Line #107 Music/TheDoors


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the-doors.jpg]]
2	[[caption-width-right:350: The Doors in 1966. From left to right: Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore]]
3
4	->''"This is the strangest life I've ever known."''
5	-->-- "'''Waiting for the Sun'''", ''Morrison Hotel''
6
7	One of the most important and influential bands of their era. Led by Jim Morrison (1943–1971), AKA [[SignificantAnagram Mr. Mojo Risin']], AKA The Lizard King, with Ray Manzarek (1939–2013) on keyboards, Robby Krieger on guitar, and John Densmore on drums, The Doors became famous in TheSixties for their dark, theatrical, blues-influenced PsychedelicRock and Morrison's surreal WordSaladLyrics.
8
9	According to Ray Manzarek, The Doors were founded on the beach of Venice, California, where he ran into Jim Morrison a month after graduating from UCLA film school where they had both studied. He asked Morrison what he had been up to and he answered that he had been writing songs and proceeded to sing "Moonlight Drive" to Manzarek, who was enthused. Manzarek later recruited John Densmore, a jazz drummer, then Robby Krieger, a flamenco guitarist, from a transcendental meditation class - and thus, the Doors were born.
10
11	They started playing in bars around Los Angeles, first the London Fog, and later with more success, the Whisky a Go Go, and soon signed a record deal with Creator/ElektraRecords. Morrison encouraged his fellow bandmates to write songs of their own, and thus Robby Krieger wrote "Light My Fire", which became one of their biggest hits.
12
13	Although the band quickly enjoyed commercial success, not all was going well.
14
15	Inspired in part by the behavior of Music/VanMorrison, the singer of Them (whom the Doors had played with at the Whisky a Go-Go), Jim Morrison started behaving very provocatively toward the audience, often insulting them or getting into political rants, which eventually landed him in jail after a 1969 concert in Miami where he allegedly exposed himself on stage.
16
17	This rebellious attitude, which contributed to the band's appeal, was not just a pose. Jim Morrison had very uncompromising political ideas, among which was an opposition to commercialism. He famously got enraged that the three other members had agreed to sell "Light My Fire" to Buick for a commercial while he was away from the rest of the band in London, and Morrison threatened to destroy a Buick with a sledgehammer on television if they did not back down.
18
19	All four band members were used to taking LSD and smoking pot, but Morrison got more heavily into all kinds of drugs, and became a very heavy drinker, which did not improve his behavior, created tensions within the band, and took its toll on their live performances, sometimes even affecting their recording sessions (it is said that Morrison recorded "Five to One" while heavily inebriated, hence his slurred performance).
20
21	In 1971, after the recording of the album ''Music/LAWoman'', Jim Morrison flew to UsefulNotes/{{Paris}}, where he died on July 3, under somewhat mysterious circumstances.[[note]]Morrison was found dead in the bathtub of the apartment he was living in. His cause of death was officially ruled as heart failure, but no autopsy was ever performed on his body as French law at the time didn't require it, so it remains unclear if heart failure was indeed the true cause of his death.[[/note]] He was buried at the Père Lachaise cemetery, and his grave became by far the most famous there (which isn't a small feat, considering said cemetery has been chock full of famous people for centuries), with thousands of people visiting it each year.
22
23	The band's musical eclecticism was a major influence on ProgressiveRock, and Morrison's brooding image was a major inspiration for PunkRock, AlternativeRock, and GothRock.
24
25	Although the band released two other albums with Manzarek and Krieger sharing the role of vocalist after Morrison's death, they parted ways a few years later. In the 1990s and early 2000s, Manzarek and Krieger reunited (with Ian Astbury of Music/TheCult on vocals) to form ''The Doors of the 21st Century''. Densmore disagreed with reforming the Doors (unless Music/EddieVedder was the singer), and actually sued his former bandmates over their use of the name ''The Doors'' and of the band's logo. (He thought that the use of the logo and the fact that the words "of the 21st century" was written in much smaller print compared to "The Doors" was intentionally misleading). Manzarek and Krieger would be forced to rename their act ''Riders on the Storm'' and later ''Manzarek-Krieger''. Densmore later reconciled with Krieger and Manzarek shortly before the latter's death in 2013 and since has occasionally reunited with Krieger on stage.
26
27	Creator/ValKilmer played Morrison in [[Film/TheDoors1991 the 1991 biographical film]] directed by Creator/OliverStone.
28	----
29
30	!!Principal Members (Founding members in '''bold'''):
31
32	* '''John Densmore''', (born 1944) - drums, percussion, vocals (1965–73, 1978)
33	* '''Robby Krieger''', (born 1946) - guitar, lead vocals, percussion, harmonica (1965–73, 1978)
34	* '''Ray Manzarek''' (1939–2013) - keyboard, organ, keyboard bass, lead vocals, piano, marxophone, harpsichord, marimba, percussion, guitar (1965–73, 1978)
35	* '''Jim Morrison''' (1943–1971) - lead vocals, harmonica, percussion, synthesizer, maracas, tambourine, piano (1965–71, 1978 posthumously)
36	----
37
38	!! Studio Discography:
39
40	* 1967 - ''Music/TheDoorsAlbum''
41	* 1967 - ''Music/StrangeDays''
42	* 1968 - ''Waiting for the Sun''
43	* 1969 - ''The Soft Parade''
44	* 1970 - ''Morrison Hotel''
45	* 1971 - ''Music/LAWoman''
46	* 1971 - ''Other Voices''
47	* 1972 - ''Full Circle''
48	* 1978 - ''An American Prayer'' [[note]] Morrison reading his poetry, with the surviving Doors providing musical accompaniment recorded years later [[/note]]
49	----
50
51	!! Live Discography:
52
53	* 1970 - ''Absolutely Live''
54	* 1983 - ''Alive, She Cried'' [[note]] Recorded in 1968, 1969 and 1970 [[/note]]
55	* 1987 - ''Live at the Hollywood Bowl'' [[note]] Recorded in 1968 [[/note]]
56	* 1991 - ''In Concert'' [[note]] Uses all the tracks from ''Absolutely Live'' and ''Alive, She Cried''. Also uses one track from ''Live at the Hollywood Bowl'' and ''An American Prayer'', with only ''The End'' being previously unreleased [[/note]]
57	----
58
59	!! Non-album singles:
60
61	* 1969 - "Wishful Sinful" [[note]] Otherwise available on their 1969 album ''The Soft Parade'' [[/note]] / "Who Scared You"
62	* 1970 - "Love Her Madly" [[note]] Otherwise available on their 1971 album ''L.A. Woman'' [[/note]] / "(You Need Meat) Don't Go No Further"
63	* 1972 - "Get Up and Dance" [[note]] Otherwise available on their 1972 album ''Full Circle'' [[/note]] / "Tree Trunk"
64	----
65
66	!! The Doors are the TropeNamers for:
67	* WildChild
68
69	!! ''YOU CANNOT PETITION THE LORD WITH TROPES!''
70	* AcquittedTooLate: Non-death penalty version: In December 2010, the state of Florida pardoned Morrison for the infamous "lewd and lascivious conduct" charge he earned during a 1969 concert, [[http://www.doors.com/miami/one.html the details of which are sketchy]] and [[RashomonStyle vary wildly depending on which of the witnesses you ask.]]
71	* AntiLoveSong: Subverted. Many of the songs written by Jim were true love songs to a girlfriend, his future wife Pamela Courson, with whom he had an extremely volatile relationship. Pamela herself was, according to rumour, CuteAndPsycho and carried a big knife and a purse full of Thorazine.
72	* AsskickingLeadsToLeadership: Combining this trope with ForWantOfANail, the spiraling estrangement Jim had with the press a couple years after appearing on ''Series/TheEdSullivanShow'' was a big motivator for him to continue delving into the literary world and trying to become a pioneer in said world through some premier, brute aggression. Production behind "Peace Frog" largely reflected his love of writing poems; the original title had been "Abortion Stories", before Jim was advised to change it for [[ActivistFundamentalistAntics obvious reasons]], partitioning the audio of [[UsefulNotes/AmericanPoliticalSystem the 1968 Democratic Convention]] instead and a bunch of rhythm/bonus reading being used as the potential takes in between Jim overdubbing the instrumental with words from a few of Jim's poems, one of them being ''Dawn's Highway''. Suprisingly, no actual takes were needed, and, a couple months after the release of the song, Jim had finished his poem "The Lords, and The New Creatures", [[https://youtu.be/JkJcGitgo2k which was shot in the extras from Ray Manzarek's 2002 short film "Love Her Madly"]], including one of the lines originally in ''Dawn's Highway'' ("Film is nothing when not an illumination of this chain of being which makes a needle poised in flesh call up explosions in a foreign capital") that specifically invoked this trope.
73	** Funnily enough, Jim ''hated'' anything that had to do with injecting himself with needles, but would let junkies of any kind literally wrestle him off-stage/into bed, including the same night Jim had been arrested and apparently kicked and beaten into submission by the cops. Nevertheless, [[https://en.wikipedia.org/wiki/Tom_Baker_(American_actor) Tom Baker]], a good friend of Jim, had repeatedly mentioned the latter heel-stomping typewriters and throwing glass bottles in bad neighboorhoods while making tons of noise without ever being asked to clean up, showing how generally fearless he was outside of (presumably pushing to be) his pioneering author side.
74	* TheBandMinusTheFace:
75	** After Jim's death, the other three released two albums (''Other Voices'' and ''Full Circle'') with Ray Manzarek and Robby Krieger on lead vocals. Both albums were out of print for years, but are now available via Spotify, iTunes, and other online sources.
76	** In 2002, Manzarek and Krieger formed a band playing Doors songs, Riders on the Storm (initially The Doors of the 21st Century before John Densmore and the Morrison estate sued), which toured with numerous singers, most notably Ian Astbury of Music/TheCult, until Manzarek died in 2013. (Densmore reconciled with Krieger and Manzarek shortly before the latter's death, and since has occasionally reunited with Krieger on stage.)
77	** The Doors appeared on ''[=VH1=] Storytellers'' in 2000, with different singers handling vocals for different songs, including Patrick Monahan of Music/{{Train}}, Ian Astbury of Music/TheCult (who also toured with the band, as mentioned above), Travis Meeks of Days of the New, Scott Weiland of Music/StoneTemplePilots, and Scott Stapp of Music/{{Creed\|band}}.
78	%%* BawdySong: Oh, yes!
79	* BeardOfSorrow: Possibly why Morrison grew one after the Florida incident.
80	* BerserkButton: Jim ''hated'' being held up as the most important member of the band or given more attention than the other members and was reportedly furious when the first album emphasized him more than everyone else. He once even refused to go on stage when they were introduced as "Jim Morrison and The Doors", insisting the announcer introduce them correctly.
81	* BestialityIsDepraved: Averted during the Miami incident; one of the accounts of it states that someone brought a ''lamb'' on stage, and the only reason Jim wouldn't...touch her was "she's too young".
82	* {{Biopic}}: ''Film/{{The Doors\|1991}}'' directed by Creator/OliverStone.
83	* {{Bowdlerize}}:
84	** The lyric "She gets high!" in "Break On Through (to the Other Side)" was clipped on the original vinyl release, and all subsequent releases until the CD remaster in 2003.
85	** On the same album, the ClusterFBomb in "The End" was buried in the original mix. See below for further info.
86	** A notorious incident occurred when the band appeared on ''Series/TheEdSullivanShow'' in 1967. The Ed Sullivan people told the Doors to change the lyrics from "Girl, we couldn't get much higher" to "Girl, we couldn't get much ''better''" days before the show. Neither Morrison nor Krieger wanted to change it, partially because they didn't want to be censored and partially because [[RuleOfFunny they thought it'd be funny to annoy the Ed Sullivan people]]. After the show, Jim claimed he'd forgotten to change the lyrics because he was nervous.
87	* CanonDiscontinuity: ''Other Voices'' and ''Full Circle'' were out-of-print for over 40 years until they got a reluctant CD release in 2015. Both albums were critically lukewarm and commercial disasters, although this could qualify as [[invoked]] TheyChangedItNowItSucks. The Post-Morrison Doors are also notable for being the inspiration for the FakeBand, Pusswhip Gangbang from ''Series/TimAndEricAwesomeShowGreatJob''.
88	* CarefulWithThatAxe: Possible TropeMakers. Never more effective than in "Celebration of the Lizard": Immediately after the "Little Game" sequence, Jim lets out a scream so shrill that he sounds like a woman!
89	* CircusOfFear:
90	** The vaguely destitute circus performers seen on the cover of ''Strange Days'' appear to be an attempt to evoke this.
91	** Also, that's how some folks describe the sounds that come from Manzarek's organ, sounding very circus music-like but going along Morrison's prefered themes, sounding much more sinister.
92	* ClusterFBomb: There's a heavily buried one in the original mix of "The End", between the "blue bus" segment and the reprise of the "This is the end" segment. When Creator/FrancisFordCoppola was making ''Film/ApocalypseNow'', he requested the use of the song, and the studio accidentally sent his sound designer Walter Murch the original masters, which enabled him to hear the unmixed version of the song. Murch subsequently created a [[https://youtu.be/492jB4DXETM very trippy new mix for the film]] that brought the ClusterFBomb to the forefront.
93	* CompilationRerelease: There have been several box sets collecting all their studio albums up to ''Music/LAWoman'' released.
94	* ConceptAlbum: ''An American Prayer''; Jim recorded a bunch of his poetry, and years after his death the other Doors set it to music.
95	* CoverVersion: "Back Door Man" by Willie Dixon, "Crawling King Snake" by John Lee Hooker, "Who Do You Love" by {{Music/Bo Diddley}}, "Gloria" ([[DarkerAndEdgier in a much more]] [[IntercourseWithYou graphic rendition]]) by [[{{Music/VanMorrison}} Them]], and "Alabama Song" from ''Theatre/TheRiseAndFallOfTheCityOfMahagonny'' by Creator/BertoltBrecht and Music/KurtWeill.
96	* CrucifiedHeroShot: Jim famously did this in a photoshoot and it's been used in many album covers since.
97	* CulturalRebel: Arguably Manzarek, who was born in 1939, meaning that he was about 30 when the band hit it big and had come of age in TheFifties.
98	* DescentIntoDarknessSong: "The End" famously starts off as a ponderous musing about the nature of finality. However, eventually the imagery shifts into describing a masked killer grappling with the desire to kill, and then killing, his parents. Afterwards, the tempo builds to create a mesmerizing climax. Which, incidentally, makes it the perfect song to be used as BookEnds for ''Film/ApocalypseNow'' -- a descent into the evil that lurks in the human heart.
99	* DepartmentOfRedundancyDepartment: From "Peace Frog": "Ghosts crowd the young child's fragile, eggshell mind".
100	* DitzyGenius: When he wasn’t under the influence, Morrison knew his stuff. Some say you could read him a random line from any book and he’d tell you where it came from. Considering what alcohol and drugs do to braincells, he might've bordered on IdiotSavant in his last few years depending on posthumous psycho/neuro analysis.
101	** Reportedly, he had an IQ of 149; some sources say it actually ''exceeded'' that number. It probably helps that he was partially raised by [[https://en.wikipedia.org/wiki/George_Stephen_Morrison a jack-of-all-trades Naval Admiral]].
102	* DrunkenSong: Morrison's drinking habit was ''legendary''. According to those present at the session, he recorded his vocal for "Five to One" when quite hammered indeed. This is clear from his sometimes slurred words -- "You walk across the floowr widda ffflower 'n your hand" -- and from his spoken-word ad-lib, during the coda, about going to the woods and getting "fucked up." (The original studio release faded out before this point for obvious reasons; the full coda, complete with profanity, was restored in later CD editions.)
103	* EchoingAcoustics: Many of their songs feature lots of echoing.
104	* EpicRocking: "The End" (11:43), "When the Music's Over" (10:58), "Celebration of the Lizard" (14:25 live version, 17:09 studio version), "Light My Fire" (7:06), "The Soft Parade" (8:36), "L.A. Woman" (7:49), "Riders on the Storm" (7:11).
105	* EveryoneWentToSchoolTogether: Jim and Ray met while attending UCLA film school and their classmates also included Creator/FrancisFordCoppola. One of their teachers was Creator/JosefVonSternberg.
106	* FakeOutFadeOut: "I Looked at You".
107	* FourPhilosophyEnsemble: Jim was the Apathetic, Ray was the Realist, John is the Cynic, and Robby is the Optimist.
108	* FourTemperamentEnsemble
109	** Jim '''(Melancholic)''' - detached, rebellious, neurotic and reckless.
110	** Ray '''(Sanguine)''' - sociable, carefree, diplomatic and idealistic.
111	** John '''(Choleric)''' - confident, observant, cynical and anxious.
112	** Robby '''(Phlegmatic)''' - easy-going, passive-aggressive, stubborn and quiet.
113	* FreeHandedPerformer: Jim Morrison is the only member of the band that didn't play any instruments (only seldomly using maracas or a tambourine) and instead relied on his powerful voice.
114	* GenreMashup: The musicians in the band. Ray Manzarek was a classically-trained pianist before he switched to organ; Robby Krieger started out as a ''flamenco'' guitarist; John Densmore was a jazz drummer who had only just discovered the blues.
115	* GothRock: While not outright examples of the genre, the Doors were one of the two biggest influences on it, alongside Music/JoyDivision (whose lead singer happened to be a fan of Jim Morrison, coincidentally enough).
116	* GratuitousPanning: Particularly egregious on the first album, with the drums and keyboard bass often panned to one side and the guitar and organ panned to the other.
117	* GreatestHitsAlbum: Several through the years.
118	* HardRock: The Doors didn't invent the hard rock genre, but they were arguably the heaviest band out there at the time of the debut of their first album in 1967.
119	* HeavyMetal: Usually not cited as an influence, but "Break On Through (To the Other Side)" was probably the darkest and heaviest song in pop music during the 1960s; its climax includes an ''almost'' subliminal "doomy thunder" sound that Music/BlackSabbath and Music/JudasPriest would make famous. And with "TRY TO SET THE NIGHT ON... FIRRRRE!" at the end of "Light My Fire", Jim may have birthed the MetalScream.
120	* HeavyMeta: "The WASP (Texas Radio and the Big Beat)", among others.
121	* HellBentForLeather: It's practically impossible to imagine Jim without his leather pants.
122	* {{Improv}}: ''A lot'' of their live show (particularly Morrison's banter and spoken word segments) was improvised.
123	* HotLibrarian: Ray certainly counts as one. Even though his EstrogenBrigade’s definitely overshadowed by Jim’s, he still has a loyal following of fangirls
124	* IntercourseWithYou: While maybe not the TropeMakers, definitely the TropeCodifier.
125	* IronicName: Robby Krieger, the most chilled-out and phlegmatic member of the band, has a surname which translates to "warrior" in English.
126	* LargeHam: Morrison -- present throughout but increasingly so from ''Waiting for the Sun'' onwards.
127	* LastNoteHilarity: Jim Morrison was the lone holdout from The Doors on an offer by Buick to license "Light My Fire" for a car ad. He would ridicule the rest of the band members for this by singing "Stron-ger-Than-Dirt!" over the last four brass notes of the album version of "Touch Me" from ''The Soft Parade'', a reference to cleaner company Ajax's slogan.[[note]] The words were mixed out of the single version, though. [[/note]]
128	* LastSecondWordSwap: In "L'America":
129	-->''Come on people, don't ya look so down''
130	-->''You know the rain man's comin' ta town''
131	-->''Change the weather, change your luck''
132	-->''And then he'll teach ya how to... '''find''' yourself''
133	-->''L'America''
134	* LikeFatherUnlikeSon: Jim’s father, George Stephen Morrison, was a naval commander during the Gulf of Tonkin incident that escalated Vietnam. You can imagine how he felt about his son’s lifestyle at first, though he came around to it before Jim’s death.
135	* LiteraryAllusionTitle: Taken from Aldous Huxley's essay extolling the virtues of psychedelics, ''The Doors of Perception'', whose title itself is a reference to Creator/WilliamBlake's poem ''The Marriage of Heaven and Hell'': "If the doors of perception were cleansed, every thing would appear to man as it is, infinite."
136	* LiveAlbum: Several. ''Absolutely Live'' (1970) was the first, and the only one released during Jim Morrison's lifetime.
137	* LongestSongGoesLast:
138	** ''Music/TheDoorsAlbum'' closes with "The End" (11:41).
139	** ''Music/StrangeDays'' closes with "When the Music's Over" (10:58).
140	** ''Waiting for the Sun'' closes with "Five to One" (4:24).
141	** ''The Soft Parade'' closes with "The Soft Parade" (8:36).
142	** ''Morrison Hotel'' closes with "Maggie M'Gill" (4:24).
143	** ''Full Circle'' closes with "The Peking King and the New York Queen" (6:25).
144	* LongHairedPrettyBoy: Morrison, especially in the early years. Even Ray Manzarek says in one of his interviews that Jim’s gorgeous.
145	* LooksLikeJesus: Morrison when he had a beard.
146	* LoveAtFirstSight: "Hello, I love you, won't you tell me your name?"
147	* LyricalColdOpen: Most famously done with "The Crystal Ship" ("Before you slip into unconciousness..."). Other examples include "Take It As It Comes", "My Wild Love", "Easy Ride", "Runnin' Blue", "The Soft Parade", and "Been Down So Long".
148	* LyricalDissonance: They had some of the gloomiest lyrics ever put into song with some of the most rockin' melodies ever.
149	* LyricalShoehorn: A common ingredient of their [[WordSaladLyrics lyrical word salads]], most famously in "Riders on the Storm".
150	-->''Like a dog without a bone\
151	An actor out on loan''
152	* TheManBehindTheCurtain: The principal line-up of the Doors did not include a bass player. The group used various session musicians on their studio albums, while in live shows they compensated for the lack of a bassist by having Ray Manzarek play piano bass with his left hand while playing the keyboard parts with his right.
153	* MetalScream: Jim lets a few out in "The Changeling". It sounds even more awesome in the New Stereo Mix on ''The Very Best of The Doors''.
154	* MilitaryBrat: Jim's father was a rear admiral in the U.S. Navy and he grew up in various places around the country. They were estranged at the time of his death.
155	* TheMovieBuff: Jim had a bachelors degree in from UCLA's film school, where he first met Ray, and aspired to be a film maker with whom he shared a passion for New Wave cinema, learning under Creator/JosefVonSternberg who they referenced in songs and Ray cited as "perhaps the single greatest influence on The Doors".
156	* MrFanservice: Jim on the cover of their greatest hits album. Also wore tight leather pants a lot and was tall dark and handsome. Probably the trope codifier.
157	* MurderBallad: "The killer awoke before dawn" section of "The End", as well as "Riders on the Storm". ''An American Prayer'' includes a piece called "The Hitchhiker", which retells "Riders" from the murderer's perspective.
158	* NewSoundAlbum:
159	** ''Waiting for the Sun'' and ''The Soft Parade'' were considerably more pop-friendly than the group's early work, especially the latter -- while the former still had some hard-edged tunes like "Five to One" and "The Unknown Soldier", the latter featured LighterAndSofter lyrics and extensive brass and string overdubs. The group returned to their hard blues-rock sound for ''Morrison Hotel''.
160	** ''Other Voices'', the 1971 post-Morrison album, marked a calculated shift in the band's temperament. It mostly embraces a carefree, even humorous hippie image that the brooding Jim had always resisted. The LighterAndSofter approach didn't take, and within a year the band broke up for good.
161	* NobodyLovesTheBassist: Probably why they didn't even have one. Well, apart from Ray's left hand. The studio albums often used session bassists, though: While Manzarek played keyboard bass during live performances, the band commonly enlisted session musicians to play actual bass on their albums; they didn't do this with most of the tracks on their debut album, and Ray wasn't satisfied with the sound that resulted. Well-known guitarist Lonnie Mack played bass on at least two tracks on ''Morrison Hotel'' ("Roadhouse Blues" and "Maggie M'Gill"), although some critics believe he played on other tracks as well.
162	* TheNotRemix: A very unusual example of this with "Light My Fire" on the 2006 remaster of the debut album. A musicologist (from [[UsefulNotes/{{Mormonism}} Brigham Young University]], of all places) had figured out that the original album mix of "Light My Fire" was inadvertently slowed down by 3.5% (based on the 45 RPM single mix and existing live recordings of the song being in a different key than the album version) and informed Elektra of the issue. The speed was then corrected for the remaster and this version is the one now in circulation.
163	* NothingIsTheSameAnymore: Everything after Jim's death! The band made a marked shift in their temperament for the two albums made after Morrison's death. Their first post-Morrison album, ''Other Voices'', even has a noticeable space between John Densmore and Robby Krieger, as if showing the literal empty space left by Jim.
164	* OnlyInFlorida: The Lizard King came into the world in Melbourne, though the family didn’t stay long. 25 years later, the Miami concert would be the highwater mark for his onstage persona.
165	* PosthumousCollaboration: ''An American Prayer''.
166	* PrematureEncapsulation: Their third album was titled ''Waiting for the Sun'', but the song by that name wasn't released until two albums later, on ''Morrison Hotel''.
167	* ProgressiveInstrumentation: Both "Wild Child" and "Peace Frog" start with guitar, then drums, then bass, then keyboard, then finally Jim keys in.
168	* ProgressiveRock: Their classical/baroque-influenced arrangements, Ray Manzarek's keyboard leads, and some lyrics went a long way towards influencing the genre's development. Some of their longer songs, such as "The End", "When the Music's Over", "The Soft Parade", and "Riders on the Storm", may themselves qualify as early examples of progressive rock.
169	* ProtestSong:
170	** "Five to One", "The Unknown Soldier", and "Dead Cats, Dead Rats".
171	** Many of their other songs that aren't primarily protest songs also have significant elements of protest within them; perhaps the most notable example is the "What have we done to the earth?" section in "When the Music's Over".
172	* PsychedelicRock: Their sound (especially Ray Manzarek's keyboard) made them an archetypical example of the genre.
173	* PublicExposure: Being accused of this in Miami in 1969 proved to be a big NeverLiveItDown moment for Morrison. Curiously, it's never been definitively established whether he did it or not. An audio tape of the show survives, and a drunken Morrison was engaging in all kinds of vulgar and provocative stage banter, and he ''does'' specifically threaten to expose himself.[[note]]"Do you want to see my cock?" was the exact phrase[[/note]] One photo shows him with his hands by his crotch, but the concertgoer who took the photo says he never actually exposed himself. But others who were at the show dispute this and say they did indeed see Morrison whip it out
174	* PunkRock: Because of characteristics such as the darkness of their music and Morrison's frequent use of the MetalScream they are often considered a {{Protopunk}} band.
175	* RashomonStyle: As mentioned under AcquittedTooLate above, accounts of just what happened at the infamous March 1, 1969, live show at which Morrison was arrested vary widely.
176	* RockMeAsmodeus: "My Wild Love".
177	* ScareChord:
178	** At the end of "Not to Touch the Earth": "I am the Lizard King. ''I can do anything.''" [+BLAAAM!+]
179	** On a related note, in the live song "Wake Up": [+"WAKE UP!"+]
180	*** Also, during the performance of "The End" during the Hollywood Bowl Concert [+KILL!!!+]
181	* {{Scatting}}: Jim Morrison imitates a harmonica with his voice in "Cars Hiss by My Window."
182	* SerialKiller: "Riders on the Storm."
183	* ShoutOut:
184	** "Runnin' Blues" is clearly a tribute to Music/OtisRedding.
185	** "The Spy" references the title of a novel by Anaïs Nin, ''A Spy in the House of Love.''
186	* ShrinkingViolet: By all accounts, Jim was this offstage in sharp contrast to his energetic stage persona, to the point that he couldn't stay at a party if one of the other band members wasn't there.
187	* SignificantAnagram: "Mr. Mojo Risin'" = Jim Morrison (''Music/LAWoman'').
188	* SomethingBlues: "Roadhouse Blues" and "Shaman's Blues."
189	* SpokenWordInMusic: "The killer awoke before dawn..." Also "Horse Latitudes," "Celebration of the Lizard," and ''An American Prayer.'' Morrison was fond of this in live performance as well. The band members have said that [[PrecisionFStrike sometimes they dreaded what Morrison was going to say.]]
190	* SpoofedWithTheirOwnWords: The rant at the start of the song "The Soft Parade" has Morrison speaking thusly:
191	--> When I was back there in seminary school
192	--> There was a person there
193	--> Who put forth the proposition
194	--> That you can petition the Lord with prayer
195	--> Petition the Lord with prayer
196	--> Petition the Lord with prayer
197	--> '''''YOU CANNOT PETITION THE LORD WITH PRAYER!'''''
198	** The line "Petition the Lord with prayer" sounds like a mockery of that proposition, the way it was said.
199	* StepUpToTheMicrophone:
200	** After Jim's death, the other three released two albums (''Other Voices'' and ''Full Circle'') with Ray Manzarek and Robby Krieger on lead vocals. Both albums were out of print for years, but are now available via Spotify, iTunes, and other online sources.
201	** If Jim was too incapacitated to sing on a given night, Ray and/or Robby would handle vocals. Ray can be seen singing "Hello I Love You" in their concert film, ''The Doors Are Open''.
202	** Manzarek also sings lead on "Close to You", a Music/MuddyWaters cover on the ''Absolutely Live'' album, and the B-Side to "Love Her Madly", "(You Need Meat) Don't Go No Further" (another Muddy Waters cover). Krieger also shared lead vocals with Morrison on the song "Runnin' Blue" from ''The Soft Parade''.
203	* SubvertedRhymeEveryOccasion: The "L'America" example under LastSecondWordSwap above.
204	* SurprisinglyGentleSong: "The Crystal Ship," "Yes, the River Knows," "Wishful Sinful," "You're Lost, Little Girl," "I Can't See Your Face in My Mind," and several others.
205	* TallDarkAndHandsome: Jim was close to six feet tall with long dark hair and brooding good looks.
206	* TrueCompanions: The band were very tight and agreed to a rule at their inception that all major decisions would only be made with a unanimous agreement. This rule continued even after Morrison's death and all subsequent choices were made only with the approval of the other members.
207	* VocalDissonance: Jim's silky, crooning baritone voice, which was unusual for a rock singer and largely influenced by Music/FrankSinatra who was his favorite singer, was striking due to how at odds it was with his youth and androgynous good looks.
208	* VocalEvolution: Heavy smoking and drinking took a toll on Morrison's voice towards the end. His voice is noticeably rougher on the ''L.A. Woman'' album.
209	* WordSaladLyrics: "The Soft Parade," among others.
210	* {{Yarling}}: Morrison is the arguable UrExample. His deep, throaty singing voice would be a source of inspiration for Music/JoyDivision frontman Ian Curtis, who in turn influenced many later GothRock and AlternativeRock artists.

Context Music / TheDoors