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1[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/Sigur-Ros-trio_2825.jpg]]
2[[caption-width-right:350:L to R: Orri, Jónsi, Goggi]]
3
4->''[[LyricalTic Tjúúúúúúúúúúúúúúúúúúúúú...]]''
5
6The ''[[Music/{{Bjork}} other]]'' famous musical act from UsefulNotes/{{Iceland}}, Sigur Rós (pronounced "si-ur[[note]]see-oor[[/note]] roas[[note]]as in "roast"[[/note]]") are a rock band commonly classified as "[[PostRock post-rock]]", known for their ethereal sound and frontman [[Music/{{Jonsi}} Jónsi Birgisson]]'s distinctive falsetto voice.
7
8Its members are as follows:
9* Music/{{Jonsi}} (Jón Þór Birgisson) - vocals, guitar, keyboards (1994-)
10* Goggi (Georg Hólm) - bass, glockenspiel, [[OverlyNarrowSuperlative the band's best English speaker]] (1994-)
11* Kjarri (Kjartan Sveinsson) - keyboards, guitar, flute, backing vocals, orchestral arrangements (1998-2013, 2022-)
12* Orri Páll Dýrason - drums, keyboards (1999-2018)
13* Ágúst [=Æ=]var Gunnarsson - drums (1994-1999)
14
15Sigur Rós were formed in 1994 by Jónsi, Georg and Ágúst, taking their name from Jónsi's younger sister Sigurrós[[note]]Icelandic for "victory rose"[[/note]] Elin. Drawing their main influences from DreamPop and {{Shoegazing}} bands, the band signed with the Smekkleysa (Bad Taste) label and released one album, ''Von'', in 1997. Known more for [[TroubledProduction its drawn-out, torturous recording]] than its actual songs, ''Von'' largely falls under the banner of EarlyInstallmentWeirdness as far as many fans, critics and [[CreatorBacklash even the band]] are concerned. A remix album, ''Von brigði'', followed a year later.
16
17After recruiting Kjartan, who is a classically trained keyboardist, the band released ''Music/AgaetisByrjun'' in 1999. It was with this album that the band solidified its SignatureStyle, fully integrating Kjarri's lush orchestration with their dream pop[=/=]shoegazing sound and introducing Jónsi's method of playing his guitar with a cello bow (a method previously popularised by [[Music/LedZeppelin Jimmy Page]]) for a more atmospheric sound. Ágúst was also replaced by Orri as the band's drummer shortly after the album's release, which proved not to be too dramatic. The band recorded two more albums with largely the same musical style during the early-to-mid-2000s, ''( )'' and ''Takk...'', swinging between {{darker|AndEdgier}} and {{lighter|AndSofter}} sounds, before settling for a more stripped-down, direct sound with ''Með suð í eyrum við spilum endalaust'' in 2008.
18
19After scrapping the recordings for the album that they intended to release in 2010 and taking a two-year hiatus, the band released ''Valtari'', a much more ambient and dreamlike album compared to ''Með suð''. Later in the year, they announced via a Website/{{Reddit}} Q&A session that Kjartan had left the band permanently, making the group a trio. According to them, Kjartan said "he had spent his whole life in the band and it was time to do something different", but remained on good terms with his former bandmates. The band then released the album ''Kveikur'' in June 2013, a [[NewSoundAlbum unique]] and [[DarkerAndEdgier notably dark]] sonic venture that incorporated elements of {{industrial}} music to the point of being described by Georg as "an anti-''Valtari''".
20
21In late 2018, Orri left the band in light of a sexual assault allegation. In early 2022, the band announced that Kjartan had rejoined; shortly after, they announced their first world tour in almost five years, and gave additional confirmation that they were in the process of working on a new album. Their eighth album, ''Átta'', was released in June 2023.
22
23Hallmarks of the band's sound include a wall of guitars, keyboards and violins, Jónsi's high-pitched, [[Music/CocteauTwins Liz Fraser]]-sounding falsetto voice, use of bowed guitar, frequent use of a [[SingingSimlish made-up nonsense language]] named "Vonlenska" ("Hopelandic"), dramatic crescendos and dynamics. The band has achieved worldwide success despite the fact that most of their audience most likely doesn't understand a lick of their lyrics. Yes, they're ''that good''.
24----
25!!Discography (main studio albums in bold):
26* '''''Von''''' (1997) - "Hope"
27** ''Von brigði'' (1998) - "Hope Alteration", contains remixes of ''Von'' tracks. Nicknamed "Recycle Bin" due to its cover, and is also a pun in Icelandic, because ''vonbrigði'' in one word means "disappointment".
28* '''''Music/AgaetisByrjun''''' (1999) - "An Alright Start"
29* ''Rímur'' EP (2001)
30* '''''( )''''' (2002)
31* ''Hlemmur'' (2003) - Soundtrack album; the name comes from Reykjavík's main bus terminal.
32* ''Ba Ba Ti Ki Di Do'' EP (2004)
33* '''''Takk...''''' (2005) - "Thanks..."
34* ''Hvarf/Heim'' (2007) - "Disappeared/Home", compilation album. ''Hvarf'' has studio versions of previously unreleased songs, and ''Heim'' has live acoustic versions of previously-released Sigur Rós songs.
35* '''''Með suð í eyrum við spilum endalaust''''' (2008) - "With a Buzz in Our Ears We Play Endlessly"
36* ''We Play Endlessly'' (2009) - Compilation album of songs from works released after the band signed with Parlophone. Was given away for free with the British newspaper ''The Independent''.
37* '''''Valtari''''' (2012) - "Steamroller"
38* '''''Kveikur''''' (2013) - "Wick"
39* "The Rains of Castamere" (2014) - A single, covering the Lannister family song from ''Series/GameOfThrones'' in a dirge-like, melancholic manner.
40* ''Route One'' (created 2016, released 2018) - Over the 2016 summer solstice, the band embarked on a 24-hour journey around Iceland's coastal ring road set to an evolving mix of elements of the song "Óveður". The best bits were mixed into a 40-minute vinyl album released in the spring of 2018.
41** "Óveður" (2016)
42* "End" (2017) - A single from the ''Series/BlackMirror'' episode ''Recap/BlackMirrorHangTheDJ'', somehow dreamlike and calming at the same time.
43* ''Odin's Raven Magic'' (2020) - A recording of a 2002 orchestral work set to the Icelandic poem ''Hrafnagaldr Óðins'', made in collaboration with Hilmar Örn Hilmarsson, Steindór Andersen, Páll Guðmundsson and Maria Huld Markan Sigfúsdóttir.
44* '''''Átta''''' (2023) - "Eight"
45
46The band also has two [[{{Rockumentary}} documentary]]/concert [=DVDs=]:
47* ''Film/{{Heima}}'' (2006), which follows the band through Iceland as they play free concerts to their compatriots.
48* ''Inni'' (2011), which was filmed at a concert they did in London in 2008, [[LeFilmArtistique shot in black-and-white with artsy camera angles]], and interspersed with some archive footage of the band.
49----
50!!Sigur Tropes:
51* AlbumIntroTrack:
52** ''Ágætis byrjun'' has one simply titled "Intro".
53** The title track of ''Takk...'' is effectively this as well.
54* AlbumTitleDrop: "Hjartað hamast (bamm bamm bamm)" has not only a title drop for its parent album, but also the two previous ones: ''með '''von''' að vin ég vinn upp smá tíma/leita að '''ágætis byrjun'''/en verð að '''vonbrigðum''''' ("With hope as my friend I make up some time/I look for an alright beginning/But I will be disappointed").
55** The liner notes to the album "Ágætis byrjun" also contains the line: ''Ég gaf ykkur '''von''' sem varð að '''vonbrigðum'''. Þetta er '''ágætis byrjun'''.'' ("I gave you hope which became a disappointment. This is a good beginning") The second sentence is also used in the track of the album with the same name.
56** ''Ba ba ti ki di do'' has a fractured, spoken TitleDrop in its final track courtesy of collaborator Merce Cunningham.
57** Multiple declensions for ''Kveikur'' but if you're looking for the word as it is, it's in "Stormur".
58* BoleroEffect: Well, they are a PostRock band.
59** "Untitled #8 (Popplagið)" is basically [[EpicRocking eleven minutes]] of this, making it a perfect BigRockEnding for live shows.
60* BookEnds: ''( )'' begins and ends with a click of distortion.
61* BreakUpSong: "Ísjaki". Whoever had hurt any of the band's members enough to write lyrics built on fire and ice, no one knows for sure.
62* CarefulWithThatAxe: At the end of "Hún Jörð".
63* CoverVersion: The single release of "Ný batterí" includes among its B-sides a cover of "Dánarfregnir og Jarðarfarir" ("News of Death and Funerals"), a [[TopTenJingle theme played before obituary announcements]] on Iceland's national public broadcaster RÚV, and "Bíum bíum bambaló", a rendition of a traditional Icelandic lullaby.
64* CueTheRain: Sigur Rós seem to be a magnet for inclement weather whenever they're on tour. [[SubvertedTrope On the upside]] of this being a RunningGag, it makes their performance all the more magical to the fans who came to see them.
65* DarkerAndEdgier: ''Kveikur'' zigzags this. A scattered half of the album (especially the earlier tracks) play this trope straight; others downplay the trope but are still more aggressive and energetic tracks compared to most other songs in their back catalog.
66* DownerEnding: The video for "Viðrar vel til loftárása" ends with [[spoiler:two boys [[StarCrossedLovers being pulled away from each other]] by their fathers after said fathers see them kiss]].
67** The video for "Untitled #1 (Vaka)" ends with [[spoiler: One of the children presumably dying from exposure to the black snow after his gas mask is knocked off during rough play.]]
68* DreamPop: Moreso in their early days, but really all of it is great to fall asleep to. Well, ''almost'' all of it.
69* DroneOfDread:
70** "Sigur Rós", the self-titled opening track of ''Von''.
71** "Hrýggjarsúla" starts with a drilling noise a la "Kveikur" but when the more "Brennisteinn"-familiar cuts kick in, the piece softens up a bit.
72* EarlyInstallmentWeirdness: ''Von''. The album is a series of drones and sound experiments, sprinkled with heavily reverberated, Cocteau Twins-esque dream pop.
73* EchoingAcoustics: Jónsi's guitar-and-bow combo relies on this oh so much.
74** Invoked in ''Heima''; this trope is the exact reason why the band and their buddy string quartet Amiina decided to record "Gítardjamm" in an abandoned herring cannery in Djúpavík.
75* EpicInstrumentalOpener:
76** ''Ágætis byrjun'' opens with an ethereal intro that consists of a section of the album's TitleTrack (eight tracks later) converted to instrumental and reversed.
77** ''Takk...'' opens with a TitleTrack that consists of a brief yet lush and stripped-down instrumental reprise of the next track, "Glósóli".
78* EpicRocking: Frequent.
79** As a result of their habit of song lengths stretching upwards of 10 minutes, their earlier album runtimes regularly exceeded an hour in length. ''Takk...'' and ''Með suð'' were the first albums to include more songs in the 3-5 minute length range.
80** "Untitled #8 (Popplagið)" deserves special mention though: the entire 12-minute song is basically one big crescendo. It often gets even longer when performed live.
81** Their longest song ever is "Untitled #7 (Dauðalagið)" off of ''( )'', clocking in at thirteen minutes.
82* FadingIntoTheNextSong:
83** ''Ágætis byrjun'':
84*** The album intro ends with the same rumble and submarine-esque beep heard throughout the next song, "Svefn-g-englar".
85*** The LastNoteNightmare of "Staralfur" transitions into "Flugufrelsarinn"...
86*** ...which then carries its concluding trumpet-filled ambience into the start of "Ny Batteri".
87** ''Takk...'':
88*** The album has two instances of a song being either preceded or followed by a reprise of it; the TitleTrack reprises and transitions into "Glósóli", and "Hoppípolla" transitions into "Með blóðnasir", which essentially acts as an extended outro.
89*** "Gong" into "Andvari".
90*** "Svo Hljótt" into "Heysátan".
91** The final five tracks of ''Með suð'' are all connected by the sound of room tone; a special case lies in "Fljótavík" and "Straumnes", since the latter reprises the former.
92* GayAesop: [[spoiler:The ending to the video for "Viðrar vel til loftárása"]].
93* GenreBusting: They're categorized as "PostRock" because that's the only thing that comes even remotely close. Crescendos are a significant element in their songs, after all.
94** "Hjartað hamast (bamm bamm bamm)", from ''Ágætis byrjun'', combines the band's usual {{Shoegazing}} bombast with a BluesRock keyboard riff and Jónsi playing the harmonica.
95** The first song they premiered from ''Kveikur'', "Brennisteinn," takes their usual mix of ethereal sounds and adds IndustrialMetal into it. ''[[DarkerAndEdgier Yeah.]]''
96** ''Kveikur'' as a whole can be argued as their harshest and heaviest album and simultaneously as being their poppiest album behind ''Með suð í eyrum við spilum endalaust.''
97* GrimUpNorth: Norður og Niður ("north and down"), a four-[[StealthPun night]]-long art festival Sigur Rós and friends organized in Reykjavík near the end of 2017[[note]][[DontExplainTheJoke the darkest days]] of the year in Iceland[[/note]], is rooted in this trope. The expression itself connotes "going to hell" in Icelandic.
98* HellIsThatNoise: "Brennisteinn". A rumbling noise fades in for about 20 seconds before the band make their [[DarkerAndEdgier grand]] entrance.
99* IncrediblyLongNote: Jónsi has a penchant for long falsetto notes.
100** "Festival" may be the most famous example. The album version's no slouch, but during live performances he holds it for ''[[https://www.youtube.com/watch?v=N-xBWxWmHZM even longer]]''.
101* IndecipherableLyrics: If you don't speak Icelandic, you're in for this. Even if you speak Icelandic, you're in for this whenever Jónsi busts out the Vonlenska.
102* ItAmusedMe: The band's allowing "Untitled #4 (The Nothing Song)" to be used in ''Film/VanillaSky'' was the first time they had ever licensed their music for film use, and it was reportedly partially due to Jónsi finding the image of Creator/TomCruise acting over his music "funny".
103* LampshadeHanging: The song title "Gobbledigook". Let it never be said that these guys don't have a sense of humor about the whole made-up language thing.
104* LastNoteNightmare: [[NotMakingThisUpDisclaimer Holy shit.]] For a band that seems to be SugarWiki/{{WAFF}} incarnate, this happens a lot.
105** DroneOfDread:
106*** A big MoodWhiplash on "Ég anda". However, you can still hear Jónsi oohing underneath.
107*** "Kveikur". According to [[https://pitchfork.com/reviews/albums/18191-sigur-ros-kveikur/ Pitchfork's review of its parent album]] it sounds like someone decided to drive a massive drill into the ocean floor.
108** HellIsThatNoise:
109*** "Starálfur" ends with its lush melodies fading away into almost a solid minute of eerie noises, at which point it [[FadingIntoTheNextSong transitions into]] the next (and considerably more solemn) song, "Flugufrelsarinn".
110*** "Hjartað hamast" is overrun with an entire wall of noise after the last refrain.
111*** Subtle ones on "Svefn-g-englar" and "Sé lest". The former combines the trope with HeartbeatSoundtrack while the latter sounds more like a [[OminousMusicBoxTune music box being wound up]].
112*** "Di do", from the three-minute mark, is gradually overrun by HarshNoise (though you can hear the OminousMusicBoxTune underneath it).
113** Other particular cases of [[StealthPun note]]:
114*** "Hún Jörð", ''twice:'' first a [[LaughingMad laughing]] and [[CarefulWithThatAxe screaming]] Jónsi, then that whole finale rewinds at high speed until it winds down like your record player just broke.
115*** "Avalon". After you've finally adjusted to the slow and haunting tempo, weird clanking noises come in. [[note]]Considering that the entire song is a [[FridgeBrilliance slowed down instrumental section of "Starálfur"]], those 'clanking noises' are just the [[https://www.youtube.com/watch?v=6bf4FuhguOM strums of a guitar]].[[/note]]
116*** "Hrafntinna" [[SubvertedTrope subverts]] this. It definitely goes into one after the last chorus, as the song slowly falls apart until it's only the drums and hellish drones when Jónsi's distorted voice comes in but fades into a very mournful, but soothing horn section. "Brennisteinn" ends similarly, with a similarly downplayed but much more triumphant sounding horn section at the end.
117*** Inversions: "Dögun", which starts with a blast of HarshNoise reeling from the end of the previous track and then softens up later on; "Brennisteinn", "Hryggjarsúla", and "Viðrar vel til loftárása".
118* LeFilmArtistique: For ''Valtari'', the band had a project they called "the valtari mystery film experiment" in which they hired multiple directors and gave them each the same modest budget and allowed them each to make a video based on the first thing they thought of for each song on ''Valtari'' with absolute creative freedom and control without any input from the band. Most of the videos ended up being this.
119* LighterAndSofter: After the success of several heartwarming songs on ''Takk...'', their next album ''Með suð í eyrum við spilum endalaust'' is considerably more upbeat and poppy.
120** After that, the ambient ''Valtari''. Almost the whole album gives off the vibe that the world slows down to it. If you listen to the bonus tracks, especially "Kvistur", you'll even find that it's the perfect setting for Sigur Rós to leap from SugarWiki/{{WAFF}} incarnate to the more [[DarkerAndEdgier aggressive, energetic]] sound of ''Kveikur''.
121* LimitedLyricsSong: Exaggerated with ''( )'', where ''every single song'' has the same lyrics, which is one line repeated in several different ways. See SingingSimlish below.
122* LuckyCharmsTitle: The album ''( )''. Its songs are generally referred to as "Untitled #1", "Untitled #2" and so on, with alternate names used by the band to identify them.
123* LyricalDissonance: At least, for English speakers, one might be disappointed to look up translations to many of their songs' lyrics and find that they are [[MundaneMadeAwesome oddly mundane, contrasting with the grandiosity of their music]]. Especially "Ágætis Byrjun", which is about the bands' disappointment after [[OldShame they found that their first album sounded crappy.]]
124** "Heysátan". PrecisionFStrike aside, this rather gentle epilogue to ''Takk'' is basically about a farmer who slipped to his death off a [[ProductPlacement Massey Ferguson]] tractor. [[OhCrap Andskotann]] indeed.
125** "Hrafntinna" provides a ''doozy'' of one. While the song sounds quite mournful and a bit depressing, it still fits in with their usual output and has a very catchy melody. The lyrics are pure apocalyptic horror.
126* LyricalTic: Mostly anything that rhymes with the word "you". "Svefn-g-englar" in particular has a chorus so replete with ''tjú'' that it's become a signature sound for Jónsi.
127* MundaneMadeAwesome: They write majestic-sounding songs about the oddest things. Case in point: probably their most popular song "Hoppípolla", an incredible piece that even non-fans consider awesome - it's about how much Jónsi enjoys jumping in puddles, even though it gives him a nosebleed.
128* NightmareFace: The baby on the cover for ''Von''. It gets more egregious flipping through the album booklet.
129** Does it become less of a nightmare once you find out it's Jónsi's sister [[https://www.instagram.com/p/Bc7kUGAAqVF/?taken-by=sigurros Ingibjörg]], though?
130* NonIndicativeName:
131** "Viðrar vel til loftárása" is Icelandic for "Good weather for an airstrike", which title-wise is in a completely different universe from the song itself. The band got the title from a weatherman sarcastically reporting "Today: good weather for an airstrike" while NATO was bombing Serbia during [[UsefulNotes/TheYugoslavWars the Kosovo War]]. (In a freaky coincidence, ''Ágætis byrjun'' was actually released on 12 June 1999, the day Slobodan Milošević agreed to withdraw the Serbian forces and UN peacekeepers began being deployed in Kosovo.)
132** The same goes for "Með blóðnasir", which is awfully cheerful for a song named literally "With a {{Nosebleed}}".
133** And "Popplagið" ("The Pop Song"), despite its catchy melody early on, isn't what you could in any way call a pop song.
134** Subverted by "Fyrsta" which isn't the first track on the album but was the first piece they wrote for ''( )''.
135* NoTitle: All of the songs on ''( )'', and possibly the album itself, although the band does use names to refer to and differentiate them.
136* OminousMusicBoxTune: "Sæglópur".
137** ''Ba ba ti ki di do'' as a whole is this.
138* [[OneWomanWail One Man Wail]]: Jónsi has made a career of this trope in and out of the band.
139* OnlyKnownByTheirNickname: The band members are usually referred to by the shortened nicknames listed above, since their actual names may be more difficult to pronounce for non-Icelanders.
140* {{Portmantitle}}: Inverted - they actually split the name Sigurrós.
141* PrecisionFStrike: "Heysátan" has two: "Eg hef slegið fjandans nóg" (I've mowed fucking enough) and "Og mér fótur rann... Andskotann" (I slipped... fuck).
142** 'Andskotann' makes another appearance in "Fljótavík".
143* PunBasedTitle: ''Von brigði'' separately means "Hope Alteration" (fitting, since it's a remix album), while ''Vonbrigði'' joined together means "disappointment" (reflecting the band's feelings about ''Von'').
144** The song ''Svefn-g-englar'': Svefngenglar simply means "Sleepwalkers." Englar also means "Angels," so the title is a forced pun and can be translated as "Sleepwalking Angels".
145* RearrangeTheSong:
146** "Ágætis byrjun" → the AlbumIntroTrack for ''Ágætis byrjun''.
147** "Glósóli" → the AlbumIntroTrack for ''Takk''.
148** "Hoppípolla" → "Með Blóðnasir".
149** "Starálfur" → "Avalon".
150** "Brennisteinn" → "Hrýggjarsúla".
151** ''Von brigði'' in general.
152** ''Liminal''—an ambient mixtape project curated by Jónsi, Alex Somers, and Paul Corley— is composed of both fresh material and reworks of old tracks by the band.
153** The live album ''Inni'' also features "Lúppulagið" (The Loop Song), which would eventually become "Varðeldur" on ''Valtari''.
154* RecordProducer: There is no real information about who produced ''Von'' so we have to assume it was self-produced, all of the band's albums from ''Ágætis byrjun'' to ''Takk'' were co-produced by the band and Ken Thomas, ''Með suð í eyrum við spilum endalaust'' was co-produced by the band and Mark "Flood" Ellis, and ''Valtari'' was co-produced by the band and Jónsi's [[CreatorCouple partner]], Alex Somers.
155* RedOniBlueOni: ''Valtari'' (blue) and ''Kveikur'' (red). Georg even describes the latter as an anti-''Valtari''.
156* {{Rockumentary}}: ''Heima''.
157* RockersSmashGuitars: [[https://www.instagram.com/p/Bdeu7sGh9g7/?taken-by=sigurros This]] was what became of Georg's bass after Norður og Niður.
158* SceneryPorn: The ''Route One'' slow TV event was basically an entire day's worth of this.
159* SdrawkcabName: Going hand in hand with SubliminalSeduction.
160** "Rukrym," a HiddenTrack on ''Von'', is a section of the song "Myrkur" played backwards.
161** The AlbumIntroTrack to ''Ágætis byrjun'' does the same to its TitleTrack, and is sometimes referred to by the band as "Nujryb Sitægá".
162* {{Shoegazing}}
163* SiameseTwinSongs: ''Route One'' is technically just two tracks, each cut up into four at seemingly random places, hence this trope.
164* SingingSimlish: The band sometimes uses a made-up language called Vonlenska/Hopelandic in their songs, although they also use Icelandic, and it speaks volumes about their talents considering that the language does absolutely nothing to undermine the music's quality.
165** ''[[LuckyCharmsTitle ( ) ]]'' is completely made up of Vonlenska; the lyrics are made up of the following phrase, and various permutations of it: "You xylo. You xylo no fi lo. You so." For an hour, twelve minutes and 5 seconds.
166* SilenceIsGolden:
167** ''Von'' contains a track called "18 sekúndur fyrir sólarupprás" which translates to "18 Seconds Before Sunrise" and consists of 18 seconds of silence.
168** There are also 36 seconds of silence separating the first four songs on ''( )'' from the last four. The gap separates the sunnier, more cheerful first half from the distinctly more downbeat second half (which also consists of substantially longer songs).
169* SoloSideProject: Jónsi has released ''Go'', a distinctly more pop-sounding album than the band's usual Post-Rock output.
170* TheSomethingSong: ''( )'' has "Njósnavélin" ("The Nothing Song"), "Dauðalagið" ("The Death Song"), and "Popplagið" ("The Pop Song").
171** Additionally, the working titles for "Hljómalind" and "Hoppípolla" were "Rokklagið" (The Rock Song) and "The Money Song," respectively, "Rokklagið" for being the most rock-like out of their songs, and "The Money Song" for the band's certainty that the song would be commercially successful.
172** "Njósnavélin" actually translates as "The Spy Machine", but "The Nothing Song" is a commonly used alternate title. "The Nothing Song" in Icelandic would be something more along the lines of "Ekkertalagið" (a native speaker may wish to revise this if needed).
173* StageNames: Understandable since most of their audience aren't Icelandic speakers.
174* SubliminalSeduction:
175** The intro of ''Ágætis byrjun'' is an excerpted segment of the album's TitleTrack played in reverse sans its lead vocal track.
176** À la Music/DaftPunk's ''Music/{{Homework}}'', ''Von'' ends with "Rukrym", an excerpted segment of a song on the album ("Myrkur") played in reverse.
177* SurrealHorror: The lyrics to the heavier ''Kveikur'' tracks, and the video for "Brennisteinn".
178* SurrealMusicVideo: Quite a few.
179* TextlessAlbumCover: All of their albums between 1997 and 2002. ''( )'' was the first to put text on the cover.
180* ThemeNaming: All of the songs on ''Kveikur'' have an elemental theme to them, as well as being related to the geography of Iceland. "Brennisteinn" translates to "Brimstone," "Hrafntinna" to "Obsidian," "Ísjaki" to "Iceberg," and so forth, with the exception of the title track (which translates to "Wick") and the Japanese bonus tracks.
181** ''Route One'' (at least its Spotify tracklist) is composed of eight tracks titled after certain [[https://www.google.com/maps/d/viewer?mid=14XQbNyHyxxRtjSyGOKwkWixe4DLCwYw6&ll=64.64252187787305%2C-17.959925&z=7 coordinates]] that are part of Route 1, all arranged from lowest to highest latitude.
182* TitleTrack: All their albums except ''( )'' and ''Hvarf/Heim'' (if that counts as a proper album) have one... or in the case of ''Með suð í eyrum við spilum endalaust'', two.
183* TitledAfterTheSong: Inverted with their opening track to ''Von''.
184* UncommonTime: All over the place on ''Takk''. From Website/TheOtherWiki:
185-->"In the track "Andvari" for example, the main melody repeats itself every 27 beats, with stress on beats 1, 5, 9, 11, 16, 20 and 25. This could be rendered as seven bars of 4, 4, 2, 5, 4, 5 and 3 beats respectively. Against this there is a steady counter-rhythm of triple time, which could be rendered as eighteen bars of 3/8 time per 27-beat cycle."
186* TheUnpronounceable: Their names, song titles, album titles, lyrics... hell, nearly everything.
187** To the point where their official site has an Icelandic pronunciation guide.
188* WhamShot: [[spoiler:The two soccer playing boys kissing]] in the video for "Viðrar vel til loftárása".
189* WordSaladLyrics: "All Alright". Understandable, since apart from Georg, who lived in the UK for a while, the others' English is lacking.
190** Some of their Icelandic lyrics as well.
191----
192

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