Line #122 Theatre/Assassins


1	[[quoteright:793:https://static.tvtropes.org/pmwiki/pub/images/apiddhjqz__04059.jpg]]
2	[[caption-width-right:793:Everybody's got the right to their dreams...]]
3
4	->''Hey, pal, feeling blue?''\
5	''Don't know what to do?''\
6	''Hey, pal, I mean you!''\
7	''Yeah!''\
8	''C'mere and kill a president!''
9	-->-- '''The Proprietor''', "Everybody's Got the Right"
10
11	''Assassins'', with a book by John Weidman and score by Music/StephenSondheim, is, to put it simply, [[BlackComedy a revue featuring nine men and women who have killed (or attempted to kill) the President of the United States.]]
12
13	The show is narrated by the Balladeer, who comments on the assassins' actions and motivations. The various killers (John Wilkes Booth, Charles Guiteau, Giuseppe Zangara, John Hinckley, Lynette "Squeaky" Fromme, Sara Jane Moore, Leon Czolgosz, Samuel Byck, and Lee Harvey Oswald) interact throughout the play, regardless of the time period. Their assassination attempts are represented like a carnival game -- a bell rings when they succeed, and a buzzer sounds when they fail.
14
15	The show is often seen as a dark reflection on the nebulous idea of "the American dream". The assassins are dispossessed, disenfranchised, and disillusioned, but they still hold a disproportionate sense of entitlement because they are in America: the land where ''any'' kid can grow up to be president, the land where the opening song puts it -- "everybody's got the right to their dreams". It also takes a sideways look at capitalism and gun culture in America. Basically, imagine a musical where ''every'' song is the VillainSong.
16
17	Notable in that the music largely mirrors popular music from the assassins' lifetimes. And also for the HUGE amounts of LyricalDissonance.
18
19	[[JustForfun/IThoughtItMeant Not to be confused with]] ProfessionalKiller. Also not to be confused with [[Film/{{Assassins}} the film of the same name]].
20	----
21	!!This show provides examples of:
22
23	* AffablyEvil: Charles Guiteau is a jolly, optimistic guy... who assassinated a president.
24	* AGoodWayToDie: Booth and Guiteau very much believed they were martyrs and that they sacrificed themselves to save the country.
25	* AllGirlsWantBadBoys: Squeaky Fromme is in love with [[UsefulNotes/CharlesManson "Charlie" Manson]].
26	* AlternateShowInterpretation: The original production was off-Broadway at Playwright's Horizons. The Broadway production was the first time the idea of [[TheNarrator the Balladeer]] [[spoiler: turning into Lee Harvey Oswald]] was implemented.
27	* AmbitionIsEvil: The show implies that even though "everybody's got the right to their dreams", you shouldn't necessarily try to achieve them when they're impossible or would seriously harm others.
28	* AmusementParkOfDoom: The show’s primary setting is an amusement park in some sort of temporal limbo where people from all periods of American history meet, and where the Proprietor runs a shooting gallery. He mentions a Ferris wheel and some bumper cars during "Everybody’s Got The Right" when talking to Fromme and Moore, and some productions go all in on the idea (one had an actual bumper car and a disembodied clown head on stage). What qualifies for this trope is that this amusement park somehow has eight people who want to kill the President running around.
29	* AnachronicOrder: The timeline jumps everywhere. Not counting the in-between character building scenes, the assassinations/attempts are presented in the order of Lincoln, [=FDR=], [=McKinley=], Reagan, Garfield, Ford, Nixon, Kennedy. Historical order was Lincoln, Garfield, [=McKinley=], [=FDR=], Kennedy, Nixon, Ford, Reagan--but that doesn't really fit with a proper dramatic structure.
30	** [[spoiler: [[LampshadeHanging Lampshaded]], or [[MindScrew something like that]] with the ending. As pointed out, all but four of the assassins shown technically attempted their crimes well after Oswald shot JFK. Booth actually uses this to convince him to go through with it.]]
31	-->'''Booth''': I have seen the future, Lee. And you are it.
32	* AnachronismStew: Characters from vastly different historical eras are seen interacting with each other.
33	* AndThereWasMuchRejoicing: Happens among the assassins at the end when Lee Harvey Oswald shoots JFK. The chorus... not so much.
34	* AntiVillain: The play makes the assassins very sympathetic in some regards, especially Czolgosz, who wanted to kill [=McKinley=] in hopes of helping mistreated workers.
35	* ArsonMurderAndJaywalking: Invoked by Guiteau in "The Gun Song".
36	-->'''Guiteau:''' [A gun can] remove a scoundrel, unite a party, preserve the Union, '''promote the sales of my book!'''
37	* ArtisticLicenseHistory:
38	** Guiteau did not ask Garfield for the Ambassador to France position in the train station, and moreover the position he wanted was "Consul to Paris".
39	** Moore and Fromme did not attempt to shoot Ford on the same occasion; they were about three weeks apart.
40	** "The Ballad of Booth" states he "died in a barn, in pain and bitter, twenty-seven years of age." Booth was actually twenty-''six'' when he died, but he was only about two weeks off from his twenty-seventh birthday, so... close enough.
41	*** The play also shows Booth committing suicide by shooting himself. In reality, he was shot and killed by Union soldier Boston Corbett after trying to escape from the barn (he wasn't, contrary to the lyrics, ''technically'' in the barn when he died, either, but on the front porch of the farmhouse, where he was brought after being shot; he was paralyzed and died a few hours later). Some performances show the historical version.
42	** Zangara didn't say "Pull switch!" as his execution command, but instead, "Push the button!".
43	*** It's implied that Zangara was executed for trying to shoot Roosevelt. While this is certainly a felony, in reality, Zangara would be executed for killing Anton Cermak. Cermak is mentioned in the play, but it is not said that he died.
44	** After Byck’s second monologue, the sound of a plane taking off is heard, implying Byck managed to get it off the ground but failed to crash it into the White House. Byck never even got that far in real life- though he did board the plane, he made the mistake of shooting the pilot and killing him, leading to the plane never getting off the ground. Byck would ultimately be shot by county police officer Charles Troyer before killing himself with one of his own guns.
45	** The Proprietor calls Booth a "pioneer" when he first appears, implying that he was the first man to shoot a president. While he did give others the idea that they can kill the president, as the Balladeer mentions in the following song, the first man to try to shoot a president was a delusional painter named Richard Lawrence, who attempted to shoot Andrew Jackson. His pistols both jammed, and Jackson beat him with his cane before he was arrested.
46	* AsLongAsThereIsEvil: The 2021-2022 Classics Stage Company off-Broadway production ended with a projection of a photo of the January 6 insurrectionists, showing that even though most of the Assassins are gone (Hinckley is the only one still alive today), the idea that people could still attack the government lives on.
47	* AssassinOutclassin: Naturally, the targets of the failed assassinations.
48	* AttentionWhore:
49	** The crowd singers in "How I Saved Roosevelt" make it seem like they all saved the President by doing inconsequential things.
50	** The Balladeer states to all the Assassins that shooting Presidents just gave them some attention rather than solving any of their problems.
51	* AxCrazy: From the Balladeer's point of view, ''all'' the assassins. While you can definitely make a case for all of them being crazy, it's not ''quite'' that simple.
52	* BadGuyBar: The assassins spend most of the time in between assassination scenes drinking, hanging out, and plotting said assassinations in a bar.
53	* BadSanta: Byck is an alcoholic in a Santa suit who attempts to murder President Nixon.
54	* BalladOfX: The Ballads of Booth, Guiteau and Czolgosz.
55	* BeliefMakesYouStupid: The show depicts how belief in any ideology, even that of liberty, can cloud one's judgement and lead one to do things they would otherwise never have considered.
56	* BerserkButton:
57	** Try not to remind Leon Czolgosz of the job where he boiled his lungs, fried his skin with burning glass, watched his friends die, and got paid six cents an hour just to make some lousy bottles. And whatever you do, don't break one of those bottles right in front of him, then dismiss it as "just a bottle".
58	** Guiteau is a real [[TheCasanova Casanova]] in his attempt to seduce Moore, but when her gun goes off near his head, he flips out.
59	** For Byck, it's cold hamburgers.
60	* BetterToDieThanBeKilled: Booth shoots himself to avoid being killed by the Union army.
61	* BigBad: John Wilkes Booth, for starting this whole mess in the first place (and, in the continuity of the play, creating Lee Harvey Oswald).
62	* BigNo: Zangara at the end of "How I Saved Roosevelt".
63	* BlackComedy: Rivals ''Theatre/SweeneyTodd'' in terms of "should I be laughing at this?" humor!
64	* BlatantLies:
65	-->'''Fromme''': Do you play the guitar?\
66	'''Hinkley:''' ...No.\
67	'''Fromme:''' You're playing it ''now!''
68	* BombThrowingAnarchists: Averted. Anarchist Leon Czolgosz, the assassin of William [=McKinley=], is one of the main characters, and there is a detailed examination of the cause of his radical beliefs - namely, the horrid conditions in factories encouraged by lack of governmental regulation of industry in the Gilded Age, which were the impetus for real-life anarchist activity in the time period. He comes across as the most sympathetic of the assassins, with the most understandable motivation for his actions. [[ArsonMurderAndJaywalking Also, he didn't throw bombs; he shot McKinley]].
69	* BondingOverMissingParents: Fromme and Moore.
70	* BookDumb: Sam Byck. He is very eloquent and capable of crafting surprisingly poetic metaphors, but he doesn't understand megatonnes or holes in the ozone layer.
71	* BookEnds: The show begins with "Everybody's Got The Right" and ends with a reprise of the same.
72	* BreakingTheFourthWall:
73	** Zangara yells at the audience during "How I Saved Roosevelt" for laughing.
74	** Guiteau, during "The Gun Song": "''What a wonder is a gun! What a versatile invention! First of all when you've a gun...'' [aims gun at the front row] ''...everybody pays attention!''"
75	** During his Ballad, John Wilkes Booth stops his monologue to exasperatedly snap at the Balladeer, "Shut ''up''!". Twice.
76	** [[spoiler:The show ends with the assassins opening fire on the audience.]]
77	* BreakingSpeech: Near the very end of the show. The sequence labelled "November 22, 1963/Take A Look, Lee" is where John Wilkes Booth and company convince Lee Harvey Oswald to assassinate JFK.
78	* BSODSong: "The Ballad of Guiteau", particularly Guiteau's last solo section.
79	* TheCameo: [[spoiler: Some productions have Arthur Bremer, Sirhan Sirhan, and James Earl Ray (the shooters of George Wallace, Robert Kennedy, and Martin Luther King Jr. respectively) appear briefly to help convince Lee Harvey Oswald to assassinate JFK.]]
80	* CampStraight: Guiteau, who despite his mannerisms is still attracted to Sara Jane Moore.
81	* CapitalismIsBad: The show depicts capitalism and the American Dream as the true antagonistic forces of the show, being what drives all of the assassins to commit their heinous acts. Capitalism in particular drove Czolgosz to his crime and drove Zangara to his current state. Czolgosz elaborates on his view in his part of "The Gun Song", stating that many workers in the chain of production die in the process of creating consumer goods "to make the bosses richer", while Zangara blames his stomach problems on the hard labor required of a bricklayer.
82	* CasualDangerDialogue: Ronald Reagan cracks jokes at John Hinckley while the latter is shooting at him.
83	* ChurchGoingVillain: Former preacher Charles Guiteau, praying on his way to execution and claiming in court that [[MissionFromGod God is as guilty as him.]]
84	* CloudCuckoolander:
85	** Sara Jane Moore is ditzy, absent-minded, and fumbles with her gun. [[spoiler:Her clumsiness becomes a major reason why her and Lynette Fromme's attempt on President Gerald Ford's life fails.]]
86	** Squeaky and Guiteau as well. The former is obsessed with Charles Manson and likes to rant about the supposed evils that things like lipstick and fried chicken pose to American society, and the latter plugs his book to the audience and is very cheerful about his planned assassination.
87	** Byck, especially in his monologues, where he rambles about Burger King's slogan in the same breath as Theatre/WestSideStory.
88	* ConfusedBystanderInterview: Half of the song "How I Saved Roosevelt" is bystanders who witnessed the attempted assassination of Roosevelt talking to the press and inflating their own importance in the event.
89	* CrapsackWorld: The show depicts America as one, with its various problems inspiring some of the assassins to their attempts. Special focus is given to capitalism - Czolgosz is driven to his attempt through the terrible conditions for factory workers in the Gilded Age, while Zangara is inspired by the deleterious medical effects of years of hard labor and the working class' lack of support and social mobility.
90	* CrazyEnoughToWork:
91	** Zangara's plan to get rid of his stomach ache by assassinating the president of the United States. It did work!...in the sense that his pain ended with his death.
92	** Most of the assassins' plans boil down to "I want something, killing the president will help me get it". How crazy this idea is in context varies from assassin to assassin.
93	* CrossCastRole: In the original, The Balladeer, apart from being referenced as 'boy' once by Booth, could be played as female.
94	* CrowdSong: "How I Saved Roosevelt".
95	* CueCardPause: Inverted when Squeaky Fromme reads the inscription on the back of the photo of Jodie Foster without any pauses, ending with:
96	-->"...and the peasants will drool over us property of Columbia Pictures?"
97	* CurseCutShort: In the opening:
98	-->'''Booth/Proprietor:''' Free country!
99	-->'''Booth:''' Means you don't have to sit--
100	-->'''Proprietor:''' That's it!
101	-->'''Booth:''' --and put up with the sh-
102	-->'''Company:''' Everybody's got the right to some sunshine!
103	* TheDandy: Booth embodies the well-dressed SouthernGentleman stereotype and is described as preferring "furs and fancy silks."
104	* DarkerAndEdgier: While Sondheim's previous show, ''Theatre/IntoTheWoods'', gets plenty dark in its second act, ''Assassins'' deals with real-life murderers, and his next show, ''Passion,'' is arguably even heavier.
105	* DarkReprise:
106	** "Everybody's Got The Right". After the events of the show, the song gains new meaning.
107	** "Something Just Broke" serves as a symbolic one to "How I Saved Roosevelt." In "Roosevelt," various bystanders in Florida are interviewed about the attempted assassination of FDR, bragging about their own (highly embellished) actions and making themselves sound like heroes. In "Something Just Broke," the same bystanders return...only now JFK is dead, and instead of cheerfully talking about how they saved the day, they're stunned and saddened as they speak about the precise time when they heard the news, and how they'll never be able to forget that specific moment.
108	* DeathIsNotPermanent: Used symbolically; the assassins don't die, because their acts have made them immortal.
109	* DeathSong:
110	** "The Ballad of Booth" for John Wilkes Booth. In his final minutes, Booth bemoans about how the country has fallen from grace, and dies believing that he'll be remembered as the hero who slew "the tyrant". Then the Balladeer steps in to remind the audience that this wasn't the case.
111	** "How I Saved Roosevelt" for Giuseppe Zangara, who dies by electric chair. Like in real life, he spends his last moments raging about how no photographers are there to capture his death ("Only ''capitalists'' get photographers!"), and urges the executioner to pull the switch.
112	** "The Ballad of Guiteau" for Charles Guiteau, who is executed at the gallows. The song ends with him dancing happily up the steps, ready to meet "the Lordy".
113	* DecadeDissonance: Used for effect in the score.
114	* DecapitatedArmy: PlayedWith, as Booth believes that having killed Lincoln, the Civil War can finally end. In real life, the South had already surrendered when Booth decided to kill Lincoln. However, Booth seems to believe that Lincoln was responsible for the division of the country, as opposed to the real issue of slavery.
115	* DecompositeCharacter: The Chichester Festival Theatre's modernized production splits the Balladeer into three news anchors. It still follows in the footsteps of previous versions by turning one of them into [[spoiler:Lee Harvey Oswald]] at the end.
116	* {{Deconstruction}}: Of the American Dream. The assassins "dream" to kill their presidents in the land of opportunity. Additionally, much time is devoted to examining how the ethos of "work hard and you can achieve your goals and become rich" is not feasible when the socioeconomic system is corrupt and stacked against those of the lower classes.
117	* DeconReconSwitch: The show builds up sympathy for many of the Assassins by showing what horrible lives many of them had, how much they all love the American dream, and the excellent points they raise, making it seem like maybe the Assassins aren't as bad as we think they're supposed to be. [[BaitTheDog Then]] Booth, [[BigBad who started it all]], talks about how he killed Lincoln for being a "[[PoliticallyIncorrectVillain nigger-lover]]" and we see the dozens of bystanders who are traumatized by the psychological damage coming from the assassination of JFK, and we're reminded that yes, while the American dream may have some flaws and many of the Presidents haven't accidentally been saints, the Assassins are still violently unhealthy maniacs, many of them are bigots, and ''shooting the President'' is ''not'' going to change anything - the fact that [[VillainProtagonist they're the protagonists]] doesn't make the Assassins not the bad guys.
118	--> '''Balladeer''': Yes, you made a little moment and you stirred a little mud / But it didn't fix the stomach and you've drunk your final Bud / And it didn't help the workers and it didn't heal the country / And it didn't make them listen / And they never said "we're sorry".
119	* DespairEventHorizon: Most of the assassins have already passed this point by the time they come onstage. {{Lampshaded}} by Booth when Oswald tries to justify killing himself.
120	* TheDitz: Sara Jane Moore's characterization essentially boils down to this, as she accidentally fires her gun multiple times throughout the course of the show and is very awkward during her conversation with Fromme.
121	* DividedStatesOfAmerica: Booth says Lincoln "threw the 'U' out of 'USA'".
122	* DontExplainTheJoke: Sara Jane Moore:
123	--> '''Fromme:''' You had amnesia?
124	--> '''Moore:''' I did? ''[laughs]'' It's a joke. See, it's like, if I had amnesia, then I couldn't remember anything, including that I had amnesia.
125	* DownerEnding: Four of the attempts succeed, and after the assassination of Kennedy, we see the reactions of normal Americans, knowing that [[TheBadGuyWins the villains won.]]
126	* DramaticGunCock: A comedic version.
127	--> "What a wonder is a gun,
128	--> What a versatile invention.
129	--> First of all, when you've a gun...
130	--> ''[cocks gun. {{Beat}}]''
131	--> Everybody pays attention!"
132	* DrivesLikeCrazy: Byck is not a very good driver, though he manages to not have much issue keeping in his lane throughout his second monologue. In response to a car horn at the start, however, he yells "Don't blame me, I'm from [[HollywoodNewEngland Massachusetts]]!".
133	* DudeWheresMyReward: The beginning of "Another National Anthem" has all of the assassins, led by Sam Byck, angrily demanding a "prize" for killing (or attempting to kill) their respective presidents, having been promised such earlier, but receiving nothing in the end. The Balladeer tries to explain why they didn't get their prize, but the assassins aren't having his answer.
134	* TheElevenOClockNumber:
135	** A dark twist on the trope with "Another National Anthem".
136	** "Something Just Broke," added in the 2004 revival, provides a truer example. We've spent the entire show in the company of the assassins, building up to a tremendous climax where [[spoiler:Oswald shoots and kills Kennedy]]... then we see its effect on ordinary American citizens, and it's ''devastating.''
137	* EloquentInMyNativeTongue: Zangara, which is used to gorgeous dramatic effect in the Lee Harvey Oswald scene. He gives a dramatic speech in Italian trying to convince Oswald to shoot JFK, with the other assassins translating his words.
138	* EntitledBastard: Guiteau is described as someone who never "heard the word no," which is shown by his violent rage when Moore and Garfield reject him.
139	* EpicFail: Lynette Fromme and Sara Jane Moore's attempt to assassinate President Gerald Ford ends hilariously badly. First, Moore brings her dog and her son along for the job and accidentally shoots her dog. Second, Fromme and Moore argue about Moore's treatment of her son and briefly turn their guns on each other. Next, when Moore tries to prove to Fromme that her gun is loaded, she spills her bullets, which is when Gerald enters the scene and helps her pick them up. Finally, the two ladies don't recognize their target was right at their fingertips until he states his name, and when they do, Fromme tries to open fire, only for her gun to jam, and Moore tries to throw bullets at her target shouting "BANG! BANG!" as Ford leaves.
140	-->''[buzzer sounds]''\
141	'''Moore:''' SHIT!
142	* EstablishingCharacterMoment: All the assassins sans Czolgosz, the first to appear, get this in the opening number:
143	** Hinckley is enticed by the Proprietor's comments on how he can win Jodie Foster's heart and immediately tries to cut in front of Czolgosz, insisting that he was there first.
144	** Zangara enters groaning in pain from his stomach illness.
145	** Guiteau immediately responds to the Proprietor's suggestion to kill the president with a hearty, enthusiastic "Okay!"
146	** Byck just kinda drunkenly wanders on-stage in a Santa suit holding a picket sign.
147	** After the Proprietor makes some sexist comments about women handling guns, Fromme proceeds to pull a knife on him.
148	** Moore insists upon taking a gun, but immediately proceeds to ineptly fumble with it.
149	** Booth is given a dramatic, larger-than-life entrance which is announced by the Proprietor.
150	* EvilSoundsDeep: [[ZigzaggedTrope Zigzagged.]] Played straight with Czolgosz (a bass-baritone), Byck (a bass, though he doesn't sing much), and the Proprietor (a bass). [[ZigzaggedTrope Zigzagged]] with Booth (a baritone) and Fromme and Moore (both mezzos). [[SubvertedTrope Subverted entirely]] with Guiteau and Zangara (both tenors, though Zangara's even higher than Guiteau). [[spoiler: Also subverted with Oswald in the 2004 version. Oswald himself only sings one line in the entire show, but the balladeer, who becomes Oswald in the 2004 version, is a tenor.]]
151	* FaceDeathWithDignity: Booth calmly and solemnly kills himself, stating he will supposedly die with his country which is "not what it was".
152	* FatBastard: Sam Byck is fat and attempts to kill Richard Nixon for seemingly failing him and the nation.
153	* FauxAffablyEvil: Booth is polite and charming and very handsome. He's still a racist lowlife that murdered a president and (in the show), encourages others to do the same. Unlike, say, Guiteau, Booth's pleasantness is an act, made to serve his own ends.
154	* FeeFiFauxPas: During "The Ballad of Czolgosz," several bystanders - awed by President [=McKinley=] - describe him as [[AdiposeRex 'round and prosperous']] as well as excitedly discussing his penchant for [[MundaneLuxury eating beef]] and [[RareMoney collecting coins]]... all in front of the poor anarchist planning to kill him.
155	* FictionalizedDeathAccount: John Wilkes Booth commits suicide when the barn is surrounded and set on fire. Some productions restore the historical version by having him shot by a Federal soldier.
156	* ForegoneConclusion: Lee Harvey Oswald ends up killing Kennedy. Knowing this doesn't make the scene any less nail-bitingly tense. Also, Czolgosz, Guiteau, and Booth succeed in their assassination attempts, while Hinckley, Fromme, Moore, Byck, and Zangara fail.
157	** This goes for the rest of the assassinations/attempts as well. Perhaps because of this, both "The Ballad of Booth" and "The Ballad of Guiteau" take place after brief dialogue scenes recounting the assassinations, while the songs themselves are about the character's backstories and ultimate fates.
158	* TheFourthWallWillNotProtectYou: The Balladeer gets attacked by the assassins in "Another National Anthem", and is either driven off the stage (off-Broadway version) or [[spoiler:transformed into Lee Harvey Oswald]] (Broadway version). Also, in some productions, at the end of the play, the assassins point their guns at the audience and fire.
159	* FromNobodyToNightmare: Each of the assassins go from average, down-trodden American citizens to President killers.
160	* FunnyForeigner: Subverted with Giuseppe Zangara in two ways: first, as he mentions in "How I Saved Roosevelt," he's a naturalized American citizen. Second, in the scene where he begs Oswald to go through with killing Kennedy, he chooses to speak Italian, with the other assassins translating for him, proving he's more [[EloquentInMyNativeTongue eloquent in his native tongue]]. It's also oddly referenced with Czolgosz: according to the script, he was "born in the middle of Michigan,"[[note]]Technically, in Alpena, which is on the coast[[/note]] making him an American citizen, but he bitterly comments that he comes down in history as a "deranged immigrant" in "Another National Anthem". (And he still has a vaguely Eastern European accent, possibly because in RealLife he was the only member of his immediate family born in the United States, and they lived in at least one Polish enclave during his childhood.)
161	* TheGhost: Half the Presidents. In some productions, they are represented by the Proprietor donning an outfit, but it is very rare to see someone actually cast as any of them.
162	* GilliganCut: Guiteau's "I am a terrifying and imposing figure!" is often followed by something not terrifying or imposing.
163	* GoodAngelBadAngel: The Balladeer and the Proprietor serve as these to the Assassins; the former condemns their actions and dispenses {{The Reason You Suck Speech}}es, while the latter encourages their dark aspirations and even sells them their guns. The contrast is particularly clear during "Another National Anthem."
164	* GreaterScopeVillain: The Proprietor encourages all of the assassins to assassinate their respective presidents by saying that it will solve all of their problems.
165	* GriefSong: "Something Just Broke", where the American people grieve for the victims of the assassinations.
166	* GunmanWithThreeNames: {{Lampshaded}} in a chilling moment between John Wilkes Booth and Lee Harvey Oswald.
167	--->'''Booth:''' Why do all these rednecks have three names? James Earl Ray! John Wilkes Booth!
168	--->'''Oswald:''' Lee Harvey Oswald!
169	** Bonus points for that being the first time we [[SayMyName hear Oswald's full name.]] (Booth has, up to this point, just called him "Lee.")
170	* HandsOnApproach: Guiteau gets ''very'' handsy with Sara Jane Moore while giving her shooting tips, eventually asking her for a kiss which she rejects.
171	* HayseedName: Combined with GunmanWithThreeNames, when John Wilkes Booth mentions this in a conversation with Lee Harvey Oswald while also referencing James Earl Ray, and referring to all three as "rednecks".
172	* HistoricalDomainCharacter: All of the assassins are real historical figures who attempted to assassinate Presidents of the United States.
173	* HotBlooded: Booth and Zangara, in slightly different ways. Booth makes a lot of dramatic speeches, while Zangara yells at anyone or anything that bothers him.
174	* {{Hypocrite}}: Booth and his associates. Besides trying to fulfill their dreams by depriving others of theirs, they fire into the audience, at least in some productions. As Booth said, "adulterers and shopkeepers get murdered" when differentiating himself and Oswald from murderers. Plenty of them probably in the audience.
175	* IAmSong: "Unworthy of Your Love" is an interesting example, as it is more about Hinckley and Fromme's disturbed insecurity than about their love interests. It is essentially an IAmSong masquerading as an IWantSong.
176	* IJustWantToBeLoved: Booth hypothesises this as Oswald's motivation.
177	-->'''Oswald''': People... will hate me!
178	-->'''Booth''': They will hate you with a ''passion'', Lee. Imagine! People having passionate feelings about [[FullNameUltimatum Lee Harvey Oswald]].
179	* ImperialStormtrooperMarksmanshipAcademy:
180	** Sara Jane Moore, by her own admission, is a terrible shot at her gun.
181	-->"I couldn't hit William Howard Taft if he was sitting on my lap."
182	** Or the Russian army, in Hinckley's case of hitting President Ronald Reagan who survives ([[LampshadedTrope lampshaded]] by Reagan himself).
183	* IncrediblyLongNote:
184	** "Everybody's got the right... to their ''dreeeeeeeeeeeeeeeeeeeeeeeeeeams''..."
185	** Some productions have Guiteau stretch out the "book" in "Promote the sales of my book!" for an impressively long time. Occasionally while holding up his book and trying to [[BreakingTheFourthWall show it to the audience]].
186	* IneffectualSympatheticVillain: Moore and Hinckley. as well as Fromme to some extent.
187	* InnBetweenTheWorlds: A variant. The framing device for the musical involves two locations, an AmusementParkOfDoom and a BadGuyBar, each of which exists in a sort of temporal limbo where characters from vastly different time periods are able to interact, [[spoiler: and, as seen in the final scenes of the musical, even travel into other time periods.]]
188	* InnocentInnuendo: Guiteau asks Moore to show him her form, as in, how she shoots, not her body shape.
189	-->'''Moore:''' [[BigWhat WHAT?]]
190	-->'''Guiteau:''' ...the way you shoot.
191	* InsaneEqualsViolent: Some assassins such as John Hinckley Junior and Squeaky Fromme were off their rocker and attempted to assassinate Ronald Reagan and Gerald Ford respectively.
192	* InsaneTrollLogic:
193	** John Wilkes Booth is a master of assuming shooting a president will solve his problems, being the originator of this entire sick tradition.
194	** After Zangara complains that nothing practical he's done has helped his stomach problems John Wilkes Booth asks if he's tried killing President Roosevelt.
195	--->'''Zangara:''' You think that help?
196	--->'''Booth:''' It couldn't hurt.
197	** This particular exchange between Booth and Oswald.
198	--->'''Oswald:''' I didn't come here to shoot the President!
199	--->'''Booth:''' He didn't come here to get shot.
200	* InteractiveNarrator: The Balladeer helps to read John Wilkes Booth's diary in "The Ballad of Booth" and sarcastically reassures Charles Guiteau mere moments before he is hanged in "The Ballad of Guiteau".
201	* InterruptedSuicide: [[spoiler: Lee Harvey Oswald]] was about to kill himself before Booth and the others convinced him to shoot the President instead.
202	* IronicEcho: "The Ballad of Guiteau" has Guiteau singing to himself to "look on the bright side" as a mean to reassure himself that he will be rewarded for killing President Garfield "tomorrow" and God would save him. The end of said ballad has the Balladeer using those same words to sarcastically reassure Guiteau that he'll be saved from his death sentence, and he'll be remembered, despite being beyond saving or redemption.
203	-->'''Balladeer:''' ''Look on the bright side,\
204	Not on the sad side\
205	Inside the bad side, something's good!''
206	* IWantSong: Dark version: "Everybody's Got the Right", where the assassins sing that everyone has the right to follow their dreams. It just so happens that ''their'' dreams involve assassinating presidents.
207	* LargeHam: Guiteau is very loud and cheerful about pretty much everything he does.
208	* {{Leitmotif}}:
209	** Several. The biggest one being the slowed-down, carnival waltz-like version of "Hail to the Chief", which plays at the opening of "Everybody's Got The Right," immediately before Booth assassinates Lincoln, when Emma Goldman delivers her speech, after each ballad and after Oswald has shot Kennedy.
210	** Another example is the "c'mere and kill a president" theme, which is heard again when the assassins are all chanting how they can "connect" in a free country, which subconsciously tells us exactly how they believe they can get around to doing that.
211	* LemonyNarrator: The Balladeer often injects his own views into the songs.
212	* LonersAreFreaks: John Hinckley was head over heels for actress Jodie Foster to the point where he attempted to assassinate President Ronald Reagan.
213	* LoveMakesYouEvil:
214	** John Hinckley Jr. and Lynette "Squeaky" Fromme, as seen in "Unworthy of Your Love" - both want to assassinate their respective presidents because they believe the target of their obsessions will appreciate it.
215	** To a lesser extent, Czolgosz. He had an unreciprocated crush on Emma Goldman, who gave him the idea of becoming an anarchist.
216	* LyricalDissonance: Every single song. The music invokes every kind of warm, homespun Americana you can think of, while the lyrics turn that vision of America on its head.
217	** Special mention goes out to a variation on “Hail to the Chief” being used in the opening and closing numbers. “How I Saved Roosevelt” is essentially lyrics set to “The Washington Post March” and “El Capitan”.
218	* ManipulativeBastard: John Wilkes Booth personally convinces Zangara, Czolgosz, and [[spoiler: Lee Harvey Oswald]] to shoot Presidents.
219	* MeaningfulEcho: Booth repeats his "squeeze your little finger" line from "The Gun Song" when [[spoiler: he convinces Lee Harvey Oswald to shoot John F. Kennedy]].
220	* MidwordRhyme: "How I Saved Roosevelt" contains a mid-''letter'' rhyme, which when written down looks sort of like:
221	-->We'd have been left
222	-->Bereft
223	-->Of F
224	-->DR
225	** From "The Gun Song":
226	--> With a gun,
227	--> You can make a state-
228	--> Ment
229	* MoodWhiplash:
230	** Guiteau's above-mentioned BreakingTheFourthWall and Sara Jane Moore's RummageFail in "The Gun Song." It's heavily contrasted with the sad, sombre portion of the song sung by Czolgoz about how many men are killed making a gun.
231	** Booth stopping his monologue about why he killed Lincoln to snap at the Balladeer, who's been mocking him throughout the ballad, to shut up.
232	** From the 2004 revival: Booth had just killed himself after a very dramatic solo. The Balladeer then enters to sing about how Booth was "off his head". Offended, John immediately springs back to life to give him an annoyed glare.
233	** Byck's monologues alternate rather rapidly between psychotically insane to hilarious to sad to angry and back to hilarious again.
234	** In general, most of the show is much more comedic (albeit in a [[BlackComedy dark way]]) than the final scene with Lee Harvey Oswald.
235	* MoralityBallad: The three ballads dedicated to Booth, Czolgosz, and Guiteau.
236	* MotiveRant: The opening of "Another National Anthem" has every single assassin rave about why they assassinated or attempted to assassinate the U.S. Presidents of their time.
237	* MurderBallad: The three assassins with eponymous ballads (see above) are the only three successful assassins, before Oswald in the final scene.
238	* MurderIsTheBestSolution: At least, if you ask our protagonists and the Proprietor. The Balladeer's part of "Another National Anthem" is smashing this trope to pieces. The assassins don't listen to him.
239	* MusicalisInterruptus: Played for drama during "The Ballad of Guiteau", where Guiteau snaps back to reality twice just before he can finish singing his ditty, and then a third time even earlier-- this being the point where it becomes clear to him that ''nothing'' is going to save him from the gallows. Some versions even have the noose he gets hanged from drop at that point.
240	-->'''Guiteau:''' ''Look on the bright side, look on the bright side\
241	Sit on the right side of the-- [stops upon seeing the executioner]''
242	* TheMusicMeister: The Balladeer has elements of this. Also, to a lesser extent, the Proprietor.
243	* NiceJobFixingItVillain: As the Balladeer points out, thanks to Booth, Abraham Lincoln went from a divisive figure to being considered one of America's greatest Presidents.
244	* ObsessionSong: "Unworthy of Your Love", a duet between John Hinckley and Lynette "Squeaky" Fromme about their respective obsessions, Jodie Foster and Charles Manson. Both sides are of the passive type.
245	* OneSteveLimit: Averted, there are two Johns (Booth and Hinckley), and two Charlies if you count [[TheGhost Charles Manson]].
246	* PassingTheTorch: [[DependingOnTheWriter In some productions]], the show ends with the assassins ceremoniously handing their guns down to the extras to carry on the tradition, just as the reprise of "Everybody's Got the Right" reaches its crescendo.
247	* {{Pastiche}}: Nearly every song is a homage to a different American musical style like patriotic marches and '80s pop.
248	* PatterSong: “The Ballad Of Czolgosz” when describing the Pan-American Exposition.
249	* PetTheDog: Czolgsoz carrying Emma Goldman's bag for her.
250	* PoliticallyIncorrectVillain: The Proprietor does a FunnyForeigner impression of Zangara's accent, and displays a StayInTheKitchen attitude towards Lynette and Sara Jane.
251	* ThePollyanna: Charles J. Guiteau, who, even when waiting to be executed, is compelled to "look on the bright side".
252	* PredecessorVillain: John Wilkes Booth, who paved the way for the other assassins, having successfully assassinated President Abraham Lincoln.
253	* ThePresentsWereNeverFromSanta: Byck's motivation, literally and figuratively, is because he believed Santa is a lie, which also serves a double meaning about him perceiving the American Dream being a lie. Byck even makes a recording to Richard Nixon, telling him that he voted for Nixon and the president let him down, preventing him from making any money.
254	* PresidentEvil: Well, from some of the assassins' point of view. Czolgosz and Zangara believe that their respective presidents are responsible, in some way or another, for the systemic problems of American laissez-faire capitalism.
255	* ProtagonistJourneyToVillain: A possible interpretation of [[spoiler: the Balladeer, starting with the 2004 version. He is the voice of morality and reason for most of the show, condemning the assassin's attempts, only to get overwhelmed by them and transform into Lee Harvey Oswald, who joins them in the finale.]]
256	* RaceLift: Both Czolgosz and Fromme are portrayed by black actors in the Chichester Festival production. This version's concept somewhat justifies the casting, as the assassins are now nameless, modern day citizens who are invited onstage to represent the characters.
257	* RageAgainstTheAuthor:
258	** The song "Another National Anthem" has elements of this, culminating in the Assassins ''running the Balladeer off the stage'' (in the original version) or [[spoiler:turning him into ''one of them'' (in the revival, where he becomes Lee Harvey Oswald)]].
259	** Also, a minor reflexive example: one of Sam Byck's tirades is aimed at Leonard Bernstein and Byck angrily quotes the lyrics of ''Theatre/WestSideStory'' (specifically, the song "America") back at him. Those lyrics were, of course, written by Stephen Sondheim.
260	* ReasonYouSuckSpeech / RousingSpeech: The Balladeer's part of "Another National Anthem" manages to be ''both''. It can be summed up as, "Yeah, you all suck right ''now'', but there's still a chance for you to change and be better!" [[spoiler:Naturally, it doesn't work.]]
261	* RecklessGunUsage: Sara Jane Moore is written to be played with no regard for the proper operation or storage of her .38 revolver. She accidentally discharges it no less than five times during the course of the show, once while it's still in her handbag, narrowly missing Lynette "Squeaky" Fromme, once into the air when she's supposed to be clicking the hammer of an unloaded weapon in "The Gun Song," once when startled with her finger prematurely on the trigger, damaging Charles Guiteau's hearing in the process, and twice during two separate scene change blackouts, with the lights coming up on her scene the second time to reveal she's just [[IJustShotMarvinInTheFace accidentally shot her own dog]].
262	-->'''Sara Jane:''' Shit, I shot it!
263	* RummageFail: Sara Jane Moore attempts to pull out a "really great gun" in "The Gun Song", but pulls out a shoe on her first attempt.
264	* SanitySlippageSong: Any song containing the word "Ballad" in its title.
265	* ShoutOut:
266	** The first line the Balladeer sings in "The Ballad of Guiteau" is a shout-out to the American folk song "Charles Guiteau".
267	** Booth references the sad story of [[Theatre/DeathOfASalesman Willie Loman]] and compares the character to Oswald. (It's a bit of a MindScrew: Booth is an actor, so of course he would be familiar with ''Salesman,'' if it hadn't been written 80 years after his death.)
268	** Sam Byck negatively quotes some of the lyrics to "America" from ''Theatre/WestSideStory'', which Sondheim also wrote. Some versions even play the song during the following scene transition.
269	* ShownTheirWork: All over the place, in subtle ways.
270	** Most notably, Guiteau's "Going to the Lordy" bit in his ballad is taken from lyrics the real Guiteau wrote shortly before his execution. (He read it at his execution and had actually requested an orchestra to accompany him, but that part was nixed.) Said ballad also accurately noted that Guiteau believed God had chosen him to kill President Garfield, and had a crowd drawn to his trial, which his real life counterpart also faced owing to his behavior, from interrupting his attorney with insults and telling jurors his life story, including his narrow escapes from death, to talking back at the judge after he was sentenced to hang.
271	** Displayed in the final scene with Lee Harvey Oswald, when Booth proves his supernatural nature by telling Oswald a brief version of the latter's life story.
272	** Another example: a band was playing marches by John Philip Sousa at the event where Zangara made his attempt on FDR's life. Zangara's number, "How I Saved Roosevelt", features several Sousa marches woven together.
273	---->"''And wasn't the band just fantastic''--"
274	*** Zangara really did think about killing Herbert Hoover, but when he learned that president-elect FDR was coming to Miami, where Zangara lived at the time, he decided to shoot FDR instead. Just as he says in the play, it was winter when he was planning to assassinate Hoover, and he believed that cold weather aggravated his stomach problems, so he didn't want to go to Washington.
275	** In the "Ballad of Booth", John Wilkes Booth's dying words are that "the country is not what it was", which are taken from his final diary entry.
276	** In "The Ballad of Czolgosz", it gets extremely detailed about Czolgosz and the events that surrounded that day. His backstory is correct, he actually did wrap a handkerchief around his gun, and (if you look at a map of the Pan-American Exposition) they actually got the layout of the event right. Extra points for the song revolving around "working your way to the head of the line," referencing Czolgosz standing in line for the kill.
277	*** When the Proprietor offers Czolgosz a gun, he lists off the specs, including the company that made it, the caliber, the fact that the handle is rubber, and that there are owls stamped onto the sides. All of this is accurate to the actual gun Czolgosz used.
278	** All of the jokes Ronald Reagan makes at Hinckley are jokes he said in real life about the assassination, except for the "there you go again" line, which was a jab used at Jimmy Carter during debates.
279	** Guiteau's angry reaction to Moore rejecting his advances reflects on his real-life DomesticAbuse of his wife.
280	** At least one production replaced Booth's suicide with his real-life death at the hands of Union soldier Boston Corbett.
281	* ShutUpGunshot: Not intentional, but Moore silences the entire cast and stops the song when she accidentally fires into the roof during "The Gun Song".
282	* SillyLoveSongs: Expertly pastiched with "Unworthy of Your Love" (see above).
283	* SirSwearsALot: Moore and Byck, and to a lesser extent Fromme.
284	* SmurfettePrinciple: A justified case--there are only two women (Fromme and Moore) among the main characters, but that's because they're the only (known) women who have attempted to assassinate a U.S. President.
285	* SoapboxSadie: Fromme. She can't even have a simple chat with Sara Jane Moore without derailing into a [[SeriousBusiness totally serious]] rant about the evils of lipstick, fast food, football, etc.
286	* SouthernGentleman: Booth is a villainous example. After his "Ballad," he uses his charm and persuasion to coax others into assassination throughout the show.
287	* StalkerWithACrush: Hinckley and Fromme. See above.
288	* SuddenlyShouting: Byck, during his monologues, is extremely guilty of this.
289	* ThrowTheBookAtThem: During "November 22, 1963", Oswald asks Booth, "This is stupid. Up here on the sixth floor, what would I do? Throw school books at him?"
290	* TimeTravel: [[spoiler: Kind of. In one of the last scenes of the show, Lee Harvey Oswald is visited by John Wilkes Booth, who is later joined by all of the other assassins (from both before and after 1963), encouraging Oswald to assassinate President Kennedy. [[MindScrew It is unclear how exactly any of these historical figures ended up in 1963, or even if they're actually there at all.]]]]
291	* TotallyRadical: Sara Jane Moore attempts to bond with Lynette Fromme by using terms like "groovy" and "psychedelic". Fromme comments that she sounds like a narc.
292	* TragicDream: All the Assassins have one of these.
293	* TriggerHappy: All the protagonists, of course. In particular, Czolgosz, Booth, Moore, and Guiteau sing a paean to the power of guns.
294	* TriumphantReprise: After Oswald shoots Kennedy, we hear a large version of the previous "Hail To The Chief" waltz theme.
295	* TrueCompanions: The assassins themselves. As they say to Oswald during his song, "We're your family."
296	* TwoGirlsToATeam: Fromme and Moore are the only two female assassins in the group. Fitting, since they were also the only two women in history to try to kill an American President.
297	* {{Tyrannicide}}: John Wilkes Booth believes he is doing this when he kills UsefulNotes/AbrahamLincoln, comparing the situation to ''Theatre/JuliusCaesar''.
298	-->"Hunt me down, smear my name. Say I did it for the fame, what I did was kill the man who killed my country! Now the Southland can mend! Now this bloody war can end! Because someone slew the tyrant, just as Brutus slew the tyrant!"
299	* VillainousAdviceSong: "Everybody's Got the Right", a song which is encouraging the characters to follow their dreams...except their dreams all involve killing presidents.
300	* VillainHasAPoint: Part of the premise of the show. While it in no way condones the actions of the assassins, the show does depict the various environmental factors contributing to their acts. Byck's monologue about the confusing and hypocritical state of modern U.S. politics and Czolgosz's description of the brutal conditions of industrial labor are just two examples.
301	* VillainLoveSong: "Unworthy of Your Love" is unique in that the two singers (Hinckley and Fromme) are not singing to each other but to different people entirely - (Creator/JodieFoster and UsefulNotes/CharlesManson, respectively).
302	* VillainProtagonist: Everyone except the Balladeer. [[spoiler: Also, in the revival, the Balladeer - he is turned into into Lee Harvey Oswald.]]
303	* VillainRecruitmentSong: The musical bits of "November 22, 1963", in which the assassins convince Lee Harvey Oswald to kill Kennedy.
304	* VillainSong: Several songs qualify:
305	** "Everybody's Got the Right" for the Proprietor (and, to a lesser extent, the assassins)
306	** Booth's parts of "The Ballad of Booth".
307	** Zangara's parts in "How I Saved Roosevelt".
308	** "Unworthy of Your Love" for Hinckley and Fromme.
309	** "Another National Anthem" for the assassins collectively.
310	** Though it's mostly a scene of dialogue, there are a few sung bits at the end of "November 22, 1963" that could be considered a villain song for the assassins collectively.
311	** "Everybody's Got the Right (Reprise)" for the assassins collectively.
312	** "The Gun Song" does not count because, though sung by the assassins and alluding to their planned crimes, they don't talk about their specific plans or their motivations. They just marvel at the power of the gun as an invention in a way that's... kind of a borderline case, but doesn't quite reach the threshold.
313	** "The Ballad of Czolgosz" does not count because it is not sung by Czolgosz, and the Balladeer is opposed to Czolgosz's actions, making it a TheVillainSucksSong.
314	** "The Ballad of Guiteau" does not count because Guiteau's parts are not about his crime or his motivations, they're just about his personal philosophy and his mental and spiritual preparation for his own execution.
315	* TheVillainSucksSong: The aforementioned ballads. Interestingly, the only songs where the Balladeer outright criticizes the assassins are "Ballad Of Booth" and "Another National Anthem". In the others, he's more evenhanded, and in "Ballad Of Czolgosz", he paints a fairly sympathetic picture of Czolgosz. He still insults them more than a little, though.
316	* VillainousAdviceSong: "Everybody's Got the Right." Okay, none of the assassins are "heroes," exactly, but the song is what convinces them to actually kill their respective presidents.
317	* VillainousBreakdown:
318	** Guiteau grows utterly desperate at the end of "The Ballad of Guiteau" when it ''finally'' dawns on him that he's about to be hanged, forcing out his deluded optimism as he climbs the stairs to the top of the scaffold and his death.
319	--->''I am going to the Lordy\
320	I am so glad!\
321	I am going to the Lordy\
322	I am so glad!\
323	I have unified my party!\
324	I have saved my country!\
325	I shall be'' '''REMEMBEEEEEEEEEERED!!!!!!!!'''
326	** Zangara becomes increasingly unhinged over the course of "How I Killed Roosevelt":
327	--->''Zangara have nothing\
328	No luck, no girl\
329	Zangara no smart, no school\
330	But Zangara no foreign tool\
331	Zangara American!\
332	American nothing!''
333	* WellIntentionedExtremist: Czolgosz, at least compared to the other assassins. He truly wanted to help others with [=McKinley=]'s death, believing his act would stop the evils and oppression of capitalism.
334	* WhamEpisode: In the original off-Broadway production, there was frequently an audible gasp from the audience at the top of the final scene. After spending over an hour with the other assassins and their stories, the audience had become absorbed in them and had forgotten about the existence of Lee Harvey Oswald, until with a sudden crash they were confronted with the immediacy of the story, and the dramatization of a day many members of that 1991 audience remembered vividly.
335	* WhamLine:
336	** Most of "The Ballad of Booth" paints John Wilkes Booth as having a legitimate grievance against Abraham Lincoln. Then, near the very end of the song, he calls the President a "Nigger lover," and suddenly we realize how much of his hatred was motivated by racism.
337	** From "Something Just Broke": "The president's been shot..."
338	** Depending on the version, either of the two lines where Lee's full name is first stated. Just in case there was anyone in the audience who was left in any doubt as to who he was before then.
339	** It's downplayed since anyone going in must know the premise, but this also pops up in the very beginning. After the Proprietor smoothly croons, drawing in Czolgosz, he bluntly tells him "Come here and kill a President!", which lets us know exactly what kind of show we're watching.
340	* WhamShot: [[spoiler:The Zapruder film is projected onto Oswald's shirt after he shoots Kennedy.]]
341	* WhatHaveWeEar: Gerald Ford does this when he's helping Fromme and Moore pick up a bunch of bullets they had just dropped.
342	* WhoShotJFK: Referenced in the final scene, with the characters convincing Lee Harvey Oswald to go through with the shooting.
343	-->'''Booth''': Fifty years from now they'll still be arguing about the grassy knoll, or the mafia, or some Cuban crouched behind a stockade fence, but this, right here, right now, ''this'' is the real conspiracy.
344	* WickedCultured: Booth, the former actor, is described as this.
345	* WideEyedIdealist:
346	** The Balladeer. He believes that the American dream is fundamentally attainable and fundamentally good, a point generally refuted by the show.
347	** Guiteau is a DarkerAndEdgier take on this concept. He is also seen to place a certain amount of blind faith in America and its government and believes that you can achieve anything you want in life if you try hard enough.
348	* WouldHurtAChild: At one point, Moore points her gun at her son to [[DisproportionateRetribution get him to stop bothering her for money to buy ice cream.]]
349	* YouBastard: When Zangara yells "No laugh! No funny!" at the audience. Even the music stops.
350	* YourTerroristsAreOurFreedomFighters: [[ZigzaggedTrope Zigzagged]] and [[DownplayedTrope Downplayed]] On the one hand, the assassins' motives are mostly sympathetic, and the power structure put in place is depicted as corrupt. On the other hand, their actions are condemned and the show ultimately suggests that peaceful, democratic transition is the best way to change a bad system, not acts of political violence.
351	* YoureInsane: Lee Harvey Oswald says this when he's told to shoot the president. The person he's talking to really doesn't care, responding "Maybe I am. So what?"

Context Theatre / Assassins