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1[[quoteright:310:[[Film/TheFifthElement https://static.tvtropes.org/pmwiki/pub/images/rubyrhod.jpg]]]]
2[[caption-width-right:310:Merciless, unrelenting foolery... [[JustForFun/RecycledInSpace in space]]!]]
3
4->'''Blue:''' ♫ [[Music/MarvinGaye Ain't no mountain high enough! Ain't no valley low enough! Ain't–]] ♫\
5'''Julius:''' Blue, shut up! I don't wanna see all your smilin', shufflin', or hear all your minstrel-show singin' on this bus.
6-->-- ''Film/RememberTheTitans''
7
8A black, primarily male comic relief character who makes the audience laugh by displaying the traits of a racist stereotype of black men. He'll usually be [[MilesGloriosus boastful out of danger]] (but a cringing wreck in the face of it), goofy, loud, annoying, and ultimately incompetent. These characteristics also serve to show the (usually white) protagonists as calm, brave, and adept. Female examples, when they do exist, are likely to adhere to ratchet or "strong, in'a'pen'ant woman who don't need no man" stereotypes, where the core characterization is largely the same: loud, boorish, buffoonish, obnoxious, and overly "extra" and prone to overreactions and long-winded boasting, though she is generally more likely to be at least somewhat competent. Compare the SassyBlackWoman stereotype.
9
10This is a trope with a long history in Hollywood movies as far back as the [[TheRoaringTwenties '20s]]; in the very early days, it was often played by a white actor in {{blackface}}. No mystery or old-dark-house movie was complete without the stock character of the cringing black servant or chauffeur who was extremely superstitious. ("Boss! Spooks!") This stereotype was so popular that actors like Lincoln "Stepin Fetchit" Perry even made whole careers out of the role. This in turn was a shamelessly racist adaptation of the old melodrama and theatre trope of the incompetent domestic servant, and more generally of "darkies" from minstrel shows.
11
12The trope saw continued use into the 1990s but with the Uncle Tomfoolery character being a duo with the White character, but growing racial awareness and an increasing interest in {{action hero}}es who just happen to be black, such as Creator/DenzelWashington and Creator/SamuelLJackson, has caused it to gradually lose popularity. Accusations of Uncle Tomfoolery will continue, in part because there are plenty of black actors who happen to be good at comedy, though the 'hip' elements have decreased.
13
14The trope's name is derived from [[http://en.wikipedia.org/wiki/Uncle_tom "Uncle Tom,"]] a common slang term for a black person who is excessively subservient to white people. The original Uncle Tom (of ''Literature/UncleTomsCabin'') was anything but subservient, comic or cowardly; however, the immensely popular stage adaptation of ''Uncle Tom's Cabin'' replaced the novel's serious social commentary with melodrama and filled it out with comic interludes that were often heavy on ugly stereotypes. This led to some serious MisaimedFandom from racists who went to see black people mocked in what became known as "Tom Shows." Engaging in Uncle Tomfoolery is sometimes referred to as "Cooning."
15
16No connection to BlackComedy or [[Literature/JeevesAndWooster Bertie Wooster's]] uncle, Tom Travers.
17
18See also: EthnicScrappy, PluckyComicRelief, BlackDudeDiesFirst, ModernMinstrelsy. Contrast: MagicalNegro, WhoopiEpiphanySpeech. Compare and contrast SoulBrotha, when blatant use of these stereotypes makes character look awesome, not laughable. Characters who embody this trope will sometimes be on the receiving end of StopBeingStereotypical. Descendant of MinstrelShows.
19
20----
21!!Examples:
22
23[[foldercontrol]]
24
25[[folder:Advertising]]
26* [[https://www.youtube.com/watch?v=VA14cagdtwo This]] State Farm commercial, except that the stereotype is the shrill, henpecking black woman.
27* The Everest College commercials.
28[[/folder]]
29
30[[folder:Anime & Manga]]
31* ''Anime/AfroSamurai'' has Creator/SamuelLJackson playing both TheStoic eponymous {{Samurai}} (something he's usually known for) and the very mouthy, comic relief sidekick Ninja Ninja. [[spoiler:The latter isn't actually a real person, but a hallucination representing Afro's conscience.]]
32* Killer Bee from ''Manga/{{Naruto}}''. He's [[HotBlooded hot-headed]] and a total [[{{Cloudcuckoolander}} goofball]] who always communicates in rap, and his first appearance has him basically [[OneOfTheKids playing hooky]]. However, being one of [[CrouchingMoronHiddenBadass the most powerful shinobi]] in the Hidden Cloud Village, he gives Sasuke the fight of his life, and this has led to him becoming an EnsembleDarkHorse. Beating [[CreatorsPet Sasuke]] half to death certainly didn't hurt, nor did being one of the nicest, most affable characters in the franchise.
33* Don Kanonji from ''Manga/{{Bleach}}'' at least starts out this way.
34* Bobby, the American Buddhist Monk from ''Manga/GoodLuckGirl'', is not only a lecher, but also selfish and lazy, refusing to help the other protagonists until they bribe him with women.
35* Chocolove from ''Manga/ShamanKing'' (whose name was changed to Joco in English releases for obvious reasons,) who's even a (terrible) comedian, and his backstory has him as a former New York gangster. Though he has more traditional offensive powers, a lot of his powers are joke-based and used to make spirits laugh to make them more vulnerable.
36* Mr. Popo from ''Anime/DragonBallZ'', the manservant of Kami-sama, has black skin, big wide lips, a comic relief personality, and wears a turban and baggy clothes. He's ''probably'' a genie, but that doesn't make him any less of a blackface character, especially with the way he talks in short, simplistic sentences and refers to himself in third person. The English manga releases changed the artwork to make his lips more subtle and smaller, while an airing of ''Dragon Ball Z Kai'' on Creator/TheCW's Toonzai block re-colored his skin to be blue instead (of course, this was a block run by '''[[Creator/FourKidsEntertainment 4Kids]]''', so that wasn't the [[EditedForSyndication only thing]] they changed).
37[[/folder]]
38
39[[folder:Comic Books]]
40* Parodied in a ''ComicBook/DamageControl'' comic. When an action movie is made about Damage Control, the well-spoken, well-dressed comptroller Albert Cleary is horrified to see he's been depicted as a wacky black sidekick from the ghetto. [[BlackDudeDiesFirst And then killed off, naturally.]]
41* Spoofed in the comic ''Professor Thintwhistle and his Incredible Fying Aether Flyer,'' a ''Heavy Metal'' serialized AffectionateParody of Victorian adventure stories that is filled to the brim with DeliberateValuesDissonance, nowhere more than the Professor's manservant Jefferson Jackson Clay. Clay is an old-timey minstrel show stereotype, complete with lots of "Oh lawdy, I'se so skeered!" style dialogue and is constantly insulted, abused and talked down to by the Professor, his apprentice Herkimer and even the narrator! [[spoiler:[[ObfuscatingStupidity It's all an act.]] He's really an EvilGenius who plots to take over the ship...[[TheBadGuyWins and does.]]]]
42[[/folder]]
43
44[[folder:Films -- Live-Action]]
45* As noted in the intro, the canonical example is Lincoln [[http://en.wikipedia.org/wiki/Stepin_Fetchit "Stepin Fetchit"]] Perry, who worked for years in Hollywood playing comic relief black characters that were either lazy, cowardly, or both. Fetchit appeared in dozens of films playing his "Laziest Man in the World" character. It made him a millionaire, but even in his lifetime the character was controversial.
46* [[https://en.wikipedia.org/wiki/Willie_Best "Sleep and Eat"]] (real name Willie Best) was possibly the only actor in the history of Hollywood to exceed even Stepin Fetchit for portaying this type of character. Studio press releases of the 1930s made outrageous claims that not only did Best enjoy humiliating himself in "darkie roles," but that the only compensation he wanted for his screen work was three square meals a day and a warm place to sleep (hence the nickname). Despite the absolutely demeaning nature of the majority of his roles, those actors with whom Best performed constantly praised him for his razor sharp comedic timing, his professionalism offscreen, and his consummate acting skill, and many would later bemoan his treatment by Hollywood. Creator/BobHope, who worked with Best in ''Ghost Breakers'' in 1940 and ''Nothing But the Truth'' in 1941, once referred to Willie Best as "the finest, most wasted, and most ill-used comic talent I ever knew."
47* Creator/EddieMurphy seems to do a lot of these.
48** ''Film/TradingPlaces'' is mainly a {{deconstruct|edTrope}}ion of such character types. Murphy's character is completely capable of being a strait-laced businessman if given the opportunity.
49** ''Film/ISpy'' In this film Eddie Muprhy as the Boxer Kelly Robinson he pretty much plays this role straight.
50* Often played by Creator/ChrisTucker.
51** In the first ''Film/RushHour'', Tucker is supposed to be playing a loudmouthed, reckless cop who plays by his own rules, in contrast to the badass but reticent and by-the-book Creator/JackieChan. This classic OddCouple pairing grew more into Uncle Tom Foolery in the sequels, where Tucker's character became [[{{Flanderization}} more shrill and wacky]], abandoned actual policing for successful stereotyping, and surprisingly became an incredibly competent fighter.
52** ''Film/TheFifthElement'': Ruby Rhod an obvious parody of Music/{{Prince}} as a CampStraight musician who's a lothario with the women in spite of his campy style and mannerisms. He's incredibly loud, self-centered and cowardly, making him function in the plot as a comic-relief [[TheLoad load]].
53%%** Tucker's character in ''Film/MoneyTalks''.
54* ''Film/EventHorizon'' had a cool, wisecracking black guy for the comic relief and a cool, heroic, strait-laced black dude for TheCaptain. The former was one of the survivors thanks to some MacGyvering action on his part and the latter was only killed off in the requisite HeroicSacrifice finale, making this a mild aversion.
55* Argyle, TheSmartGuy from Creator/RogerCorman's ''Film/BlackScorpion'' film and TV series.
56* ''Film/AnacondasTheHuntForTheBloodOrchid'' almost crosses UncleTomfoolery back over into EthnicScrappy territory, several times.
57* ''Film/DeepBlueSea'': Preacher. It's a late-90s ScienceIsBad horror movie, so ''somebody'' has to fit the bill -- why not Music/LLCoolJ? However, Preacher kind of bucks the trend of the typical Uncle Tomfoolery character by proving himself genuinely competent at fighting the super-smart sharks and getting a few badass moments to shine, so much so that [[spoiler:the ending was changed specifically to have him survive and kill off the [[DamselScrappy unpopular female lead]] in his stead, as the test audience [[EnsembleDarkhorse liked him so much.]]]]
58* Creator/MarlonWayans has practically made a career out of this, some of his other examples being ''Film/MoMoney'', ''Film/LittleMan'', ''Film/{{Norbit}}'' and ''Film/DungeonsAndDragons2000''.
59* ''Film/LethalWeapon'':
60** ''Film/LethalWeapon1987'' flipped the formula, with a suicidal and crazy white cop partnered to a by-the-book black cop who's also a family man. However, as the series continued, the white man got less suicidal and the black man got less uptight.
61*** The character that fits the most is actually the white Leo Getz, played by Creator/JoePesci.
62* Foul-mouthed L.J., the walking hip-hop stereotype from ''Film/ResidentEvilApocalypse''. As can be expected in a horror film, the cool-headed badass Peyton dies, while the offensively annoying L.J. ''doesn't''. [[spoiler:Until the sequel, but it's less satisfying than you'd expect, since by then L.J. had undergone CharacterDevelopment and dropped his annoying "wacky" traits.]]
63* Parodied by Creator/DaveChappelle in ''Film/RobinHoodMenInTights''. While this was a pastiche of other Robin Hood films (especially [[Film/RobinHoodPrinceOfThieves the Costner version]]), because of the extremes that this role sometimes goes to in a movie playing it straight, this rather exaggerated parody was actually not that far off the norm.
64* In ''Film/{{Cimarron}}'', the embarrassing stereotype of Isaiah, the black servant. Isaiah is introduced hanging from a ceiling fixture, fanning the white people. He falls from the ceiling to general hilarity. Later he accompanies the Cravats to Oklahoma by hiding in a rug--he is rolled out of the rug, to general hilarity. He calls Yancey "Master".
65* Parodied in ''Film/NotAnotherTeenMovie'' with "The Token Black Guy", who claims that part of his job description as, well, [[TokenMinority the token black guy]] is to stand around saying "Damn!" "Shit!" and "That is whack!" When he encounters another Token Black Guy at a party, he points out that only one of them is allowed per teen movie, so the second guy apologizes and leaves.
66* Creator/EddieGriffin plays this role opposite Orlando Jones (who fills the strait-laced role, though he's ''also'' black) in ''Double Take''. They then [[PersonalitySwap trade identities]], which leads to them parodying each others' archetypes, [[spoiler:before it turns out that Griffin's character is actually an FBI agent and his "wacky black guy" persona was a cover]].
67* ''Film/TheLastDragon'': The streetwise PluckyComicRelief often has to remind Taimak that he's black while he persists in speaking and acting as a Chinese immigrant. Also inverted in the character of Johnny Yu. While Taimak continues to play it straight, Yu is the apprentice who just can't stay out of trouble. ''Definitely'' inverted in the case when Taimak [[SugarWiki/FunnyMoments dressed as a 19th Century Chinese day-laborer (his idea of a disguise) comes across a trio of Chinese Mooks who dress and act like stereotypical Black guys right down to shooting Craps against the door they're supposed to be guarding]].
68* Creator/AnthonyAnderson does this on occasion, most notably in ''Film/UrbanLegendsFinalCut''
69* Jax in ''Film/MortalKombatAnnihilation'', as part of the group of heroes who confront Shao Kahn, is all but made of this trope; just about every other line of dialogue he has is designed to remind you that he is, in fact, black.
70* The movie ''Film/CopOut'' seems to have Tracy Morgan in this role opposite Creator/BruceWillis to the point he's an EthnicScrappy.
71* Twinkie in ''Film/TheFastAndTheFuriousTokyoDrift''. Rome start out with shades of this in ''Film/Fast&Furious'' and pretty much run with it for the rest of the series..
72* Grover in TheFilmOfTheBook ''Film/{{Percy Jackson|and the Olympians}}''.
73* Rather {{Anvilicious}}ly presented in ''Film/{{Crash}}'', where a black TV writer is told by his white boss to make a black character's lines more stereotypical. As more than a few viewers have noted, why is an apparently successful writer taking advice from ''Creator/TonyDanza''?
74* ''Film/DjangoUnchained'' [[{{Deconstruction}} Deconstructs]] it with Stephen, who is first introduced in a somewhat comical fashion as being {{Large Ham}}mily incredulous at Django being on a horse and being treated as a guest at the big house, and then spends most of dinner parroting his master (the BigBad of the film). However, he is considerably more observant and intelligent than the BigBad and when he is alone with the black slaves he becomes extremely sinister, suggesting that the Uncle Tomfoolery is his deliberately being sufficiently non-threatening to the whites that he is allowed to keep his position of power within the household and act as his master's [[TheDragon dragon]]. [[spoiler:He is also, at the very least, a DragonAscendant; he not only outlives his master but also gets dramatically killed while shouting curses in the film's violent climax, further suggesting that he is more of a BigBad than his [[TheFool Fool]] of a master.]]
75* Critics often accuse Creator/TylerPerry of doing this, particularly under his Madea guise (where he plays an unstrung, mentally imbalanced "mammy" type with a very tenuous grip of the English language).
76* The Funk (Aka Dustin) from ''Film/AnotherCinderellaStory''.
77* ''Film/ScaryMovie'' Has a couple of characters who display this trope throughout their film series. The most notable character who displays this trope is Shorty, another Uncle Tomfoolery character played by Marlon Wayans and Mahalik and CJ lives up to this trope but not to the extant as Shorty who displays a lot of negative stereotypes.
78* Creator/MartinLawrence's character Terrance in ''Film/NothingToLose''.
79* Mike Epps' character Reginald Wright in ''Film/AllAboutTheBenjamins''.
80* Creator/DaveChappelle plays another one of these type of characters in the ''Film/ConAir'' as Pinball.
81* 1929 film ''Film/{{Hallelujah}}'' is a complex example. Director Creator/KingVidor apparently went into this film with the best of intentions and wanted to make an authentic portrait of rural black life. So it's all the more disappointing that Hallelujah is a collection of racist stereotypes. There's the simple-minded poor folk with their bad grammar, which could be excused as being somewhat realistic for people who were denied an education. The What an Idiot portrayal of protagonist Zeke is harder to excuse, and the portrayal of Zeke as thinking with his penis and being completely unable to control his urges is even worse. Then there's Zeke's younger sister who thinks a ticking watch has a heartbeat, or the time-honored racist stereotype of blacks gambling with dice. The lack of white people in the movie also rather insidiously suggests that black people are causing their own problems, instead of being oppressed by racism.
82* Creator/WillSmith as Agent J to a small extent, but he played this role only in the first ''Film/MenInBlack''; after the first film Agent J takes his job more seriously
83* Creator/RichardPryor in ''Film/SilverStreak'', playing a rather hip [[JerkWithAHeartOfGold car thief]] opposite Creator/GeneWilder. The trope carries over into just about any film he and Wilder are starring together in.
84* Critics accused Jar-Jar Binks from ''Film/ThePhantomMenace'' of resembling black caricatures in minstrel shows and early American cinema, highlighting his Jamaican accent, clumsiness, naivety and shuffling gait, and being cowardly―all typical traits of minstrel characters. It does not help that physically, he has large nostrils and his "lips" make up half of his face, both traits commonly exaggerated in black caricatures, and his large floppy ears have been compared to dreadlocks. Jar-Jar's first lines in the series, "Me-sa your humble servant," call slavery and domestic servitude to mind.
85* ''Film/BadBoys2'' Has Martin Lawrence character( Marcus) turn into a downplayed version of this trope.In the first film he was as competent as his partner Mike Lowry and just full filled the {{ComicHero}} trope but in the next installment of the series he becomes cowardly and way less competent than his partner and he becomes slightly annoying but towards the end of film he still has a {{LetsGetDangerous}} moment.The third installment of the BadBoy franchise makes Marcus even become a downplayed version of {{TheLoad}}.
86* ''Film/KingOfTheZombies'': Jeff spends the entire move being scared out his wits of ghosts (and zombies), and thinking with his stomach.
87* ''Film/TheMeg'': DJ, the black member of the team, is a comic relief character who is constantly bemoaning the other characters for their near-suicidal plans to stop the Megalodon while being largely incompetent himself. Even [[LittleMissSnarker Meiying]] tells him to shut up at one point.
88* The movie ''Hollywood Shuffle'' offers a [[DeconstructedTrope deconstruction]]. The story revolves around Jasper, an unhappy hot dog stand worker, wanting to become an actor. He auditions for the role of a [[JiveTurkey jive talking]] gang leader, and though initially thrilled to have been cast, he eventually regrets it as he notices that every role that an African American actor is forced to be either a thug or slave, while White actors are given the choice of being romantic leads, or action heroes, with the ability to negotiate better conditions.
89* Invoked in ''Film/{{Creepshow}}'''s final segment, "They're Creeping Up On You", where the black superintendent of the VillainProtagonist's luxury apartment building occasionally puts on a high-pitched minstrel show type voice to mock his tenant's [[PoliticallyIncorrectVillain racism]]. It's clear from the superintendent's brief scenes by himself that this is not how he normally talks.
90* In the {{blaxploitation}} movie ''The Zombies of Sugar Hill'' (sometimes released simply as ''Sugar Hill''), the white villains have a black lackey who acts this way, even shining their shoes in one scene. Given that the film was largely intended for black audiences, this was probably meant to make the villains - [[StopBeingStereotypical this character included]] - all the more despicable.
91* Use InUniverse in ''Film/TropicThunder'' with the character Lincoln Osiris, who is played by white Australian actor Kirk Lazarus in {{blackface}}, doing this trope to a T -- much to the annoyance of the ''actually'' black actor Alpa Chino.
92-->'''Lazarus:''' "What do you ''mean'', 'you people'?"
93--> '''Chino''' "What do ''you'' mean, 'you people'?!"
94* Parodied in ''Film/BlazingSaddles'' where the lead character briefly adopts the stereotype of a cowardly black man being held hostage to avoid an angry white mob. (The fact that none of the white mob have noticed he's holding himself hostage adds to the hilarity value)
95* ''Film/BladeTrinity'' inverts this trope by having the badass hero be a black man and the jokey sidekick be white.
96[[/folder]]
97
98[[folder:Literature]]
99* Averted in ''Literature/UncleTomsCabin'', which is a serious tale about Uncle Tom, a pious, Christian, good man and his horrid life as a slave. No dancing, swearing, or nonsense about him whatsoever. The only problem contemporary readers had with the story is that they felt he was too passive and portrayed a double standard when compared with instances of whites resisting oppression: see the quote [[http://en.wikipedia.org/wiki/Uncle_tom#Original_characterization_and_critical_evaluations here]] from an 1852 edition of the abolitionist paper ''The Liberator''. Unfortunately, mean-spirited stage parodies of the book became extremely popular throughout the South in response to the book's success, and the term "Uncle Tom" came to refer more to the character portrayed in these shows - typically, yes, by white actors in blackface - than to the more serious original character.
100* Creator/JulesVerne's ''Literature/RoburTheConqueror'': The black servant Frycollin, portrayed as an abject coward who's not particularly bright, is the victim of some of the most uncomfortably racist humor in Verne's entire oeuvre. Interestingly, this is far from typical behavior for Verne. While he did use some non-white characters as PluckyComicRelief, and they often served as a TokenMinority, he almost always portrayed them in a positive light and as resourceful, intelligent and equal to white characters. Frycollin is just a very unfortunate exception.
101* In-universe in ''Literature/TheNightMayor'', which is set in a virtual reality simulation based on 1940s movies, where each of the simulated characters is modeled on a particular character type (private eye, femme fatale, corrupt cop, and so on). At one point, the protagonists encounter an African American doorman who's cowardly, prone to pratfalling, and likes to chow down on watermelon in his off-time.
102* In the ''Literature/{{Winnetou}}'' books, Bob suffers from this rather badly, especially in ''The Son of the Bear Hunter'', where he serves only as comic relief, is portrayed as almost entirely incompetent, not very bright, devoted to his ''employers'' (he's a freed slave), mostly cowardly and very impulsive. He gets a lot better and more nuanced in the next book, ''The Ghost of Llano Estacado'', where his only significant racial markers are his speech and his backstory as a freed slave still in something of a subservient position. In that book, he has [[Main/TookALevelInBadass Taken a Level in Badass]] to a certain degree and he gets to play a more competent part in the plot which ''other characters'' downplay possibly because of his race, while the plot proves him right. Only for him to mostly slip back again in ''Old Surehand'', although at least by that point it's treated a bit more realistically as his personal characteristics and he's described as quite competent in certain areas but just hopelessly out of his element when it comes to dangerous situations and thinking on his feet. (But rather painfully so in contrast to the white hero narrator.)
103[[/folder]]
104
105[[folder:Live-Action TV]]
106* Parodied in a ''Series/TheWhitestKidsUKnow'' sketch where a mailroom employee starts throwing out horrible movie ideas to studio execs, who eat them all up. All think that having a bunch of black people hold a cookout in a driveway and having Cedric the Entertainer and Queen Latifah show up would make a ''great'' movie for black audiences.
107* Parodied on ''Series/MontyPythonsFlyingCircus'' in the "Atilla the Hun Show" sketch, a smarmy domestic sitcom focusing on the home life of Atilla. For some reason, the Huns have a servant, played by Creator/EricIdle in blackface, named Uncle Tom who acts this way. Although it's a parody of the trope, it's still probably one of the poorer-aged jokes ''Python'' ever did.
108* Played with on ''Series/{{Scrubs}}''' ShowWithinAShow, Dr Acula. JD casts Turk as a {{jive t|urkey}}alking pimp and he complains it's racist and he wants to play the vampire. JD responds by asking Turk to act "[[RefugeInAudacity Blacker]]". Turk immediately takes over the film and swaps their roles.
109* ''Series/GoodTimes'': J.J. Evans, the show's BreakoutCharacter. Jimmie Walker played the part so well that the character of J.J. soon overshadowed the show's original premise (an African-American family living in a low-income housing apartment trying to improve their economic situation but always failing, due to poor luck or other circumstances), and many began criticizing the show for presenting J.J. as a stereotypical black – i.e., a buffon; the critics included Walker's castmates, John Amos and Esther Rolle, and it led to Amos' firing and [[PutOnABus Rolle's temporary departure]].
110* Creator/DaveChappelle often played these in sketches on ''Series/ChappellesShow''. One of his reasons for ending the show was that he could no longer recognize when he was parodying the character type, or actually playing them.
111* ''Series/MisfitsOfScience'' {{Lampshaded}} the inversion as far back as TheEighties; TheLancer was a research scientist, slightly more square than the lead character and in general [[TheSmartGuy more knowledgeable and scientifically disciplined]] -- aside from playing ProfessorGuineaPig with a shrinking formula to avoid constant expectations that [[TheBigGuy he should be able to play basketball]], which gave him the ability to shrink to FunSize.
112* ''Series/{{Maury}}'' is often accused of this, with some justification.
113* Will on ''Series/TheFreshPrinceOfBelAir'' . Although he often is very serious, especially in the episode with his father.
114* Marlon Williams on the ''Series/TheWayansBros'' which is no surprise because Marlon Wayans play this role all the time.
115* Noogie the Ex-Con and Crockett and Tubbs' go-to guy for information on criminal activities on the street in ''Series/MiamiVice''
116* Kel Mitchell on ''Series/KenanAndKel'' and again as Double G on ''Series/GameShakers''.
117* Parodied in a ''Series/SaturdayNightLive'' sketch, with an exaggerated Music/LouisArmstrong type character (played by David Alan Grier) back in the 1940s, who openly sings about how he doesn't mind not being treated as an equal. The sketch ends with a historian noting that the character would go down in history as the first black man [[StopBeingStereotypical to ever be lynched by other blacks.]]
118* The late Petey Greene on his show, ''Petey Greene's Washington''.
119* In the Tyler Perry T.V. series ''Series/MeetTheBrowns'' Mr. Brown displays a lot of characteristics and trait of this troupe. He is often the ''ButtMonkey'' of this series because he can be very dim-witted, and clumsy and sometimes cowardly he might remind some viewers of minstrel characters.
120* In the ''Amos 'n' Andy'' TV series, "Lightning" played by Willie Jefferson. He is the custodian at the Mystic Knights of the Sea lodge house and is Stepin Fetchit redux.
121* ''Series/TheGoodies''
122** In the parody of ''Series/{{Roots|1977}}'', Bill, Tim and Graham are sold as slaves to the BBC, so they deliberately muck up their auditions so they won't be selected for anything. However the BBC guy says that makes them perfect for one particular role. Cue the trio in blackface for ''Series/TheBlackAndWhiteMinstrelShow''.
123** All black people have left South Africa for Britain, so the authorities institute the [[{{Pun}} Apart-height]] policy. As the shortest member of the group, Bill is now a second-class citizen, and is given a 'rehearsal leaflet' on how to act.
124--->'''Tim:''' Bopo, bring me the morning paper!\
125'''Bill:''' Yes boss, here come the morning paper!\
126'''Policeman:''' Boy, lick my boots!\
127'''Bill:''' Ma tongue is slavering for your boots!
128* In TheSeventies TV show ''The Comedians'', which showcased the best stand-up comics of the day, Yorkshire-born stand-up Charlie Williams attracted criticism, even in the day, for being a black comic whose stand-up act was based on pandering to white expectations and prejudices concerning black British people. In fairness, he ''was'' appearing on the same bill as people like Creator/BernardManning. But later black stars like Creator/LennyHenry watched the show and vowed they were ''not'' going to do comedy this way, although Lenny went out of his way to befriend Charlie personally, and the two became good friends.
129
130[[/folder]]
131
132[[folder:Music]]
133* The always jolly Music/LouisArmstrong was often accused of doing this.
134* People accuse Flavor Flav of Music/PublicEnemy of this.
135[[/folder]]
136
137[[folder:Theatre]]
138* In ''Theatre/FetchClayMakeMan'', UsefulNotes/MuhammadAli calls Stepin Fetchit out on his infamous "Laziest Man in the World" roles-turned-stereotype, which made him a rich man but "makes people cringe when hearing his name" nowadays.
139* ''Regina'', a quasi-operatic musical adaptation of ''Theatre/TheLittleFoxes'', added the character Jazz, whose comic-relief numbers JustForFun/{{egregious}}ly deviate from the neo-classical style of the rest of the show.
140[[/folder]]
141
142[[folder:Video Games]]
143* Metabee from ''VideoGame/{{Medabots}}'' is voiced to be a ScaryBlackMan as well as being this trope.
144* Oil Man in ''VideoGame/MegaManPoweredUp''. Despite his [[UnfortunateImplications color scheme]] being {{bowdlerise}}d outside Japan, he's still the wacky black guy of the bunch.
145* The Black Baron (stop starin') in ''VideoGame/MadWorld''. He's a black pimp who constantly spits out slang, has an ostentatious grill and [[TheyKilledKennyAgain keeps getting murdered in death traps (played for laughs)]] while going "Aw hell nawh!". [[spoiler:And he's not even black, he uses blackface]]. And to further prove ''Madworld'''s [[CrossesTheLineTwice double line-crossing]], the Baron's (black) voice actor would later become one of the aforementioned ''Transformers'' twins in the same year. Guess which character the Internet criticized. The sequel, ''VideoGame/AnarchyReigns'', carries the character over as the Blacker Baron, still playing up the stereotypes [[spoiler:(but, as the game is now in color, the character is an actual black man]], though emphasizing that he can still kick the ever-loving shit out of you.
146* Barret Wallace from ''VideoGame/FinalFantasyVII'' played this role at times, with the ridiculous slang and the occasionally buffoonery. He would often swing back and forth between Uncle Tomfoolery, ScaryBlackMan and AngryBlackManStereotype depending on the situation, when [[ADayInTheLimelight the plot spotlight wasn't on him]].
147.* In supplemental material for the first ''VideoGame/ResidentEvil'' game, the creator stated that two characters didn't make the final cut of characters: A giant cyborg man who could hold up walls (this person later became Barry), and a tall, skinny black guy who constantly cracked jokes and ran from the zombies. This guy was thrown out because of the obvious UnfortunateImplications, and players would not see a (living) black character in the series until ''VideoGame/ResidentEvilOutbreak'', who is somewhat wacky and a LovableCoward, but not to a cartoonish extent.
148** The example in Outbreak is mitigated by having a second black man among the main characters: a calm, badass army veteran.
149* Zack from the ''VideoGame/DeadOrAlive'' franchise. Wherever he goes, Zack often makes commotion and creates scenes. With his cheerful ways, clownish antics, and sometimes weird behavior, Zack is often a source of comic relief in the series. Played with in that he has zero JiveTurkey characteristics; his wackiness and his ethnicity have virtually nothing to do with each other.
150** Then again, he fulfills the wacky and clownish aspects, [[BewareTheSillyOnes but not the incompetent]]. After all, he is the one person who ranks consistently high in all the tournaments. In the fifth game Helena employs him as a bodyguard, and to test the entrants.
151* ''VideoGame/GearsOfWar'': "ALL ABOARD THE COLE TRAIN, BABY! That's Augustus Cole, in case you were wondering. In the second game he cuts off the Locust Queen during one of her speeches (still qualifies as a SugarWiki/{{Funny Moment|s}}).
152** The character is actually an {{Expy}} of a character called ''Terry Tate: Office Linebacker'' in a series of Reebok commercials, who was also portrayed by Les Speight. The character gets more and more complex as the series goes on, leading to one of the best lines of ''Gears 3'';
153--->'''Augustus Cole:''' "Do you ever feel like you're dead, but nobody ever told you?"
154* Jax's Alt costume in ''VideoGame/MortalKombatDeadlyAlliance''.
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157[[folder:Web Comics]]
158* ''Webcomic/TheUnspeakableVaultOfDoom'' pokes fun at Creator/HPLovecraft's outdated views by giving his [[FishMen Deep Ones]] exaggerated Minstrel traits like humongous lips, googly eyes & impenetrable patois-laden speech to drive home the point they were originally created as an indictment of [[WhereDaWhiteWomenAt miscegenation]]. Lovecraft, abyssal font of ValuesDissonance that he was, made use of many racial stereotypes in his work, though they were never played for comedy, their otherness instead used as a source of horror or disgust.
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161[[folder:Western Animation]]
162* Take any cartoon of the ''WesternAnimation/CensoredEleven'': ''WesternAnimation/AllThisAndRabbitStew'', ''WesternAnimation/CoalBlackAndDeSebbenDwarfs'',... all of them delve on black characters and the stereotypes associated with them to provide some cheap laughs to the non-black audience.
163* Parodied in an episode of British animated series ''WesternAnimation/MonkeyDust''. A continuation of the running "Meatsafe Murderer" sketches has an American director buy the rights to Ivan Dobsky's life story so he can make a movie out of it. Ivan's apparently sentient (not to mention murderous) [[http://en.wikipedia.org/wiki/Space_hopper space hopper]] is portrayed in the movie as a [[AdaptationDecay skate]][[TotallyRadical board]] voiced by Creator/EddieMurphy, who seems unable to utter ANY line without saying "Motherfucker" at least twice.
164* An unusual example happens in ''WesternAnimation/TheSimpsons'' episode "The Burns and the Bees". [[ItMakesSenseInContext When an army of]] [[BeeAfraid super strong and super violent bees]] [[ItMakesSenseInContext take over Springfield's new basketball stadium]], Bumblebee Man ([[ExactlyWhatItSaysOnTheTin a man who dresses like a Bumblebee]]) tries to defend himself...
165-->'''Bumblebee Man:''' Stop, I am one of you!\
166'''Bee:''' ''(Buzzing) We hate you most of all, Uncle Tom.''
167* Parodied in ''WesternAnimation/SouthPark'', where "[[MeaningfulName Tolkien Black]]" is well-off, book smart, talks in a standard American accent, comes from the richest family in town, and plays [[StraightMan the straight man]] to a lot of the other characters' jokes (especially the racist Cartman).
168** Which the creators then play with endlessly... like they do everything. He finds Tyler Perry hilarious but is confused and embarrassed about it. Another example: he's never even ''picked up''' a bass guitar in his life, but the moment you put it in his hands, he can play the shit out of it.
169--->'''Cartman''': Token, give me a smooth bass line.\
170'''Tolkien''': ...I don't know how to play bass.\
171'''Cartman''': *frustrated* Token, how many times do we have to go through this? You're black, you can play bass.\
172'''Tolkien''': *angry* I'm getting sick of your stereotypes.\
173'''Cartman''': Be as sick as you want, just give me a goddamn bass line!\
174'''Tolkien''': *picks up guitar and instantly is able to play a series of complicated riffs* Goddamnit.
175** Although it [[RetCon wasn't mentioned until Season 25]], Tolkien was [[BlatantLies always meant to have been named after]] author Creator/JRRTolkien and anyone who thought his name was a reference to [[TokenMinority tokenism]] has [[YouBastard unconscious racial biases.]]
176* "[[WesternAnimation/WhoKilledCockRobin1935 Who Killed Cock Robin?]]", a WesternAnimation/SillySymphonies short, has a stereotypical blackbird who is a caricature of Stepin Fetchit.
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