| 1 | %%% |
| 2 | %% |
| 3 | %% This page has been alphabetized. Please add new examples in the correct order. |
| 4 | %% |
| 5 | %%% |
| 6 | [[quoteright:350:[[Series/TheGreatestAmericanHero https://static.tvtropes.org/pmwiki/pub/images/greatestamericanherohereslookingatyoukids01e030401.jpg]]]] |
| 7 | [[caption-width-right:350:Special effects by Piet Mondrian.]] |
| 8 | ---- |
| 9 | !!Subpages: |
| 10 | * ''[[SpecialEffectFailure/DoctorWho Doctor Who]]'' |
| 11 | * [[SpecialEffectFailure/GameShows Game Shows]] |
| 12 | * ''[[SpecialEffectFailure/TheTomorrowPeople1973 The Tomorrow People (1973)]]'' |
| 13 | ---- |
| 14 | !!Other shows: |
| 15 | * ''Series/TwentyFour'' normally has great, practical special effects. In Season 4, when [[spoiler:Habib Marwan]] dies by falling off the side of a parking garage, it uses an obvious horrible-looking bluescreen shot. |
| 16 | ** Almost any explosion of significant magnitude in the series looks poor. The original teaser trailer for the first season ends with a (deleted) shot of the doomed airliner that crashes into the Mojave Desert going downward at a slight angle, while fire effects are superimposed on top of the (clearly not damaged) aircraft. |
| 17 | ** The nuclear explosion in Season 2 (seen from Palmer's point-of-view, looking out the window of Air Force One) looks like shoddy CGI that clashes with the rest of the footage. |
| 18 | ** An episode of Season 2 suffers from a shockingly bad computer-rendered plane that clashes very badly with the show's general adherence to believable practical effects. |
| 19 | ** A [[spoiler:suitcase nuke going off]] early in Season 6 looks pretty obviously fake, but then, it's understandable; they couldn't exactly film [[spoiler:an actual nuclear weapon exploding]]. |
| 20 | * ''Series/TheAdventuresOfSinbad'' came in during the late 1990s (1996-1998), just as CGI effects started to get somewhat affordable. Alas, cheap CGI effects were still horrible, and to make matters worse, any CGI monster they had would be recolored and re-used (same animations and all) at least a couple of times throughout the show. Couple this with a nearly fetish-like love for making the heroes fight giant, badly bluescreened animals, and you've got a show that's SoBadItsGood. |
| 21 | * In ''The Adventures of William Tell'', the famous crossbow bolt that pierces the apple in the first episode is quite obviously riding a very visible wire. This wouldn't be so bad if that shot hadn't been used in the opening credits every single week. |
| 22 | * The History Channel {{Miniseries}} ''America: The Story of Us'' at times. A few that particularly stick out include the steamboat that goes by UsefulNotes/AbrahamLincoln's little raft, the log jam, and Art/LadyLiberty's construction. Granted, they did saturate the series in CG, but it's not that conspicuous unless there's non-CG elements like people in the same frame. |
| 23 | * ''Series/{{Animorphs}}'' is infamous for, among other things, particularly bad special effects. You can see the weave in Visser Three's tailscythe. |
| 24 | * ''Series/AreYouAfraidOfTheDark'', in practically every episode due to its low budget. The one that stands out the most is an episode where a bunch of kids are kidnapped onto an alien spacecraft and forced to eat a horrible alien food product... which is clearly and obviously lime-flavoured jello in a bowl. |
| 25 | ** This ended up being beneficial in ways, as episodes often had to use frightening ideas and imagery (e.g. a girl suddenly standing on the other side of the window in the middle of the night) rather than special effects, which [[NothingIsScarier makes it scarier]]. |
| 26 | * ''Series/{{Arrowverse}}'': |
| 27 | ** ''Series/{{Arrow}}'': There is a shot of Oliver swimming away from a shark with unconvincing CGI all around. |
| 28 | ** For one of the most effects-heavy shows on television, ''Series/TheFlash2014'' has a lot of this. One of the most notable examples being the shot of Firestorm flying in the Season 2 premiere. |
| 29 | ** ''Series/{{Supergirl|2015}}'': In the first season, flight looked a bit dodgy, especially during fight scenes. This improved in later seasons, likely due to the move to the CW. |
| 30 | ** Played for laughs in the ''Series/{{Elseworlds|2018}}'' crossover. Barry and Oliver have switched lives, and everyone else thinks that they are each other. One of the first signs of this is a ''horribly'' photoshopped picture of Oliver with Iris (Barry's wife). |
| 31 | * ''Series/BabylonFive'' |
| 32 | ** The show has awful-looking CGI on the DVD release. The series was shot widescreen with the intent to letterbox it for high definition broadcasts and DVD later (though it was broadcast in 4:3 originally). The creators intended to re-render all the CGI to match the DVD's letterbox presentation, but the models for the CGI were lost, so they had to resort to cropping the standard-def graphics. As a result, there is a noticeable drop in picture quality whenever there is a CGI element on screen. |
| 33 | ** The video release is also ''very'' obvious with its CGI, especially for the earlier seasons. Although this may have been an accurate demonstration of how it went when it was naturally broadcast. |
| 34 | ** A minor example from the original run is Londo's "star laces", alien flowers he uses to woo his mistress, which look like fairy lights attached to beer can holders. |
| 35 | ** N'Grath, the insectoid crime boss who makes a few appearances in the first season, sometimes has the very human legs of the actor playing him appear in the frame, since the suit only goes down to his thighs. They had smoke and coloured lights to cover this up, but it only works some of the time. |
| 36 | ** The version of the Drakh that appears in one scene in Season 4 is never seen again, and for good reason: it looks like someone got a hold of Creator/RickMoranis' [[Film/{{Spaceballs}} Dark Helmet]] costume and spray-painted it to look like [[Franchise/MastersOfTheUniverse Skeletor]]. Even filming it through a deliberately blurred lens can't make it look like a living creature, and not a hunk of rubber or plastic. |
| 37 | ** Sharp-eyed viewers may notice that the device used to drain Delenn's blood in "Soul Hunter" involves a [[http://www.cap-that.com/b5/102/images/102_cap369.jpg solder sucker]]. |
| 38 | ** The mid seasons tried to give the Captain's office a window to the station interior without having to make every shot there an effects shot by hanging a picture on the wall. It's always obviously a picture. |
| 39 | * In ''Series/BatesMotel'', a small dog Norman has befriended crosses the road, (to get to Norman, who happened to *be* on the other side, okay?) only for it to get run over by a passing truck, with not so much a GoryDiscretionShot, but a Gory Discretion camera focus shift. This does not hide the fact of the dog's stunt dummy, or the fact that it does not so much fall over or flatten, as roll over stiff-legged. |
| 40 | * ''Series/{{Batman|1966}}'' and its infamous wall-climbing sequence. Arguably, every special effect in the show qualifies; it's intentionally high {{Camp}}. |
| 41 | * ''Series/BattlestarGalactica1978'': |
| 42 | ** "Fire in Space": The wires holding Apollo and Starbuck up during the spacewalk scene probably weren't visible in the original broadcast in 1979, but they're blatantly visible in the remastered DVD release — ''so'' visible, in fact, that one wonders why they weren't airbrushed out during the remastering. They probably also didn't realize at the time that the "space suits" don't cover the skin where the sleeves and gloves didn't come together. |
| 43 | ** In "Hand of God", the final episode, the view through a porthole window is very obviously a matte painting behind the set. It would be far less noticeable, however, if the scene didn't open up ''with the camera zoomed in on it''. |
| 44 | ** In the pilot movie, there are scenes where Zac's spaceship is missing the left side of the cockpit shortly before he's killed by Cylons. |
| 45 | ** Also in the pilot episode, the two Colonial Vipers fly across the screen, and just before they cut the shot back inside the cockpits, a Cylon Raider comes up behind them, before they discovered the fleet of fighters waiting to jump the Battlestars. (It happens quite far away from where they find the Raiders, so it is obviously a pre-use of a spot that should have be used later.) |
| 46 | ** Several times throughout the series, when someone needs to use the joystick inside the Vipers, the hand on the joystick is Boomer's (a black man), even when the pilot is white. |
| 47 | ** In a scene where Starbuck's Viper is hit, sparks shoot out of the cockpit, but fall through the empty hole where the cockpit glass is supposed to be, never mind that he's supposed to be in space, so the sparks shouldn't ''fall'' anyway. |
| 48 | * ''Series/BattlestarGalactica2003'' has excellent special effects but still has its moments of failure: |
| 49 | ** In the Season 1 episode "Water", the water gushing out of the punctured containers reeks of bad CGI. |
| 50 | ** In the Season 3 episode "Rapture", when the sun goes nova, the characters see it framed between the natural pillars of the Temple of Five. Moment of symbolic significance... except the sunlight on the Temple comes from a source to the left and slightly behind the camera, not from the nova in the dead center of the screen. Though in the above 2 cases, the RuleOfCool means it doesn't really detract from the effect. |
| 51 | * ''Series/BeingHumanUK'' had some excellent, and truly terrifying, werewolf transformation sequences. Unfortunately the first season's version of the post-transformation werewolf was a massive letdown, being too small and generally unconvincing. For the second season the design was completely revamped for something more convincing and impressive. |
| 52 | * ''Series/TheBennyHillShow'' did this on purpose; one of their most notorious {{Running Gag}}s involves some random character falling from a great height — they would pitch an obvious dummy dressed in the actor's clothes over the edge, and then JumpCut to the actor getting up from the spot where the dummy had fallen. |
| 53 | ** ''Series/MarriedWithChildren'' does the exact same thing (usually on the episodes where Al has to fix something on the roof of the house and he ends up falling). |
| 54 | ** As does ''Series/TheGoodies'', frequently. |
| 55 | ** ''WesternAnimation/FamilyGuy'' pays homage to this, despite being animated. |
| 56 | ** As does WebAnimation/HomestarRunner in the sbemail ''[[http://www.homestarrunner.com/sbemail80.html stunt double]]'', again despite being an animation. (Although technically it is within the context of a movie being made by the characters; see below.) |
| 57 | ** Done in the MeleeATrois [[Series/TheColbertReport Colbert]] / [[Series/TheDailyShow Stewart]]/O'Brien {{crossover}}, when an obvious stunt double of each host is thrown down the stairs by the other two. Conan lampshades it by jumping into frame too early and asking his double if he's okay -- upon which Colbert and Stewart realize they've been tricked and give chase. |
| 58 | ** ''Series/{{SCTV}}'' uses obvious dummies quite a lot, to hilarious effect. |
| 59 | ** And ''Series/SaturdayNightLive'' (whose show has been filled to the brim with Special Effects Failure since 1975. It's been toned down ever since the show switched to high-definition in Season 31 [[note]] The 2005-2006 season; the one featuring the debuts of Bill Hader, Andy Samberg, and Kristen Wiig -- who didn't appear on the show until the episode hosted by [[Series/MyNameIsEarl Jason Lee]][[/note]]), but it does crop up -- usually in the form of horrible chroma-keying or props that look cheap and breakable). |
| 60 | ** ''Creator/MontyPython'' often used this gag. |
| 61 | ** Stuntman extraordinaire Super Dave Osborne will almost invariably be horribly injured and mutilated when his stunts go awry... or rather, a completely obvious dummy will be (often it seems they simply stuffed an empty jumpsuit with rags, considering how it flaps and twists in the wind as it falls from great heights). |
| 62 | ** Even Film/TheThreeStooges do this at least once (but it ''was'' rather cutting-edge then). |
| 63 | ** ''Series/NedsDeclassifiedSchoolSurvivalGuide'' did this a lot, since the show was fairly cartoony to being with. |
| 64 | ** Almost every Creator/DisneyChannel sitcom has a dummy used every once in a while. |
| 65 | * One of ''Series/TheBennyHillShow'' sketches — ''The Police Raid in Waterloo Station'' — is a criminal action movie parody consisting mostly of special effect failures. Actors change clothes between shots (at least once during a shot); the director's reflection gets caught by a camera; stagehands are seen hiding behind furniture or outside the airplane; the walls are so thin, they shake when Benny opens a door; Benny gets a full glass of wine, starts drinking from a half-full glass, continues with a beer mug; when Benny kisses a woman, his moustache stays on her lip, then returns in the same shot; "dead" people try to straighten their clothes and jerk when stepped on; actors say the wrong lines in the wrong voices; and the airplane and the ship are not only obvious plastic models, but a ship-sized duck swims by in one shot. |
| 66 | * ''Series/BetterCallSaul'': One of the noted inconsistencies with the series is that, because the same actors are playing the same characters as in ''Series/BreakingBad'', they often have a different appearance due to length of time between the two productions. Some characters are noticeably older-looking despite the series being set several years earlier, Huell is much slimmer due to his actor having lost weight, and [[spoiler:Walter White is clearly wearing a bald cap rather than actually having a shaved head]]. |
| 67 | * In ''Series/BigWolfOnCampus'', one of the powers associated with become a werewolf is apparently [[http://www.bigwolfoncampus.org/images/episodes/1-01/cap7990.jpg growing a sixth finger on each (rubber) hand]]. Additionally, Tommy's later [[http://www.bigwolfoncampus.org/images/episodes/3-07/lmage228.jpg less lupine appearance]] is a result of [[RealLifeWritesThePlot actor Brandon Quinn being allergic to the original makeup]]. |
| 68 | %%* ''The Creator/BrittanyMurphy Story''. Let's just say Ariana and Megan were lucky they weren't cast in this atrocity. %% |
| 69 | * ''Series/{{Blackadder}}: The Cavalier Years'' briefly features a baby who is an obvious doll. Why they didn't just have it wrapped in cloth is a mystery. |
| 70 | * ''Series/TheBlacklist'': |
| 71 | ** Megan Boone wore a wig for the first season (her own hair was quite short) - unfortunately it was a very obvious wig and came in for a large degree of mockery, [[http://www.tv.com/shows/the-blacklist/community/post/the-blacklist-should-the-wig-be-credited-1399327365/ including one poll on whether it should have its own credit]]. |
| 72 | ** The Season 7 finale had the horrible luck of being shot at the onset of the COVID-19 pandemic, leading to filming being shut down before all scenes were done. With it being the only episode left and it being unclear when lockdown procedures would recede, the show's producers made the bold decision to [[https://www.youtube.com/watch?v=O0nF4njky94 render the unfilmed scenes in the show's previs software]] and have them dubbed over by the actors, which the episode half-heartedly tries to pass off as being the result of the protagonist embracing her inner darkness. The deal with previs is that it's purely utilitarian in nature and only supposed to be seen by a few people so it's not meant to look good... and it doesn't. Even with the attempts at comic book stylization, it's rather hard to get over the crude 3D models and textures that would be barely passable in an early Playstation 2 game and the weightlessness of everything. |
| 73 | * Then there's ''Series/BlakesSeven'', which makes ''Series/DoctorWho'' look lush and over-produced. According to the crew, the special effects budget for the show was £50 per episode. Granted, this was the late 1970s, but ''still''... |
| 74 | ** The "futuristic" bases the Seven visit tend to look a lot like 20th century British oil refineries or nuclear power plants. |
| 75 | ** "[[Recap/BlakesSevenS1E6SeekLocateDestroy Seek, Locate, Destroy]]" starts with a supposedly terrifying TinCanRobot that wobbles as it goes and is just generally poorly-designed, looking adorable rather than menacing. |
| 76 | ** "[[Recap/BlakesSevenS3E5TheHarvestOfKairos The Harvest of Kairos]]" is particularly exemplary. The ''better'' of the two main types of aliens seen is modelled by a rock... Many will say that said episode can only be enjoyed as comedy. |
| 77 | ** "[[Recap/BlakesSevenS4E10Gold Gold]]" has a particularly jarring jump cut on the teleport effect, with actor Creator/RoyKinnear obviously moving between cuts in the foreground. |
| 78 | ** The final season had generally respectable effects for the time, thanks to advances in technology. The only real failure came from the ''very'' obvious matte lines in spaceship shots. |
| 79 | * ''Series/{{Bones}}'' has this any time Booth and Brennan are driving to a scene. It's obviously [[DrivingADesk a shot of the actors in a prop car in front of a backdrop]]. |
| 80 | ** In the dead astronaut episode, both of them do some unconvincing freefall gymnastics on board NASA's "Vomit Comet" plane. When freefall ends, Booth's feet are shown slowly settling to the floor, right next to a pen and index card which are ''[[SelectiveGravity sitting on the floor already]]''. Possibly it's a visual lampshading of how very bad these "zero gravity" scenes were, as there's no logical reason to show these objects alongside his feet ''except'' to poke fun at how contrived the scene looks. |
| 81 | * ''Series/TheBrittasEmpire'' has an episode with an Emu or Ostrich running wild in the centre, which leads to several amusing effects failures. They actually managed to get a live version of the animal, but presumably it was too dangerous to let the actors interact with it. So you either get a live ostrich/emu running down a corridor dragging an obvious dummy, or human actors interacting with a hand puppet sticking over a bathroom stall. To their credit, the people involved seemed to realise this problem, so the shots with the fake ostrich/emu are so obviously fake that it actually adds to the comedy. |
| 82 | * ''Franchise/{{Buffyverse}}'': |
| 83 | ** ''Series/BuffyTheVampireSlayer'': |
| 84 | *** The quality on Oz's werewolf transformation wavers. The first time ("[[Recap/BuffyTheVampireSlayerS2E15Phases Phases]]") there is a pretty good werewolf suit, but the second time ("[[Recap/BuffyTheVampireSlayerS3E4BeautyAndTheBeasts Beauty and the Beasts]]") it looks like a scary tiki mask glued onto a gorilla costume. In fact, this costume became much reviled on ''Buffy the Vampire Slayer'', to the point where, when the spin-off ''Series/{{Angel}}'' decided to do werewolves, the costume designers were given this note: "Don't make it look like a gay possum." |
| 85 | *** Soldier Xander's gun in "[[Recap/BuffyTheVampireSlayerS2E6Halloween Halloween]]" doesn't even have a muzzle flash. |
| 86 | *** "[[Recap/BuffyTheVampireSlayerS2E22BecomingPart2 Becoming Part 2]]" famously has a fight scene between Buffy and Angel where the antagonist is obviously David Boreanaz's stunt double in a couple of shots due to the double's receding hairline. |
| 87 | *** "[[Recap/BuffyTheVampireSlayerS4E22Restless Restless]]" contains an ''intentional'' example. The scene in Xander's dream where he's driving the ice cream truck has a very obvious greenscreen effect; the background is moving quickly, and there are artifacts around Anya when she's shown in front of the window. This is done to enhance the surreal, dreamlike quality, by creating an effect of "stillness in motion". |
| 88 | *** [[FanNickname "Fake the Snake"]] from Season 5 episode "[[Recap/BuffyTheVampireSlayerS5E8Shadow Shadow]]", which is either being represented by sub-par CGI or a big, motionless rubber model trundling along on a truck. |
| 89 | *** The Watcher's Council building explosion in "[[Recap/BuffyTheVampireSlayerS7E9NeverLeaveMe Never Leave Me]]", an effect shot so embarrassing it's allowed only a split-second of screen time. |
| 90 | ** ''Series/{{Angel}}'': |
| 91 | *** The show's biggest failure is the attempt at redesigning vampire makeup in "[[Recap/AngelS01E01CityOf City of...]]". They quickly went back to the Buffy-style stuff. |
| 92 | *** There's one scene in "[[Recap/AngelS04E06SpinTheBottle Spin The Bottle]]" where Creator/DavidBoreanaz and Creator/VincentKartheiser's stunt doubles are clearly visible, and another in one of the Pylea eps where the bulge of Creator/AmyAcker's microphone pack under her costume is seen. |
| 93 | *** In the script for "[[Recap/AngelS05E22NotFadeAway Not Fade Away]]", the last scene was similar to the end of the ''Film/MortalKombatTheMovie'', where the sky cracks open and legions of warriors and demons appear; this demonstrates, as we find out in the comic book, that LA has been pulled into Hell. As shot it's an alley set, with rain, a bunch of stuntmen in rubber suits lurching around in the shadows, and a CGI baby dragon. |
| 94 | * ''Series/CaptainPowerAndTheSoldiersOfTheFuture'': Leaving aside just how badly the then-state-of-the-art computer graphics have aged, any aerial battle between Hawk and Soaron inevitably features a moment when Soaron shoots at Hawk, but is unable to keep up with him. Soaron's laser beams, missing their target, instead hit the ''air'' behind Hawk, as if he were running on the ground. Said laser beams ''explode on impact''. With the ''air''. |
| 95 | * ''Series/Charmed1998'': The basic energy effects they figured out how to do pretty well, but anything that required more advanced CGI than that quickly became cringe-worthy. |
| 96 | ** Some might also consider the ridiculous costumes a form of this, if they don't fall under NarmCharm. |
| 97 | ** The pilot sticks out for this. An evil warlock demonstrates his power to create fire, by lifting a papier mache hand into shot with what appear to be normal disposable lighters embedded in the fingers... now take how bad you imagine that looking and make it 10x worse. |
| 98 | * ''Series/ElChavoDelOcho'' and ''Series/ElChapulinColorado'' fail massively whenever they try special effects. Whenever there are two characters played by the same actor or characters who float (whatever the reason is) it will have blatant Chroma Key effects, WingdingEyes will slip off the characters eyes as they move, etc. |
| 99 | * ''Series/{{CHiPs}}'' frequently features car jump stunts with visible ramps, along with stunt drivers obviously wearing helmets. During the elaborate multi-car crash in "[=MAIT=] Team," the driver of one car visibly ducks out of the way before the top of his vehicle is sheared off by a tractor-trailer. |
| 100 | * ''Series/TheChroniclesOfNarniaBBC'': At the beginning of ''Voyage of the Dawn Treader'', when the children land in the water near the ship on the open sea, the water is obviously very shallow, and the bottom can be seen. |
| 101 | * Parodied in ''[[Series/TheColbertReport A Colbert Christmas]]: [[ChristmasSpecial The Greatest Gift of All]]'', which is every cheesy Christmas trope you can think of turned up to ''eleven''. Music/ElvisCostello is amazed when Stephen reveals that the "reindeer" hired for the show are actually just goats with antlers. "Well, you can't tell!" Cut to a miniature goat with a pair of toy antlers tied to its head. |
| 102 | * ''Series/CornerGas'' digitally adds Oscar and Emma's car into the exterior shots of the house in the Christmas episode. |
| 103 | * ''Series/CoronationStreet'' had a huge event planned for its 50th anniversary based around a catastrophic tram crash on the street. This was generally impressively done, with a huge explosion to damage the track, with large, fiery sets and rubble following the crash. However, the actual moment of the tram crashing onto the street is mired by the incredibly goofy looking CG used for the tram (complete with the driver comically pasted into the front as it comes towards the camera). |
| 104 | * ''Series/{{CSI}}'' opens the fourth-season episode "The Turn of the Screw" with a rollercoaster car flying off its tracks. Inevitably, they show a POV shot from the back seat of the car as it flies through the air, and it's rather obviously superimposed footage of a normal rollercoaster ride - emphasised when one of the passengers in the front seat turns around and is clearly screaming in exhilaration rather than terror (for a start, she's ''smiling'', which seems an odd reaction to have to impending certain death). |
| 105 | ** A Season 11 episode, "Cold Blooded", features the ''Series/WalkingWithDinosaurs'' live arena show. In the shots of the audiences' perspective of the show, it is blatantly clear that they are not watching a live show, mostly because of the perspective. It ends up looking like they are watching a movie screen instead. The CSI filming crew was clearly allowed access to the show and the animatronic dinosaurs. |
| 106 | ** The seventh season episode "Living Legend" has some excellent acting from Music/RogerDaltrey but the disguise makeup he wears through most of the episode is extremely unconvincing. |
| 107 | * In the ''{{Series/Damages}}'' series finale, the green-screen effect in the close-ups in the last dock scene is glaringly obvious. |
| 108 | * ''Dark Matters: Twisted But True'' has a character get [[GettingTheBoot kicked out of a building]] and stumble onto a porch in one episode. The porch, the outdoors area and the building are all CGI effects, which isn't a bad thing. The failure comes from the fact that the footsteps of the character getting thrown out echo as if they are in an inclosed, indoor space. |
| 109 | * ''Series/DarkShadows'' can be consistently fakey-lookin'. The special effects suffer horribly when actors (usually allowed only one take) fumble their props or react at the wrong moment to the Green/Blue-screen menace. |
| 110 | * ''Series/{{Dexter}}'': |
| 111 | ** There is one particularly bad sequence in Season 3 where the camera moves up over a graveyard, riddled with open graves. Not only do the graves look like CGI, the movement is also not synchronized with the camera movement, making the holes float above the ground. |
| 112 | ** In Season 8 (the final season), there is a sequence where Harrison (a young boy) is attempting to use a treadmill, and winds up pushing the difficulty up so high that he slips falls down and rapidly flies backwards into a couch causing serious injury. It ''might'' have been effective... if the quick shot where he slams into the couch wasn't that of a ''fully grown man'' doing the same thing. The blood also looks very fake. |
| 113 | * ''Series/DoubleTheFist'' has this in every single scene, according to Steve. |
| 114 | * ''Series/DrunkHistory'' does this [[StylisticSuck deliberately]] and [[PlayedForLaughs plays it for laughs]]. A common example being large vehicles (aircraft, trains, watercraft, etc.) portrayed not with full-size replicas, miniatures or even [=CGI=], but with '''kids' toys''' manipulated by clearly visible strings and/or human hands. |
| 115 | * ''Series/{{Eureka}}'' parodies this with Sheriff Andy, who comes out of the box with a lot of ridiculous looking CGI armor... which immediately falls apart, revealing a RidiculouslyHumanRobot. |
| 116 | * ''Series/TheFallGuy'' mostly fails when it comes to Colt's [[CoolCar Cool Truck]] doing things it shouldn't be able to do if you know a thing or two about cars and physics. |
| 117 | ** One key element of the series is the OnceAnEpisode RampJump which is also why Colt's truck is lifted. But if you see it from the side as it jumps, you can clearly see the engine stick out from underneath the loading bed, right in the middle of the car. An unmodified pick-up truck with its [=V8=] engine still where it belongs would do a nosedive when jumping. |
| 118 | ** While the extreme body lift made landing after a RampJump easier, it also worsened the handling of the vehicle considerably. It lost the ability to take tight corners almost entirely. Thus, all scenes in which it goes around street corners even at what would be moderate speed had to be {{undercrank}}ed; it would have flipped over otherwise. The faster the truck is supposed to go, the more obvious this becomes. |
| 119 | * ''Series/{{Farscape}}'': |
| 120 | ** The show is known for its rather impressive special effects, but there's just one scene in which it fails miserably. In the DieHardOnAnX episode "I Shrink Therefore I Am", which is filled with (mostly) very well-done effects in which people are shrunk and grown and interact with each other, a glimpse we get through a viewscreen of Noranti floating out in space rather clearly indicates the strings holding her up. Given that the scene is PlayedForLaughs, though, it may or may not be deliberate. |
| 121 | ** The episode "Beware of Dog", where a creature brought on board Moya has two forms: the first a very convincing animatronic puppet, and the second a goofy looking costume that the cast and crew took to calling the "Tandoori Chicken". |
| 122 | ** Rygel's CGI form is strikingly bad compared to the outstanding puppet normally used. Especially glaring in the miniseries where an incredibly well composed and rendered space battle is followed by a rather hokey-looking scene of Rygel swimming. |
| 123 | ** The CGI used for "Jack"'s true form in "Infinite Possibilities" is much better than the physical puppet used for his previous appearance in "A Human Reaction". Unfortunately, after he dies, they switch back to the puppet for the corpse, which is particularly obvious since the CGI and physical forms are significantly different in appearance. |
| 124 | ** The dramatic climax of the episode "Dream a Little Dream" is somewhat undercut by the fact that what is meant to be a flaming torch is blatantly an electric light on the end of a stick. Presumably they were told they weren't allowed to use a real flame in the studio when there wasn't enough time to come up with a better effect. |
| 125 | * ''Series/FawltyTowers'': |
| 126 | ** In the episode "[[Recap/FawltyTowersS2E6BasilTheRat Basil the Rat]]", most of the shots of Manuel's pet "filligree Siberian hamster" use a real rat, videotaped separately from the main action and edited in. In a scene where the rat scurries across the floor, it's obviously a model pulled by a nylon cord, but the main fx failure occurs in the final scene in which the rat pops its head out of a biscuit tin that Polly is presenting to [[spoiler:the health inspector]]. In this scene, the rat is a very unconvincing puppet with a rotating head which is operated from beneath the tin by actress Connie Booth. |
| 127 | ** There are many moments of the walls of the set wobbling when they are hit. In "[[Recap/FawltyTowersS2E2ThePsychiatrist The Psychiatrist]]", the camera zooms in to avoid the view of Sybil slamming the bedroom door. An outtakes video reveals that the wall wobbles so much, that Basil remains in character, and starts sounding the bedroom door with his hand, as he did earlier in the episode. |
| 128 | * In the ''Series/{{Firefly}}'' episode "[[Recap/FireflyE10WarStories War Stories]]", Mal's ear gets cut off by the villain as part of some ColdBloodedTorture. The scene wasn't too bad when the show was originally broadcast and viewed on an old fashioned analog TV, but when streamed on a modern high definition TV, the prosthetic that Creator/NathanFillion is wearing is painfully obvious. |
| 129 | * ''Series/{{Frasier}}'': "Guilt Trippers" features an extended scene of the characters being dropped off at an airport that was very obviously shot on bluescreen as the background plates used were extremely poor quality. |
| 130 | * ''Series/{{Friends}}'' |
| 131 | ** The show has several episodes where the cameraman zooms a bit too far out or angles the camera a bit too steep, causing the studio lights to be briefly seen in the shots. |
| 132 | ** In "The One Where They're Up All Night", the New York City landscape while they're on the roof of C/M/J/R's apartment complex is clearly a painted backdrop. |
| 133 | ** In "The One With Phoebe's Cookies", Rachel tries to teach Joey how to sail on a boat that's obviously in front of a greenscreen in the studio. |
| 134 | * The final season of ''Series/FullHouse'' (1994-1995) is ripe with this: |
| 135 | ** In "Dateless in San Francisco", the hot-air balloon flying over San Francisco is obviously a still image electronically being moved across the sky of a still of the city. |
| 136 | ** The storm in "Up on the Roof" has lightning flashing very slowly, almost looking like someone switching a light on and off at intervals. It doesn't help that some of the thunder StockSoundEffects sounded like they were coming from a tape recorder! |
| 137 | ** All we see of Kimmy's pet ostrich in "All Stood Up" is the head behind their fence, and it's clearly obvious it's a large hand puppet. |
| 138 | ** Perhaps the worst offender would be Michelle's feet-growing nightmare in "My Left and Right Foot", with Michelle's growing feet obviously being still photos of said large feet superimposed onto Michelle being zoomed up. Then when the rest of the family is in the living room, one of the large feet sticking out the door appears to be a huge plastic prop. |
| 139 | * A particularly odd one shows up on ''Series/{{Galavant}}''. During Princess Jubilee's song number in Season 2 Episode 5, Jubilee says "Wake up and smell my unshaved armpit". She holds her arm up to see it...and it's very clearly shaved, completely hairless. Presumably they could've just asked the actress not to shave for a week, or failing hat just put some prop hair there. She also claims she likes "waking up with new tattoos", but the actress doesn't have any, made all the more obvious by her shoulders, arms, and legs being visible for almost the entire song number. The lack of effort put in is incredibly odd. |
| 140 | * ''Series/GameOfThrones'': |
| 141 | ** [[spoiler:The execution of Viserys Targaryen.]] Gold-colored paint stands in for molten gold. In reality, molten gold would be so hot that it glows. |
| 142 | ** Another episode has Bran and Meera rescued from a group of wights by a mysterious figure on horseback. In an otherwise seamless action sequence, there is a very obvious dummy that could've been hidden by faster editing. |
| 143 | ** When Barristan Selmy puts his helm under his arm in one scene, it noticeably bends, revealing that it's a plastic prop. |
| 144 | *** And so does Jon's sword before the Battle of the Bastards. |
| 145 | ** Daenerys' first dragon ride looks embarrasingly fake. Like, the finale to ''Film/TheNeverendingStory''-level fake, except there they at least didn't forget to rustle Bastian's hair with wind. |
| 146 | * ''Series/GarthMarenghisDarkplace'', intentionally SoBadItsGood to begin with, is full of this sort of thing. A quote from the show's "producer" Dean Learner (played by Creator/RichardAyoade): |
| 147 | -->''"An '''eagle-eyed''' viewer '''might''' be able to see the wires. A '''pedant''' might be able to see the wires. But I think if you're looking at the wires, you're ignoring the story. If you go to a puppet show, you can see the wires, but it's about the puppets, it's not about the string. If you go to a Punch and Judy show and you're watching the wires, you're a '''freak'''."'' |
| 148 | ** The quote is in reference to a sequence where the protagonists are being chased by supernaturally animated everyday objects suspended from ''incredibly'' obvious wires. Another memorable sequence in the same show is a motorbike chase in which they're on pedal bikes with motorbike noises dubbed in and [[DrivingADesk against an incredibly obvious "POV behind moving vehicle" blue screen]]. (Just as a footnote, Punch and Judy shows use '''glove''' puppets anyway.) |
| 149 | * ''Series/GilligansIsland'' has its share of failures: |
| 150 | ** In Season 3, when they use the bamboo car, you can often see the rope pulling the car. |
| 151 | ** In the episode where Gilligan is invisible, when Mary Ann holds a glass of milk for Gilligan to drink, the milk appears to be disappearing through a straw, but you can see the tube coming out of her sleeve and into the bottom of the glass. |
| 152 | *** Averted with the giant spider episode, in which they intentionally make the spider look like the marionette it is to avoid scaring small children in the audience. |
| 153 | * The "giant" human effects in ''Series/TheGnomesOfDulwich'' were dodgy even by 1969's standards, as there were numerous imperfections visible onscreen. |
| 154 | * A few episodes of ''Series/TheGoldenGirls'' fell into this trope; it was all the more noticeable because the show rarely used special effects in the first place. |
| 155 | ** In "One for the Money," the women reminisce about competing in a charity dance marathon, where they ended up doing solos in an attempt to one-up each other. When Rose steps forward, she ends up doing cartwheels and splits--and it's painfully obvious that it's a StuntDouble for Creator/BettyWhite. For one thing, the camera abruptly pulls back when the acrobatics begin (which is particularly damning because it zoomed ''in'' on earlier shots of the actresses to show that they were doing their own dancing) , and while the choreography makes an admirable attempt at hiding the double's face, the few glimpses we do see make it clear that it's a much younger and taller woman than White herself. Particularly egregious is the fact that the actress's wig is the wrong color, which becomes glaringly obvious when the camera cuts to a close-up of Rose at the end of the routine. |
| 156 | ** In "Room 7," the girls visit Blanche's grandmother's plantation, and Sophia (who had a near-death experience earlier) decides to "live for the day" by jumping off the roof into a haystack. The "jump" is accomplished by what is clearly a dummy dressed in Estelle Getty's costume being hurled from the top of the soundstage (the fact that it doesn't move at all on the way down is the first clue). |
| 157 | * In-universe (''and how'') on ''Series/TheGoesWrongShow.'' Every single "play" has the most horrible effects imaginable with the actors clearly having no idea they'd be so terrible and have to roll with it. |
| 158 | ** "Harpet's Locket" has video of a man riding a horse in a field. Cut to him coming on stage with a guy in a very bad, falling-apart horse costume. |
| 159 | ** The blue-screen "air combat" battle in "The Pilot (Not the Pilot)". |
| 160 | ** "The Trial" has a man unable to spew out fake blood in the first two tries then drown his co-star in it on the third. |
| 161 | ** "The Lodge" is nothing but terrible effects combined with a bad set. |
| 162 | ** "90 Degrees" has a "dog" being a puppet on a skateboard whose remote controller keeps getting into messes. |
| 163 | * ''Series/Goosebumps1995'' is a kids' TV series, which already means it'll have a low budget. But combine that with the fact it's a horror anthology and you get some of the most awful special effects this side of the live-action ''Series/{{Animorphs}}''. The kids watching it won't notice, but adults watching it for nostalgia reasons will. |
| 164 | * ''Series/TheGreatestAmericanHero'' never did have the Greatest American Special Effects, but some episodes are downright painful: |
| 165 | ** Ralph has to stop some Soviet agents from getting picked up by a sub, so he collides with the sub to scare it off. The collision with the "conning tower" is laughably bad (the clearly wooden structure shakes), and it obviously takes place inside on a soundstage. |
| 166 | ** Another infamous example is the sea-serpent puppet which makes a mercifully brief appearance at the end of "The Devil in the Deep Blue Sea". |
| 167 | ** The current page image is from an early episode ("Here's Looking at You, Kid") in which Ralph is trying to control his invisibility powers, and ends up becoming partly visible--with great dirty overlaps between the blended shots. |
| 168 | * ''Series/HannahMontana'' doesn't use special effects often (except when [[DrivingADesk driving cars]]), but when it does, you can expect it to fall under this trope. One blatant example is from an early episode, where Miley/Hannah blows the fakest-looking bubblegum bubble imaginable. And in shots of a generic city at nightime, they don't even attempt to hide that the "buildings" are 2D cutouts. |
| 169 | * ''Series/HaveIGotNewsForYou'' often introduces incredibly cheap props or animations for one-off bonus rounds. |
| 170 | -->'''Paul Merton:''' "The visual effects on this programme are so stunning, we're ''almost'' doing radio." |
| 171 | * ''Series/HawaiiFive0'': The third season premiere includes a scene where the armored van containing [[spoiler:the imprisoned Wo Fat]] is airlifted off the island to a waiting ship offshore. Yes, you read that right, it was ''airlifted.'' And the CG could not have been any more obvious. |
| 172 | * The original ''Series/HawaiiFiveO'' has a body fall out of a helicopter. A body that's managing to keep its legs straight and its arms in an "I wanna hug you" position. |
| 173 | * ''Series/HelloCheeky'' invokes this in its parody of disaster movies, ''The Blazing Bedsitter''. An underlying joke throughout the whole sketch is that the actors make up disasters going on outside the room, because they don't have any other set. |
| 174 | -->'''John:''' ''(looking out the window)'' And oh my god, here comes a tidal wave! ''(is splashed with water -- deadpan)'' We are all going to drown. |
| 175 | * ''Series/HerculesTheLegendaryJourneys'' was among the first shows on TV to use CGI (it was about 1993). They are cheap, and REALLY bad. Lampshaded some seasons later in a 'behind the scenes'-esque episode where Ares looks out a faux-moving car screaming "Cheesy blue-screen effects!" |
| 176 | * ''Hillside'', a shoestring budget Canadian teen drama (titled ''Fifteen'' in Nickelodeon runs during the early 90's), is rife with examples, such as a pinball machine with ''no sound effects'' and the girl's locker room being clearly the exact same room as the boy's locker room, except with pink paper scattered all over the wall. |
| 177 | * In ''Series/TheHitchhikersGuideToTheGalaxy1981'', an animatronic second head was made for Zaphod Beeblebrox. Unfortunately, it rarely worked, and for most of the series it just sits lifelessly on actor Mark Wing Davey's shoulders. The series tries to HandWave it early on, with the actor ordering his second head to "go back to sleep". |
| 178 | * The Fuuka-chan version of the ''Series/InaiInaiBaa'' song "Omochi Mochimochi" used the same exact backgrounds and animation as the Rina-chan version of the song. As a result of the difference in height between the two actresses, the final product winds up having part of Fuuka's body being visibly cut off. It's especially noticeable every time the characters ask "Dotchi nano?". |
| 179 | * InUniverse example in a season 2 episode of ''Series/JaneTheVirgin'': Xiomara is cast on Rogelio's current telenovela as [[ItMakesSenseInContext the lesbian lover of Eleanor Roosevelt]], and they decide to disguise Xiomara's BadBadActing by digitally adjusting her face. [[UnintentionalUncannyValley Uncanny Valley]] does not ''begin'' to describe the finished result. |
| 180 | * ''Series/JasonOfStarCommand'' is rather notable for the quality (relative to its time and the fact that it was a {{Creator/Filmation}} production) and ''quantity'' of its model shots and space footage, but in the ''very first episode'', Jason goes on a spacewalk ([[BatmanCanBreatheInSpace protected only by an invisible force field]]) to rescue his commander (Played by James Doohan!). The role of "space" is played by a black curtain with shiny spots on it. You can ''see over the top of'' '''space'''. You can even ''see'' "space"'s '''curtain rod!''' |
| 181 | * The original ''Series/KamenRider'' was for the time practically on a shoestring budget, as many of the monsters and costumes, while good design-wise, are clearly cheaply made. Especially when compared against its rival-show ''Series/ReturnOfUltraman'', which is clearly much more higher budget and primarily run by [[Creator/TsuburayaProductions a special effects team]] to boot. |
| 182 | ** An example, at the beginning, Kamen Rider Ichigou and Nigou's suit versions are noticeably different between riding, fighting, and ''the ending sequence''. It's jarring to watch Hongou ride off into the sunset and appear in a different suit when the credits are rolling. |
| 183 | ** Also in the original series, a great deal of model effects are used. This looks bad enough when using it to blow up buildings, but the show contains quite a lot of shots of the Kamen Riders falling down/off cliffs, clearly being played by ragdolls that don't exactly scream "human." Even worse, Episode 72 features Kamen Rider Nigou swimming into an underwater base. We then see him in a room that is drained of water. Except it's not him, it's a model of him in a really weird pose. Unlike most model shots, this one isn't seen from a distance. It's presented at full scale, as though we're supposed to just be looking at the regular suit. |
| 184 | ** ''Series/KamenRiderBlade'' has a similar occurrence of this, where the four Riders' costumes come in two distinct versions: the suit used for detail shots has a full vinyl bodysuit, while the "stunt suit" has fabric for the torso. While it's mostly covered up by the Riders' chest armor, it's still noticeable. While this was present back in the original ''Blade'', it was so obvious during ''Series/KamenRiderDecade'' that some fans started claiming the original Blade costume had been damaged in the intervening five years and replaced with a "blue T-shirt". |
| 185 | ** The worst is the disintegration effect in the first handful of episodes. A person hit by a monster's attacks turns into ''a giant string of beads piled in a vaguely human shape.'' Footage of the beads being pulled away by someone from offscreen is shown in fast forward. This was later replaced with people turning into some sort of foam sprayed in a vaguely human shape dissolving in fast forward. |
| 186 | ** ''Series/KamenRiderAmazon'' has the most rubbery monsters in Toku history, which tend to work against the show's favour at times. The scene where Amazon is wrestling with an alligator monster is made marginally less impressive due to its rubber snout and tail constantly bending and flattening. Also, the ludicrous [[BloodierAndGorier foam and juice blood]]. |
| 187 | *** Two other notable failures from that series are the fight with the Snake Beastman where Amazon is clearly wrestling with an empty monster suit, and the death of the Ant Beastman where his head falls off...''and a hand can clearly be seen pushing it.'' |
| 188 | ** ''Series/KamenRiderX'' is otherwise a nice, serious show. Then you get to the final battle with Apollo Geist, where his final desperation attack is... a spare Apollo Geist suit being set on fire and rolling down a hill at X-Rider. |
| 189 | ** Going to the Heisei era, the terrible, '''terrible''' CG monster explosions in ''Series/KamenRiderKuuga'' and ''Series/KamenRiderAgito''. On the occasion when they ''do'' use actual explosives instead of CG, it looks ten times better. |
| 190 | ** ''Series/KamenRiderKiva'' has the Buron Booster, an add-on for Kiva's CoolBike, which looks way too big to stay upright and is accompanied by a mediocre CGI Kiva riding it. This is especially jarring since the show's other major CG elements, like Kiva's [[GeniusLoci dragon castle]] and IXA's mechanical counterpart, are pretty well done on the whole. |
| 191 | *** The Zanvat Sword's sliding hilt isn't perfectly snug and visibly shakes when it is handled. It's also one of the most plastic-looking weapons in the Heisei series, especially with the sparkle-imbued blade. |
| 192 | ** In ''Series/KamenRiderDecade'', Kivaara goes from her CGI rendering to being [[OffTheShelfFX a toy]] from episode 8. No attempt is made to show her lips moving or her wings flapping; we only hear the sound effect of her wings moving and the camera is simply shaken back and forth. She got better though. |
| 193 | *** When [[spoiler:Natsumi]] transforms, it's a very dramatic scene, sadly ruined by the suit forming being a good distance off-center from the body. |
| 194 | ** ''Series/KamenRiderDouble'': For the death of the [[spoiler:Weather]] Dopant, the JumpCut from the character dying to the [[MadeOfExplodium explosion]] is [[https://www.youtube.com/watch?v=CGeqF1KxL0E#t=1m47s disgustingly obvious]]. |
| 195 | *** Spoofed in the net videos for TheMovie, where when Kirihiko gets mad and starts beating up on RightHandCat Mick, it turns into an obvious cat puppet. Then Mick changes into his monster form and gets revenge, with Kirihiko turning into a dummy in a suit with a photograph of his face taped to the head. |
| 196 | ** ''Series/KamenRiderDenO'': In ''Chou Den-O Trilogy: Episode Yellow'' the scene where the past and present versions of Kaitou meet and interact is done with surprisingly bad greenscreening. This is especially jarring since both ''Den-O'' and ''Decade'' used green screen effects, and in those instances the effect was '''much''' better. |
| 197 | ** ''Series/KamenRiderOOO'': The last episode. Oh sure, there were some bad effects before in the series. Like [=ShaUTa=]'s debut. Or the zerg-like little fish Yummies in episode 5. But those were given contexts. The awkward "flying" in the last episode, and the pseudo-Yummy pile in the same episode, takes the cake for the entire series. |
| 198 | *** In episode 39, there is quite a long shot where the detective's body clearly has 4 arms. |
| 199 | ** ''Series/KamenRiderWizard'' normally has excellent special effects, particularly for a show that's so heavy on them due to its motif. However, the debut fight of All Dragon Style consists of an aerial duel with Phoenix where both combatants are greenscreened and made up partly of CGI, with results that look like something out of ''Birdemic''. The Rider Kick at the end is back up to the show's normal standards, but it's clearly had much more time and effort spent on it than the rest of the fight combined. |
| 200 | ** ''Series/KamenRiderGhost'' does this deliberately in ''Kamen Rider Ghost: Ikkyū Nyūkon! Mezameyo, Ore no Tonchi-ryoku!!''. One of the MultipleEndings involves the MonsterOfTheWeek being attacked by a tiger. However, said tiger is ''very'' obviously just a plush tiger, which the show makes no attempt to hide whatsoever. |
| 201 | ** ''Series/KamenRiderBuild'' early villain Night Rogue has the same problem as ''Blade'' above, but even worse due to color choices. Night Rogue's detailed suit uses black leather for his undersuit as part of an all-black ensemble made to make him look like a villainous take on Batman. His stunt suit, meanwhile, is made using ''maroon'' fabric, which clashes so heavily with the black armor that it's impossible not to notice, especially since the leather is fragile enough that the stunt suit is used for many extended shots if Rogue does anything more than stand still. |
| 202 | *** Another example from ''Build'' comes in the very last episode, where Sento gets the Gold and Silver [=RabbitDragon=] form as an EleventhHourSuperpower. Said form is an ''extremely'' obvious and low quality to boot CGI model that sticks out like a sore thumb compared to the practical suits used for every other form in the episode. |
| 203 | ** ''Series/KamenRiderZeroOne'' has a RobotDog as a minor character late in the show, played by the actual ERS-1000 model AIBO. Since the AIBO's running speed is limited, a scene where it needs to run fast simply jump-cuts it ahead every second or so. |
| 204 | ** ''Series/KamenRiderSaber'' has an early fight where Kamen Rider Buster's stunt prop isn't up to the rigors of the fight scene, making it very clear that his prop sword is made out of floppy rubber. Later on, a scene where Touma has to run up a ramp of light towards Luna uses rather questionable greenscreening, which only adds to the general {{Narm}} of the scene. |
| 205 | ** The entire series in general has a recurring issue where, while the suits usually look great in their original show, they can be called back for guest appearanes or cameos later on, often years to over a decade since the show's orginal run and the suits notably have not held up very well. Kamen Rider Accel's undersuit for example is very clearly ripped in several of it's latest appearances and Kamen Rider Blade has an issue where the head crest of his helmet, which is supposed to be the same metallic silvery color as the rest of the suit has turned a yellowy bronze type color which looks very jarring compared to the rest of the suit. There's also the fact that suits are built to the proportions of the official suit actor but occasionally have to be worn by others and the undersuit is pretty clearly baggy or otherwise not fitting quite right. |
| 206 | * ''Series/KnightRider'': The obligatory Turbo Boost sequences are frequently convincing, but are just as frequently lame, including at least one instance where, rather than a stunt car, what we see is plainly a matchbox toy being tossed over a miniature set -- an effect made worse by the fact that, like most ''Series/KnightRider'' merchandise, the matchbox car has the words "KNIGHT 2000" printed on it in large red letters. |
| 207 | ** Even if a stunt car is used in a RampJump or Turbo Boost scene, one can often see through the empty engine compartment. The landings aren't always cut away properly either, so parts of K.I.T.T. can frequently seen come off and fly away. |
| 208 | ** Almost episode of ''Knight Rider'' has a multitude of special effect failures. Besides the visible ramps and cheap car bodies used for jumping scenes, every time K.I.T.T. is supposed to be driving really, really fast is actually just a sped-up scene, which becomes obvious when the vehicle is making unrealistically sharp turns at full speed. There's also a stunt driver that looks nothing like David Hasselhoff (mainly due to his big head/hair), the console in the car and car windows disappearing and reappearing in outside shots, a clearly visible "ghost driver" wearing a weird flour-bag to conceal himself driving K.I.T.T. when the car is on autopilot, and many, many more. There was even a whole German website just listing every instance of this trope for Knight Rider. |
| 209 | ** While the new series is rather more impressive (if a bit [[UnintentionalUncannyValley Uncanny Valley]]) with its Turbo Boost and metamorphosis sequences, it has a harder time with effects nowhere near as special: watch the rear window during driving scenes shot from inside KITT. The color saturation is so far off, one expects to see Wile E. Coyote chasing after the Knight 3000. |
| 210 | * ''Series/LandOfTheLost1974'' is one long SpecialEffectFailure, except for the surprisingly well-done stop-motion dinosaurs. |
| 211 | * ''Series/LateNight with Creator/ConanOBrien'', and later O'Brien's run of ''Series/TheTonightShow'', ran a ShowWithinAShow telenovela named ''Noches de Pasion con Senor O'Brien''. Each episode lampshades this trope when "Conando" beats up a few guys and throws them off-screen, immediately cutting to stock footage of a completely different person falling out of a random window. |
| 212 | ** Conan used another gag with a fake television channel called, "The Bad Stunt Double Network", in which a man jumping out of a window is replaced by a burlap sack with a balloon attached to it, and a woman getting thrown out of a car is replaced by a laboratory model skeleton. |
| 213 | * ''Series/LawAndOrder'' has an odd one when a religious fanatic defendant, upon being convicted, turns to his followers and holds up his hands, which bleed like Christ's wounds. The guy is actually faking it, but that's nothing compared to the special effects failure, which makes it blatantly obvious they were using a green-screen. Since he's just standing in the courtroom, it's unexplicable why they did it. |
| 214 | * ''Series/LawAndOrderLA'' has 10,000 acres of badly CGI'd/cloned pot in one episode, which somehow looks even worse as a photoshopped image. |
| 215 | * ''The Lawrence Welk Show'': The cast's performance of "Cruising Down the River (on a Sunday Afternoon)" in a 1972 episode centering on transportation suffers from this. Not only do chromakey artifacts make the bluescreening against film footage of a river painfully obvious, later rebroadcasts since HD became the norm reveal cutoff on the left side of the screen. |
| 216 | * ''Series/{{Leverage}}'' : |
| 217 | ** The show uses ridiculous green screen backgrounds of world landmarks such as pyramids in Egypt and the like while Creator/GinaBellman was pregnant. Needless to say, nobody bought it. |
| 218 | ** The CGI they use for vehicles is especially spotty. In "The Mile High Job", the digital matte painting that shows the landed plane depicts the road behind them going off a wild incline. |
| 219 | ** It's kind of blink-and-you-miss-it, but at the start of "The Fairy Godparents Job", we see the team talking with a client, who has a tall glass of something-or-other, with ice ''at the bottom''. |
| 220 | * ''Series/LittleBritain'' has special effects which are obviously fake, most notably in the sketches with the tiny Dennis Waterman; a mouse (enormous to Dennis) is shown by a man in a mouse costume, walking on two legs. In another sketch, Jeremy is holding a baby, which is clearly a doll. He gives it to Dennis, and it appears as an old man in a baby costume. |
| 221 | * ''Series/TheLordOfTheRingsTheRingsOfPower'': If one looks carefully at the group of villagers listening to Bronwyn's speech in episode 5, you can see that [[https://forumcontent.paradoxplaza.com/public/869118/1664141029469.png quite a few of them appear to have been copy-pasted several times]] on the background during post-production. |
| 222 | * ''Series/{{Lost}}'', during the scene in which Locke [[spoiler:is falling out of a building after his father pushes him.]] The green screen/CGI is pretty blatant. |
| 223 | ** Also happens any time one of the polar bears is shown closely. They look like they were modeled on a 10-year old Macintosh. |
| 224 | ** A rather [[https://www.youtube.com/watch?v=th401DUh8fw unfortunate submarine]] in the fifth season is conspicuous, especially since they usually have good or at least passable effects, especially since the entire shot may have been CG and looked like a screensaver or something. The worst part of that effect is that it is completely superfluous, and seems to be ''showing off''. |
| 225 | *** In a way, the CGI to tell the viewer where a certain scene takes place. Really, his apartment has a view over the Eiffel Tower? This backyard somewhere outside of the town really has an unobstructed view of the Kremlin? Your band practices in an alley directly next to Tower Bridge? Did you go for a walk to see the Sydney Opera House, even though you've been living in this city for years? |
| 226 | ** The [[spoiler:freighter explosion]] doesn't really look that convincing, especially when watched on Blu-ray. Usually the production values are pretty high though... |
| 227 | ** Compared to other [[spoiler:underwater scenes, the Island underwater]] in the Season 6 premiere looks like an old screen saver. |
| 228 | ** Ben's smoke-induced vision in "Dead is Dead" is terrible. |
| 229 | * ''Series/MadTV1995'' parodies this in their "Funkenstein" sketches, which [[BlaxploitationParody parody]] 1970s low-budget {{blaxploitation}} remakes of classic horror movies such as ''Film/{{Blacula}}'' and ''Blackenstein''. Some of the sketches, such as "Funkenstein vs. The Creature of the White Lagoon" and "Funkenstein vs. Nefertiti" make deliberately awful use of blue screen effects. A hilarious example is the "underwater fight scene" in "Creature from the White Lagoon", which uses video footage of an aquarium to create a lagoon. |
| 230 | * ''Series/TheMandalorian'' is a mostly [[SugarWiki/VisualEffectsOfAwesome fantastic-looking series]], though there are some goofs visible in the second season. The show had at least two instances of stagehands being briefly visible, one of whom was [[FanNickname later dubbed]] "[[MemeticBystander Jeans Guy]]" by fans. [[spoiler: Though the CGI used to de-age Creator/MarkHamill to his 1983 self to portray Luke in "The Rescue" is well-done for the most part, the appearance of his eyes did dip into the [[UnintentionalUncannyValley Uncanny Valley]] for some.]] |
| 231 | * ''Series/{{Mash}}'' had a couple during its run. The most egregious one (mixed with EarlyInstallmentWeirdness) comes in the episode "[[Recap/MashS2E8TheTrialOfHenryBlake The Trial of Henry Blake]]". In this one, Klinger tries one of his most ambitious and whacky schemes to leave the Army -- [[CrazyEnoughToWork if he can't get out on a Section 8, he'll fly out with a home-made hang-glider!]] The problem comes after takeoff: the only optical-composition shot of the show's run is a fairly obvious shot of Creator/JamieFarr walking slowly across a floor hanging onto the prop glider superimposed over a long-shot of the camp. It's about as unconvincing as it sounds. |
| 232 | * ''Series/MemphisBeat'' has a glaringly out-of-place neon marquee for a radio station slapped on top of a building in the pilot (in reality, the building in question is the headquarters of a local newspaper and [[http://en.wikipedia.org/wiki/WHER_(defunct) the radio station in question]] went off the air in 1966). |
| 233 | * One ''Series/TheMentalist'' episode centers around a bomb blowing up a building. When there is a vision of the bomb blowing up... the CGI is painfully obvious. |
| 234 | * ''Series/{{Merlin|2008}}'' — pick a monster. Any monster. It's easier to pick out which effects ''don't'' fail (the teleportation scene in the first episode... that's it). The worst offender by far, however, is [[spoiler:Nimueh's death scene, which looks very much like the same two CGI shots repeated a few times.]] |
| 235 | * ''Series/MissionImpossible'' had a revival series in 1980, and it would have been justified in disavowing some of its special effects. Example: the fight on Sydney Harbour Bridge in "The Golden Serpent, Part 1" combines actual footwork shot on location with studio-bound green-screen work which was unconvincing even in 1989. |
| 236 | * ''Series/MontyPythonsFlyingCircus'' also parodied this in their "Scott of the Antarctic" sketch. The whole sketch revolves around bad moviemaking techniques: |
| 237 | ** To save money, the movie about Scott's Antarctic expedition is shot on an English beach. That's painted white. Except that when they realize this, they switch the setting to the Sahara. Only they still shoot it with the ocean in the background. And they're using a dog sled pulled by various house pets, and wearing winter clothes. |
| 238 | ** To make the main character seem tall, the actor initially walks on boxes while the female love interest acts out of a trench. They eventually realize that this is a problem. |
| 239 | ** Scott gets to fight a lion, since it's in his contract, again despite the fact that the movie was set in the Antarctic. So when we finally see the trailer for the movie, the scene is started by footage of a lion moving past the camera, followed by a lion doll getting tossed onto the beach. Scott wrestles with it for a while before it's replaced by a guy in a bad lion costume, who then starts a fistfight with Scott, eventually dragging a chair from off-camera and then pulling a knife. Then Scott knocks him out with a punch, and blood goes "pshhhhht". |
| 240 | *** In slow motion. |
| 241 | ** Scott's Eskimo partner also gets to fight a giant electrical penguin with tentacles. Blood goes "pshhhht". |
| 242 | *** In slow motion. |
| 243 | * ''Series/ModernFamily'' - Gloria's fake pregnant stomach in the third episode of season four is visible for much of the episode, making it almost impossible to miss that they forgot to give her a belly button. |
| 244 | ** Similarly, in the Season 10 episode ''[=SuperShowerBabyBowl=]'', a pregnant woman hugs Haley, forgetting her large stomach. The stomach noticeably bounces when it comes into contact with Haley, making it incredibly obvious it was a pillow. |
| 245 | * ''Series/{{Monk}}'': |
| 246 | ** One happened in filming "Mr. Monk and the Leper", during the scene where Randy goes to Dr. Polanski's office and pulls a picture of him with acne off of the waiting room wall. His photo seems glued to the wall, and he struggles to pry it off using the pen chained to the receptionist's desk. Randy eventually gets his photo off, after knocking a lot of other pictures down, and pulls it away, taking a piece of the wall with it as Dr. Polanski comes in. Due to continuity error, some pictures get knocked down twice, and the damage disappears after Dr. Polanski walks into the room. |
| 247 | ** In "Mr. Monk Is Underwater", it is painfully clear that the shots of the submarine in port in San Francisco are [[ChromaKey green screen]] composites, with the gangway and actors being the only live-action elements. |
| 248 | * ''Series/MoonbaseThree'', a [[Creator/TheBBC BBC]] sci-fi series, was criticized for its cheap-looking props and sets. [[RealityIsUnrealistic Ironically]], this was caused by efforts to be as realistic as possible; it is much more difficult to create a realistic-looking rocket, spacesuit, and whatnot than to simply use a salt shaker as a futuristic device. |
| 249 | * ''Series/TheMrPotatoHeadShow'': This happens in-universe in an episode where Mr. Potato Head had gone money-mad and was deliberately keeping the budget of his ShowWithinAShow as low as possible: three small spaceship miniatures made of tinfoil, suspended by visible wires, were swinging around in front of the camera, while the narrator says things like "Swish! Boom! Zap!" — those were the only sound effects. And this is supposed to be the sci-fi episode's epic space battle. |
| 250 | * In the sixth episode of ''Series/MuppetsNow'', a watermark for FX Factory Pro appears several times during the segment "Lifesty(le) with Miss Piggy". |
| 251 | * ''Series/{{Nashville}}'': |
| 252 | ** The show generally has the title city play other cities, which is fine as long as it doesn't involve beaches what with Tennessee being entirely land-locked. Which brings us to the universally-derided green screen work for Jade St. John's Malibu party in "Time Changes Things". |
| 253 | ** Several viewers have drawn unflattering comparisons between Juliette's baby daughter and the one seen in ''Film/AmericanSniper'', which may have led writer-producer Debra Fordham to share [[https://twitter.com/DebraFordham/status/631515902987632640 this picture of the tot]]. |
| 254 | * ''Nature's Deadliest'' features short "skits" highlighting each creature featured in the episode. These skits also depict humans being attacked by these creatures, coupled with well-done and stylized but repetitive CG animations showing the effects of the creature on its victim. Most of the time the creature is not shown in the same shot as the human victim, meaning that this trope is usually averted. But sometimes, the featured animal ''must'' be shown in the same shot as the victim. When this occurs, Special Effects Failure often occurs in tandem. |
| 255 | ** A particularly egregious example from the show is the "Africanized Honeybee" skit from the "Brazil" episode, featuring a young boy batting low-hanging branches with a long stick while walking to an unknown destination. When the child inaverdently disturbs the bees, the bees attack...well they're supposed to attack. The child flails around, but with ''no bees in sight''. Almost all shots of bees are simply bees swarming around the camera, utilizing cross-cutting to create the sense that the boy is being attacked. Only two close-up shots show bees together with the boy, and one of them shows what appears to be a cloud of CG particles swirling around the boy's head. Supposedly, these particles are supposed to be bees, but they end up looking like something out of ''Film/{{Birdemic}}''. Fortunately, the other close-up of the bees with the boy is the most convincing shot of the episode, utilizing real bees with either the actual child actor or a very well-made mannequin. |
| 256 | * ''Series/{{NCIS}}'', with a car plunging into the water. This example is less explicable than the similar ''Series/{{CSI}}'' example, as the stunt (a car going into the water off a dock) would be trivial and cheap to do in live-action. Apparently, Creator/{{CBS}} received firesale pricing on bad car crash computer effects. |
| 257 | ** That's not the only time. In the episode where Gibbs quits because the [=SEALs=] are ordered to take down the boat with the terror suspect on it despite his advice. The suspect promptly blows himself and the ship up. Cue another diabolically bad CGI explosion. |
| 258 | ** In one episode a plane passing overhead causes a car bomb to explode. The explosion itself isn't bad, but the model used to show the body during the explosion is laughably fake. |
| 259 | * The ''Series/{{Neverwhere}}'' miniseries is low-budget but looks fine until the dramatic appearance of the dreaded Beast of London, which is very clearly a Highland cow in silhouette. Subsequently nicknamed "Morag the Friendly Cow" by [[Creator/NeilGaiman Neil]]'s friend Creator/TerryPratchett, after a puppet on a SaturdayMorningKidsShow of the time. |
| 260 | * A Creator/{{Nickelodeon}} special on the making of ''Film/TheLastAirbender'' shows a car is pulling into the parking lot of what is presumably Creator/MNightShyamalan's studio. In a gratuitous misuse of CGI, a pair of poorly rendered gates swing open from the otherwise real background to let the car in. |
| 261 | * In the pilot for ''Series/NightMan'', Johnny Domino is struck by lightning while riding a UsefulNotes/SanFrancisco streetcar. Except they filmed the scene on an incredibly sunny day with a clear blue sky, then composited in fake, ominous stormclouds--leaving the rest of the scene bright and sunlit. The resulting lightning strike seems to come from Effectsland rather than being an organic part of the scene. This is especially egregious as the lightning strike is Night Man's ''origin story''. |
| 262 | * Some scenes in ''Series/TheNoddyShop'', namely those that involve the goblins, are chroma-keyed onto photographed backgrounds to save costs. Aside from the background being clearly static, the chroma key was also done quite amateurishly in that the goblins have a thin outline visible in certain scenes. |
| 263 | * ''Series/ObiWanKenobi'': |
| 264 | ** The skies seen out the windows of Darth Vader's throne room on Mustafar don't look very convincing compared to the skies seen in ''Film/RogueOne'', despite the excellent set design for those scenes. Some shots have even been compared to the pixelated Darth Vader cutscenes in Creator/LucasArts games like ''VideoGame/DarkForces'' or ''VideoGame/TIEFighter'', or the dated full-motion video cutscenes of ''VideoGame/JediKnightDarkForcesII''. |
| 265 | ** Part V features [[spoiler: flashbacks of Obi-Wan and Anakin, which take place just before ''Attack of the Clones''. While the crew did attempt to use DigitalDeaging to make Ewan [=McGregor=] and Hayden Christensen look like they did back in 2002, they didn't quite get it right. Anakin has noticeable facial wrinkles, making him look much older than nineteen. Also, Obi-Wan's mullet doesn't look right, and his beard is thicker and darker than it was in ''Attack of the Clones'', making him look more like his current self in 9 BBY than his past self in 22 BBY.]] |
| 266 | ** [[spoiler:When Vader is speaking to Obi-Wan through his broken faceplate in Part VI, it's quite easy to notice that most of his lines are overdubbed, since Creator/HaydenChristensen's mouth barely moves when he speaks.]] |
| 267 | * ''Series/OnceUponATime'' features an absurdly high number of fairytale creatures made with lousy CG (big offenders being the Wraith, the Ogre, and Jiminy Cricket). While the rest of the series has very ambitious production values and lavish visuals (think ''Film/AliceInWonderland2010'' but with more realistic buildings, environments, etc.), the bad creature effects (especially compared to [[DuelingShows this show's competitor,]] ''Series/{{Grimm}}'', which is far more reliant on creature effects) stand out a hell of a lot more. |
| 268 | * ''Series/OneLifeToLive''. Rape victim Marty Saybrooke runs to the home of her friend Rev. Andrew Carpenter. As she starts to knock on the door, ''it starts to swing open''(revealing itself to be a prop), forcing the actress to pull back on her knocking so as not to ruin the take. Where it not for the fact that you can see the door opening (thanks to countless Website/YouTube viewings), you could easily view the subsequent awkward, hesitant tapping on the door as a sign of Marty's wrecked emotional state. |
| 269 | * ''Series/TheOuterLimits1995'': The episode "First Anniversary", whilst liked for its storyline, was criticised for the alien women's cheap suits - people said they looked like an oversized leotard with offcuts attached. |
| 270 | * ''PBS [=NewsHour=] Weekend'': COVID-19 made this a necessity, with Hari Sreenivasan anchoring from his home, doing luma key against a white wall that just happens to be nearby and at a lower framerate, on the March 21, 2020 edition. |
| 271 | * ''Franchise/PowerRangers'' and ''Franchise/SuperSentai'': |
| 272 | ** In ''Series/TokusouSentaiDekaranger'', it took several episodes for them to get the original Doggie's mask to work right. Instead of moving with his speech, it just hangs open in many a scene, giving him a permanent staring-in-shock look. |
| 273 | ** While we're on the subject of ''Super Sentai'', ''Series/SeijuuSentaiGingaman''/''Series/PowerRangersLostGalaxy'' features, for its HumongousMecha, a quintet of ''very'' rubber-looking giant animals that transform into more traditional mecha. Worse, while the lion, falcon/dragon thing and the ape are still rendered as costumes/puppets/whatever in robot mode, the wolf and wildcat had been made as stiff, unconvincing models. In order to get them moving across the landscape during the TransformationSequence, they are rendered together as utterly rubbish CGI models. The scenes where the mechs operate as individuals look like they came from something twenty years older. |
| 274 | ** Worse are the scenes of the Rangers riding the beasts in beast mode. They are clearly models stuck to the shoulders and wobble around like what they are. It looks ''horrible'' and would have been better if the makers had said "well, we'd ''like'' Rangers standing on the Galactabeasts' shoulders but it just doesn't work." |
| 275 | ** ''Series/SamuraiSentaiShinkenger'' is a FANTASTIC looking series... except for when they kill the giant monsters. For some reason, instead of a huge fiery explosion we get a pathetic little piffle of sparks. |
| 276 | *** Even worse in the teamup movie with ''Series/EngineSentaiGoOnger'', where the big robo finishing attack isn't a gigantic CG bullet barrage or a stampede of the individual mecha, but simply a few normal-looking blasts with pyrotechnics usually reserved for auxiliary weaponry. |
| 277 | ** The toy version of the ''Series/PowerRangersMysticForce'' Titan Megazord's Mystic Dragon mode is extremely cool. The suit costume on the show... well, because the red Mystic Titan rides the dragon, it's essentially the Red Mystic Titan's torso wearing the dragon's legs with the rest of the dragon around its belly like an inner tube. It's really embarrassing to see the rest of the dragon flop around when it lands after an attack. |
| 278 | ** The [[OffTheShelfFX usage of the Bandai of America toys]] of the Ninja/Shogun Zords in ''Series/MightyMorphinPowerRangers'' Season 3 with the toy of Titanus. It's made worse by the White Shogun Zord being ''pink'' in the US toyline (due to a pink Ranger in MMPR whereas ''Series/NinjaSentaiKakuranger'', the source of the footage, had a white one, and Bandai not wanting a FrivolousLawsuit). Also, the toy version has different logos on the Zords than the show version. This means there are some very noticeable changes in the Zords between the original footage and the Sentai footage. The Ninjazords don't escape entirely, either (the Crane's red markings were changed to pink, for the same reason). Also, Titanus has the otherwise-unseen Dragonzord's chestplate now, since it's mounted there in the original Ultrazord formation, and they were trying to make it as similar as possible. That, and repositioning Titanus' head for the Ultrazord configuration would otherwise have left a big, unsightly gap. |
| 279 | ** ''Series/PowerRangersWildForce'': The episode "Forever Red" features a horrible, undersized CGI version of Serpentera which is miscoloured in half the shots (for the most egregious of this, Serpentera went from dark green to '''purple'''). OffTheShelfFX would have been a ''huge'' step up from this. |
| 280 | ** Back to ''Super Sentai'', the final battle of ''Series/DengekiSentaiChangeman''. It may have been TheEighties, but there is just no excuse for a fight against the insides of a PlanetEater being represented by ''the Megazord superimposed over stock footage of cells dividing''. |
| 281 | ** One that frequently affects ''Power Rangers'' involves the fact that you have three people playing the same person: the actor, the suit actor/stunt double, and the Japanese suit actor from the stock footage. It's lampshaded/handwaved with Justin of ''Series/PowerRangersTurbo'', who apparently shoots through 6 years of puberty every time he morphs (he explicitly grows; you see it in the TransformationSequence), but there are some other examples which stand out: |
| 282 | *** ShesAManInJapan creates a frequent problem for Yellow Rangers, namely Trini, whose (male) Japanese suit actor was rather... gifted. [[http://3.bp.blogspot.com/_lLsdaCVk3Kk/TPSD2arXszI/AAAAAAACACM/ODWVlMhsgjY/s400/3568_540.jpg Proof.]] (Additionally, most suit actors in Japan are male, even for female rangers. Those skirts on female Ranger costumes serve a practical purpose of cover-up.) |
| 283 | *** A kind of inverse happened during ''Lost Galaxy''. The male Yellow Ranger in ''Gingaman'' was turned into the female Lost Galaxy Ranger, who is played by the rather buxom Cerina Vincent, who flattens every time she morphs. Apparently, ranger spandex is more effective than any sports bra. |
| 284 | *** Also, in ''Series/PowerRangersJungleFury,'' the rather short Theo morphs into footage of the rather tall Retsu from ''Series/JukenSentaiGekiranger.'' His height gain is almost the same as Justin's, maybe even a whole foot. |
| 285 | ** ''Series/KaizokuSentaiGokaiger'' has a recurring instance of this with [[SixthRanger Gokai Silver]]'s trident weapon. Obviously the normal prop would be too fragile to use in fight scenes, so they employed a "stunt trident". The problem is that the stunt version has the prongs held together by sheets of '''black''' plastic, making it stick out like a sore thumb. |
| 286 | *** Also from ''Gokaiger'', the CGI model of [[HumongousMecha Gokai-Oh]] used during the transformation sequence. It looks ''hideous''.[[note]]Seriously, ''[[Series/NinpuuSentaiHurricaneger Hurricaneger]]'' had a better CGI HumongousMecha, and that installment came out nearly a decade before ''Gokaiger''![[/note]] |
| 287 | ** Until the 2000s, chroma-keying, compositing and (in ''Sentai'' only) rear-projection backgrounds would inevitably look not so good. The Rangers falling into a collapsing sinkhole during the premiere of ''Series/PowerRangersZeo'' is a good example. |
| 288 | ** Alarms immediately went off with pre-broadcast previews of ''Series/AvataroSentaiDonbrothers'' once it was stated that two of the main cast, [=KijiBrother=] and [=InuBrother=], would be portrayed by [[SerkisFolk CGI motion capture]] rather than suit actors - this in a weekly series running for a whole year. Come the premiere and it looks like they wouldn't be out of place in a Platform/PlayStation2 game, and it's incredibly easy to discern them whenever they're up against a live-action background. The ways they contort and move also look awkward as they don't have the same weight as the live-action characters, and they have no shadows. |
| 289 | * In the ''Series/PrettyLittleLiars'' episode "Game Over Charles", there is a scene revealing [[spoiler: Charlotte overhearing Emily, Aria and Spencer's discussion in the season 3 premiere from outside the store]], and the scene makes it quite obvious that the 'window' [[spoiler: she sees that in]] is actually a poorly disguised TV screen showing the scene. |
| 290 | * ''Series/TheProfessionals''. In the episode "Slush Fund", a car drives off a cliff in {{slow motion}} which only highlights the fact that it's driven by crash-test dummies. Even if a short-sighted audience member was fooled, one of the driver's heads falls off for no apparent reason. |
| 291 | * ''Series/{{Psych}}'' generally doesn't have much in the way of special effects. Shawn notices things while wearing a funny face. But in the second season, Shawn and Gus are trying to save a daredevil's life, and one stunt takes place on top of a tower, and the green screen is painfully obvious. |
| 292 | * In ''[[Series/ThePunisher2017 The Punisher]]'', [[spoiler:Krista Dumont]]'s death involves a shot of the fall that, instead of being appropriately fast, looks like she's being gently lowered to the sidewalk. It doesn't help that she's comically flailing around while it happens. |
| 293 | * ''Series/PushingDaisies'' and its quirky visual design calls for liberal use of bad CG and ChromaKey to heighten the show's non-realistic quality. |
| 294 | * ''Series/QuantumLeap'' mostly stands up to remastering very well, but in early episodes you can tell when Al's about to walk through something, because he'll be [[ConspicuouslyLightPatch lit differently from the rest of the scene]]. |
| 295 | ** While most driving scenes are surprisingly well-done, there are a few instances of [[DrivingADesk obvious back projection]], such as in "It's a Wonderful Leap" when many scenes take place in a taxi. |
| 296 | ** In "The Leaping of the Shrew", Sam and his GirlOfTheWeek may have been stranded in the middle of the Aegean Sea in standard def, but in high definition they're rather obviously in a large tank with a matte painting of the sky in the background. There's a visible seam. |
| 297 | * ''Series/{{Raven}}'' tries not to use special effects all that much, but when it does, it smashes into this trope — ''hard''. It includes such things as "floating" orbs of fire, "demons" who look exactly like what's playing them (namely blokes standing around in robes), and people "disappearing", or being "brought back" in flashes of light. |
| 298 | * ''Series/RedDwarf'' actually fares fairly well, as far as low-budget BBC ScienceFiction goes - mainly thanks to a ''very'' talented SFX team - but it is far from immune. |
| 299 | ** In the late '90s, they "remastered" the first three series, which didn't actually improve anything, as the CGI effects are no better than the originals. This wouldn't be a problem, except that they ''cut several minutes'' from various episodes to make room for them. The remastering also took the time to have Creator/NormanLovett record new versions of Holly's shots and lines, and adding in new ones, which were only used in closeups, with other shots being left as they were besides colour correction. [[UnintentionalUncannyValley This creates the effect that Holly is aging ten ten years and back between shots.]] The uncanny aspect is heightened by the fact that the new Holly footage has him in a blue-tinted greyscale and partly disappearing into shadow, while the unchanged footage has him in colour and his face fully visible. It's telling that Creator/HattieHayridge wasn't brought in to rerecord Holly's lines for Series III. |
| 300 | ** Series VII was intended to use model shots for almost all visual effects, but a scheduling foul-up (the vis-effects team were only given a limited time for shooting, in a studio half the usual size, before all the scripts had even been written) meant that they had to fill in the missing effects with CGI. The mix is incredibly jarring. By the time series 8 rolled around and all the effects were digital, the quality had improved slightly. |
| 301 | ** Partly due to the decision to make Holly a face on a screen being made mid-filming of Series I, the pixellation effect on his face is different from episode to episode, and in close-ups his black background randomly turns blue. |
| 302 | *** The pixellation effect was dropped in Series II, and a more effective posterization effect was used from Series III-V. |
| 303 | *** Similarly, despite the intended effect in the first two seasons being that the mirror in the bunkroom doubling as a screen, with the video covering the glass, ''Future Echoes'' and ''[[Recap/RedDwarfSeasonIMe2 Me2]]'' have scenes where the glass is absent, blatantly revealing the much smaller TV screen behind it for the actors to react to. The latter even has a scene where it's plainly visible, but the standard overlay effect happens instead. |
| 304 | ** Legion's true face in ''Legion'' is a convincing computer-assisted blend of the four Dwarfer's faces, until the actor moves his head, and the face stretches to match, revealing it's a flat image. |
| 305 | *** From the same season, the Enforcement Droid the crew encounter in ''Emohawk: Polymorph II''. While we briefly see a really nicely built model, it's longest effects shot, which doubles as an introduction, is the droid teleporting via a 2D image spinning rapidly overlaid ontop of the Starbug model shot. |
| 306 | ** Kryten's [[YourHeadAsplode head exploding]] in ''Beyond a Joke'' blatantly switches to a bug-eyed prop head right before it detonates. Twice. |
| 307 | ** Despite the show doing chromakeying very well multiple times in the first and second seasons, a shot of Cat walking through Blue Midget's hangar in ''Kryten'' becomes horribly fuzzy and indistinct around the edges, ruining the illusion that he's actually in the shot. |
| 308 | ** Some split-screen snafus - Lister can be seen clearly leaning one to one side to avoid crossing the line in the middle of the screen in ''[[Recap/RedDwarfSeasonIMe2 Me2]]'', while the final shot of ''Polymorph'' has a painfully obvious wipe to accommodate a second Lister walking into frame. |
| 309 | ** The episode "Terrorform" has a truly impressive example with the model of The Unspeakable One, which was a puppet rejected for use over in ''Doctor Who'' (late 80s Who at that!) for being too awful to use. The Dwarf crew borrowed it, and soon found themselves agreeing, so they cut out as much of it as they possibly could. |
| 310 | * ABC's ''Red Widow'', in the third episode. There are several shots of a big tanker with the consignment Marta is expected to receive, zooming in on the big shipping containers and going inside to reveal the contents of the crates within - all rendered in truly horrific CG. Sure, it was necessary for plot purposes, and the show doesn't have the highest of budgets, but still, there is no excuse for the badness of the computer effects here. |
| 311 | * ''Series/{{Ringer}}'' has some spectacularly bad green screen of the ocean, of the boat, and of the background while characters are in the boat in its pilot. Couldn't Creator/TheCW have worked on it after getting it from CBS? |
| 312 | * ''Series/RoseRed'' had an equally unconvincing rat puppet appears as a CatScare in its third installment. Its gaping mouth in close-up is obviously plastic, and doesn't even have a rodent's buck teeth. To make matters worse, the real rat shown scampering away from the scene is a different shade of gray-brown. |
| 313 | * ''Series/SamAndCat'': Music/ArianaGrande went from [[DyeingForYourArt dyeing for her art]] to using a wig, as the constant red dye job was damaging her hair. Unfortunately, it was no more convincing than Megan Boone's. |
| 314 | * ''Series/{{Sanctuary}}'', as a [[Creator/{{Syfy}} Sci-Fi Channel]] original series, runs into this with the goofy-looking muscle suit that a lead actor wears when he's turned into a hulking freak. |
| 315 | * ''Series/ShaunMicallefsMadAsHell'' plays this for laughs in a few sketches, with Shaun pointing out how unconvincing the effects are. |
| 316 | ** In the Literature/PeterPan and Tinkerbell [[https://www.youtube.com/watch?v=-m4l27YcWRI sketch]] in series 10, he points out that she's obviously just Christie being filmed in front of a blue screen and badly superimposed, at which point [[ClapYourHandsIfYouBelieve Tink collapses in pain]], Peter runs down on to the set and reveals that she and the blue screen had been in plain view of the studio audience the whole time. |
| 317 | ** In Series 11, [[https://www.youtube.com/watch?v=8wacKXzGfvw Loki appears in the studio]] to take credit for a couple of "mysteries" in Federal politics in recent weeks, and shows off his magic powers, first by making a banana appear on the desk and a cowboy hat appear on Shaun's head, to which Shaun points out that it's just a camera trick. He then makes the banana disappear, and Shaun points out that he didn't properly edit out the stagehand taking it away. And then he makes the hat disappear. |
| 318 | -->'''Shaun''': You didn't even stop the camera that time! What you're doing is just transparently obvious, poorly executed bullshit!\ |
| 319 | '''Loki''': Is it?\ |
| 320 | '''Shaun''': No one is buying it for a moment!\ |
| 321 | '''Loki''': And yet no one knows [[https://en.wikipedia.org/wiki/Sports_rorts_affair_(2020) how the nine additional projects got funded]]. Or [[https://en.wikipedia.org/wiki/Angus_Taylor_(politician)#Parliamentary_controversy_and_media_coverage how the allegedly forged document used to smear the Lord Mayor Clover Moore came into the hands of Angus Taylor]], or how the police investigations just... disappeared.\ |
| 322 | '''Shaun''': (''apparently not noticing that Loki is suddenly on the other side of the desk'') Well, didn't Morrison just speak to the New South Wales Police Commissioner?\ |
| 323 | '''Loki''': Did he? (''EvilLaugh, before gesturing as if to set up a disappearing trick, only to just get up and walk off-camera'') |
| 324 | * For a series with relatively little SF or fantasy content, ''Series/{{Sherlock}}'' has a surprising number of examples: |
| 325 | ** In "A Study in Pink", the nail marks spelling out "Rache" next to the body of the woman in pink are only visible in the couple of shots where they're relevant to Sherlock's deductions. |
| 326 | ** In "The Blind Banker", the villain fires a gun repeatedly in a museum. There's no sound of bullet impacts, and nothing at all gets hit, even when he's firing directly towards Sherlock while he's surrounded by glass cases. While it's not beyond the realm of possibility the bullets missed ''everything'' that would have broken visibly, it does strain belief and indicate they were probably running around in the real museum just after hours and couldn't move anything around to set up prop cases. In the draft of the script, there was a line indicating that the bullets were in fact blanks. The line was removed in the final version, but the possibility remains. |
| 327 | ** In "The Reichenbach Fall", in a scene while Sherlock is in the foreground in the police station, the room around him goes dark to increase the contrast of the graphic effects playing out showing Sherlock's thought processes while dissecting a clue. When he's finished (twice!), the graphics go away and the room lights up again. But rather than having darkened the scene in post-production, they turned the lights off in the room, so when they come on again, a dozen ceiling florescent bulbs flicker madly to life. |
| 328 | ** In "His Last Vow", after being shot, Sherlock falls backwards in stylistic slow motion as the room tilts along with him. While otherwise being very well done, in the background, a large flower vase begins to slide across the floor as the room tilts out from under it. |
| 329 | ** At the beginning of "The Six Thatchers", John is seen writing a new blog post, but is actually just typing while staring at a screenshot◊ of his blog, with the Windows 10 Photos app's toolbar fully visible. Apparently, nobody bothered fixing it in post or just… displaying the image in fullscreen mode. |
| 330 | ** The absolutely awful CGI flames in "The Final Problem" when Sherlock and John jump out of the windows of 221B as a grenade explodes. |
| 331 | * The Japanese drama ''Shikaotoko Aoniyoshi'' (The Amazing Deer-Man) almost always CG-animates its eponymous character. While the deer simply standing and speaking is actually astoundingly realistic-looking (especially for a deer that's capable of moving its lips and tongue to effect human speech), any standard movement shots are hilariously disconnected and the deer itself is low-detail and OffModel. |
| 332 | * Any episode of the '70s series ''Series/TheSixMillionDollarMan'' that involves our hero flying a fighter is pretty funny to watch. Due to the use of stock footage, he flies in as many as 5 different planes during a single flight. |
| 333 | * ''Series/{{Sliders}}'' |
| 334 | ** In the season 3 episode that ripped off the movie ''Film/{{Species}}'', Quinn jumps into the vortex which is off-screen... then he can clearly be seen standing up and walking away. |
| 335 | ** Some monsters are painfully obvious CG. The dinosaurs aren't the worst; there are also a huge spider, a giant beetle and "spider-wasps" that all look really out of place in a live-action series. And then there's the worm... |
| 336 | ** The "rip in the universe" effect in "As Time Goes By" is awful. |
| 337 | * On the old SoBadItsGood sitcom ''Series/SmallWonder'', any scenes where Vicky used her unique robot abilities (like lifting heavy people/things or [[ExorcistHead turning her head around]]), the ChromaKey, or whatever they used, is quite blatant. |
| 338 | * ''Series/TheSopranos'': Livia's actress died in-between Season 2 and Season 3, resulting in some hasty storyline rewriting, including the inclusion of one last scene of Livia with Tony just to wrap up her subplot. This was accomplished by digitally editing her face onto a body-double and recycling lines from her earlier appearances, a scene that cost $250,000 (in 2001) for about 90 seconds of footage. The final effect was not convincing, at all. The lighting on her face was completely different, her skin had a smeared, artificial texture, the edges of her hair faded in and out, and the fact her lines are all recycled means her "conversation" with Tony was very awkward. |
| 339 | * ''Series/Space1999'' has some superb model shots, but is sometimes let down by lousy matte paintings. |
| 340 | ** In "The Testament of Arkadia", a landing Eagle spaceship is supposed to swoop down out of the sun. Instead, the sun behaves like a small disk inside the planet's atmosphere, and the Eagle appears from behind the disk. |
| 341 | ** ''Space: 1999'' has some superb models, but some of the non-miniature effects were abysmal even for the time. In the episode ''Space Brain'', for the brain effect they filled the main command center with soap suds and had the actors flail around in it. As one review wrote: "No matter what you do, soap suds aren't scary." |
| 342 | * ''Series/StarCops'', a kind of SpiritualSuccessor to ''Star Trek'' made a decade later, has similar problems. The wire-work and ChromaKey for the zero-G scenes are about as good as you could manage with the technology of the day -you can't see the wires ''most'' of the time- and the interior sets and spacesuit costumes are downright impressive, but what let them down in the end are the matte effects, which look like they'd been cribbed from a children's non-fiction book about spaceflight. The producers also resorted to moving said matte paintings around on the backdrop to suggest spacecraft in motion when they couldn't use miniatures, which just makes matters worse. |
| 343 | * ''Series/StargateSG1'': |
| 344 | ** In the first episode, the special effects for the alien tech look very good. Which means that it's especially glaring in the same scene when the American soldiers fire guns that have muzzle flashes that they did a poor job of adding digitally. |
| 345 | ** There's a very strange example in "Pretense". The minimalist Tollan Stargate appears to only exist as a painting, the forced perspective fails as the tracking shot follows SG-1 away from the gate. A long shot later shows a completely different physical prop. |
| 346 | * ''Series/{{Starhunter}}'' has rather awful CGI for its spaceships and their weapons. The effects are on par with or worse than what was available nearly 10 years before production started. |
| 347 | * ''Series/TheStarlost'' boasted a new video process that was to allow the most spectacular visual effects ever. This process, called "Magic Cam", was a simple greenscreen effect that allowed almost all of the show's sets to be created from miniatures or matte paintings. Promotional material hailed the way that Magic Cam prevented any sort of visible matte line or haloing. This turned out to be entirely false. Matte lines, halos, wires, boom shadow... if there's something you can do to ruin a visual effect, ''The Starlost'' does it. |
| 348 | ** Made particularly sad by the extremely high quality of some of the model shots used in the opening titles (which is ruined by the lousy quality of the title graphics themselves and most of the other shots). |
| 349 | * ''Series/StarTrekTheOriginalSeries'' itself is resistant to this syndrome, given its budget for the time, but still occasionally falls down. |
| 350 | ** The aliens at the end of the "Catspaw" episode are clearly puppets with very visible strings. |
| 351 | ** Sylvia becoming a [[OneWingedAngel giant cat]] is pretty obviously enlarged stock footage of an average housecat. |
| 352 | ** They actually lampshade it in the Corbomite Maneuver. The alien on the viewscreen looks like a big puppet, and then when Kirk and co beam over to the mini craft to offer help after blasting it, they discover that it really is a big puppet. |
| 353 | ** And then there's the windsock dipped in cement. Mind, two different companies did remastered versions of "The Doomsday Machine", but neither really captured the essence of the Planet Killer with CGI. A cement-covered wind sock is actually the best effect in this case. |
| 354 | ** They actually edited a problem ''into'' the remastered ''Assignment Earth'': a beautiful shot of the ''Enterprise'' orbiting the Earth... which is rotating backwards. |
| 355 | ** The first appearance of wide-beam phasers in "The Return Of The Archons" is quite ropey even for its time and budget. They appear to end arbitrarily rather than hit their targets, and a beam going behind Doctor [=McCoy=]'s arm has a gap in it much wider than said arm. |
| 356 | ** A frequent [[StockFootage stock shot]] of the Enterprise has part of one warp nacelle grainily dropping out of the image to reveal the stars behind. |
| 357 | ** A guy falling to his doom off the balcony of a floating city is represented by a black blob moving across a satellite photo. [[http://img.trekmovie.com/tosrem/cloudminders/old_tosr074_06.jpg Yeah.]] |
| 358 | ** The Kirk vs. Khan fight in ''Space Seed'', held by two stuntmen whose identities the camera work does the most pathetic attempt possible to conceal. |
| 359 | ** The amount of SpecialEffectFailure in ''The Arena'', especially with The Gorn and its golf-ball eyes, causes a lot of Narm. |
| 360 | ** Before the space scenes were redone using CGI, several shots of the shuttlecraft showed the matted effect traveling across the screen. |
| 361 | * ''Series/StarTrekTheNextGeneration'' |
| 362 | ** In "Conspiracy", a horrific sequence involving phasering a guy's face off is wrecked when a hideous monster bursts from the remains of his chest, and is a weak, sad, muppety-looking thing. Plus, the way they blue-screened it into the scene couldn't possibly be more obvious. In addition, earlier shots of one of the monsters are done with bad, low-frame-rate stop-motion. |
| 363 | ** In Season 3 Episode "Who Watches the Watchers", the Enterprise crew and Federation scientists study a pre-industry Vulcan-like culture. Their most advanced technology is bows, which would be fine, except the bows are obviously modern fiberglass composite compound bows covered with "primitive" rags, and the arrows are similarly modern. |
| 364 | ** The episode "Coming of Age" has a matte painting that's supposed to look like it's a hallway going on for a while...instead, it looks like someone's [[http://tng.trekcore.com/gallery/albums/s1/1x19/comingofage152.jpg painted a hallway on the wall]]. |
| 365 | ** Then there's the case of the Type 7 shuttlecraft, whose [[http://tng.trekcore.com/gallery/albums/s2/2x07/unnaturalselection141.jpg mockup]] does not match its [[http://tng.trekcore.com/gallery/albums/s2/2x01/child006.jpg model]] counterpart. |
| 366 | ** Similar to StockFootageFailure, the original series and ''Next Generation'' sometimes reuse the same matte paintings more than once, to represent completely different planets. Similarly, spaceship models are used over and over again to represent different ships, though sometimes they were clever enough at modifying the model to make it non-obvious. There are also particularly CGI shots that are re-used multiple times, including several uses of the Enterprise with an Excelsior class ship alongside it. |
| 367 | ** The episode "Mind's Eye" features some passable phaser rifle props. Unfortunately they way they are handled, particularly by [=LaForge=], reveals that they have no weight, almost as if they were empty plastic models. |
| 368 | ** In the film First Contact, there is a scene in orbit where Picard points out the window and shows Australia, New Guinea and the Solomon Islands to another character. New Zealand is completely absent. |
| 369 | * ''Series/StarTrekEnterprise'': "In A Mirror, Darkly" features an [[https://www.youtube.com/watch?v=sfbsZRbwbJ4 alternate opening sequence]], which shows the mirror universe Earth's history instead of our own. Most of the sequence is suitably awesome, but the part where the astronaut plants the Terran Empire flag on the moon is very obviously CGI pasted onto a static background and looks super out of place. |
| 370 | * ''Series/StarTrekDiscovery'' has the traditional highly flammable Starfleet-issue interior. Unfortunately, this is rendered with evenly spaced pyrotechnics which — particularly from Season 3 onward —fire even if the ship only takes a glancing hit, and often fire in a predictable, rhythmic sequence. One gets the impression that they're actually just random stage pyrotechnics that have been stolen from a passing metal concert and not reprogrammed before being installed on ''Discovery'''s bridge. |
| 371 | * Inverted in ''Series/StrangerThings'' where an effect was distracting for being ''too'' good for the situation at hand. When the boys give [[CreepyChild Eleven]] a makeover so she can pass as normal at school, they scrounge up an old dress and a costume wig to cover her buzzcut hair. When we first see El in her new clothes, the wig is obviously fake, but in later scenes where her looks aren't the focus, it inexplicably becomes a high-quality lace-front expertly blended into her hairline, clearly the work of a professional makeup artist and not a 12-year-old. But a few episodes later when El is disgusted with her reflection and ditches the wig, it's once again a cheap costume prop. |
| 372 | * Not even the UsefulNotes/SuperBowl is safe from this. In Super Bowl XIII, the greenscreened crowd penetrated through the shirts of NBC broadcasters Curt Gowdy, Merlin Olsen, and John Brodie. |
| 373 | ** Creator/{{NBC}}'s sports and news divisions had a lot of these problems during the late 1970s. During coverage of the inauguration of UsefulNotes/JimmyCarter, notice just before the beginning of the first commercial break at about 11 seconds in, you can see the [[https://www.youtube.com/watch?v=4u9pWGY1DTE graphic penetrating through]] then-TODAY show anchor Tom Brokaw's hair. |
| 374 | ** Also a problem during the Canadian rebroadcasts of the Super Bowl: when Global had the rights, they digitally swapped any billboards appearing in the stadium with billboards advertising their own programs. This effect usually worked. If the camera moved anything other than purely horizontal, it looked '''horrible'''. |
| 375 | * ''Series/SuperRobotRedBaron'' has its fair share of problems, but is otherwise a quite well-made show. One notable failure, however, occurs in the episode in which a masked man escapes from the Iron Alliance's base. It's established early on that his mask won't come off until a timer releases it (i.e. at the end of the episode), but during a fight scene in the water, the mask falls off too early, and the actor scrambles to put it back on! |
| 376 | * ''Series/{{Supernatural}}'' did remarkably well in the special effects department, given its low budget and ambition. Yet, there were some low points. |
| 377 | ** The first season episode "Bugs" featured a mix of obviously plastic bugs and terrible CGI. The creators often cite this as the worst episode of the series. |
| 378 | ** An infodump on the BigBad in a season 7 episode showed several pictures of him horribly photoshopped alongside real-life notable figures. |
| 379 | ** The SeriesFinale has a flash forward to Sam's old age in a ''terrible'' grey wig. As in became a meme bad. |
| 380 | * In ''Series/TerminatorTheSarahConnorChronicles'', the fully-CGI Terminator endoskeletons are arguably less convincing than the fully-mechanical muppet used in the climax of the original ''[[Film/TheTerminator Terminator]]'' film, but definitely more convincing than the stop-motion used in that film. To be fair, though, you'd ''expect'' CGI on any budget to look less realistic than an animatronic model that is ''actually real''. |
| 381 | * ''Series/ThatMitchellAndWebbLook'' parodied this with the Helivets. The helicopter that the Helivets purportedly fly around in is clearly a cheap model helicopter that's being inexpertly piloted around. |
| 382 | * In ''Series/TomicaHeroRescueFire'', the [[{{Mooks}} Jakasts]] have laughably poor costumes. |
| 383 | * ''[[Series/TheTonightShow The Tonight Show with Jay Leno]]'' used distorted lenses to create the characters of Iron Jay and Mr. Brain, and also for the headless effect with Beyondo. Since it started using HD, those characters have rarely been seen. |
| 384 | * ''Series/TopGear'' had this happen a few times, but most often [[StylisticSuck intentionally]] [[RuleofFunny for laughs]]. They once made an intro to a fake 60's spy show called ''The Interceptors'', which at one point cuts from footage of a real boat with a real person in it to them blowing up a toy boat with a doll in it. Another time Jeremy decides to cover a camera in Vaseline so he'll get "style" points for a challenge. [[EpicFail You can't see a thing out of the camera]]. |
| 385 | * ''Series/TheTroop'' uses this like there's no tomorrow. The monster effects are so cheap, it can be hard to take the show seriously, even on what is supposed to be tense moments. The fact that the show was made in 2009 only adds to the cheesiness. However, this show is [[NarmCharm supposed have the charm of old 1990's Nick shows]]. |
| 386 | * ''Series/TrueBlood'': |
| 387 | ** [[http://media.tumblr.com/231846436fe42c7926f3b861fdf88b8a/tumblr_inline_molskcea9i1qc13oa.gif This]] moment where Eric leaves through a door without moving at all. Normally, when vampires are expelled that way, it's done a lot faster and the effect is less distracting. |
| 388 | ** In season 3, when Sookie has a V-induced dream of Eric flying outside her window, it is painfully obvious that Alexander Skarsgard (who plays Eric) is being held up on strings, which has the unintended effect of making the scene look goofy instead of serious. |
| 389 | ** For characters that could shapeshift into animals, the show would usually cast real animals to play them...except the werepanthers, whose cat forms were blatantly CGI. |
| 390 | * ''Series/TwinPeaks'': |
| 391 | ** In a scene where Harold Smith is brandishing a hand rake, you can see the fake blood on the tips of the hand rake well before he uses it to claw his cheek. If not for his groan of pain, you might think he's supposed to be simply painting red onto his face. |
| 392 | ** A scene where Nadine hurls a high school boy is done using very obvious {{undercrank}}ing. To make matters worse, the film is run backward and forward for a moment at the beginning of the shot as Nadine says an [[LoopingLines obviously looped line]], making the film speed manipulation even more blatant and highlighting the sudden change in visual resolution. |
| 393 | ** The remastered version makes the border of Billy Zane's wig along his forehead very obvious. |
| 394 | * As a whole, the ''Franchise/UltraSeries'' tends to have better special effects than most people give it credit for, but even they're not immune to the trope. |
| 395 | ** In the original ''Series/{{Ultraman}}'', the Ultraman suit used in the first thirteen episodes is quite something to see for the crudely done, almost villainous face -- the result of a failed attempt to give Ultraman movable lips -- that was thankfully replaced with a cleaner, friendlier-looking face more befitting of the hero. |
| 396 | ** The 1970s series ''Series/UltramanAce'', ''Series/UltramanTaro'', and ''Series/UltramanLeo'' are widely considered by fans to have consistently below-average special effects due to the sagging Japanese economy at the time resulting in a very low budget. These three series feature some of the worst-designed suits in the franchise (one episode of ''Ace'' featured a panda obviously being played by a man in a costume that can only be described as hilariously atrocious) and numerous glaring bloopers (an episode of ''Taro'' has a shot of the monster suit's zipper opened, exposing the suit actor's back). |
| 397 | ** Earlier episodes of ''Series/UltramanTiga'' used ''very'' noticeable CGI to animate Tiga flying off and the monsters exploding. This was soon switched out for the traditional practical effects used to depict such scenes, though the computer-animated versions would still show up from time to time. |
| 398 | * Even for a Saban show made in the 90's, ''Series/VRTroopers'' has a surprising amount of Special Effect Failures: |
| 399 | ** Whenever Jeb sticks his tongue out, one can easily tell that the frame is frozen. Likewise whenever his eyes "pop" out in surprise. |
| 400 | ** In "The Dognapping", the Skugs carrying Jeb's cage in Grimlord's palace are clearly in front of a green screen. Their lighting is completely different from the rest of the footage. |
| 401 | ** In "The Duplitron Dilemma", Percy being ejected from the car is shown with a flat image of him flying up and hitting the ground. |
| 402 | ** Battle Grid Mode [[https://m.youtube.com/watch?v=j49Ci1DqBns speaks for itself.]] The whole thing is shot on a soundstage with fog machines and lighting passable for a laser tag arena in that time, and the costumes for our heroes are repainted costumes from ''Series/MightyMorphinPowerRangers'' that don't match the usual costumes in the StockFootage. |
| 403 | * ''Series/WalkerTexasRanger'' has a clip where Walker jumps out of a plane, which then blows up. Or rather, features an explosion badly pasted over footage of the airplane. When shown on ''Series/LateNight'', Conan's reply was "I thought [[SelfDeprecation the special effects on this show were bad]] until I saw that plane explode on ''Walker Texas Ranger''. They just took footage of a plane and had someone hold a match in front of it." |
| 404 | * While ''Series/TheWalkingDead2010'' has generally been lauded for its special effects -- especially the [[NotUsingTheZWord zombie]] makeup. But mention "CGI Deer" on any forum and you'll be met with groans and eye-rolls. |
| 405 | * ''Series/WalkingWithDinosaurs'' and its sequels have impressive special effects for a documentary, especially upon the first viewing. However after a closer inspection, it is baffling how the SFX team didn't catch some of the clearly obvious goofs. The biggest ones are: |
| 406 | ** The jarring shift between the CG and the animatronic ''Postosuchus'' from the first episode. |
| 407 | ** Second episode: |
| 408 | *** Messed-up water reflections and a ''Diplodocus'' drinking from a bush |
| 409 | *** The baby Sauropods supposedly disturb a lot of branches on the ground, but the CG dinosaurs have been animated elsewhere, so the branches are moving on their own. |
| 410 | ** In the third episode, the "skin" of the ''Ophthalmosaurus'' is clearly peeling off, and the chunks continue floating in the water. |
| 411 | ** Episode four is basically a goof reel: |
| 412 | *** The long fingers of the Pterosaurs clip through their leather wings all the time. |
| 413 | *** Although it is not as severe as in the picture on the main page, you can see that the ''Iguanodon'' puppet could have been made with a longer neck |
| 414 | *** CG ''Iguanodon''s walking in air. |
| 415 | *** The sequence of the raptors bringing down the ''Iguanodon'' has so many clipping errors, it isn't funny (watch their hands and legs). |
| 416 | *** When the ''Utahraptor''s open their mouths, the inside of their models becomes visible, and it has the same pattern as their outer skin. |
| 417 | *** And the mating ground, which has messed up shadows and layering issues, see-through pterosaurs, animals repeating the same set of motions at the same time, and the wires clearly hanging out of our main hero's neck. |
| 418 | ** Episode five: |
| 419 | *** the attacking ''Koolasuchus'' doesn't open its mouth. The fleeing ''Leallynasaura'', however, does, and we can see the background through its head. |
| 420 | *** The ''Allosaurus'', after it kills the lead female, twists its head in a very painful manner, and its jaws clip through its stiff neck. |
| 421 | ** Episode six: |
| 422 | *** At the start of the episode, a ''Didelphodon'' tries to rob the nest of a ''T. rex''. As it bounces up and down, its hind legs completely sink into its torso. |
| 423 | *** The large frills of the ''Torosaurus'' clip into their shoulders at times. |
| 424 | ** The WWD special ''Series/TheBalladOfBigAl'' brings us: |
| 425 | *** See-through dinosaurs during the epic ''Diplodocus'' hunt and Al's clash with the female ''Allosaurus''. |
| 426 | *** ''Diplodocus'' teeth that ''stretch'' when the animal opens its mouth. |
| 427 | *** Some very fake-looking interaction between props and CGI. |
| 428 | * ''Series/WalkingWithBeasts'': |
| 429 | ** In the first episode, sometimes the actions of the animals don't correspond with the disturbed leaves on the ground. |
| 430 | ** The second episode gives us glimpses of the puppeteer's jeans and shoes as the ''Andrewsarchus'' tries to kill an obvious rubber turtle. Meanwhile, the ''Moeritherium'' has an impressive collection of wires hanging from its neck. For some reason, they forgot to cover them up with a CG body. Also, the dead brontothere calf looks like it's made of rubber. |
| 431 | ** The shadows in the third episode don't always match the animals' actions. For instance, the shadow of the ''Hyaenodon'' leaning into the carcass of the chalicothere makes it look like the predator's floating. |
| 432 | ** Another scene has a large white prop "hidden" behind the ''Paraceratherium'' calf's head. |
| 433 | ** Episode four: the legs of the yawning ''Dinofelis'' clip through the tree. |
| 434 | ** The fifth episode has an awfully wooden looking ''Smilodon'' head puppet (complete with some unintended dirt sticking to one of its fangs), and clipping errors regarding the CG ''Smilodon'''s teeth. |
| 435 | ** The last episode showcases a very awkward looking shot of a bellowing mammoth, whose tusk merges with his trunk for a long moment. The antlers of the fighting ''Megaloceros'' also sink into each other. |
| 436 | * In ''Series/WalkingWithMonsters'', a gorgonospid brushes against a bush, with the bush sticking INSIDE of it, while it chases a scutosaurus. |
| 437 | ** And during the fight between the female ''Dimetrodon''s, they too pass through each other once. |
| 438 | ** Another particularly jarring oddity is that after the ''Hyneria'' fish bites into the ''Hynerpeton'' male, the latter's long tail begins to clip through the fish's head at least twice. It happens fast, but freeze-framing clearly reveals a tail simply sticking out through the ''Hyneria'''s forehead. |
| 439 | * ''Series/WandaVision'': In-universe. In the bizarre sitcom universe, the effects are horrible and era-appropriate, with lots of blatant cuts to cover objects appearing out of thin air, and Wanda's telekinesis obviously relying on strings. It's only in the third episode, [[spoiler:when "Geraldine" brings up some of Wanda's real-world trauma that she shouldn't know about, that Wanda once again demonstrates her trademark red glow]]. |
| 440 | * ''Series/WarOfTheWorlds1988'', at the climax of its second season premiere. The Blackwood Project team and mercenary John Kincaid run to escape their home, which has been rigged with enough explosives to completely destroy it. The resulting explosion as the characters reach safety is an obvious model miniature that looks poorly designed and flimsy, with thin pieces of cardboard flying around as the "building" explodes. |
| 441 | * ''Werewolf'' is a '90s ''Series/TheFugitive'' clone featuring a young man on the run because he got bitten by a wolf, and every full moon after that... well, you get the idea. The actual werewolf costume looks pretty scary and menacing -- as long as it is seen in the dark, slightly out of focus, in hand-held shots and with rapid cutting. Unfortunately, in later episodes the werewolf suit is fully-lit looks lame. |
| 442 | * ''Series/WhiteCollar'' |
| 443 | ** The season 1 finale ends with [[spoiler:a parked airplane exploding]]. It's painfully obvious it's either CG or a really sloppy matte job, though to be fair the show is a relatively low budget comedy-drama that normally uses almost no special effects. |
| 444 | ** When Creator/TiffaniThiessen was pregnant during Season 2, they pretended her character was in California. Ridiculous green screening of the Golden Gate Bridge ensued. |
| 445 | * InUniverse example in ''Series/WhiteRabbitProject'': In the ''DB Cooper'' legend of the ''Heists'' episode, most of the special effects are CGI, except a scene with Tory holding a model plane in front of a special effects fan and fog machine, for RuleOfFunny. |
| 446 | * ''Franchise/{{Whoniverse}}'': ''Series/DoctorWho'' spinoffs aren't immune either: |
| 447 | ** ''Series/{{Torchwood}}'': |
| 448 | *** The creature in "Meat" lookes embarrassingly fake in places. |
| 449 | *** It's bad enough that [[https://www.youtube.com/watch?v=GLXQm3vTv_Q Abaddon]] looks like something from a video game, but the way that he's integrated into the live-action shots is just laughable. |
| 450 | ** In ''Series/TheSarahJaneAdventures'', the entanglement shells from "The Warriors of Kudlak" look so much like jellybeans. |
| 451 | ** ''Series/Class2016'': |
| 452 | *** The opening sequence of "Co-Owner of a Lonely Heart", showing one of the evil alien flowers being blown through the neighbourhood, has rather bad CGI, with the flower looking obviously computer-animated and pasted onto the background image. |
| 453 | *** The soot-and-cinder haze that follows the Shadow Kin around can be a little too obvious at some points. |
| 454 | * ''Wind and Cloud'', a 2002 Taiwanese series, received an unfortunate reputation in Finland because of this. It features an infamous magical-sonic-beam-attack of a sort... Which is created by having the user throw a bunch of hula-hoops at the opponent. Other special attacks are similar in quality. |
| 455 | * ''Series/WizardsOfWaverlyPlace'' succumbs to this syndrome in nearly every episode, whether it's flying carpets, chandelier-swinging, giant seamonkeys, or random trips to China. Almost ''all'' scenes in the sky feature blatant blue/greenscreen, especially noticeable considering the characters' outlines, and how they move at a ''completely different framerate'' from the clouds/city, etc. Another ''Waverly Place'' example is when they go into Alex's journal. It looks like the editors were testing Adobe Premiere Elements when they go inside of it. One of the characters also falls behind a wall painted like water (there isn't even a splash!). |
| 456 | * The ''Series/WonderWoman2011Pilot'' ended up unsold, so the wire effects and [[MemeticMutation tacky pants]] were not smoothed over uniformly. It's jarring to see that one infamous shot, when others do feature darkened pants. |
| 457 | * ''Series/TheXFiles'' usually makes their effects fairly believable, but the episode "Piper Maru", which featured a submarine that could not have been more obviously fake. |
| 458 | ** The same could be said for the "monster" in "Arcadia" and the cat that attacks Mulder in "Grotesque". |
| 459 | ** And the cat that attacks both Mulder AND Scully in "Tesos dos Bichos". It's a cat puppet, but because Gillian Anderson is allergic to cats, they had to use rabbit fur -- which Anderson reports often shed and got stuck to everything. (Presumably the crew even agreed it looked silly -- the blooper reel for that season features a clip of Mulder fighting the cat puppet set to the theme of ''WesternAnimation/GeorgeOfTheJungle''. |
| 460 | ** In "Shapes" the onscreen transformation is great, the two times the werewolf actually appears it looked laughably fake. To their credit, they seemed to realize this limitation and kept it offscreen almost the entire episode. Even during its two actual appearances, it's either out of focus or only briefly seen running across the screen. |
| 461 | ** Sort of {{inverted}} in "Squeeze" in that the effect is spoiled not by being too fake but by being too real(istic) and thus not fantastic enough. The MonsterOfTheWeek is a RubberMan mutant who can squeeze through tiny spaces to get at his victims, but the one time he's actually shown doing that, it looks like they had a real {{Contortionist}} slowly and laboriously squeeze into a moderately small space, so it's unimpressive compared to his off-screen abilities. |
| 462 | * In-universe example in the first episode of ''Series/YesDear''; when Greg records Sammy's first steps in a casino, Jimmy pays someone to swap the background with StockFootage of a park. It looks somewhat convincing until Sammy starts walking on a lake. |
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