Line #18 Main/VillainLoveSong


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5	[[quoteright:350:[[WesternAnimation/TheSuperMarioBrosMovie https://static.tvtropes.org/pmwiki/pub/images/peaches_79.png]]]]
6	[[caption-width-right:350:''"Peaches, Peaches, Peaches, Peaches, Peaches\
7	Peaches, Peaches, Peaches, Peaches, Peaches\
8	I lo-ove you, oh!"'']]
9	%%
10	->''"Laundry day, see you there\
11	Under things, tumbling\
12	Want to say, 'Love your hair'\
13	Here I go... mumbling\
14	With my freeze ray, I will stop the world"''
15	-->--'''Dr. Horrible''', "My Freeze Ray", from ''WebVideo/DoctorHorriblesSingAlongBlog''
16
17	The song sung by a villain who is attempting to seduce another character. Hence, this trope is closely related to SeductionLyric -- but a Seduction Lyric isn't always put in the mouth of a villain, or even sung, and not all Villain Love Songs are clear attempts at immediate sexual seduction.
18
19	A Villain Love Song is generally not a full-blown VillainSong -- hey, the villain's trying to ''impress'' someone, and [[KickTheDog blatantly reveling in puppy-punting]] has a knack for driving away potential love interests (but then again, [[EvilCannotComprehendGood they may have trouble understanding that]]). Villains in love with other villains go under UnholyMatrimony.
20
21	Contrast FinalLoveDuet. Often overlaps with ObsessionSong, but not always.
22
23	----
24	!Examples:
25
26	[[foldercontrol]]
27
28	[[folder:Anime and Manga]]
29	* "Silent Voice", the second OP from ''Anime/MobileSuitGundamZZ''. It's a VillainSong from Haman Khan's point of view about her [[DatingCatwoman complicated feelings]] for Judau Ashta. Also an IWantSong.
30	[[/folder]]
31
32	[[folder:Fan Works]]
33	* In a scene inspired by the example in ''WesternAnimation/Frozen2013'', [[spoiler:[[EvilAllAlong Prince Jewelius]]]] sings [[spoiler:"Love is in Bloom"]] with [[spoiler:Twilight Sparkle]] as they're bonding in the second chapter of ''Fanfic/LovedAndLost''. When [[spoiler:Jewelius ([[TheUsurper now Equestria's king]]) [[JustBetweenYouAndMe reveals his crimes and true sociopathic nature]] to Twilight's [[HeroWithBadPublicity disgraced]] friends, brother and mentor]] in the [[WhamEpisode 11th chapter]], [[spoiler:he jokingly mentions the song's title when he tells them that Twilight ([[CorruptTheCutie whom he has manipulated to renounce her loved ones]] and [[DarwinistDesire wants to bear him powerful heirs]]) has accepted his proposal to become his queen]].
34	[[/folder]]
35
36	[[folder:Films -- Animated]]
37	* "[[spoiler:Love is an Open Door]]" from ''WesternAnimation/Frozen2013'' is an unusual variation, since [[spoiler: Hans was never in love with Anna and was actually lying and manipulating her into believing that he was]], meaning that it seems like a regular love song at first and then simultaneously becomes and subverts this trope in hindsight.
38	* "Hellfire" from the Disney adaption of ''WesternAnimation/{{The Hunchback of Notre Dame\|Disney}}'' is a strange Villain Love Song that is also a VillainSong, an IWantSong, and an ObsessionSong - with a bit of SanitySlippageSong for good measure. It's that awesome.
39	* Though (hopefully) not a sexual kind of love being promised, "Trust in Me" from ''WesternAnimation/TheJungleBook1967'', sung by Kaa the snake as he tries to lull Mowgli into a false sense of security and eat him.
40	* "Don't Make Me Laugh" from ''WesternAnimation/ThePebbleAndThePenguin'' especially qualifies...
41	-->"So right this way to the Drake estate or write your epitaph
42	-->You choose your fate
43	-->Don't make me wait
44	-->And baby... don't make me '''''laugh!!!!!!'''''"
45	* From ''WesternAnimation/SouthParkBiggerLongerAndUncut'', we get a different example: the movie's real villain, Saddam Hussein, seducing AntiVillain {{Satan}} into taking him back so that Saddam can take over Earth. ItMakesSenseInContext.
46	* ''WesternAnimation/StrangeMagic'' uses "C'mon Marianne" by Music/FrankieValliAndTheFourSeasons to serve this purpose.
47	* ''WesternAnimation/TheSuperMarioBrosMovie'': Bowser's love ballad to Princess Peach, aptly titled, "[[https://youtu.be/vLn9zVJCu18 Peaches]]", is this. He starts it off during the movie while he's alone [[MusicalisInterruptus only to get interrupted by Kamek]] [[spoiler: while the other half can be heard during TheStinger.]]
48	[[/folder]]
49
50	[[folder:Films -- Live-Action]]
51	* Disney's 1961 film version of Victor Herbert's ''Film/BabesInToyland'' features the Crooked Little Man Mr. Barnaby (Ray Bolger) attempting to seduce Mary Contrary (Annette Funicello) with the song [[https://www.youtube.com/watch?v=bDP0TWJSgDI Castle in Spain]].
52	* ''Film/ChittyChittyBangBang'': The Baron's Bomburst's song to his [[TheBaroness Baroness]] wife, "You're My Little Chu-Chi Face". He spends the whole song trying to kill her.
53	* The title song from ''Film/GoldenEye'' qualifies (despite having nothing to do with the actual motives of the film's villain) as does the one from ''Film/TheWorldIsNotEnough''. The latter, however, is only apparent after the film's major reveal.
54	* "As the World Falls Down" and "Within You" from ''Film/{{Labyrinth}}'', though the latter is more "[[IfICantHaveYou If I can't have you, why should I bother existing!]]"
55	* While it could be said that anytime Frank-N-Furter is singing in ''Film/TheRockyHorrorPictureShow'' he's seducing someone, the show has an interesting subversion in "Touch-a Touch-a Touch-a Touch Me" where Janet sings a song about how the bad doctor seduced her, and how it changed her -- to the point that she's now seducing Rocky.
56	[[/folder]]
57
58	[[folder:Live-Action TV]]
59	* "What You Feel" from the ''Series/BuffyTheVampireSlayer'' MusicalEpisode.
60	** Plus played with to some extent Spike's "Rest in Peace".
61	* {{Deconstructed}} by "I Love You (As Much As Someone Like Me Can Love Anyone)" from ''Series/{{Galavant}}'', where [[GodSaveUsFromTheQueen Madalena]] tells her former lover, the titular Galavant, who's still head-over-heels for her, that she loves... how gorgeous they look together, the sex, and how he compliments her and waits on her hand and foot. For [[TheSociopath someone like her]], that's as close as it gets.
62	* ''Series/InterviewWithTheVampire2022'': Daniel Hart's "[[https://www.youtube.com/watch?v=8PuWm9t5WY8 Come to Me]]" was sung by Creator/SamReid, and it's [[DomesticAbuser Lestat de Lioncourt]]'s love song for Louis de Pointe du Lac. In "[[Recap/InterviewWithTheVampire2022S1E6LikeAngelsPutInHellByGod Like Angels Put in Hell by God]]", Lestat had composed it as a [[GiftOfSong Valentine's Day present]] and an ApologyGift for his boyfriend, whom he's trying to win back after [[MuseAbuse brutally assaulting him]].
63	-->''Come to me\
64	And let my ever-loving arms surround you\
65	Come to me\
66	And let my infinite embrace confound you\
67	We'll mourn each other\
68	Like star-crossed lovers\
69	Your Pelléas, my Mélisande\
70	Oh, come to me\
71	Come to me\
72	\
73	Come to me\
74	I get intoxicated by the very air of you\
75	Come to me\
76	I'm so infatuated with the grand affair of you\
77	We'll ruin each other\
78	Like star-crossed lovers\
79	Your Pelléas, my Mélisande\
80	Oh, come to me\
81	Come to me\
82	Come to me\
83	Come to me''
84	* ''Series/MysteryScienceTheater3000'' had Dr. Forrester sing "Who Will I Kill?" about TV's Frank after the latter's {{ascension to a higher plane of existence}}. It's pretty suggestive.
85	* "Come Melt into Me" from the ''Series/XenaWarriorPrincess'' MusicalEpisode. Turns into WeCanRuleTogether towards the end.
86	[[/folder]]
87
88	[[folder:Music]]
89	* Music/BlackSabbath's "N.I.B." probably qualifies, since the narrator is apparently {{Satan}}.
90	* "Skullcrusher Mountain" by Music/JonathanCoulton is about a villainous MadScientist confessing his (implicitly genuine) love for [[IHaveYouNowMyPretty his female captive]].
91	* "Crown of Ice" in Music/SteeleyeSpan's ''Music/{{Wintersmith}}'' album, based on a book of the [[Literature/{{Wintersmith}} same name]] from ''Literature/{{Discworld}}'', is sung by the Wintersmith after he's taken Tiffany to the IcePalace:
92	-->This is my world, but it could be ours,
93	-->I asked you once and I asked you twice,
94	-->To be my bride in the crystal kingdom,
95	-->You look so pretty in a crown of ice.
96	* Goethe's poem ''Der Erlkönig'' has been set to music by many composers, but Schubert's version features a particularly beautiful and [[LyricalDissonance chilling]] melody from the Erlking to the young boy, meant to entice him. His final lines, translated:
97	--->"I love you, your beautiful form entices me,
98	--->And if you're not willing, I shall use force."
99	* Inverted by Music/TheMegas with "Don't Mess with Magnet Man", which takes place after the villain's won and then lost the girl, and wants her back, but the more immediate problem is [[MySisterIsOffLimits her heavily-armed brother]].
100	* "Villainous Thing" by Shayfer James is a love song directed at the [[VillainousCrush narrator's crush]], trying to persuade them to give into the dark side as well, because it's so much more ''fun''.
101	-->''Waste no worry for the world,''\
102	''let it be a tragedy of love and glory.''\
103	''While they wait by gates of pearl,''\
104	''we'll be building palaces in purgatory!''\
105	''Oh, dear, let me see those smokey eyes.''\
106	'''Cause you're a villainous thing,''\
107	''and we can't have you living a lie...''
108	* Wednesday 13 and his associated acts have quite a bit. To name a few:
109	** "Love at First Fright" is a love song to Regan from ''Film/TheExorcist'', from the perspective of the demon possessing her.
110	** "Ghoul of My Dreams" is a somewhat campy vampire confessing his love.
111	** "Happily Ever Cadaver" takes this for a bizarre twist, in that it is about a transvestite grave robber swooning over the latest corpse he's dug up. And, yes, the POV character is explicitly stated to be a transvestite.
112	* "Partners in Crime" from Set It Off is about a couple who appear to be serial back robbers who boast that, no matter what, they'll never be taken alive and will be together forever.
113	* Music/TheChalkeaters' "Bowsette" is partly sung from the perspective of [[JustForFun/{{Bowsette}} the titular character]], proclaiming that all her evil schemes are attempts to get Mario's affection, and that Princess Peach doesn't really care about him, but she does.
114	* MANY Music/{{Vocaloid}} songs are this. Most are {{Yandere}} [[ObsessionSong Obsession Songs]] but some are just straight examples, such as MARETU’s [[https://www.youtube.com/watch?v=ZIVOhNcDqnI Suji]] about an AxCrazy person’s love for their partner, who they just killed. And they [[ILoveTheDead still love them.]]
115	* Music/NickCave has several of those:
116	** "Where the Wild Rose Grow" (duet with Music/KylieMinogue) from Music/MurderBallads. A woman called Elisa Day mutually falls in love with a man who will later kill her so her beauty would never fade. Half of the lyrics follow his point of view.
117	** "Henry Lee" (duet with Music/PJHarvey) from the same album (though it is actually a cover/interpretation of an already existing folk song). Once again the song has POV's of both the villain and it's lover/victim. The titular Henry Lee is killed by a woman who does not want to lose him to "another girl".
118	** "Deanna" is has her lover's POV. It seems to lean to Bonnie-and-Clyde style romance this time.
119	[[/folder]]
120
121	[[folder:Theatre]]
122	* ''Theatre/{{Assassins}}'' has "Unworthy of Your Love", sung by John Hinckley to Creator/JodieFoster and Lynette "Squeaky" Fromme to UsefulNotes/CharlesManson.
123	* "Special" from ''Theatre/AvenueQ''.
124	* "Me" from the stage version of ''WesternAnimation/BeautyAndTheBeast''.
125	* "My Love" from ''Literature/{{Candide}}''.
126	* The Snake from ''Theatre/ChildrenOfEden'' has a song tempting Eve to eat the apple called "In Pursuit of Excellence". Different in that the snake is played by a harmonizing quartet and the entire song consists of inspirational catchphrases ripped from motivational posters.
127	* "Lost and Found" from ''Theatre/CityOfAngels''.
128	* "Bolero Di Amor" from ''Copacabana''.
129	* "Whatever Lola Wants" from ''Theatre/DamnYankees''.
130	* Pepe CibriÃ¡n's ''Dracula'' musical has both "Dracula's Love Theme" and "My Sweet Mina".
131	* Frank Wildhorn's version of ''Dracula'' is full of these:
132	** "Forever Young" (the three Brides to Jonathan Harker)
133	** "Life After Life" (Dracula and Lucy; it only sort of fits because by this point Dracula sees Lucy as purely the "spearhead" of his plans for vampire conquest and addresses her more like a father/creator than a lover)
134	** "You Already Love Me/Please Don't Make Me Love You" Dracula and Mina.
135	* "Die Schatten werden länger (Reprise)" from ''Theatre/{{Elisabeth}}'' is Death and Rudolf's seduction duet. Death also sings "Der letzte Tanz" to gloat to Elisabeth that she loves him despite marrying Franz Joseph, as well as dueting "Wenn ich tanzen will" with Elisabeth to insist that she's playing straight into his hands because they are so alike.
136	** From the Creator/TakarazukaRevue production, we have "Ai to Shi no Rondo" and its reprise, in which Death sings about, respectively, his LoveAtFirstSight for Sisi, and his frustration at being unable to claim her affection. It made its way back into the German version as a duet between Death and Elisabeth, "Rondo - schwarzer Prinz".
137	* ''Franchise/EvilDead TheMusical'' sets this trope to happy circus music in "Join Us" and again in "Housewares Employee (Reprise)".
138	* ''Music/{{Evita}}'' has two. "I'd Be Surprisingly Good for You", in which Eva Duarte meets future husband and budding politician Juan Peron, and convinces him that they'd be perfect for each other. She's shamelessly manipulating him, as she does for their entire marriage - if he knows yet depends on the production. And then there's "Waltz for Eva and Che", which isn't quite a love song as much as Eva and Che manipulating and sniping at each other's perceived faults.
139	* Inverted in ''Theatre/TheGoldenApple'', where Helen sings "Lazy Afternoon" to SilentAntagonist Paris.
140	* "You'll Be Back" from ''Theatre/{{Hamilton}}'' is this on an international scale, with King George III trying to win back an estranged America's love... by sending legions of troops over to squash the revolution.
141	* "Our Love Is God" and "Meant to Be Yours", from ''Theatre/{{Heathers}}''. The former starts very softly, like a very sweet love song, but slowly gets more ominous as [[spoiler: JD actually kills Kurt and Ram, to Veronica's horror]]. In the latter you have JD begging Veronica not to fight with him anymore and telling her that they're meant to be together, while simultaneously [[spoiler: threatening to kill her for leaving him and detailing his plan to ''blow up their high school'']].
142	* "Hello, Little Girl" and "Any Moment" from ''Theatre/{{Into the Woods}}''.
143	* "A Dangerous Game" from ''Theatre/JekyllAndHyde''.
144	* "September Song" from ''Theatre/KnickerbockerHoliday'' is an early example.
145	* "Nos Corps à la Dérive" ("Our Drifting Bodies") from the French musical ''Theatre/LaLegendeDuRoiArthur'' has [[TheDragon Méléagant]] singing to the kidnapped and chained Guenièvre about how he loves and desires her - even going so far as to say her scorn doesn't bother him, because he loves that, too. Guenièvre repudiates his advances, after which he [[spoiler: attempts to rape her, though he's interrupted by the arrival of Lancelot]].
146	* In a weird twist of Plant/Human Relations, "Feed Me" From ''Theatre/LittleShopOfHorrors'' qualifies as Audrey II seduces Seymour with images of money, power, and love.
147	** And later, the plant does the same thing to Audrey. [[spoiler:Right before it tries to eat her]].
148	* Inverted in ''Theatre/TheMikado'': the meek Ko-Ko courts the terrifying antagonist Katisha in a duet they sing about how there is beauty in scary things like storms and fierce animals.
149	* "The Name of Love" from ''The Mystery of Edwin Drood'' certainly counts. Bonus: it's a duet between the villain and the unwilling target of his affections.
150	* "Etre pretre et aimer une femme" (Frollo about Esmeralda) from ''Theatre/NotreDameDeParis''.
151	** He also has "Tu Vas Me Détruire", which is basically the play equivalent of "Hellfire".
152	* A LongList from ''Theatre/ThePhantomOfTheOpera'':
153	** "The Mirror"
154	** "The Music of the Night"
155	** "Wandering Child"
156	** "Point of No Return"
157	** "Down Once More"
158	* "If You Could See You" from ''Theatre/Portal2TheUnauthorizedMusical'' is this. The scene starts with Cave Johnson confessing his love to Caroline, and ends with [[spoiler: Cave ordering Caroline to be [[BrainUploading put in a computer]] [[MindRape against her will]]]].
159	-->'''Cave:''' ''I understand your objection / But, yes or no, we'll begin / If you could see you through my eyes...'' Well... [[IronicEcho Say goodbye, Caroline]].
160	* Another Wildhorn example: In ''Theatre/TheScarletPimpernel'', Chauvelin sings "Where's the Girl?" to Maugerite in an attempt to rekindle their old romance as well as to remind her of their mutual passion for UsefulNotes/TheFrenchRevolution. She rejects him.
161	* In ''Theatre/TheScarletSails'', there is "You Are Not Like Everyone Else" (''Ты не такая, как все''), where Menners Jr. confesses his love for Assol and tries to convince her to accept him at least as a MealTicket. The song is actually very touching, especially since Assol is a persona non grata, believed crazy in the village, and the mere fact that Menners loves her precisely for being different from the others says something about the man's sincerity. However, this happens right after he tells Assol that [[ScarpiaUltimatum agreeing to marry him is the only way she can save her father from prison]]. Needless to say, in every production Assol reacts ''very'' coldly to his love confession, no matter how tenderly it's sung.
162	* In ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', "A Little Priest" ''may'' fall under this, as it ''is'' a villain seducing the hero. The thing is, it's [[VillainProtagonist Sweeney]] who is being, er, "seduced" by [[PerkyFemaleMinion Mrs.]] [[{{Yandere}} Lovett]] to go with her [[ImAHumanitarian idea.]] "By the Sea" and her part of "My Friends" sit in this trope a bit more firmly (although see the ''Dr. Horrible'' example above.)
163	** A probably better example would be Turpin's "Johanna", in which he's not directly singing to her (similar to the ''Dr. Horrible'' examples), but is expressing his extreme lust for her.
164	* Herbert's part in "Wenn Liebe in dir ist" from ''Theatre/TanzDerVampire'' can be seen as one of these, [[FlamboyantGay in his own]] [[LesbianVampire special way]]. (This largely depends on the ratio of [[TheWoobie woobieness]] to [[DepravedHomosexual pervertedness]] he's played with.) More straightforwardly, there's practically ''all'' of Graf von Krolock's musical interaction with Sarah.
165	** And considering what happens to Sarah, her FinalLoveDuet with Alfred may qualify as this on her side too. (The fact that Sarah ''likes'' all of her interaction with Krolock, and is not particularly nice to begin with in her own right, makes all of her singing a bit morally ambiguous as well...)
166	*** Magda (victim who decides she likes a debatable villain) and Chagal's (said debatable villain) song in their shared coffin may also count.
167	*** Can we safely decide that ''Tanz'' likes its villainous love songs? And its villains.
168	*** It says a lot about the show that the audience typically thinks of the Hunter as a douchebag by the end of it, and not only as a result of MisaimedFandom. You're ''supposed'' to like the vampires.
169	* ''Theatre/ThrillMe'' has "There's Nothing Like a Fire", which is Richard singing about how sexually exciting Richard finds arson. Nathan doesn't need much convincing. There are also several other songs that fall under this trope--"A Written Contract" is Richard convincing Nathan to continue being his accomplice by offering a contract that would require Richard to have sex with him; "Supeior" is Richard bragging about their crimes to get Nathan into bed; and "Keep Your Deal with Me" culminates in Richard making out with Nathan to stop Nathan turning them in. Additionally, "Roadster" ''isn't'' this, since Richard has no interest in the boy he's singing to, but Richard ''is'' using his charms to convince the boy it's safe to take a ride with him, so it's written--and occasionally performed--in approximately this style.
170	%%* "Evil is Hot" from ''Theatre/TheToxicAvenger'' musical.
171	[[/folder]]
172
173	[[folder:Web Animation]]
174	* ''WebAnimation/HelluvaBoss'' has Moxxie serenades his wife, Millie with a song titled after her, "Oh Millie", about how much he loves her murderous ways. Rare case where ''both'' parties are evil.
175	[[/folder]]
176
177	[[folder:Webcomics]]
178	* ''Webcomic/BrawlInTheFamily'' has "[[https://www.youtube.com/watch?v=X2ZAVR_np3E A Simple Request]]", a song sung by [[Franchise/TheLegendOfZelda Ganondorf]] about his love for...[[CargoShip the Triforce]].
179	[[/folder]]
180
181	[[folder:Web Original]]
182	* While the heroine seemed to be unable to hear either song "My Freeze Ray" and parts of "Brand New Day" from ''WebVideo/DoctorHorriblesSingAlongBlog'' fit this.
183	** It's not just that the heroine isn't moved... it's that she doesn't even ''know''.
184	** Crosses into StalkerWithACrush territory in "My Eyes"
185	** Considering Dr. Horrible's [[PerspectiveFlip Perspective Flipped]] outlook, Captain Hammer's part of "A Man's Gotta Do" might also fit this.
186	* "Crooked" from NebAnimation/HelluvaBoss, sang by the imp Fizzorolli and Asmodeus, demon king of the Ares Geotia noble family and deadly sin of lust
187	[[/folder]]
188
189
190	[[folder:Western Animation]]
191	* Conversely [[spoiler: Ice Queen manages to do that disguised as Prince Gumball]] in ''WesternAnimation/AdventureTime'' episode [[spoiler:[[RuleSixtyThree "Adventure Time with Fionna and Cake"]]]].
192	** Ice King practices singing to Princess Bubblegum in "I Remember You". The song starts out kind of sweet about how he likes her the best of all the princesses, quickly starts sounding a little creepy, but becomes heart-wrenching near the end, when Ice King admits that he has become desperate for somebody, anybody, to keep him from feeling lonely or at least help him understand why nobody likes him.
193	** The trend continues in ''WesternAnimation/AdventureTimeFionnaAndCake'' where Candy Queen gets the equally creepy "Baked with Love".
194	* ''WesternAnimation/AvengerPenguins'' has [[https://www.youtube.com/watch?v=yO__8t6p3GM 'Slime Girl']], a song sung by the main villain's sidekick Harry Slime about his dream girl. It has some...pleasant images.
195	* "If Only" in the MusicalEpisode of ''WesternAnimation/BatmanTheBraveAndTheBold'' is actually a LoveTriangle duet. The villainous portion is sung by Music Meister about his adoration of Black Canary, while the heroic portion is by Black Canary about her crush on Batman. Canary reacts in horror when she realizes they've been singing 'in tune' together and rejects Meister at the end of the song.
196	%%* "Evil Love" from ''WesternAnimation/PhineasAndFerb''.
197	* The third season premiere of ''WesternAnimation/TheLionGuard'' contains a unique example in that the song is the villain singing about the hero he feels is trying to seduce ''him'' to the side of good. "New Way To Go" is all about Janja trying to figure out his feelings for Jasiri, wrestling with how she's changed him and gotten inside his head, and resisting the urge to "say yes instead of no" to her. His expressions and body language throughout the DisneyAcidSequence demonstrate how badly he wants to get closer to her but keeps holding himself back, and the Jasiri in his fantasy looks and acts flirtatious to downright seductive as she tries (and fails) to get him to join her. [[spoiler:He completes his HeelFaceTurn by the end of the episode.]]
198	* Dr. Blowhole from ''Westernanimation/ThePenguinsOfMadagascar'' manages to win the heart of a... [[ItMakesSenseInContext mutated evil music player]] with a song by the name of [[https://www.youtube.com/watch?v=sKc7czYKsE4 '"Porpoise Power Ballad"']]. Blowhole is voiced by [[WebVideo/DoctorHorriblesSingAlongBlog Neil Patrick Harris]] so it's no surprise that one of his villainous voice roles would break out in song.
199	* [[AxCrazy Demencia]] from ''[[WesternAnimation/VillainousCartoonNetwork Villainous]]'' breaks into one during the final orientation video after being bombarded with questions about why she's in love with Black Hat. She answers, to the tune of [[Theatre/{{Carmen}} Habanera]].
200	* The ''WesternAnimation/PhineasAndFerb'' episode [[Recap/PhineasAndFerbChezPlatypus "Chez Platypus"]] closes off with Doofenshmirtz and his recently found date, who shares the same interests in evil as him, singing a tune proclaiming the evil love they have for each other.
201	-->''It's the age-old story, how an evil boy meets an evil girl.\
202	We've got a love strong enough to rule the whole wide world. \
203	We both maniacally laugh, at all the same stuff. \
204	You can't foil a plan that's built upon evil love!''
205	[[/folder]]
206

Context Main / VillainLoveSong