Line #9 Music/KilroyWasHere


1	[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/Kilroy_Was_Here_1808.jpg]]
2	[[caption-width-right:325:''The time has come at last to throw away this mask\
3	Now everyone can see my true identity'']]
4	->''What can I do, pictures of you still make me cry\
5	Trying to live without your love, it's so hard to do\
6	Some nights I'll wake up I'll look at your pillow\
7	Hoping that I'll see you there\
8	But I get up each day\
9	Not much to say I've nowhere to go\
10	Loneliness fills me up inside 'cause I'm missing you\
11	So if you'll give us a chance to remember the love we had once together\
12	Wait and see time is all that we really need\
13	I'm praying you won't say no, I mean to tell you''
14	-->-- "Don't Let It End"
15
16	''Kilroy Was Here'' is the eleventh studio album recorded by American {{rock}} band Music/{{Styx}}. It was released through Creator/AAndMRecords on February 22, 1983.
17
18	Following on the success of the ConceptAlbum ''Paradise Theatre'' (and three multi-platinum albums before that), Styx decided to get far more ambitious with a full-on RockOpera. It would be promoted with a deliberate and complex tour, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members.
19
20	The storyline: TwentyMinutesIntoTheFuture, MoralGuardians [[NoMusicAllowed outlaw rock and roll]]. Enforcing the new law, a riot breaks out at a concert by the famous "Kilroy" at the [[ShoutOut Paradise Theatre]], someone dies, and Kilroy is [[FrameUp framed]] as a murderer. He is imprisoned, guarded by "Mr. Robotos", mass-produced [[RobotMaid menial-labor robots]]. Kilroy breaks out, disguising himself in the body of a Roboto he has overpowered. Using a "rock code" graffiti, he leads a protegé, Jonathan Chance, to meet him in the Paradise Theatre, now a museum to rock-and-roll depravity. And then [[CutShort it ends]].
21
22	The story has many similarities to Music/FrankZappa's ''Music/JoesGarage'': both feature robot-filled futures with moral overlords who hate rock-and-roll and throw the rocker protagonist in prison. Zappa's work is distinguished by having trickier time signatures, as well as much more [[{{Robosexual}} gay sex with robots]]. You could almost mistake ''Joe's Garage'' for a parody of ''Kilroy Was Here'', except for the fact that ''Joe's'' came out '''four years earlier'''.
23
24	Instead of taking their career to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again. The album's convoluted production is chronicled on an episode of ''Series/BehindTheMusic''. The album was critically panned, only garnering 2 out of 5 stars from ''Magazine/RollingStone''. Commercially, it was nowhere near as successful as the band hoped, only earning one Platinum from the RIAA.
25
26	The album yielded three singles: "Mr. Roboto", "Don't Let It End", and "High Time". Only the first two were hits in the United States, neither one hitting #1. They wouldn't yield another hit for seven years.
27
28	It is not to be confused with the UsefulNotes/WorldWarII era BathroomStallGraffiti.
29
30	!! Tracklist:
31
32	[[AC:Side One]]
33	# "Mr. Roboto" (5:28)
34	# "Cold War" (4:27)
35	# "Don't Let It End" (4:56)
36	# "High Time" (4:33)
37
38	[[AC:Side Two]]
39	# "Heavy Metal Poisoning" (4:57)
40	# "Just Get Through This Night" (6:06)
41	# "Double Life" (3:46)
42	# "Haven't We Been Here Before?" (4:06)
43	# "Don't Let It End (Reprise)" (2:22)
44
45	----
46	!!"Tropes Were Here":
47	* TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
48	* AffectionateParody: The opening track sounds like a piss-take on Music/{{Devo}}, particularly "Whip It."
49	* AllThereInTheManual: The premise and the entire plot is described in the liner notes to the album and the mini-film.
50	* BlandNameProduct: "Dr. Righteous' Fried Chicken." The boxes are done in a similar fashion to Kentucky Fried Chicken's boxes.
51	* BookBurning: In the mini-film at the start, but with records and guitars. The concert from the 'Caught in the Act' video featured prop guitars being snapped over the Panozzos' knees, while JY fed his (prop) to an MMM 'Guitar Shredder'.
52	* ContinuityNod: A "Paradise Theatre" is featured in the story. This is a reference to Styx's previous album of the same name, also a ConceptAlbum set in the Chicago movie theater of the same name.
53	* {{Cyberpunk}}: Technology, robots, lost of humanity, outlaws, rebellion, it's all here.
54	* FaceOnTheCover: Not of the band, but of two Robotos with an angry book-burning mob in the background.
55	* {{Filler}}: Between the opening "Mr. Roboto" (in which Kilroy reveals himself to Jonathan), and "Don't Let It End (Reprise)" (in which Kilroy and Jonathan vow to revive rock and roll), ''nothing happens'': the other songs just describe the world of ''Kilroy'' from the point of view of the three main characters. Except for "Don't Let It End", a love ballad that has nothing to do with the story ''at all''.
56	* FunWithAcronyms: Kilroy's full name is '''R'''obert '''O'''rin '''C'''harles '''K'''ilroy, or R.O.C.K.
57	* GratuitousJapanese
58	-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr. Roboto'')[[labelnote:Translation]]Thank you, Mr. Robot[[/labelnote]]
59	-->また会う日まで。 (''Mata au hi made'')[[labelnote:Translation]]Until the day we meet again.[[/labelnote]]
60	-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr. Roboto'')
61	-->秘密を知りたい。(''himitsu o shiri tai'')[[labelnote:Translation]]I want to know your secret.[[/labelnote]]
62	* GroinAttack: For some reason, the Robotos react to getting hit in the groin the same way a man could, as shown in the mini-film of Kilroy breaking out from prison.
63	* JapanTakesOverTheWorld: The Robotos, who enforce Dr. Righteous' theocracy, are built "with parts made in Japan."
64	* LargeHam: James Young during "Heavy Metal Poisoning" during the concerts. Might even qualify as HamAndCheese.
65	* LuddWasRight: "Mr. Roboto". WebVideo/ToddInTheShadows called out the hypocrisy of this, coming as it did from a band whose lead singer played an electronic keyboard as his primary instrument.
66	--> ''The problem's plain to see''
67	--> ''Too much technology''
68	--> ''Machines to save our lives''
69	--> ''Machines dehumanize''
70	* MoralGuardians: Dr. Righteous and the "Majority for Musical Morality"
71	* NoMusicAllowed: Rock and Roll music has been banned.
72	* OneManSong: "Mr. Roboto".
73	* OppressiveStatesOfAmerica: The album is set in a theocratic America that outlaws rock and roll.
74	* PowerBallad: "Don't Let It End".
75	* PuttingOnTheReich: The Panozzos did this during the concert during "Heavy Metal Poisoning", as lackeys of Dr. Righteous (see VillainSong). They're credited as officers (presumably of StateSec) on the album.
76	* PrisonShip: The "Kilroy" short film establishes that Kilroy was imprisoned on one.
77	* QuestioningTitle: "Haven't We Been Here Before?"
78	* RockOpera: Though given the total non-advancement of the story through the songs, it might just be a very detailed ConceptAlbum.
79	* SlasherSmile: From certain angles, the Robotos are less "YellowPeril caricature" and more "I'm going to kill you slowly and painfully."
80	* SubliminalSeduction: Subverted. Right before "Heavy Metal Poisoning", there's an obvious backmasked message. Played backwards, it's the Latin phrase [[http://en.wikipedia.org/wiki/Annuit_cœptis Annuit cœptis, Novus ordo seclorum]], part of the Seal of the United States on a $1 bill, and roughly translated as "God approves of our undertakings/ a new order of the ages." This is likely in response to accusations that "Snowblind", a song from the band's previous album ''Paradise Theatre'', had "backwards Satanic messages" on it.
81	* SuckECheeses: Righteous' museum (formerly the Paradise Theatre) has shades of this, complete with an animatronic Kilroy band "murdering" an MMM protestor.
82	* SignificantMonogram: Jonathan Chance has one, alluding to [[UsefulNotes/{{Jesus}} a certain other JC]].
83	* ThemeNaming
84	** Rockstar Kilroy's full name is Robert Orin Charles Kilroy, or R.O.C.K.
85	** The member of the resistance who's fighting for a chance is named Jonathan Chance.
86	** The righteous theocrat is straight-out named Dr. Righteous.
87	* UnroboticReveal: The main point of "Mr. Roboto" is that the Roboto Chance found is actually Kilroy.
88	* VillainSong: "Heavy Metal Poisoning" and "Double Life" are both from the antagonist's viewpoint. "Double Life" is a VillainousBSOD song where Righteous realizes what a terrible hypocrite he is, but feels he's too far in to dig his way out.
89	* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of work. In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto, saying "your mother was a Toyota".

Context Music / KilroyWasHere