Line #11 Radio/SonOfCliche


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/socl1.jpg]]
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3	''Son of Cliché'', a follow-up to ''Cliché'', was a radio comedy show on the Creator/{{BBC}} that ran for two series in 1983-84 (the original ''Cliché'' aired in 1981) and which was written by Rob Grant and Doug Naylor. Produced by comedy veteran John Lloyd, the show was presented by Nick Maloney, Nick Wilton and a young and relatively un-known [[Creator/ChrisBarrie Christopher Barrie]], at that point famous only for being a vocal impressionist talent on ''Series/SpittingImage''. Musical interludes and comic songs were by Peter Brewis.
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5	The show followed what was by now a well-worn path in subverting both the introduction and the end credits. As often as not, the end credits would be re-arranged into a song parody performed by Brewis with vocals by Chris Barrie, one week in the voice of Music/NeilYoung singing the credits to a tune not unlike "After the Goldrush". The next week, the gravelly voice of Music/BobDylan performed the credits to a tune not unlike "Knockin' on Heaven's Door". This was not the end of the parody: at the end of the credits, where you might expect normal Radio Four service to resume, the second series featured a grovelingly apologetic Maloney or Wilton returning to the mike and apologising for the absence of the {{continuity announce\|ment}}r, who was indisposed for one reason or another.
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7	As time passed with no sign of normal continuity, Wilton would get more acerbic and go into a detailed reason as to ''why'' the CA was indisposed. It might be due to a bad curry they'd had the night before, for instance, meaning they'd had to, er rush out of the studio in a hurry. Wilton would then be heard leaving the studio, walking down a corridor, pausing to say "sorry about this" to the listeners, and then a one-way conversation would ensue as to whether or not he could pass the mike over the cubicle door and you can, you know, do the link without getting up -- and then the recording would end and the ''real'' continuity announcer would take over, often in a well-disguised huff because they hadn't been warned.
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9	The show prided itself on "series within the series" in the best BBC radio comedy style.
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11	At any one time there could be up to four of these, which included
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13	* ''Asso - Spanish Detective!'' a parody of Spanish television.
14	* ''Captain Invisible and his sidekick the See-Thru kid!'' - a parody of Creator/MarvelComics and its stereotypical characters.
15	* ''Adventures of the League of Stupid Heroes!'' - a spin off from Captain Invisible.
16	* ''Freshers'' — two sheltered first-year university students
17	* ''[[Series/RedDwarf Dave Hollins, Space Cadet!]]'' — the last human being alive, seven trillion years into the future, with only the ship's computer for company
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19	Although ''Son of Cliché'' only ran for a relatively few series, it was a seminal moment in British comedy for two reasons. The in-show serial ''Dave Hollins - Space Cadet!'' provided enough material for a [[SoundToScreenAdaptation pilot show]] of a [[Series/RedDwarf sit-com set in space]] that was to make the names of Grant/Naylor and which, starring Chris Barrie, is now into its twelfth series. Grant/Naylor would regularly plunder old ''Son of Cliché'' scripts for material, and on one occasion a Peter Brewis song, "TongueTied", for their space comedy.
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21	An archive of downloadable episodes can be found [[https://archive.org/details/SonOfCliche/Cliche+S01+E01.mp3 here]]''
22	----
23	!! This show provides examples of:
24	* AccentUponTheWrongSyllable: The RunningGag concerning those [[KitschyLocalCommercial cheap awful local commercial radio adverts]], where against all advice the business owner voices the commercial himself and makes a total pig's ear of it. The show's resident used car dealer was once allowed to voice the closing credits using his radio presentation voice.
25	* CockroachesWillRuleTheEarth: When Dave gets back to Earth, finds that the only survivors of a nuclear war are fruit flies, beetles and P.E. teachers with fruit flies now being Earth's dominant species.
26	* CreditsGag: The examples quoted above, where the end credits might be set to a well-known pop song, or the opening credits might be a spoof of some other show. And then there were the post-credits jokes at the expense of the poor continuity announcer, who might be hungover, drunk, indisposed in the toilet after a tainted curry, or else having sex with the continuity announcer from Radio Three...
27	-->Look, could you stop just for a second, get your breath back, and do the link? Oh, and ''you'''ve got to announce the Rachmaninov Piano Overture in D from the Philharmonia Hall. Thank you. ''(Cut to C.A.)''
28	* FirstContact: Several times, when Dave Hollins tries to speak to alien life forms who are just as bemused with him. Misunderstandings then proliferate.
29	* GratuitousPanning: The ''Weird Dimension'' sketch (a parody of ''Franchise/TheTwilightZone'') where your stereo radio system is taken over by forces outside of your control. Except for the fact that your right-hand speaker isn't working.
30	* HeadphonesEqualIsolation: The ''Walkman Brothers'' sketch, in which two men are forever by tragic accident locked into Sony Walkmen which, to compound the misery, are locked to BBC Radio One. "Russell Harty" (aka vocal impressionist Chris Barrie) ''tries'' to interview them for a late-nights Arts programme, discovering they are making the best of it as an interpretative performance act conveying what they hear on Radio One to a paying audience. But it is true that anyone trying to sing along to what they are listening to on a Walkman is not going to be especially good at it, as their interpretation of Billy Joel's "Uptown Girl" proves...
31	* ICantSeeMyself: Captain Invisible and the See-Thru Kid were prone to this. A lot. One sketch has them relaxing trying to play tennis. Another sketch explores the difficulty, for an invisible man, of getting a decent haircut and avoiding wounds from the scissors.
32	* KitschyLocalCommercial: The show had a resident businessman who voiced all his own commercials on local radio. With the sort of results you might expect.
33	* MyInstinctsAreShowing: The sketch where a young man raised by wolves is being resocialised to human society. Unwisely, he is taken to an upscale restaurant and asks for lamb which is very, very rare. ''(Beat)'' In fact, preferably still bleating and with the fleece on.
34	* OopNorth: Produced in the north, the show had aspects, such as the spoof horror movie ''The Thing from 1,157 Stockport Road'' - a reference to one of the longest streets in Manchester; or Asso, Spanish Detective, would be musing on how easy it is to locate a drunken Englishman on the Costa del Sol named only as "Dave from Ardwick". There was also lots of snark about the North-South Divide, and how the South-East had it easy.
35	* PlanetOfSteves: Encountered at least once by ''Dave Hollins - Space Cadet''.
36	* SequelSeries: To Grant/Naylor's original series, ''Cliché''.
37	* SoundToScreenAdaptation: ''Dave Hollins: Space Cadet'' was re-written and expanded into ''Series/RedDwarf''. The television sci-fi series regularly plundered old ''Son of Cliché'' scripts for material, such as ''Attack of the Killer Italian Y-Fronts'' and the "Tongue-Tied" song.
38	* SpiritualSuccessor: The basic premise for ''Series/RedDwarf'' was laid down in ''Dave Hollins: Space Cadet''.
39	* TongueTied: "The Tongue Tied Song", naturally.

Context Radio / SonOfCliche