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3%% Administrivia/{{Zero Context Example}}s are not allowed on the wiki. Do not uncomment them without providing sufficient context. And just naming a song it occurs in is NOT sufficient context.
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11[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/ye_2.jpg]]
12
13[floatboxright:
14Influences:
15+Music/AphexTwin, Music/ATribeCalledQuest, Music/DaftPunk, Music/DavidBowie, Music/TheFugees, Music/TheKillers, Music/{{Madonna}}, Music/JohnMayer, Music/ModestMouse, Music/{{Nas}}, Music/ThePharcyde, Music/PhilCollins, Music/{{Portishead}}, Music/{{Radiohead}}, Music/{{Sade}}, Music/StevieWonder, Music/JDilla, Music/{{U2}}, Music/WuTangClan.
16Influenced:
17+Music/{{Drake}}, Music/KidCudi, Music/ChanceTheRapper, Music/{{Adele}}, Music/JustinBieber, Music/NickiMinaj, Music/TravisScott, Music/{{Lorde}}, Music/{{Halsey}}, Music/JuiceWRLD, Music/LilyAllen, Music/JamesBlake, Music/LilUziVert.]
18
19->''"I'm a problem that'll never, ever be solved.\
20And no matter what, you'll never take that from me.\
21My reign is as far as your eyes can see."''
22-->-- "Amazing"
23
24Ye[[note]]yes, that is currently his legal name; he had it changed in late 2021, reportedly inspired by the prominent use of the word "ye" in Literature/{{the Bible}}[[/note]] (born Kanye[[note]]Pronounced "KON-yay" and NOT spelled [[RougeAnglesOfSatin "Kayne"]][[/note]] Omari West; June 8, 1977) is an American rapper, singer-songwriter, record producer, entrepreneur and fashion designer from Chicago, Illinois (born in Atlanta, Georgia). While he has become one of the most polarizing artists of the 21st century, few can claim to have impacted music and modern pop culture as a whole in the way West has, by means of both his artistic statements and a long, ''long'' list of controversial actions.
25
26Originally a producer in the mid-'90s for local Chicago artists, eventually making it big as arguably the secret ingredient to Music/JayZ's CareerResurrection come the TurnOfTheMillennium, West started dreaming of becoming a rapper. However, his emphatically middle-class background -- being the son of a photojournalist and an English professor, and partly raised in the suburbs -- didn't fit the profile for the GangstaRap popular at the time, and as a result he was long pigeonholed as an illegitimate "producer-rapper" before being reluctantly being signed to the label he was an in-house producer for, Jay-Z's Roc-a-Fella Records.
27
28Everything changed on October 23, 2002, when West was involved in a car crash after midnight that shattered his jaw. This inspired his song "Through the Wire"; the song would eventually be re-recorded and included on his debut album ''The College Dropout'', which opened to mass critical and commercial fanfare, jump-starting his career.
29
30While his "sound" was initially solely defined as a "chipmunk soul" style composed of {{sampling}} old {{soul}} music and pitching it up, West has continuously expanded his sonic palette in later works to include more experimental elements like lush orchestration (''Late Registration''), {{arena rock}}[=/=]{{house|music}} electronics (''Graduation''), cold [[ContemporaryRAndB R&B]] (''[=808s=]''), abrasive {{industrial}} (''Yeezus''), and {{gospel|Music}} (''Jesus Is King'').
31
32West married Creator/KimKardashian in 2014; the two filed for divorce in 2021. They have four children together -- two born of Kim (North[[note]]daughter, b. June 5, 2013[[/note]] and Saint[[note]]son, b. December 5, 2015[[/note]]) and two born of surrogate mothers (Chicago[[note]]daughter, b. January 16, 2018[[/note]] and Psalm[[note]]son, b. May 10, 2019[[/note]]).
33
34In 2015, West announced his intent to run for President of the United States in the 2020 election, and to the surprise of many, his campaign as a third-party candidate indeed materialized in July of that year. It was largely unsuccessful -- in part because he only qualified for ballot access in 12 states -- but he has announced plans to try again for the 2024 election.
35----
36!!Discography:
37!!!Studio Albums:
38* ''Music/TheCollegeDropout'' (2004)
39* ''Late Registration'' (2005)
40* ''Graduation'' (2007)
41* ''[=808s=] & Heartbreak'' (2008)
42* ''Music/MyBeautifulDarkTwistedFantasy'' (2010)
43* ''Watch the Throne'' (with Music/JayZ, under the name The Throne) (2011)
44* ''Cruel Summer'' (with his label, G.O.O.D. Music) (2012)
45* ''Music/{{Yeezus}}'' (2013)
46* ''Music/TheLifeOfPablo'' (2016)
47* ''ye'' (2018)
48* ''Music/KidsSeeGhosts'' (with Music/KidCudi) (2018)
49* ''Jesus Is King'' (2019)
50* ''Donda'' (2021)
51* ''Donda 2'' (2022)[[note]]Considered a demo album by Wikipedia, as it was released in an unfinished state and received updates after its release.[[/note]]
52* ''VULTURES 1'' (2024) (with Ty Dolla $ign)
53!!!Live Albums:
54* ''Late Orchestration'' (2006)
55* ''[=VH1=] Storytellers'' (2010)
56!!!Mixtapes:
57* ''The Prerequisite'' (2001)
58* ''Get Well Soon...'' (2003)
59* ''I'm Good...'' (2003)
60* ''Welcome to Kanye's Soul Mix Show'' (with A-Trak) (2006)
61* ''Can't Tell Me Nothing'' (2007)
62----
63!!Harder, Better, Faster, Tropes:
64* ACappella: "I Love Kanye" stands out from the kaleidoscopic instrumentals of ''The Life of Pablo'' by featuring ''none'', consisting of Kanye's rapping and nothing more.
65* AlbumTitleDrop:
66** From "Last Call": "They expected that '''college dropout''' to drop and then flop."
67** From "We Major": "They ask, 'Why you call it '''''Late Registration''''', 'Ye?"
68** From "Good Morning": "Homie, this shit is basic, welcome to '''graduation'''."
69** From "I Am a God": "I just talked to Jesus / he said, 'What up, '''Yeezus'''?'"
70** ''The Life of Pablo'' has no direct title drop, but "Pablo" is mentioned in "No More Parties In LA".
71** From "I Thought About Killing You": "'''Ye''', '''Ye''', '''Ye''' / season, nigga, we Old Bay."
72** ''Donda'' eerily begins with "Donda Chant", which consists of nothing but "Donda" [[BrokenRecord being repeated among a silent background for just under a minute]].
73* AlliterativeTitle: "'''O'''nly '''O'''ne".
74* AllLowercaseLetters: How ''ye'' is formatted.
75* AlternativeHipHop: Although the general masses know Kanye as "just" a rapper and producer, [[GenreRoulette the sheer breadth of genres]] and the degree of experimental ideas he incorporates in his music doesn't neatly fit a simple "hip-hop" label. Starting from ''Music/MyBeautifulDarkTwistedFantasy'' onward, Ye continuously pushes the envelope with his production, with an increased fixation on noisy, abrasive, and raw sounds not found with many pop rappers.
76* ArcWords: References to being 'cold' abound on ''808s and Heartbreak'', adding to the already icy and bleak atmosphere.
77** 'Lights', across multiple albums and used in multiple contexts - in song titles alone, ''Graduation'' has "Flashing Lights", ''808s and Heartbreak'' has "Street Lights", ''My Beautiful Dark Twisted Fantasy'' has "All of the Lights" and ''The Life of Pablo'' has both "Low Lights" and "Highlights".
78* ArtisticLicenseHistory: "Black Skinhead" contains the infamous bars, "Keep it 300 like the Romans/ 300 bitches, where the Trojans?" 300 is a number associated not with the Romans but with the Spartans, and the Trojans were not, in fact, the enemies of Rome but of Greece.
79* AscendedMeme: The leaked version of "See Me Now" (a bonus track from ''My Beautiful Dark Twisted Fantasy'' that features Beyonce) has Kanye ad-libbing for about a minute at the end instead of Big Sean's verse. Among the things Ye says is...
80-->"...and I'mma let you finish but I got Beyonce on the track!"
81** When Music/BritneySpears' single "Hold it Against Me" beat Kanye and Jay-Z's single "H.A.M" to number one, Kanye posted a tweet which said "Yo Britney, I'm really happy for you and I'mma let you be #1, but me and Jay-Z's single is one of the best songs of all time!"...which he promptly deleted when people got [[DisproportionateRetribution upset]].
82* AscendedFanboy: A common theme in his songs, most notable in "Touch the Sky" and "Big Brother" to Music/JayZ, No I.D., Music/WuTangClan, and HipHop in general.
83** Music/ChanceTheRapper expresses these sentiments towards him in his verse on "Ultralight Beam".
84* AudienceParticipationSong:
85** "Through the Wire", best shown in the ''Late Orchestration'' version: "If the Roc is in the building, say 'hell yeah!'"
86** "Gold Digger":
87*** Everyone sings Jamie Foxx's opening part.
88*** Built into the song from the start: "So if you ain't no punk, holla 'we want pre-nup!'" ('We want pre-nup, yeah!')"
89** "Hey Mama": "When I say 'Hey,' you say, 'mama!'"
90** "All of the Lights":
91*** After the "MJ gone" bit, he then points the mic to the crowd to say "Our nigga dead!". According to some sources, not only is he alright with his white fans saying it, he assures them that this is their only chance to say the word, or ''restarts the song '''multiple times''''' if not enough people are saying it. Creator/DonaldGlover even touched upon it in his stand-up special ''Weirdo'', as he once went to a predominantly white show of his in Texas where people had zero qualms saying the line.
92*** Everyone sings the Rihanna hook; sometimes, the song audio will be cut out entirely with just the crowd singing.
93** The footage that's surfaced of the Yeezus Tour shows the audience enthusiastically singing along with and supplying lines from "I'm In It," "On Sight," "Blood on the Leaves" (the entire first verse, in fact), and various other tracks.
94** And, of course, from "I Am a God":
95-->'''Kanye:''' In a French-ass restaurant--\
96'''Audience:''' ''Hurry up with my damn croissants!''
97** Sometimes Kanye doesn't even rap the first verse of "New Slaves" (or at the very least the first 4 bars) - the audience shouts it instead.
98** Some performances of the legendary unreleased track [[https://www.youtube.com/watch?v=mJMC2VGHQfw "Mama's Boyfriend"]] have the audience shout out the final lines of the first verse.
99* AutoTune: Adopted on ''808s and Heartbreak'' to convey his loneliness and disconnect, which couldn't be properly communicated through rapping. Used on occasion from then forward, either for singing or rapping.
100** The outro to "Runaway" uses this combined with effects pedals to make Kanye's voice sound like a distorted guitar. More than a few reviewers compared it to a Robert Fripp solo, which, given that West samples Music/KingCrimson on another song on that album, was probably exactly his intention. It's also been speculated that the unintelligible vocals are intended to represent West's frequent difficulties in expressing himself verbally.
101** Also used on his single "Only One," though not to the same degree.
102** Used prominently on ''The Life of Pablo'', most notably on "Wolves".
103* BadassBoast:
104** Half of "Power" is Kanye ruminating on [[NoManShouldHaveThisPower the consequences of his fame and power]], while the other half is his grand statement on completely lavishing in it.
105--->I'm living in that 21st century, doing something mean to it\
106Do it better than anybody you ever seen do it\
107Screams from the haters, got a nice ring to it\
108I guess every superhero need his theme music
109** [[BoastfulRap Almost the entirety of "Monster"]] consists of Kanye, Music/RickRoss, Music/JayZ, and Music/NickiMinaj boasting about their monstrous prowess on and off the mic.
110** Kanye described ''The Life of Pablo'' before its release on Twitter by saying, [[https://twitter.com/kanyewest/status/692083418083921921 "This is not album of the year. This is album of the life."]]
111* BerserkButton: Used almost literally on "Champions" with "Pray for me, I'm about to hit the 'Ye button".
112* BlackAndNerdy: His use of sampling, lyricism, advanced producing and his refraining from [[GangstaRap gang/street lyrics]] made him stand out from other [[TheNineties rappers that preceded him]].
113* BlackComedy: The bleakly funny "We livin' in hell here / hell yeah!" in "Jesus Walks."
114* BlasphemousBoast: Subverted by ''I Am a God''. Kanye claims to be "a god, even though I'm a man of God" and has a conversation with Jesus in the second verse.
115* BoastfulRap: Has a handful of songs based on this as he pretty much boasts about himself in real life. ''Watch the Throne'' involves a lot of him and Jay-Z doing this together (tempered by deep musings about what it means to be both successful and Black in America).
116* {{Bowdlerization}}:
117** A couple instances on ''The College Dropout''. Music/ArethaFranklin would only clear the sample for "School Spirit" if Kanye guaranteed the resulting song would be clean, so it's edited even on the explicit version. Less clear is why this also happened to the single swear on "Through the Wire" (left in on the single version) and ''half'' of the principal's profane rant in "Graduation Day".
118** Because of Ye's born-again Christian beliefs, both ''Jesus Is King'' and ''Donda'' do not have any swear words on them unlike his old albums. Even "nigga" is edited out despite not being a swear word nor blasphemous, and not being offensive to most listeners because of his NWordPrivileges. This is a little jarring since all of the edited-out words are not replaced with anything but a brief silence is left.
119* BrickJoke: From ''The Life of Pablo'', in the track "Real Friends" -- a rumination on Kanye's estrangement from his family and friends -- Kanye mentions a cousin who stole his laptop and {{blackmail}}ed him for $250 thousand. Later in the album, on the song "No More Parties in LA", he gets mentioned again:
120-->And as far as [[CallBack real friends]], tell all my cousins I love 'em\
121Even the one that stole the laptop, [[PrecisionFStrike you dirty motherfucker!]]
122* TheBusCameBack: "Jail" off of ''Donda'' marked a reunion of The Throne, the collaborative title between Kanye and Music/JayZ originally used for 2011's ''Watch the Throne'' collaboration. [[LampshadeHanging Jay even mentions it in the lyrics]]: "This might be the return of The Throne / [[BlasphemousBoast Hova and Yeezus, like Moses and Jesus]]".
123* CallAndResponseSong:
124** "Gold Digger" and "Hey Mama."
125** Live performances of "New Slaves" turn the bridge into this, with Kanye rapping "y'see, there's leaders and there's followers" and the audience shouting back "but I'd rather be a dick than a swallower!"
126* CallBack:
127** ''Late Registration'' begins with the [[LyricalColdOpen spoken-word intro skit]] "Wake Up Mr. West", with the title words delivered by [=DeRay=] Davis (doing his best Creator/BernieMac impression). "Wake up Mr. West" was later brought back as the opening verse line of "Good Morning" on ''Graduation'', and back again in the second chorus of "Famous" off ''Music/TheLifeOfPablo''.
128** "Come to Life" off of ''Donda'' names "the ultra-ultralight beam" in its final verse, referencing the track "Ultralight Beam" off ''Music/TheLifeOfPablo''.
129* DarkerAndEdgier:
130** ''Late Registration's'' "Crack Music", which is the bleaker SpiritualSuccessor to the uplifting "Jesus Walks". The church chorus is still present, but the subject matter and tone doesn't inspire optimism like its predecessor (though that may be the point).
131** [[invoked]] Kanye, in general, became this after a series of massive personal tragedies around 2008 (see CreatorBreakdown on the Trivia page for details):
132*** ''808's and Heartbreak'' (yes, the ''entire album'') is both this and LighterAndSofter at the same time. On the one hand, it's far less profane and more R&B oriented than his prior albums (in fact, only one song on the album contains any real rapping). But, on the other hand, it's also quite a bit more serious and introspective than prior albums.
133*** ''My Beautiful Dark Twisted Fantasy'' is quite a bit darker and more serious than his first three records. Most of the songs focus on the ups and downs of fame, the humor is toned down substantially, and Kanye raps in a deeper and more melancholy tone than usual.
134*** He's out-darked himself with ''Cruel Summer'', to a point where the lead single's main sample is a pitch-shifted description of the devil.
135*** ''Yeezus'' (again, the entire album) is probably his darkest piece of work yet, due to the more abrasive production and heavier subject matter.
136*** While ''The Life Of Pablo'' is probably Kanye's most positive and upbeat album in years, it's still decidedly darker and more serious than his first three.
137** ''Donda'' can definitely be seen as this: Many songs off the album feel much more isolated, bleaker, and very introspective, especially with it being (in essence) a tribute to his late mother. Even the album cover flat out reflects this, being ''just a black cover'', which makes it odd considering the [[https://twitter.com/kanyewest/status/1287151490348412928 original cover]] was more LighterAndSofter and gave off a much hopeful vibe.
138* DownerEnding:
139** The music video for [[spoiler:"Touch the Sky"]] has this, with [[spoiler:Evel Kanyevel attempting to jump the Grand Canyon in a rocket...and crashing badly, with the rocket exploding. Kanyevel is then seen in the clouds, presumably in Heaven.]]
140** The music video for [[spoiler:"Flashing Lights"]] ends with [[spoiler:a BoundAndGagged Kanye being stabbed to death inside a car trunk with a shovel]].
141** ''808s and Heartbreak'' ends with "Pinocchio Story", a brutally self-deprecating song in which he blames himself for his mother's death and tears down his life choices as the reasons that he will never find happiness. The decision to include a live version of the song, with his audience talking and screaming, oblivious to him trying to voice his suffering, makes it even more heartrending.
142* EarlyBirdCameo: Listen to ''My Beautiful Dark Twisted Fantasy''. Now go back and watch the ''Runaway''' film. The film contains 11 of the 13 tracks featured on the album in either a snippet or its full track. The only two tracks on the album that aren't in the film are 'Monster' and 'So Appalled,' which were released as part of his G.O.O.D. Fridays project. So if you heard the two "G.O.O.D. Fridays" and watched the film, ''you heard the album before it got released in stores.''
143* EpicRocking: Many of his songs exceed 6 minutes in length.
144** ''College Dropout'' had "Last Call" (12:40), his longest song to date.
145** ''Late Registration'' had "We Major" (7:28).
146** ''808s and Heartbreak'' had "Say You Will" (6:14) and "Pinocchio Story" (6:03).
147** ''MBDTF'' had "Monster" (6:18), "So Appalled" (6:38), "Runaway" (9:08), and "Blame Game" (7:49), not to mention some that were ''just'' under 6 minutes ("Gorgeous").
148** ''Watch the Throne''[='=]s deluxe edition had "Illest Motherfucker Alive" (8:22).
149** ''Yeezus'' had "Blood on the Leaves" (6:00).
150** ''Cruel Summer'' had "Mercy" (5:26), "New God Flow" (5:57), and "The One" (5:44).
151** ''The Life of Pablo'' had "No More Parties in LA" (6:14) and "Saint Pablo" (6:12).
152** ''Donda'' has "Jesus Lord" (8:58), and "Jesus Lord, Pt. 2" (11:30).
153* EpilepticFlashingLights: Kanyeā€™s music videos for ā€œAll of the Lightsā€ and ā€œNiggas in Parisā€ have lots of bright, rapidly flashing lights (the former as an homage to this trope's use in ''Film/EnterTheVoid''), so much so that the latter issued a warning at the start.
154* ExactlyWhatItSaysOnTheTin: Kanye insisted on naming "Niggas in Paris" as such (instead of "Ball So Hard" like Music/JayZ wanted, or "That Shit Cray", both repeated throughout the song) because the song's about them being in Paris.
155* FadingIntoTheNextSong:
156** Straight examples:
157*** ''The College Dropout'': The choir of "Jesus Walks" echoes into "Never Let Me Down".
158*** ''Late Registration'': The ending TitleScream of "Wake Up Mr. West" similarly echoes into "Heard 'Em Say".
159*** ''808s and Heartbreak'': There's a split-second where the end of "Say You Will" overlaps with the start of "Welcome to Heartbreak".
160*** ''My Beautiful Dark Twisted Fantasy'': "Lost in the World" and "Who Will Survive in America", being that they're SiameseTwinSongs.
161*** ''The Life of Pablo'':
162*** Both parts of "Father Stretch My Hands" are connected by the same sample (albeit in different keys).
163*** "Highlights" echoes into "Freestyle 4".
164** Kanye likes to make songs that function as intros for the songs following them that may not necessarily transition into them:
165*** On ''The College Dropout'', "I'll Fly Away" introduces the theme of desiring escape via flight that runs throughout the next song, "Spaceship".
166*** On ''Late Registration'', the first skit serves as an intro to "Drive Slow" (primarily with the skit's last line, "So we ain't drivin'!").
167*** On ''MBDTF'', "All of the Lights" is prefixed by [[RearrangeTheSong an orchestral rearrangement]].
168* FantasyKitchenSink: His ''[[DesignStudentsOrgasm Power]]'' video portrays Kanye as [[Literature/TheBible Yahweh]], [[Myth/EgyptianMythology Horus]] ''[[DepartmentOfRedundancyDepartment and]]''[[note]]Yahweh and Allah are both names for the same Abrahamic (Jewish, Christian, Islamic) God[[/note]] [[UsefulNotes/{{Islam}} Allah]] with The SwordOfDamocles [[AGodAmI over his head]]. Complete with being flanked by [[Myth/EgyptianMythology Isis and Hathor]] as well as [[OurAngelsAreDifferent two Seraphim ]] [[WesternZodiac Aquarius]] and [[TarotMotifs Half the Major and Minor Arcana]]. [[note]][[FanService All scantily clad of course.]][[/note]]
169* TheFashionista: Kanye is a male example. While his frequent raps about luxury clothing brands are par for the course for most rappers, Kanye himself has spearheaded the incredibly successful Yeezy line, which has become equally successful and part of his business as his music. Yeezy sneakers in particular are sought after even by people who aren't into his music.
170* {{Feghoot}}: His verse on Kid Cudi's "Erase Me" is all just a set up for him to make a rather corny diarrhea joke.
171* FreestyleVersion: Has recorded a few of these, although considerably less than most rappers. He did one over Kelis' "Milkshake" called "Better than Yours", and a number of freestyles in his early years over Music/JayZ beats (most of which he produced). He also recorded a freestyle over Rich Boy's "Throw Some Ds", which turned a song [[BoastfulRap about money and cars]] into [[TheCoverChangesTheMeaning a song about breast implants]].
172* AGodAmI:
173** One of the major themes of ''Yeezus'', which includes a song called "I Am a God." It's not actually intended to be blasphemous, as Kanye's a Christian -- it's based on a Bible verse (Psalms 82:6, to specify) -- but the shock and controversy of it was certainly not an accident.
174** Even as early as ''Late Registration'', Kanye's name was stylized as kanYeWest, echoing the name Yahweh (or Jehovah), one of the Jewish names for the Judeo-Christian God.
175* GoodMorningCrono: ''Late Registration'' opens with "Wake Up Mr. West", although the trope doesn't really come into play until the end, where it's revealed that Kanye has fallen asleep during class, leading for the title to be shouted.
176* GoshDangItToHeck: As of ''Jesus Is King'', Kanye has consciously avoided including curse words in his lyrics, and while still generally "mature" and heavy, he's also [[TamerAndChaster abandoned the use of any sorts of crass sexual innuendo]]. In ''Donda'', the featured artists are a little more prone to using profanity (including the N-word), but they officially remain censored via patches of silence.
177* GrowingUpSucks: "Violent Crimes" discusses this as it applies not to his own future, but rather the future of his children and their innocence. With his daughters especially, he worries that they might grow up into the world of sexism and exploitation that [[MyGodWhatHaveIDone he himself was a proponent of and had only renounced]] [[PapaWolf after he became a father.]]
178* HeelRealization: The narrator of "Runaway" realizes that he treats everyone around him like garbage.
179* IncrediblyLongNote: Kanye belted out several at the end of a show at the Hammersmith Apollo, which was strange enough before [[spoiler:[[https://www.youtube.com/watch?v=R7Jkw6k54HA they turned into full-on screams]]]].
180* InferioritySuperiorityComplex: The flip side of his notorious ego. His lyrics contain almost as much SelfDeprecation as BoastfulRap.
181* InsultBackfire: "Jesus Walks" includes the lines "'We eat pieces of shit like you for breakfast' / Y'all eat pieces of shit?", which is a reference to ''Film/HappyGilmore''.
182* InterfaceScrew: Two videos from ''808s & Heartbreak'' feature this.
183** "Love Lockdown" appears to be in a 16:9 ratio, until one of the tribesmen jumps out from the black bars.
184** "Welcome to Heartbreak" also appears in 16:9, until a rock is thrown towards the camera, shattering the glass and revealing a 4:3 aspect ratio for several seconds. "Heartbreak"'s video is also an exercise in using compression artefacts to create interesting visual effects (think of a poorly loaded, low-quality streaming video.) Both videos appear to be in windowbox format on Youtube, because of the 4:3 ratio teases in each video.
185* IWantSong: "Spaceship"
186-->''I've been working this grave shift''\
187''And I ain't make shit''\
188''I wish I could buy me a spaceship and fly''\
189''Past the sky''
190* LargeHam: Kanye loooooooves attention, and his unfiltered passion for things that he likes veers heavily into this trope.
191** For example, this verse from "Niggas in Paris":
192--> "She said, Ye, can we get married at the MAAAAAAAAALLLLLL?!\
193I said, look you need to crawl 'fore you BAAAAAAAAALLLLLL!
194--> Come and meet me in the bathroom STAAAAAAAAALLLLLL!
195--> And show me why you deserve to have it AAAAAAAAALLLLLL!"
196* LighterAndSofter:
197** ''Graduation'' was poppy and anthemic, compared to the more serious ''Late Registration''.
198** Played with on his standalone single "Only One" released between ''Yeezus'' and ''The Life Of Pablo''. The song itself is much softer than ''Yeezus'', but the lyrics about speaking with his deceased mother are by no means lighter.
199** ''The Life of Pablo'', while poignant at times, is rather cheery and optimistic.
200** ''Jesus is King'', being even more of a gospel album that ''The Life of Pablo'' claimed to be, could possibly go down as Kanye's lightest and softest album to date.
201* LonelyAtTheTop: Name-dropped by Kanye when summarizing ''808s & Heartbreak''; considering the influence that Kanye's loneliness and [[IJustWantToBeNormal wish for normality]] and [[IJustWantToBeLoved companionship]] had on the album, it's not an incorrect statement.
202* LongestSongGoesLast:
203** ''The College Dropout'' ends with "Last Call" (12:40).
204** Inverted with ''808s & Heartbreak''. The longest song, "Say You Will" (6:14), is also the opener.
205** ''Donda'' ends with "Jesus Lord, Pt. 2" (11:30), though this is strictly speaking a bonus track (it's an alternate version of "Jesus Lord" with extra verses).
206* LoudnessWar: Most of the albums are brickwalled to a certain extent, but it's particularly JustForFun/{{egregious}} on ''My Beautiful Dark Twisted Fantasy''. Thank you, Vlado Meller. The official video clips in places like Youtube generally don't suffer from this problem as being built as web content have no need for the type of loudness and clipping that analogue formats require.
207** ''Yeezus''[='=]s dynamic range squishes even tighter than ''Fantasy''[='=]s does, averaging at 4dB of range. Unlike ''MBDTF'', ''Yeezus'' features heavy amounts of clearly audible distortion, but this was probably on purpose, considering the material on it.
208* LyricalDissonance:
209** Despite the dark, crushing, minimalist and creepy instrumentals behind "I Am A God," The lyrics are all mostly quite funny, or at the very least don't leave anything to imply the intense darkness that the beat carries.
210** On the other hand, there's "All of the Lights", a cheery-sounding song with a catchy chorus and an upbeat riff about the narrator's utter failure as a father and his desperate attempts to fix it.
211* MeaningfulName: "Through The Wire" is about a car accident that Kanye was in, and was recorded while his jaw was wired shut. (And the song also samples Chaka Khan's [[PunBasedTitle "Through the Fire".]])
212* MelodicRap: Kanye's ''[=808s=] & Heartbreak'' popularized the now-standard [[AutoTune Auto-Tuned]] style of melodic rap, which was inspired by Music/TPain's creative use of the software on his own tracks, and he was even enlisted by Kanye to help the latter properly use it.
213* MessianicArchetype: Seems to think of himself like this, as evidenced when he portrayed himself as Jesus on the cover of ''Rolling Stone'', the ''Runaway'' film and in his album ''Yeezus''.
214* MicDrop:
215** [[https://www.youtube.com/watch?v=zzSLILvNPKI At the end of a live performance of his verse on "New God Flow"]]. One Youtube user described this as "as Kanye as Kanye can get".
216** At the end of his 2015 VMA speech after announcing his plans to run for president in 2020.
217* MinimalisticCoverArt: Several of Kanye's albums have sparse to ''zero'' content as their cover art:
218** ''[=808s=] & Heartbreak'' consists of some text and a heart-shaped balloon on a teal background. The theme was recycled for the single "Heartless" which [[VisualPun removed the heart]], thus leaving it just text and pale teal.
219** ''Music/MyBeautifulDarkTwistedFantasy'' features a crude painting of either Kanye straddled by a naked [[HarpingOnAboutHarpies harpy]]-like figure (the true official artwork), or of a black ballerina (an alternate version for physical retail copies) among a pure red background.
220** ''Yeezus'' has no real artwork, and was simply released in a clear jewel case with a red tape and a sticker (online depictions of the album use a photo of this packaging). The scrapped album ''Yandhi'' was also proposed to have a similar cover, but of a [=MiniDisc=] with a purple shutter.
221** ''Jesus is King'' depicts a blue vinyl record on a white background with the title and name printed in plain yellow text. Actual vinyl releases featured the exact same design.
222** ''Donda'' is simply a black square, nothing more, which makes it ironic considering [[https://twitter.com/kanyewest/status/1287151490348412928 the original cover]] was more colorful.
223** ''Donda 2'' is probably the most extreme case yet for Ye as due to the nature of the album itself -- released exclusively through digital download via a custom Stem Player product -- there's no actual packaging to support any cover art, and as a result, it's straight-up nonexistent.
224* MommasBoy: Kanye had a loving relationship with his mother, Dr. Donda West, once calling her his "best friend in the whole world," with the song "Hey Mama" off of ''Late Graduation'' being a direct tribute to her. He was naturally heartbroken by her sudden death in 2007, which ended up being one of the major catalysts in shaping [[DarkerAndEdgier the drastically cold, anguished tones]] of ''[=808s=] and Heartbreak''. In the many years since, Kanye has remained reverent of her, naming both [[https://en.wikipedia.org/wiki/DONDA his creative content company]] and his tenth album after her. It's often believed that her death is one of the factors to Kanye's erratic behavior (aside his later on diagnosed bipolar disorder), as he carries heavy dedications to her and even once said he blamed himself for her passing.
225* MoodWhiplash: "Blame Game" from ''My Beautiful Dark Twisted Fantasy''. Kanye painfully recounts falling out with a woman (possibly Amber Rose) and mentions overhearing a conversation when her phone automatically dialed him back. The other man she's seeing is none other than Creator/ChrisRock. The phone call goes all the way up to hilarious ("You took your pussy game up to a whole 'nother level! This is some Cirque du Soleil pussy now!") to downright tragic again at the end.
226* {{Narcissist}}: His song, "I Am A God" has him comparing himself to God and acting like a spoiled brat (hurry up with my damn croissants!).
227* NewSoundAlbum: Every album is different from the last to the point where some call Kanye the HipHop equivalent of Music/{{Radiohead}}.
228** ''Late Registration'' has lusher, more textured production than ''The College Dropout'', featuring more jazz and BaroquePop instrumentation that wasn't as reliant on samples.
229** ''Graduation'' consists of more uplifting, anthemic music with Kanye utilizing electronics as well as sampling from a larger range of music genres.
230** ''808s & Heartbreak'' has a drastically different sound due to embracing cold, bleak minimalism and shifting away from hip-hop to genres like electropop and R&B, with the whole album being sung rather than rapped, due to extensive use of AutoTune.
231** ''MBDTF'' was seen by many as an amalgamation of all of his past albums' defining features, as well as having its own sense of grandiosity.
232** ''Yeezus'' is Kanye's most experimental release yet, with very abrasive industrial production.
233** ''The Life of Pablo'' is perhaps deliberately his most kaleidoscopic output yet, and has been repeatedly described by Kanye as a gospel album.
234** ''ye'' returns to a stripped-down and minimalist sound comparable to ''808s'', but diverges in not being cold and bleak, but noisy and anxious.
235** ''Jesus is King'' sees Kanye make a full-blown Christian music record, featuring his own take on modern GospelMusic. [[ArsonMurderAndJaywalking It's also his first album with zero profanity or sexual references]].
236** ''Donda'' sees him continue to explore the gospel sound he started to use on ''Jesus Is King'', while also adding in other genre shifts such as TrapMusic and New York Drill.
237* NoEnding: On "Ye Vs. The People", the track cuts out entirely after Kanye ends with his final lines, which are both [[InvokedTrope an invocation of the trope]] and a call to action:
238-->Alright, [[Music/{{TI}} Tip]], we could be rappin' about this all day, man\
239Why don't we just cut the beat off and let the people talk?
240* NonAppearingTitle: "Graduation Day", "The Glory", "Dark Fantasy", "Gorgeous", "Devil in a New Dress", "Good Friday", "Gotta Have It", "Otis", "Black Skinhead" (the words 'black' and 'skin' appear, but 'skinhead' doesn't), "Guilt Trip", "Murder to Excellence", "Hurricane", "Believe What I Say", "Donda", "Tell The Vision" and "Jonah".
241** In the case of "Murder to Excellence," the words appear in the song but the title refers to the fact that it's basically two songs in one track.
242* OddFriendship: Though he knows many, many music industry figures, perhaps his most surprising is his long-running friendship with Justin Vernon, lead singer of indie-folk band Music/BonIver. Though their music is nothing alike, he has featured on quite a few Kanye songs such as on ''My Beautiful Dark Twisted Fantasy'' and ''Yeezus''. Vernon has also said they grew apart because of their differing political views (Kanye's support of Trump who Vernon strongly dislikes) but they are still friends.
243* OnlyOneName: As of October 2021, he's legally recognized as simply "Ye". Interestingly, his music has still been released under the name "Kanye West", making him an unusual inversion where his birth name is treated more like a StageName, while the mononym is treated with official legal weight.
244* OutOfGenreExperience:
245** ''Yeezus'' embarks a lot more into {{industrial}} territory.
246** "Only One" is a heartfelt yet heartrending soul ballad.
247* PaintingTheMedium: In "Love Lockdown", Kanye's voice is deliberately distorted when he says "system overload".
248* PalsWithJesus: "I Am a God" not only contains a conversation between Kanye and Jesus Christ, but also credits God as a guest feature.
249* PissTakeRap: Invoked for "Lift Yourself", which consists largely of an instrumental beat whose biggest vocal contribution from Kanye is a hilariously half-assed "Whoopdedy-scoop, whoopdedy-whoop-scoop-poop". Kanye later revealed that Music/{{Drake}} had originally wanted to use the beat for himself, but as the two had bad blood at the time, [[{{Troll}} Kanye decided to release it in a way that nobody could ever take it seriously ever again.]]
250* PovertyForComedy: Satirized throughout the skits of ''Late Registration'', which follows Kanye's participation in a black fraternity called "Broke Phi Broke", where the members take a strange pride in the absolute destitution they live in. Kanye ends up ousted from the group when they discover he'd been secretly breaking several of their rules, including [[FelonyMisdemeanor buying a pair of shoes, making beats for cash on the side, as well as eating and showering on the regular]].
251* RealMenLoveJesus: His 2004 song "Jesus Walks" and his 2019 album "Jesus Is King" are both dedicated to his Christian faith. He also had his own [[GospelChoirsAreJustBetter Sunday Service]] for a while.
252* RealMenWearPink: Has gone on record as comparing his embracing of Autotune on ''808s and Heartbreak'' as this, analogously referring to a moment in his childhood where he liked the color pink until someone told him that "it was gay".
253** In a literal sense too: He was known for wearing pink shirts quite a lot in his early days, which he mentions on "I Am a God" (''Pink-ass polos with a fuckin' backpack'') and also mentions on "Touch the Sky".
254* RenaissanceMan: Record producer, rapper and businessman in the fashion industry. He's also dabbled in visual arts and politics.
255* {{Sampling}}:
256** One of Kanye's earliest trademarks was sampling from old R&B/soul/funk records and pitching them up until the vocalists sounded like chipmunks. He himself admitted this technique was borrowed from [[Music/WuTangClan RZA]]. After this, Kanye's sampling portfolio grew ever bigger (and stranger); the sheer number of samples Kanye has used in his career has made him sampling's poster boy and inevitably leads to a divisive reaction from people who like the original material.
257** ''Graduation'' included samples from Music/EltonJohn, Music/SteelyDan, Music/MichaelJackson, Music/{{Can}}, Laura Nyro and Music/DaftPunk.
258** ''808s'', being a weird album, has some weird samples: Music/TheAlanParsonsProject, Music/TearsForFears and... the soundtrack to the '90s ''Film/GreatExpectations'' movie.
259** ''My Beautiful Dark Twisted Fantasy'' included samples from Music/KingCrimson, Music/AphexTwin, Manfred Mann's Earth Band, Music/BlackSabbath, Music/MikeOldfield, Gil Scott-Heron and Music/BonIver.
260*** Ironically, the one song on ''MBDTF'' that sounds most like his ''Dropout'' era work ("Devil in a New Dress") is the only one that's not self-produced - it was produced by Bink!, one of Kanye's producer friends from the ''Blueprint'' period.
261** ''Watch the Throne'' samples [[Music/RoxyMusic Phil Manzanera]], Spooky Tooth, Nina Simone, Music/OtisRedding, Music/JamesBrown, Cassius, Quincy Jones, Music/PublicEnemy, and, er, the theme from ''Film/ChariotsOfFire.'' A sample of 70s symphonic rock band Orchestra Njervudarov's song "Tristessa" appears several times throughout the album.
262** ''Cruel Summer'' features a few reggae samples, often as sound effects in the background of the tracks. There's also an interpolation of one of the songs in ''Theatre/MyFairLady''.
263*** "Mercy" turns the intro of the cheerful reggae song "Dust a Sound Boy" into a fear-inducing scream.
264** ''Yeezus'' includes samples from Hungarian progressive rock band Omega, the Holy Name of Mary Choral Family, Nina Simone, and Beenie Man, amongst several others.
265** This trope was taken to its logical extreme with the track "Comfortable" by Music/LilWayne, which is a sample of Music/AliciaKeys' "You Don't Know My Name", which he produced and sampled from a song by The Main Ingredient. In other words, Kanye sampled himself using a sample.
266* SanitySlippageSong[[invoked]]: "Yikes" documents Kanye's [[CreatorBreakdown mental health issues which flared up around late 2016]], from his long-term hospitalization, his opioid addiction, and various other erratic behaviors that put himself in serious danger. The song also marks the first time he publicly confirmed that he suffers from UsefulNotes/BipolarDisorder.
267-->You see!? You see!? That's what I'm talkin' 'bout! That's why I fuck with Ye! See, [[ThirdPersonPerson that's my third per]]-- that's my bipolar shit, nigga, what!? [[DisabilitySuperpower That's my superpower, nigga, ain't no disability! I'm a superhero! I'm a superhero!]] [[CarefulWithThatAxe AAAAAAAAGHH!]]
268* SelfDeprecation:
269** In "Power", he refers to himself as the "abomination of Obama's nation."
270** "Runaway", which has him admitting faults in a relationship that didn't work out:
271--->Never was much of a romantic\
272I could never take the intimacy\
273And I know I did damage\
274Cause the look in yo eyes is killin' me
275** His portrayal of himself in [[http://www.hulu.com/watch/10349/saturday-night-live-106-and-park-with-kanye-west this]] ''Series/SaturdayNightLive'' skit.
276* SelfParody: By the time of ''Yeezus'', Kanye seems to have realized how comically overblown his ego is. While a number of the songs are completely serious (such as "New Slaves" and "Black Skinhead"), some of the other songs on the album take common rap boasts and make them as over-the-top as possible, such as this entry from "On Sight":
277--->''Real nigga back in the house again''\
278''Black Timbs all on your couch again''\
279''Black dick all in your spouse again''\
280''And I know she like chocolate men''\
281''She got more niggas off than Cochran''
282** Another standout is ''I am a God'', wherein Kanye proclaims his divinity, which includes lyrics like the following:
283--->''I am a god''\
284''So hurry up with my damn massage''\
285''In a French-ass restaurant''\
286''Hurry up with my damn croissants''\
287''I am a god''\
288''I am a god''\
289''I am a god''
290* SelfReferentialHumor: Kanye gets a lot of this out with "I Love Kanye", [[InvokedTrope invoking]] a smattering of popular comments [[SelfDeprecation and criticisms]] about himself that he's received over the years, from fans [[TheyChangedItNowItSucks preferring the "old Kanye"]], preferring the "new Kanye", his narcissism, and even the plausibility of [[ShapedLikeItself him making a song about himself about missing the "old Kanye"]].
291* SensoryAbuse:
292** [[https://www.youtube.com/watch?v=HAfFfqiYLp0 The music video]] for "All of the Lights". That epilepsy warning at the start is ''not kidding''.
293** Kanye and Jay-Z's video for "[[https://www.youtube.com/watch?v=gG_dA32oH44 Niggas in Paris]]" contains a similar warning and both videos share a director: Hype Williams.
294** And a fan-made lyrics video for the Kanye West version of [[https://www.youtube.com/watch?v=UlP6KiSHyAA E.T.]]
295** Some of the more abrasive sides of ''Yeezus'' can be this. The very beginning of the album comes to mind.
296* SequelSong:
297** "Ghost Town" off of ''ye'' was succeeded with "Freeee (Ghost Town, Pt. 2)" off of ''Music/KidsSeeGhosts''. Both tracks are collaborations between Kanye and Music/KidCudi, both are psychedelic {{Boastful Rap}}s centered around breaking from mental anguish, but while "Ghost Town" is a heavily {{soul}}-inspired number with a rock edge, "Freeee" dives entirely into epic RapRock.
298** Five tracks off of ''Donda'' feature a "pt 2" that play at the very end: "Jail", "Ok Ok", "Keep My spirit Alive", "Junya", and "Jesus Lord". However, this is generally seen as [[SubvertedTrope not a real example of the trope]] as they're effectively the original tracks but with additional guest verses, perceived more as bonus tracks than a proper finale to the album.
299** ''Donda'' itself received a sequel album, ''Donda 2'', released exclusively through the Stem Player audio device that was being sold around the rollout of the original album.
300* SerialEscalation: Done on the first leg of the Watch the Throne Tour with "Niggas in Paris". Kanye and Jay-Z would cut the song off after the "they goin' gorillas" line, and then would play the song again from the top. The resulting crowd explosion apparently convinced them to one-up themselves throughout the tour until they were performing it ''[[https://www.youtube.com/watch?v=5j2maPwt8BM eleven times back-to-back]]'' at the end of the tour (in Paris itself, natch) -- and not once did the audience get tired.
301* ShoutOut:
302** The video for "Stronger" heavily references ''Manga/{{Akira}}'', from the motorcycles and their light trails, to the heavily stylized operating table and hospital gown that West appears in.
303** The set in the video for "Love Lockdown" is based on Patrick Bateman's apartment in ''Film/AmericanPsycho''. West's performance was also influenced by the character. West later directed a promotional short for his album ''Yeezus'', featuring a re-creation of ''American Psycho''[='=]s infamous scene in which Bateman murders associate Paul Allen while conversing about Huey Lewis & The News' "Hip to be Square", replacing that song with "New Slaves", and the actors with Scott Disick and Jonathan Cheban.
304** The animated music video for "Heartless". The {{Rotoscop|ing}}ed animation, Pop Art-influenced backgrounds and a few of the scenes in the video pay tribute to Creator/RalphBakshi's film ''WesternAnimation/AmericanPop''. Posters of ''WesternAnimation/TheJetsons'' and other Creator/HannaBarbera characters appear on the wall of West's apartment in the video as well.
305** The video for "All of the Lights" features rapid-fire typography and neon strobing colours in an homage to Gaspar NoƩ's film ''Film/EnterTheVoid''. Due to a response from British group Epilepsy Action, the video was re-cut without these effects but retains the technicolour floods of light of the source material.
306** The "Bound 2" video shares the kitschy eroticism of Jeff Koons' "Made in Heaven" photo shoot.
307** The album cover for ''[=808s & Heartbreak=]'' takes noticeable influence from the sleeve art for Music/NewOrder's 1983 single [[Music/PowerCorruptionAndLies "Blue Monday]], featuring a simple shape against a stark single-color background with a bar of colorful blocks on one side. Reviewers noted that the album seemed to draw heavy influence from New Order's unique brand of Gothic SynthPop, so the allusion to "Blue Monday" on the cover is quite apt.
308** "Black Skinhead" features a percussion section inspired by that of [[Music/{{Violator}} "Personal Jesus"]] by Music/DepecheMode, particularly the latter's interlude featuring thumping and rhythmic breathing.
309** These lines from "Jesus Walks":
310-->That means guns, [[Film/SexLiesAndVideotape sex, lies, videotape]]\
311But if I rap about God, my record won't get played, huh?
312** In "Family Business", Kanye raps "[[Music/AllEyezOnMe I can't deny it]], [[Music/TupacShakur I'm a straight rider]]"
313** The song "Robocop" on ''[=808s & Heartbreak=]'' is named after the film ''Film/RoboCop1987'' and he also references the character on "No More Parties in LA".
314** Kanye is a fan of Buzz Lightyear from the ''Franchise/ToyStory'' series and mentions him in "Jesus Lord". (He also owns a rather large statue of him.)
315* SiameseTwinSongs: "Lost in the World" and "Who Will Survive in America" are connected by the same melodies and themes and together serve as the finale of ''MBDTF''.
316* SoulSuckingRetailJob: Throughout ''The College Dropout'', Kanye periodically alludes to his history of working retail while searching for his big break, and it's often portrayed as a dour experience. "Spaceship" specifically references his time working at The Gap, being worked as a greeter because [[TokenMinority him being black would make the store look progressive]], all while he made so little and dealt with abusive management that he resorted to StealingFromTheTill.
317* SpokenWordInMusic: A technique he often uses.
318** The principal from the intros to ''The College Dropout'' and ''Late Registration'', as well as "Graduation Day".
319** J.Ivy's poem from "Never Let Me Down".
320** Most of his albums have at least one track on them that's a skit. These were well received on his early albums, since in the 90s and 2000s, rap albums were infamous for having a bunch of crappy skits that added nothing to the music but made the runtime longer.
321** Malik Yusef's free verse recital at the end of "Crack Music".
322** Music/NickiMinaj's introduction to ''My Beautiful Dark Twisted Fantasy''.
323** His own recital of a Chloe Mitchell poem during the bridge on "Blame Game".
324** Gil Scott-Heron on "Who Will Survive in America".
325** The Kings of Tomorrow acapella sample on "Low Lights".
326** Max B's infamous voicemail message in "Silver Surfer Transmission".
327** At the end of "30 Hours", he takes a break from rapping the verse to take a phone call from his publicist (the guy he says is Gabe).
328** His own harrowing spoken word intro to "I Thought About Killing You".
329** The whole title track "Donda" is built around a sample of a speech by his mother, Donda West.
330** The ending of "Jesus Lord" is yet another phone call, this one from Larry Hoover Jr. who is calling Kanye to thank him for his support for the campaign to free his father from prison. (This part became a meme among fans in the form of an emojipasta, for no apparent reason.)
331* StealthPun: "I Am a God" was inspired by the Bible verse Psalms 82 - "I have said, Ye are gods, and all of you are children of the Most High." Get it? ''Ye'' are gods?
332* SuperGroup: "Child Rebel Soldier/CRS" with Music/LupeFiasco and Pharrell Williams. Though work has cooled on that front (they've released all of 2 songs together - although one of those featured Thom Yorke from Music/{{Radiohead}}.
333** Kanye and Jay-Z forming The Throne for their album and tour, ''Watch the Throne''.
334* TakeThat:
335** In a rare move for Kanye, he [[TakeThat responded]] to ''SNL'' in his first post-VMA single "Power" : "Fuck ''SNL'' and the whole cast / tell 'em Yeezy said they could kiss my whole ass / more specifically, they can kiss my asshole / I'm an asshole? You niggas got JOOOOKES" before launching into a verse directed at all the haters. He rewrote the verse when he actually performed the song on ''SNL'' - then tweeted [[CallBack "Love to SNL and the whole cast!"]]
336** "Gorgeous" contains the line "choke a ''WesternAnimation/SouthPark'' writer with a fishstick", as a reference to the episode [[https://en.wikipedia.org/wiki/Fishsticks_(South_Park) "Fishsticks"]].
337** ''808s & Heartbreak'' and ''MBDTF'' are full of shots at his ex-fiancee Alexis Phifer and his ex-girlfriend Amber Rose, respectively.
338** When Kanye performed ''Stronger'' live at Coachella in 2011, he changed the lines talking about how "I'd do anything for a blond dyke" to past-tense ("I ''did'' anything for a blond dyke"), subtly turning them into a shot at Amber Rose, who was at the fest with her new hookup Wiz Khalifa.
339** In a beautiful example of adding insult to injury, Kanye absolutely skewers Kris Humphries on "Theraflu".
340--->And I'll admit, I had fell in love with [[Creator/KimKardashian Kim]]\
341'Round the same time she had fell in love with him\
342Well that's cool, baby girl, do ya thang\
343Lucky I ain't had [[Music/JayZ Jay]] drop him from the team
344** Kanye completely shuts Ray J down in "Highlights", particularly for his statement concerning Kanye's wife Kim that he "hit it first" (what with the leaked sex tape and all), to which Kanye replies that he hit it ''right''.
345--->I bet me and Ray J would be friends\
346If we ain't love the same bitch\
347Yeah, he might have hit it first\
348Only problem is I'm rich
349* TakeThatCritics: "Stronger" and "Power" are two songs that directly bash common criticisms of him at the time. Also, aforementioned "Stronger" quotes the trope's name word for word once in the lyrics.
350* TalkingToThemself: Much of the album ''ye'' is built on Kanye doing this, establishing the theme of his then-recently-diagnosed UsefulNotes/BipolarDisorder by conversing with or otherwise referring to himself as another entity, one whose morals, thoughts, and tone often conflict drastically with his actual self. Case in point, "I Thought About Killing You" sounds at first like Kanye rambling about wanting to kill [[TheFourthWallWillNotProtectYou you, the listener]], but is in fact directed at ''himself''.
351-->See, if I was tryin' to relate it to more people, I'd probably say "I'm struggling with loving myself," because that seems like a common theme\
352But that's not the case here\
353I love myself way more than I love you\
354And I think about killing myself\
355So, best believe, I thought about killing you today\
356Premeditated murder
357* TextlessAlbumCover: ''My Beautiful Dark Twisted Fantasy'', ''Watch The Throne'', ''Cruel Summer''. ''Yeezus'' has no cover and the actual sticker put on the album case has no text on it, while ''ye'' instead features text reading "I hate being Bi-Polar its awesome" [sic]. ''Donda'' also has no text on the cover.
358* ThemeNaming: His first three albums, ''The College Dropout'', ''Late Registration'', and ''Graduation'': all to do with, well, college. The next album was originally supposed to continue the trend and be named ''Good-Ass Job'', but this was abandoned as [[NewSoundAlbum the direction of the album took a massive turn with]] ''[[NewSoundAlbum 808s and Heartbreak]]''.
359* ThereAreTwoKindsOfPeopleInTheWorld: Leaders and followers, according to "New Slaves" (and, before that, "Gossip Files" in 2004). By extension, there are also dicks/nut-busters and swallowers.
360* VisualPun: The cover from the album ''808s and Heartbreak'' was a deflated heart-shaped balloon on a pale blue background. The single for "Heartless" featured an identical background cover, but without the balloon, thus rendering it "heartless".
361* VocalEvolution: A variant with regards to Kanye's singing voice -- in his earliest days, he mostly let the singing up to his samples or guest features, and even when he did sing, it was pretty amateur-quality (though not surprising given that rap is his main forte). Starting from ''[=808s=] and Heartbreak'', he became more accustomed to performing with AutoTune -- a stylistic choice (matching the cold, desolate atmosphere of the rest of the music) and a practical one. Over the years he's given it more attention, weaning off the AutoTune to sing much more confidently. Compare his performances between [[https://www.youtube.com/watch?v=mn77gzjBl1U "Spaceship"]] and [[https://www.youtube.com/watch?v=yblfMrUeiP4 "Come to Life"]], and it's clear he's come a long way.
362* WackyFratboyHijinx: The lyrics for "Drunk and Hot Girls" depict this. It doesn't end well for the song's protagonists.
363* WhereDaWhiteWomenAt: Comedically referenced in "Gold Digger": Dudes ballin', and yeah, that's nice and they gone keep callin' and tryin' but you stay right girl and when he get on, he'll leave yo' ass for a white girl.

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