeding the plant because he fears Audrey would stop caring about him if he was broke again [[spoiler:which leads to their deaths]].
224* OurFounder: A picture of Mr. Mushnik with the caption "Our Founder" appears in the shop in the scene following "The Meek Shall Inherit."
225* {{Paparazzi}}: Mrs. Luce wants a photo of Seymour with the plant for the cover of Life Magazine.
226* PetTheDog:
227** Mushnik would come off as a complete JerkAss if he didn't show concern for Audrey and urge her to break up with Orin. This is probably why he tells Seymour he didn't notify the police about the evidence he found that his flower shop boy has something to do with the dentist's disappearance. In fact, Mushnik gives a reasonable response: they should go to the police where Seymour can make a statement to clear his name as well as Mushnik's conscience.
228** The Urchins stand in Orin's way when he comes to pick up Audrey. They tell him to leave her alone.
229** When Orin meets Seymour while picking up Audrey, he tells him in all seriousness that the plant is his ticket to a successful life away from Skid Row and encourages him to take advantage of it.
230* PhraseCatcher: The fact that Audrey II is a "strange and interesting plant" is repeated by no fewer than five characters in the scene where Seymour puts it in Mushnik's display window. Strange and interesting indeed.
231* PlanetSpaceship: Audrey II beams down to Earth during an unprecedented eclipse, implying that he came here in a spaceship large enough to block out the sun.
232* PlantAliens
233* PoorCommunicationKills: We could have avoided all this [[spoiler:if Audrey admitted her love to Seymour, or if Seymour recognized her attraction]].
234%%* PoweredByAForsakenChild
235%%* PragmaticAdaptation
236* PredecessorCastingGag: Lee Wilkof, the original Seymour, played Seymour's father figure Mr. Mushnik in a 2003 production and again in a 2018 production.
237* RedemptionEqualsDeath: [[spoiler:For Seymour, who doesn't actually end up killing Audrey II. At least he tries.]]
238* ReleasedToElsewhere: After Mushnik is killed, Seymour claims he is visiting his sister in Czechoslovakia.
239* TheReveal: "...Bigger than Hula-Hoops?" "''[[TakeOverTheWorld Much]]'' [[TakeOverTheWorld bigger!]]"
240* RoaringRampageOfRevenge: Seymour attempts one of these on Audrey II, but [[spoiler:ends up getting eaten]].
241* {{Sadist}}: Orin Scrivello is even called the Marquis de Sade in "Dentist!" It's arguable whether Audrey II also counts, given it's [[PlantAliens an alien]].
242* SassyBlackWoman: Three of them, in the form of Crystal, Ronette, and Chiffon, who also function as the show's GreekChorus.
243* ScareChord: When Mr. Mushnik confronts Seymour before Suppertime about evidence linking him to Orin's murder, his words are punctuated these chords. [[{{Lampshading}} The piano conductor score itself even titles this section]] "Melodramatic Chords."
244* ScaryBlackMan: Audrey II is often voiced by an African American actor.
245* ScreenToStageAdaptation
246* SeeminglyWholesome50sGirl: Audrey counts as a subversion. She ''thinks'' she's one, but she's really TheIngenue.
247** Right before "Suddenly Seymour" she implies, but doesn't outright state, that [[spoiler:she moonlit as a stripper when the flower shop was doing poorly, and met Scrivello while working that job]]. Still, that doesn't make her a SeeminglyWholesome50sGirl by itself.
248* SelfHarm: What Seymour does in order to feed Audrey II, initially.
249* ShipperOnDeck: Crystal, Ronette, Chiffon, and Audrey II for Seymour/Audrey.
250* ShoutOut: The three urchins are named for three different girl groups of the sixties (The Crystals, The Ronettes and The Chiffons). The songs reference and parody the sixties music scene, both lyrically and stylistically. [[http://mondomusicals.blogspot.com/2010/08/little-shop-of-horrors-cross.html This blog has a pretty comprehensive overview]].
251* SignificantDoubleCasting: All the characters who encourage Seymour to use Audrey II for fame and fortune, directly or otherwise[[note]]the shop's first customer, Orin, Mr. Bernstein, [[CrossCastRole Mrs. Luce]], Skip Snip, and Patrick Martin.[[/note]], are usually played by a single actor.
252* SingleWomanSeeksGoodMan: Audrey seems to suffer from AllGirlsWantBadBoys, but in the end she prefers the sweet Seymour.
253* SkewedPriorities: Seymour berates his now-famous plant for [[spoiler:eating Audrey]] and decides to try to destroy it. When does that happen, you ask? Right after the plant has revealed that [[spoiler:it's actually [[PlantAliens a monster from outer space]] with plans to ''overthrow the entire human race!'']]
254* SlidingScaleOfComedyAndHorror: Comedy-dominant, though the line definitely gets blurred.
255* SlidingScaleOfIdealismVsCynicism: While there is a hint of a idealism feel near the beginning, it becomes quite cynical by the end.
256* SlutShaming: Played with in regards to Audrey, who is heavily implied to have worked as a stripper to make ends meet back when the shop wasn't doing very well. Audrey seems to slut-shame ''herself'', citing her old job as a reason she doesn't "deserve" a good life or a good boyfriend, which fits with the fact that she has ''no'' self-esteem. She also met Orin at this job, and some of his dialogue (including outright referring to Audrey as a slut) implies that he does this to her as well, possibly using it to "justify" his abuse of her. Seymour, on the other hand, averts it, which makes sense seeing as how he views Audrey as God's gift to humanity. When she tells him about her old job, he clearly couldn't care less, outright saying that what Audrey did to pay the bills doesn't make her a bad person by any stretch.
257* SnowballLie: Thanks to Seymour not telling anyone his "gardening secret" for Audrey Jr./Audrey II: [[spoiler:human blood. Must be fresh.]]
258* SomewhereSong: "Somewhere That's Green" is a whole song of Audrey daydreaming about her idea of a perfect life -- living with Seymour in a suburb.
259* TakeOverTheWorld: [[spoiler:Audrey II's plan all along]].
260* TemptingFate: When Seymour first agrees to feed blood to the tiny plant: "Well, okay...as long as you don't make a ''habit'' of it or anything!"
261* TermsOfEndangerment: Several examples:
262** Orin calls Seymour "stud".
263** In "The Meek Shall Inherit", Bernstein, Mrs. Luce and Skip Snip address Seymour with increasingly uncomfortable pet names ("dollface", "my sweet, sweet thing", and "pussycat", to name a few).
264** Audrey II [[IHaveYouNowMyPretty flirts with the human Audrey]] [[spoiler:moments before attempting to eat her]].
265* ThemeNaming: Crystal, Ronette and Chiffon take their names from the Crystals, the Ronettes and the Chiffons; all 1960s New York African-American girl groups.
266* ThereIsNoKillLikeOverkill: Justified when Seymour tries it, because [[spoiler:all his weapons can't kill the plant anyway]].
267-->'''Audrey:''' A ''gun?''\
268'''Seymour:''' And bullets! And rat poison! And a machete!
269* TheyCallMeMrTibbs: Orin insists that Audrey call him "Doctor" and use the term "D.D.S." when referring to him. It's implied that he's beaten her for neglecting to do so ("You gotta train 'em, eh, stud?").
270* ThisIsADrill: Orin's dentist drill isn't rusty, it's an antique.
271* TragicDropout: The Urchins, Chiffon, Crystal, and Ronnette, are stated to have stopped going to school after fifth grade, and are thus trapped on Skid Row.
272-->"''Better ourselves''? Mister, when you're from Skid Row, there ain't no such thing."
273** Seymour also states that he "never even finished grade school".
274* TooDumbToLive: When Mushnik discovers Seymour killed Orin, Seymour tells Mushnik that he put the day's profits inside the plant for safekeeping and tells him to climb inside of it and get it. He does so and gets eaten. And later, when Seymour discovers Audrey II's true intentions for world domination, he climbs inside its mouth with a machete to try and kill it from the inside... and gets eaten.
275* TooGoodForThisSinfulEarth: [[spoiler:Audrey, the most goodhearted person the show, ultimately gets eaten, even ''asking'' Seymour to feed her to the plant, since she was going to die anyway, and she thought if the plant could continue to live, Seymour could keep living happily off its money.]]
276* ToServeMan
277* TotalEclipseOfThePlot: [[ManEatingPlant Audrey II]] appears at a plant store in a solar eclipse.
278* {{Tragedy}}: The musical is a Greek tragedy, complete with a trio of singers who represent the Greek Chorus, and Seymour first sacrifices his enemy, then his father figure, then his love, then himself.
279%%* TrialBalloonQuestion
280* TwiceShy: Seymour and Audrey.
281* UnluckyEverydude: Seymour could be seen as a {{Deconstruct|edTrope}}ion. He fits the description perfectly until [[spoiler:Audrey dies]].
282%%* VillainLoveSong: "Feed Me (Git It)" and "Suppertime II"
283* VillainRecruitmentSong: "Mushnik and Son" has Mushnik ask Seymour to be his adopted son, which is followed immediately by "Feed Me (Git It)", where Audrey II persuades Seymour to kill people to provide more blood for the plant to feed on.
284* VillainSong:
285** "Dentist" (where Orin describes the sadistic tendencies he had in his youth that ultimately led to him becoming a DepravedDentist), "Feed Me" (where Audrey II demands that Seymour feed it more blood by killing people), and "Suppertime" (the first instance of which has Audrey II convince Seymour to save his own skin by feeding Mushnik to the plant, the reprise having Audrey II try to lure Audrey into being its next meal).
286** Depending on how it's played, "Mushnik and Son".
287%%* WanderlustSong
288* WeNamedTheMonkeyJack: Seymour names the plant after Audrey. It's meant to be in a nice way, as he first believes the plant is a previously undiscovered (terrestrial) breed.
289* WhatYouAreInTheDark: [[spoiler:Seymour fails this in a big way. And "The Meek Shall Inherit" stresses this, when he sings, "You got no alternative, Seymour, ol' boy / Though it means you'll be broke again and unemployed / It's the only solution, ''it can't be avoided'', / The vegetable ''must be destroyed''", but then changes his mind when he thinks about Audrey.]]
290* WhereDoYouThinkYouAre:
291-->Better ourselves? You hear what he said, girls? ''Bet-ter'' ourselves? Mister, when you're from [[CrapsackWorld Skid]] [[WrongSideOfTheTracks Row]], ain't no such thing.
292* WifeBasherBasher: Seymour. He plans to ignore the plant and not feed it anything--until Orin abuses Audrey right in front of him. Audrey II is [[MagnificentBastard fully aware]] that this is Seymour's BerserkButton.
293-->'''Seymour:''' ''He's so nasty, treatin' her rough!''\
294'''Audrey II:''' ''Smackin' her around and always talkin' so tough!''\
295'''Seymour:''' ''You need blood, and he's got more than enough!''\
296'''Audrey II:''' ''I need blood, and he's got more than enough!''\
297'''Both:''' ''I/You need blood, and he's got more than enough...!''\
298'''Audrey II:''' So go get it!
299* WorldOfHam
300%%* WrongSideOfTheTracks: Skid Row.
301* YiddishAsASecondLanguage: The plant knows some Yiddish, like "Come on Seymour, don't be a putz". (He even says "Feh!") He probably learned the Yiddish from the likely-Jewish Mr. Mushnik, who uses "mensch" and "mishegas". The lyricist/composer team, Ashman and Menken, also did many Disney movies, and the same influence is seen there (Phil in Hercules, etc.).
302* YouAreTooLate: [[spoiler:"Don't Feed The Plants" informs us humanity is screwed. [[TheFourthWallWillNotProtectYou All of it.]]]]
303* YouBastard: [[spoiler:"Don't Feed The Plants" has Audrey II's kind take over by every human on Earth buying into its promises in exchange for blood--[[TheFourthWallWillNotProtectYou including you]].]]
304* YouHaveOutlivedYourUsefulness: Audrey II has no qualms about eating Seymour after his plans get enough momentum to go on without him.
305
306!!Specific productions have added examples of:
307* ActorAllusion: In the 2019 Italian production, the mention of ''Series/ILoveLucy'' in "Somewhere That's Green" is replaced with ''Film/SisterAct''. The actress playing Audrey, Belia Martin, played Deloris in the Spanish and Italian versions of the musical adaptation of ''Sister Act''.
308* AdaptationSpeciesChange: Audrey II is traditionally based on a Venus fly trap, though some productions have changed it to be a pitcher plant or a lily.
309* AnachronismStew: The 2019 Italian production is filled with this. While the opening narration states that the show is set in "an unspecified decade", the overall setting is still 60's based and dialogue features references to movies such as ''Film/SisterAct'', ''Franchise/JurassicPark'' and ''Film/ForrestGump''.
310* DeliberatelyMonochrome: The 2016 Australian production starts out with all sets, costumes, and props (and even Audrey's ''hair'') in black-and-white -- with the exception of Audrey II. As Seymour's life improves (and Audrey II's influence grows), more color appears, until it ends in full color.
311* DragQueen:
312** The Berkshire Theatre Group's production reinvents Audrey II as [[https://www.berkshiretheatregroup.org/wp-content/uploads/2019/02/Little-Shop-of-Horrors-42.jpg a drag queen]] (voiced by an offstage actress) instead of a puppet, adding a new, seductive layer to its relationship with Seymour.
313** The 2018 London production at Regent's Park has an actual drag queen as Vicky Vox plays Audrey II in a mix of puppetry and on-stage performance.
314** The 2019 Italian production also features a drag queen as Audrey II.
315* EroticDream: In the 2009 UK tour, the plant sleeps at one point and says "Yeah, baby. You make my stems all wooded."
316* TheFourthWallWillNotProtectYou: In some productions, Audrey II's tentacles drop from the ceiling to assault the audience.
317* GriefSong: In the German version, Seymour responds to [[spoiler:Audrey's death]] with a DarkReprise of "Suddenly Seymour".
318* MajorInjuryUnderreaction: Subverted after [[spoiler:Audrey has been attacked by the plant]] - some productions have her come out of the plant's mouth smiling and feeling fine, only to collapse moments later as she begins to die.
319* NothingIsScarier: In the Pasadena Playhouse production, Audrey II's true form is mostly cast in shadow.
320* RaceLift:
321** The 2019 Italian production turns Audrey into a black woman of Hispanic origins.
322** Likewise, the Pasadena Playhouse production casts African-American actress MJ Rodriguez in the role of Audrey, while half-Filipino, half-Ecuadorian actor George Salazar plays Seymour.
323** Since May 2023, Audrey is played by African-American actress Joy Woods in the Off-Broadway revival. (Woods previously played Chiffon as part pf the revival's initial cast.)
324* SignificantDoubleCasting: In the 2016 Australian production, there isn't a separate voice actor for Audrey II, which instead is voiced by the actors of the characters it's eaten. This means that it speaks with the VoiceOfTheLegion toward the end -- and that in all the early arguments with Seymour, when Audrey II hasn't had a taste of anyone else yet, the actor playing Seymour is speaking and singing both sides of the argument.

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