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4->''"If there's one thing history has taught us (besides not to piss off people called Genghis Khan or put lead in your water pipes) it's that if you're going to make something incredibly good that becomes frighteningly popular, make sure it's the last thing you ever make in your entire life because otherwise you get to spend the rest of your creative career struggling under the weight of high expectations and bricks."''
5-->-- '''Ben [[WebAnimation/ZeroPunctuation "Yahtzee"]] Croshaw''', ''VideoGame/{{Spore}} [[https://www.youtube.com/watch?v=34no2HhOVGQ-Spore Review]]''
6
7A work which attains such overwhelming success that it dooms its creator's later efforts to languish in its shadow. The follow-up may have its own merits, but fans will dismiss it because it doesn't stand up to the original.
8
9Essentially the creative version of [[TypeCasting typecasting]].
10
11May overlap with AuthorUsurpation, which is when the work is so popular that no one is aware that the artist made anything else -- and if they are aware, they don't care. Contrast ProtectionFromEditors, for when the new creations ''do'' suck but get published anyway, or need more work if they're not going to suck but no one dares tell you this. Compare with GloryDays. See also FirstInstallmentWins, SophomoreSlump, PostScriptSeason, FollowUpFailure, and OneHitWonder. Contrast with BreakthroughHit, when a successful work leads to a series of hits. If fans become split over this, it will lead to a BrokenBase. This will often lead to {{sequelitis}} and/or {{contested sequel}}s. Frustration over this trope may cause CreatorBacklash. If the creator views any subsequent work(s) as superior to the overshadowing "masterpiece", then it may also be a case of MagnumOpusDissonance.
12----
13!!Example subpages:
14
15[[index]]
16* [[ToughActToFollow/LiveActionFilms Films — Live-Action]]
17* ToughActToFollow/{{Literature}}
18* ToughActToFollow/LiveActionTV
19* ToughActToFollow/{{Music}}
20* ToughActToFollow/VideoGames
21* ToughActToFollow/WesternAnimation
22[[/index]]
23
24!!Other examples:
25
26[[foldercontrol]]
27
28[[folder:Anime & Manga]]
29* None of Ryosuke Takahashi's works after ''Anime/ArmoredTrooperVOTOMS'' managed to achieve the same level of acclaim and longevity as that aforementioned series, with ''[[Anime/RoninWarriors Yoroiden Samurai Troopers]]'' coming the closest (but even that didn't last past [[TheNineties the early nineties]]). As a result, he's ended up handling most of ''VOTOMS''' prequel and sequel [[OriginalVideoAnimation OVAs]].
30* ''Manga/{{Bartender}}'': According to Hanegashima, every cocktail is a Tough Act to Follow. Either you underperform, and the customer will never return, or you do your best, and your customer will come back, and expect you to do even better.
31* ''Manga/BattleAngelAlita: Last Order'' is an example. The original ''Battle Angel Alita'' was a huge success; it was translated into English and became a must-read manga classic for people getting into the genre. The sequel is nowhere near as successful and only survived mainly because of dedicated fans of the original giving it a cult following.
32* After Paru Itagaki decided to bring her breakout work ''Manga/{{Beastars}}'' to a rather abrupt end, she would eventually begin work on a few new projects, a new serialization of ''Beastars''[='s=] sister series ''Manga/BeastComplex'', a short dramedy manga ''Manga/{{Botabota}}'', and a weekly series called ''Sanda'', none of which reached the heights or interest of her biggest work. In the case of ''Sanda'', despite having 4 printed volumes and counting, it doesn't even have its own page on The Other Wiki. And despite ''Beastars'''s AudienceAlienatingEnding, people are still hungry for more of this series. Paru posting about ''Sanda'' on Twitter typically generates extremely mild interest at best, while posting anything ''Beastars''-related typically generates quite a bit. It's clear her biggest work's popularity and acclaim, as well as how its end left fans unsatisfied, has cast a shadow in her career she is yet to get out of.
33* Following the cult success of ''Anime/BloodTheLastVampire'' and ''Anime/BloodPlus'', Creator/{{CLAMP}} was entrusted to work with Creator/ProductionIG on their own version, ''Anime/BloodC''. However, the overall reception of the franchise was mixed, coupled with the low BD/DVD sales of the TV series and the movie bombing in the Japanese box office despite the latter being funded by the Japanese government. This also affected CLAMP's later works.
34* Every series in the ''Franchise/{{Digimon}}'' franchise following the original ''Anime/DigimonAdventure'' has been notably controversial for some reason or other, also making this a case of FirstInstallmentWins.
35* After ''Manga/CaptainTsubasa'' ended its original eight-year run on ''Weekly Jump'', creator Yoichi Takahashi attempted to do different sports-related manga such as ''Legend of Sho'' (tennis), ''Ace!'' (baseball) and ''Chibi'' (boxing), but none of them ever caught on. Takahashi ended up going back to ''Captain Tsubasa'' and doing sequels and spinoffs to his most popular work.
36* Creator/AkiraToriyama has created quite a few short manga since ''Manga/DragonBall'', but they've barely registered on most people's radars. It might be because they're almost all limited series, though. He's never even attempted another ongoing since ''Dragon Ball'' ended, partially for fear of not living up to it. He does avert this trope in the video game realm, where he remains quite popular as the head artist for the cult classic games ''VideoGame/ChronoTrigger'' and ''VideoGame/BlueDragon'', as well as the long-running ''VideoGame/DragonQuest'' series. His earlier series, ''Manga/DrSlump'', was a huge success in its native Japan, and was considered the tough act there.
37* Tetsuo Hara pretty much struggled to escape the shadow of ''Manga/FistOfTheNorthStar'' for most of his career after it ended. With the exception of ''Hana no Keiji'', which lasted a full three year run, all of his follow-up titles for ''Weekly Jump'' (''Manga/CyberBlue'', ''Kagemusha Tokugawa Ieyasu'' and ''Takeki Ryūsei'') ended up being cut short. Hara would end up leaving ''Weekly Jump'' in the mid-90's and spent the rest of the decade working on a string of also short-lived titles for other manga anthologies before eventually forming the manga editing company Coamix in 2001 with his former editor Nobuhiko Horie. ''Manga/FistOfTheBlueSky'', a prequel to ''Fist of the North Star'', would serve as the flagship title for Coamix's first manga anthology, ''Weekly Comic Bunch'', but Hara's own struggle with keratoconus (which left him blind in the right eye) forced the title from being changed from a regular feature to a semi-weekly one halfway during its run and the story ended in an inconclusive matter when Coamix broke up with publisher Shinchosha, resulting in the discontinuation of ''Comic Bunch'' in 2010. Hara moved on to his current title, ''Ikusa no Ko: The Legend of Oda Nobunaga'', which began serialization in Coamix's subsequent anthology ''Monthly Comic Zenon'' in 2010, although he would also end up supervising the sequel to ''Fist of the Blue Sky'', ''Regenesis'', which began in 2017.
38* ''Manga/GunsmithCats'' was a very popular GirlsWithGuns manga and did good enough to get a well made 3 episode OVA that also became very popular. The follow up ''Gunsmith Cats Crash'', was [[FanonDiscontinuity rejected by most fans]] for it being just silly action with no focus on plot and character development like the original.
39* ''Toys/{{Jewelpet}}'':
40** ''Anime/JewelpetTwinkle'' is the second season, and the one whose shadow looms over every sequel season. The reason for this is because it was DarkerAndEdgier and had lots of CharacterDevelopment, and then they decided to follow it up with three light-hearted GagSeries. ''Anime/LadyJewelpet'', the sixth season, is considered an improvement (being similarly DarkerAndEdgier), but has a BrokenBase due to the drastically reduced screentime of the titular Jewelpets. And let's not get started on the FranchiseKiller ''Anime/JewelpetMagicalChange'', which even got cancelled before its time because of how badly it was [[VindicatedByHistory initially]] received.
41** For those who are fans of the GagSeries, ''Anime/JewelpetSunshine'' (the third season) is the one the other gag series (and ''Lady'') struggled to live up to.
42* Yudetamago ran into this after concluding ''Manga/{{Kinnikuman}}''.
43* ''Manga/LoneWolfAndCub'' cast a massive shadow over every other work that Creator/KazuoKoike made after it -- a common criticism of ''Manga/MadBull34'', ''Manga/CryingFreeman'' and others was that they failed to live up to the expectations set by ''Lone Wolf and Cub''.
44* '' Anime/MagicalGirlLyricalNanohaAs'' was a major improvement from the first series for many fans. ''[[Anime/MagicalGirlLyricalNanohaStrikerS StrikerS]]'', however, wasn't that popular with fans because it didn't live up to the complexity and awesomeness that was ''A's''. The manga sequels and movies have suffered from this as well.
45* Creator/YoshiyukiTomino had this problem with ''Anime/MobileSuitGundam''. [[CreatorBacklash He became very bitter over this]], but has lightened up considerably since working on ''Anime/TurnAGundam''.
46* ''Franchise/{{Gundam}}'' tends to suffer from this as a whole, depending on how well or poorly received the previous series was. It's not unknown for a series to suffer poor ratings during airing and then be VindicatedByHistory later, after everyone's gotten over the "not as good as Gundam Whichever" reactions. Sometimes the creators deal with this by making their series ''such'' a departure that there's no way to compare it--such as the DarkerAndEdgier ''Anime/MobileSuitVictoryGundam'' being followed by the unabashedly SuperRobot WorldOfHam that is ''Anime/MobileFighterGGundam''.
47* After ''Anime/NeonGenesisEvangelion'', Creator/HideakiAnno tried to make "serious" films, and publicly bashed both ''Evangelion'' fans and {{otaku}}s in general. He never managed to make anything as widely successful or influential as ''Eva'', and eventually gave in and created the ''Anime/RebuildOfEvangelion'' series over a decade later.
48* This is probably the reason why Creator/EiichiroOda has said he won't do anything else after ''Manga/OnePiece'' is finished. (Of course, he'd have to actually ''[[LongRunners finish]] One Piece'' first...)
49* When it comes to the ''Franchise/{{Pokemon}}'' movies, only the [[Anime/PokemonTheFirstMovie first]] (mainly in its original Japanese version) and [[Anime/Pokemon3 third]] are regarded as the best (though the [[Anime/PokemonLucarioAndTheMysteryOfMew eighth]], [[Anime/PokemonKyuremVsTheSwordOfJustice fifteenth]] and [[Anime/PokemonThePowerOfUs twenty-first]] movies are almost as well-regarded). All the others have been seen as SoOkayItsAverage at best, and have grossed less in Japanese theaters.
50* ''Anime/PrettyCure'':
51** The ''Anime/HeartcatchPrettyCure'' series, considered to be one of the best seasons in the entire franchise, due to its DarkerAndEdgier plot and having even more over-the-top fight scenes compared to its predecessors has left the few seasons after it as part of this trope.
52** ''Anime/PrettyCureAllStars'' movies get hit with this as well, as ''[=DX3=]'' (which was released shortly after ''[=HeartCatch=]'' finished) and its fans argue that its over-the-top moments make the succeeding ''New Stage'' series seem lacking by comparison.
53** Not only is ''Anime/GoPrincessPrettyCure'' considered the best thing since ''[=HeartCatch=]'', but its successor ''Anime/MahoGirlsPrecure'' also averted this trope (at least in Japan).
54** In terms of [[MilestoneCelebration anniversary seasons]], ''Anime/HugttoPrettyCure'' (15th anniversary) was considered one of the better seasons in general and put up a very high bar for ''Anime/HirogaruSkyPrettyCure'' (20th anniversary) to where both seasons are frequently compared.
55* Zigzagged in the case of Creator/TadaoNagahama and his Anime/RobotRomanceTrilogy. While they were all well-loved around the world[[note]]''Anime/VoltesV'' even became a MovementMascot in the Philippines[[/note]], his next SuperRobot show, ''Anime/{{Daltanious}}'', was not so beloved and failed to reach their level of popularity. However, this is likely because Nagahama ''didn't work'' on ''Daltanious'' - long before the anime aired, he left production to focus on directing ''Anime/TheRoseOfVersailles''. He was only involved in making the first drafts of the show, and Katsutoshi Satsuki directed it instead. Because his style was nothing like Nagahama's, fans of the Anime/RobotRomanceTrilogy despised it, while those familiar with the SuperRobot genre hated it because of it was filled with one [[ClicheStorm cliché after another]]. Nagahama would die a year later, with ''Anime/{{Daltanious}}'' being known as his last work. Hilariously, one chance ''Daltanious'' had at becoming famous was when WEP executive Ted Koplar saw it at a convention, and requested that it be sent to his company so he could dub it for an American audience. Unfortunately, a miscommunication (due to an employee forgetting the name of the anime and asking Creator/{{Toei}} for "the show with the lion") led to the company sending them the tapes to ''Anime/GoLion'' instead. Despite this blunder, WEP went along with it, and the show would become known as ''Anime/{{Voltron}}'' in the US and become massively popular...while ''Daltanious'' fell into obscurity. The ''Manga/VictoryFive'' manga was also reviled by fans of the Robot Romance Trilogy, though that wasn't written by Nagahama either (Yuichi Hasegawa was given permission to write it by Toei).
56* This is believed to be the reason why ''Manga/RurouniKenshin'' author Creator/NobuhiroWatsuki was not (and likely will never be) able to have another series which runs longer than 10 volumes, the magic number where ''Manga/BusoRenkin'' ended publication. ''Manga/GunBlazeWest'' was cancelled after only three.
57* Creator/NaokoTakeuchi was less than well received after having completed ''Manga/SailorMoon'', and never managed to ''finish'' anything else afterwards, leaving several OrphanedSeries behind. In turn, the third season of the 90's ''Anime/SailorMoon'' series, ''Sailor Moon S'' ended up being this for towards its follow ups, ''[=SuperS=]'' and ''Sailor Stars'', being DarkerAndEdgier with an amazing character and compelling characters.
58* ''Manga/SaintSeiya'' fell victim to this. Kurumada's first runaway hit was ''Manga/RingNiKakero'', a boxing drama although with its share of Shonen elements. ''Saint Seiya'' was the closest he got, but it lost popularity and was forced to conclude with a BittersweetEnding. A few of his works have tanked and the only series post-Kakero he was able to end on his terms was ''Anime/BtX''.
59* After ''Manga/SazaeSan'' had become a huge success and the most viewed anime ever (a record which remains unbeaten to this day), Machiko Hasegawa created a new comic strip called ''Granny Mischief'' about an old woman who always spent her time creating trouble for her fellow man with all kinds of pranks. It's just as funny as ''Sazae-san'', but never became quite as popular.
60* Director Kazuki Akane started strong with ''Anime/TheVisionOfEscaflowne'', which became wildly popular (even broadcast on Creator/FoxKids in the United States), and remains to this day one of the most iconic anime from the 1990s. His next project was ''Anime/{{Geneshaft}}'', which was seen by few and hated by most who did. His next creation was ''Anime/HeatGuyJ''; most who know of it know only about how much Creator/{{Geneon}} paid for it (as much as Creator/{{FUNimation}} paid for ''Anime/FullmetalAlchemist2003'') and how poorly it sold. Next came ''Anime/{{Noein}}'', which fared better in popularity and reception, but only modestly. Later on, ''Manga/BirdyTheMighty: Decode'' sold very poorly in Japan, and ''Anime/StarsAlign'' was praised while it was airing but ended on a {{Cliffhanger}} due to the number of episodes being cut to half its intended length late in production.
61* Office Academy, the company behind ''[[Anime/UchuuSenkanYamato Space Battleship Yamato]]'', made several forgettable series such as ''Anime/SpaceCarrierBlueNoah'' that failed to gain recognition inside or outside of Japan, unlike ''Yamato''.
62* ''Anime/TengenToppaGurrenLagann'' and ''Anime/CodeGeass'' did this for the SuperRobotGenre and RealRobotGenre respectively, resulting in the two shows combined being a tough act to follow for the mecha genre as a whole -- in the decade since, no mecha show has managed to approach the popularity of either series.
63* Quite possibly the reasoning for nothing but more ''Franchise/YuGiOh'' from Creator/KazukiTakahashi. And even then, his input has fallen from writing the manga (''Yu-Gi-Oh!''), to having major input and plot work on the anime (''[[Anime/YuGiOhGX GX]]''), to just doing character designs (''[[Anime/YuGiOh5Ds 5Ds]]'', ''[[Anime/YuGiOhZexal Zexal]]'', ''[[Anime/YuGiOhArcV ARC-V]]'', and ''[[Anime/YuGiOhVRAINS VRAINS]]'').
64* The Anime/UnicronTrilogy [[ZigZaggingTrope zig-zags this a bit]]. ''Anime/TransformersArmada'' isn't exactly a masterpiece and has a very slow beginning, but partway in [[GrowingTheBeard it found its footing and dramatically increased in quality]]. This created decently high hopes for its sequel ''Anime/TransformersEnergon''; hopes that ''Energon'', having a very rushed TroubledProduction, could never meet. The final installment, ''Anime/TransformersCybertron'', ended up [[SurprisinglyImprovedSequel inverting this trend]]; ''Energon''[='s=] disastrous launch left a '''very''' low bar that ''Cybertron'', with its strong CharacterDevelopment and plotting, was easily able to jump over.
65* The [[FirstInstallmentWins first season]] of ''Anime/{{Aikatsu}}'' is widely regarded as the best season of the series (if not the entire franchise) in terms of writing, character development and world building in spite of the less-than-stellar animation. Some of the franchise's most iconic songs, namely "Diamond Happy!" and "Calendar Girl", also come from this season. The following three seasons and reboot series ''Anime/AikatsuStars'' are generally considered to be significantly weaker in the aforementioned categories despite the improved animation. ''Stars!'' got hit even harder with this as it [[BoxOfficeBomb completely tanked]] to the point Creator/BandaiNamco lost money on it and is running the risk of becoming a FranchiseKiller. ''Anime/AikatsuFriends'' is a second attempt at reviving the franchise, but its optics are not looking too good.
66* The ''VisualNovel/ChaosHead'' anime was the first to be adapted in the VisualNovel/ScienceAdventureSeries (to mixed reviews). After that, the ''VisualNovel/SteinsGate'' anime was released, to mass critical acclaim and being listed as one of the top anime of all time on various anime database sites. None of the adaptations after ''Steins;Gate'' (''VisualNovel/RoboticsNotes'', ''Literature/OcculticNine'', and ''VisualNovel/ChaosChild'') have managed to capture the same level of success.
67* Irodori's run on ''Anime/KemonoFriends''. After gaining ''massive'' popularity with its grounded approach to the plot and gateway status to the rest of the franchise, no other media associated with it before or after could match that level of acclaim. Tomason was a definite victim of this, especially since they picked up the reigns for Season 2 after Tatsuki's firing and ran against [[Anime/{{Kemurikusa}} Irodori's immediate next work]]. To say it had a lot to live up to was barely scratching it.
68* Many people were surprised to hear that [[Creator/HiromuArakawa the author]] of ''Manga/FullmetalAlchemist'', one of the most high-rating manga and anime of all time and a very dark adventure story, would be making a slice-of-life dramedy about a boy going to an agricultural university, ''Manga/SilverSpoon'', and it clearly had its previous work's shadow looming over it. Many were pleasantly surprised that ''Silver Spoon'' turned out to be just as high-quality as its predecessor in its comedy and character-driven drama and exploration.
69* ''Manga/NegimaMagisterNegiMagi'' was very well regarded (save for the ending) during its run, and its sequel ''Manga/UQHolder'' has had nowhere near the same amount of popularity or success. Fans have speculated that certain plot points and characters from ''Negima'' were added to bring back fans of the previous series, as it wasn't nearly as related to the previous series in its earliest chapters.
70* The ''Literature/BoogiepopSeries'' is a TropeCodifier of the light novel medium, and because of its huge impact Kouhei Kadono never really managed to create another series that was as successful.
71* ''Anime/YourName'' blew away every previous work by Creator/MakotoShinkai, becoming the second-highest grossing anime movie in Japan (behind only ''Anime/SpiritedAway'') and ''the'' highest-grossing anime movie of all time worldwide. There was simply no way his next work, ''Anime/WeatheringWithYou'', could possibly have been able to match it, and despite being considered a very good movie in its own right, everyone more or less agrees that it didn't. Unless he manages to do something truly unbelievable, ''Your Name'' is presumably going to loom over Shinkai this way for the entire rest of his career.
72* Yuki Urushibara has had trouble replicating the success of ''Manga/{{Mushishi}}'', widely considered one of the greatest manga of all time, during the rest of her career. Her next series ''Waters'' was a ShortRunner that didn't make it a year due to fan disinterest, and she ended up not writing anything for almost a decade before returning with ''When the Cats Face West''...which also ended up flying under the radar and ending in a short time.
73* ''Manga/WhyTheHellAreYouHereTeacher'': The first teacher, Kana Kojima, is perhaps the most popular in the series, enough that later arcs are often compared unfavorably to hers. Many readers want to see her and Satou become the central focus of the story again, or would have preferred that instead of [[RotatingProtagonist introducing a new couple for each volume]], the story should have focused entirely on her evolving relationship with Satou, although the pair of Tanaka and Tachibana, of the original four pairs, seems to be almost as highly regarded.
74* ''Manga/DeathNote'':
75** ''Death Note'' cast a long shadow over writer Tsugumi Ohba and illustrator Takeshi Obata, and their future collaborations ''Manga/{{Bakuman}}'' and ''Manga/PlatinumEnd'' were doomed to never become as iconic as their first work.
76** On a character level, many feel that Near and Mello wouldn't be so divisive if it weren't for the fact that [[spoiler:they're [[ReplacementScrappy the successors to]] the nigh-universally beloved L. It's hard to imagine ''any'' character meant to take over his role in the narrative would've gotten a warm reception from fans, at least at first. While Near is still hated by a large segment of the fandom, Mello is generally agreed to be an interesting character on his own merits. (Which doesn't mean the fanbase has forgiven the creators for killing L off in the first place...)]]
77* Following the unbridled success of ''Manga/KurokosBasketball'', Tadatoshi Fujimaki went right back to the HotBlooded sports genre with his follow-up series, ''Manga/RobotXLaserbeam''. Except it turns out the usual shounen sports clichés don't really work when applied to a manga about ''golf'', which is known for being a slow-paced and non-confrontational sport. Combine the odd combo with an unpopular timeskip and readers growing tired of the aforementioned sports manga clichés, and the manga found itself cancelled a little over a year after it began.
78* Influential director Creator/MamoruOshii is known for his philosophical, slow-paced works, but he actually started with the zany comedy of ''Manga/UruseiYatsura'', pretty much the TropeCodifier for MagicalGirlfriend. After more than three decades, and a hiatus that lasted since 2009, he came back to his roots in the 2020s with ''Anime/VladLove'', a wacky comedy starring a girl with a MagicalGirlfriend of her own, a vampire lady. However, despite his pedigree, the series failed to gain much attention and was generally considered as a SoOkayItsAverage example of slapstick that tries too hard to be zany and funny, with characterizations and plots seemingly coming right from the early 2000s if not the 1990s.
79* After the success of ''Manga/{{Naruto}}'', Creator/MasashiKishimoto went on to create ''Manga/Samurai8TheTaleOfHachimaru''. While he acknowledged that people would be hesistant to accept a new work from him, he still hoped people would come to enjoy it regardless. Unfortunately, ''Samurai 8'' was nowhere near as popular as ''Naruto'', as it was cancelled after only ten months of serialization.
80* Satsuki Yoshino hit it big with ''Manga/{{Barakamon}}'', and was decently successful with the high school SpinOff ''Handa-kun'', but afterwards constantly struggled to find success with works that weren't about Sei Handa and company. ''Yoshi no Zui kara'', which contains heavy autobiographical elements about the writing of ''Barakamon'' itself, made it three years but only three volumes thanks to ScheduleSlip, and ''18 Eighteen'' only lasted for a year and a half, and both works were criticized for [[ItsTheSameSoItSucks relying way too much on]] ''[[ItsTheSameSoItSucks Barakamon]]''[[ItsTheSameSoItSucks -style rural humor]].
81* ''Mix'' has a double whammy of this: it's not only the [[SequelGap long-awaited sequel to]] ''[[Manga/Touch1981 Touch]]'', one of the most popular manga and anime series of all time, but also the first work by Creator/MitsuruAdachi to be adapted to anime after ''Manga/CrossGame'', which was critically acclaimed and is widely seen as his best work. Reviews largely reflected this sentiment--while most reviews noted that [[SoOkayItsAverage it was a perfectly fine series]], it didn't come close to matching the legacy of its predecessors.
82[[/folder]]
83
84[[folder:Comic Books]]
85* Creator/ArtSpiegelman when it comes to his "comix" duology ''ComicBook/{{Maus}}''. He has been quite vocal about how he never expected the "monument to my father" to become so popular, nor did he expect that his later works would be greeted by wishes for ''Maus III''.
86-->'''Spiegelman:''' I'm proud that I did ''Maus''; I'm glad that I did it. I don't really regret it. But the aftershock is that no matter what else I do or even most other cartoonists might do, it's like, well, there’s this other thing that stands in a separate category and it has some kind of canonical status.
87* When it comes to Batman origin stories, the clear favourite is Frank Miller's "ComicBook/BatmanYearOne". It modernised Batman's original origin with a noir atmosphere, phenomenal art from David Mazuchelli and was a tightly plotted crime drama with a layered deuteragonist in Jim Gordon. Batman origin stories following it, in all media, tend to be negatively compared to it. This is especially the case with "ComicBook/BatmanZeroYear".
88* Jim Starlin, who thanks to his masterful work crafting ''ComicBook/TheInfinityGauntlet'', has every comic book given to him compared to it and rarely in a favorable light.
89* After Creator/KurtBusiek's historic ''[[ComicBook/TheAvengers Avengers]]'' run, Creator/GeoffJohns took over the title, only to quickly quit and jump ship back to DC due to ExecutiveMeddling. Chuck Austen followed Johns' run, and was widely considered to be one of the worst writers in the franchise's history. Sales fell so sharply that Marvel cancelled the book with ''ComicBook/AvengersDisassembled'' and allowed Creator/BrianBendis to reboot it as ''ComicBook/NewAvengers'', which was a much stronger seller.
90* Creator/ChrisClaremont on the ComicBook/XMen; only a bare handful of writers have managed to carve an identity out on the X-Books that did not have Claremont's shadow hanging over them. Similarly, everything Chris Claremont himself has done since then has been inevitably been declared not as good as his original X-Men run.
91* ''ComicBook/GreenLantern'' has Ron Marz, who made the book a hit with the introduction of Kyle Rayner as Green Lantern. When he left the book, he was replaced with Creator/JuddWinick, whose run started to bleed readership. Following him was Ben Raab, whose run was so reviled that many Rayner fans blame him (in addition to Winick) for sinking the sales of the title and basically forcing DC to bring Hal Jordan back as Green Lantern to stop the bleeding.
92** ''Green Lantern'' also has Geoff Johns, who brought back Hal Jordan (without displacing any other human Lantern) and the SpaceCop stuff, while also expanding the mythos to include multiple Lantern Corps, and turning the franchise into a gigantic space opera that became central to the DCU. The stuff that followed by Robert Venditti is ''not'' looked highly upon, nor are any of the ''Green Lantern'' series that take the space opera approach. ''ComicBook/GreenLanterns'' gets a pass for having the characters focus on Earth and being more about everyday superheroics, but that's about it.
93* ''ComicBook/TheIncredibleHulk1968:'' After Peter David's decade and change run on the title, Joe Casey had the task of following up on him before the title ended after six issues. The final story even begins with a fourth-wall breaking moment where Casey even addresses how the deck was pretty stacked against him from the start.
94* Keith Giffen and [=J.M. DeMatteis=] inevitably have every series they launch compared to their classic ''ComicBook/JusticeLeagueInternational'' run, no matter how different their new projects are. They finally gave in and accepted this, as they started writing a new Justice League spin-off as part of the ComicBook/New52.
95* Creator/JerrySiegelAndJoeShuster never created anything that people remembered to nearly the extent of ComicBook/{{Superman}}. Same with ComicBook/{{Batman}}'s creators Bob Kane and Creator/BillFinger ([[MyRealDaddy who created most of Batman's traits and key characters]] though Kane got sole credit due to a contract stipulation until 2015 when Finger was finally given co-creator credit on Batman associated media).
96* Cullen Bunn had the unfortunate luck of writing for [[ComicBook/{{Venom}} Agent Venom]] right after Rick Remender's run, which was praised by fans and critics alike. While plenty of people liked his work on the title, it was almost universally viewed as a step down in quality and the book ended up being [[CutShort cancelled]] right in the middle of resolving its MythArc.
97* Creator/{{Christopher Priest|Comics}} basically redefined ComicBook/BlackPanther in every way and to this day his run is considered by many to be the greatest book Panther has ever had. He was followed by Reginald Hudlin, whose work was immediately hit by the this trope in full force. His run initially outsold Priest's by quite a bit, but as time went on, sales fell sharply. A relaunch stunt involving T'Challa's sister Shuri taking over as the lead didn't do much better, and the title was eventually cancelled under new writer Jonathan Maberry.
98* Sombra's issue of ''ComicBook/MyLittlePonyFiendshipIsMagic'' was very well received, being well written and giving what fans wanted from his backstory, and set the high bar against which the subsequent issues would be measured.
99* ''ComicBook/{{Daredevil}}'':
100** Some feel that every era lives uncomfortably under the shadow of the Creator/FrankMiller era, who redefined Daredevil into the gritty noir character known today and established much of his expanded mythos and acclaimed stories, such as the Hand, Elektra, "Exposé" and "Born Again".
101** Any ''Daredevil'' run following the '''hugely''' successful Bendis and Brubaker eras. Both were massively successful mega hits and award winners, and the follow-up, Andy Diggle's run, is as a result not looked highly upon. Waid's run gets a pass for being very tonally different than the Bendis and Brubaker runs, but the Soule run that followed got this treatment for not living up to ''all three'' runs, ''as well'' as the hit Netflix series.
102** Despite following those two, Mark Waid's ''Daredevil'' run is now ''also'' this. Noted for its more lighthearted and optimistic tone, while still maintaining a darkness and drama to itself, the run is noted for being a much more different take on the character that didn't eschew the darkness, but addressed it directly. It's also liked for the focus on supporting characters like Foggy Nelson and Maggie Murdock. Following this run, the idea of a darker ''Daredevil'' run was not only negatively compared to the Bendis and Brubaker eras but also the more optimistic Waid era.
103* Anything ''ComicBook/XForce'' related following Rick Remender's ''Uncanny X-Force''. While the previous run had its fans, it has a very big BrokenBase for being almost a parody of what X-Force is (mutants who kill to protect other mutants). Remender portrayed this and didn’t glorify it, and in fact deconstructed the entire idea of a mutant kill squad, while still allowing for character development. He also masterfully implemented X-Men history into his run. The runs that followed... well, they’re more traditional X-Force runs (meaning style over substance and grimdark galore), and just aren’t considered as good. To put it lightly: ''Uncanny X-Force'' is considered not only the best X-Force run, but also one of the best X-Men comics of all time, while every ''X-Force'' run that followed is barely remembered.
104* Ed Brubaker's ''ComicBook/CaptainAmerica'' was lauded as a great reinvention of the character and his mythos, combining political commentary with a sleek spy-fi angle while having lots of twists and turns. It's also noticeable for having Bucky Barnes not only RescuedFromTheScrappyHeap in retconning him into a much darker character, but turning him into a BreakoutCharacter by making him the new Captain America. The series was an audience and critical darling and brought the character into a new century. Every run that's followed has been negatively compared to it. Rick Remender's run was considered SoOkayItsAverage pulp sci-fi when it wasn't loaded with [[TheyChangedItNowItSucks widely disliked retcons]] and Nick Spencer's run became controversial for the sheer ''volume'' and unsubtlety of its political commentary ''before'' it pulled a CosmicRetcon to turn the titular character into a Nazi (and made an event out of it).
105* ''ComicBook/{{Grayson}}'' was a SugarWiki/BetterThanItSounds spy series about [[ComicBook/{{Nightwing}} Dick Grayson]] operating within an organisation determined to find out the secrets of superheroes. While originally loathed for not having Dick as a superhero, a cover depicting him holding a gun and cancelling the then-ongoing ''Nightwing'' series, come release, it gained popularity ''very'' quickly, and helped launch the career of Tom King and provide some mainstream work for Tim Seeley. The series was liked for its fundamental understanding of the character despite its strange situations, playful yet very strong dialogue, as well as actually doing something new and refreshing with a Batman character. The series ended and was followed by ''ComicBook/NightwingRebirth'', written solely by Seeley. While not considered ''bad'', it's considered a fairly standard Bat-family superhero comic, and the absence of King is very noticeable, as Seeley had Dick narrate every issue. To say ''Grayson'' fans aren't wowed is putting it lightly.
106* Similarly, Creator/TomKing faced this. Not only did he have to follow-up the beloved ''Grayson'', but he ''also'' had to follow-up the Hugo-nominated, Harvey and Eisner Award-winning ''ComicBook/TheVision2015'', his acclaimed reinvention of ''ComicBook/OmegaMen'' and sleeper hit ''Sheriff of Babylon''. These were ''all'' comics that were hits in a single year. Eventually, his sole project would be as the main writer for the ''ComicBook/BatmanTomKing'' ongoing. The series is known for its BrokenBase, and a lot of it is the HypeBacklash from readers who had heard about King but hadn't read him. The dialogue is considered not as skillful as in ''Grayson'', ''Omega Men'' or ''Sheriff'', it's not considered as original as ''any'' of the mentioned works and hardly does anything ''revolutionary'' with the character, which kind of became King's whole thing thanks to all his popular superhero works doing those things. King himself jokingly acknowledged the possibility of this trope taking effect.
107-->'''Tom King''': Realize I'll never be on this many year list things again. You're only the new guy with new ideas once. Grateful to be on this ride now.
108* ''Franchise/TheFlash'':
109** Mark Waid's run developed Wally so that he became more than just Barry Allen's successor as the Flash, having him grow and mature across the entire run. It also featured what is considered one of the most realistic relationships in superhero comics in Wally's relationship with Linda Park. Not only that, but it introduced the concepts of the Flash Family, unifying DC's speedsters into one family dynamic, while also introducing beloved speedster Bart Allen (Impulse). Waid introduced the concept of the Speed Force, which has become central to the ''Flash'' mythos and gave the franchise a more mythical element. Waid's run told larger than life stories that could span across time and space, or just focus on one city, but all were steeped in strong character work. His run is considered the ''definitive'' run on the franchise, and nothing that follows is looked as highly upon, including Waid's own returns to the book.
110** Geoff Johns' run is considered this too, though is also considered not as good as Waid's. Johns brought in a smaller scope, focusing on world-building with Keystone City and Central City. Johns' run is also known for its strong villains, bringing back the Rogues, setting up some new characters, and bringing in fan-favourite villain Hunter Zolomon, a character that is considered incredibly sympathetic yet monstrous, and incredibly powerful without being overpowered, along with having an interesting motivation and personal relationship with Wally, to the point that every evil Speedster has been negatively compared to him. Johns' run is also known for how it gradually built up over time, with almost every arc leading to an epic conclusion. Like Waid, subsequent ''Flash'' works are often negatively compared to Johns' run, including Johns' own subsequent ''Flash'' work with Barry Allen (Wally's predecessor as the Flash).
111* Greg Rucka's run on ''ComicBook/WonderWomanRebirth'' has resulted in every run after it (and it was the first of the series) being negatively compared to it. It reintroduced Wonder Woman's post-Crisis origin while updating it to incorporate the Cheetah and was very well-liked for being sentimental and heartfelt while never being boring, and interesting inclusion of the Greek Gods that incorporated more recent and nuanced interpretations of them. The following runs are disliked for either being boring, bringing back Wonder Woman's disliked New 52 origin or disliked interpretations of the Greek Gods.
112* Creator/JuddWinick's take on the second Robin Jason Todd, who he brought back and turned into sympathetic anti-hero ComicBook/RedHood in the ''Under The Hood'' story arc. His run became so popular that the succeeding writers tried to emulate it to mixed results and even acclaimed writer Creator/GrantMorrison was not able to reach the same level of popularity as Winicks.
113[[/folder]]
114
115[[folder:Comic Strips]]
116* ''ComicStrip/CalvinAndHobbes'' managed to be this for ''its entire medium''. Ever since it ended in 1995, there have been dozens of comic strips released with varying degrees of reception, but not a single newspaper comic (or even webcomic) has been as beloved or made as much of a mark as ''Calvin and Hobbes''. The comic strip has also been this for its creator, Creator/BillWatterson, who retired from cartooning after ending the strip in 1995 and went many, many years without writing or illustrating anything to be sold to the public.
117* Prior to this, the comic-strip tough act was LongRunner ''ComicStrip/{{Peanuts}}'', which went from a small daily strip to a franchise including animated specials, feature films, comic books, and even amusement parks and which altered the format and expectations of the comics page from gags or adventure serials, running almost fifty years with ''one artist''. It even both predated and outlasted ''Calvin and Hobbes'', the only paradigm-shifting daily comic that had anywhere near the impact.
118[[/folder]]
119
120[[folder:Fan Works]]
121* ''Fanfic/RhymeAndReason'' was the first ''WesternAnimation/ChipNDaleRescueRangers'' FanFic ever written that was meant to be a FanFic, but it was also on the verge of staying the only one of its kind. Since there were no other ''CDRR'' fics around, it was seen as the reference for everything to follow. However, it used to be [[DoorStopper the longest]] of all ''CDRR'' fics, it's very well written, and it's also very intense. After all, it tied for Best All-Time Fanfic with ''Webcomic/OfMiceAndMayhem'' at the Golden Acorn Awards for several years in a row until both were declared ineligible to give other fics a chance. When it was released in spring 1996 after some two years of writing and several months of proofreading and editing, the Rangerphiles believed that all ''CDRR'' fics to come had to live up to these high standards. As they felt they couldn't write anything even close to it, they decided not to write anything at all.\
122It wasn't until 1997 that another ''CDRR'' fic was published. The [=Robo||erd=]'s series ''The Adventures of Gadget Hackwrench'' is vastly different from ''Fanfic/RhymeAndReason'', and it demonstrated that ''CDRR'' fanfic doesn't have to try its hardest to mimic this masterpiece in any way to be worth reading. The number of ''CDRR'' fanfics grew quickly from then on.
123* Malaysian artist ayyk92 will probably never be able to top JustForFun/{{Bowsette}}'s humongous memetic success, which even spawned a fan event in Japan (where the character is known as Koopa-hime) and a fairly long entry on Website/TheOtherWiki.
124[[/folder]]
125
126[[folder:Films -- Animation]]
127* The Franchise/DisneyAnimatedCanon:
128** One of Creator/WaltDisney's early successes was the cartoon short ''WesternAnimation/TheThreeLittlePigs'' (which featured the song "Who's Afraid of the Big Bad Wolf?") Other follow-up cartoons with the same characters were less successful, which prompted Walt to comment, "You can't top pigs with pigs."[[note]] He actually made that comment ''before'' he made the other two cartoons. He made them anyway as a sort of proof-of-point to his distributors, who just wanted more of the same.[[/note]]
129** Following ''WesternAnimation/SnowWhiteAndTheSevenDwarfs''' massive success, the only other films from the canon released during Walt's lifetime to have been immediately successful both critically and financially were ''WesternAnimation/{{Dumbo}}'', ''WesternAnimation/{{Cinderella}}'', ''WesternAnimation/PeterPan'', and ''WesternAnimation/OneHundredAndOneDalmatians''. Even worse is that it wasn't only because of how high ''Snow White'' set the bar, but because many of the other films were not [[VindicatedByHistory immediately]] [[AcclaimedFlop successful]] for a variety of reasons (for example, ''WesternAnimation/{{Pinocchio}}'', ''WesternAnimation/{{Fantasia}}'', and ''WesternAnimation/{{Bambi}}'' were released during UsefulNotes/WorldWarII, while ''WesternAnimation/AliceInWonderland'' and ''WesternAnimation/SleepingBeauty'', as well as ''Bambi'', also received mixed reviews at best). At least Walt did live to see some of his films undergo re-appraisals.
130** ''WesternAnimation/TheSwordInTheStone'' would probably be better known today if it hadn't been released between two of Creator/WaltDisney's biggest animated hits, ''WesternAnimation/OneHundredAndOneDalmatians'' and ''WesternAnimation/TheJungleBook1967''.
131** ''WesternAnimation/TheRescuersDownUnder'' had a ''very'' tough act to follow in ''WesternAnimation/{{The Little Mermaid|1989}}'' and boy, did that turn out ugly (receiving mixed-to-negative reviews and flopping at the box office, getting overwhelmed by ''Film/HomeAlone1''). ''Down Under'' is today one of Disney's obscurities, barely known by the general public (also being followed by ''WesternAnimation/BeautyAndTheBeast''), although it has become a CultClassic in its own right. Heck, it is even generally considered to be even better than its predecessor, ''WesternAnimation/TheRescuers'' in practically every way.
132** In TheNineties, ''WesternAnimation/{{Pocahontas}}'', ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'' and ''WesternAnimation/{{Hercules}}'' were the three films immediately following ''WesternAnimation/TheLionKing1994''. These are also the three most controversial 1990s Franchise/DisneyAnimatedCanon entries, although ''Hercules'' was received much better than ''Hunchback'', and both were received better than the decidedly SoOkayItsAverage ''Pocahontas''. ''WesternAnimation/{{Mulan}}'' and ''WesternAnimation/{{Tarzan}}'' in turn were received better than ''Hercules'' and ''Hunchback''. All five, however, are usually as fondly remembered by children of TheNineties as the earlier canon installments.
133** ''WesternAnimation/Fantasia2000'' came a whopping sixty years after ''WesternAnimation/{{Fantasia}}''. To say this trope was fully into effect at the time of the release is putting it mildly. Even Roy E. Disney asked that viewers not take it as the same art piece the original was intended to be.
134** ''WesternAnimation/BambiII'' tops that with a world record ''sixty-four'' years after the original film. Compared to [[{{Sequelitis}} most other Disney sequels]], it is actually something of a CultClassic, though naturally pales against one of Disney's first and most iconic animated films. It should be noted that Disney also considered and turned down sequels for ''Dumbo'', ''Pinocchio'', and even ''Snow White and the Seven Dwarfs''. What a bad time to be VindicatedByHistory.
135** Ironically ''reversed'' in between the releases of ''WesternAnimation/HomeOnTheRange'' and ''WesternAnimation/ThePrincessAndTheFrog''. ''Range'' wasn't well received by the entire Disney community and audiences alike (despite getting at least mixed to average reviews from critics, according to a 54% on Rotten Tomatoes... no joke!), ''Princess'' could be nothing but spectacular compared to it.
136** ''WesternAnimation/BigHero6'' got hit with this for similar reasons to ''WesternAnimation/TheSwordInTheStone''. While the movie itself was far from a failure, it does tend to get overlooked because it was released in between the cultural phenomenon ''WesternAnimation/{{Frozen|2013}}'' and the enormously popular ''WesternAnimation/{{Zootopia}}'', both of which made over a billion dollars at the box office. It also leads into the problem of optics: ''Frozen'' and ''Zootopia'' were {{sleeper hit}}s that weren't expected to make anywhere near as much money as they did, while ''Big Hero 6'' was a superhero movie made during a golden age of superhero movie profitability, so while its $657 million gross does make it one of the biggest movies ever for Disney Animation, it also made it the lowest-grossing major superhero film of 2014. Its opening weekend was in fact considered so unremarkable that the Hollywood trades didn't even focus on ''Big Hero 6'' taking the #1 spot in the U.S., but rather on Creator/ChristopherNolan's hugely-anticipated ''Film/{{Interstellar}}'' [[AnimationAgeGhetto "embarrassingly" taking the #2 spot behind a Disney cartoon]]. It doesn't help that people in countries like the UK had to wait months before it came to cinemas there, by which point most people had either watched it illegally or just lost interest.
137* Creator/{{Pixar}}:
138** ''WesternAnimation/{{Up}}'':
139*** Due to how well-loved this movie is, practically every Pixar film following it is compared to ''Up'', leading to all sorts of reactions along the lines of, "It was good, but not as good as ''Up''."
140*** In a weird way the prologue of the film can act this way to the rest of the film. It's not uncommon for people to say that the first 10 minutes were so well done the rest of the film can feel disappointing by comparison.
141** [[Creator/PixarRegulars Lee Unkrich]] admitted to waking up physically ill from worry while directing ''WesternAnimation/ToyStory3'', afraid he would screw up the series. He turned out to be wrong, as the third film was able to get extremely positive reviews by the fans and critics alike. Unfortunately, that warm response has made ''WesternAnimation/ToyStory3'' this for Creator/{{Pixar}}; their next film, ''WesternAnimation/Cars2'', was the company's first outright failure with critics, while ''WesternAnimation/{{Brave}}'' didn't exactly help matters (in spite of it still garnering positive reviews and winning the Best Animated Feature Oscar for 2012, it was a surprise win over Disney's better-received ''WesternAnimation/WreckItRalph''), with ''WesternAnimation/MonstersUniversity'' being the studio's lone standout of the period (the critically better-received of the trio).
142** ''WesternAnimation/TheGoodDinosaur'' fell into this rut. The film's delayed release resulted in it debuting just five months after ''WesternAnimation/InsideOut'', the film that was heralded as Pixar's return to form and one of the greatest family films of the decade, if not of all time. As a result, the movie was generally well-received, more so than Pixar's ''Cars 2'' beforehand, but not nearly as much as its predecessor and only around the same lines as ''Brave'' and ''Monsters University''.
143** Expectations for ''WesternAnimation/FindingDory'' were ''extremely'' high, both due to coming 13 years after its predecessor ''WesternAnimation/FindingNemo'' and the fact that it would center on fan-favorite Dory.. Consensus-wise, ''Finding Dory'' isn't seen as epic-scale as the hype led expectations for it to be, but is still regarded by many to be a worthy follow-up to ''Finding Nemo'' nonetheless (especially with its record-breaking box-office results, such as the highest-grossing animated film in North America since ''WesternAnimation/{{Shrek 2}}'').
144** The announcement that ''WesternAnimation/ToyStory4'' was in production was met with an extremely polarizing reaction within mere minutes, especially from those who thought that the aforementioned ''WesternAnimation/ToyStory3'' was the perfect ending for the franchise and that any further movies would be stomping all over said ending (or, at the very least, were skeptical that ''4'' would garner as enjoyable or emotional of an experience as ''3'' did). [[AndYouThoughtItWouldFail In spite of this]], upon release, the movie was ultimately a success with critics and fans and regarded to be just as good as the first three movies ([[ContestedSequel though some still swear up and down and all-around that the third movie should have been the end of the franchise]]).
145** ''Westernanimation/{{Onward}}'' is a lesser case. Everyone agrees it's a good movie, but the problem is that Pixar set the bar too high. Then came it being the lowest-grossing Pixar film due to the Usefulnotes/Covid19Pandemic, and the much more acclaimed ''Westernanimation/{{Soul}}'' coming later that year to push ''Onward'' a bit further down.
146* Pixar's rivals at Creator/DreamworksAnimation are also liable to suffer this as well:
147** ''WesternAnimation/SharkTale'' came out just after ''WesternAnimation/{{Shrek 2}}'' became a smash. The film's attempt to be a more mature story (with the death of an instrumental character) didn't tune in with either audiences nor critics, and was received much less favorably. This film also followed ''WesternAnimation/FindingNemo'', and got two negative labels: being called a mess of all of the negative clichés for which DWA has been derided, and having the lowest Rotten Tomatoes score out of all of their movies. It didn't help that the studio's following film, ''WesternAnimation/{{Madagascar}}'' would become wildly popular.
148** ''WesternAnimation/MonstersVsAliens'' was a milder version, as it was sandwiched between ''WesternAnimation/KungFuPanda1'' and ''WesternAnimation/{{How to Train Your Dragon|2010}}'', with both becoming notable for marking Dreamworks' turn into more story-based films.
149** The studio entered a devastating rout after ''WesternAnimation/Madagascar3EuropesMostWanted'': A few films like ''WesternAnimation/TheCroods'', ''WesternAnimation/MrPeabodyAndSherman'' and ''WesternAnimation/HowToTrainYourDragon2'' became modest successes although neither got much notice. On the other side, ''WesternAnimation/RiseOfTheGuardians'', ''WesternAnimation/{{Turbo}}'' and ''WesternAnimation/PenguinsOfMadagascar'' became notorious bombs that almost bankrupted the studio. After ''Penguins'' was released, [=DreamWorks=]'s PDI branch was closed while COO Mark Zoradi (a 30-year Disney vet who had only joined the studio months earlier), and CCO Bill Damaschke were fired. By 2015 however, ''WesternAnimation/Home2015'' gave studio a badly-needed boost and ''WesternAnimation/KungFuPanda3'' became as successful as the series' previous entries.
150** ''WesternAnimation/ShrekTheThird'' and ''WesternAnimation/ShrekForeverAfter'' also struggled to live up to the well received first two movies in the series.
151** It's thought that ''WesternAnimation/RubyGillmanTeenageKraken'' coming off the heels of ''WesternAnimation/PussInBootsTheLastWish'', widely regarded as one of the greatest films the studio has ever made, was one of the contributing factors in ''Ruby Gillman'' ultimately becoming one of the studio's biggest [[BoxOfficeBomb box-office failures]] in the studio's history. After ''The Last Wish'' told an ambitious story dealing with very deep themes, while also featuring incredible animation and a spot-on sense of humor, ''Ruby Gillman'' featuring a more conventional story and themes (which wasn't helped by the trailers [[TrailersAlwaysSpoil spoiling much of the movie's few genuine surprises]]) resulted in audiences being much less interested in seeing it.
152* ''WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks'' is considered a SurprisinglyImprovedSequel and GrowingTheBeard to the ''Equestria Girls'' SpinOff. Its sequel, ''WesternAnimation/MyLittlePonyEquestriaGirlsFriendshipGames'', had a lot to live up to. [[ContestedSequel Opinions are divided]] regarding how well it compares.
153* [[Creator/WarnerBros Warner Animation Group]]
154** ''WesternAnimation/TheLegoBatmanMovie'' had the bad luck to follow the critically acclaimed ''WesternAnimation/TheLegoMovie''. While ''Batman'' is seen as a good movie, which turned a profit at the box office, it's generally considered somewhat of a step down, with much lower tallies than ''TLM''.
155** ''WesternAnimation/{{Storks}}'' was an even bigger example, being Warner Animation Group's second movie, and its first entirely original property. This movie had a different crew behind it, and was met with far less praise from critics, as well as having to contend with ''[[Film/TheMagnificentSeven2016 The Magnificent Seven]]'' on opening weekend. While it was ultimately the more profitable film thanks to a lower budget and far better overseas numbers ($109.7 million compared to ''The Magnificent Seven's'' $68.9), it was still considered a disappointment by Warner Bros.
156** ''WesternAnimation/TheLEGONinjagoMovie'' failed to win over critics who enjoyed both of the two previous theatrical Lego movies, with reviews calling it too generic, with less effort to appeal to older audience members. These turned it into WAG's first movie with a Rotten RT score, as well as its first box-office bomb.
157* Creator/MarcellJankovics's ''Animation/JohnnyCorncob'' was a sensation in his home, being the first Hungarian animated feature and a celebration of the greatest work of his country's greatest poet. His other films, ''Animation/SonOfTheWhiteHorse'', ''Animation/SongOfTheMiraculousHind'' and ''Animation/TheTragedyOfMan'' were met with more disinterest -- ''White Horse'' was a flop and ''Tragedy'' took almost three decades to finish due to the lack of support. Creator/PannoniaFilmStudio itself would produce [[Animation/FoamBath bomb]] after [[Animation/HeroicTimes bomb]] after [[WesternAnimation/TimeMasters bomb]] in the wake of ''Corncob'' until films like ''Animation/VukTheLittleFox'' and ''Animation/CatCity'' brought them back to top. At least ''Son of the White Horse'' [[VindicatedByHistory is better regarded now]], having become an international CultClassic.
158* More and more this trope continues to bite ''Creator/{{Laika}}'' in the behind. While they do received plenty of praise and respect for their Stop-Motion efforts, none of their later films have yet to reach the critical and financial success of their 2009 breakthrough hit ''WesternAnimation/{{Coraline}}'', which continues to cast a shadow over all of their work to this day. Laika's subsequent films have gone on to become just comparatively modest successes or outright [[AcclaimedFlop flops]]. 2019's ''WesternAnimation/MissingLink'' was the most egregious victim yet, having made only $27 million on a budget of over $100 million.
159* ''WesternAnimation/TomAndJerryBackToOz:'' The SurprisinglyImprovedSequel nature of the film and how it stands above the average Tom and Jerry DirectToVideo flick make it likely that any movie following it would have felt like a letdown. FranchiseKiller ''WesternAnimation/TomAndJerryWillyWonkaAndTheChocolateFactory'' would have been poorly received by just about any standards, but coming on the heels of this film just emphasized that failure for many fans.
160[[/folder]]
161
162[[folder:Other]]
163* The Boeing 747, upon its first flight, was the world's largest passenger aircraft. Known as the Queen of the Skies, it has changed aviation forever and it's still going strong for more than 50 years. By the time Airbus unveiled the A380 however, times have changed. Although it is bigger than the 747, it couldn't keep up with the demands such as fuel efficiency and passenger load. Also, there are fewer A380 orders compared to the 747 and its family. Even worse, there are some airports capable of handling a 747, but not an A380! After more than a decade since its launch, Airbus has decided to halt its production and some airlines started to retire the A380 and focus on smaller planes which are more fuel efficient and feasible than the A380. This shows that future jumbo passenger aircraft couldn't match the impact and success of the Queen.
164** The 747-400 variant is this for the 747 family. Since its launch in the late 80s, it has become the most successful 747 variant, outlasting its predecessors. Although more airlines are retiring that variant, including Delta and United, the 747-400 is still around, with British Airways being the largest operator. When the new 747-8 is launched, in spite of the success of its cargo variant, its passenger variant isn't as big of a hit as that of the 747-400.
165* Creator/WCFields once said that the only act he couldn't follow onstage was Creator/TheMarxBrothers. He is known to have appeared on the same bill with them only once, during an engagement at Keith's Orpheum Theatre in Columbus, Ohio, in January 1915. At the time, the Marx Brothers were touring "Home Again", and it didn't take Fields long to realize how his quiet comedy juggling act was faring against the anarchy of the Marxes. Fields later wrote of the engagement (and the Marxes):
166-->They sang, danced, played harp and kidded in zany style. Never saw so much nepotism or such hilarious laughter in one act in my life. The only act I could never follow... I told the manager I broke my wrist and quit."
167* An unusual version: When Creator/JimHenson died in 1990, his friends and family hosted an elaborate memorial service in New York's Cathedral of St. John the Divine. Few present were entirely prepared for ''Big Bird'' to show up in formal attire and just barely manage to sing a heart-wrenching rendition of "Bein' Green." He concluded the song by looking at the ceiling and saying, "Thank you, Kermit," before walking away and leaving the entire cathedral in StunnedSilence. The next speaker was Henson's longtime friend and collaborator Bernie Brillstein, who was faced with basically doing the impossible - so he decided to acknowledge as much, and was met with a great deal of relieved laughter.
168-->'''Brillstein:''' Jim told me: "Never follow the bird."
169[[/folder]]
170
171[[folder:Pinball]]
172* Most of Creator/PatLawlor's pins after ''Pinball/TheAddamsFamily'' and ''Pinball/TwilightZone'' are unfairly dismissed by players just because they fail (or are perceived to fail) to live up to the lofty standards set by those two blockbusters.
173* ''Pinball/PopeyeSavesTheEarth'' just happened to come after big successes in pinball like the aforementioned ''The Twilight Zone'' and ''Pinball/StarTrekTheNextGeneration''. Though far from the best game ever made, it was critically ravaged like it was the worst. This affected the manufacturer quite heavily, as this string of successes prompted arcade operators to pre-order pinball machines in large quantities sight unseen, confident that whatever was released next would be just as good. However, the weak early response to ''Popeye Saves the Earth'' by players terrified these operators, knowing they had paid a lot of money for ''Popeye Saves the Earth'' without the ability to return them. Some arcade game historians say that ''Popeye Saves the Earth'' falling below expectations scared enough operators from buying pinball that it was a direct cause of the industry's near total collapse a few years later.
174[[/folder]]
175
176[[folder:Professional Wrestling]]
177* ''Starrcade 86'' was the last hurrah of Jim Crockett Promotions, and perhaps, the Wrestling/NationalWrestlingAlliance, as the NWA would survive but never again reach such heights. JCP, though, was dead within two years. Of course, this was somewhat deliberate, as Wrestling/VinceMcMahon was [[InvokedTrope hard at work]] to ensure ''Starrcade '87'' would flop, going so far as to create another pay-per-view (''Wrestling/SurvivorSeries'') for the sole purpose of running against it and telling all the cable companies that picking ''Starrcade'' meant they wouldn't get ''[=WrestleMania=] IV'' the next year[[note]]The WWF would create the Wrestling/RoyalRumble to mess with the [=NWA's=] next PPV, ''Bunkhouse Stampede'', only this time for free on the USA Network. It was such a success that it was made a PPV the following year and has been held every January since. In response to this JCP ran ''Clash of the Champions'' against ''Wrestling/WrestleMania IV'' for free on Creator/{{TBS}}, this also drew a huge rating and JCP/WCW would end up doing 34 more [=COTC=] shows, only ending them in 1998 when ''Nitro'' and ''Thunder'' made a 2 hour live cable special redundant[[/note]].
178* This typically happens on a PPV when the best match of the night ''isn't'' the main event. Wrestling/ShawnMichaels was particularly guilty of this throughout his career, hence his nickname "The Show Stealer".
179** ''Wrestling/WrestleMania III'': Downplayed with the Wrestling/RandySavage vs. Wrestling/RickySteamboat Intercontinental champions. That match is considered one of the best of all time and one that helped shape the WWF’s reputation as an actual wrestling organization rather than an entertainment company. That being said, it hasn’t overshadowed the main event between Wrestling/HulkHogan vs. Wrestling/AndreTheGiant: While it was generally considered to be a bad match at the time, that has long been eclipsed by its historical significance as a clash of the titans.
180** ''Wrestling/WrestleMania 13'': A pretty weak Mania that was saved by arguably one of the greatest matches in the event's history: the submission match between Wrestling/StoneColdSteveAustin and Wrestling/BretHart. The intensity, the work rate, the psychology, the booking, the finish, the post-match angle, and the fallout were all perfect. It was so great, that it pretty much overshadowed the rest of the matches of the card, including the forgettable main event headlined by [[Wrestling/SidEudy Sycho Sid]] and Wrestling/TheUndertaker.
181** ''Wrestling/KingOfTheRing 1998'': The infamous Wrestling/HellInACell match between Wrestling/TheUndertaker and [[Wrestling/MickFoley Mankind]]. This match is so iconic that most people don't even remember that this wasn't the main event of that PPV, which was Wrestling/StoneColdSteveAustin vs Wrestling/{{Kane}} in a First Blood match in which Kane won his first World Title, nor the titular tournament that took place that night, which was won by Wrestling/KenShamrock.
182** ''Wrestling/WrestleMania X8'': Wrestling/TheRock vs Wrestling/HulkHogan. This is a weird case in that though it headlined the PPV, it wasn't the main event because it didn't go last like it was supposed to. Instead, management lobbied for the title match between Wrestling/TripleH and Wrestling/ChrisJericho to go last instead.
183** ''Wrestling/WrestleMania XXV'': Wrestling/ShawnMichaels vs Wrestling/TheUndertaker. They showed up ''everybody'', and the crowd was effectively dead for the rest of the night. Understandably, their rematch next year was made the main event (aided by the fact that it was HBK's retirement match). The rematch is itself an example, while it was also considered one of the best matches of all time, it's not ''quite'' as highly regarded as the first one.
184** ''Wrestling/MoneyInTheBank 2011'': Wrestling/CMPunk vs Wrestling/JohnCena. This match got a five-star rating from ''Dave Meltzer'' -- the last time the WWE managed that was the first Wrestling/HellInACell match between [[Wrestling/ShawnMichaels HBK]] and Wrestling/TheUndertaker (which was also Wrestling/{{Kane}}'s debut). While every match Punk and Cena had together afterwards easily clocked at four stars and above, it's kinda hard to match this one for a variety of reasons, mainly being the atmosphere just isn't as charged as it was in UsefulNotes/{{Chicago}} (CM's hometown, by the way), and the stakes just weren't as high, lowering the drama factor. It's not helped that this is considered to be one of the best matches WWE has put on in ''years'' (with some even going on to say that it's the best match in WWE history).
185** ''Wrestling/WrestleMania XXVIII'': Wrestling/TripleH vs. Wrestling/TheUndertaker in Wrestling/HellInACell with Wrestling/ShawnMichaels as the special guest referee. In a 'Mania headlined by [[Wrestling/DwayneJohnson The Rock]] vs. Wrestling/JohnCena, this is the match that everyone thinks about.
186** ''Wrestling/{{WWENXT}} [=TakeOver=]: Brooklyn'': Wrestling/{{Bayley}} vs Wrestling/SashaBanks. The fact that it was a Divas match of all things made it more surprising, but afterwards many consider it to be the greatest women's match in WWE history (despite the fact that it was on a ''developmental'' brand), and one of the matches of the year. In fact, the biggest, glaring flaw that everyone saw in the [[Wrestling/FergalDevitt Finn Balor]] vs. Wrestling/KevinOwens ladder match, a sure show stealer on any other card, was the fact that it had to follow this one, and that match was relegated to a footnote. It was so good that their rematch got to headline the next special, making history in the process. Like with Taker/HBK, while the sequel was also considered amazing, most people still prefer the first.
187** ''Wrestling/WrestleMania 29'': Wrestling/CMPunk vs Wrestling/TheUndertaker. [[HistoryRepeats In a 'Mania headlined by The Rock vs John Cena, this is the match that everyone thinks about]]. Granted, this one is debatable seeing as not only was it the best match, many believe it was the only good match on the card (besides the always decent [[Wrestling/BryanDanielson Daniel Bryan]] match).
188** ''WWE NXT [=TakeOver=]: Dallas'': Wrestling/SamiZayn vs Wrestling/ShinsukeNakamura. Expectations were already high enough considering the resumes both had, and this was Nakamura's debut match and Zayn's last NXT match, but then both men proceeded to blow those expectations out of the water. An instant classic, this match is nigh-universally considered the best match in all of 2016's ''Wrestling/WrestleMania'' weekend and one of the forerunners for match of the year. Even the highly anticipated [[Wrestling/KanakoUrai Asuka]] vs Wrestling/{{Bayley}} match for the NXT Women's Championship wasn't able to live up to it, nor was the rematch for the NXT Championship between Wrestling/SamoaJoe and [[Wrestling/FergalDevitt Finn Balor]], and both, under normal circumstances, would've been sure fire contenders for match of the night.
189** ''Battleground 2016'': Wrestling/SamiZayn vs Wrestling/KevinOwens. Great spots, perfect storytelling, and an emotional ending, it was the perfect match to cap off their rivalry (for now). What makes this even better is that this show had Wrestling/TheShield Triple Threat for the WWE Championship on it, and that was an amazing match as well. The fact that Zayn and KO managed to steal the show from one of the most anticipated matches in WWE history is nothing short of astounding.[[note]]Considering that Owens and Zayn basically grew up together, have spent the majority of their careers in the same promotion (be it WWE, ROH, or Canadian indies), and have wrestled each other ''dozens'' of times (and have been tag partners off and on for over 15 years) it would be a lot more shocking if they didn't have a really good or even great match[[/note]]
190** ''WWE Roadblock'': [[Wrestling/JonMoxley Dean Ambrose]] vs Wrestling/TripleH. Though it was mainly this in regards to Wrestling/RomanReigns vs Wrestling/TripleH at ''Wrestling/WrestleMania 32''. It was absolutely no secret that most fans wanted Ambrose in the main event that year. While the company wasn't willing to relent on Reigns, they gave a title match to Ambrose at a WWE Network special as compensation, while Reigns was out for his deviated septum. The match Ambrose had with Hunter ended up being the main forerunner for Match of the Year until Nakamura/Zayn happened at ''Dallas''. Ultimately, the match Reigns and Hunter had wasn't able to live up to it.
191** ''WWE NXT [=TakeOver=]: New Orleans'': '''The entire event''' was this for the then-upcoming ''[=WrestleMania=] 34'', and arguably for every ''NXT [=TakeOver=]'' special from here on out. Already having its own ToughActToFollow in ''NXT [=TakeOver=]: Philadelphia'', which ended in a five-star classic between then-NXT Champion Wrestling/AndradeCienAlmas and Wrestling/JohnnyGargano (the first WWE match to get this rating since the above-mentioned Cena/Punk match seven years ago), ''New Orleans'' completely outdid ''Philadelphia'', with only one match clocking below four stars, and being bookended by ''two'' five-star matches; the opening match, which was an epic six man-ladder match to crown the first ever North American Champion, and the main event, which was the long-anticipated unsanctioned [[ItsPersonal grudge]] match between former tag team partners turned bitter [[ArchEnemy Arch-Enemies]] Johnny Gargano and Wrestling/TommasoCiampa.
192** ''Wrestling/WrestleMania 34'': Wrestling/RondaRousey and Wrestling/KurtAngle vs Wrestling/StephanieMcMahon and Wrestling/TripleH. Yes, really. Blowing even the best expectations out of the water, this match completely undid the entire crowd, and Ronda went from being derided by the IWC to their newest darling almost as soon as the match was over. It was so good that even ''Dave Meltzer'' felt that ''[=WrestleMania=]'' should've been over after that. Not even the highly-anticipated Wrestling/AJStyles vs. Wrestling/ShinsukeNakamura match (which had the added handicaps of a dead crowd and HypeBacklash) could live up to it.
193** At the 2018 all-women's ''Evolution'' PPV, the main event was Wrestling/RondaRousey vs. [[Wrestling/BellaTwins Nikki Bella]] and - while most critics found it to be a fine match - it had only a month of build-up. And it had the bad luck to follow an incredibly intense Last Woman Standing match between Wrestling/BeckyLynch and Wrestling/CharlotteFlair - who had been feuding since the summer, and Becky was enjoying her biggest surge in popularity yet. It's generally agreed that Ronda vs Nikki was only put as the main event to give the PPV the star power to convince WWE to have it in the first place. The Last Woman Standing match was thirty minutes, full of high spots and officially crowned Becky Lynch as the Smackdown Women's Champion (there had been fears that Charlotte would win the belt back) - while the main event was only fifteen minutes and tainted by the build-up making Ronda UnintentionallyUnsympathetic.
194** ''Wrestling/WrestleMania 38'' saw two of the biggest XPacHeat-magnets in Wrestling/RondaRousey and Wrestling/CharlotteFlair face off to the collective apathy of the fandom. While many will say the match itself was decent on its own, the disdain the crowd had for both along with following two match of the year candidates in Wrestling/BeckyLynch vs. Wrestling/BiancaBelair and Wrestling/SethRollins vs. Wrestling/CodyRhodes (the latter being Cody's return after his time in AEW) back-to-back made them less enthusiastic to cheer either woman, with the only reason most of the crowd hadn't clocked out was the anticipation for Wrestling/StoneColdSteveAustin's possible (and eventually confirmed) in-ring return.
195* Wrestling/{{WCW}} in regards to [[Wrestling/ImpactWrestling TNA]]. TNA was originally created to fill the void that WCW left -- the problem was that the times had changed and a lot of the stuff that made WCW so big were either regarded as passé or had their flaws magnified by TNA's attempts to rehash it. Then they started emulating the stuff that ''killed'' WCW during its disastrous final years (not-so-coincidentally, this was when Wrestling/VinceRusso returned to the booking team), and somehow made WCW look ''better'' in comparison.
196* The NXT women's division as a whole pulled this on the main roster women from the 2014-2015 period. NXT started giving the women time to wrestle, feuds that had meaning, fans were into them and the matches were usually hits. The match that really put NXT's women on the map - Wrestling/{{Charlotte|Flair}} vs. Wrestling/{{Natalya|Neidhart}} at ''Takeover'' - was followed by a series of lackluster matches in the feud between Wrestling/AJLee and {{Wrestling/Paige}}. General consensus was that the main roster women's matches were okay, but had no chance of overshadowing NXT. The 2014 ''TLC'' PPV was the worst offender, taking place only five days after an NXT special.
197* The annual ''Wrestling/RoyalRumble'' PPV always has the titular match as the main event. By nature of the match's design, the Royal Rumble keeps the crowd constantly active, wearing them out by the end when they finally reach the winner. As a result, the rare occurrence where the match ''isn't'' in the main event has the following matches having to endure dead crowds. This problem only got worse during the 2018 ''Royal Rumble'' PPV, where there were ''two'' Rumble matches thanks to the historic, first ever ''women's'' Royal Rumble. Because of the novelty of the match, the women's match was the main event that year and the men's match was placed in the middle of the show, exhausting the Philadelphia crowd for the following two matches. The women's match managed to wake them up, but needed the aid of a proportionally larger amount of nostalgia/surprise entrants than the usual Rumble match (going by the formula of the men's match) to do so.
198* Wrestling/LisaMarieVaron - in her 'Victoria' persona - had her first major feud against Wrestling/TrishStratus. Considered one of the most intense women's feuds in WWE, it involved hardcore matches, table matches and street fights, and a memorable segment where Trish was knocked out with a steel chair! It climaxed in a triple threat at ''Wrestling/WrestleMania XIX'' (involving [[Wrestling/CarleneMoore Jazz]] as well) also considered one of the best women's matches at the event. Although she became Women's Champion again, and stayed with WWE until 2009 (and had a decent run in TNA for another few years after that), she still couldn't recapture the intensity of that first feud. It didn't help that her character became DenserAndWackier, and was more often treated as a joke.
199* Ever since the Wrestling/BigGoldBelt -- largely considered to be the best championship belt design in wrestling history -- was retired for good in 2014, fans have been begging WWE to bring it back and every top title design WWE introduced after the Big Gold was retired has been compared negatively to it. Not helped by the fact that the title belts WWE use nowadays are mostly {{Palette Swap}}s of the WWE Title, resulting in ItsTheSameNowItSucks. The new "[[https://www.wwe.com/f/styles/og_image/public/all/2023/05/WWE_World_Championship--3f7deec341d4257875929ee8ab140834.png WWE World Heavyweight Championship]]" belt introduced in 2023 bears a clear resemblance to the Big Gold and while some appreciate this, others call it a knockoff and demand the actual Big Gold be brought back.
200[[/folder]]
201
202[[folder:Software]]
203* UsefulNotes/MicrosoftWindows:
204** Throughout the UsefulNotes/TheEighties and UsefulNotes/TheNineties, Windows slowly but steadily matured, staring out as a highly limited graphical environment for MS-DOS and growing into a more capable, fully-fledged operating system. Windows XP, released in 2001, represented the culmination of this maturity; it completely ditched any sort of dependency on DOS and was based on the previously business-oriented Windows NT codebase. Since NT was built from the ground up to be a multitasking OS with protected memory and improved dependency management, it had greatly improved stability compared to prior, DOS-based releases of Windows. In spite of some notable remaining flaws (especially when it came to security), many users thought it was "good enough", especially after many of these issues were ironed out by service packs[[note]]As proof of this, Microsoft continued supporting XP until ''2014'', 13 years after it released, and even then released some critical security patches after that, due to the huge numbers of people and organizations that stuck with XP regardless.[[/note]]. Microsoft seems to have been aware of this, and thus sought to make XP's successor, Windows Vista, into a revolutionary product packed with cutting edge features that would entice even the most die-hard XP fans to upgrade. Unfortunately, this made Vista into an overly ambitious project that ended up releasing in an unfinished state despite its protracted development time. Users and hardware manufacturers both refused to adopt it due to its high hardware requirements, buginess, instability and incompatibility with existing hardware and software.
205** Microsoft followed up Vista with Windows 7, which many described as "What Vista should have been," or "Vista with the kinks worked out." It had all of Vista's improvements to security and graphics, but with the stability and compatibility of XP[[note]]Partly due to genuine improvements in the OS, and partly because hardware and software vendors had had the time to update their products to be compatible with the new standards included in Vista and 7[[/note]], leading it to become Microsoft's new ToughActToFollow. Indeed, they struggled to follow up 7 much in the same way they struggled to follow up XP. Upon its reveal, many bashed Windows 8 for shoehorning an interface designed for phones and tablets into an OS primarily used on desktops and laptops. While Windows 10 managed to WinBackTheCrowd to a significant degree, it still had a few controversial elements such as forced updates[[note]]which often interrupt your use of the computer to deliver ObviousBeta software without giving you any choice in the matter[[/note]], and a shift towards a "software as a service" model that pushes things like advertisements in the OS and brings privacy issues through increased data collection, all of which makes some Windows users long for the GoldenAge of 7.
206[[/folder]]
207
208[[folder:Sports]]
209* Any team that was led to success by a standout athlete has trouble after he goes away - best example being the UsefulNotes/MichaelJordan-less Chicago Bulls.
210** Or the Denver Broncos without John Elway. It's actually eerie how similar those two turned out: Jordan was universally regarded as basketball's greatest player, while Elway was a top class quarterback. Both retired in 1999 after winning championships, and neither team has truly recovered. (Of course, Jordan came back with another team, but [[AudienceAlienatingEra we prefer to not think about that]])
211** Another would be the Miami Dolphins without Dan Marino, and the Buffalo Bills without Jim Kelly. The San Francisco 49ers managed to avert this after losing Joe Montana due to Steve Young proving to be a worthy successor, but became a straight example once they no longer had Young or Jerry Rice.
212** Subverted by the Green Bay Packers, who were lucky enough to have the equally exceptional Aaron Rodgers waiting in the wings to replace Brett Favre (much like how the aforementioned 49ers were able to replace Joe Montana with Steve Young[[note]]ironically, Aaron Rodgers' favorite player as a child was Steve Young[[/note]]). Of course, this made for a ''really'' tough act to follow for 2020 first-round draft pick Jordan Love, who was named the starter after Rodgers was traded ahead of the 2023 season, as he was not only following Rodgers (which would already be a pretty big shadow in itself), but, in a sense, the combined legacy of the Favre-and-Rodgers duo...and Love promptly proceeded to outdo ''both'' of his predecessors by taking his team to the playoffs in his first season as a starter, something neither Favre nor Rodgers was able to do (and he did it with an incredibly young and inexperienced roster to boot), and the Love-led Packers proceeded to ''tie the franchise record for playoff points'' in Love's playoff debut[[note]]they would have had the record outright if not for a missed extra point[[/note]], and were ultimately a missed field goal away from advancing to the conference championship. While it's too early to say with certainty that he'll live up to that legacy in the long run, he's certainly trending in the right direction.
213** In UsefulNotes/FormulaOne, Ferrari after Michael Schumacher. Or any other team.
214*** Schumacher's career after he returned to the sport after retirement. The most race wins in UsefulNotes/FormulaOne history, most driver championships and all around legendary. Naturally it would be impossible for him to live up to his own record since he hadn't raced in [=F1=] for a number of years and he wasn't in a team as good as Ferrari. Initially he got some flak (which everybody noted for being unreasonable) for not being his "old self" but his post-retirement career has been respectable. Fortunately, this made Kimi Raikkonen's return to the sport easier as people accepted that they couldn't expect too much - his post-retirement career has been equally respectable.
215*** In Brazil, any Formula 1 driver after Ayrton Senna; that included his nephew Bruno. Rubens Barrichello in particular got some flak for being the new Brazilian driver but unlike Senna not having [[ButtMonkey his prowess, powerful car or luck,]] '''until''', that is, he pulled the proverbial rabbit out of his hat by beating [[Series/TopGear The Stig]].
216*** This got nearly avoided with Felipe Massa, especially during the 2008 season where he briefly ''was'' unofficially World Drivers' Champion for about 10-30 seconds, before Creator/LewisHamilton managed to [[DownToTheLastPlay finish in the points to become Champion by one point.]]
217*** In the UK this has an odd occurrence, having produced so many successful drivers means that not one of them is overwhelmingly considered to be the greatest (Moss, Clark, Stewart, Hill, Mansell and Hamilton all being equally well regarded for example) but the commentary partnership of Murray Walker and James Hunt (or Martin Brundle) and the BBC's use of "The Chain" as the theme song for the coverage are so etched into the public mind that any other suggestions will always be compared to that.
218** Every Brazilian National [[UsefulNotes/AssociationFootball Football (Soccer)]] Team after the Pelé-led team of Mexico 1970. The winning teams of 1994 and 2002 have come close, but since Korea-Japan the team has been increasingly beaten in any World Cup they are in, leading to the "Verde-amarela"'s infamous 7x1 loss against Germany in the 2014 World Cup.
219** Argentina and the "Maradona Curse": Diego Maradona's infamous doping-related retirement in the 1994 World Cup led to the downfall of the same team which had won two World Cups in 1978 and 1986, and the last two (South) America Cups, their 1993 championship being the most recent trophy for the "Albiceleste". And while they got the upper hand in Brazil '14, they were crushed by Germany in the finals, while beaten one year later by Chile in the 2015 Copa América (and one year later as well in the "Centennial Cup"). This has gotten to the point Messi has been mocked for his subpar performance for his national team while being Barcelona's superstar. Only in 2021 he got a title with the senior Argentinian team[[note]]he won the Olympic gold with the under-23 squad in 2008[[/note]] by breaking that Copa América drought, and followed that up by winning the World Cup in 2022.
220** Also in soccer: For a long time, the USA women's national team was this after the groundbreaking [[UsefulNotes/TheWorldCup World Cup]] champions of 1999. Despite four Olympic golds since then, it took 20 years for the team to ''completely'' exit the shadow of the 1999 team. The 2011 World Cup team came close, but lost to [[YamatoNadeshiko Japan]] in the final. The shadow finally lifted in 2015, when the USWNT dispatched longtime nemesis Germany in the semifinals and got revenge against Japan in the final. It went away decisively in 2019, when they dominated what by all accounts was the strongest women's field ever assembled to repeat as champions.[[note]]How dominant? They never trailed once in the tournament, outscored their opponents 26–3, and led for more than 70% of the total time they played. And the only times they were seriously pressed in the tournament, they were only in danger of an equalizer. Not to mention that they took down four top-10 teams in the process (of course, they entered the tournament at #1). One player went so far as to say before the tournament that she felt the US had the two best teams—their starters and their bench. Though time will tell if falling in the following Olympics to a BoringButPractical Canadian team was just a hiccup in USWNT domination.[[/note]]
221** English examples. England's 1966 World Cup winning squad (the England team of later years has been more notorious for its failures). Liverpool in the 1980's (after being crowned champions in 1990, they would have to wait until ''2020'' for their next league title), Manchester United's 1999 Treble winning side, Arsenal's Invincibles from 2004.
222** The New York Yankees will never be as loved as when they had Creator/BabeRuth. They probably will never even be as loved as when they had Mickey Mantle. Respected, maybe. ''Feared'', yes...
223** Bill Mazeroski, the Hall of Fame second baseman for the Pittsburgh Pirates, called his walk-off home run to win the 1960 World Series to complete an upset of the Yankees "a curse in disguise." He was never a prolific hitter, and outside of Pirates fans, people saw only that home run, not realizing he is the best defensive second baseman to have ever played the game.
224** Roger Maris, after breaking Babe Ruth's single season record for home runs claimed the rest of his career would have been "a helluva lot more fun" had he never done that.
225** Any league with a salary cap essentially forces this as any team with a surprisingly good year is forced to get rid of half their players since they're now demanding pay raises, especially if they win the championship. Aversions happen in teams that are centered around a few key players or have excellent general managers.
226** When legendary goalkeeper Peter Schmeichel left Manchester United in 2000, the Red Devils had a tough time finding a 'keeper good enough to replace him; Mark Bosnich and Massimo Taibi were busts, Fabien Barthez was good but inconsistent, Roy Carroll wasn't good enough, and Tim Howard only became a star after he was transferred to Everton. In 2006, United finally got a star GK in Edwin van der Sar; some even consider him better than Schmeichel left. This was averted when van der Sar retired in 2011; while replacement goalkeeper David De Gea initially had some struggles, he eventually adapted to the Premier League and became one of the best, if not THE best, 'keepers in the world (while becoming Spain's own replacement for Iker Casillas).
227** The other big #23 of basketball, Usefulnotes/LeBronJames, caused this twice to the Cleveland Cavaliers, as the team became a bottom-feeder following both of his departures.
228* Manchester United manager cases:
229** No manager has yet been successful at replacing Sir Alex Ferguson. Fergie's replacement David Moyes was an abject failure, turning a title-winner into a mid-table side, while Moyes's own successor Louis van Gaal was widely derided for boring tactics, underachievement versus smaller teams, and a host of disappointing signings.[[note]]He did, however, bring in such hidden gems like Ander Herrera, Daley Blind, and Anthony Martial; it was also under his watch that homegrown phenomena Jesse Lingard and Marcus Rashford became first-team regulars and former reserve Chris Smalling became a regular starter at CB. [[/note]] Next came José Mourinho, who basically destroyed his reputation with even more underachievement, plus conflicts with players ''and'' management, that saw him sacked after a poor start to the 2018–19 season. The ship was righted to a certain extent when former United star Ole Gunnar Solskjær was hired as caretaker manager, improving things to the point that the "caretaker" label was removed near the end of the season, and after a shaky start to 2019–20 leading a youthful side to a third-place finish and Champions League football for 2020–21. Then arch-rivals Liverpool started using them for target practice, with one infamous 5-0 home defeat effectively sealing Solskjaer's fate (especially since Liverpool a) didn't bother to get out of second gear, b) sauntered into a 4-0 lead by half-time, c) only bothered to make an effort in the second half for as long as it took for Mo Salah to score his hat-trick, then spent the remaining forty minutes [[JustToyingWithThem torturing United by making them chase the ball for the rest of the match]]). The less said about Ralf Ragnick's brief tenure the better, while the jury is somewhat still out on Erik Ten Hag. On the one hand, he's returned Champions League football to United and laid down the law, booting Cristiano Ronaldo when he started making a fuss. On the other hand, his United team got absolutely spanked by an off-form Liverpool team, losing 7-0. Oh, and he still hasn't managed to get rid of [[ButtMonkey Harry Maguire]].
230** The managers who came after Matt Busby's retirement in 1969 suffered from this: Wilf [=McGuinness=] was out of his depth, Frank O'Farrell didn't get along with the players and made some terrible signings, Tommy Docherty relegated the Red Devils (he did bring then back to the top flight, though, made a couple of title challenges and won the FA Cup) Dave Sexton's style of play was sleep-inducing, and Ron Atkinson, despite never finishing lower than fourth and winning two FA Cups couldn't knock Liverpool off their 80's dominance. Ferguson himself was close to being another failed successor to Busby, but an FA Cup win in 1990, followed by great signings (Peter Schmeichel, Andrei Kanchelskis, Denis Irwin, and Eric Cantona) and a legendary batch of Academy graduates, ensured that he would successfully live up to Busby's legacy and outshine Busby himself.
231* Arsenal FC in two cases.
232** First, the 2003/04 Arsenal side became the first team since Preston North End in the late 1800s to win a league season unbeaten. At first, it seemed like Arsenal were due to take their place among Europe's elite, as they regularly made it deep into the Champions League, and even made a final in 2006. Following that Champions League final defeat, they have yet to return anywhere near those lofty heights again, and haven't even won the league since that 2004 invincible season. In fact, they've regressed to the point where they're currently fighting just to stay in the Top 7.
233** Second, the managerial succession following the stepping-down of Arsene Wenger. Wenger was the manager who led them to these titles, and even managed a few FA Cup wins in his final seasons. However, each coach that has followed him has done worse, both highlighting just how excellent of a manager Wenger was, and causing the team to slip further and further away from success again. First, Unai Emery seemed to be getting Arsenal going in the right direction, with a 22-match unbeaten steak in all competitions. But then the team started to slip, before losing a Top 4 finish and getting embarrassed 4-1 in the Europa League final by rivals Chelsea. He was sacked after a truly dismal start to the 2019/20 season. He was replaced by former captain and Manchester City assistant Mikel Arteta, who also seemed to start off on the right foot, getting Arsenal another FA Cup victory (going through Manchester City and Chelsea, no less). However, things turned sour when Arsenal yet again started off the season in horrid form, finding themselves in the lower half of the table heading into December, before the team turned it around, missing out on European football for the first time in literal decades. Next season, however, Arteta's side rebounded to put themselves firmly into the Top 4 race, with convincing wins against sides such as Manchester United, Tottenham Hotspur, Chelsea, and other competitors like West Ham and Wolverhampton Wanderers. While they are still a long way from reaching the lofty heights Wenger reached, it is clear that the side is on the right track.
234* Leicester City's 2014-2023 Premier League run is perhaps defined by this. A squad initially made mostly of cheap cast-offs led by a manager who never won a title in a 26 year career, they entered sporting legend by becoming the unlikely winners of the 2015/16 title. They followed that up with their 2016/17 season being the worst statistical title defence in over 50 years. They managed to regain their footing over subsequent seasons, reaching 5th in the 2019/20 standings and winning the FA Cup in 2020/21, before rapidly declining again and being relegated in 2023.
235* Tottenham Hotspur spent the first 20 years of the Premier League's existence as outsiders looking in on the success that other teams such as hated rivals Arsenal and Chelsea were experiencing. However, toward the mid 2010s, Tottenham's fortunes began to shift. Led by attacking talent such as homegrown Harry Kane and foreigners Heung-Min Son and Christian Eriksen and managed by young managerial talent Mauricio Pochettino, Spurs began to force their way into title race conversations and looked dead set to become a force to be reckoned with from then on. However, Pochettino never managed to guide Spurs to a trophy win in that time despite multiple Cup Final appearances, and he eventually was sacked after Spurs seemed to flounder not even six months after competing in the Champions League Final. Spurs have since faltered completely, failing to make even the Europa League the previous season and failing to make it out of group in the Europa Conference League in 2021, though they remain in the hunt for Top 4 to close out the 2021/22 season and Antonio Conte has since seemed to stabilize the ship. However, they are still a far cry from the team they were only two seasons ago.
236* This trope is partly the reason why Oakland Athletics fans hate current owner Lew Wolff. The A's former owners Charlie Finley and Walt Haas were nothing short of legendary; Finley was an eccentric yet successful owner who headed the small-market A's during their early 70's "Swinging A's" dominance (thanks in no small part to guys like Catfish Hunter and Reggie Jackson), while Haas became well loved due to his excellence as an owner (the late 80's-early 90's A's successes were under his ownership) and his constant presence in the East Bay community. Wolff, on the other hand, is a cheapskate who doesn't really care about the A's; his refusal to spend money was what caused the A's to constantly lose stars like Jason Giambi, Johnny Damon, Barry Zito, Yoenis Céspedes, and Josh Donaldson. If it weren't for Billy Beane's Film/{{Moneyball}}-based genius, the A's in the 2000s would've become a bigger joke than their equally unsuccessful Oakland neighbors (the pre-[[UsefulNotes/StephenCurry Curry]] Warriors and the post-Gruden Raiders).
237* The UsefulNotes/OlympicGames are prone to this. Heaven forbid any athlete returning for their second, third, etc. Games doesn't match or improve on their previous performance--1992 Albertville gold medalist Kristi Yamaguchi saw this coming a mile away and decided not to return for the 1994 Lillehammer Games.
238** Any sensational record in any sport. At the 1968 Summer Olympics, Bob Beamon set a world record for the long jump with a jump of 8.90 m. Prior to this, the world record had been broken thirteen times since 1901, with an average increase of 6 cm; Beamon's jump bettered the existing record by 55 cm. The defending Olympic champion Lynn Davies told Beamon, "You have destroyed this event." The record stood until 1991. Beamon himself never won another Olympic medal.
239** The absolutely daunting task that any future UsefulNotes/OlympicGames swimmer will have to face if they try to defeat Michael Phelps' record in Beijing 2008 of winning 8 gold medals in a single Olympics. As of Rio 2016, with 28 medals (23 gold, 3 silver, and 2 bronze) to his name, Phelps is the most decorated Olympian '''EVER''' in any event. And to top it off, by surpassing the 12 individual titles won by Leonidas of Rhodes in 152 BC, he also broke a 2168-year-old record set during the Ancient Olympic Games themselves.
240** UsefulNotes/{{Jamaica}} has been desperately searching for its next Usain Bolt since ''before'' the Rio Games, with him making it clear that they would be his last and not wanting to lose their well-established sprint dominance. Even so, regardless of nationality, it's unlikely his legendary record of three-peat victories in the 100m, 200m, and 4*100m will ever be matched or broken.[[note]]Though Bolt would later lose one of the relay golds when one of his teammates tested positive for [=PEDs=].[[/note]] In a neat demonstration, the following Games only had Jamaican men medaling in the 110m hurdles (the women performed better).
241** The 2000 US women's gymnastics team faced this going into the Sydney Games, knowing that they would be unlikely to measure up to the Magnificent Seven of 1996. Indeed, the USA didn't win a single women's gymnastics medal in Sydney -- the team bronze medal that they were eventually awarded was given ten years later after the original bronze medal team was belatedly caught for cheating.
242** While the 2016 team, coming on the heels of the 2012 "Fierce Five", averted this, winning gold just like its predecessor (and performing even ''better''), the 2021 team was sadly unable to follow the trend; they were the favorites for gold after the return of Simone Biles and their commanding victories in the 2018 and 2019 World Championships, but once the Olympics came around (following a year delay due to the UsefulNotes/Covid19Pandemic), Biles struggled and, on the day of the team final, found herself dealing with a loss of spatial orientation that forced her to withdraw from the team competition after one event (an uncharacteristically weak vault) due to the risk of injury; the team would finish in a stunning second place behind Russia in the team final.
243** The 1996 Summer Olympics ended up victims of this compared to the 1992 Summer Olympics, once [[TroubledProduction lots of problems wound up marring things]] - extreme heat, poor transportation, a questionable mascot and the bombing attack that took place during the middle of the Games.
244** Following the 2010 Winter Olympics, the 2014 Winter Olympics suffers from this as a result of doping scandals and Russia's controversial LGBT laws.
245* As for personal tough acts to follow, quintuple Olympic ski jumping champion [[https://en.wikipedia.org/wiki/Matti_Nykänen Matti Nykänen]] was a particularly sad case -- not only did his sports career plummet with his failure in adopting the modern V style, so did his life. From [[Website/{{Wikipedia}} The Other Wiki]]: ''since the 1990s, his status as a celebrity was mainly fueled (...) by his personal relationships, his "career" as a "singer", and various incidents related to heavy use of alcohol and violent behaviour''. He ultimately died in 2019 at all of 55, less than three months after having been diagnosed with diabetes. Again, according to The Other Wiki: ''He reportedly did not adhere to a diet recommended to diabetics and continued to drink alcohol.''
246* Brett Favre, after signing with the Minnesota Vikings, had the best season of his career, almost taking the team to the Super Bowl. The second season with them... well...
247* When Andy Roddick won his first Grand Slam and became the World No. 1 in 2003, he was expected to continue the dominant American UsefulNotes/{{tennis}} tradition on the heels of Pete Sampras and Creator/AndreAgassi. Unfortunately, Roger Federer shot to the top of the tennis world soon after and Roddick would never again win a Slam or hold the No. 1 position, but it's a sure bet that even if Federer hadn't been around to beat Roddick in four Slam finals, he would still have been doomed to fall short of Sampras's 14 Slams and Agassi's 8 in spite of being good enough to be included in the Tennis Channel's list of top 100 players.
248* Roger Federer was so good at making dominating the rest of the men's tennis tour look like a walk in the park for him for four years, winning 11 out of 16 Grand Slams in 2004-07 and being ranked No. 1 for a record-breaking 237 consecutive weeks, that him starting to lose more than once in a blue moon after 2007 was viewed by some fans and pundits as him "being in decline" even though he was still easily one of the top 2-3 tennis players in the world year after year. Federer himself said that he had created a "monster of expectations" after his loss to Novak Djokovic in the 2008 Australian Open semifinals was perceived as a disappointment because he had made the finals of the last 10 Slams.
249* In 2012, Novak Djokovic won one Grand Slam, the year-end championships, a total of six titles, and finished the year as No. 1, which would qualify as an incredible season by any reasonable standard -- but since this came right after his otherworldly 2011 season in which he won three Grand Slams and went undefeated for over 40 matches, the general consensus of his 2012 season was that it was "good, but not as good as his 2011 season."
250* The 70s dynasty of the "Steel Curtain" Pittsburgh Steelers is not only hard to follow for the franchise itself, but also for most teams in the NFL, even the ones that succeeded in creating UsefulNotes/SuperBowl winning dynasties themselves. In the case of the Super Bowl, it's called the "Super Bowl Hangover"; the 2004 New England Patriots were the last back-to-back Super Bowl Champions, and, until the 2014 season, were the last team to win a playoff game after winning the Super Bowl the previous season. The latter part was broken by the 2014 Seattle Seahawks, who made Super Bowl XLIX, but lost to the Patriots.
251* Emma Raducanu was an 18 year old with few appearances in professional tournaments when she achieved one hell of a DarkHorseVictory in winning the 2021 U.S. Open emerging from the qualifiers, not losing a single set among the way. This made her an overnight superstar, with a huge boost on the WTA rankings and endorsement deals. And then 2022 had Raducanu alternating underwhelming performances (in no tournaments she won more than three matches) with injuries, culminating in her return to the U.S. Open having her downed in the first round, which would make the player who spend the year in the top 20 (and briefly reached the top 10) fall all the way to 73. Any player in her first full year on tour would struggle, but Raducanu had the increased pressure of entering that having already won a Grand Slam. Her post-match interview following the early exit had Raducanu highlighting "With perspective, actually as a 19-year-old, I've had not a bad year. To be top 100, if you told me that a year ago, I'd take it." and expressing relief that following so much disappointment, "the target will be off my back slightly" for the rest of the tour.
252* It's common in season previews to treat the last champion that retained its core players with "anything less than a repeat will be a disappointment for fans".
253* Any athlete who is the son or daughter of a sporting legend will be compared to their parent. This is subverted (or even inverted) by kids of athletes who outshine their parents in their sport, or even in another sport. Examples include:
254** Baseball: Barry Bonds (son of Bobby), Ken Griffey Jr. (son of Ken Sr.)
255** Basketball: Kobe Bryant (son of Joe "Jellybean"), UsefulNotes/StephenCurry (son of Dell), Klay Thompson (son of Mychal), Tamika Catchings (daughter of Harvey)
256** American football: Creator/{{Peyton|Manning}} and Eli Manning (sons of Archie)
257** Association football: Frank Lampard (son of Frank Sr.), Erling Haaland (son of Alf-Inge "Alfie")
258** Professional wrestling: Wrestling/RandySavage (son of Angelo Poffo), Wrestling/JakeRoberts (son of Grizzly Smith), Wrestling/TedDiBiase (son of Mike [=DiBiase=]), Wrestling/TerryFunk (son of Dory Funk Sr.), Wrestling/CurtHennig (son of Larry Hennig), [[Wrestling/DwayneJohnson The Rock]] (son of Wrestling/RockyJohnson and grandson of Peter Maivia), Wrestling/EddieGuerrero (son of Gory Guerrero), Wrestling/BretHart (son of Stu Hart), Wrestling/RandyOrton (son of Bob Orton Jr. and grandson of Bob Orton Sr.), Wrestling/RomanReigns (son of Sika), Wrestling/AlbertoDelRio (son of Dos Caras), Wrestling/BrayWyatt (son of Wrestling/MikeRotunda), Wrestling/{{Paige}} (daughter of Saraya and Ricky Knight), Wrestling/NatalyaNeidhart (daughter of Wrestling/JimNeidhart), Wrestling/{{Carmella}} (daughter of Paul Van Dale)
259** Cross-sport: Wrestling/ChrisJericho (pro wrestling; son of NHL player Ted Irvine); Grant Hill (basketball; son of NFL star Calvin Hill); Patrick Mahomes (NFL; son of MLB journeyman Pat Mahomes); Lindsay Davenport (tennis; daughter of volleyball player and referee Wink Davenport); Sam Kerr (soccer; daughter of Australian rules football player Roger Kerr) %% Sam = Samantha
260** In UsefulNotes/FormulaOne Jacques Villeneuve is a curious example. He won the World Championship, and more races than his father Gilles, plus the Indianapolis 500 and the [=IndyCar=] championship. Yet, he still lives somewhat in the shadow of his father even though Gilles never won championships. Mostly this is because Villeneuve Sr. was a very spectacular and charismatic competitor tragically killed in his prime, driving for Ferrari. Also, Jacques' winning career in F1 lasted all of two seasons before he then spent the next decade in the midfield. Of the two, Gilles actually had a longer winning career.
261** An inversion in Formula One is current Red Bull Racing star Max Verstappen, son of Jos Verstappen, who drove in [=F1=] in the '90s and 2000's. Jos never won a race; as of December 2023, Max has 54 Grand Prix wins and three world championships to his name.
262** UsefulNotes/{{NASCAR}}: UsefulNotes/RichardPetty (son of Lee, himself a NASCAR great but not at his son's level). Likewise, Richard's son Kyle was this to "the King"; as while the younger Petty had a decent career he never reached the success of his father or grandfather.[[note]]Kyle's only season where he was a championship contender was in 1992, coincidentally Richard's farewell season, with the younger Petty finishing 5th in points.[[/note]] Sadly Kyle's son and Richard's grandson Adam Petty (who was likely the first ever ''fourth'' generation professional athlete) never got the chance to avert this, as a stuck throttle caused a fatal crash during a NASCAR Busch Series practice in 2000. He was only 19 years old.
263* With the conclusion of Rugby World Cup 2015, with the New Zealand team - the All Blacks - standing victorious once again, the retirement of rugby legends [[TheLeader Richie McCaw]], [[OldSoldier Keven Mealamu]], [[TheLancer Dan Carter]], [[ThoseTwoGuys Conrad Smith, Ma'a Nonu]] and [[TheBigGuy Tony Woodcock]] has rugby fans feeling this trope deeply.
264* The Edmonton Oilers have had an extremely tough time following the sudden departure of UsefulNotes/WayneGretzky in 1988. Everyone swore he couldn't be traded, but indeed he was, and the Oilers were left struggling to find their identity without him. Decades came and went with the Oilers struggling to even maintain a decent seasonal record, let alone find their next Gretzky (though they did win one Cup without him in 1990), before they finally seem to have struck gold with Connor [=McDavid=], who to boot wears 97 on his jersey - just two away from the league-forbidden 99 (though the Oilers retired it on their own before the NHL at large did). Gretzky's 99 banner might not be all that big, but it certainly casts a huge shadow for [=McDavid=] and his teammates to skate under. He seems largely up for the task, though, guiding the Oilers farther than they had been in years in just his second season of playing for them in 2017. That's not to say there's no pressure on him to turn things around for this franchise, though...
265* After the Vegas Golden Knights [[AndYouThoughtItWouldFail subverted the usual expansion team performances by being victorious enough for a]] Usefulnotes/StanleyCup final, the next time the NHL expanded again with the Seattle Kraken, analysts were quick to point out Vegas' instant success created big expectations bound for disappointment, specially when the Kraken were the typical "new team that ends among the league's worst". (ironically, they joined in the same season where Vegas finally faultered and missed the playoffs)
266* The Usefulnotes/FIFAWorldCup has had several instances of defending champions that were knocked out in the first round of the competition[[note]](not counting Uruguay in the 1934 World Cup, when they refused to join; that being said, Argentina, second-placed in the previous World Cup, was knocked out in the first round)[[/note]]
267** The first defending champion to be knocked out in the first round of a World Cup was Italy in 1950. A combination of external circumstances, such as not having any of the World Cup double-winning players (thanks to the Second World War), the 1949 Superga air disaster killing many of Italy's best players, and poor planning (travelling by boat instead of a plane due to the aforementioned event) led Italy to be defeated by Sweden (who would advance to the finals) and defeating Paraguay, which was not enough to go to the next round.
268** The second example happened in England 1966. Defending champions Brazil were pitted against Bulgaria, Hungary and Portugal, and only beat the first, who employed [[UnnecessaryRoughness violent tactics]] to neutralize [[TheAce Pelé]] that took him out of the next game, where Hungary showed the messily assembled and coached team was not up to snuff. Portugal, the revelation of the tournament, going all the way to third place, took this even further while also aggressively ensuring Pelé stood pat.
269** The first and most noticeable example comes in 2002. After winning the 1998 World Cup at home turf as well as Euro 2000 ''and'' the 2001 Confederations Cup, France makes an embarrassing display not only by being knocked out in a group containing Uruguay, Denmark and first-timers Senegal, but also ''by failing to score a single goal'' (a draw against Uruguay and defeats to Denmark and Senegal). It was such a shocker that FIFA assumed France's terrible performance was due to defending champions not needing to play qualifiers, ending up unprepared. Ever since, the defending champion needs to play in the qualifiers to earn their place in the next World Cup. It seemed to go fairly well at first, as Brazil reached quarter-finals in the 2006 World Cup...
270** ... but then, it backfired ''spectacularly''. In the 2010 World Cup, defending champions Italy were handed a very easy group, against first-timers Slovakia and second-timers New Zealand, as well as Paraguay... but ended up in ''last'' place by drawing against Paraguay and New Zealand and losing to Slovakia. The other finalist of the 2006 World Cup, France, also failed to get past the group stage (in a group with eventual fourth-placed Uruguay, Mexico and hosts South Africa) after drawing against Uruguay in the first game, and a [[WeAreStrugglingTogether team-wrecking scandal popping up]] as they lost against Mexico and South Africa.
271** The 2014 World Cup pitted the two 2010 World Cup finalists, Spain and the Netherlands, together alongside Chile and Australia. One of the toughest groups in the competition indeed, but Spain being knocked out with one game remaining, after being demolished 5-1 by the Netherlands (who finished third) and being defeated by Chile, was unexpected. They did win their third game against the also-eliminated Australia, however.
272** Germany has one of the most powerful national football teams, only being knocked out in a first round once (in 1938), and they had won the 2017 Confederations Cup without their best players. A mixture of the 2014 World Cup-winning team with the 2017 Confederations Cup-winning team ends up with Germany being knocked out in the 2018 World Cup group stage against Mexico (whom they lost 1-0 in the first game), Sweden (who they defeated 2-1 in the last play, after a comeback) and South Korea (whom they ''lost'' 2-0 during the final minutes of the game). This makes '''three''' defending champions being knocked out in a row in the group stages.
273** On a similar vein, the winner of the Confederations Cup has never won the following World Cup. Brazil in 1998 (winners of the 1997 Confederations Cup) and France in 2006 (winners of the 2003 Confederations Cup) have got the closest to breaking this trend, but both lost in the final match.
274* At least one men's singles figure skater has (semi-)joked that they have a MomentOfSilence for whoever is unlucky enough to be skating right after Yuzuru Hanyu in competition. If the event allows it, after he finishes skating, fans will produce a [[Franchise/WinnieThePooh "Pooh rain"]], throwing plush bears onto the ice as encouragement for him. While the immediate next skater has more time to prepare (as they have to clean up the ice), he would also be intimidated because Hanyu is almost guaranteed to be a ToughActToFollow who had vowed the audience. He is considered by analysts to be an accomplished skater known for his ability to combine strong technique with mature and versatile artistry. 2006 Olympic silver medalist Stephane Lambiel described him as "the most complete athlete in figure skating, probably ever." He is a two-time consecutive Olympic champion (2014, 2018), a two-time World champion (2014, 2017), a four-time Grand Prix Final champion (2013–2016), a Four Continents champion (2020), the 2010 World Junior champion, the 2009–10 Junior Grand Prix Final champion, and a five-time Japanese national champion (2012–2015, 2020). Hanyu became the first male singles skater to achieve a Super Slam in 2020, having won all major competitions in his senior and junior career. Regarded as one of the greatest male figure skaters in history, Hanyu has broken world records nineteen times — the most times amongst singles skaters since the introduction of the ISU Judging System in 2004 — and many of the broken records were his own.
275* Music/MauriceRavel's "Bolero" has more or less been unofficially banned as ice dancing music since the 1984 season because it has become indelibly associated with the legendary Jayne Torvill and Christopher Dean, who earned the only set of across-the-board perfect scores in figure skating history with their legendary [[https://www.youtube.com/watch?v=E8obUdxnTlc free dance]] to this music. Even singles or pairs skaters who use it -- and that is rare -- invite comparisons to "Torvill and Dean" -- something which ''no one'' can possibly live up to.
276* Nick Foles had this fate ''twice''. The former Arizona Wildcats quarterback had an outstanding breakout season with the Philadelphia Eagles in 2013 -- which included setting the NFL season record for the best touchdown–interception ratio, leading the Eagles to a division title and earning Pro Bowl honors, only to follow it up with a underwhelming second season. Following a similarly underwhelming run with the St. Louis Rams and a run as a backup for the Kansas City Chiefs, he returned to the Eagles in a backup role and led them to an appearance in Super Bowl LII, where, with the help of the "Philly Special", [[CurbStompBattle they beat the New England Patriots]], a feat that earned him the MVP award that year. By the time he left the Eagles for the second time, he was seen as a hot commodity, thanks to the "Cinderella story" prestige surrounding that victory. And then his subsequent runs with the Jacksonville Jaguars, Chicago Bears and Indianapolis Colts saw him alternating mediocre performances (he only saw around four wins total during his Bears run; and ''no wins'' during his Jaguars and Colts runs) with injuries, with each run ending in him being unceremoniously traded or released after only a year or two.
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279[[folder:Theater]]
280* Creator/GilbertAndSullivan struggled with this after the mega-hit ''Theatre/TheMikado''. Gilbert darkly suggested renaming their next operetta, ''Theatre/{{Ruddigore}}'', to ''Kensington Gore: Or, Not Quite So Good as The Mikado''. ''Ruddigore'' was erroneously considered a flop in Gilbert's lifetime (the original run of ''Ruddigore'' was 288 performances, good by any standard except comparison to the ''672'' performances in the original run of ''The Mikado''); SpecialEffectFailure on its opening night may have contributed to its underwhelming reception. 20th century revivals restored the work's reputation.
281* Meredith Willson's first Broadway musical, ''The Music Man'', achieved great popular and critical success. Of his three subsequent musicals, each was less successful and less distinguished than the previous one, with his final show (''1491'') closing before reaching Broadway.
282* Two musicals with roles originated by Creator/EthelMerman - ''Theatre/AnnieGetYourGun'' and ''Theatre/{{Gypsy}}'' - were classed as untouchable. ''Annie'' would get two Broadway revivals; one in 1959 sank without a trace, and another in 1966 had Merman performing a RoleReprise, however in 1999 a retooled version came out to positive reception. However ''Gypsy'' was better off after Creator/AngelaLansbury starred in the 1974 revival, and several more have come out in the decades since.
283* Mitch Leigh had an even worse record: all the musicals he wrote after ''Theatre/ManOfLaMancha'' were atrocious flops.
284* ''Theatre/ThePhantomOfTheOpera'' is this for Creator/AndrewLloydWebber -- while several of his subsequent shows did decent/fine business in his native England (''Theatre/SunsetBoulevard'' also did well in the U.S.), he's never had another international sensation along the lines of ''Theatre/{{Evita}}'', ''Theatre/{{Cats}}'', ''Theatre/StarlightExpress'', or ''Phantom''. In 2010 he brought out a sequel to ''Phantom'', ''Theatre/LoveNeverDies'', but its reception has been extremely mixed. After the original Broadway run of ''Phantom'' closed in 2023 after a 36-year run, its longtime home, the Majestic Theatre, was subject to speculation as to what could possibly replace the longest-running show in Broadway history.
285* For Lerner and Loewe, one reason ''Camelot'' disappointed so many people was that it was their follow-up to the sensation that was ''Theatre/MyFairLady''.
286* Lionel Bart stuck it big with ''Theatre/{{Oliver}}'', but his 5 other musicals didn't make such a impression. His first predates ''Oliver'' was a minor hit, then his first post-''Oliver'' two musicals had minor runs in London, then the final two were costly failures, leaving him bankrupted and forced to sell his copyrights.
287* Boublil and Schonberg followed up ''Theatre/LesMiserables'' with ''Theatre/MissSaigon'', a critical and popular smash that introduced the world to a seventeen-year-old Filipina phenom named Creator/LeaSalonga. But not even ''Miss Saigon'' can top the longest-running, best-written, best-loved, best-known, and quite possibly ''best'' musical ever produced. Interestingly, ''Les Mis'' is '''so good''' that no one really cares what Boublil and Schonberg have gotten up to since - they wrote ''Les Mis'' and are therefore entitled to write whatever else they damn please.
288* Even though Creator/StephenSchwartz was well known at the time, this could almost be said to apply to ''Theatre/{{Wicked}}''. Nothing he did before it even comes close to ''Wicked'' 's level of popularity and revivals of some of his older work (notably the 2011 revival of ''Theatre/{{Godspell}}'') now carry the advertisement: "From the creator of ''Wicked''" (with occasionally ''Theatre/{{Pippin}}'' being mentioned as an afterthought).
289* Creator/MelBrooks followed up his musical version of ''Film/TheProducers'', which ran for six years on Broadway and set a record for Tony Award wins, with a ''Theatre/YoungFrankenstein'' musical that brought back Susan Stroman as director-choreographer and Thomas Meehan as co-writer on the book. Despite huge anticipation and ticket prices that topped out at '''$450''' for the very best seats, it was dismissed as unable to live up to its source material ''and'' its stage predecessor by critics, was mostly ignored when it came to Tony nominations and won none of the three it received, and only ran for 15 months (counting previews).
290* Michael Kunze and Sylvester Levay's first musical collaboration was ''Theatre/{{Elisabeth}}'', the most successful German-language musical ever made. Their next musical, ''Theatre/{{Mozart}}'', was much less successful. They had slightly better luck with their third, ''Theatre/{{Rebecca}}'', which is more popular than ''Mozart!'' but not nearly as popular as ''Elisabeth''. Their fourth, ''Theatre/MarieAntoinetteMusical'', was a flop in Germany but had a much better reception in Japan. Their fifth, ''Theatre/LadyBess'', has only been performed in Japan and there's no word of it ever coming to Europe.
291* ''Theatre/{{Hamilton}}'': InUniverse, there's, of course, George Washington. Even King George III [[AntagonistInMourning laments that there is no one in the states who looms quite as large]], before realizing that his successor, John Adams, will never be able to keep the union together.
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294[[folder:Toys]]
295* ''Toys/{{Bionicle}}'':
296** The story was so, well, ''huge'', that its successor line ''Toys/HeroFactory'' gets a considerable amount of hate for its bare-bones, simple-to-follow plot and minimalistic characterization. Complainers tend to overlook the fact that even so, HF's story is still a tad more complex than that of an average, non-licensed Franchise/{{LEGO}} line, and its characters are among the most developed of any original-LEGO characters (if still far from ''Bionicle'''s). LEGO themselves consider HF a wholly separate entity -- a line that occupies the same niche as ''Bionicle'', but it's not a follow-up. Further, they deliberately set out to ''avoid'' creating another complicated universe such as that of ''Bionicle'', partly because of this trope, but mostly because a simpler story is easier to promote to younger kids, which the PeripheryDemographic has a hard time realizing.
297** ''Toys/BIONICLE2015'' was marketed towards fans of the old line in particular to help strengthen the brand. But the old fans felt the story was watered down and too kiddie, unlike the original which had actual planning put into it. The line was cancelled even before LEGO's three year house minimum due to historically poor sales.
298* ''Toys/GoGosCrazyBones'', a series of collectible figures which mostly came in blind bags, was the first toyline created by the European toy company Magic Box International, and proved to be their most popular - upon its initial release in 1996, it became one of the biggest toy fads of the late 90's, and its original success was enough to get them to reboot the series in 2007, also to considerable success. Magic Box has produced several other, similar collectible toys throughout the years (such as ''Toys/FlickToStickBungees'' and ''Toys/StarMonsters''), but none of them have ever met the same level of success as ''Gogo's Crazy Bones'', usually only producing two series/sets of characters at the most (if even that), in stark contrast to ''Gogo's'' having ''way'' more sets than that.
299[[/folder]]
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301[[folder:Visual Novels]]
302* ''Franchise/AceAttorney'':
303** The best installment of the series is generally considered to be ''[[VisualNovel/PhoenixWrightAceAttorney Trials and Tribulations]]''. All later games [[BrokenBase heavily split the fandom]] but are almost never considered better. All other cases have their high points compared to those of these cases.
304** The last two cases of ''Justice for All'' invert this: The penultimate case, "Turnabout Big Top," is widely considered to be the worst case in the franchise's history, due to its cartoony nature and several {{Scrappy Mechanic}}s that are featured. Thus, the case that follows it would have to be ''spectacular'' in comparison. Indeed, the next case is "Farewell, My Turnabout," widely considered to be one of the best cases in ''Ace Attorney'' history, rivaled only by "Bridge to the Turnabout."
305** The role of the prosecutorial rival has proven difficult to get just right over the course of the franchise and, unfortunately, the first game really nailed it with Edgeworth. Edgeworth had both [[SympatheticInspectorAntagonist sympathetic]] and [[InspectorJavert unsympathetic]] qualities, had a dense and complicated personal past with Phoenix, and his character arc was the main plot of the game. He also had great animations and lines, whether he was being very smug or NotSoAboveItAll. It worked so well that pretty much every subsequent prosecutor struggled to get out of his shadow, whether leaning too far in one direction or the other when it came to balancing sympathetic and unsympathetic qualities, having to squeeze their character arc in around a more-interesting main plot in which they are just a side player, going a bit ''too'' over-the-top with their animations and CourtroomAntics, or just feeling like they're retreading the same ground Edgeworth once did. None of them are helped by Edgeworth's incredible popularity seeing him join the story for at least part of most final cases (or even notably filling in for a sick Phoenix during the third game), further making them seem less interesting than he. That's not to say that other main prosecutors don't have their fan followings (Franziska and Godot being the most notable cases, themselves from the original trilogy rather than any of the sequels or spin-offs though they are still {{Base Breaking Character}}s), but FirstInstallmentWins is definitely in play where Edgeworth is concerned.
306* ''Franchise/DanganRonpa'':
307** The BigBad of the first game, Monokuma (AKA [[spoiler:[[HopeCrusher Junko Enoshima]]]] AKA the Ultimate Despair), is widely agreed by fans to be the best villain of the entire franchise, even better than their incarnations in other installments! The first two after, [[spoiler:[[HateSink Monaca]]]] and [[spoiler:[[TragicVillain Izuru]]]], did get praise, but were still overshadowed. And the ones after them? [[spoiler:[[TechnicalPacifist Kazuo]] and [[MaddenIntoMisanthropy Ryota]]]] of ''[=DR3=]'' and [[spoiler:[[LoonyFan Tsumugi]]]] of ''[[VisualNovel/DanganronpaV3KillingHarmony New Danganronpa V3]]'' were flat-out ''hated'' by the fans, being considered weak, ineffectual, and outright stupid.
308** The second game in relation to the third. ''VisualNovel/Danganronpa2GoodbyeDespair'' is considered a big improvement over [[VisualNovel/DanganronpaTriggerHappyHavoc the original]], and while the third game's gameplay improvements and bonus modes were well-received, the plot and characters are significantly more divisive.
309** From ''VisualNovel/DanganronpaV3KillingHarmony'', [[spoiler:Kaede Akamatsu, the DecoyProtagonist of the game became this. Within her sole playable chapter, she was established as an IdealHero, and the one protagonist capable of giving a new spin to the already tired ''Danganronpa'' formula with her leadership and proactive attitude. But she is executed for committing murder in Chapter 1, and the real protagonist--shy, withdrawn detective Shuichi Saihara--quickly became a BaseBreakingCharacter for replacing her.]]
310** The second and third games' fifth cases are considered among the best in the series, particularly because the truth behind the "murders" is not at all how it first appears. The sixth and final cases are not nearly as well regarded, partly because of this trope, partly because of EndingFatigue and, in ''V3''[='s=] case, because of the controversial plot twists involved in the ending.
311* ''VisualNovel/TokyoNecro'' is seen as a solid entry in Creator/{{Nitroplus}}'s catalogue with much of the hallmark writing that is expected of them with quirky and memorable characters and heaps of Nightmare Fuel that they are known for. The problem? nitro+'s last big projects were the back to back releases of none other than ''VisualNovel/FullMetalDaemonMuramasa'' and ''VisualNovel/SteinsGate'', two of the most highly esteemed visual novels ever written. To say that ''Tokyo Necro'' had big shoes to fill is something of an understatement. As such, despite being seen as solid enough in its own right, it is constantly held back by being in its predecessors shadow.
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314[[folder:Web Animation]]
315* ''WebAnimation/DeathBattle'': Being ''by far'' the most requested, longest, most extensively researched and most viewed of the ''Death Battle'' series to date, "[[Franchise/DragonBall Goku]] vs. Franchise/{{Superman}}" casts a massive shadow over the rest of the series in terms of production, scale and fan excitement. Not that the other episodes aren't enjoyable, but they're more OvershadowedByAwesome. As of Season 5, that status seems to have been shifted to Thanos VS Darkseid. In a more Meta sense, ''Death Battle'' is this to every other series Website/ScrewAttack has tried to release -- after it was announced that the matchup after "[[WebAnimation/{{RWBY}} Yang Xiao Long]] vs. [[VideoGame/FinalFantasyVII Tifa Lockhart]]" would be revealed in the season finale for ''The Industry'', many fans deliberately spoiled the ending of the episode by writing the matchup in the comments along with a message along the lines of "There, now you don't have to watch all this just to find out the next ''Death Battle''. You're welcome!"
316* ''WebAnimation/RedVsBlue'' had continuously set those - ''Reconstruction'' was the point where the comedy series [[CerebusSyndrome incorporated a dramatic plot]] and it worked, so ''Recreation'' being a more relaxed and laugh-focused season was deemed [[SophomoreSlump a step down]]; Season 10, closing both the ongoing plot and the tenure where Creator/MontyOum made the series more epic with his action scenes, leaving much for new showrunner Miles Luna to live up to; and most importantly Season 13, to the point that not knowing how to follow the BolivianArmyEnding of the GrandFinale forced Season 14 to be an anthology so as not to attempt directly continuing the story.
317* In Mexico, the creator and animator Rulo Barrera has made several web shows and shorts in the past years, but none else compared when he made "El Consultorio del Dr. Goku" an flash animated show were Goku and Vegeta answered questions of real people e-mailed to him in many hilarious ways. With the 9th episode the series were definitively over but any subsequent series or short got the boot from fans and were not as half as popular like Dr. Goku was forcing a short sequel named Dr. Goku 2012 where he ran as president of Mexico, then he got other special in the holidays, then another shorter special after, after that due to high demand and poor reception, Rulo made a new Website/YouTube channel and boot up Dr. Goku with a new format, a live talk show (like Space Ghost: Coast to Coast) but flopped badly and then come with a newer format, an slice of life like adventures of him much shorter than the original episodes.
318* ''WebAnimation/DrHavocsDiary'' is unfortunately overshadowed by the more popular and well-known ''WebAnimation/TheMostPopularGirlsInSchool''. Though to be fair, the former was only watchable on an American subscription site (Fullscreen) while the latter is everywhere on Website/YouTube.
319* Similarly, Creator/TheBrothersChaps follow up series to ''WebAnimation/HomestarRunner'', ''WebAnimation/TwoMoreEggs'', didn't quite catch on in the same way that Homestar Runner did. While the latter is still going strong after Twenty Two years, the former ended up lasting only two.
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322[[folder:Webcomics]]
323* Sean Howard [[http://www.squidi.net/blog/2010/2010.05.php#05.03.10 has provided this]] as the reason why he's not writing any more webcomics. ''Webcomic/AModestDestiny'' got very popular for [[CreatorBreakdown getting very dark]], and when he entered emotional recovery he didn't feel he could write like that any more. However, when he tries to write anything more lighthearted, he gets hate letter after hate letter from people demanding that he [[LeftHanging finish AMD]] rather than "waste time" on his new project.
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326[[folder:Web Original]]
327* When Creator/DougWalker retired ''WebVideo/TheNostalgiaCritic'' after four years of internet fame in order to pursue a show that he'd been dreaming of doing for ages, the fanbase was split to say the least, with some enjoying it some thinking it wasn't as good as the Nostalgia Critic and others disliking it entirely. This divide ended up cutting into the show's profits and resulted in the return of the Critic, much to the dismay of Creator/DougWalker himself, who loved ''WebVideo/DemoReel'', and wanted to focus on that project of his dreams; instead having to torch the thing and bring back the character everybody else wanted.
328* ''WebVideo/HonestTrailers'' by ''WebVideo/ScreenJunkies'' consistently generates 1 million+ views for the channel. Other videos they produce, including ''WebVideo/MovieFights'' can rarely exceed the 500k mark. Its gaming oriented spin-off ''Honest Game Trailers" suffered a similar fate following its relocation from WebVideo/SmoshGames to Fandom Games in 2019 and the decision to replace the original voice actor (though seemingly with his blessing) with a rotating cast of new Epic Voices (though Jon Bailey eventually returned in 2020). Though none of the new actors were considered bad by any means, many viewers still missed Jon's iconic voice.
329* The monumental success of the ALS Ice Bucket Challenge in August 2014 has yet to be replicated. The challenge returned in August 2015 but wasn't even 1/100th as popular as it was in 2014. Many other social media fads have been started; the only one that truly took off was "The Dress", and even then it wasn't nearly as big as the Ice Bucket Challenge. It's agreed that a phenomenon like the Ice Bucket Challenge can't be forced, but rather will have to take off organically through word of mouth.
330* Creator/LianaK's ''[[https://www.youtube.com/playlist?list=PLf9ZVzFaBzHkEmkTeJGwmp7XkMJW6ZSU5 Lady Bits]]'' series was extremely well-received, and considered to be the best in her series examining feminism in video games - with the right amount of {{Edutainment}}. Her next project after that ''[[https://www.youtube.com/playlist?list=PLf9ZVzFaBzHlm4mqYRI9HUUHvK4vgPd6C BOSSFIGHT]]'' got very divisive reactions when it was first uploaded; Liana later commenting that her viewers expected it to be another ''Lady Bits'', and weren't sure how to take it.
331[[/folder]]

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